edlis neeson theater miguel gutierrez and the powerful
TRANSCRIPT
Parking
Validate your ticket at coat
check for $11 parking in the MCA
garage (220 East Chicago Avenue)
and Bernardin garage (747 North
Wabash Avenue). The $11 parking
is limited to six hours on date
of performance.
Lost and found
To inquire about a lost item,
call the museum at 312.280.2660.
Unclaimed articles are held for
30 days.
Seating
Switch off all noise-making
devices while you are in
the theater.
Late arrivals are seated at the
management’s discretion. Food
and open beverage containers are
not allowed in the seating area.
Reproduction
Unauthorized recording and
reproduction of a performance
is prohibited.
Museum of Contemporary Art
Chicago
220 East Chicago Avenue
Chicago, Illinois 60611
mcachicago.org
General information 312.280.2660
Box office 312.397.4010
Volunteer for performances
312.397.4072
Museum hours
Tuesday: 10 am–8 pm
Wednesday–Sunday: 10 am–5 pm
Closed Mondays, Thanksgiving,
Christmas, and New Year’s Day
Co
urt
es
y
Gu
ide
lin
es
an
d
Info
rma
tio
n
King Harris,
Chair of the
Board of Trustees
Madeleine Grynsztein,
Pritzker Director
Janet Alberti,
Deputy Director
Michael Darling,
James W. Alsdorf
Chief Curator
Performance Committee
Lois Eisen, Chair
Katherine A. Abelson
Ellen Stone Belic
Pamela Crutchfield
Ginger Farley
Gale Fischer
Jay Franke
John C. Kern
Lisa Yun Lee
Elizabeth A. Liebman
Lewis Manilow
Alfred L. McDougal
Paula Molner
Sharon Oberlander
Maya Polsky
D. Elizabeth Price
Carol Prins
Cheryl Seder
Patty Sternberg
Richard Tomlinson
Performance Programs
Peter Taub, Director
Yolanda Cesta Cursach,
Associate Director
Richard Norwood,
Theater Production Manager
Cameron Heinze, Manager
Antonia Callas, Assistant
Kevin Brown,
House Management Associate
Phil Cabeen,
House Management Associate
Alicia M. Graf,
House Management Associate
Quinlan Kirchner,
House Management Associate
Lucas Baisch, Intern
Erik Norwich, Intern
Facilities
Dennis O’Shea,
Manager of Technical
Production
Box Office
Matti Allison, Manager
Phongtorn Phongluantum,
Assistant Manager
Molly Laemle, Coordinator
Gabriel Garcia, Associate
Charles Hearne, Associate
Nicholas Stephens, Associate
Program notes compiled by
Yolanda Cesta Cursach
As
one
of th
e na
tion’
s la
rges
t mul
tidis
cipl
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useu
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go o
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ex
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of t
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houg
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of to
day.
The
mus
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perfo
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CA
Sta
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nd o
fferin
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cont
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pora
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of t
he tr
aditi
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root
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per
form
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.
Mig
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l G
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Pe
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Thur
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day,
Ja
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–Feb
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20
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Fir
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31
Follo
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erfo
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audi
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mem
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invi
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Mig
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utie
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col
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bora
tors
, mod
erat
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ter T
aub,
Dire
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Perfo
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And lose the name of action is supported by a
National Performance Network (NPN) Creation Fund
Project co-commissioned by MCA Chicago in part-
nership with Flynn Center for the Arts, Portland
Institute for Contemporary Art (PICA), the Brooklyn
Academy of Music (BAM), and NPN. Additional sup-
port comes from the NPN Forth Fund and Residency
Program. Major contributors of NPN are the Doris
Duke Charitable Foundation, Ford Foundation, Nathan
Cummings Foundation, MetLife Foundation, and the
National Endowment for the Arts (a federal agency).
Additional project support was made possible by
the New England Foundation for the Arts’ National
Dance Project, with lead funding from the Dorris
Duke Charitable Foundation and additional fund-
ing from the Andrew W. Mellon Foundation and
the Boeing Company Charitable Trust and The MAP
Fund, a program of Creative Capital supported
by the Doris Duke Charitable Foundation and the
Rockefeller Foundation..
Lead commissioning and developmental support
for And lose the name of action has been pro-
vided by Walker Art Center in Minneapolis, the
Maggie Allesee National Center for Choreography
at Florida State University in Tallahassee and
Brooklyn Academy of Music in New York. Additional
coproduction support has been provided by On
the Boards and BIT Teatergarasjen. And lose
the name of action has been supported by Lower
Manhattan Cultural Council through a residency
at Building 110: LMCC’s Arts Center at Governors
Island. Additional residency support provided by
Baryshnikov Arts Center.
Gen
erou
s su
ppor
t for
the
2012
–13
seas
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f MC
A S
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is
pro
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Mig
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sent
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incl
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useu
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Miguel Gutierrez
and
the
Powerful People
Individual Donors and
Kickstarter
Supporters
6 Anonymous, Torrey
Acri, Julie Alexander,
Leslie Alexander, Anna,
Raphaele Andriuzzi,
Yulia Arakelyan, Maria
C. Arias, Arthur Aviles,
Marcus Baldemar, Ivy
Baldwin, David Ball,
Eleanor Bauer, Brian
Bauman, Katie Bartlett,
Jules Beckman, Sofia
Belenky, Lydia Bell, Zoe
Bennett, David Bernstein,
William Berger, Rob
Besserer, Keith Biesack,
David Birnbaum, Wendy
Blum, Nastalie Bogira,
Alison Bory, Angela
Boulé, Michelle Boulé,
David Boyer, Michael
Brassell, John Brennan,
Monica Burton, David
Buuck, Carolina
Caballlero, Ted Caine,
Jose Carlos Casado, Abby
Man-Yee Chan, Matthew
Chastain, Beverly Clark,
Hilary Clark, Lindsay
Clark, Anya Cloud,
Clara Chabalier, Geoff
Chadsey, David Cohen,
Yve Laris Cohen, Amparo
M. Connors & Allied
Personnel Services, CA
Conrad, Simon Courchel,
Michaela Coventry, Leah
Cox, Tom Creed, Hayden
Crihfield, Paul Dallas,
Rebecca Davis, Samara
Davis, Monica de la
Torre, Alberto Denis,
Esperanza Diaz-NY Cousin,
Graceann Dorse, Brendan
Dougherty, Lenore
Doxsee, Anna Drozdowski,
Eleanor Dubinsky,
Sandi DuBowski, Bill
Durgin, Hannah Durack,
Cédric Duroux, Kate
Dwyer, Hazel Coventry-
Burless, Eventbrite,
Bob Eisen, Jennifer
Grodin Ellis, Christine
Elmo, Ivy R. Elrod,
Jill Emerson, Talya
Epstein, Sharon Estacio,
Patrick Ferreri, Stephen
Figge, Rosie Fisher,
Alan Fleming, Michael
Fleming, Kristina Fluty,
Robert Flynt, The Fondue
Set, Clyde Forth, Sam
Frank, Erica Frankel,
Helki Frantzen, Margit
Galanter, Vallejo
Gantner, French Gravity,
Laurel George, Howard
Gertler, Doni Gewirtzman,
Neil Goldberg, Marlee
Grace, Neil Greenberg,
Brighid Greene, Andrew
Greer, Lance Gries,
Stacy Grossfield, Aaron
and Elizabeth Grossberg,
John Gutierrez &
Corey Tiblier, Raquel
Gutierrez, Sofia
Gutierrez-Blood, Amanda
Hamp, Jeanne E. & Jozef
Hand-Boniakowski, Joan
Hanna, Dave Hardy,
Deborah Hazler, Josh
Hecht & Lance Horne &
Winter Miller, Melanie
Hedlund, George
Henderson, Sophie
Henderson, Theodore
Henigson, Brian Herrera,
Hervé, Maija Hirvanen,
Angela Hockman, K.
