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Accessories At it’s Finest 56 Elements and Principles inside 2012-2013 issue All the new Accessories that are in style Editor: Paige Allen

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Page 1: Design Development12

Accessories At it’s Finest

• 56 Elements and

Principles inside

2012-2013 issue

• All the new Accessories

that are in style

Editor: Paige Allen

Page 2: Design Development12

Table of Contents Pg. : Design Thesis

Pg. :About the Editor

Pg. :Elements of Design

Pg. :Line

Pg. :Texture

Pg. :Light

Pg. :Color

Pg. :Space

Pg. :Shape

Pg. :Form

Pg. :Principles of Design

Pg. :Balance

Pg. :Harmony

Pg. :Emphasis

Pg. :Massing

Pg. :Rhythm

Pg. :Proportion

Pg. :Scale

Page 3: Design Development12

Design Thesis

This magazine does not have a focus on a certain

age group. Who doesn’t LOVE accessories? Jewelry,

scarves, hand bags, shoes, belts, and headbands can

make or break an outfit, so why not find out what is in

style with the celebs. You will be able to learn the

Elements and Principles of design and how it is related

to all different types of accessories. We all have our

different styles, but why not know the meanings behind

your style?

Page 4: Design Development12

Interest: Decorating

Going to the beach Shopping

Watching Movies Baking

Paige Allen

About the Editor I was born and raised in

Charlotte, North Carolina. I have grown up loving the design field, always redoing and rearranging my room, doing crafts, and into color

schemes. How I would describe my design style would be an edgy, rustic feel. That was my main inspiration for creating this magazine. Accessories are very crucial to me and I thought that many others would find it interesting

how they are related to the Elements and Principles of Design. I hope that this magazine can inform you of fun, exciting facts about accessories that you may have not ever thought of.

Love, Paige Allen

Page 5: Design Development12

Elements of Design

Light

Color Line

Texture

Space Shape

Form

Page 6: Design Development12

LINE Straight Horizontal

Straight Vertical

Curved Flowing

Curved Tightly

Page 7: Design Development12

Straight

Horizontal Lines

Bling Bling

Horizontal Lines create eye

movement from left to

right. This cuff seen to the

right, is a great example of

horizontal lines. It has a

pattern that is continuous

all around the cuff.

Horizontal Lines make for a

more interesting piece of

jewelry.

Page 8: Design Development12

Straight Vertical

Line

Straight and Sassy

Straight Vertical Lines are

very visible in neck jewelry.

Necklaces showcase this in

there chains.

Page 11: Design Development12

Surface Quality

Implied Texture

Non Reflective

Reflective

TEXTURE

Page 12: Design Development12

Surface

Quality

Tactile Texture

Surface Quality

texture is seen

through the

toughness of an

object. You are able

to see the texture

and detail in this ring. http://culturadigital.br/ezekiel/category/costumefashionjewelry/

Page 13: Design Development12

Love

Implied Texture is seen in accessories that

portray a texture but they really have a

smooth texture. In this necklace, you can tell there is a rough texture because it shows that it

comes from a rock.

Implied

Texture

Page 14: Design Development12

Non Reflective

Texture

Non Reflective

Non Reflexive Texture

is seen in these

glasses to the right.

There is no reflection

that comes from

reading glasses.

Page 15: Design Development12

Reflective

Texture

Reflective

Reflective Texture is visible in these

earrings that are a unique shape. You are able to see the

reflection of things in front of it and

behind.

Page 16: Design Development12

Art

Task

Track

Soffit

Natural

Colored

Uplighter

Combustion

Floor Lamps

Tables Lamps

LIGHT

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Task

Light

Task Light can be

seen in this bubble

necklace because

you can see the light

reflecting off the silky

texture of the balls.

Page 18: Design Development12

Natural

Natural light is used frequently to draw people into a store to buy accessories.

Large windows let in natural light that

makes a store appealing.

Sun

Store: Photo shot of Bavelo in Charlotte, NC

Page 19: Design Development12

Colored

Different colors that hit accessories can cause a change of

color in the accessory. Different colors can change the mood or feel of

accessories also.

Variety

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Combustion

Combustion lighting

creates a feel of

home. Accessories

that are in an

environment like this,

have a seen of

loving meaning to it.

Cozy

http://decor8blog.com/category/store-

tours/page/5/

Page 21: Design Development12

COLOR Monochromatic

Analogous

Direct Complementary

Triad Complementary

Double Complementary

Tetrad Complementary

Split Complementary

Alternative Complementary

Neutral Palette

Page 22: Design Development12

Monochromatic

Monochromatic accessories are the same color scheme.

They are different shades or hues, but are still identified in

the same color scheme.

Same Shades

Page 23: Design Development12

Triad

Complementary

Triad complementary color schemes use

three colors that are equally spaced from

each other on the color wheel. This

necklace shows the three different shades

of one color in the stones.

Three

Page 24: Design Development12

Split

Complementary

Split Complementary colors are three hues

equidistant on the color wheel. When you want a design that is colorful and

yet balanced a triad color scheme would be

the way to go. Gossip Girl star Leighton Meister

displays this scheme well.

Colorful

http://www.modnitsaatelier.com/th

e-fashion-gene/5-ways-to-add-

color-to-your-wardrobe-for-spring/

Page 25: Design Development12

Neutral Palette

A Neutral Palette

consist of a color

scheme that includes

only colors not found

on the color wheel,

called neutrals, such as

beige, brown, gray,

black and white

Beige

Page 26: Design Development12

Positive Space

Negative Space

Crowding Territoriality

SPACE

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Positive Space

Positive space is the

shapes of objects such

as text and graphics.

