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N E W T O T H I S C A T A L O G

August 2006

Dear Jazz Band Director,Thank you for your interest in our electronic big band arrangement catalog. We are proud of this e-catalogand feel that it is our most complete edition. Why did we go electronic? Well, in reality the cost of printing andmailing catalogs has skyrocketed over the last couple of years, making it difficult to continue to offer ourdiscounted prices and depth of material. In addition, printed catalogs, by nature, are obsolete just about assoon as they are done being printed: our website is updated daily with great new arrangements. We encour-age you to migrate to our website for browsing and purchasing. You can view listings by title, arranger, per-former, style, and even difficulty level. You can also search by any criterion.

Recognizing that many of you will still prefer the look and feel of a printed catalog, we came up with thiscompromise - an electronic version of our annual printed catalog. Within this e-catalog you’ll find soundsamples for many of the arrangements. Just click on the musical notes next to the title and the sound samplewill play in your preferred media player. In addition, the title for each listing is a link to the same title on ourwebsite. If you’ve found something that you want, just click on the title and add that to your basket forcheckout. We really feel that we can serve you better with this e-catalog and our website.

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T A B L E O F C O N T E N T SCharts Listed by Arranger:David Baker ...................................................................... 6Stan Bann ......................................................................... 7Doug Beach ...................................................................... 7Louie Bellson.................................................................... 8Shelly Berg ....................................................................... 8David Berger .................................................................... 9Andrew Bishop ................................................................ 9Mike Carubia .................................................................... 9Dan Cavanagh ................................................................ 10Jim Cifelli ........................................................................ 10Matt Clancy .................................................................... 10John Clayton ................................................................... 11Chris Culver ................................................................... 11Bob Curnow ................................................................... 11Paquito D’Rivera ........................................................... 12Mike Dana ....................................................................... 12Rich DeRosa ................................................................... 13Don Ellis .......................................................................... 13John Fedchock................................................................ 14Neal Finn ........................................................................ 14Dirk Fischer .................................................................... 14Bob Florence .................................................................. 14Frank Foster ................................................................... 18Tony Gairo ...................................................................... 21Antonio Garcia .............................................................. 22Gordon Goodwin ........................................................... 22David Guidi .................................................................... 22Dan Haerle ..................................................................... 22Tim Hagans .................................................................... 23Ryan Haines ................................................................... 23Matt Harris ..................................................................... 24Steve Hawk ..................................................................... 24Rick Hirsch ..................................................................... 24Bill Holman .................................................................... 25Roger Holmes ................................................................ 25Andrew Homzy .............................................................. 26Les Hooper ..................................................................... 26Rich Iacona ..................................................................... 27Jeff Jarvis ......................................................................... 27Thad Jones ...................................................................... 28Gus Kambeitz ................................................................. 29Phil Kelly ......................................................................... 30Michael Kocour .............................................................. 30Tom Kubis ....................................................................... 30John La Barbera ............................................................. 39Dave LaLama .................................................................. 39Paul Lavender ................................................................ 39Rick Lawn ....................................................................... 39Paul Lee .......................................................................... 39Mike Lewis ...................................................................... 40Aaron Lington ................................................................ 40Bill Liston ....................................................................... 41Chris Madsen ................................................................. 41John Mahoney ................................................................ 41Frank Mantooth ............................................................. 42Thomas Matta ................................................................ 43Rob McConnell .............................................................. 43Don Menza ..................................................................... 44Bob Mintzer ................................................................... 46Michael Mossman .......................................................... 46

Paul Murtha ................................................................... 47Oliver Nelson ................................................................. 47Sammy Nestico .............................................................. 49Lennie Niehaus .............................................................. 51Edward Partyka .............................................................. 53Bill Potts ......................................................................... 53Kim Richmond ............................................................... 54Les Sabina....................................................................... 54Carl Saunders ................................................................ 55Don Sebesky ................................................................... 55Bob Sennett .................................................................... 56George Shutack ............................................................. 56Rick Stitzel ..................................................................... 57Dave Snider .................................................................... 57George Stone ................................................................. 58Carl Strommen .............................................................. 59Fred Sturm ..................................................................... 59Michael Sweeney ........................................................... 59Mark Taylor ..................................................................... 61Gene Thorne ................................................................... 64Mike Tomaro ................................................................... 65Chris Walden .................................................................. 67Bob Washut .................................................................... 67

Charts Listed by Performer:Andrews Sisters ............................................................. 68Ray Anthony ................................................................... 68Charlie Barnet ................................................................ 68Count Basie .................................................................... 69Louie Bellson.................................................................. 73Les Brown ....................................................................... 73Bobby Darin ................................................................... 74Tommy Dorsey ............................................................... 74Duke Ellington................................................................ 75Maynard Ferguson ......................................................... 80Ella Fitzgerald ................................................................ 81Benny Goodman ............................................................ 82Glen Gray ....................................................................... 83Ted Heath ....................................................................... 83Woody Herman ............................................................. 84Harry James .................................................................... 85Stan Kenton .................................................................... 86Gene Krupa .................................................................... 97Peggy Lee ........................................................................ 98Dean Martin ................................................................... 98Glenn Miller ................................................................... 98Mingus Big Band ...........................................................101Buddy Morrow ..............................................................102Buddy Rich ....................................................................102Shorty Rogers ...............................................................103Artie Shaw .....................................................................103Frank Sinatra.................................................................104Misc. Instrumentals ......................................................105Holiday Arrangements .................................................106Dave Pell Octet .............................................................110

Customer Service .........................................................126Order Form ...................................................................127

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NEW TITLES - SORTED BY ARRANGERTITLE ARRANGER PAGEAN EVENING THOUGHT .................................... DAVID BAKER ................................ 6I.U. SWING MACHINE ......................................... DAVID BAKER ................................ 6SWEET AND SASSY .............................................. DOUG BEACH ............................... 8TWO WAY STREET ............................................... DOUG BEACH ............................... 8BLACK RATTLE ..................................................... DAN CAVANAGH ........................ 10CHAOS THEORY ................................................... DAN CAVANAGH ........................ 10HAVING BUILT IN DEEPER WATER ................... DAN CAVANAGH ........................ 10NORTH SOUTH ..................................................... DAN CAVANAGH ........................ 10PHASE SPACE ....................................................... DAN CAVANAGH ........................ 10SPLIT-ROCK ............................................................ DAN CAVANAGH ........................ 10NOT QUITE BRAZIL ............................................. JIM CIFELLI ................................... 10THAT CAT .............................................................. MATT CLANCY ............................ 10SQUATTY ROO ...................................................... JOHN CLAYTON .......................... 11FOR THE L’IL ONES ............................................. BOB CURNOW ............................. 11MOUNTAIN GREENERY (NONET) ..................... BOB CURNOW ............................. 11A PLACE IN THE WORLD ................................... BOB CURNOW ............................. 12SWEETLUMPS ....................................................... BOB CURNOW ............................. 12VIDA DE SUENO ................................................... BOB CURNOW ............................. 12WRITER’S CRAMP ................................................. BOB C URNOW ............................ 12ABYSSINIA ............................................................. MIKE DANA .................................. 12BOB SAGET ............................................................ MIKE DANA .................................. 12EL BURRITO PICANTE III .................................... MIKE DANA .................................. 12MIRA COSTA .......................................................... MIKE DANA .................................. 13SITE FOR PSORIASIS ............................................ MIKE DANA .................................. 13SORRY ABOUT THAT ............................................ MIKE DANA .................................. 13MORNING FUNK ................................................... RICH DEROSA .............................. 13ELVIN’S EMPIRE .................................................... JOHN FEDCHOCK ....................... 14BIG MAMA DIANE’S ROADHOUSE BLUES ....... NEAL FINN ................................... 14A BREMIS AMONG US .......................................... NEAL FINN ................................... 14DONDE ................................................................... DIRK FISCHER .............................. 14MAMBO PARA ESTUDIO ...................................... DIRK FISCHER .............................. 14SING DAMMIT! ....................................................... DIRK FISCHER .............................. 14GUIDING STAR ...................................................... BOB FLORENCE .......................... 16BETWEEN THE PIPES ......................................... TONY GAIRO ................................ 21DEALINES, DISTRACTIONS & DIVERSIONS ..... TONY GAIRO ................................ 21ELUSIVITY .............................................................. TONY GAIRO ................................ 21POKE AND HOPE ................................................. TONY GAIRO ................................ 21PORTRAIT OF MY WIFE ....................................... TONY GAIRO ................................ 21REVISITED .............................................................. TONY GAIRO ................................ 21SUPERMARKET SUSHI ......................................... TONY GAIRO ................................ 21TREACHEROUS ..................................................... TONY GAIRO ................................ 21A GAME OF INCHES ............................................ GORDON GOODWIN ................. 22THE QUIET CORNER ........................................... GORDON GOODWIN ................. 22WHAT SAMMY SAID ............................................ GORDON GOODWIN ................. 22THE HANG ............................................................ DAVID GUIDI ................................. 22MENTION THE EXTENSION .............................. TIM HAGANS ................................ 23MISSED THE BALLGAME BLUES ........................ TIM HAGANS ................................ 23ROLLIN’ WITH VON OHLEN ............................. TIM HAGANS ................................ 23GROUND ZERO ..................................................... STEVE HAWK ............................... 24ASPIRE .................................................................... RICK HIRSCH ................................ 24ELLIE’S NEW GROOVE ........................................ RICK HIRSCH ................................ 24FREE FOOD? FREE FOOD! ................................... RICK HIRSCH ................................ 24GRACE OF A SOARING EAGLE .......................... RICK HIRSCH ................................ 24LIFEBLOOD ........................................................... RICK HIRSCH ................................ 24NEBULA ................................................................. RICK HIRSCH ................................ 24SUSPENDED .......................................................... RICK HIRSCH ................................ 24BLUE DANIEL ....................................................... BILL HOLMAN ............................. 25WOODROW .......................................................... BILL HOLMAN ............................. 25DANCE TO THE MUSIC........................................ ROGER HOLMES .......................... 25I REMEMBER YOU .................................................. ROGER HOLMES .......................... 26ORANGE COLORED SKY .................................... ROGER HOLMES .......................... 26THEME FROM ‘THE FAMILY GUY’ ...................... ROGER HOLMES .......................... 26THIEVES IN THE TEMPLE ................................... ROGER HOLMES .......................... 26BOOGIE STOP SHUFFLE ...................................... ANDREW HOMZY ....................... 26GOODBYE PORK PIE HAT .................................. ANDREW HOMZY ....................... 26HAITIAN FIGHT SONG ........................................ ANDREW HOMZY ....................... 26BACK IN BLUE ORLEANS ................................... LES HOOPER ................................ 26BLEEP BLOP .......................................................... LES HOOPER ................................ 26BLUE IN GREEN ................................................... LES HOOPER ................................ 26COOL SCHOOL DROPOUT ................................ LES HOOPER ................................ 27LONG INTERMISSION ......................................... LES HOOPER ................................ 27MILES BACK .......................................................... LES HOOPER ................................ 27NOT SO FAST ........................................................ LES HOOPER ................................ 27SHUFFLEUPHAGASS ............................................ LES HOOPER ................................ 27WHAT’S GOING ON ............................................ LES HOOPER ................................ 27BISTRO LATINO .................................................... JEFF JARVIS .................................... 27OUT ON THE STREET ......................................... JEFF JARVIS .................................... 28IT ONLY HAPPENS EVERY TIME ........................ THAD JONES/MIKE CARUBIA .... 29THREE AND ONE ................................................. THAD JONES/MIKE CARUBIA .... 29ON THE DL ............................................................ GUS KAMBEITZ ............................ 29(I CAN’T BELIEVE) I 8 DA WHOLE... ................. PHIL KELLY .................................. 30

NEW TITLES SORTED BY ARRANGER JUAN BEATOV STOMP .......................................... PHIL KELLY .................................. 30PLEADING DIM CAP ............................................ PHIL KELLY .................................. 30ZIP CODE 2005 ...................................................... PHIL KELLY .................................. 30DONNIE’S TEMPO ................................................ MICHAEL KOCOUR ..................... 30ALICE BLUE GOWN ............................................ TOM KUBIS .................................... 31BRAZILIAN DANCE OF TEH FLUGELHORN ... TOM KUBIS .................................... 31BUCKET BRIGADE ................................................ TOM KUBIS .................................... 31DAT DA DUT DUH ................................................ TOM KUBIS .................................... 32MARABA ................................................................. TOM KUBIS .................................... 35NO 3 WAYS ABOUT IT ......................................... TOM KUBIS .................................... 35THAT WORM FEELING ........................................ TOM KUBIS .................................... 38TWO SAMBA TO GO ............................................ TOM KUBIS .................................... 38WHISPERS ............................................................. TOM KUBIS .................................... 38YOU CAN COUNT ON IT .................................... TOM KUBIS .................................... 38CLOTH OF SILVER THREADS OF BLUE ............ JOHN LA BARBERA ..................... 39FANTAZM ............................................................... JOHN LA BARBERA ..................... 39HIGHLAND CROSSING ....................................... JOHN LA BARBERA ..................... 39OVER F .................................................................... JOHN LA BARBERA ..................... 39PYTHODD FELLOWS ........................................... JOHN LA BARBERA ..................... 39YOUR OR MINE OR BLUES ................................. JOHN LA BARBERA ..................... 39ZIN ZAK .................................................................. JOHN LA BARBERA ..................... 39LEAP FROG ............................................................ PAUL LAVENDER ......................... 39AN APPLE A DAY .................................................. MIKE LEWIS .................................. 40CABIN FEVER ........................................................ MIKE LEWIS .................................. 40SLINKY .................................................................... MIKE LEWIS .................................. 40ASKEW ................................................................... MIKE LEWIS .................................. 40ORION .................................................................... MIKE LEWIS .................................. 40WHY MUSICIANS CAN’T DANCE ..................... MIKE LEWIS .................................. 41BELOVEANCE ....................................................... CHRISTOPHER MADSEN ............ 41E.V. FREE ................................................................. CHRISTOPHER MADSEN ............ 41GIVE AND TAKE ..................................................... CHRISTOPHER MADSEN ............ 41I’LL BE YOURS ........................................................ CHRISTOPHER MADSEN ............ 41REFLECTIONS ....................................................... CHRISTOPHER MADSEN ............ 41NEXT SEASON ...................................................... THOMAS MATTA .......................... 43THE INCREDIBILES .............................................. PAUL MURTHA ............................. 47SENTIMENTAL JOURNEY .................................... PAUL MURTHA ............................. 47SOUL MAN ............................................................ PAUL MURTHA ............................. 47WHAT’D I SAY ....................................................... PAUL MURTHA ............................. 47THE WAY YOU LOOK TONIGHT ......................... SAMMY NESTICO ........................ 51MAKING THE ROUNDS ........................................ LENNIE NIEHAUS ....................... 52NORTHWEST JOURNEY ...................................... LENNIE NIEHAUS ....................... 52MADLY LOVING YOU ............................................ EDWARD PARTYKA ...................... 53SOMETIMES ........................................................... EDWARD PARTYKA ...................... 53STOLEN BLUES ..................................................... EDWARD PARTYKA ...................... 53TOGETHERNESS ................................................... EDWARD PARTYKA ...................... 53TUNNEL VISION ................................................... EDWARD PARTYKA ..................... 53PORGY AND BESS MEDLEY ................................ BILL POTTS ................................... 53HORIZON UNDER ................................................ KIM RICHMOND .......................... 54POETRY .................................................................. KIM RICHMOND .......................... 54BLUES-GO-ROUND ............................................... LES SABINA .................................. 54CHILLED OUT....................................................... LES SABINA .................................. 54BLUES, BOOZE, AND TATOOS ............................. BOB SENNETT ............................. 56DARK CUSTERS ..................................................... BOB SENNETT ............................. 56DON’T LEAVE NOW ............................................ BOB SENNETT ............................. 56UNCHARTED TERRITORY .................................... GEORGE SHUTACK ..................... 57PROUD MARY ........................................................ RICK STITZEL ............................... 57BASS ON TOP WHERE PAUL LIKES IT ............. DAVE SNIDER ............................... 57JP ............................................................................. DAVE SNIDER ............................... 57A LITTLE TASTE OF FUNK .................................. DAVE SNIDER ............................... 57SEVEN FOR SCOTT ............................................... DAVE SNIDER ............................... 57THINKIN’ ‘BOUT MAYNARD ............................... DAVE SNIDER ............................... 58STRAIGHT AHEAD ............................................... GEORGE STONE .......................... 58TIME OUT .............................................................. CARL STROMMEN ....................... 59ALL BIRD’S CHILDREN ........................................ FRED STURM ................................. 59MICHELANGELO ................................................. FRED STURM ................................. 59MUMUKI .................................................................. FRED STURM ................................. 59ALL OF ME ............................................................ MICHAEL SWEENEY .................. 59PERFIDIA ................................................................ MICHAEL SWEENEY .................. 61UNTIL I MET YOU (CORNER POCKET) ............. MICHAEL SWEENEY .................. 61I CONCENTRATE ON YOU .................................. MARK TAYLOR .............................. 62LET THE GOOD TIMES ROLL ............................. MARK TAYLOR .............................. 63A NIGHT IN AUGUSTA ........................................ MARK TAYLOR .............................. 63THE RAINBOW CONNECTION ......................... MARK TAYLOR .............................. 63SEPTEMBER ........................................................... MARK TAYLOR .............................. 64TRIBUTE TO MILES ............................................... MARK TAYLOR .............................. 64NEXT CHAPTER ................................................... GENE THORNE ............................ 65BIRKS’ WORKS ....................................................... MIKE TOMARO .............................. 65BLUES AT THE GATE ............................................ MIKE TOMARO .............................. 65BLUESETTE ............................................................ MIKE TOMARO .............................. 65FOREIGN INTRIGUE ............................................. MIKE TOMARO .............................. 65LUSH LIFE .............................................................. MIKE TOMARO .............................. 65OTHERS BROTHERS ............................................. MIKE TOMARO .............................. 66SUPERSTITION ...................................................... MIKE TOMARO .............................. 66TO NO AVAIL ......................................................... MIKE TOMARO .............................. 66TONES FOR JOAN’S BONES ............................... MIKE TOMARO .............................. 67COUNT THE STARS .............................................. CHRIS WALDEN .......................... 67FILM NOIR SUITE PART 1 .................................... CHRIS WALDEN .......................... 67FILM NOIR SUITE PART 2 .................................... CHRIS WALDEN .......................... 67