J. Holmes, HOULLIER,
Eleanor Hullihan,
Richard Hughes, Jess
Humphrey, Mike Inwood,
Meredith James, Mark
Jeffery, Ezra Jennings,
Jane Jerardi, Jessica
Jobaris, Jenn Joy,
Stephen Kent Jusick,
Amaha Kassa, Peter
Nye Kerlin, Juliane
Kim, Aiko Kinoshita,
Kyli Kleven, Alexey
Kokhanov, Dana Kotler,
Kim Kort, Jaamil
Kosoko, Sara Krikau,
Chad Kukahiko, Jennifer
Lafferty, Phyllis
Lamhut, Jo Lampert, Jay
Laubscher, Lena Lauer,
Rachel Lehrer, Abigail
Levine, Daniel Linehan &
Michael Helland, Jennie
MaryTai Liu, Jonathan
Lisecki, Joy Llanes,
Rosalind Masson, Carly
McCollow, Ed McCarthy,
Rennie McDougall,
Cortney Mcguire, Jessie
McKinlay, Jeff McMahon,
Layla Marcelle Mrozowski,
Clare Marie Myers,
Kate Martel, Mary, Lea
Marshall, Chris Masters,
Kate Mattingly, Clare
Maxwell, Joe Mejia,
Katiushka Melo, Sarah
Galender Meyer, Bebe
Miller, Sam Miller, Mo
Miner, Jon Moniaci,
Nohemi Montzerrat
Contreras R, Michael
Morgan, Stephen B
Morgan, Karen Nelson,
Spencer Novich, Nancy
Nowacek, Mark Nowotarski,
Jody Oberfelder, Antje
Oegel, Lauren O’Neill-
Butler, Alberto Orso &
Jeff Lee, Tony Orrico,
Eric Ost & Justine
Kiefer, Eric Palmerlee,
Peter K., Page & Sarah
K. Davis, Nicky Paraiso,
Jean Paulhan,Chris Peck,
Jillian Peña, People Get
Ready, Stephanie Pereira,
Marissa Perel, Anne-
Rene Petrarca, Marco
Place, Brett Price,
Sara Procopio, Clare
Quilty, Christina Read,
Derik Riesche, Andrea
Roberts, Rick Robertson,
Natalie Robin, Paul
Rogers, Tamar Rogoff,
Dan Rothenberg, Ray Roy
& Felicia Ballos, Emily
Roysdon, Vanessa Saft,
Sara, Bryan Santiago,
Karen Schaffman, Chris
Schlichting, Arno
Schuitemaker, John Scott,
Lizzie Scott, Betsy
Seder, Leslie Selden,
Tanya Selvaratnam, Paul
Mpagi Sepuya, Todd
Shalom, G. Lester
Shusterman, Matthew
Shyka, Megan Sinnwell,
Bri Skellie, Niegel
Smith, Gayle Snible,
Gus Solomons Jr., Gaby
Soto-Lemus, Toby Sowers,
RoseAnne Spradlin,
Andrea Stanley, Shannon
Stewart, The Syers
Family Singers, Ivan
Sygoda, Judy & Steven
Taylor, Jacqueline
Terrassa, Karen Therese,
Colleen Thomas, Martyn
Thompson, David Thorpe,
Joshua Thorson, TOPAZ
ARTS, Inc., Samuael
Topiary, Eric Turiansky,
Anna Lucia Uihlein,
Adolfo Vargas, Matias
Pelenur and Alejandro
Varela, David Velasco,
Antonietta Vicario,
Vincent Vigilante,
Holcombe Waller, Vanessa
Walters, David Wampach,
Rebecca Warner, Nicolle
Wasserman, Kate Watson-
Wallace, Deke Weaver,
Edisa Weeks, Emily
Wexler, Nicole Wolcott,
Ashley Williams, Lynne
Williams, Brian Wilson,
Max Wirsing, Kim
Sargent-Wishart, Jon
“Wee Heavy” Stern, Peter
Witrak, Stephen Wu, Tal
Yarden, Christina Zani,
Jesse Zaritt, Daniel
Zika, Yes., Frania Zins,
and Pavel Zustiak.
Photo: Boru O'Brien O'Connell
Ab
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role
per
cept
ion
play
s to
det
erm
ine
real
ity a
nd h
ow v
ari-o
us d
isci
plin
es—
neur
olog
y,
philo
soph
y, s
omat
ics—
talk
abo
ut th
e bo
dy a
nd
min
d co
nnec
tion.
I was
relie
ved
to d
isco
ver a
gro
win
g bo
dy o
f ph
iloso
phic
al li
tera
ture
that
sta
tes
that
per
cep-
tion
and
mea
ning
are
not
mer
ely
brai
n-cr
eate
d ph
enom
ena
but t
hat t
hey
are
actio
ns th
at re
sult
from
the
body
’s in
tera
ctio
n w
ith o
ther
bod
ies
and
with
the
envi
ronm
ent.
I was
affi
rmed
in m
y be
lief t
hat m
ovem
ent i
s w
hat l
arge
ly d
eter
min
es
a se
nse
of c
hang
e in
one
’s li
fe. A
t the
sam
e tim
e I w
as s
urpr
ised
that
thes
e w
riter
s la
rgel
y ig
nore
d th
e w
ork
of s
omat
ic a
nd d
ance
pra
c-tit
ione
rs—
from
Bon
nie
Bai
nbrid
ge-C
ohen
and
M
oshe
Fel
denk
rais
to D
ebor
ah H
ay—
who
se
wor
k re
gard
ing
perc
eptio
n la
rgel
y pr
e-da
te th
e al
lege
d “d
is-c
over
ies”
in p
hilo
soph
y an
d ne
uro-
scie
nce.
I fou
nd v
ery
little
refe
renc
e to
dan
ce in
thes
e bo
oks
that
is in
form
ed b
y th
ese
ad-v
ance
men
ts
in th
e un
ders
tand
ing
of th
e bo
dy-m
ind
con-
nect
ion.
I w
onde
red
why
thes
e fie
lds
wer
e no
t ta
lkin
g to
eac
h ot
her a
nd I
won
dere
d if
my
wor
k co
uld
be a
way
of c
reat
ing
a br
idge
bet
wee
n th
em. T
his
rese
arch
info
rmed
my
evol
ving
idea
s ab
out t
he s
ense
s an
d ab
out t
he w
ay th
at p
er-
form
ance
ele
men
ts li
ke m
ovem
ent,
light
, and
so
und
inte
ract
to c
reat
e a
chor
eogr
aphi
c m
ode
of p
erce
ptio
n w
here
mea
ning
is n
ot a
n an
alyt
i-ca
l pro
posi
tion
but a
n ex
perie
ntia
l one
.
Alo
ng th
e w
ay, I
bec
ame
intri
gued
with
see
m-
ingl
y irr
atio
nal i
deas
from
the
para
nor-
mal
fiel
d,
with
thei
r foc
us o
n in
subs
tant
ial b
odie
s, a
nd I
crea
ted
a lin
k be
twee
n th
is fi
eld
and
my
expe
ri-en
ces
perfo
rmin
g an
d w
atch
ing
danc
e, w
hich
its
elf c
onst
antly
dis
appe
ars
and
haun
ts, a
nd th
e ha
lluci
na-to
ry e
xper
ienc
e of
wat
chin
g m
y fa
ther
an
d fa
mily
und
ergo
a c
hang
e I c
ould
nev
er h
ave
pred
icte
d an
d on
ly b
arel
y un
ders
tand
now
.—
Mig
uel G
utie
rrez
Photo: Gene Pittman, courtesy Walker Art Center
De
dic
ati
on
an
d t
ha
nk
s
This
pie
ce is
for m
y m
othe
r, fa
ther
, and
sis
ter.
It to
ok th
ree
year
s of
rese
arch
, dev
elop
men
t, re
hear
sal,
and
prod
uctio
n to
cre
ate
it. T
he le
vel
of s
uppo
rt th
at I
rece
ived
thro
ugho
ut th
e pr
oces
s on
a c
reat
ive,
inst
itutio
nal,
prof
essi
onal
, an
d pe
rson
al le
vel w
as u
npre
cede
nted
. I a
m
deep
ly g
rate
ful t
o ha
ve b
een
give
n so
muc
h tru
st a
nd re
spec
t fro
m s
o m
any
dedi
cate
d an
d sm
art p
eopl
e. A
s an
arti
st w
orki
ng in
the
US
, thi
s ki
nd o
f sup
port
is u
nusu
al a
nd e
xtra
or-
dina
ry. I
t is
impo
rtant
to n
ame
the
peop
le
invo
lved
to d
ispe
l the
myt
h of
the
rugg
ed in
di-
vidu
al a
rtist
and
to re
mem
ber t
hat a
rt is
nev
er
mad
e in
a v
acuu
m.
