Type Quantity Fixture Manufacture & Model
Number Lamp Type/CCT Description
A 16
Winona Lighting
PA-L4-WHT-F0-
SHO-C1-B3
39W
PAR20/MH/SP10
3000K
Adjustable aim, Façade
accent lighting with
remote ballast
B 120
Winona Lighting
WSL-405W-48-100-RGB-
ND24V-A-SGW-RB-X-STD
LED
RGB
Adjustable aim, Purple or
blue color, Façade wall
wash
C 28
Winona Lighting
TH-86-NF-UB-NSL-L0-BKS-
F0-GS-B3-STD
CMD70/T6/MH
3000K
Ingrade façade accent
lighting, Glare shielding,
Remote ballast
D 6
Winona Lighting
HI-86-NF-UB-L2-BKS-F0-
SHO-C1-B3-STD
CMD70/T6/MH
3000K
Adjustable aim, Banner
light, mounted on
extension pole off of ban-
ner frame, Remote ballast
E 2
Winona Lighting
LED-POPS03-22-CYL-L-
007-DM24V-BAL-X-STD
Normal Output
LED
Red-Orange
Pendant hung chandelier
for bar/info desk,
Dimmable LED, Red-
orange color
F 147
Steng Licht
Einbaufassung
E14 AEO
40W 120V
Incandescent
2700K
Marquee lighting for
perimeter of mezzanine,
Spaced every 6", dimmed
to 50% to maintain
lamplife and energy
G 14
Winona Lighting
HEBRLED-9004-12V-L4
-LO-FA-SH6-TF-GS-STD
15W/40° FL/WW
LED
3000K w/ Amber
Color Filter
Ingrade lighting for
donor wall, Amber color
filter, 180 Degree glare
shield
H
6 - 3ft.
5 - 4ft.
14 - 1ft.
Winona Lighting
WSL-103W-TBD-
110-30K-F-NAA-X-STD
3000K LED with
Orange-Red
Color Filter
Under cabinet lighting for
bar/info desks and box
office counter, 1 ft
sections, Red-orange
color
I 8 Cooper Lighting
PD6 H142 26W DTT
26W Double Tube
Fluorescent
3000K
Recessed can lights in
mezzanine over hang to
illuminate the box office
area
J 12
Winona Lighting
5622-24-F14Tf/Mini Bi Pin-
277V-WLG-BAL-STD
F14T5 Mini Bi Pin
3000K
Wall sconce in archways
throughout lobby,
Surface Mount 6' off floor
K 36
Litecontrol
85N14T8-S-FP-CWM-
CZECO/ELC277
2 F32T8
Fluorescent
Lamps 3000K
Wall washers for perimeter
of lobby and above donor
wall
L 14
AmerLux
SD4 70 T6 E SD C
120/277U WF
T6/MH/FL 3000K Recessed down-lights in
lobby
The Public Theater
The Neoclassical movement of purity, rhythm and order made its way into
literature, paintings, music, politics, theater and architecture in the 18th
century. Not only was it a rejection of the ornamental and chaotic
movements that came before it, but also a mirror to the Classical thought of
ancient Roman and Greek society.
A century and a half later, we find that Modern thought is a reflection of
Neoclassicism. Sharp contrasts, symmetry and simplicity proved to be
important design criteria not only in Neoclassical art, but also for the simplistic
Modern movement of our time. With this in mind it seems fitting that this
historic Neoclassical building will be restored with Modern style to become a
mecca to the arts. Our lighting design is a fusion of Modern art and
Neoclassical principles. Symmetry and order are melted together with color
and futurama to produce a timeless and inspiring aura for both theater
patrons and public passerby.
On the exterior, eccentric gradients play with elegant columns of warm
light and echo the matrimony of old style and new ideas. The building feels
alive, and lures people in through the lobby directly to the box office. Above
the box office, the donor wall is gracefully washed with an eye-catching gra-
dient that is imitated by the pleasant embrace of the bar and information
desk. The passion and history behind this proposal encourages young and ag-
ing patrons alike to harbor a loyalty to this theater in particular as well the fine
arts in general.
Where passion for classic and modern art unite.
A
D
B
C
Luminaire Layout Plans
Please note
that these
drawings are
not to scale,
and the
façade
layout is
symmetrical.
Kittrick Mikel Davidson & Sara Nicole Sullivan
Bar & Info. Desk
Box Office
Donor Wall
Mezzanine
Howard Brandston Lighting Design Education Grant