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NEW FAMOUS BIG BAND ARRANGEMENTS

NEW FAMOUS BIG BAND ARRANGEMENTS

TITLE PERFORMER PAGEAPPLE BLOSSOM TIME ANDREWS SISTERS 68BEI MIR BIST DU SCHOEN ANDREWS SISTERS 68SKYLINER CHARLIE BARNET 68ALL OF ME COUNT BASIE 69GOIN’ ON COUNT BASIE 70PENNIES FROM HEAVEN COUNT BASIE/FRANK SINATRA 71RED BANK BOOGIE COUNT BASIE 71ROLL ‘EM PETE COUNT BASIE 72SENTIMENTAL JOURNEY LES BROWN/DORIS DAY 74THE MINOR GOES MUGGIN’ TOMMY DORSEY 74T.D. BOOGIE WOOGIE TOMMY DORSEY 75I SAID NO ELLA FITZGERALD 81CHRISTOPHER COLUMBUS BENNY GOODMAN 82CLARINADE BENNY GOODMAN 82DOWN SOUTH CAMP MEETING BENNY GOODMAN 82JAM SESSION BENNY GOODMAN 82LIFE GOES TO A PARTY BENNY GOODMAN 83PAGANINI CAPRICE XXIV BENNY GOODMAN 83WHY DON’T YOU DO RIGHT BENNY GOODMAN/PEGGY LEE 8312TH STREET RAG TED HEATH 83AUTUMN LEAVES TED HEATH 83HOT TODDY TED HEATH 84OL’ MAN RIVER TED HEATH 84FOUR BROTHERS TED HEATH 84HAPPINESS IS A THING CALLED JOE TED HEATH 85B-19 HARRY JAMES 85CIRIBIRIBIN HARRY JAMES 85DONCHA GO ‘WAY MAD HARRY JAMES 85I’VE HEARD THAT SONG BEFORE HARRY JAMES 85JAMES SESSION HARRY JAMES 85MUSIC MAKERS HARRY JAMES 86ALL AT ONCE YOU LOVE HER STAN KENTON 86CHIAPAS STAN KENTON 87EL MANISERO (PEANUT VENDOR) STAN KENTON 88MALAGUENA STAN KENTON 92PEGASUS STAN KENTON 93STREET SCENE STAN KENTON 95STRING OF PEARLS STAN KENTON 95TAKING A CHANCE ON LOVE STAN KENTON 95TIME FOR A CHANGE STAN KENTON 96YOUNGER THAN SPRINGTIME STAN KENTON 96STOP! THE RED LIGHT’S ON GENE KRUPA/ANITA O’DAY 97SYMPHONY IN RIFFS GENE KRUPA 98AIN’T THAT A KICK IN THE HEAD DEAN MARTIN 98SUNRISE SERENADE GLENN MILLER 101SWING LOW, SWEET CHARIOT GLENN MILLER 101GRAND SLAM SHORTY ROGERS 103PIROUETTE SHORTY ROGERS 103AT SUNDOWN ARTIE SHAW 103PENNIES FROM HEAVEN FRANK SINATRA 105

FILM NOIR SUITE PART 3 .................................... CHRIS WALDEN .......................... 67HOME OF MY HEART .......................................... CHRIS WALDEN .......................... 67HOT WHEELS JUMPIN’ HIGH ............................ CHRIS WALDEN .......................... 67IN THE DOGHOUSE ............................................. CHRIS WALDEN .......................... 67MR. J ......................................................................... CHRIS WALDEN .......................... 67NITE CLUB SWING .............................................. CHRIS WALDEN .......................... 67REMEMBER TOMMY .............................................. CHRIS WALDEN .......................... 67SHORT PENCIL ..................................................... CHRIS WALDEN .......................... 67START GROOVIN’ .................................................. CHRIS WALDEN .......................... 67

TAKE YOUR TIME ................................................... CHRIS WALDEN .......................... 67THIS BAND IS BOUNCIN’ ................................... CHRIS WALDEN .......................... 67THIS IS NOT 4 U ................................................... CHRIS WALDEN .......................... 67TICINO ................................................................... CHRIS WALDEN .......................... 67TRY HARDER ......................................................... CHRIS WALDEN .......................... 67

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ARRANGED BY DAVID BAKER

5M CALYPSO Arranged by David BakerDifficult $62.00 Cat: SMP-272This is one happy chart! It starts with the trombones laying down a nifty bass line,and then a great groove with a calypso pattern. Trumpets take the melody, andthings cook on from there. Solos for piano, tenor saxophone and trumpet. This is agreat crowd-pleaser.

AUTUMN’S DREAMSArranged by David BakerMedium Easy $46.00 Cat: 50757A wistful, lyrical ballad. No soloists, all written composition. Sax doubles. 10 brass(including tuba).

BOURNEArranged by David BakerMedium Difficult $45.00 Cat: 50750Bebop line with extremely angular and modern sounding chart. Theme is stated inoctave line by flute, trombone and bass. Lead alto doubles flute. 10 brass.

BROTHERArranged by David BakerMedium $44.00 Cat: 50751Medium tempo blues which builds into an outside sounding lydian section andclimaxes with an a cappella brass soli, alto, piano, trumpet and trombone solos.

CAHAPHI Arranged by David BakerMedium Difficult $46.00 Cat: 50758A modern-type tune with bi-tonals and a form that has straight combined withLatin. Based loosely on the changes to Soon. Reminiscent of Birth of the Coolarrangements. Solos: trumpet and tenor. No doubles. 10 brass (incl tuba).

CELEBRATION SUITE:SUNBURST MOVEMENT IArranged by David BakerMedium Difficult $44.00 Cat: 50759AA lilting Latin melody over an unusual form. Modal piece with a Gil Evans styleintroduction in brass. Fun to play on. Alto 1 doubles soprano. 10 brass (incl tuba).Solos for trombone and guitar.

CELEBRATION SUITE:A CRYSTAL TEAR MOVEMENT IIArranged by David BakerDifficult $44.00 Cat: 50759BA lush, sensual melodic ballad a la Johnny Hodges followed by a long, opendevelopment section featuring soprano in a quasi-Coltrane section. Sax doubles. 10brass (incl tuba). Solos for alto sax/soprano sax.

CELEBRATION SUITE:JAM SESSION MOVEMENT IIIArranged by David BakerMedium Difficult $46.00 Cat: 50759CA festive, hard-swinging blues with lots of blowing space. No doubles. 10 brass(including tuba). Soloists: all saxes in a collective improvisation, then alto, then guitar,then all instruments in a collective improvisation.

AN EVENING THOUGHT ***NEW***Arranged by David BakerMedium Difficult $55.00 Cat: SMP-760This lovely Latin piece begins quietly with piano, then brass, and leads into a warm,lush saxophone soli. The brass quietly lead into a piano solo, alto sax solo and thena baritone sax solo. The ending is quiet, soulful and beautiful. Brass ranges are quitemodest and the tempo is easy to play for most bands. 5/5/5/3

FOLKLIKEArranged by David BakerMedium $45.00 Cat: 50752Up-tempo rock/R&B groove with interesting changes. Tenor and trombone solos.Small group free-improvisation for trombone and trumpet.

I.U. SWING MACHINE ***NEW***Arranged by David BakerDifficult $67.00 Cat: SMP-761David Baker’s music is wonderful to play because of its originality and sense ofadventure. This is no exception. Written for his amazing jazz ensemble at IndianaUniversity, this chart, set in a fast swing tempo, just sails along at a fast clip, excitingall who hear (or play) it. The trumpet section plays the melody in unison and thingsswing on from there. There is solo space for alto, trumpet and trombone. There isalso a killer sax section soli. Your band and audiences will love this one. 5/5/5/3

LIMA BEBA SAMBAArranged by David BakerMedium Difficult $45.00 Cat: 50753Fast Samba. Bi-tonals and unusual harmonic progressions. Lots of blowing space. 10brass.

MIAMI SUITE: SUNFESTArranged by David BakerDifficult $46.00 Cat: 50760CContemporary tune. Sections as follows: (A) swing, (B) Latin, (C) modal vamp.Melody uses 4ths and pentatonics. No doubles. 10 brass (including tuba). Solos:trombone and trumpet.

MIAMI SUITE: TIPPIN’Arranged by David BakerEasy $44.00 Cat: 50760AA 14-bar minor blues, funky melody, interesting backgrounds. No sax doubles. 10brass (including tuba). Solos: tenor, guitar, baritone, trumpet and trombone.

PADOSPEArranged by David BakerMedium Difficult $45.00 Cat: 50754Nice easy swing. Exciting shout chorus in brass. 10 brass.

ROLY POLYArranged by David BakerMedium Difficult $45.00 Cat: 50755Slow 12/8 blues in the style of After Hours. Attractive mixture of laid back 12/8 feeland an aggressive 3/4 swing. A virtuoso shout chorus in the saxes.

SHIMA 13Arranged by David BakerMedium $45.00 Cat: 50756Medium tempo Latin chart with piano and alto solos and lots of dynamic contrasts.

SOME LINKS FOR BROTHER TEDArranged by David BakerDifficult $62.00 Cat: SMP-270This is a great blues chart, and there are never enough of those! Lots of blowingspace for lots of players makes this a fun-filled romp through the blues. David wrotethis for his top-notch Indiana University Jazz Ensemble.

TRUCKIN’Arranged by David BakerMedium Difficult $46.00 Cat: 50761A hard-swinging shuffle. Great shout chorus with virtuosic saxophone writing. Nodoubles. 8 brass (no tuba). Solos for alto and trumpet.

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ARRANGED BY STAN BANN

CHANGE OF HEARTArranged by Stan BannDifficult $45.00 Cat: 55329Haunting ballad featuring lush woodwind and trombone support of flugelhornsoloist. Meter shifts between 3/4 and 4/4. Five trombones are strongly recommendedand a strong bass trombone foundation is necessary. This piece stresses ensembleand sensitivity in rich voicings. There are sax doubles.

FACADEArranged by Stan BannMedium $45.00 Cat: 55327A straight ahead, slightly modal chart with a strong melody and a Woody Hermanfeel. Predominantly sectional voices. Brief solo space for trumpet and guitar.

GOOD INTENTIONSArranged by Stan BannMedium Difficult $50.00 Cat: 55325A brisk Latin original with a melody that will stay with the audience long after theperformance. They will leave humming this one. Features tenor solo, extensive use offlutes (all saxes double flute except baritone) and harmon mutes.

LOVE ALWAYSArranged by Stan BannMedium Difficult $45.00 Cat: 55328Opening with piano and flugelhorn statement, this chart moves through doubletime rock and swing sections before returning to the original ballad. Tenor solos overthe rock section while the swing section features trombone. Brief interlude featuresdrum solo in time over clustered pad.

RAINSILKArranged by Stan BannMedium Difficult $50.00 Cat: 55326Double time Latin with strong contrapuntal lines in the A section. Some triple vs.double rhythms just to keep things interesting. Solo space for flugelhorn, drums, anda conversation between trombone 1 and 2. Flute doubles and baritone sax doublesbass clarinet.

ARRANGED BY DOUG BEACH

BIG CAT GROOVEArranged by Doug BeachEasy $42.00 Cat: 42030This serves equally well as a concert opener or closer and will teach and/or reinforcebasic swing rhythms every jazz musician should know. The easy-to-hear solo changeswill give students the opportunity to work on improvising. Written or ad lib solos forall rhythm section parts notated with chords cued. Playable by 12-17 pieces.

BLUES OF A DIFFERENT COLORArranged by Doug Beach and George ShutackMedium Easy $42.00 Cat: 42443This medium easy swing original from the Doug Beach Music catalog features a solidgroove and wonderful ensemble work essential to the mastery of the jazz language.This minor blues offers an open solo section for anyone in the ensemble.

BLUESIN’ WITH BRADLEYArranged by Doug BeachMedium Easy $42.00 Cat: 42445The charts that have been commissioned in recent years by noted jazz educatorJohn Bradley have proven to be very popular. Bluesin’ With Bradley should prove tobe no exception. Plenty of ensemble work is contrasted with flowing melodic lines tocreate this exciting swing blues chart. All solos contain a written solo and rhythmsection parts are completely notated. A great opener or closer.

CENTER LINEArranged by Doug BeachMedium Easy $42.00 Cat: 42465Rich in teaching opportunities, this energetic medium easy chart can be played ineither the swing or shuffle styles. Suitable for an opener or closer, the solid ensemblewritings create a big sound while observing the moderate brass range requirementsof the series. While sample solos are provided, an open solo section allows thechance for additional solo opportunities.

CONNECTING WITH THE BLUESArranged by Doug BeachEasy $42.00 Cat: 42064Written for 12-17 players, this new Beach original provides young jazz bands withan excellent introduction to the all-important blues form. Crisp articulations,fundamental swing rhythms, and an open solo section in F concert with cuedbackgrounds are highlights. A sheet with written solo lines for all instrumentssupplements each set.

EL CENTROArranged by Doug BeachMedium $42.00 Cat: 43162This Salsa chart is an electrifying addition to the Doug Beach catalog. Commissionedby Robert Blazek’s Youth Jazz Ensemble of DuPage, Illinois, the fiery rhythm sectiongroove provides the foundation for strong sax and brass lines.

ESCAPE ROUTEArranged by Doug BeachEasy $42.00 Cat: 42105This straight-ahead minor blues is a rewarding journey in the swing idiom. Studentsshould play with a solid sense of time and pay close attention to articulations forbest results. Written lines are provided for the open solo section if players lackimprovisation experience, and the chart features a strong finish.

FIRST LIGHTArranged by Doug BeachEasy $38.00 Cat: 42117A pensive melody and rich harmonies blend perfectly in this straight-8ths ballad foryoung bands. It builds gradually, starting with piano only in the first four bars, addingsolo trumpet in m.5 and just about everyone else by m.16. All solo lines are entirelywritten, and it’s playable by bands ranging in size from 12 to 17 pieces.

GUMBO CALIENTEArranged by Doug BeachEasy $42.00 Cat: 42167All of the ingredients for a hot gumbo are present in this sizzling new Latin compositionplayable by 12-17 pieces. The strong rhythm groove is the foundation for a perfectblend of melody, Latin rhythms, an open solo section, and the roaring ensemble work.Stir all of the above, bring to a strong simmer, and serve HOT!

I GOT CHILI PEPPERArranged by Doug BeachMedium Easy $42.00 Cat: 42603The famous Chili Pepper saga continues! Based on rhythm changes, this spicy Latinadventure features an open solo section, a unique ensemble response, and a strongfinish. Crisp horn articulations and a solid groove are essential.

LI’L LIZA JANEArranged by Doug Beach and George ShutackMedium $42.00 Cat: 43264Dedicated to and recorded by trumpeter Nicholas Payton on Gumbo Nouveau,this familiar melody takes on new life in this refreshing swing treatment by DougBeach and George Shutack. Scored at the medium level, the rhythmic and harmonictwists in this arrangement complement the hard-driving groove.

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MARGIN OF ERRORArranged by Doug Beach and George ShutackEasy $42.00 Cat: 41890The first title in the new Jazz Foundations Series, Margin Of Error is a solid rockchart at the very easy level that will provide young musicians with the essential jazzfoundation to move on to more advanced literature. The solid voicings insure thatany size group will sound big and full. Playable with any combination of four or morehorns plus rhythm. Optional parts are included for flute, clarinet, and french horn.Standard instrumentation, plus optional flute and horn in F.

MISSING TOOTHArranged by Doug BeachMedium Difficult $48.00 Cat: 43275This heartfelt tribute to Frank Mantooth is an excellent programming choice formedium advanced groups. It is, without a doubt, one of Doug’s finest charts -consisting of great ensemble writing, strong swing figures, an open solo section, anda roaring shout chorus.

OFF THE RECORDArranged by Doug Beach and George ShutackEasy $42.00 Cat: 41910This very easy swing chart provides young musicians with the necessary backgroundto move on to more advanced literature. This chart utilizes fundamental swingfigures and is playable by any combination of four or more horns and rhythm.Optional parts are also included for flute, clarinet and horn in F. Two sample solostransposed for any instrument are provided in each set. Written or ad lib solos forall rhythm section parts.

THE RED BANK EXPRESSArranged by Doug BeachMedium Easy $42.00 Cat: 42795Written in the style of the great Count Basie Orchestra and titled in reference toBasie’s birthplace of Red Bank, NJ, this swingin’ original features plenty of greatensemble work and an open section for improvised solos (written lines provided).Highlights include a sax soli, shout chorus, and a Basie piano signature just beforethe final chords.

SOUTH SIDE BLUESArranged by Doug BeachMedium Easy $42.00 Cat: 42453This medium easy original is a straight-ahead swing chart commissioned by notedjazz educator Dr. John Bradley. A strong melody, sax soli, brass soli, open solo section,and a burning shout chorus make this an ideal choice for opening or closing yourconcert program.