I wou
ld li
ke to
than
k M
ark
John
son,
a m
an
I’ve
neve
r met
, for
writ
ing
a bo
ok—
The
Mea
ning
of t
he B
ody:
An
Aes
thet
ics
of H
uman
U
nder
stan
ding
—th
at s
et m
any
of th
e w
heel
s of
this
pro
ject
in m
otio
n. T
hank
you
to D
onna
Fa
ye B
urch
field
for r
ecom
men
ding
that
boo
k to
me.
Tha
nk y
ou to
Brid
gette
K. K
ohnh
orst
, fo
r adv
ocat
ing
for o
ur p
roje
ct to
the
Nat
iona
l E
ndow
men
t for
the
Arts
pan
el. T
hank
you
to
the
Gug
genh
eim
Fou
ndat
ion,
for s
uppo
rting
my
rese
arch
tim
e fo
r thi
s pr
ojec
t, an
d N
ew E
ngla
nd
Foun
datio
n fo
r the
Arts
’ Nat
iona
l Dan
ce P
roje
ct,
the
Nat
iona
l Per
form
ance
Net
wor
k, th
e Je
rom
e Fo
unda
tion,
the
Bos
sak
Hei
lbro
n Fo
unda
tion,
an
d R
ocke
felle
r MA
P fu
nd fo
r the
ir cr
itica
l su
ppor
t. Th
ank
you
to th
e A
ndre
w W
. Mel
lon
Foun
datio
n, w
hose
exe
mpl
ary
visi
on fo
r sup
-po
rting
the
perfo
rmin
g ar
ts h
as re
ache
d th
is
proj
ect t
hrou
gh s
o m
any
of th
e co
mm
issi
onin
g pa
rtner
s an
d fu
ndin
g bo
dies
.
Than
k yo
u to
the
co-c
omm
issi
oner
s, w
ho
belie
ved
in th
is p
iece
and
who
, in
som
e ca
ses,
al
low
ed u
s to
dev
elop
the
piec
e at
thei
r ven
-ue
s: J
oe M
elill
o at
BA
M; P
hilip
Bith
er, M
ichè
le
Ste
inw
ald
and
Pear
l Rea
at t
he W
alke
r Art
Cen
ter;
Jen
nife
r Cal
iene
s, L
aure
n S
loan
e,
Sho
ko L
etto
n an
d C
hris
Cam
eron
at M
AN
CC
, S
ven
Åge
Birk
elan
d at
Okt
ober
dans
; Arn
ie
Mal
ina
and
Ste
ve M
cQue
en a
t the
Fly
nn C
ente
r fo
r the
Per
form
ing
Arts
; Pet
er T
aub,
Yol
anda
C
esta
Cur
sach
and
Ric
hard
Nor
woo
d at
MC
A
Chi
cago
; Lan
e C
zapl
insk
i at O
n th
e B
oard
s;
and
Ang
ela
Mat
tox
and
Erin
Bob
erg
Dau
ghto
n at
PIC
A. W
e w
ere
incr
edib
ly lu
cky
to g
et re
si-
denc
ies
in N
ew Y
ork
City
to b
uild
this
pie
ce, s
o th
ank
you
to S
am M
iller
, Mel
issa
Lev
in, S
ean
Car
roll,
and
Will
Pen
rose
at L
MC
C, a
nd M
ikha
il B
arys
hnik
ov, S
tanf
ord
Mak
ishi
, Geo
rgia
na
Pic
kett,
Ele
anor
Wal
lace
, Kris
ten
Mile
s, a
nd
Katie
Gor
um a
t Bar
yshn
ikov
Arts
Cen
ter.
I can
not s
tress
eno
ugh
how
gra
tefu
l I a
m to
B
en P
ryor
, my
man
ager
, and
Jul
ie A
lexa
nder
, m
y fin
anci
al a
ssoc
iate
, for
tire
less
ly m
akin
g su
re th
at th
e pi
ece
rece
ived
eve
ryth
ing
it ne
ed-
ed a
long
the
way
. The
ir le
vel o
f ste
war
dshi
p fo
r thi
s pi
ece,
and
for m
y w
ork
in g
ener
al,
is a
we-
insp
iring
. Tha
nk y
ou a
lso
to D
avid
B
erns
tein
for h
is w
ork
with
MG
PP.
The
rese
arch
for t
his
proj
ect i
nvol
ved
a se
ries
of
inte
rvie
ws
with
a v
arie
ty o
f ext
raor
dina
ry a
rtist
s an
d pr
ofes
sion
als
from
a v
arie
ty o
f bac
kgro
unds
. Th
ank
you
to K
. J. H
olm
es, R
icha
rd S
hust
erm
an,
Alv
a N
oë, E
lean
or B
auer
, Ver
a M
ante
ro,
Jere
my
Wad
e, J
ulia
na M
ay, D
r. C
harle
s O
imet
, N
oé S
oulie
r, Je
nn J
oy, a
nd th
e B
ig B
end
Gho
st T
rack
ers
of T
alla
hass
ee fo
r sha
ring
thei
r tim
e an
d id
eas
with
me
arou
nd th
e B
ody/
Min
d co
nnec
tion.
Tha
nk y
ou to
Dia
na C
rum
for
trans
crib
ing
man
y of
thes
e in
terv
iew
s. A
nd
than
k yo
u to
Dr.
Jean
ette
Nor
den,
who
se D
VD
se
ries
on th
e br
ain
was
a h
uge
sour
ce o
f inf
or-
mat
ion
and
insp
iratio
n.
the
Apo
llo L
ight
ing
2011
Sta
ndin
g O
Aw
ard
and
was
cho
sen
as a
200
8 Yo
ung
Des
igne
r to
Wat
ch
by L
ive
Des
ign
mag
azin
e. S
he is
a c
ontri
butin
g w
riter
to L
ive
Des
ign
and
Sta
ge D
irect
ions
mag
-az
ines
. Rec
ent d
esig
ns in
clud
e G
od o
f Car
nage
an
d N
ext F
all (
Dal
las
Thea
ter C
ente
r), E
ast O
’ W
est O
’ (W
illia
ms
Col
lege
), an
d Th
e B
ad a
nd
the
Bet
ter d
irect
ed b
y D
anie
l Auk
in. S
he h
as a
B
A fr
om C
olum
bia
Uni
vers
ity a
nd a
n M
FA fr
om
New
Yor
k U
nive
rsity
.
Da
vid
Ta
bb
ert
is
a N
ew Y
ork–
base
d st
ylis
t and
cos
tum
e de
sign
er w
orki
ng in
film
, prin
t, te
levi
sion
, and
thea
ter.
Rec
ent w
ork
incl
udes
the
Sun
danc
e La
b–de
velo
ped
dram
a B
lueb
ird, s
tarr
ing
John
S
latte
ry, a
nd F
ox S
earc
hlig
ht’s
Mar
tha
Mar
cy
May
Mar
lene
, sta
rrin
g E
lizab
eth
Ols
en a
nd
John
Haw
kes,
and
Ver
y G
ood
Girl
s, s
tarr
ing
Dak
ota
Fann
ing
and
Eliz
abet
h O
lsen
. His
cos
-tu
me
desi
gns
have
bee
n pr
ofile
d by
Var
iety
, for
M
arth
a M
arcy
May
Mar
lene
, and
the
New
Yor
k Ti
mes
, as
part
of a
feat
ure
on th
e U
S N
atio
nal
Gua
rd’s
live
-act
ion
com
bat-t
rain
ing
sim
ulat
ions
. Ta
bber
t has
col
labo
rate
d w
ith M
igue
l Gut
ierr
ez
and
the
Pow
erfu
l Peo
ple
on tw
o pr
evio
us w
orks
in
clud
ing
Last
Mea
dow
for w
hich
he
rece
ived
a
Bes
sie
Aw
ard
for c
ostu
me
desi
gn.
