datasheet 10947 libre
TRANSCRIPT
8/10/2019 Datasheet 10947 Libre
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Forsdick, Charles / Stafford, Andy (eds)
La Revue
The Twentieth-Century Periodical in French
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2013. 379 pp.
Modern French Identities. Vol. 66
Edited by Peter Collier
Print: ISBN 978-3-03910-947-0 pb. (Softcover)
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Book synopsis
The journal, periodical or revue has a long and largely unexplored history. The periodical has been recognized as a site of unexpected
juxtapositions and unorthodox exchanges, a source of chance discoveries. It provides a unique insight into the uneven interactions that
characterize any contemporary moment and is an invaluable archive in its own right. This volume aims, through a series of focused case
studies, to explore the twentieth-century periodical publication in French, offering an overview of some of its most important manifestations and
providing a general reflection on this complex textual form.
Contents
Contents: David Steel : Une revue méconnue : Paul Desjardins et sa Civilisation Française – Alexandre Gefen : La Revue Blanche : modèle
et anti-modèle revuiste au seuil du XXème siècle – Soheila Esmaïli : La Nouvelle Revue Française et le Surréalisme de 1924 à 1940 –
Virginie Lupo : Les Temps modernes : scène privée, scène publique – Stamatina Dimakopoulou: Surrealism and the American Grain in VVV ,
1942-1944: Culture, Theory, Art – Andy Stafford : ‘Dynamite explosée dans les arcanes pourris des vieux humanismes’ : A Literature of Politics
or a Politics of Literature? Souffles, 1966-1972 – Katy Hindson/Charles Forsdick: France, Europe, the World: Gulliver , or the Journal as Vehicle
of Literary Transformation – Patrick Suter : Poétique Surréaliste de l’anti-journal – Michael G. Kelly: Rhetoric and Metaphysics of the Avant-
garde Community: Le Grand Jeu, 1928-1930 – Jean-Sébastien Lemieux : La modernité de IIIme Convoi : Rimbaud et Michaux convoqués
par Jean Maquet – Robert Furlong : L’Essor , 1919-1959, et la production littéraire mauricienne – Joan Tumblety : Je suis partout , 1930-1944
– Pascal Mercier : Heurs et malheurs d’une ‘revue de jeunes’ : Confluences, 1941-1947 – Meadow Dibble-Dieng: When the Medium was the
Message: Editorial Practice in the First Series of Présence Africaine – Marc André Brouillette : Ancrages et perceptions de la revue québécoise
Liberté – Debra Kelly: Pierre Albert-Birot and SIC : The Avant-garde Review as Collective Adventure and Personal Poetics – Roxane Jubert : La
revue Lettrisme : vaste indicateur du mouvement isouien – Charlotte Garson : Nomadisme saisonnier et écriture critique : notes sur le rôle des
festivals pour les Cahiers du cinéma – Emma Wagstaff : ‘Ce qui demeure’: L’Éphémère and André du Bouchet.
About the author(s)/editor(s)
Charles Forsdick is James Barrow Professor of French at the University of Liverpool. He is the author of Victor Segalen and the Aesthetics of
Diversity (2000) and Travel in Twentieth-Century French and Francophone Cultures: The Persistence of Diversity (2005). He has co-edited
Francophone Postcolonial Studies: A Critical Introduction (2003) and, with Andy Stafford, The Modern Essay in French: Movement, Instability,
Performance (2005).
Andy Stafford is Senior Lecturer in French at the University of Leeds. He is the author of Roland Barthes, Phenomenon and Myth: An Intellectual
Biography (1998) and translated and co-edited a collection of Roland Barthes’s writings on fashion, The Language of Fashion (2006). He co-
edited, with Charles Forsdick, the volume The Modern Essay in French: Movement, Instability, Performance (2005).