SWEET AND SASSY ***NEW***Arranged by Doug Beach and George ShutackEasy $42.00 Cat: 41930With swinging rhythm throughout the chart, Sweet & Sassy lives up to its name.Features include a solid bass line, an infectious melody, and swinging ensemble figures.Approachable by very easy level groups, this chart will be popular with moreexperienced groups as well. As with all charts in this series, it provides the directorwith an almost unlimited number of instrumentation options. The music is scoredfor four horn parts, with the instruments assigned to parts based upon range andvoicing considerations. With each of the four parts assigned, the chart will sound fulland complete. The director may then add as many horns as desired past the initialfour as long as some effort is made to retain a reasonable balance. Optional parts areincluded for flute, clarinet, and french horn. Two sample solos are provided for allinstruments, but players should be encouraged to step away from the written solos.

THAT’S NOT MY DOGArranged by Doug Beach and George ShutackEasy $42.00 Cat: 41940This medium swing chart at the very easy level pays tribute to the great Peter Sellersand The Pink Panther series. The solid groove and use of fundamental swing figuresmake this a wonderful teaching vehicle for younger jazz musicians as they encounterpatterns and concepts that are the building blocks of the jazz idiom. Charts fromthis series are playable by as few as four horns and rhythm, and are expandable tofull big band instrumentation. Optional parts are provided for flute, clarinet, andhorn in F. Written or ad lib solos for all rhythm section parts.

TRANQUILLOArranged by Doug BeachMedium Easy $38.00 Cat: 42905This delightful, medium easy Bossa Nova original provides a wonderful alternative tothe standard ballad. The flowing melody and rich voicing create a perfect showcasefor either flugelhorn or alto saxophone.

TRUMPETS OUT FRONTArranged by Doug BeachMedium Easy $42.00 Cat: 42909The title says it all! This catchy, hard-swinging trumpet section feature at themedium easy level will provide excitement for any concert setting.

TWO WAY STREET ***NEW***Arranged by Doug BeachMedium Easy $42.00 Cat: 42945A frontline of trumpet, trombone, and tenor saxophone deftly navigates the turnsof this medium easy level chart. With a minor melody and very hip harmonies, thisarrangement is sure to be a hit with students and audiences alike. If you’re lookingfor an up-tempo swing tune with attitude, look no further!

ARRANGED BY LOUIE BELLSON

BASSICALLY BOSSAArranged by Louie BellsonMedium Difficult $36.00 Cat: CLBA039233800Bossa Nova. Alto and trumpet are featured.

CRYSTALSArranged by Louie BellsonMedium Difficult $31.00 Cat: CLBA039038600Ballad. Alto feature.

SINGIN’ SAMBAArranged by Louie BellsonMedium Difficult $40.00 Cat: CLBA039220500Moderately fast Samba. Trumpet solo.

SMOOTH TOUCHArranged by Louie BellsonMedium Difficult $31.00 Cat: CLBA039038500Bossa Nova. Features piano and tenor solos.

TIME IS RIGHTArranged by Louie BellsonMedium Difficult $31.00 Cat: CLBA039038700Medium-up swing. Trumpet solo.

UNTITLED WALTZArranged by Louie BellsonMedium Difficult $34.00 Cat: CLBA039223200Up-tempo jazz waltz, features alto and trumpet.

ARRANGED BY SHELLY BERG

BLUE GENESArranged by Shelly BergDifficult $42.00 Cat: 5455012/8 funk featuring trombones. Exciting contrapuntal shout.

BLUESBERRY JUICEArranged by Shelly BergMedium Difficult $39.00 Cat: 54551Speedy 12-bar blues. Exciting sax soli and full brass soli without rhythm.

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C.P. SAMBAArranged by Shelly BergMedium Difficult $55.00 Cat: 54563As performed by Bill Watrous. Relaxed Samba features trombone or piano. Lovelymelody and changes. Fun and challenging sax soli. Lots of solo space.

DEEDLE DEEDLEArranged by Shelly BergMedium Difficult $60.00 Cat: 54562As performed by Bill Watrous’ Wildlife West. This bright swing is based on I GotRhythm changes. Great melody! Sax soli, exciting shout trades fours with drummer.Solo space.

FOR JRArranged by Shelly BergDifficult $50.00 Cat: 54565Composed in tribute to pioneering jazz educator, J. Richard Dunscomb, For JR isalternately beautiful and exciting. The style is straight eighth, with a warm maintheme featuring piano, then soprano sax. The orchestration is colorful and lush. Thecontrasting section is a 7/4 cascara! The cascara section has excitement and climaxesinto the piece, and is also a solo vehicle for alto sax. Some sax doubles.

FORWARD MOArranged by Shelly BergDifficult $48.00 Cat: 3239Commissioned for the 2004 Missouri All-State Jazz Ensemble, this chart has a lyricaltheme with interspersed partito alto sections to add excitement. The rhythm partsare notated throughout to demonstrate the Brazilian Samba style.

GRAPPLE WITH THE APPLEArranged by Shelly BergDifficult $53.00 Cat: 54552Tune based on Honeysuckle Rose. Trio of trumpet, tenor, and trombone.

JOArranged by Shelly BergMedium Difficult $42.00 Cat: 54554Funk-shuffle featuring alto sax, a la David Sanborn. Relaxed groove.

MAN TUNAArranged by Shelly BergDifficult $45.00 Cat: 54553Authentic salsa groove. Unusual montuno played by the brass section.

SKIP TOO, MY LOUArranged by Shelly BergDifficult $53.00 Cat: 54557Great ensemble writing. Medium groove swinger featuring the bass.

SOLEMN DESTINYArranged by Shelly BergMedium Difficult $37.00 Cat: 54558Haunting ballad for solo trombone. Composed for Bill Watrous. Some sax doubles.

SPLICE OF NICEArranged by Shelly BergDifficult $45.00 Cat: 54559Features alto sax and flugelhorn. Nice, easy-feeling funk shuffle.

TURN OUT THE STARSArranged by Shelly BergMedium $30.00 Cat: 54561Acapella setting of Bill Evans’ timeless ballad. Contrast piece. No piano or Drums.

THE WILLArranged by Shelly BergMedium Difficult $55.00 Cat: 54564As played by the Bill Watrous Big Band. This is a medium, in-the-pocket, swing tunefeaturing piano. The sax soli is challenging, but well worth the effort, and the shoutchorus will bring the audience to its feet. Also a great trading section of unison linesfor the trumpets and trombones. The chord progression is ‘Rhythm changes’ in Ab.

ARRANGED BY DAVID BERGER

BUSY WOMAN BLUES [VOCAL]Arranged by David BergerMedium $38.00 Cat: SCM-020This swinging blues arrangement is from Duke Ellington expert Dave Berger. Writtenfor Dave’s Sultans of Swing band, Busy Woman Blues captures the essence of theblues that allows for individual vocal interpretation by your male or female vocalist.

JOURNAL SQUAREArranged by David BergerMedium $42.00 Cat: 61385This straight ahead shuffle in the tradition of Duke Ellington’s train songs will be awelcome addition to advancing big band literature, and is also appropriate forprofessional bands as well. Berger used it as his band’s opener for many years.Conceived by the composer while riding home on the Journal Square train, itfeatures a 12-bar minor form and has plenty of opportunities to open things up forsolos. A guitar chord chart by Jim Greeson is included in each set.

ARRANGED BY ANDREW BISHOP

FUNERAL MUSIC FORJOBIM AND PIAZZOLLAArranged by Andrew BishopMedium Difficult $55.00 Cat: 51825This work was commissioned to celebrate the 25th Anniversary of the Wichita JazzFestival and was conceived as a piece that shifts between Bossa Nova and tango.Harmonically it mines Chopin's Prelude in E minor, op. 28, no. 4--a chord progressionused by both Jobim and Piazzolla--and the title suggests a connection to Beethoven.The prevailing texture is contrapuntal in the spirit of Renaissance vocal music alongwith several other reworked conventions of Western concert music. It is conceivedand written as a trombone feature, but additional solo parts are provided for B-flat,E-flat and other concert key instruments making this an ideal feature for guestartists and soloists ranging from flugelhorn, guitar, or even violin. The chord changesare fairly simple but require the soloist to adapt through form and feel shifts. Easy tomoderate ranges for all wind instruments.

MORE THAN SUGARArranged by Andrew BishopMedium Difficult $55.00 Cat: 51826The title and tempo marking "apocalyptic rhumba" (medium) are reverence toCuban music--though it is composed more in the spirit of John Coltrane and ElvinJones rather than traditional guaguanco. The chord changes are fairly straightforward even though they require the soloist to adapt form and tempo--a layeringmodal pyramid for the tenor and drums to drive the soloists to the fine. The rangesare moderate-to-difficult with some ossia for trumpet 1.

ARRANGED BY MIKE CARUBIA

AS TIME GOES BY [VOCAL]Arranged by Mike CarubiaMedium $50.00 Cat: WBJE9419As good a torch song as ever written, and now available for vocal group (SATB orSSAA) with jazz ensemble. Can be used as a vocal solo also. Either way, it’s greatmusic! Good voice leading in the vocal parts, and the band has background figuresthat are just right. The band gets a chance to blow in its own right, too. Key of C.

AT LAST [VOCAL]Arranged by Mike CarubiaMedium Difficult $50.00 Cat: JEV9601A classic tune in an arrangement for four vocalists with big band. It the style of thegreat bands, this chart contains lush, thick four part vocal writing, but it is verysingable. Your vocalist also will get a chance to scat during the tune. Solo opportunitiesfor the tenor, and alto singer. Key of G to Ab.

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BLUE MOON [VOCAL]Arranged by Mike CarubiaMedium $50.00 Cat: JEV9503Take a nice standard, add a Mike Carubia arrangement, and it turns to magic! Thisone features a vocal soloist or quartet (SATB or SSAA) with big band and has all ofthose big sounds everyone likes. Nice voice leadings and a Bossa interlude for achange of pace. Great for programming! Key of C (goes to Eb near end).

FUNKY JEANSArranged by Mike CarubiaMedium Difficult $38.00 Cat: SCM-015Funky Jeans is a funk style blues in C. Written in a Thad Jones style, this original tunefeatures some creative ensemble writing and sounds more difficult than it is to play.The funky groove will make this an instant hit. (Scored to sound complete with 4-3-2-3).

I’LL NEVER SMILE AGAIN/DREAM [VOCAL]Arranged by Mike CarubiaMedium Easy $45.00 Cat: JEVM00005These two gorgeous tunes, arranged with a mellow Bossa-Nova groove, are perfectfor a vocal treatment-smooth, very singable lines, modest ranges and well-knownmelodies. Concert, show, festival, dance-you name it, this chart is right for everyperformance setting. Mike Carubia arranged this chart with instrumental parts thatare a breeze with a few background solos supporting the vocal. Written for a vocalquartet or a solo vocal, this is a must-have arrangement! Key of C going to Ab.

IT DON’T MEAN A THING [VOCAL](IF IT AIN’T GOT THAT SWING)Arranged by Mike CarubiaMedium $50.00 Cat: JEV9505More Duke Ellington magic! This chart sells itself... the vocal group is just the frostingon the cake. The voice leadings are good and the band cooks along well. Look at thisone! (2:36) Key of D minor.

JUST HAVIN’ A GOOD TIMEArranged by Mike CarubiaMedium Easy $38.00 Cat: SCM-007This happy shuffle/swing is the least difficult in the series. Solos are played over F7 &Eb7 so almost anyone can try improvising on this one. As always, playable with lessthan a full band with lots of unison and block ensemble chords. High school and Jr.high students can handle this one on short notice. It’s simple, but it swings! (Scoredto sound complete with 4-3-2-3).

L’IL BASIEArranged by Mike CarubiaMedium Easy $40.00 Cat: SCM-028Has the feel of L’il Darlin’ but quite different melodically and harmonically. Piano soloin the middle and a nice shout section at the end. Easy to play and very smooth.

WALKIN’ & TALKIN’Arranged by Mike CarubiaMedium Easy $38.00 Cat: SCM-023A real crowd-pleaser at an easy level. Kids love it too. A real winner!

ARRANGED BY DAN CAVANAGH

BLACK RATTLE ***NEW***Arranged by Dan CavanaghDifficult $65.00 Cat: 50574Lengthy (~9:30). Up-tempo driving ECM feel/free. Rhodes piano (opt. piano).Woodwind doubles (soprano sax, clarinet/bass clarinet). Premiered at the IAJEconference in 2005, Black Rattle utilizes a ‘follow the leader’ concept. Bass tromboneis the first leader: the other instruments begin their parts after the bass bone and tryto ‘catch up.’ Trumpet takes over and leads the ensemble through more leader/follower moments. The tune then counts off into an aggressive, driving melodyleading to a modal trumpet solo. The backgrounds reprise earlier material, but endup pushing towards another leader/follower section featuring your drummer.

CHAOS THEORY ***NEW***Arranged by Dan CavanaghDifficult $55.00 Cat: 50573Up-tempo Swing. This driving, exciting piece explores changes from stability toinstability and back to stability again. Quick, explosive motifs in the beginning of thepiece give way to a developing ocatonic (half-whole) melody. A lush trombone soloout of time gives way to percoLating backgrounds that build over time. Solo spacefor tenor sax comes next with a much more aggressive character. The piece endswith a solo contemplative piano drawn from ideas found earlier in the piece.

HAVING BUILT IN DEEPER WATER ***NEW***Arranged by Dan CavanaghMedium Difficult $55.00 Cat: 50571Medium tempo, straight eights in 3/4. Woodwind doubles (clarinet/bass clarinet).One of Dan's most popular (and most performed) pieces! Starting off with pedalpoint C in the bass, this lush piece develops organically over time, presenting evolvingrepresentations of the same initial idea. Substantial solo space for the soprano saxand guitar and a nice overall shape to this piece make it an ideal program complementto straight-ahead swing pieces.

NORTH SOUTH ***NEW***Arranged by Dan CavanaghMedium $55.00 Cat: 50575Straight eighths, medium tempo. Commissioned by saxophonist Dave Camwell, thispiece features your soprano soxophonist. Starting with melodic ideas on solo sopranoin the lush key of concert Gb, the band sneaks in to complement. Sweeping dynamicgestures push the tune into a new key area. The tune quickly drops back down. Themodal solo section features beautiful backgrounds bubbling up from the surface,leading towards a dramatic push to the end of the piece.

PHASE SPACE ***NEW***Arranged by Dan CavanaghMedium $55.00 Cat: 50572Relaxed Swing in 3/4. Phase Space is set in a relaxed mood with the melody firstoutlined by the lead trombone. Solo space for trumpet or trombone comes firstafter the melody with backgrounds sneaking in on the second chorus. Piano isallowed another solo with optional repeats. The piece ends with piano trio simplystating the melody.

SPLIT-ROCK ***NEW***Arranged by Dan CavanaghDifficult $55.00 Cat: 50570Up-tempo swing. This high-energy big band piece starts off with a full ensembleshout and drops its energy down into a short piano solo. The band then enters withfragments of the main melody, using bold dynamic gestures and sharp attacks tohighlight drum work. After a large build-up and statement of the tune, a tenor soloensues with plenty of space and well-integrated backgrounds. Next comes an opendrum solo after which the melody returns. This piece ends with a final burst ofenergy making it a great closer.

ARRANGED BY JIM CIFELLI

NOT QUITE BRAZIL ***NEW***Arranged by Jim CifelliDifficult $55.00 Cat: 51040Contemporary jazz Samba that offers solo space for baritone sax, flute, trumpet,piano and drums. The chord changes for both the melody and the blowing sectionsare inspired by Herbie Hancock's ‘Cantaloupe Island.’ Halfway through the chartthe 4/4 Samba gives way to a 6/4 groove that accompanies the trumpet and pianosolos. A tutti ensemble section brings the chart full circle back to 4/4 for a reprise ofthe melody. 5 reeds: alto 1 doubles on flute, trumpet 1 to high f#.

ARRANGED BY MATT CLANCY

THAT CAT ***NEW***Arrnaged by Matt ClancyMedium Easy $38.00 Cat: SCM-031This Bossa Nova/Swing is easy to play and sounds great. Matt is a composer whoteaches at the middle school level in Vermont. Great for your young band. Scored forfull band but will sound complete with 4/3/2/3.

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ARRANGED BY JOHN CLAYTON

BAGS’ GROOVEArranged by John ClaytonDifficult $60.00 Cat: 7010754John’s arrangement of this jazz classic was written specifically to feature Milt Jacksonwith the Clayton-Hamilton Jazz Orchestra; however, just about any instrument canplay the head at the beginning of the chart. Shout chorus at the end is a standout!

DAY BY DAYArranged by John ClaytonMedium Difficult $60.00 Cat: 7010752John Clayton’s fierce, swinging arrangement of this familiar standard is written as asolo vehicle for tenor sax. Marvelously crafted in a kind of ‘call and response’ formbetween tenor and band.

EVIDENCEArranged by John ClaytonDifficult $60.00 Cat: 701096Monk was a master of composing unconventional and angular melodic lines. JohnClayton provides a jagged yet stimuLating chart that features dueling trumpets andan exciting full band shout chorus. From the recording Explosive! - Milt JacksonMeets The Clayton-Hamilton Jazz Orchestra.

FOR ALL WE KNOWArranged by John ClaytonMedium Difficult $60.00 Cat: 7010965Recorded by The Clayton-Hamilton Jazz Orchestra on their CD Absolutely! thislight Latin setting opens with a unique intro featuring guitar and arco bass. Whatfollows is a lush ensemble statement with drums playing on brushes leading to anextended solo section for piano.

GROOVE SHOPArranged by John ClaytonDifficult $60.00 Cat: 7010959This John Clayton original from the CD Groove Shop explodes into a medium swinggroove, then features a small group (soprano, tenor, trumpet and trombone) on thefirst go-round of the tune. The saxes have a soli feature and the entire ensemblehelps deliver the powerful shout. Includes solos for trumpet and piano.