Photo: Chris Cameron
and
is e
nrol
led
as a
dan
ce s
tude
nt a
t PA
RTS
in
Bru
ssel
s. M
cGin
n ha
s pe
rform
ed in
wor
ks b
y Jo
nah
Bok
aer,
Wal
ly C
ardo
na, M
igue
l Gut
ierr
ez,
Ishm
ael H
oust
on-J
ones
, Joh
n Ja
sper
se, J
en
McG
inn,
and
Jud
ith S
ánch
ez R
uiz,
am
ong
othe
rs.
His
cho
reog
raph
ic w
ork
has
been
sho
wn
at v
ari-
ous
inst
itutio
ns th
roug
hout
the
US
and
Eur
ope.
Ne
al
Me
dly
n
is a
New
Yor
k–ba
sed
perfo
rman
ce a
rtist
who
se
wor
k of
ten
focu
ses
on p
op m
usic
and
pop
mus
ic
figur
es. H
is w
ork
has
appe
ared
at T
he K
itche
n,
the
New
Mus
eum
for C
onte
mpo
rary
Art,
PS
12
2, a
nd J
oe’s
Pub
as
wel
l as
othe
r ven
ues
thro
ugho
ut th
e U
S a
nd in
Eur
ope.
He
prev
ious
ly
wor
ked
with
Mig
uel G
utie
rrez
and
the
Pow
erfu
l Pe
ople
on
Last
Mea
dow
, whi
ch w
on a
Bes
sie
Aw
ard,
and
I S
AY
TH
E W
OR
D, a
col
labo
ratio
n w
ith J
enny
Hol
zer.
Bo
ru O
’Bri
en
O’C
on
ne
ll
is a
n ar
tist b
ased
in B
rook
lyn
who
wor
ks w
ith
film
and
vid
eo in
stal
latio
n, p
hoto
grap
hy,
and
writ
ing.
His
rece
nt e
xhib
ition
s an
d pr
ojec
ts
have
bee
n fe
atur
ed a
t ven
ues
incl
udin
g In
visi
ble
Exp
orts
(New
Yor
k) a
nd N
ight
Gal
lery
(Los
A
ngel
es).
Add
ition
ally
, Trip
le C
anop
y re
cent
ly
com
mis
sion
ed a
wor
k fo
r Frie
ze N
Y. H
e w
as
cura
tor o
f Mee
ting
Poin
t, th
e 20
12 e
xhib
ition
of
chor
eogr
aphy
, vis
ual a
rt, a
nd s
ound
for M
ount
Tr
empe
r Arts
, whi
ch fe
atur
ed w
ork
by J
en
Ros
enbl
it, C
. Spe
ncer
Yeh
, Ei A
raka
wa,
Ser
gei
Tche
repn
in, S
haro
n Lo
ckha
rt, X
avie
r Cha
, Dav
id
Levi
ne, C
harle
s A
tlas,
Dav
id H
orvi
tz, J
acqu
es
Vid
al, a
nd N
icho
las
Buf
fon.
His
ow
n w
ork
has
been
feat
ured
in th
e pu
blic
atio
ns B
lind
Spo
t, Tr
iple
Can
opy,
Bid
oun,
and
Vic
e. H
e re
ceiv
ed
his
MFA
from
Bar
d C
olle
ge, i
n 20
11, a
nd h
is
BFA
from
the
Sch
ool o
f the
Mus
eum
of F
ine
Arts
Bos
ton.
Th
om
as
Be
nja
min
Sn
ap
p P
ryo
r /
tbs
pM
GM
T
is a
n in
depe
nden
t arts
man
ager
, pro
duce
r, an
d cu
rato
r ope
ratin
g un
der t
he m
onik
er
tbsp
MG
MT.
His
cur
rent
pro
ject
s in
clud
e pr
oduc
-in
g an
d to
urin
g th
e pe
rform
ance
wor
ks o
f M
igue
l Gut
ierr
ez a
nd th
e Po
wer
ful P
eopl
e,
Traj
al H
arre
ll, Is
hmae
l Hou
ston
-Jon
es, Y
vonn
e M
eier
, Wal
ly C
ardo
na, a
nd D
ebor
ah H
ay.
Pryo
r is
the
cura
tor a
nd p
rodu
cer f
or A
mer
ican
R
ealn
ess,
an
annu
al fe
stiv
al o
f con
tem
po-
rary
per
form
ance
at A
bron
s A
rts C
ente
r in
New
Yor
k (B
est o
f Dan
ce 2
010,
Artf
orum
). H
e w
as th
e di
rect
or o
f ope
ratio
ns fo
r Cen
ter f
or
Perfo
rman
ce R
esea
rch,
an
artis
t rep
rese
nta-
tive
at P
enta
cle,
a p
roje
ct m
anag
er fo
r Che
z B
ushw
ick,
and
a m
embe
r of t
he p
lann
ing
and
deve
lopm
ent d
epar
tmen
t at B
rook
lyn
Aca
dem
y of
Mus
ic. P
ryor
ser
ved
as c
hair
of th
e A
gent
s C
ounc
il an
d Tr
uste
e fo
r Dan
ce U
SA
from
20
08 to
201
0. H
e w
as th
e re
cipi
ent o
f the
201
0 G
abrie
la T
udor
Fel
low
ship
in c
ultu
ral m
anag
e-m
ent.
He
has
serv
ed a
s a
pane
list a
nd re
ader
fo
r CE
C A
rtsLi
nk, t
he J
erom
e Fo
unda
tion,
C
reat
ive
Cap
ital,
and
the
Nat
iona
l End
owm
ent
for t
he A
rts. t
bspM
GM
T.co
m
Na
tali
e R
ob
in
is a
New
Yor
k–ba
sed
light
ing
desi
gner
for t
he-
ater
, ope
ra, d
ance
, mus
ic, a
nd p
erfo
rman
ce a
rt an
d to
urs
natio
nally
and
inte
rnat
iona
lly a
s lig
ht-
ing
supe
rvis
or a
nd p
rodu
ctio
n m
anag
er fo
r var
i-ou
s co
mpa
nies
. She
is th
e as
soci
ate
prod
ucer
an
d pr
oduc
tion
man
ager
of A
mer
ican
Rea
lnes
s,
a fe
stiv
al o
f con
tem
pora
ry p
erfo
rman
ce c
urat
ed
by B
en P
ryor
for A
bron
s A
rts C
ente
r. S
he is
a
foun
ding
com
pany
mem
ber o
f Pol
ybe
+ S
eats
; an
ass
ocia
te a
rtist
of T
arge
t Mar
gin
Thea
ter;
an
d an
adj
unct
facu
lty m
embe
r at N
ew Y
ork
Uni
vers
ity’s
Tis
ch S
choo
l of t
he A
rts d
epar
tmen
t of
und
ergr
adua
te d
ram
a. R
obin
is th
e w
inne
r of
MG
PP
has
bee
n in
cred
ibly
luck
y to
rece
ive
supp
ort f
rom
indi
vidu
al d
onor
s. T
hank
you
to
our o
ngoi
ng d
onor
s an
d th
e ba
cker
s of
our
su
cces
sful
Kic
ksta
rter C
ampa
ign,
with
who
se
supp
ort w
e w
ere
able
to c
ompl
ete
the
piec
e.
Than
k yo
u to
Ste
phan
ie P
erei
ra a
nd M
arin
S
ande
r-H
olzm
an fo
r the
ir as
sist
ance
with
the
Kic
ksta
rter C
ampa
ign.
And
a s
peci
al s
hout
out
go
es to
Alb
erto
Ors
o an
d Je
ff Le
e fo
r ope
ning
up
thei
r hom
e fo
r our
ben
efit
rece
ptio
n.
For t
heir
tech
nica
l ass
ista
nce
at v
ario
us s
tage
s in
the
proj
ect,
I wou
ld li
ke to
than
k G
abe
Riv
es-
Cor
bett,
Jul
ie B
alla
rd, G
rant
McD
onal
d, a
nd B
en
Dem
ares
t. Th
ank
you
to o
ur c
urre
nt te
chni
cal
team
—N
atal
ie R
obin
and
Jim
in B
rels
ford
—fo
r al
l the
har
d w
ork
they
do
to b
ring
this
ben
evo-
lent
bea
st to
life
in m
ultip
le p
lace
s.