The positive space in

this necklace is the

silver shapes that

create the circle of the

necklace.

Outline

Page 28: Design Development12

Negative Space

Negative space, also known as white space, is the shapes AROUND the

objects. The negative space in this necklace would be the space in

between the silver shape outlines also known as

the white space, which is visible in this necklace.

White

Page 29: Design Development12

Crowding

Territoriality

Crowding Territoriality

deals with the

spacing of objects

and how the

placement relates to

the space between

them.

Distance

Page 30: Design Development12

Abstract

Geometric

Natural/Organic

Dynamic

SHAPE

Page 31: Design Development12

Abstract Shape

Abstract Shapes are a shape that is

derived from a visual source, but is so

transformed that it bears little visual

resemblance to that source.

Visual

Page 32: Design Development12

Geometric

Shape

Geometric shapes are derived from or suggestive of

geometry. Geometric shapes are

characterized by crisp, precise edges and

mathematically consistent curves.

Curves

Page 33: Design Development12

Natural/Organic

Organic shapes visually suggests nature or natural

forces, also know as biomorphic shape. This bangle shows rough edges and

natural form.

Nature

Page 34: Design Development12

Dynamic

Shape

Dynamic Shapes appear to be

moving and active. This ring shows

movement and creates an allusion that it is turning or

moving.

Movement

Page 35: Design Development12

Geometric

Natural

Abstract

Non-objective

FORM

Page 37: Design Development12

Natural

Naturalistic Form

looks so real that we

could mistake it for a

photo or the real

plant, animal, or

object from nature.

Photo

http://blog.hmns.org/2012/10/look-smart-

with-jewelry-that-fuses-fashion-and-

science-only-at-hmns/

Page 38: Design Development12

Abstract

Abstract Form consist of patterns or shapes where the source or

inspiration is not clear; it could be a

combination of conventional or geometric form.

unclear

Page 40: Design Development12

Principles of Design

Harmony

Proportion

Massing

Balance Emphasis

Rhythm Scale

Page 41: Design Development12

BALANCE

Visual Symmetry

Structural Symmetry

Visual Asymmetry

Visual Radical Symmetry

Structural Radical Symmetry

Page 42: Design Development12

Visual

Symmetry

Visual Symmetry is a

mirror image

arrangement of parts

of elements.

Mirror

Page 43: Design Development12

Structural

Symmetry

Structural Symmetry is a balance of equal

patterns or design that cannot be separated without destroying the other. If this necklace

did not have an equal amount of balls/circle objects, it would not

be structural Symmetry.

Together

Page 44: Design Development12

HARMONY Unity through Line

Unity through Shape

Unity through Color

Unity through Repetition

Variety through Color

Variety through Materials

Variety through Furniture

Variety through Modern in

Contrast to Old

Page 45: Design Development12

Variety through

Color

Having a variety in

color in accessories is

a nice way to show a

color pallet and

gives a settle feel.

Settle

Page 46: Design Development12

Unity through

Line

Having a unity with

line is a rhythm that

continues in an

accessory.

Line

Page 47: Design Development12

Unity through

Shape

Having similar shapes

in accessories are a

way to show that

there is a coherence

seen in most jewelry.

Shape

Page 48: Design Development12

Unity through

Color

Unity in Color is much

different from Variety

in Color. Unity is the

same color and is a

repeated

occurrence.

Color

Page 49: Design Development12

EMPHASIS

Focal Point-Visual

Focal Point- Structural

Page 50: Design Development12

Focal Point-Visual

There is a Focal Point-

Visual in most shoes.

There logo is what the

eye goes to

immediately when you

look at them. These

shoes are just one of

many examples.

Focus

Page 51: Design Development12

Focal Point- Structural, without it a spectator will loss interest quickly because nothing pulls them in. The structural of an accessory can

provide this focal point that is structural.

Structure

Focal Point- Structural

Page 52: Design Development12

MASSING Actual Density

Optical Density

Page 53: Design Development12

Actual Density

Actual Density is the

dense of an

accessory being

present and able to

be seen.

Dense

Page 54: Design Development12

Optical Density

Optical Density is

being visually able to

see that an

accessory is visually

dense.

Visual

Page 55: Design Development12

RHYTHM Repetitive

Climatic

Contrast

Transitional /Flowing

Page 56: Design Development12

Repetitive

In repetitive

accessories you will

see an object over

and over again that

is even and

balanced.

Frequent

Page 57: Design Development12

Climatic

Climatic rhythm is

when a maximum

and minimum meet

at an equal interval.

Climate

Page 58: Design Development12

Transitional

Transitional Rhythm is

when there is a clear

stop and start in a

pattern or rhythm in

an accessory.

Flowing

Page 59: Design Development12

PROPORTION

Object in Proportion with Space

Objects NOT in Proportion with

Space

Page 60: Design Development12

Object in

Proportion with

Space

Proportion in Space

regards to an object

is when there is

space that you are

able to determine

one object from

another.

Proportion

Page 61: Design Development12

Objects NOT in

Proportion with

Space

Objects that are not

in proportion with

Space is when you

cannot see space

between an

accessory.

Not seen

Page 62: Design Development12

SCALE Human Scale

Symbolic Scale

Page 63: Design Development12

Human Scale

Human Scale is the

relation to objects to

a human figure that

is proportionate to a

human body.

Human

Page 64: Design Development12

Symbolic Scale

A Symbolic Scale is

having balance in

an object of an

accessory that has a

meaning.

Symbol