Mitchell Sack 639167

Stud io Earth Book

Contents

1. Point. Line. Plane

2. Mass

3. Frame and Infill

4. Site Analysis

6. Floor PLan

5. A Place For Keeping Secrets

4. Site Analysis

7. Section

8. Spatial Sequence

5. A Place For Keeping Secrets

9. Physical Model

1. Point. Line. Plane.

UPM Architects, Lilja Chapel3GATTI, Kic ParkOMA, Dutch Embassy Model

((Morgan, 2012)((Architizer, 2016)((OMA, n.d.)

The walkway has been designed by manipulating folded planes in order to create an undulating surface. The dynam-ic nature of the space means that the path can be used in a multitude of ways. Adopting the analogy of lying- sitting- standing, the points at which the planes intersect form areas in which users can choose any of the three actions; with gently sloped areas for lying, suspended areas for sitting and defined walking circulation. Inspired by the circulation model of the Dutch Embassy, the walkway consists of a single, clearly defined trajectory. Visually, the idea of two lines meeting at a point served as the inspiration for the physical forms that comprise the path. The use of these sharp trian-gular planes meeting with one another also creates visually intriguing forms as well as dynamic the dynamic surface.

The walkway has been designed by manipulating folded planes in order to create an undulating surface. The dynam-ic nature of the space means that the path can be used in a multitude of ways. Adopting the analogy of lying- sitting- standing, the points at which the planes intersect form areas in which users can choose any of the three actions; with gently sloped areas for lying, suspended areas for sitting and defined walking circulation. Inspired by the circulation model of the Dutch Embassy, the walkway consists of a single, clearly defined trajectory. Visually, the idea of two lines meeting at a point served as the inspiration for the physical forms that comprise the path. The use of these sharp trian-gular planes meeting with one another also creates visually intriguing forms as well as dynamic the dynamic surface.

2. Mass

Louis Khan, National Assembly Building Adalaj Stepwell Bjarke Ingles Group (BIG), Danish National Maritime Museum

((Fabrizi, 2014)((Architectuul, 2015) ((Archdaily, 2013)

Using excavation, this design consists of two cavern like rooms with a descent below ground. This composition rep-resents contrast, with the illuminated section containing a highly variable and uncertain walking surface that relies on vision while the dark room is smooth and predictable under foot, offering a smooth strip on the wall reflecting the slope to guide visitors down into the space by touch. Offering comfort and predictability in darkness serves as a stark contrast to human expectation. This lower space consists of a sense of enclosure and density in materials compared to the more open upper cabin. Employing the concept of permeation inspired by the National Assembly Building, the dark space is penetrated by small lights high above this final resting place. This provides a reason for visitors to im-merse themselves within the space but also links to the beginning of the subterranean journey.

Using excavation, this design consists of two cavern like rooms with a descent below ground. This composition rep-resents contrast, with the illuminated section containing a highly variable and uncertain walking surface that relies on vision while the dark room is smooth and predictable under foot, offering a smooth strip on the wall reflecting the slope to guide visitors down into the space by touch. Offering comfort and predictability in darkness serves as a stark contrast to human expectation. This lower space consists of a sense of enclosure and density in materials compared to the more open upper cabin. Employing the concept of permeation inspired by the National Assembly Building, the dark space is penetrated by small lights high above this final resting place. This provides a reason for visitors to im-merse themselves within the space but also links to the beginning of the subterranean journey.

3. Frame and Infill

Mies van der Rohe, Seagram Building Le Corbusier, Centre Le Corbusier (Heidi Weber MuseumWoods Bagot, National Australia Bank, Docklands

(Self Taken) ((Woods Bagot, n.d.) ((Molloy, 2013)

The platform is designed to offer 360 degree framed views, with each being unique to one another and unable to be witnessed from any other point in the structure. Using the idea of anti gravity and balance, a series of cantilevered bays form the frame of the platform, while infill elements are used to obstruct and reveal views. Drawing from the identified precedents, the idea of using irregular and non orthogonal infill elements offered a way to employ more elaborate shapes, forming a more interesting composition. The experience from within the space is ever changing as the irregular canopies offer a multitude of peeks and views across all directions not only horizontally, but vertically as well. The temporary nature of the infill pieces also means that they could be rearranged in any number of combina-tions, highlighting the versatility of the design.

Le Corbusier, Centre Le Corbusier (Heidi Weber Museum

The platform is designed to offer 360 degree framed views, with each being unique to one another and unable to be witnessed from any other point in the structure. Using the idea of anti gravity and balance, a series of cantilevered bays form the frame of the platform, while infill elements are used to obstruct and reveal views. Drawing from the identified precedents, the idea of using irregular and non orthogonal infill elements offered a way to employ more elaborate shapes, forming a more interesting composition. The experience from within the space is ever changing as the irregular canopies offer a multitude of peeks and views across all directions not only horizontally, but vertically as well. The temporary nature of the infill pieces also means that they could be rearranged in any number of combina-tions, highlighting the versatility of the design.