Than
k yo
u to
Jul
iana
May
for h
er p
ersp
icac
-ity
, int
ellig
ence
, and
unf
lagg
ing
supp
ort o
f thi
s pr
ojec
t in
her r
ole
as d
ram
atur
g. M
any
peop
le
wer
e pr
esen
t in
vario
us s
how
ings
of t
he p
iece
-in
-pro
gres
s, a
nd I’
d lik
e to
esp
ecia
lly th
ank
Nea
l Bea
sley
, Jen
n Jo
y, a
nd S
amua
el T
opia
ry
for t
heir
cons
iste
ntly
per
cept
ive
and
thou
ghtfu
l in
sigh
ts in
to m
y w
ork.
Eno
rmou
s th
anks
goe
s to
Bra
d H
ampt
on, f
or h
is c
onsi
dera
tion,
love
, an
d en
thus
iasm
.
Than
k yo
u to
Pau
l Dun
can
for h
is w
ork
in s
hap-
ing
this
pie
ce. T
hank
you
to J
ames
McG
inn
for h
is b
eaut
iful w
ork
thro
ugho
ut th
e pr
oces
s of
this
pie
ce a
s an
und
erst
udy.
Tha
nk y
ou to
th
e m
agni
ficen
t des
ign
colla
bora
tors
—Le
nore
D
oxse
e, N
eal M
edly
n, B
oru
O’B
rien
O’C
onne
ll,
Dav
id T
abbe
rt—w
hose
con
tribu
tions
utte
rly
defin
e th
e sh
ape
and
tone
of t
his
piec
e, a
nd
who
se p
rese
nce
thro
ugho
ut th
e pr
oces
s w
ere
cons
iste
nt s
ourc
es o
f ins
pira
tion.
I am
so
grat
eful
to th
em fo
r bel
ievi
ng in
this
pro
ject
and
gi
ving
so
muc
h of
them
selv
es to
it. T
hank
you
to
Mat
t Kes
sler
for h
is a
ssis
tanc
e in
the
cons
truc-
tion
of th
e co
stum
es.
And
, fin
ally
, my
grea
test
than
ks g
o to
my
per-
form
ing
colla
bora
tors
: Mic
helle
Bou
lé, H
ilary
C
lark
, Luk
e G
eorg
e, K
. J. H
olm
es, a
nd Is
hmae
l H
oust
on-J
ones
. The
y he
ard
ever
y in
spira
tion,
in
secu
rity,
and
que
stio
n an
d he
ld th
em w
ith
inte
grity
and
com
mitm
ent.
It is
an
hono
r and
pr
ivile
ge to
spe
nd s
o m
uch
time
in s
o m
any
plac
es to
geth
er, t
o id
entif
y th
e or
gani
c fo
od
stor
e in
eve
ry la
st c
ity w
e dr
ive
thro
ugh,
and
to
shar
e th
e st
age
with
you
, my
hero
es.
—M
igue
l Gut
ierr
ez
Ab
ou
t th
e a
rtis
ts
Mig
ue
l G
uti
err
ez
is a
New
Yor
k–ba
sed
danc
e an
d m
usic
arti
st
and
poet
. He
crea
tes
solo
and
gro
up p
iece
s w
ith a
var
iety
of a
rtist
s un
der t
he m
onik
er
Mig
uel G
utie
rrez
and
the
Pow
erfu
l Peo
ple
(MG
PP
). H
e is
inte
rest
ed in
end
urin
g ph
iloso
-ph
ical
que
stio
ns a
bout
des
ire, l
ongi
ng, a
nd th
e se
arch
for m
eani
ng, a
nd h
is w
ork
sits
insi
de
a le
gacy
of p
roce
ss-fo
cuse
d ex
perim
enta
l da
nce
whi
le d
raw
ing
on fa
r-re
achi
ng in
fluen
ces
such
as
endu
ranc
e-ba
sed
perfo
rman
ce a
rt,
nois
e m
usic
, ecs
tatic
exp
erie
nce
in s
ocia
l and
re
ligio
us ri
tual
s, th
e st
udy
of m
ind-
body
so
mat
ic s
yste
ms,
and
var
ious
his
torie
s of
sp
ecta
cle
incl
udin
g B
road
way
, Veg
as,
and
quee
r per
form
ance
in a
ltern
ativ
e cl
ubs
from
the
1980
s to
the
pres
ent.
Gut
ierr
ez a
ssem
bled
the
first
inca
rnat
ion
of th
e Po
wer
ful P
eopl
e in
200
1. C
omm
itted
to w
orki
ng
outs
ide
the
tradi
tiona
l mod
el o
f a d
ance
com
-pa
ny, G
utie
rrez
see
s th
e pa
rtici
patin
g ar
tists
in
his
wor
k—da
ncer
s, c
ompo
sers
, des
igne
rs, a
nd
visu
al a
rtist
s—as
par
t of a
n ev
er-e
xpan
ding
ne
t of i
nspi
ring
colla
bora
tors
. Gut
ierr
ez’s
goa
l, re
gard
less
of t
he s
cale
of t
he p
roje
ct, i
s to
cre
-at
e ch
alle
ngin
g an
d th
ough
t-pro
voki
ng p
erfo
r-m
ance
exp
erie
nces
.
His
pie
ces
incl
ude
HE
AVE
NS
WH
AT H
AVE
I D
ON
E (2
010)
; I S
AY
TH
E W
OR
D (2
010,
col
-la
bora
tion
with
Jen
ny H
olze
r); L
ast M
eado
w
(200
9, B
essi
e A
war
d fo
r Cre
ativ
e Te
am);
Not
hing
, No
thin
g (2
008)
; Eve
ryon
e (2
007)
; m
yend
less
love
(200
6); a
nd R
etro
spec
tive
Exh
ibiti
onis
t and
Diff
icul
t Bod
ies
(200
5, B
essi
e A
war
d fo
r Cho
reog
raph
y), a
mon
g ot
hers
. His
w
ork
has
been
pre
sent
ed a
t fes
tival
s an
d ve
n-ue
s na
tiona
lly a
nd in
tern
atio
nally
, inc
ludi
ng
the
Am
eric
an R
ealn
ess
Fest
ival
in N
ew Y
ork;
Fest
ival
d’A
utom
ne in
Par
is; A
ntip
odes
Fes
tival
in
Bre
st, F
ranc
e; T
BA
/PIC
A in
Por
tland
, Ore
gon;
O
ut T
here
Fes
tival
at t
he W
alke
r Art
Cen
ter i
n M
inne
apol
is, M
inne
sota
; UN
AM
in M
exic
o C
ity;
and
ImPu
lsTa
nz in
Vie
nna.
Gut
ierr
ez h
as re
ceiv
ed s
uppo
rt fro
m C
reat
ive
Cap
ital,
the
Jero
me
Foun
datio
n, R
ocke
felle
r M
AP
Fun
d, N
ew Y
ork
Foun
datio
n fo
r the
Arts
, N
atio
nal E
ndow
men
t for
the
Arts
, and
Nat
iona
l Pe
rform
ance
Net
wor
k. In
201
0 he
rece
ived
fel-
low
ship
s fro
m th
e G
ugge
nhei
m F
ound
atio
n, th
e Fo
unda
tion
for C
onte
mpo
rary
Art,
and
Uni
ted
Sta
tes
Arti
sts.
In a
dditi
on to
the
two
Bes
sies
he
rece
ived
for h
is o
wn
wor
k, h
e re
ceiv
ed a
B
essi
e in
200
2 fo
r his
wor
k as
a d
ance
r with
Jo
hn J
aspe
rse
Com
pany
. He
has
crea
ted
com
-m
issi
ons
for P
hilli
p A
dam
’s M
elbo
urne
-bas
ed
com
pany
Bal
letL
ab (2
007)
and
Pitt
sbur
gh-
base
d La
bCo
(200
4). H
e ha
s w
orke
d w
ith
Syd
ney—
base
d co
mpa
ny T
he F
ondu
e S
et o
n tw
o pr
ojec
ts; i
n 20
10 h
e cr
eate
d so
urce
mat
e-ria
l for
its
rese
arch
resi
denc
y at
Cam
pbel
ltow
n A
rts C
entre
and
in 2
012
he c
reat
ed a
n or
igin
al
piec
e th
roug
h a
resi
denc
y at
Car
riage
Wor
ks. I
n 20
10 a
nd 2
011
he e
ngag
ed in
a re
sear
ch re
si-
denc
y w
ith A
ustra
lian
danc
e ar
tist L
uke
Geo
rge
thro
ugh
Arts
Hou
se in
Mel
bour
ne. H
e ha
s ch
o-re
ogra
phed
and
per
form
ed in
the
mus
ic v
ideo
s fo
r Hol
com
be W
alle
r’s s
ong
“Har
dlin
ers”
and
Le
Tig
re’s
“Aer
obic
on,”
whi
ch w
ent v
iral a
nd
spaw
ned
vario
us m
emes
. He
has
serv
ed a
s th
e cu
rato
r for
The
Kitc
hen’
s D
ance
and
Pro
cess
pr
ogra
m a
nd C
hez
Bus
hwic
k’s
infa
mou
s S
HTU
DIO
SH
OW
.
