criticalworks

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Critical Analysis of Literary Texts Using Virtual Worlds Mary Balkun English Faculty, Seton Hall University Heidi Trotta and Mary Zedeck Instructional Designers

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Presentation on the Critical Analysis of Literary Texts Using Virtual Worlds

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Page 1: criticalworks

Critical Analysis of Literary Texts

Using Virtual Worlds

Mary BalkunEnglish Faculty, Seton Hall University

Heidi Trotta and Mary Zedeck Instructional Designers

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“We do not apprehend the world directly at all. Rather we experience it through the signs we construct to represent it.”

~ Driscoll & Lebow, 1992

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Our manipulation of these signs and symbols places them into new relationships with each other, allowing new insights into communication, interpretation, and the construction of meaning.

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We know that how we seek information determines what information we get; however, the information we receive also affects what we already know.

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“John was hungry and decide to order a large meal. He was pleased that the waitress was attentive and prompt. After he finished the meal, he paid his bill and left an extra five dollars under his plate.”

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Mental models for a novel are based on objects or characters representing characters in the narrative.

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People remember ideas about passages rather than the text itself.

This is a “mental model.” Mental models support a better recall of events.~ Bransford and Miller, 1972

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Authors and objects in text

Authors have used objects in texts to either:

• Make commentary about the times

• Enhance character development

• Explore themes

• Create intrigue

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The House of Seven Gables

~ the combined application of text and objects in a virtual world to create a collective vision.

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Activity Directions

• Pictures vs objects

• Try not to follow text literally

• Read passage– Notecard giver or Poster

• Select one picture from each category

• Volunteers

• Be able to explain selection

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Contacts:Mary BalkunFaculty, Seton Hall University(aka Zenobia Paine)[email protected]

Copyright Heidi Trotta, Mary Balkun and Mary Zedeck, 2007. This work is the intellectual property of the authors and all who contributed.

Heidi TrottaInstructional Designer(aka Heidi TeeCee)[email protected]: www.heiditrotta.com

Mary ZedeckInstructional Designer(aka Zaria Voom)[email protected]