THE JAZZ CALLINGArranged by John ClaytonDifficult $60.00 Cat: 7011111This monster chart from John Clayton was written specifically for his clinicpresentation at the IAJE convention where it was rehearsed and premiered inJanuary 2005. After the rhythm section sets the tone, the trumpets state the first‘calling’ then pass it along to the rest of the ensemble. This amazing compositiongrows organically throughout as tension and release points are explored and thefinal climax is realized through a layering effect from section to section.

SILVER CELEBRATIONArranged by John ClaytonDifficult $60.00 Cat: 7011147In honor of Horace Silver’s 75th birthday, John Clayton serves up this specialcelebration of swing. The opening statement by trumpet and tenor is balancednicely with full ensemble backgrounds. In the ‘airy’ middle section of this uniquelycrafted chart, the rhythm section loosens up a bit and solos are offered for tromboneand drums. The groove then returns and churns all the way to the finish.

SQUATTY ROO ***NEW***Arranged by John ClaytonAdvanced $60.00 Cat: 7011139Written for the Ellington orchestra by saxophonist Johnny Hodges, this catchy riff-based tune swings hard from beginning to end. After the hard-hitting opening, solosare exchanged by tenor, trombone, trumpet and piano. In typical Clayton-Hamiltonfashion, the piece roars to an exhilarating full tilt finish!

ARRANGED BY CHRIS CULVER

MONGO’S MOODArranged by Chris CulverMedium Difficult $38.00 Cat: SCM-019Mongo’s Mood is a hip Samba with firm roots in both the blues and salsa. Chris hasdone a great job in keeping this at a reasonable playing level while still being quite hip.This one should fit perfectly into your balanced programming format.

ARRANGED BY BOB CURNOW

ANOTHER LIFEArranged by Bob CurnowMedium Difficult $59.00 Cat: SMP-219Bob Curnow is very well known for his wonderful arrangements of Metheny’s music,and this chart will only enhance that reputation. This is another superb ballad, verymuch in the Metheny mode. It is scored to feature flugelhorn throughout, but thereare optional solo parts for alto sax or guitar available also. Pat’s recorded solo hasbeen transcribed, and it is included. (optional 10 brass parts available).

CHILDREN OF THE SUNArranged by Bob CurnowMedium Difficult $59.00 Cat: SMP-112This is a completely re-composed and re-notated (in Finale) version of a piece thathas been in the catalog for a while. It has a Latin / fusion feel reminiscent of someearly Freddie Hubbard tunes. Solo space is provided for alto sax and trumpet. The“shout” chorus which follows the solos is very exciting, and then the piece endsquietly after returning to the main theme. All ranges are very reasonable, and thechart should be playable by even young bands.

FOR THE LI’L ONES ***NEW***Arranged by Bob CurnowMedium $55.00 Cat: SMP-756Here is a wonderful ‘Basie-ish’ chart with a catchy melody set in an easy-swingtempo. Curnow has created a laid-back, swinging chart very much in the style ofSammy Nestico and others who wrote for the amazing Basie Band. Solo space foralto saxophone, swinging ensembles, moderate ranges and a cute ending make thisa terrific piece to program for players of all levels. 5/4/4/4

HERE’S THAT RAINY DAYArranged by Bob CurnowMedium Easy $32.00 Cat: SMP-126This is, unquestionably, one of the most beautiful ballads ever written. And thisarrangement really takes advantage of the richness of the Kenton Sound. This chartcaptures that wonderful feeling of warmth and power without high trumpet partsor extra demanding dynamics. A great choice for festivals. (8 brass) Full score.

I’LL BE SEEING YOUArranged by Bob CurnowMedium Difficult $47.00 Cat: SMP-211This was originally arranged as a vocal chart and has been published to also featurevocal or any one of a number of soloists (your choice). It is a lush ballad, full of rich,warm textures of the trombone section and saxophones. There is also a harmon-muted trumpet solo behind the gorgeous trombone soli on the 2nd chorus. This isthe melody that is loved, and it makes a great program choice.

MOUNTAIN GREENERY (NONET) ***NEW***Arranged by Bob CurnowMedium $49.00 Cat: SMP-754Bob Curnow has created a wonderful nonet chart (6 horns, 3 rhythm) on this greatRodgers & Hart tune. The medium-swing setting features solo space for alto, tenor,flugelhorn, trombone, piano and drums. This is a great chart to do on a big bandconcert to rest the band and feature your soloists. This is very much patterned afterthe wonderful things Shorty Rogers wrote for this instrumentation (alto, tenor,baritone saxes, 2 flugelhorns, trombone, piano, bass, drums).

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OBLIVIONArranged by Bob CurnowMedium $49.00 Cat: SMP-935Piazzolla wrote many beautiful melodies, and this one is perhaps the most haunting.This is a flugelhorn solo throughout, with very reasonable ranges for all. This is oneof those rare charts that is easy to play. Piazzolla’s music is very popular, and thischart will thrill your band and your audience - guaranteed!

A PLACE IN THE WORLD ***NEW***Arranged by Bob CurnowMedium Difficult $67.00 Cat: SMP-218This piece was originally recorded on ‘Speaking of Now,’ and it is scored to featuresolo space for alto saxophone and trumpet. Modest ranges (tpt. high D only) makethis a very playable chart in a medium Latin setting. 5/4/4/4 (opt. 10 brass parts).

PROMISE OF DREAMSArranged by Bob CurnowMedium $49.00 Cat: SMP-101This piece has been in the catalog for a while, but it has been totally recomposedand notated in Finale. It now comes with a full score (and parts). It was written forStan Kenton, and it features a written piano solo throughout the piece. This is a slowballad, written in the Kenton tradition. If you’re looking for a piano feature in balladstyle, this will work very well for you. 5-5-5-4 (can be played by only 8 brass)

RIVERDANCEArranged by Bob CurnowDifficult $92.00 Cat: SMP-207The chart everyone has been waiting for! Eight minutes of amazing, dynamic, excitingsounds! It is, of course, based on the centerpiece of the wildly popular show.Everytime this chart was performed in live concerts in Germany (and elsewhere),the audience just erupted with applause and standing ovations. This isn’t an easychart to play, but it is well worth the effort. All ranges are fairly reasonable, with the1st trumpet part topping out at a written high E. This is recorded on the highlyacclaimed CD Towednack by Bob Curnow and the SWR Big Band.

SWEETLUMPS ***NEW***Arranged by Bob CurnowMedium Difficult $37.00 Cat: SMP-104This is a new edition of this lovely Bossa Nova tune. Flugelhorns are used to createa warm, lush, lyrical melody that floats in and out of various counter lines. There is atenor sax solo which is followed by a marvelous full ensemble passage. The melodyreturns and takes things out to the end. Very reasonable ranges (1st tpt. high Dbonly) and rhythms make this very playable by most bands. 5/4/4/4

SWORDArranged by Bob CurnowMedium Difficult $52.00 Cat: SMP-216Here is a most unusual chart, set in a Celtic style, with shades of bag pipes andScottish overtones. It is an extremely clever piece that opens and closes with theceltic sounds and has a roaring, swinging ensemble section in the middle. There is alsoroom for a tenor sax solo. If you’re looking for something very fresh and different toprogram, this is the chart! 5-5-5-4 (can be played by only 8 brass)

VIDA DE SUENO ***NEW***Arranged by Bob CurnowMedium $55.00 Cat: SMP-757This is a gorgeous feature for tenor saxophone (there is also a piano solo). Sensualand lush. Set in a slow Bossa Nova style, this lyrical piece will please your players andaudiences alike. Very modest brass ranges (high D for tpt. 1) and easy rhythms makethis chart very playable for just about any band. 5/4/4/4 (Opt. 10 brass)

WRITER’S CRAMP ***NEW***Arranged by Bob CurnowMedium Difficult $39.00 Cat: SMP-102This is a new edition of this trombone section feature. It is available with a full scorefor the first time. It has also been edited to allow for performance by 8 brass as wellas 10. There is solo space for trumpet, and the rhythm section starts things off. Thisis a happy, swinging chart with lots of full ensemble passages that really roar. You’llenjoy having a full score. 5/5/5/3 (can be played with only 8 brass)

ARRANGED BY PAQUITO D’RIVERA

ALMA LLANERAArranged by Paquito D’RiveraMedium Difficult $70.00 Cat: 32M-1001Folk song from Venezuela. 3/4 style (6/8 feel). Open solo section.

CHUCHOArranged by Paquito D’RiveraMedium Difficult $70.00 Cat: 32M-1002Mambo. Open solo section.

I REMEMBER DIZArranged by Paquito D’RiveraMedium Difficult $70.00 Cat: 32M-1003Slow Bossa. Solos for clarinet and trumpet. Note: instrumentation for brass are threetrumpets and three trombones.

ARRANGED BY MIKE DANA

53RD STREET SHLIDEArranged by Mike DanaEasy $55.00 Cat: 55338This medium-tempo (mm=128) Bb blues shuffle is a great opener for your youngband. Solo changes are included for alto, tenor, trumpet, a d trombone, and can beopened up to feature any other soloist. Ranges: trumpet 1 to G, trombone 1 to F.Notated piano voicings and bass lines are provided, along with chord symbols.

ABYSSINIA (I'LL BE SEEIN' YA) ***NEW***Arranged by Mike DanaMedium $55.00 Cat: 55344Here's a medium up-tempo modal chart that your band (and audience) will reallyenjoy. A contemporary head sits on top of an ostinato in open fifths, while thedrummer keeps things energized with ‘Elvin-ish’ time. Solos for tenor or trumpet; canbe opened up. Very reasonalble brass ranges are used. Suggested piano voicings andbass lines (also with chord symbols) are provided.

BOB SAGET! ***NEW***Arranged by Mike DanaMedium Easy $50.00 Cat: 55345Once in a while a chart comes along that just makes you ask "why?" This is thatchart. This medium-up blues swings from start to finish. The sax riff at the beginningwill make you want to sing "Bob Saget" out loud. By the end of the chart, you'll bedoing exactly that. Solos for alto, tenor, or trumpet; moderate brass ranges (bonesto F, lead brumpet occasional Bbs.) Suggested piano voicings and fully notated basslines (also with chord symbols) are provided.

CONFLUENTIALArranged by Mike DanaMedium Difficult $55.00 Cat: 55335This burning contemporary original will be an audience-pleasing opener or festivalchart, and your band will dig it too. It's a 12 bar (but not a blues) form in C minor.The melody is stated by a trio of alto, trumpet, and tenor (all are featured on solosas well). An extended coda with exciting background figures builds behind a drumsolo for a dramatic ending. Trumpet 1 to a D, trombone 1 to an A.

EL BURRITO PICANTE III: ***NEW***THIS TIME IT'S PERSONALArranged by Mike DanaMedium $55.00 Cat: 55349The ‘spicy burrito’ returns with a vengeance in this Latin chart that sounds muchharder than it plays. An ominous opening leads into a 12/8 feel that alternates witha driving Afro-Cuban groove. You'll need auxiliary percussion for this: congas, timbales,etc. Reasonable brass ranges. Suggested piano voicings, sample percussion grooves,and notated bass line are provided. For high school or strong middle-school bands,this is THE closer for your festival set.

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EYE OF THE GEMINIArranged by Mike DanaMedium $55.00 Cat: 55336This is a beautiful chart, with a unique feel. Chart opens with a warm chorale melody,then evolves into an ethereal, straight-eighth (mm=140) ECM-ish feel. Solo changesare included for tenor and trumpet, but can easily be played by anyone. The modalsolo section uses only 2 or 3 tonal centers, so younger improvisers should have nofear. A dramatic development section leads back into the head, and closes with thechorale. Trumpet to C, trombone to G.

FARTHER (STILL)Arranged by Mike DanaDifficult $55.00 Cat: 55337This soprano sax feature was composed in memory of Paul Shaghoian. A hauntinglybeautiful minor melody in 3/4 is supported by lush brass and woodwind textures.Scored for 10 brass (inc. tuba), with some doubling (alto 1/flute, bari/bass clarinet).A mature soprano soloist and rhythm section, and a strong lead trumpet are a must.

MIRA COSTA ***NEW***Arranged by Mike DanaEasy $50.00 Cat: 55346This is a beautiful medium tempo Bossa that works great for young bands. Themelody is played first by alto/tenor/trumpet/bone (with optional guitar or vibes.)The soloist (any of the above) can stay in C minor as the changes move around thatkey. Easy for brass: lead trumpet stays in the staff. Great middle tune in a festival set.

NICE HATArranged by Mike DanaMedium Easy $55.00 Cat: 55339Here's the perfect chart to feature your drummer...specifically, your drummer's hi-hat. The Monk-ish melody has lots of holes for some tasty hat fills. The tempo(mm=140) and ranges (trumpet to C, trombone to G) are very manageable for highschool players. The solo section, a slightly modified Bb blues, features alto or tenor.Piano and bass parts contain both notation and chord symbols.

NOT QUITE SUMMERArranged by Mike DanaMedium Easy $55.00 Cat: 55340Your band will love this medium-up tempo (mm=144) chart based on the changesof Summertime. A driving bass line supports the melody, played by altos and trumpet.Solo changes are included for alto, tenor, trumpet, and trombone, and can beopened up to feature any other soloist. A strong (but very playable) shout chorusfollows. Ranges: trumpet 1 mostly G (one A), trombone 1 to F. Notated pianovoicings and bass lines are provided, along with chord symbols.

PORK CHOP THURSDAYArranged by Mike DanaEasy $55.00 Cat: 55341Inspired by Homer Simpson's favorite day of the week, this very playable medium-up(mm=140) chart really cooks. A bluesy intro sets up the tasty 16-bar melody, playedby altos and tenors. Solos are for alto, tenor, or trumpet. Ranges are very manageable:F for trumpet, Eb for trombone. Chord voicings and bass lines are provided. Studentsand audiences alike are sure to eat this one up!

SITE FOR PSORIASIS ***NEW***Arranged by Mike DanaMedium Easy $50.00 Cat: 55347Your band will be itching to play this medium shuffle. The melody gets under yourskin, and the shout chorus really burns! Listen carefully for cameo appearances byWayne Shorter and the Pink Panther. Moderate brass ranges; suggested pianovoicings included. Nothing rash here, just a grooving opener!

SORRY ABOUT THAT ***NEW***Arranged by Mike DanaMedium $55.00 Cat: 55348A great opener: a hard-driving minor blues shuffle always gets the crowd in the rightmood. Your tenor player has a short bluesy cadenza at the top and again at the end,and is also featured on the solo section. Trombone 1 to G, trumpet 1 to B.

TOO HIP FOR THE ROOMArranged by Mike DanaEasy $55.00 Cat: 55342This relaxed, hip, Basie-style chart is a great vehicle for teaching your young bandhow to lay back. This is the perfect middle-of-the-set chart. There are short solos fortrumpet and either alto or tenor. Ranges: trumpet 1 to G, trombone 1 to F. Notatedpiano voicings and bass lines are provided, along with chord symbols.

ARRANGED BY RICH DE ROSA

THE FUNK STOMPS HEREArranged by Rich De RosaDifficult $38.00 Cat: SCM-017Talk about a high energy, happy funky/hip-hop chart that sounds much harder thanthe written parts, well this is it! Simple, contemporary changes make solos a breezeand place this piece in the must-have category. Features a three-horn (alto, tenor,and trumpet) melody to start.

MORNING FUNK ***NEW***Arranged by Rich DeRosaMedium $40.00 Cat: SCM-033Real funky and not too difficult. You students will love this one. Can be opened forextra solos. Short shout chorus and short rehearsal time for this one. Scored for fullband but will sound complete with 4/3/2/3.

ARRANGED BY DON ELLIS

BULGARIAN BULGEArranged by Don EllisMedium Difficult $45.00 Cat: UNCJ-1016The chart, written in 33/16, is one of the all-time favorites. There are sax doubles.

FINAL ANALYSISArranged by Don EllisMedium Difficult $45.00 Cat: UNCJ-1004This march/rock chart ends with a hilarious Beethoven-style ending.

GREAT DIVIDEArranged by Don EllisMedium Difficult $40.00 Cat: UNCJ-1045A dynamic show stopper. It’s in a very fast 13/4. Not for the timid. There are somesax doubles. Solos for alto and tenor.

IN A TURKISH BATHArranged by Don EllisMedium Difficult $40.00 Cat: UNCJ-1006A popular 7/4 arrangement of Ron Myers’ tune with an Oriental flavor.

PUSSYWIGGLE STOMPArranged by Don EllisMedium Difficult $45.00 Cat: UNCJ-1013Romping chart in 7/4 time. Tenor, piano, trumpet, and drum solos.

STRAWBERRY SOUPArranged by Don EllisMedium Difficult $65.00 Cat: UNCJ-1085One of Don’s most popular charts. A rich, multi-layered minor tune in a moderatelyfast 9 but with lots of shifting subdivisions. Everyone gets featured either as a soloistor as a section. A surefire showstopper that winds it all up with a dirty 4/4 blues.

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ARRANGED BY JOHN FEDCHOCK

BIG BRUISERArranged by John FedchockDifficult $48.00 Cat: 3199This chart features trombone and tenor saxophone solos.

BLUE AFTER TWOArranged by John FedchockDifficult $42.00 Cat: 3211Recorded on the John Fedchock New York Big Band’s latest CD No Nonsense, thisslow blues chart has subtle sophisticated harmonies placed over an after-hoursroadhouse 12/8 groove. After the subtle opening it heats up with solos by alto sax,trombone, and bass, and features powerful ensemble passages, along with an acappella chorale section with the horns, all culminating in a down and dirty ensembleshout chorus.

ELEVEN NIGHTSArranged by John FedchockDifficult $52.00 Cat: 3238New York trombonist/band leader John Fedchock brings us an effective Bossaoriginal. Featured on his latest CD, No Nonsense, the contemporary harmoniesevoke images of the softer Latin works of Herbie Hancock. The melody is stated bysolo trombone, and improvised solos are provided for flute and flugelhorn.