As
a si
nger
Gut
ierr
ez h
as p
erfo
rmed
with
Ant
ony
and
the
John
sons
and
Fre
nch
celli
st/g
uita
rist
Vin
cent
Seg
al; r
ecor
ded
with
My
Rob
ot F
riend
an
d C
hris
For
syth
; and
pla
yed
in th
e se
min
al
Ju
lie
Ale
xa
nd
er
is o
rigin
ally
from
Hou
ston
and
has
live
d an
d w
orke
d in
New
Yor
k si
nce
2002
. She
has
w
orke
d w
ith M
igue
l Gut
ierr
ez a
nd th
e Po
wer
ful
Peop
le fo
r sev
eral
yea
rs in
var
ious
adm
ini-
stra
tive
capa
citie
s an
d as
a p
erfo
rmer
. She
is
danc
ing
with
Yas
uko
Yoko
shi i
n he
r wor
k B
ELL
, whi
ch p
rem
iere
s at
New
Yor
k Li
ve A
rts
in M
arch
201
3.
Jim
in B
rels
ford
is
a s
ound
des
igne
r and
eng
inee
r for
mus
ic,
thea
ter,
and
film
. His
wor
k in
clud
es th
e de
sign
of
Mar
at/S
ade
(Bur
row
s Th
eate
r), a
ssis
-ta
nt s
ound
des
ign
of T
he T
otal
Ben
t (Pu
blic
Th
eate
r), s
ound
sys
tem
ass
ocia
te fo
r Mie
s Ju
lie, e
ngin
eer f
or K
aren
O’s
Sto
p Th
e V
irgen
s (S
t. A
nn’s
War
ehou
se),
and
engi
neer
for t
he
tour
of Y
oung
Jea
n Le
e’s
Unt
itled
Fem
inis
t S
how
. He
has
serv
ed a
s a
resi
dent
eng
inee
r at
the
Will
iam
stow
n Th
eate
r Fes
tival
, Cel
ebra
te
Bro
okly
n!, a
nd T
he B
ox.
Le
no
re D
ox
se
e
is a
ligh
ting
desi
gner
for t
heat
er, o
pera
, and
da
nce.
With
Mig
uel G
utie
rrez
and
the
Pow
erfu
l Pe
ople
she
has
des
igne
d La
st M
eado
w
(Bes
sie
Aw
ard)
, HE
AVE
NS
WH
AT H
AVE
I D
ON
E, E
very
one,
Ret
rosp
ectiv
e E
xhib
ition
ist
and
Diff
icul
t Bod
ies
(Bes
sie
Aw
ard)
, dA
MN
ATIO
N rO
AD
, I S
uccu
mb,
and
ent
er th
e se
en. H
er o
ther
des
igns
for d
ance
incl
ude
Mor
gan
Thor
son’
s S
pace
hold
er F
estiv
al
and
Hea
ven,
as
wel
l as
Kare
n S
herm
an’s
C
oppe
rhea
d an
d C
old
Com
fort.
Dox
see
is th
e re
side
nt li
ghtin
g de
sign
er fo
r Tar
get M
argi
n Th
eate
r and
has
des
igne
d fo
r man
y N
ew Y
ork
thea
ters
incl
udin
g N
ew Y
ork
City
Ope
ra, L
a M
aMa,
HE
RE
Arts
Cen
ter,
Dan
ce T
heat
er
Wor
ksho
p, a
nd T
he K
itche
n.
Pa
ul
Du
nc
an
is
a L
ondo
n-bo
rn a
rtist
and
act
or. H
e re
cent
ly
wor
ked
with
dire
ctor
Dav
id F
inch
er o
n va
rious
fil
m a
nd te
levi
sion
pro
ject
s an
d ap
pear
ed o
n H
BO
’s B
oard
wal
k E
mpi
re. H
e gr
adua
ted
from
th
e C
hels
ea S
choo
l of A
rt in
199
2 an
d is
bas
ed
in B
rook
lyn.
Ma
tt K
es
sle
r ha
s w
orke
d in
thea
ter,
film
, and
tele
visi
on in
N
ew Y
ork
sinc
e 20
09. H
e ho
lds
a B
FA fr
om th
e U
nive
rsity
of C
inci
nnat
i Col
lege
–Con
serv
ator
y of
M
usic
and
an
MFA
in c
ostu
me
desi
gn fr
om th
e N
orth
Car
olin
a S
choo
l of t
he A
rts.
Ju
lia
na
F.
Ma
y
is a
New
Yor
k na
tive
with
a d
ual d
egre
e in
da
nce
and
art h
isto
ry fr
om O
berli
n C
olle
ge.
Sin
ce 2
002,
she
has
cho
reog
raph
ed e
ight
wor
ks,
incl
udin
g si
x ev
enin
g-le
ngth
pie
ces
and
com
-m
issi
ons
from
DN
A, t
he fo
rmer
Dan
ce T
heat
er
Wor
ksho
p (n
ow N
ew Y
ork
Live
Arts
), B
arna
rd
Col
lege
, the
New
Sch
ool,
the
Cho
cola
te F
acto
ry,
the
Joyc
e S
oHo,
Inte
rnat
iona
l Con
tem
pora
ry
Ens
embl
e, a
nd th
e C
leve
land
-bas
ed R
eper
tory
Pr
ojec
t. M
ay w
as a
201
1–12
Mov
emen
t Res
earc
h ar
tist i
n re
side
nce
at J
udso
n C
hurc
h. In
201
2 sh
e re
ceiv
ed N
ew Y
ork
Live
Arts
’ ina
ugur
al
Jeff
Dun
can
Aw
ard
for e
arly
car
eer c
hore
ogra
-ph
ers
and
this
pas
t sum
mer
rece
ived
an
MFA
in
Cho
reog
raph
y fro
m th
e U
nive
rsity
of W
isco
nsin
–M
ilwau
kee.
Thi
s Fe
brua
ry 2
013
New
Yor
k Li
ve
Arts
is p
rese
ntin
g M
ay’s
new
est e
veni
ng-le
ngth
w
ork,
Com
men
tary
= n
ot th
ing.
Ja
me
s M
cG
inn
w
as b
orn
and
rais
ed in
Sar
asot
a, F
lorid
a, a
nd
is th
e so
n of
a S
cotti
sh p
aint
er a
nd a
Cec
chet
ti ba
llerin
a. H
e re
ceiv
ed a
BA
in li
bera
l arts
from
E
ugen
e La
ng C
olle
ge/th
e N
ew S
choo
l, in
200
8,
Ac
kn
ow
led
gm
en
ts
Da
nc
e
Co
mp
ag
nie
Ma
rie
C
ho
uin
ard
Th
e R
ite
of
Sp
rin
g/
He
nri
Mic
ha
ux
: M
ou
ve
me
nts
Mar
21–
23, 2
013
Photo: Nicolas Ruel
“In
co
mp
res
sib
le d
ivin
e b
ea
uty
.”
