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Download - Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself

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Page 1: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 2: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 3: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 4: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 5: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 6: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 7: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 8: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 9: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 10: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 11: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 12: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 13: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 14: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 15: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself
Page 16: Vol. X, No. 7, March, 1916Painting in the James E. Scripps Collection, originally attributed to Bellini but which Bernard Berenson ascribes to an unknown master who signed himself

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