ELVIN’S EMPIRE ***NEW***Arranged by John FedchockDifficult $52.00 Cat: 62175Dedicated to the memory of recently deceased drum legend Elvin Jones, this engagingswing original for proficient groups is a modal work that sets the tone for thedrumming giant’s loose and open style of playing. Piano, trombone and tenorsaxophone are featured and Fedchock’s recognizable chord voicings are apparentthroughout. Rousing background figures add to the excitement prior to the climacticfinish where the drums are placed in the spotlight. The piece can end in classic ‘Elvin’style with a cymbal crash providing the perfect stylistic exclamation point.

J BIRDSArranged by John FedchockDifficult $56.00 Cat: 3638Commissioned by the New Trier (IL) High School Jazz Ensemble directed by JimWarrick and dedicated to J.J. Johnson, this showcase for two trombones featuresmoderate brass ranges and accessible up-swing rhythms. To properly complementthe energetic solo lines and avoid a frantic sound, it should be played with a light feelat the indicated tempo (quarter note=192). An optional 5th trombone part isincluded, plus an alternate 1st tenor part (sub. for 2nd trombone).

LIMEHOUSE BLUESArranged by John FedchockDifficult $52.00 Cat: 3263From the library of John Fedchock’s New York Big Band, ‘Limehouse Blues’ is anexciting up swing, flag-waver featuring crisp figures, and mighty ensemble sections.Designed for proficient groups, open solos are included for piano, and trumpet - andan alto/tenor sax battle is thrown in for good measure. Rhythm section partspartially notated with chords cued.

ARRANGED BY NEAL FINN

BIG MAMA DIANE'S ***NEW***ROADHOUSE BLUESArranged by Neal FinnEasy $50.00 Cat: 51187Commissioned by Lewis Britton Middle School, Morgan Hill, California. Funky shuffletune based on the 60's hit by Canned Heat, ‘On the Road Again.’ Solos for tenorand piano. Features individual sections as well as full ensemble.Lead tpt. to C abovestaff (briefly). No doubles.

A BREMIS AMONG US ***NEW***Arranged by Neal FinnEasy $50.00 Cat: 51186Commissioned by Lewis Britton Middle School, Morgan Hill, California. A minor blueswith dark timbres and tight voicings to develop your ensemble. Open for any soloiston minor blues changes. A good chart for young bands, has a mature sound. Leadtrumpet to A above staff. No doubles.

MODABONESArranged by Neal FinnMedium Difficult $55.00 Cat: 51183Commissioned by Polytechnic High School, Long Beach, CA. Modal tune ala Coltrane'sImpressions features trombone section. Trombone 1 and 2 have improv sections.Trombone 1 blows 16 measure duet with drummer a la Coltrane/Elvin. Lead tpttops out at C. Exciting and playable showcase for good trombone players. Solos fortrombone 1 and 2 with no doubles.

UNKNOWN DIMENSIONSArranged by Neal FinnDifficult $53.00 Cat: 51184Unusual modal tune with atypical phrase cycle. Melody has small 4-horn "bandwithin a band" concept. Solo section open for any soloist. Piece combines "west-coast coll" subtleties with just good old big band power during the shout. Modalchord progression fun to play on and challenging. Lead tpt up to D above staff, andno doubles. Open for solos.

WHO KILLED JOSE LAGUMBY??Arranged by Neal FinnDifficult $55.00 Cat: 51185Super-funky chart that's a real crowd-pleaser. Short funk solos from tenor 1, tenor2, alto 2 interspersed around the head. Change of groove goes half-time for atrombone solo that builds. Tenor1 follows with just drums back-up. Ensemble buildsagain to long drum solo and super exciting ending. Lead tpt up to E above staff, withno doubles. Solos for tenor 1 and 2, trombone 1, and drums.

ARRANGED BY DIRK FISCHER

DONDE ***NEW*** [VOCAL]Arranged by Dirk FischerMedium Easy $55.00 Cat: 62003Vocal arrangement of Dirk's lovely Latin bolero. Spanish lyrics by Barbara Ransom.Instrumental version on ‘George Stone Plays the Music of Dirk Fischer’ CD.Flugelhorns, easy range. Vocal key is F (A below middle C to high Db).

MAMBO PARA ESTUDIO ***NEW***(MAMBO ETUDE)Arranged by Dirk FischerMedium Easy $50.00 Cat: 54912Mambo at 1/2 note=190. Atipico figures for entire ensemble, open for solos, blowingchanges included. Effective and easily accessible. Lead trumpet high C & one high D.

SING DAMMIT! ***NEW***Arranged by Dirk FischerMedium Easy $50.00 Cat: 54911Pop-rock-ballad, vibes solo (partly improvised). Effective interplay with guitar, vibes,& piano. Soprano sax lead, stresses melodic, singing ensemble work. Bass part completelywritten.Trumpet to high B. Easily accessible by young players.

ARRANGED BY BOB FLORENCE

3 “E” MOTIONS PART 1Arranged by Bob FlorenceDifficult $75.00 Cat: 50363A three part piece built on the note E. Trumpet solo in a harmon mute and a tenorsolo. Recorded by the Bob Florence Limited Edition on Serendipity 18.

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3 “E” MOTIONS PART 2Arranged by Bob FlorenceDifficult $65.00 Cat: 50364Baritone solo melody and flugelhorn solo on this waltz. Very gentle for most of theway through (swing 8th notes). Recorded by the Bob Florence Limited Edition onSerendipity 18.

3 “E” MOTIONS PART 3Arranged by Bob FlorenceDifficult $80.00 Cat: 50365This is the conclusion of 3 “E” Motions. It’s bright and has solos for piano, trumpetand baritone. Drums are important. The rhythm section on all of the “E” MOTIONSis free. Recorded by the Bob Florence Limited Edition on Serendipity 18.

AFTERNOON OF A PRAWNArranged by Bob FlorenceDifficult $65.00 Cat: 50322Up-tempo minor blues that would be a great opener! Dynamic sax soli. Some saxdoubles.

APPEARING IN CLEVELANDArranged by Bob FlorenceDifficult $100.00 Cat: 50381Composed in honor of Stan Kenton and based on snippets from the Kenton library.Solos: baritone, guitar and trumpet and written out piano. A great concert closer.From the CD ‘Next Stop Live On The Road’ by the Mike Vax Big Band featuringalumni of the Stan Kenton Orchestra.

AULD LANG SYNEArranged by Bob FlorenceMedium Difficult $40.00 Cat: 50303A touching treatment of a song that works at any time of the year. An a cappellatrombone soli states the melody, then the bari sax is featured as the rhythm sectionaccompanies with some lovely substitution chords. Some saxophone doubles.

AUTUMNArranged by Bob FlorenceMedium $40.00 Cat: 50323Trombone choir opens, simple and well orchestrated ballad. Tenor feature. Some saxdoubles.

BBCArranged by Bob FlorenceMedium $90.00 Cat: 50304An exciting calypso-Samba written for the BBC in London. The melody is based onthe notes B, B and C. A great closer. Solos for trombone, piano and trumpet.

THE BABBLING BROOKArranged by Bob FlorenceMedium $79.00 Cat: 50305A lovely and subtle jazz waltz which switches between major and minor keys. Tenor,flugelhorn and piano solos. Some doubles.

BE BOP CHARLIEArranged by Bob FlorenceMedium Difficult $70.00 Cat: 50324Swinger featuring some of the finest ensemble writing for big band. Some saxdoubles.

THE BE BOP TREASURE CHESTArranged by Bob FlorenceDifficult $80.00 Cat: 50343Collection of Be Bop licks-sixteen to be exact, you figure them out!

THE BIG BAND TREASURE CHEST PART IArranged by Bob FlorenceDifficult $73.00 Cat: 50306Part I of a 2-part suite (but can be performed individually). An interesting modalpedal point introduction surprisingly breaks into a blues shuffle. Baritone, tromboneand trumpet solos.

THE BIG BAND TREASURE CHEST PART IIArranged by Bob FlorenceDifficult $75.00 Cat: 50307Part 2 of a 2-part suite (but can be performed individually). An up-tempo rhythmchanges flag waver that features alto and tenor solos. Challenging chromatic linesfor sax section.

BIMBOSITYArranged by Bob FlorenceDifficult $90.00 Cat: 50359A feature for two clarinets. Sopranos may be substituted.

BLEUPHORIAArranged by Bob FlorenceMedium Difficult $53.00 Cat: 50325Lush and lovely ballad feature for your baritone saxophone! Some sax doubles.

BODY AND SOULArranged by Bob FlorenceMedium Difficult $70.00 Cat: 50378A great concert piece of this John Green classic. Half of this medium tempoarrangement is very soft. The other half is very loud. No doubles. No score.

CARMELO’S BY THE FREEWAYArranged by Bob FlorenceMedium Difficult $75.00 Cat: 50326Swing chart featuring trumpet and tenor on the initial melody. Sax soli. Some saxdoubles.

CHICAGOArranged by Bob FlorenceDifficult $95.00 Cat: 50380The old 1920s song done as a bright Samba and fast swing. Solos are tenor andtrumpet. No score.

CLAIRE DE LUNEArranged by Bob FlorenceMedium Difficult $75.00 Cat: 50379A fast jazz waltz beginning with a rubato piano solo - piano then sets tempo. Theother solo is a flugelhorn.

THE CREEPY CRAWLIESArranged by Bob FlorenceDifficult $90.00 Cat: 50357A mysterious piece that starts very lightly and builds to a shocking conclusion withbass, soprano, and trumpet solos. Doubles: woodwinds 1-4 on clarinet; woodwind 5on E flat contra alto clarinet (contra alto clarinet part can be played on thebaritone); and woodwind 6 on bass clarinet. Trumpets double flugelhorns.

THE CRUNCHArranged by Bob FlorenceDifficult $56.00 Cat: 50308This swinging medium blues with its unusual voicing and surprising ensemble sectionsavoids sounding like just another blues chart. Bb, bass and contra-bass clarinets, andflute doubles. Solos for tenor, trumpet and bass.

DOUBLE BARREL BLUESArranged by Bob FlorenceMedium $55.00 Cat: 50327A 16-bar blues that alternates back and forth between two keys.

DUKEISMSArranged by Bob FlorenceDifficult $110.00 Cat: 50382Celebrating Duke Ellington's 100th birthday, this is an extended composition basedon snippets of familiar Ellington/Strayhorn themes. Solos: guitar, tenor, alto andwritten out pianos. A great concert closer. From the CD Whatever Bubbles Up bythe Bob Florence Limited Edition on the Summit label.

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EARTHArranged by Bob FlorenceDifficult $65.00 Cat: 50355A slow blues in 12/8 feel with unaccompanied piano solos. No doubles.

EMILYArranged by Bob FlorenceDifficult $97.00 Cat: 50377A real concert piece. Emily goes back and forth from 4/4 to 3/4. Flugelhorn solo ontrumpet 4; trumpet solo on trumpet 5; piano solo at the top. This piece requiresmuch soft playing.

ETERNAL LICKS AND GROOVESArranged by Bob FlorenceDifficult $100.00 Cat: 50383Commissioned by ASCAP & IAJE and premiered at the IAJE convention in LongBeach, CA on January 6, 2005. Honoring Count Basie, this is an extended compositionbased on snippets from the Count Basie library. Solos: guitar, trombone, tenor,trumpet and drums, and written out piano. A great concert closer.

EVELYNArranged by Bob FlorenceDifficult $65.00 Cat: 50360A gentle Bossa Nova featuring 2 altos. Woodwind doubles are clarinets, bass clarinetand Eb contra alto clarinet.

EVIEArranged by Bob FlorenceMedium Difficult $55.00 Cat: 503283/4 Samba feel. Soprano/flugelhorn have the melody. Woodwinds and muted brass.Some sax doubles.

FLIGHT OF FANCYArranged by Bob FlorenceDifficult $75.00 Cat: 50329Great Samba feature for drums, ensemble written around solo fills.

THE FLY BY KNIGHTSArranged by Bob FlorenceDifficult $85.00 Cat: 50353A show-stopper to be played as fast as possible. This piece goes into half-time Bossafor alto solo (2nd part). Recorded by Bob Florence.

FUNUPSMANSHIPArranged by Bob FlorenceDifficult $105.00 Cat: 50350A good festival opener or closer, this fast and furious piece features trombone andbaritone sax. Straight ahead feel.

G.A.B.Arranged by Bob FlorenceDifficult $79.00 Cat: 50309Up tempo swing. Solo changes in 2nd trumpet and 4th trumpet. Difficult sax soli. Nodoubles.

A GOLDEN MILESTONE,(GOLDENER MEILENSTEIN): PART 1Arranged by Bob FlorenceMedium Difficult $78.00 Cat: 50370A three-part suite written for the SWR Radio Big Band in Stuttgart, celebratingtheir 50th anniversary. The piece can be played complete or as a separate part. Abright straight 8th note feel with an alto and trumpet solo. The piano interludes arewritten out. Lead trumpet to high D. Alto 1 doubles on soprano.

A GOLDEN MILESTONE(GOLDENER MEILENSTEIN): PART 2Arranged by Bob FlorenceMedium Difficult $78.00 Cat: 50371 A three-part suite written for the SWR Radio Big Band in Stuttgart, celebratingtheir 50th anniversary. The piece can be played complete or as a separate part. Aslow straight 8th note feel with a soprano and trombone solo. The soprano solo iswith piano alone. The piano closing is improvised. Lead trumpet to high D. Altosdouble on soprano.

A GOLDEN MILESTONE,(GOLDENER MEILENSTEIN): PART 3Arranged by Bob FlorenceMedium Difficult $78.00 Cat: 50372 A three-part suite written for the SWR Radio Big Band in Stuttgart, celebratingtheir 50th anniversary. The piece can be played complete or as a separate part. Avery fast tempo with a tenor, guitar, and an extended drum solo. The piano interludesare written out. Lead trumpet to high Eb.

GRAHAM CRACKERArranged by Bob FlorenceMedium Difficult $60.00 Cat: 50368A medium-tempo trumpet blues in B flat feature, starting with cup mute thenplunger then open. Woodwinds are clarinets and bass clarinet switching to saxes.

GREEN FLAGArranged by Bob FlorenceDifficult $83.00 Cat: 50348Up-tempo Samba featuring trombone. No doubles.

GUIDING STAR ***NEW***Arranged by Bob FlorenceDifficult $70.00 Cat: 50386A soft, quiet solo feature completely written out for the baritone saxophone.Woodwinds are 4 clarinets and a bass clarinet. From ‘Eternal Licks & Grooves’ CD.

HOT LICKSArranged by Bob FlorenceDifficult $85.00 Cat: 50349Straight ahead medium swing featuring both tenor saxes. No doubles.

I’LL REMEMBERArranged by Bob FlorenceMedium Easy $45.00 Cat: 50330Bossa Nova featuring sax section melody, alto bridge, tenor cadenza. Some saxdoubles.

IN THE SAMBA MODEArranged by Bob FlorenceDifficult $115.00 Cat: 50312Another great Samba from Bob Florence. Features tenor sax and piano solos.

THE INDUSTRIAL STRENGTH STOMPArranged by Bob FlorenceDifficult $70.00 Cat: 50344Medium-tempo swinger that features great sounding ensemble. Some sax doubles.

JEFF N’ JEFFArranged by Bob FlorenceMedium Difficult $65.00 Cat: 50331 Jazz waltz. Two tenors are featured soloists with trading choruses. Some sax doubles.Recorded by Bob Florence Limited Edition on Soaring.

JEWELSArranged by Bob FlorenceMedium $40.00 Cat: 50332Nice, easy (12/8) ballad, trombone feature dedicated to Julie Andrews. Some saxdoubles.

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THE JUNKMAIL SPECIALArranged by Bob FlorenceDifficult $125.00 Cat: 50366A medium-bright opener or closer with some written high note trumpet solos.Other solos include tenor and another trumpet. Recorded by the Don Junker Band.

LEICESTER (LESTER) LEAPS INArranged by Bob FlorenceDifficult $76.00 Cat: 50313An up-tempo 3/4 version of this familiar jazz line. Soprano solo. As recorded by theBob Florence Limited Edition Funupsmanship.

LIMEHOUSE BLUESArranged by Bob FlorenceMedium $60.00 Cat: 50367A different treatment done slowly and quietly in a 3/4 swing feel. Solos are writtenout piano interludes and ad lib piano solo.

LONELY CAROUSELArranged by Bob FlorenceMedium $40.00 Cat: 50333Slow jazz waltz. Flugelhorn melody statement, with woodwind backgrounds. Cadenza.

MAGIC TIMEArranged by Bob FlorenceDifficult $70.00 Cat: 50334Happy feeling up-tempo Samba. Exciting ensemble shout takes it home. Some saxdoubles.

A MEANS TO A BEGINNINGArranged by Bob FlorenceDifficult $66.00 Cat: 50300A lush and haunting Bossa Nova. This chart challenges your band’s ability to balanceand play sensitively. Some sax doubles.

A MIRROR IMAGEArranged by Bob FlorenceMedium Difficult $85.00 Cat: 50373A delicate medium slow waltz with a swing feel dedicated to Duke Ellington and BillyStrayhorn. The melody is carried by trumpet 4 on flugelhorn and trombone 1. Theinterludes are improvised and written-out. Alto 1 doubles on soprano; trumpetsdouble on flugelhorn; lead trumpet to high Eb. Recorded by Bob Florence and theSWR Radio Big Band.

MISBEHAVIN’Arranged by Bob FlorenceAdvanced $75.00 Cat: 50335A jazz waltz that doesn’t feel like a waltz. Complex time feels. Some sax doubles.Recorded by Bob Florence Ltd Edition on Soaring.

MR. PADDINGTONArranged by Bob FlorenceDifficult $71.00 Cat: 50314An against-the-beat introduction sets up a lilting waltz featuring an engaging saxsoli on the melody. Some sax doubles. Plenty of solo space for soprano.