Le
De
vo
ir (
Ca
na
da
)
Fo
r ti
ck
ets
, v
isit
mc
ac
hic
ag
o.o
rg
or
ca
ll 3
12.3
97
.40
10.
wus
s-ro
ck b
and
Prin
cess
from
199
7 to
200
1. In
20
11, h
e re
leas
ed a
sel
f-pro
duce
d E
P c
alle
d S
ongs
for M
idni
ght u
nder
the
solo
ban
d na
me
the
Bel
levi
lle. A
s a
danc
er G
utie
rrez
has
per
-fo
rmed
with
Joe
Goo
de P
erfo
rman
ce G
roup
, Je
nnife
r Mon
son,
Jen
nife
r Lac
ey, A
nn L
iv Y
oung
, Yv
onne
Mei
er, S
arah
Mic
hels
on, D
ebor
ah
Hay
, Erin
Cor
nell,
Jul
iette
Map
p, a
nd A
lain
B
uffa
rd. H
e si
ts o
n th
e A
rtist
s’ A
dvis
ory
Boa
rd
for D
ansp
ace
Proj
ect.
WH
EN
YO
U R
ISE
UP
, a
book
of h
is p
erfo
rman
ce te
xts,
is a
vaila
ble
from
53
rd S
tate
Pre
ss. I
n 20
12, h
e co
mpl
eted
a w
rit-
ing
resi
denc
y at
RA
DA
R L
ab in
Mex
ico
to w
ork
on h
is fi
rst c
olle
ctio
n of
poe
ms,
You
talk
shi
t and
ot
her p
oem
s.
Gut
ierr
ez re
cent
ly p
erfo
rmed
in a
ser
ies
of in
ter-
rupt
ive
actio
ns o
n a
galle
ry to
ur o
f the
exh
ibiti
on
Reg
ardi
ng W
arho
l: S
ixty
Arti
sts
in F
ifty
Year
s at
the
Met
ropo
litan
Mus
eum
of A
rt. H
e in
vent
ed
“DE
EP
Aer
obic
s,”
an a
bsur
dist
wor
kout
for t
he
radi
cal i
n al
l of u
s th
at h
as b
een
unle
ashe
d in
New
Yor
k ; D
urha
m; P
ortla
nd; B
erlin
; and
B
russ
els,
to n
ame
a fe
w p
lace
s. H
e te
ache
s cl
asse
s an
d w
orks
hops
thro
ugho
ut th
e w
orld
in
cont
empo
rary
tech
niqu
e an
d co
mpo
sitio
n an
d in
Sen
seW
ork,
a re
sear
ch in
to th
e se
nses
th
at c
ombi
nes
neur
olog
y, a
nato
my,
and
cre
ativ
e pr
oces
s. H
e is
trai
ning
to b
ecom
e a
guild
-ce
rtifie
d Fe
lden
krai
s pr
actit
ione
r, an
d si
nce
2006
ha
s be
en a
vol
unte
er m
ento
r for
the
Thea
ter
Dev
elop
men
t Fun
d’s
Ope
n D
oors
Pro
gram
, an
arts
edu
catio
n pr
ogra
m fo
r New
Yor
k C
ity p
ublic
hi
gh s
choo
l stu
dent
s.
Mic
he
lle
Bo
ulé
is a
per
form
er, c
hore
ogra
pher
, tea
cher
, and
B
odyT
alk
prac
titio
ner b
ased
in N
ew Y
ork.
She
ha
s w
orke
d w
ith M
igue
l Gut
ierr
ez a
nd th
e Po
wer
ful P
eopl
e si
nce
2001
, rec
eivi
ng a
Bes
sie
Aw
ard
for h
er p
erfo
rman
ce a
s Ja
mes
Dea
n an
d co
llabo
ratio
n in
the
crea
tion
of M
GP
P’s
Las
t M
eado
w. S
he h
as w
orke
d w
ith D
ebor
ah H
ay
(for t
he W
illia
m F
orsy
the
com
mis
sion
If I
Sin
g to
You
), Jo
hn S
cott,
Dav
id W
ampa
ch, J
ohn
Jasp
erse
, Nea
l Med
lyn,
Nea
l Bea
sley
, Don
na
Uch
izon
o, C
hris
tine
Elm
o, B
eth
Gill
, Jud
ith
San
chez
-Rui
z, D
oug
Varo
ne (M
etro
polit
an
Ope
ra B
alle
t, O
pera
Col
orad
o), a
nd G
abrie
l M
asso
n. S
he c
olla
bora
tes
with
cel
list a
nd
com
pose
r Okk
yung
Lee
and
is a
lso
curr
ently
w
orki
ng w
ith p
layw
right
and
dire
ctor
Ros
ie
Gol
dens
ohn.
Her
ow
n ch
oreo
grap
hy h
as b
een
show
n in
New
Yor
k at
Dan
ce a
nd P
roce
ss a
t Th
e K
itche
n, F
ood
for T
houg
ht a
t Dan
spac
e Pr
ojec
t, C
ente
r for
Per
form
ance
Res
earc
h,
CAT
CH
! Ser
ies,
Mov
emen
t Res
earc
h at
Jud
son
Chu
rch,
and
Issu
e Pr
ojec
t Roo
m, w
here
she
re
ceiv
ed a
n E
mer
ging
Arti
st C
omm
issi
on
(Mar
ch 2
013)
.
Bou
lé is
on
the
teac
hing
facu
lty a
nd A
rtist
s A
dvis
ory
Cou
ncil
at M
ovem
ent R
esea
rch
and
has
been
facu
lty a
t the
New
Sch
ool,
Hol
lins
Uni
vers
ity, a
nd th
e U
nive
rsity
of I
llino
is, a
s w
ell a
s a
gues
t tea
cher
at o
ther
inst
itutio
ns in
N
orth
Am
eric
a, E
urop
e, A
ustra
lia, a
nd A
sia.
S
he is
cur
rent
ly a
Mov
emen
t Res
earc
h ar
tist
in re
side
nce
at J
udso
n C
hurc
h an
d ha
s pr
evi-
ousl
y re
ceiv
ed re
side
ncie
s at
SK
ITE
(Fra
nce)
an
d D
ance
Hou
se (I
rela
nd).
She
was
a 2
002
Dan
ceW
eb s
chol
arsh
ip re
cipi
ent a
t Im
puls
tanz
in
Vie
nna.
For
mor
e in
form
atio
n ab
out t
he a
rtist
, vi
sit m
iche
llebo
ule.
wor
dpre
ss.c
om.
Hil
ary
Cla
rk
is a
New
Yor
k–ba
sed
danc
e ar
tist.
She
beg
an
wor
king
with
Mig
uel G
utie
rrez
and
the
Pow
erfu
l Pe
ople
in 1
998,
and
mor
e re
cent
ly w
ith Y
oung
Je
an L
ee (U
ntitl
ed F
emin
ist S
how
), Te
re
O’C
onno
r (si
nce
2004
), Lu
cian
a A
chug
ar, J
on
Kin
zel,
and
Laris
sa V
elez
. In
2008
Cla
rk w
as
hono
red
with
a B
essi
e fo
r her
wor
k as
a p
er-
form
er w
ith T
ere
O’C
onno
r, Fi
ona
Mar
cotty
, an
d lU
CIA
NA
aC
HU
GA
R. S
he h
as p
erfo
rmed
he
r orig
inal
wor
k at
CAT
CH
, Dix
on P
lace
, A
UN
TS, t
he P
aint
ed B
ride
in P
hila
delp
hia,
and
A
rt S
pace
in H
artfo
rd. C
lark
has
per
form
ed a
t Th
e K
itche
n as
a p
art o
f Dan
ce a
nd P
roce
ss
(200
8), a
nd a
t the
form
er D
ance
The
ater
W
orks
hop
(now
kno
wn
as N
ew Y
ork
Live
Arts
) w
hile
a 2
008–
09 F
resh
Tra
cks
Rec
ipie
nt fo
r a
colla
bora
tion
with
Lar
issa
Vel
ez, a
nd a
s pa
rt of
DTW
’s S
tudi
o S
erie
s cr
eativ
e re
side
ncy
(201
0–11
). S
he is
a 1
998
alum
ni o
f Uni
vers
ity
of th
e A
rts in
dan
ce, a
nd re
ceiv
ed th
e S
ilver
S
tar A
lum
ni A
war
d in
201
2. C
lark
has
taug
ht
thro
ugh
CLA
SS
CLA
SS
CLA
SS
, and
has
bee
n a
gues
t lec
ture
r at S
t. Jo
hn’s
Uni
vers
ity, a
t the
G
lenw
ood
Spr
ings
Dan
ce F
estiv
al, t
he B
ates
D
ance
Fes
tival
thro
ugh
the
Out
reac
h Pr
ogra
m,
St.,
and
rece
ntly
at t
he G
reat
er H
artfo
rd
Aca
dem
y of
Per
form
ing
Arts
as
a al
umni
gue
st
artis
t. Fo
r mor
e in
form
atio
n ab
out t
he a
rtist
, pl
ease
vis
it hi
lary
lcla
rk@
gmai
l.com
.