4. Site Analysis

Circulation

Circulation Existing Structures Views

In selecting a site on Herring Island on which build a pavilion, a number of key factors were considered and identi-fied. The chosen site on which to build possesses views along the Yarra River in two different directions, but more im-portantly, can be easily seen from across the bank on both Alexandra Avenue and the Yarra River bike trail. This area contains only one other structure, “Steerage” and would mean that a pavilion would serve as a point of visual interest from across the river. This allows the building to build intrigue for ‘secret’ which it contains. The approach to the site consists of a single path as the eastern side is too step and vegetated. In having a specific approach, the experience of the site user can be easily manipulated to enhance the experience. Also worth noting is the fact that the building site is not visible from either landing, meaning that once on the island, a building which was previously so visible now becomes a challenge to locate, forming a secret in itself.

5. A PLace For Keeping SecretsMy initial conceptacle works with the idea of hiding and revealing space, workings as a meandering experience in-ternally, yet a cohesive whole externally. This works perfectly with the chosen site as it allows for what is witnessed from the opposing river banks to be an illusion compared to the building’s experience. Applying the concepts from point line and plane, my second concept model was based around the idea of a linear axis, with folded planes forming canopies at the rear. As an early building concept, this linear wall became the main feature of the design, visually guiding the user along their path through the building whilst also acting as a barrier to hide the journey ahead. This axis is constructed as feathered timber posts, with the distance between increasing, reflecting the tectonic shifts from a massive structure at the base to a lightweight cantilever over the river. The posts are angled such that the building’s linear axis simultaneously hides and reveals, obscuring the path ahead but offering framed views in the other direc-tion.

My initial conceptacle works with the idea of hiding and revealing space, workings as a meandering experience in-ternally, yet a cohesive whole externally. This works perfectly with the chosen site as it allows for what is witnessed from the opposing river banks to be an illusion compared to the building’s experience. Applying the concepts from point line and plane, my second concept model was based around the idea of a linear axis, with folded planes forming canopies at the rear. As an early building concept, this linear wall became the main feature of the design, visually guiding the user along their path through the building whilst also acting as a barrier to hide the journey ahead. This axis is constructed as feathered timber posts, with the distance between increasing, reflecting the tectonic shifts from a massive structure at the base to a lightweight cantilever over the river. The posts are angled such that the building’s linear axis simultaneously hides and reveals, obscuring the path ahead but offering framed views in the other direc-tion.

6. Floor Plan 1:100 @A3

7. Section 1:100 @A3

After walking to the end of the cantilever and through the posts, the pavilion descends under-ground, with this submerged section unable to previously seen from any point. At the base of the stairs, there is a secret seating space hidden from the previous journey. A greater presence of con-crete reflects the sense of mass as the building leads further into the earth climaxing in a small room containing a time capsule. This room posesses low ceilings, inviting visitors to sit and appreciate the space that is illuminated from the projector room above, much like the “mass” cavern. The journey then ends almost directly below where it begun.

8. Spatial Sequence

9. Physical Model

References

ArchDaily, 2013. Danish National Maritime Museum / BIG. [Online] Available at: http://www.archdaily.com/440541/danish-national-maritime-museum-big[Accessed 22 March 2016].

Architectuul, 2015. National Assembly Building of Bangladesh. [Online] Available at: http://architectuul.com/architecture/national-assembly-building-of-bangladesh[Accessed 23 March 2016].

Architizer, 2016. [Online] Available at: http://architizer.com/projects/kic-park/[Accessed 05 March 2016].

Fabrizi, M., 2014. Inhabiting Infrastructures: Indian Stepwells. [Online] Available at: http://socks-studio.com/2014/03/13/inhabiting-infrastructures-indian-stepwells/

Molloy, J. C., 2013. AD Classics: Centre Le Corbusier (Heidi Weber Museum) / Le Corbusier. [Online] Available at: http://www.archdaily.com/322782/ad-classics-centre-le-corbusier-heidi-weber-museum-le-corbusier[Accessed 10 April 2016].

Morgan, H., 2012. Finland’s Beautiful Lilja Chapel is a Pop-Up Prefab Church. [Online] Available at: http://inhabitat.com/finlands-lilja-chapel-provides-a-prefab-refuge-for-those-seeking-peace/[Accessed 05 March 2016].

OMA, n.d. Netherlands Embassy. [Online] Available at: http://oma.eu/projects/netherlands-embassy[Accessed 5 March 2016].

Woods Bagot, n.d. National Australia Bank, Melbourne, Australia. [Online] Available at: http://www.woodsbagot.com/project/national-australia-bank-docklands[Accessed 10 April 2016].