MONDAY NIGHTSArranged by Bob FlorenceDifficult $125.00 Cat: 50356Dedicated to all of the big bands that perform on Monday night, this medium-uppiece is to be played with a small group in the middle. Solos are bass and trumpet anda short piano interlude. No doubles. Recorded by Bob Florence Limited EditionsEarth.

NERVE ENDINGSArranged by Bob FlorenceDifficult $90.00 Cat: 50384An abrasive medium tempo blues, written with the title in mind. Solos: trumpet, tenorand written out piano. From the CD Whatever Bubbles Up by the Bob FlorenceLimited Edition on the Summit label.

NEW YORK INJECTIONArranged by Bob FlorenceDifficult $70.00 Cat: 50354A high-energy waltz with tenor and trumpet solos. No doubles. As recorded by theBob Florence Limited Editions Earth.

A NIGHT IN WINDSORArranged by Bob FlorenceDifficult $70.00 Cat: 50301An up-tempo trombone feature written for Rob McConnell. Optional solo parts forEb and Bb are included.

NOBODY’S HUMANArranged by Bob FlorenceDifficult $70.00 Cat: 50336Alto and baritone solos. Fine ensemble writing, appealing to any audience. Recordedby Bob Florence Limited Edition on Soaring.

NOW PLAYINGArranged by Bob FlorenceDifficult $70.00 Cat: 50361A flugelhorn/trumpet feature. The tempo is slow, then doubles up. Woodwind doublesare flutes, clarinets, bass clarinet and Eb contra alto clarinet. Recorded by the BobFlorence Limited Edition on Serendipity 18.

OCEANOGRAPHYArranged by Bob FlorenceDifficult $80.00 Cat: 50319Very up-tempo swing (1/4 note = 300 approx) in that great Florence style. Changesare based on How Deep is the Ocean. Solo space for alto sax and trumpet. Lots ofensemble writing. No doubles. Recorded by Bob Florence Limited Edition on WithAll The Bells and Whistles.

PARTY HEARTYArranged by Bob FlorenceDifficult $70.00 Cat: 50338Bright blues, a real showpiece for your band. Tenor solo, optional bass.

PUMPKINETTEArranged by Bob FlorenceMedium $65.00 Cat: 50339Swinger featuring the melody from the two baritone sax parts. Some sax doubles.

RHYTHM AND BLUESArranged by Bob FlorenceDifficult $71.00 Cat: 50315An extremely fast alto feature originally written to feature Lanny Morgan that, as itstitle implies, combines I Got Rhythm chord changes with blues changes.

RUNNING WITH SCISSORSArranged by Bob FlorenceDifficult $110.00 Cat: 50385Running with Scissors was inspired by a parent saying to a child: "Don't run withscissors in your hand". This makes the piece slightly ominous at a bright tempo. Solosare trumpet, trombone and extended drums. This is featured on Whatever BubblesUp by the Bob Florence Limited Edition on the Summit label.

SAILINGArranged by Bob FlorenceDifficult $65.00 Cat: 50340Fast jazz waltz with quick moving woodwind lines underneath. Some sax doubles.

SERENDIPITY 18Arranged by Bob FlorenceDifficult $130.00 Cat: 50362A bright opener or closer. Some collective improvising from tenor, trombone, sopranoand trumpet. Other solos from piano, alto and trombone. This number is high energy.Recorded by the Bob Florence Limited Edition on Serendipity 18.

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SILKYArranged by Bob FlorenceDifficult $46.00 Cat: 50316A lush and melodic Bossa Nova featuring flugelhorn. The chart also utilizes interestingtextural contrasts through the use of flutes and contra-bass clarinet doubles.

SLIMEHOUSEArranged by Bob FlorenceMedium Difficult $65.00 Cat: 50320Medium swing chart. Solo space for piano. As recorded by the Bob Florence LimitedEdition on ‘Funupsmanship.’

SOARINGArranged by Bob FlorenceMedium $65.00 Cat: 50341Light Samba featuring flugelhorn and trombone. Simple and straight-forward.Recorded by Bob Florence Limited Edition on Soaring.

SOME BAD AND BEAUTIFUL BLUESArranged by Bob FlorenceMedium Difficult $93.00 Cat: 50374A bright blues with a bridge in a swing feel. The solos are by baritone and trumpet.Lead trumpet to high Eb. The piece is long but great for concerts. Recorded by BobFlorence and the SWR Radio Big Band.

A SONG FOR BARBARAArranged by Bob FlorenceDifficult $45.00 Cat: 50302A lovely trombone ballad feature written for Charlie Loper. Soloist is supported bylush orchestration. Excellent concert piece.

A SOUNDSKETCHArranged by Bob FlorenceMedium $53.00 Cat: 50321Tenor sax ballad feature. Intensity and sensitivity go hand in hand. Some sax doubles.Recorded by Bob Florence Ltd Edition on Soaring.

SUGARArranged by Bob FlorenceDifficult $80.00 Cat: 50376A hard shuffle with guitar, tenor, and baritone sax solos. This is a great closer versionof this Stanley Turrentine classic. Recorded by Bob Florence Limited Editon cdSerendipity 18.

TELL YOUR STORYArranged by Bob FlorenceMedium $53.00 Cat: 50342Bossa Nova that features flugelhorn.

TENORS, ANYONE?Arranged by Bob FlorenceDifficult $75.00 Cat: 50351A different kind of tenor duet. Both soloists play together at the top. A straightahead feel. As recorded by the Bob Florence Limited Edition on With All The Bellsand Whistles.

TRASH CAN CITYArranged by Bob FlorenceMedium Difficult $53.00 Cat: 50345Hard driving 12-bar blues shuffle at its best! Great ensemble shout.

WESTLAKEArranged by Bob FlorenceMedium $65.00 Cat: 50346In Bob’s usual style, this jazz waltz melody is shared by everyone. Some sax doubles.

WHATEVER BUBBLES UPArranged by Bob FlorenceMedium Difficult $130.00 Cat: 50375A medium straight 8th note feel with a muted trumpet, trombone and tenor solo.Alto 1 doubles on soprano. The beginning of the trombone solo is with guitar only.The beginning of the tenor solo is with piano only. The piano interludes are writtenout. Lead trumpet to high E. Recorded by Bob Florence and Limited Edition onWhatever Bubbles Up.

WIDE OPEN SPACESArranged by Bob FlorenceMedium Difficult $45.00 Cat: 50347Nice and easy 16-bar minor blues in a 12/8 feel. Ensemble melody with a trombonesolo. Some sax doubles.

WILLISArranged by Bob FlorenceDifficult $95.00 Cat: 50317Great up-tempo swing chart. Can be used as a concert opener or closer. Writtenfor Bill Holman. Extensive ensemble writing. Solos for trumpet, alto and a short drumsolo. No doubles.

WILLOWCRESTArranged by Bob FlorenceDifficult $95.00 Cat: 50318An exciting 24-bar minor blues in 3/4 time with an unforgettable shout chorus.Intermittent 5/4 bars have never swung so hard. Features trombone and alto solos.

WITH ALL THE BELLS AND WHISTLESArranged by Bob FlorenceDifficult $105.00 Cat: 50352A medium-tempo Samba. The first two choruses feature 6 flutes in unison (may beplayed by 3). Features exchanges between band and drums. As recorded by the BobFlorence Limited Edition on With All The Bells and Whistles.

YOUR WAKE UP CALLArranged by Bob FlorenceDifficult $130.00 Cat: 50358This chart is a great opener or closer for a concert. Contains solos for both tenorsaxes, and two trumpets. Since it was written for Louie Bellson, it has 4-bar and 8-bar solos for the drummer throughout the piece. As recorded by the Louie BellsonBig Band on ‘Art Of The Chart.’

ARRANGED BY FRANK FOSTER

BACK TO THE APPLEArranged by Frank FosterMedium $55.00 Cat: 51213A medium up-tempo D-flat major blues scored for Count Basie (and partiallydictated by the Count himself) around 1960. This somewhat imitates the BasieBand style of the 1940s, with brass fanning hats, etc. Solos for tenor, trumpet, andpiano. This chart was recorded by the Count Basie Orch on Breakfast Dance.

BASS IN YO’ FACEArranged by Frank FosterMedium Difficult $55.00 Cat: 51214A medium tempo 12-bar blues featuring string bass, of course. The bass soloist statesthe melody as written, then gets off following an ensemble chorus. Ad-lib solosegments include trading fours with the trombones, saxes and trumpets with somechallenging soli figures, especially for the saxes and trumpets.

BLUES IN HOSS’ FLAT(BLUES IN FRANKIE’S FLAT)Arranged by Frank FosterMedium Difficult $55.00 Cat: 51215A medium shuffle blues in D-flat scored for the Basie Orchestra in 1957. This chartwas featured in the Jerry Lewis film The Errand Boy. The chart features solos fortenor (not heard on the original Roulette Records recording), trumpet, and trombone.Recorded by the Count Basie Orchestra on ‘Chairman of the Board.’

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BOOZE BROTHERSArranged by Frank FosterMedium $55.00 Cat: 51200Medium blues. Solo changes on 2nd trumpet and 2nd trombone. Recorded by theCount Basie Orchestra on ‘The Legend and the Legacy.’

CECILIA IS LOVEArranged by Frank FosterMedium Difficult $65.00 Cat: 51205Starting out with a slow ballad-like intro, this piece breaks into a medium, somewhatLatinesque groove, and after an eight-measure introductory build-up the prettymelody is stated in unison. There is an optional baritone sax solo. The band directormay wish to feature the flugelhorn/trumpet soloist only, since this is not a shortpiece. And if you insist on letting the baritone sax jump in there, he/she better knowsome harmony. The chart goes out all the way keeping the Latin groove (which, bythe way, would be strongly enhanced by the presence of a set of congas and/orbongos, along with other Latin percussion axes). As recorded by Frank Foster’s LoudMinority Big Band.

CLANKSArranged by Frank FosterMedium Difficult $60.00 Cat: 512302nd trombone is featured throughout this arrangement, opening with the melodywritten out for solo trombone playing funky using the plunger (a la the late Al Grey),then unison trumpets take over doing the same thing on the second chorus. Afterthat it's all trombone on this medium tempo blues, first with the plunger, then openhorn after the modulation from F to B-flat major. Sax doubles on piccolo (or leadflute) - 3 flutes, and bari sax to bass clarinet on the back half of the chart. Leadtrumpet high is F4. If your trombone soloist can handle the plunger, this should bea nice little 3-plus minute feature. As recorded by the Count Basie Orchestra on‘Basie's Bag.’

COME ON INArranged by Frank FosterMedium Difficult $60.00 Cat: 51231A nice groovy medium tempo piece that swings right along, with solos for 2nd altosax and 4th trumpet. Based on 'I Got Rhythm' chord changes, the arrangementcontains a few 'boppish' licks in the melody and solo backgrounds. This is a relativelysimple chart that should be good for dancers who like not-too-fast tempos. Leadtrumpet to a D4.

DAYSPRINGArranged by Frank FosterMedium Difficult $46.00 Cat: 51201Medium swing chart. Featuring trumpet, trombone and piano solos. Nice ensemblewriting.

DEEDLE’S BLUES [VOCAL]Arranged by Frank FosterMedium Difficult $55.00 Cat: UNCJ-1010Up-tempo blues as recorded by Diane Schuur with the Count Basie Orchestra.

DIDN' YOUArranged by Frank FosterDifficult $60.00 Cat: 51232With the same harmonic structure as the late Dizzy Gillespie's 'Woody'n You', thissong features tenor sax and piano. Following the intro and opening chorus theensemble swings for half a chorus, then introduces the piano solo starting on thebridge. One full chorus of piano follows, then a sax-measure build-up to the tenorsax, which takes over for the rest of this chorus, then two more. Late in the chartthere are short written tenor sax solo exchanges with the ensemble. Also at the veryend, a four-bar solo break (soloist may play optional written cues, or ad-lib ownideas so long as they take it out in adequate fashion). After the soloist comes to reston a suitable sustained tone, preferably in the upper register, the director gives adownbeat for the ensemble's closing chord. Lead trumpet to high G4.

DISCOMMOTIONArranged by Frank FosterMedium Difficult $57.00 Cat: 51217A romping B-flat blues written for Count Basie around 1959. It swings hard at amedium-fast tempo. Solos are for piano, tenor, and trombone. A two-chorus trumpetsection soli follows the piano solo.

DOWN FOR THE COUNTArranged by Frank FosterMedium Difficult $55.00 Cat: 51211Medium blues. Solos for piano, trumpet with harmon, and trombone. As recorded bythe Count Basie Orchestra.

EASIN’ ITArranged by Frank FosterMedium $55.00 Cat: 51218Another D-flat blues, but this one’s more laid back (as the title might imply). In thepocket tempo, the chart starts the same as the one recorded on Roulette Records,from the pen of Frank Foster, but includes additional ensemble choruses not heardon the original recording. Solos for tenor, trombone, and trumpet. Not a difficultchart.

FOR ALL INTENTS AND PURPOSESArranged by Frank FosterMedium Difficult $53.00 Cat: 51202After a brassy intro in 2/4, the chart breaks into a medium fast swing. Although thistune is not a blues, the tenor and trombone follow blues in Bb patterns for fourchoruses apiece. Exciting sudden death ending.

‘FOS ALARMArranged by Frank FosterMedium Difficult $57.00 Cat: 51219A medium swing tempo rouser, this chart features baritone sax. With a one-measurepick-up break at the end of the intro, the ‘big E-flat’ states the melody of this B-flatblues, then takes off on its own for a series of choruses.

FOUR-FIVE-SIXArranged by Frank FosterMedium Difficult $52.00 Cat: 51203From the Count Basie book of the ‘60s, this straight ahead blues swings with a saxsection soli after the head. Features trumpet and tenor solos and two out-chorusesof typical Basie ensemble style finishing up.Includes guest tenor solo, but is optional.Recorded by Manhattan School of Music.

GONE AN’ GET IT, Y’ALLArranged by Frank FosterMedium Difficult $55.00 Cat: 51216This is a kind of knock-down-drag-out blues in A-flat major that features solos bypiano and trombone. In a medium fast swing tempo the chart is somewhat typical ofthe so-called New Testament Basie Band, where shouting brass and funky reedswere the order of the day.

HAMPTON STRUTArranged by Frank FosterMedium Difficult $57.00 Cat: 51233A 16-bar blues that's just a little too happy to really be bluesy, 'Strut' lopes alongwith a medium up-tempo swinging motion with several 'two-five' progressions in itsharmonic framework. Solos by trumpet, trombone and tenor sax are enhanced bystraight-ahead groove-producing background figures. Lead trumpet to high Eb4. Asrecorded by the Count Basie Orchestra on ‘Basie's Bag.’

I LOVES YOU PORGY [VOCAL]Arranged by Frank FosterMedium Difficult $55.00 Cat: UNCJ-1032Slow ballad in Ab. As recorded by Diane Schuur and the Count Basie Band.

KATHERINE THE GREATArranged by Frank FosterMedium Difficult $55.00 Cat: 51222Your big band has just shaken the earth off its foundation with one of your monsterflag wavers, now you’d like to cool things down with a somewhat relaxed swinger.Try Katherine The Great - no pyrotechnics; no open-ended ensemble trips tonever-never land without the rhythm section; just a nice pretty little piece for yourtrumpet, tenor sax and piano soloists to groove on for a few minutes while youraudience sits back without having to hold onto their seats.Recorded on ‘TheLegend, The Legacy by the Count Basie Orchestra’ in 1989. No score.

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KING CHARACTERArranged by Frank FosterMedium Difficult $55.00 Cat: 51220Originally written to feature legendary veteran bassist Earl May, longtime member ofFrank Foster’s Loud Minority big band rhythm section, this chart is perfect for thebig band bassist who rarely takes solos. A simple 12-bar blues in F major, the tunemerely requires an ability to improvise on the blues. Along with bits of interestingensemble work, your bassist gets to blow on some straight-out blues changes, walksome behind a trombone solo, and make the final statement of the melody with a tagand a slowed down ending.

LADY CAROLYNArranged by Frank FosterMedium $53.00 Cat: 51223This lovely ballad is the third movement of Foster’s Count Basie Remembrance Suite.The lead trombone is featured in an entirely written solo, except for a short improvcadenza on the ending. Also featured is alto on a written solo on the first bridge, andthen an improv 16-measure solo on the second chorus. As recorded by the BasieOrch on ‘Basie’s Bag’ directed by Frank Foster.

LITTLE CHICAGO FIREArranged by Frank FosterMedium Difficult $60.00 Cat: 51234This up-tempo swinger is dedicated to one of Chicago’s finest and one of theworld's most fiery tenor saxophonists, Johnny Griffin. The challenging melody, basedmostly on 'I Got Rhythm' chord changes, is written out for two tenor saxophonesand two trumpets, all of which are featured soloists on the chart. The harmonic variationsmay be a little tricky for the soloists at first, but a little concentration and applicationshould get them past this aspect. The ensemble blasts behind the soloists as they gothrough their paces, then following the first 16 measures of the shout shorus, theytake it out with melody from the final bridge. Lead trumpet high Db 4.

MAJOR BUTTSArranged by Frank FosterMedium Difficult $55.00 Cat: 51224One of Frank Foster’s more ambitious charts in the context of the so-called ‘BasieTradition,’ Major Butts is really just another medium up-tempo 12-bar blues, butwith the added twist of an ‘I Got Rhythm’ bridge in long meter played in a jazzSamba groove. One full chorus consists of two 12-bar blues segments followed bythe Latinesque 16-measure bridge and then another 12-bar blues segment, givingthe song an elongated A-A-B-A form. The chord changes aren’t difficult, and yourtenor sax and trumpet soloists should handle them pretty well. If the band directorelects to insert additional solos it is suggested that all soloists be limited to one fullchorus apiece.