Lu
ke
Ge
org
e
is a
dan
ce a
rtist
who
se w
ork
as a
per
form
er,
chor
eogr
aphe
r, te
ache
r, an
d cu
rato
r has
take
n hi
m th
roug
hout
Aus
tralia
, Nor
th A
mer
ica,
E
urop
e, a
nd A
sia.
He
bega
n co
llabo
ratin
g w
ith
Mig
uel G
utie
rrez
in 2
007
and
his
perfo
rman
ces
in N
ew Y
ork
incl
ude
shor
t wor
ks a
t Abr
on A
rts
Cen
ter,
AU
NTS
, and
Mov
emen
t Res
earc
h at
Ju
dson
Chu
rch.
He
is a
reci
pien
t of M
elbo
urne
’s
pres
tigio
us G
reen
room
Aw
ard
for b
est m
ale
danc
er (2
001)
. He
has
perfo
rmed
with
Phi
llip
Ada
ms
Bal
letL
ab, J
o Ll
oyd,
and
Gid
eon
Oba
rzan
ek/C
hunk
y M
ove,
as
wel
l as
with
arti
sts
Ste
phan
ie L
ake,
Fra
nces
d’A
th, S
helle
y La
sica
,
Jerr
il R
echt
er, I
toh
Kim
, and
Deb
orah
Hay
. He
has
perfo
rmed
his
ow
n ch
oreo
grap
hy N
ow
Now
Now
, Life
size
, and
Hom
e at
maj
or v
enue
s in
Aus
tralia
, and
add
ition
ally
tour
ed N
ow N
ow
Now
to N
orw
ay a
nd th
e N
ethe
rland
s. H
e is
th
e fo
rmer
arti
stic
dire
ctor
of T
asm
ania
n yo
uth
danc
e co
mpa
ny S
tom
pin
(200
2–08
), an
d ha
s co
llabo
rate
d w
ith th
eate
r com
pani
es M
alth
ouse
, A
rena
, and
Bac
k to
Bac
k, a
nd w
ith d
irect
or
Tony
Ayr
es in
Aus
tralia
. He
has
rece
ived
co
mm
issi
ons
from
Syd
ney
Ope
ra H
ouse
and
Lu
cy G
uerin
Inc,
the
Mel
bour
ne F
estiv
al
Cho
ice
Aw
ard
(199
9), a
n A
sial
ink
Perfo
rmin
g A
rts R
esid
ency
to T
okyo
(200
5), a
nd th
e R
usse
ll Pa
ge F
ello
wsh
ip fo
r Con
tem
pora
ry
Dan
ce (2
007)
. He
is th
e re
side
nt p
erfo
rman
ce
mak
er fo
r a g
ay c
lub
nigh
t in
Mel
bour
ne
calle
d JO
HN
/TR
OU
GH
, and
co-
faci
litat
es L
ucy
Gue
rin In
c’s
Firs
t Run
with
Bro
oke
Sta
mp.
Fo
r mor
e in
form
atio
n ab
out t
he a
rtist
, ple
ase
visi
t luk
egeo
rge.
net.
K.
J.
Ho
lme
s
is a
dan
ce a
rtist
, act
or, s
inge
r, an
d ed
ucat
or.
She
has
exp
lore
d im
prov
isat
ion
as p
roce
ss
and
perfo
rman
ce s
ince
198
1 an
d be
gan
wor
king
with
Mig
uel G
utie
rrez
and
the
Pow
erfu
l Pe
ople
for A
nd lo
se th
e na
me
of a
ctio
n. S
he
has
colla
bora
ted
exte
nsiv
ely
with
fore
runn
ers
of d
ance
impr
ovis
atio
n S
imon
e Fo
rti, K
aren
N
elso
n, L
isa
Nel
son,
and
Ste
ve P
axto
n, a
s w
ell
as w
ith p
oet J
ulie
Car
r, pe
rform
er K
eith
Bie
sack
, an
d tru
mpe
ters
Roy
Cam
pbel
l Jr.
and
Dav
e D
ougl
as, a
mon
g m
any
othe
r arti
sts.
Hol
mes
is
a g
radu
ate
of th
e S
choo
l for
Bod
y-M
ind
Cen
terin
g (1
999)
and
the
Will
iam
Esp
er S
tudi
o (2
009)
. She
is b
ased
in B
rook
lyn,
and
her
wor
k ha
s be
en p
rese
nted
in N
ew Y
ork
at D
ansp
ace
Proj
ect,
the
form
er D
ance
The
ater
Wor
ksho
p (n
ow k
now
n as
New
Yor
k Li
ve A
rts),
Mov
emen
t
Res
earc
h at
the
Juds
on C
hurc
h, D
ance
Wor
ks
in P
rogr
ess
at T
he K
itche
n, P
S 1
22, a
nd th
e V
isio
n Ja
zz F
estiv
al, a
mon
g m
any
venu
es. H
er
rece
nt d
ance
pie
ce T
his
is w
here
we
are
(or
take
arm
s ag
ains
t a s
ea o
f tro
uble
s) p
rem
iere
d at
the
Cho
cola
te F
acto
ry T
heat
er in
Lon
g Is
land
C
ity in
201
1, a
nd s
he is
dev
elop
ing
a ne
w p
iece
as
a 2
012–
14 M
ovem
ent R
esea
rch
artis
t in
resi
denc
e at
Jud
son
Chu
rch.
Hol
mes
teac
hes
at N
ew Y
ork
Uni
vers
ity’s
Tis
ch S
choo
l of t
he
Arts
Exp
erim
enta
l The
atre
Win
g an
d E
ugen
e La
ng/N
ew S
choo
l for
Soc
ial R
esea
rch
and
Mov
emen
t Res
earc
h, a
nd s
he c
ondu
cts
wor
k-sh
ops
and
perfo
rms
natio
nally
and
inte
rnat
ion-
ally
. She
is a
mem
ber o
f Son
gbird
s un
der t
he
coac
hing
of R
icha
rd A
rmst
rong
, and
is w
orki
ng
on a
new
thea
ter p
iece
, The
Vet
eran
s Pr
ojec
t, w
ith F
ay S
imps
on.
Ish
ma
el
Ho
us
ton
-Jo
ne
s
is a
cho
reog
raph
er, a
utho
r, pe
rform
er, t
each
er,
and
arts
act
ivis
t. H
is im
prov
ised
dan
ce a
nd
text
wor
k ha
s be
en p
erfo
rmed
in N
ew Y
ork
and
acro
ss th
e U
nite
d S
tate
s, a
nd in
Eur
ope,
C
anad
a, A
ustra
lia, a
nd L
atin
Am
eric
a. H
oust
on-
Jone
s an
d Fr
ed H
olla
nd s
hare
d a
Bes
sie
Aw
ard
for t
heir
piec
e C
owbo
ys, D
ream
s an
d La
dder
s.
He
rece
ntly
revi
ved
Them
, his
198
5 co
llabo
ra-
tion
with
writ
er D
enni
s C
oope
r and
com
pose
r C
hris
Coc
hran
e fo
r whi
ch h
e w
as a
war
ded
his
seco
nd B
essi
e A
war
d. T
hem
has
bee
n pr
e-se
nted
at P
S 1
22 a
nd th
e A
mer
ican
Rea
lnes
s Fe
stiv
al in
New
Yor
k, S
prin
gdan
ce in
Utre
cht,
Cen
tre P
ompi
dou
in P
aris
, HA
U 2
with
the
Tanz
ImA
ugus
t fes
tival
in B
erlin
, and
RE
DC
AT in
Lo
s A
ngel
es, w
ith a
n up
com
ing
enga
gem
ent i
n A
pril
2013
at T
AP
Poi
tiers
, in
Fran
ce.
Photo: Nathan Keay, © MCA Chicago