NOW THAT SHE’S AWAYArranged by Frank FosterMedium Difficult $46.00 Cat: 51206This is a ballad featuring trumpet or flugelhorn. Flute and clarinet doubles on saxes.A very meaty big band style tune of the late ‘50s and early ‘60s.

ODE TO JOE NEWMANArranged by Frank FosterEasy Medium $53.00 Cat: 51227A somewhat mournful but haunting ballad dedicated to the late great jazz trumpetstylist, a New Orleans native who made his name with the bands of Lionel Hamptonand Count Basie. This chart features three of your trumpeters, or all four, whicheveryou prefer. There are written and improv solos for the 2nd, 3rd, and 4th chairs, whilethe lead player has an eight-measure written solo on the final bridge of the tune.Chart goes into double time for the improv solos, then returns to ballad tempo.

READY NOW THAT YOU ARE, G.B.Arranged by Frank FosterMedium Difficult $57.00 Cat: 51235Written for and featuring guitarist George Benson with the Basie Orchestra, 'ReadyNow' takes us on a swinging mildly up-tempo (but not too up) excursion throughsome slightly challenging harmonic area. However, it's still straight-ahead swing, andnot too far off the norm for big band jazz, and should be fun for your trombne andalto sax soloists, and of course your jazz guitarist. Lead trumpet to high E4.

SHINY STOCKINGSArranged by Frank FosterMedium Difficult $55.00 Cat: 51207The original Foster classic from the Basie book. Medium swing featuring a trumpetsolo. Recorded by the Count Basie Orchestra.

SIMONEArranged by Frank FosterMedium Difficult $60.00 Cat: 51208Medium blues waltz with solos for tenor and piano. A deceptively different set ofchord changes.

SKULL-DOUG-ERYArranged by Frank FosterMedium $55.00 Cat: 51204A challenging unison melody and an equally challenging set of chord changesreminiscent of the hard-bop era characterize this moderately fast tenor sax feature.The solo is on the 2nd tenor part, but you’d better give it to your star player, as theharmonic structure calls for NO LYING. The chart also includes a piano solo, andsome fairly nice ensemble work.

TOMORROW'S BLUES TODAY ***NEW***Arranged by Frank FosterMedium Difficult $60.00 Cat: 51225This is a somewhat different kind of blues. While it employs the normal 12-barchorus format, it uses minor seventh chords insted of major or dominant chords inthe first eight measures of the 12-bar chorus. Yet, it's not a minor blues, because itsounds major as a result of the minor 7th substitutions, which do not resolve todominant 7th chords in II-V sequences. The only dominant 7th chord in any chorusoccurs in the 9th and 10th measures, a C7 raised 9th. Solos for 1st tenor and 4thtrumpet. Should be played as a medium swing tempo. Trumpet 1 to double high G.

TRANSITIONArranged by Frank FosterMedium $60.00 Cat: 51236The second movement of the Count Basie Remembrance Suite (four movementstotal), this short easy swinger, with its simply stated melody, is reminescent of theinfectious Basie style of the ‘40s, featuring solos by tenor sax, trombone and mutedtrumpet. No one has to stretch for their limits on this one. Just groove it right alongwith some tasty little licks. Some humor may be injected in that the last two soloists(trombone and trumpet) enter in such a way as to appear to be interrupting theprevious soloist before that person is finished soloing. Looks of surprise, astonishmentor good-natured annoyance by the tenor sax and trombonist might be in order. Afew '4s' are traded by the soloists, then all three take it out together. The bass walksa six-measure intro (yes, 6 bars), then three flutes and harmon muted trumperts dothe melody accompained by bass clarinet. Flutes and bass clarinet go all the way, asthe only saxophone is the tenor soloist. Lead trumpet to high C4.

UPTOWN RECOLLECTIONSArranged by Frank FosterMedium $52.00 Cat: 512091940s big band sound. Up-tempo swing, featuring alto, tenor and trumpet solos.

VICTORIOUS BLUESArranged by Frank FosterMedium Difficult $57.00 Cat: 51210Written for Basie Band. Has great sax soli and trombone, tenor and trumpet solos.

WE BE JAMMIN’Arranged by Frank FosterMedium Difficult $65.00 Cat: 51212Up-tempo swing with solos for piano, alto, trumpet, and trombone. Recorded byUniversity of Wisconsin, Eau Claire on Brilliant Corners.

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WHO, ME?Arranged by Frank FosterMedium Difficult $57.00 Cat: 51221This arrangement is part of Frank Foster’s Vintage Basie Series, compositions performedand/or recorded by Count Basie and his world famous New Testament orchestrabetween 1953 and 1960. It’s another straight ahead blues, for which that band wasespecially noted. Recorded by the Count Basie Orchestra on Chairman Of TheBoard. The full ensemble blasts into the introductory chorus, followed by twochoruses of the ‘head’ stated alternately by saxes and brass. Next comes a two-chorus saxophone section soli displaying no pyrotechnics, just simplicity and swing.A growling muted trumpet solo greases things up for a minute (on the recording themarvelous Snooky Young played the solo; no one did it better), backed up bytrombones with a riff that must have been dated some 25 years prior to therecording! Next of course what else but a typical ‘Basie-styled’ piano solo, couchedin that All-American rhythm section format; you know the drill.After the piano thesoft full ensemble takes over with a 24-bar build-up to the shout chorus, which is ofcourse punctuated by Young’s screaming open trumpet, and the piece ends with thecustomary dominant 13th chord with raised 11th.

YOU CAN HAVE ITArranged by Frank FosterMedium $55.00 Cat: UNCJ-1025Up-tempo chart as recorded by Diane Schuur and the Count Basie Band.

YOU GOT ITArranged by Frank FosterMedium Difficult $55.00 Cat: 51229From the Count Basie library. This medium up-tempo blues features solos by flute,4th trumpet, 2nd trombone, and 2nd tenor. It’s a nice set opener to get thingsstarted vigorously. Your tenor sax soloist has to take it out with a flourish on the end,as there’s a four-measure break for a climaxing cadenza in tempo before the closingchord. The soloist can’t be laid back, so to speak; this has to be with a straight-ahead,slamming kind of approach that will get the audience aroused and wanting more.

ARRANGED BY TONY GAIRO

BETWEEN THE PIPES ***NEW***Arranged by Tony GairoMedium $55.00 Cat: 51529Medium level straight-ahead medium swinger with a shout chorus. Featured are 1sttenor and 1st trombone stating the head in and out, each getting a blow, thoughletter F can be opened for choruses. Only a quirky triplet figure in the shout mightbe troublesome for inexperienced players. Charts are for piano, bass, drums, 4trumpets, 3 trombones, bass trombone, and 5 saxes standard. Medium. As recordedby the Gairo-Rissmiller Jazz Orchestra on Sea Breeze Records, ‘Treacherous.’

DEADLINES, DISTRACTIONS, ***NEW***AND DIVERSIONSArranged by Tony GairoDifficult $55.00 Cat: 51527Features three motives in counterpoint, each motif representing one of the threeissues in the tune's title. The three lines come together for a tutti chord thatintroduces a piano blow on the form. After lots of ensemble interplay, the 2nd tenorplayer gets to explore an open vamp. More ensemble work precedes a tutti outchorus. Charts are for piano, bass, drums, 4 trumpets, 3 trombones, bass trombone,and 5 saxes standard.Difficult. As recorded by the Gairo-Rissmiller Jazz Orchestraon Sea Breeze Records, ‘Treacherous.’

ELUSIVITY ***NEW***Arranged by Tony GairoDifficult $55.00 Cat: 51526Lighter textured and in 3/4 time. Woodwind doubling is required, blended with lotsof muted brass. 1st tenor is featured, but on soprano, as well as piano, and an opendrum solo. Drums open on brushes. Charts are for piano, bass, drums, 4 trumpets, 3trombones, bass trombone, and 5 saxes standard. As recorded by the Gairo-RissmillerJazz Orchestra on Sea Breeze Records, ‘Treacherous.’

POKE AND HOPE ***NEW***Arranged by Tony GairoMedium $55.00 Cat: 51531Chart swings in a medium-slow groove straight through. Lots of soloists are featuredand lots of woodwind doubling which could, in fact, bump this one into the"advanced" category. Drummer opens on brushes. Charts are for piano, bass, drums,4 trumpets, 3 trombones, bass trombone, and 5 saxes standard. Medium. As recordedby the Gairo-Rissmiller Jazz Orchestra on Sea Breeze Records, ‘Treacherous.’

PORTRAIT OF MY WIFE ***NEW***(IN MANY COLORS)Arranged by Tony GairoDifficult $65.00 Cat: 51528Portrait has been aptly described as a "tone poem" though it meanders throughseveral incarnations. Lots of thick textures, doubling, and mutes. There are severalsoloists represented with a pixie-muted plunger trombone feature over a light,funky groove. Charts are for piano, bass, drums, 4 trumpets, 3 trombones, basstrombone, and 5 saxes standard. Difficult. As recorded by the Gairo-Rissmiller JazzOrchestra on Sea Breeze Records, ‘Treacherous.’

REVISITED ***NEW***Arranged by Tony GairoDifficult $65.00 Cat: 51532Revisited is most certainly an advanced level romp that, at its core, is a blues, thoughit frequently wanders astray. The brass is screaming, the tempo is "as up as you cantake it", the head is very bebop, and there is a moderate amount of doubling andmuting. The solo sections (one that is wedged between the intro statement and thehead) can be opened-up for choruses of blowing. There is a bit of counterpointjusst to challenge the band even more. This can be a real "toe-tapper" once it comestogether.Charts are for piano, bass, drums, 4 trumpets, 3 trombones, bass trombone,and 5 saxes standard. Difficult. As recorded by the Gairo-Rissmiller Jazz Orchestraon Sea Breeze Records, ‘Treacherous.’

SUPERMARKET SUSHI ***NEW***Arranged by Tony GairoDifficult $55.00 Cat: 51530Chart with tons of contrapuntal figures representing the layers of flavor in a sushiroll and several odd-measured sections. The pianist has a blow atop the chart, justafter the intro and before the statement of theme in Thad Jones-esque style. 1sttrombone has a blow over a figure that moves around the band beneath him/her.Lots of plunger playing in the brass and layers of sound. Charts are for piano, bass,drums, 4 trumpets, 3 trombones, bass trombone, and 5 saxes standard. Difficult. Asrecorded by the Gairo-Rissmiller Jazz Orchestra on Sea Breeze Records, ‘Treacherous.’

TREACHEROUS ***NEW***Arranged by Tony GairoDifficult $55.00 Cat: 51525Treacherous is an advanced level chart that floats between an up-tempo swing anda half-time funk. The composer's intention was for the work to represent thetreacherous experience of driving through a severe winter storm late at night afterhours of studio time. There is quite a bit of stop-time, with the rhythm section tacitfor measures at a time. Featured is a trombone section/bari sax soli that is a "chopsbuster", 1st tenor solo over a wicked line that morphs into a tutti setting up thestraight 8ths funk feel, a pointillism section over the freshly established funk groovethat may need to be conducted, a 4th trumpet blow over the funk, and lots ofrhythm section "parts". Charts are for piano, bass, drums, 4 trumpets, 3 trombones,bass trombone, and 5 saxes standard. Difficult. As recorded by the Gairo-RissmillerJazz Orchestra on Sea Breeze Records, ‘Treacherous.’

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ARRANGED BY ANTONIO GARCIA

CHA-CHA CON SABORArranged by Antonio GarciaMedium Difficult $55.00 Cat: 51003A "cha-cha with flavor" in A-minor at quarter=124, "Sabor" features melodic andrhythmic material for all in the style of Oye Como Va.’ Written for an all-regional highschool jazz band. Solos over the AABA form, or use an A-minor vamp for youngersoloist; changes in lead alto, tenor, plus bari, top two trumpets and trombones, andrhythm. Lead trumpet goes up to concert B, trombone only to A; no sax doubles.Rhythm section is piano, bass, timbales (substitute drum part included), guiro, andoptional congas. Optional "coro" for the entire band to sing in authentic style!

MAELSTROMArranged by Antonio GarciaMedium Difficult $55.00 Cat: 51004Named after the center of a storm, this funk chart can be played as such or withshifts into swing or other styles, as the intent is to be flexibly changing. Half note =118. Premiered by saxist Seamus Blake with the Virginia Commonwealth UniversityJazz Orchestra I. Solos over one-chord A-sections with a several-chord bridge. Solochanges available in lead alto, tenor, trombone, and fourth trumpet, plus rhythm.Lead trumpet/trombones ascend to concert Bb; no sax doubles.

ARRANGED BY GORDON GOODWIN

A GAME OF INCHES ***NEW***Arranged by Gordon GoodwinDifficult $65.00 Cat: 56184Written in a popish Latin style, this is a hot, contemporary chart, featuring complexsaxophone lines, crisp brass accents and interesting harmonic movement. You canhear the Big Phat Band's version on XXL and although tenor soloist MichaelBrecker shows his mastery of this style, you can assign any soloist you wish to blowon this chart. An exciting, multilayered piece of music! Alto 1 doubles on sopranosax, alto 2 doubles on flute, trumpet 2 doubles on flugelhorn, trumpet 1 to high F#.

I’M BEGINNING TO SEE THE LIGHTArranged by Gordon GoodwinMedium Difficult $45.00 Cat: 7010529Gordon’s medium tempo chart features the saxes at the start and then lets theensemble carry it and build to the alto solo. This one goes down smooth.

THE QUIET CORNER ***NEW***Arranged by Gordon GoodwinMedium $67.00 Cat: 56182This chart sets a gentle but slightly funky groove full of soft colors and smoothtextures, courtesy of muted brass, flugelhorns, and flutes. The chord changes arelush and rich and fun to blow on. Doubles: alto 1 on soprano, tenor 2 and baritonesax on flute, trumpets on flugelhorns. Trumpet 1 to A above the staff. As recorded byGordon Goodwin's Big Phat Band on ‘XXL.’

WHAT SAMMY SAID ***NEW***Arranged by Gordon GoodwinDifficult $60.00 Cat: 56183A slow Basie-style blues that is dedicated to and inspired by the great SammyNestico, this chart starts out slow but before you know it you are building your waytowards a stomping Basie shout chorus. You can open this chart up for any of yoursoloists, and there is plenty of juicy ensemble work to display your band's tightnessand ability to swing. Sammy Nestico rules! As recorded by Gordon Goodwin's BigPhat Band on XXL. Alto 1-2 doubles on flute. Trumpet 1 to high G (optional to Ab).

WHEN I FALL IN LOVEArranged by Gordon GoodwinMedium Difficult $45.00 Cat: 34909052Gordon has taken a refreshingly different approach to this well-known standard.Written in a relaxed 12/8 feel and featuring a tenor sax soloist, this superb arrangementis immediately appealing. Great for festivals.

WHERE OR WHENArranged by Gordon GoodwinMedium Difficult $45.00 Cat: 34909054This well-known standard by Rodgers and Hart receives a creative treatment byGordon Goodwin as a moderate Samba. With a great sounding groove and easyflowing style, this is truly an outstanding chart. Includes a solo for trumpet.

ARRANGED BY DAVID GUIDI

THE HANG ***NEW***Arranged by David GuidiDifficult $60.00 Cat: 54278An up-tempo opener or closer that alternates between swing and Latin, The Hang,features a driving post-bop melody for the saxophone section. The trumpet sectionalso shares the melody and combined with the trombone section, provides powerfulaccents and unison figures that propel the energy forward throughout. Solo sectionsfeature a soprano solo over the form and an open tenor solo accompanied by anAfro-Cuban groove in the rhythm section that allows for harmonic and rhythmicinterplay. Doubles: alto 1 on soprano.

HIKE!!!!Arranged by David GuidiDifficult $55.00 Cat: 54275One of the winning compositions from the 2005 ASCAP Foundation Young JazzComposer Awards competition, Hike!!! was premiered at the North Sea Jazz Festivalin the Hague. Exciting meter changes and clever harmonic activity make this piecean excellent concert opener or closer. Based in part on a modified blues structurethat traverses through several distinct interludes and formal settings, Hike!!! is anadventure for the serious jazz ensemble. Solo space provided for trumpet, alto, andtenor saxophone. Trumpet section-harmon mutes, alto 1-flute.

PUNCH TOOK A LEAPArranged by David GuidiMedium $55.00 Cat: 54276Commissioned by the McCallum Fine Arts Academy Jazz Ensemble in Austin, Texas,"Punch Took A Leap" brings a harmonically and rhythmically fresh sound to literaturethat is specifically written for a high school level ensemble. Ideal for intermediateensembles, this composition is based on a traditional thirty-two measure AABA formthat features the saxophone section. It also includes exciting interludes betweenformal sections over pedal points. This composition is a rare find in that it is both funand challenging for students to play while still serving as an excellent teachingvehicle for a multitude of stylistic techniques. Written solo and chord changes provided.

WINDING ROSEArranged by David GuidiDifficult $55.00 Cat: 54277Winding Rose is an exhilarating composition that consists of clever melodies and animaginative rhythmic treatment. Comprised of several tempos and meter changes,this piece begins with a slow introduction in 4/4 before evolving into 11/4. Excitingrhythms for full band, lyrical melodies for horn trio and two contrasting solo sectionsfor trumpet (11/4) and tenor saxophone (4/4) make this work a must for anyserious jazz ensemble. Doubles: alto 1 on alto sax and flute; alto 2 on alto andsoprano sax; trumpet 1 on trumpet and flugelhorn, trumpet 2 on trumpet andflugelhorn, trumpet 3 on trumpet and fulgelhorn, harmon mute; trumpet 4 ontrumpet and flugelhorn, harmon mute.

ARRANGED BY DAN HAERLE

THE CAT FROM CARACASArranged by Dan HaerleMedium $52.00 Cat: SMP-210Dan has created a very nice, very hip Latin chart with a great melody. There is awritten-out trumpet solo in this modern, catchy chart. It is surely very playable bymost bands and a great selection for any concert program.

CRIB CHIMPArranged by Dan HaerleMedium $52.00 Cat: SMP-214Dan has created a very nice, very hip shuffle / funk chart with a great melody. Thereis a written-out tenor sax and guitar solo in this swinging, catchy chart. There is alsoa nicely done section for a drum solo. This chart is surely very playable by mostbands and a great selection for any concert program.

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THE ESSENCEArranged by Dan HaerleMedium Easy $47.00 Cat: SMP-252Dan has created a wonderful rock ballad, with a nifty, repeating vamp figure, that canbe played by even the most inexperienced players. He has managed to do thiswithout compromising the music. The chart is wonderful! The melody is stated by 2altos, trumpet and trombone in unison, and it grooves on from there. VERY limitedranges (1st trumpet written G top of staff). Solos for alto sax, tenor sax andtrumpet. Solos are written out, or they can be improvised. Your band will love it!

MOVIN’ ONArranged by Dan HaerleMedium Difficult $52.00 Cat: SMP-251This is a great drum set feature, but it also has room for solos for tenor sax, trumpetand guitar (or piano). The chart starts with 8 bars of fast Swing from the drums.Then full ensemble figures bounce back and forth with the drums. The melody isplayed by unison altos and trumpets (2 each). After the solos, there is a terrificsaxophone soli that just goes and goes. The chart finishes in a flurry of excitement.Your band and audiences will enjoy this one for many years to come. 5-5-5-4

REVIVALArranged by Dan HaerleMedium $47.00 Cat: SMP-253Big band gospel - what a wonderful idea! Dan has written a very attractive gospel-flavored chart which is not difficult to play. Limited ranges make this a playable chartfor most bands (the last chord has optional notes / 1st trumpet written C abovethe staff). Haerle has a wonderful skill for writing interesting, musical pieces whichdon’t require a lot of “chop busting.” Solo space for alto sax, tenor sax and trumpet.

ARRANGED BY TIM HAGANS

HOUSEWIFE FROM NEW JERSEYArranged by Tim HagansMedium Difficult $60.00 Cat: 55375A boogaloo for big band. A great chart for rhythm section players to learn theSidewinder/Watermelon Man groove. Solos for guitar and second trombone. Ascreaming shout chorus makes this chart a perfect closer. Originally recorded onHagans' No Words CD on Blue Note Records.

IMMEDIATE LEFTArranged by Tim HagansMedium Difficult $60.00 Cat: 55376An up tempo tour de force for big band with occasional slow stinky swing sections.Alto and trumpet soloists are featured. Angular melodies baswed on the Hagans'approach to improvisation abound. As with many Hagans' charts, the development(in the form of a early shout chorus) takes place before the main theme is stated.Challenging rhythmically and melodically for all players. Originally recorded with JoeLovano on the Hagans' No Words CD on Blue Note Records.

LETTERS IN A BOXArranged by Tim HagansMedium Difficult $60.00 Cat: 55377A medium swing but heavily orchestrated composition. A moving ensemble whereevery note is a new chord. Requires rhythmic accuracy and impeccable intonation.Several beautiful melodies are presented individually and then combined for the finalensemble. Interesting and challenging chord progression for piano soloist and adrum and percussion solo section...unusual on a swing chart. Sopranos or clarinetsdoubling on flute. Bari doubling on bass clarinet.

MENTION THE EXTENSION ***NEW***Arranged by Tim HagansMedium Difficult $55.00 Cat: 55383Medium swing 32-bar song form. The entire melody is comprised of upper extensionsof the chords, hence the title. A challenging chord progression features bass andtenor soloists but can be opened up for others. The trumpet section is presented ina chorus-long soli. A great opener and an interesting contrast to more standardtypes of harmonic movement. No doubles. Recorded on ‘Future North.’

MISSED THE BALLGAME BLUES ***NEW***Arranged by Tim HagansMedium Difficult $55.00 Cat: 55382Medium swing. One fat chord introduces a bass solo before the actual intro andhead are played. A puckish melody is developed throughout. This chart also featuresa small band soli for mixed instruments that leads to tenor and piano solos. A mightyshout leads back to the intro, head and out. As with all of Hagans' charts, the leadlines are derived directly from his distinctive improvisatory melodic language, givingthe players and listeners a unique experience. Soprano and flute on original scorebut alternate alto and tenor parts included. Recorded on ‘Future North.’

NOOGALOOArranged by Tim HagansMedium Difficult $60.00 Cat: 55378A boogaloo in the Sidewinder tradition. Solo for 1st alto. Trombone section featuredthroughout starting with an unaccompanied intro and then a voiced soli after thetheme is stated. Sure to have everyone in the band and audience movin' andgroovin'. Originally recorded on ‘Hagans’ No Words CD, Blue Note Records. Bigband version recorded by the Norrbotten Big Band on Future North, Double TimeRecords. No doubles.

ROLLIN' WITH VON OHLEN ***NEW***Arranged by Tim HagansMedium Difficult $60.00 Cat: 55381An up tempo rhythm changes chart written for and recorded by John Von Ohlenand the Blue Wisp Big Band. Features a wild sax soli with soprano lead (alternate altoincluded.) Solos for trombone, piano, and trumpet but can be easily opened up forother soloists. The shout chorus is an exciting exchange between band and drummer.The chart ends in a half-time romp with humor and joy.

SPACE DOZENArranged by Tim HagansMedium Difficult $60.00 Cat: 55379This piece asks the following question: "Can the blues be played without actuallyplaying the blues progression?" The theoretical chords merely describe the emotionalcontent. For example, during the solos in Space Dozen, the soloist is asked to playover the emotion in the fourth bar that leads to the fifth bar rather than thinkingV7 of IV to IV7...the emotion found in the rhythm section must play an abstractemotional progression. Great for emphasizing that being able to make the changesis only a start. One must also understand the emotional impact of each note choice.To avoid tonality, the piece is based on a 12-tone row. Ensemble sections are basedon the row but are surprisingly consonant. A 12-tone shout chorus leads the wayback to a full ensemble unison statement of the theme. A concept from Hagans' smallgroup experiments expanded for big band. Solos for alto and trumpet but can beopened up for any musician. No doubles.

TWIST AND OUTArranged by Tim HagansMedium Difficult $60.00 Cat: 55380Up-tempo swing. Feature for trumpet/tenor duo in front of band. An examinationof the vertical and horizontal aspects and powers of the three basic blues chords:17, IV7 and V7. An open form contrapuntal ensemble section follows the presentationof the fragmented theme by the duo. Solos are open each of the above mentionedchords giving the soloist a chance to explore the meaning of the blues. After a pianosolo, the band states the theme (for the first time as a 12-bar blues) in unison andthen in constant structure to bring the blues to a boil. Originally recorded for BlueNote Records as a sextet piece by the Blue Note All Stars. Big band versionrecorded by the Norrbotten Big Band on Future North on Double Time records.

ARRANGED BY RYAN HAINES

PEOPLE AND PLACESArranged by Ryan HainesDifficult $57.00 Cat: 56280Exciting and impressive full band feature. Begins as an open drum solo with brass/sax chorale underneath that builds to a fast swing feel. Extended solo time for leadbone and tenor sax 1 (with stop time for bone solo intro). The solos are followed bychallenging unison lines for the saxophones who are eventually joined by the bonesand trumpets in a build to a spectacular close.

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ARRANGED BY MATT HARRIS

CHOP SUEYArranged by Matt HarrisMedium Difficult $48.00 Cat: 51250Great funk chart. Features tenor and drum solos. One flute double. This has beenrecorded by Univ Wisconsin-Eau Claire.

FOOTPRINTSArranged by Matt HarrisDifficult $52.00 Cat: 2738This classic Wayne Shorter composition gets a facelift from respected Los Angelescomposer Matt Harris. The chart includes dense, satisfying voicings. Solo space isprovided for tenor sax and either piano, guitar, or bass.

OUT OF NOWHEREArranged by Matt HarrisDifficult $48.00 Cat: 2088California composer Matt Harris brings us this bebop treatment of Edward Heymanand Johnny Green’s classic song from the Paramount Picture Dude Ranch. Theclever arrangement utilizes a septet within the big band. Tenor, trumpet, and tromboneshare the melody and have improvised solo space.

THE PREZArranged by Matt HarrisDifficult $42.00 Cat: 3306Commissioned by the Los Alamitos High School Jazz Ensemble directed by ChuckWackerman, the melody in this high-energy, 16-bar modal blues is carried by tenor,trumpet and trombone. The only break in its momentum comes during a free, out-of-time piano solo, after which the original tempo resumes. A great opener or closerfor bands with standard personnel.

ROMPE CABEZASArranged by Matt HarrisDifficult $51.00 Cat: 51252The literal translation of this Spanish phrase is twisted head. This Latin song originalby Matt Harris features very rhythmic salsa figures with an original displaced montunafor the piano. Solos for trumpet 3 and tenor 1.

SEA BAND STOMPArranged by Matt HarrisEasy $42.00 Cat: 494This well-conceived chart provides a great opportunity for developing players toperform in the jump-swing style and has utilized many unisons and tutti figures tobolster the confidence of younger jazz musicians. Solo space is included over theaccessible F blues changes. A guitar chord chart by Jim Greeson is included.

SPRING SEASONArranged by Matt HarrisMedium Difficult $48.00 Cat: 51251Loose Samba with straight 16th feel. Piano and tenor solos and some sax doubles:one flute, one clarinet and one bass clarinet. As recorded by the Univ of Wisconsin-Eau Claire Jazz Ensemble on the CD In Transit.

WHATSA MATTAArranged by Matt HarrisMedium $42.00 Cat: 61960This high powered chart for advancing groups in the style of Tower of Power’s hitsong What Is Hip, features tenor saxophone after the catchy melodic statement.The two-chord funk solo changes will be accessible to most players, as are therepetitious but effective rhythmic figures. Drums are also featured during ensembleparts and a dedicated solo section. A guitar chord chart by Jim Greeson is includedin each set.

ARRANGED BY STEVE HAWK

GROUND ZERO ***NEW***Arranged by Steve HawkMedium Difficult $55.00 Cat: 51850Composed by Steve Reyes. This is a concert jazz piece that features a dramaticopening, leading to the main theme, which is in 5/4. The middle section of the tune,which features alto sax, offers solo space for alto, trumpet and piano, and is in a 4/4 medium swing feel. Optional french horn parts, add to the dramatic effect. 4trombones, 5 trumpets, 5 saxes, bass, piano, drums, and guitar. Medium difficult. Asrecorded by The Hawk-Richard Jazz Orchestra on ‘Reunion.’

ARRANGED BY RICK HIRSCH

ASPIRE ***NEW***Arranged by Rick HirschMedium Difficult $53.00 Cat: 55829Medium-up Jazz Waltz. Wonderful melody set over a feel-good C-major pedal point.Excellent opener or closer. Tenor & flugelhorn have melody and jazz solos. Recordedon the Valley Jazz Orchestra CD ‘Free Food?’ Trumpet range to high Eb.

ELLIE'S NEW GROOVE ***NEW***Arranged by Rick HirschDifficult $53.00 Cat: 5583016th note funk groove in 3. Funky, contrapuntal a capella writing for the saxophonesection. Jazz solos for trombone and alto saxophone. Described as Mintzer-ish bydrummer John Riley. Trumpet range to high E.

FREE FOOD? FREE FOOD!! ***NEW***Arranged by Rick HirschMedium Difficult $53.00 Cat: 55831A tribute to breadcrumb-and-popcorn-hungry ducks at your local park. Fun calypsoin C-minor. Jazz solos in each section. Mouthpiece quacking in the trumpets. Titletrack of the Valley Jazz Orchestra CD ‘Free Food?’ Trumpet range to high D.

GRACE OF A SOARING EAGLE ***NEW***Arranged by Rick HirschMedium $53.00 Cat: 55832Modern straight 8th note feel. Terrific contrast piece. Lyrical melody; pedal pointwith shifting harmonies; solos for flugel, trombone, and flute (alto 1). Terrific piece forhigh school, college, and professional bands. Trumpet range to high C.

LIFEBLOOD ***NEW***Arranged by Rick HirschMedium Difficult $53.00 Cat: 55833Up-tempo, brisk contemporary swing at soft dynamic level. Minor mood throughout.Inventive orchestration. Solos in tenor and trombone. Excellent contrast piece. OnValley Jazz Orchestra CD ‘Free Food?’ Trumpet range to high A.

NEBULA ***NEW***Arranged by Rick HirschMedium Difficult $50.00 Cat: 55834Some call this the obligatory weird tune. Very slow, exotic 16th-note feel. Drums usemallets. Opt. bass clarinet in the bari sax. Solos from trumpet and trombone. Trumpetrange to high E-flat.

SUSPENDED ***NEW***Arranged by Rick HirschMedium $50.00 Cat: 55835Terry Riley meets the contemporary jazz orchestra: minimalist groove with shifting harmoniccolors. Bass tacets entire chart. Some jazz in soprano sax 1. This is a one-of-a-kindbig band tune. On Valley Jazz Orchesra CD ‘Free Food?’ Trumpet range to high A.

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ARRANGED BY BILL HOLMAN

BARY ME NOTArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-930As recorded on the new CD ‘The Bill Holman Band Live,’ Holman has written awitty, musical, fun-filled feature for baritone saxophone. Lots of spacefor creative playing, and the wonderful contrapuntal writing that we come toexpect from Holman. It’s time to feature the foundation of your jazz band.A moderate tempoed shuffle-feel makes this one swing like crazy!

BLUE DANIEL ***NEW***Arranged by Bill HolmanMedium Difficult $65.00 Cat: SMP-758Frank Rosolino’s jazz waltz is loved by all, and Holman’s arrangement of it is superb.He takes the band on a wonderful excursion from the quiet beginning, throughopen alto sax and trumpet solos, to wonderful, exciting ensemble sections, a roaringshout chorus and back again to a quiet, tuneful ending. This is exactly as recordedin the ‘Bill Holman Band Live’ CD. Very modest brass ranges make this an attractivepiece for just about any band. This is Holman at his best! 5/4/4/4

CLAP HANDS,HERE COMES CHARLIE!Arranged by Bill HolmanDifficult $67.00 Cat: SMP-931This is a wonderful chart, an old tune in a new dress, as only Bill Holmancan do it. It’s the exact chart as recorded by the terrific Charlie BarnetBig Band. The tempo is bright, a swinging excursion into the clever writing. Solospace for piano, alto, tenor, trumpet, and drums. There is agreat sax soli section and the usual, wonderful, roaring ensemble shoutchoruses. A big finish ends an amazing chart. 5-5-4-4 (4 tpts. work justas well)

DONNA LEEArranged by Bill HolmanDifficult $67.00 Cat: SMP-932This chart is not for the faint-of-heart. It moves at a fast, swingingpace, and it captures the spirit of Parker’s classic bebop tune, includingthe humor. As recorded on the new CD ‘The Bill Holman Band Live,’ thischart allows for solos by tenor sax, trombone and piano. This is the wholepackage; outstanding ensemble writing and lots of solo space. Thisshould be in every big band library. Flute doubles (short passages) on altoand tenor 1 parts.

I’LL BE AROUNDArranged by Bill HolmanDifficult $62.00 Cat: SMP-317Boy, you talk about a wonderful Trombone feature .... this is IT ! It has been recordedby trombonists Jiggs Whigham and Andy Martin, and will certainly go down as oneof the best Trombone features ever. It’s a bright Swing version of this terrific tune.Lots of solo space and the usual exciting Holman ensemble sections. Lots going onand lots to hear! Optional parts for 2 french horns (all cross cued).

NEVER SLEEPArranged by Bill HolmanDifficult $52.00 Cat: SMP-315This is the third movement of the three-part suite titled ‘The Big Street’ which wasrecorded on the album “The Fabulous Bill Holman” in 1957. This is a Fast Swing, withsolo space for 2 tenor saxes and trumpet. It is full of the fantastic contrapuntalwriting that sets Holman apart from others. This really swings along, and it certainlycan stand alone as a single piece..... or be performed with the other 2 movements.

PRESS ONEBill HolmanMedium Difficult $67.00 Cat: SMP-933As recorded on the new CD The Bill Holman Band Live, this chart is avibrant, clever, swinging original. It was Bill’s opening tune at theI.A.J.E. conference concert, and the audience went nuts for it! The solosare in the tenor sax, trumpet, trombone and drum parts. Your band and youraudiences will love this one!

ROSELANDArranged by Bill HolmanMedium Difficult $47.00 Cat: SMP-314This is the second movement of the three-part suite titled ‘The Big Street’ whichwas recorded on the album “The Fabulous Bill Holman” in 1957. It is a slow Swingfeel with a wonderful melody. Wonderful section writing throughout, with solospace for alto sax and trombone. It certainly can stand alone as a single piece..... orbe performed with the other 2 movements. Classic Holman!

WEST SIDEArranged by Bill HolmanDifficult $62.00 Cat: SMP-313This is the first movement of the three-part suite titled ‘The Big Street’ which wasrecorded on the album ‘The Fabulous Bill Holman’ in 1957. Set in a medium-upSwing tempo/feel, this piece is a wonderful example of Holman’s use of counterpoint,moving unison sections against each other. There is lots of solo room for 2 tenorsaxes, trumpet and piano. It certainly can stand alone as a single piece...or beperformed with the other 2 movements. This is classic Holman!

WINNING THE WESTAs Performed by Buddy RichArranged by Bill HolmanMedium Difficult $59.00 Cat: SMP-316As written for and performed by the Buddy Rich Big Band, here is the long-missingchart that Holman wrote to feature Buddy on drums and Pat LaBarbera on tenorsax. What a great chart! It is set in a quasi Rock Feel which shifts to swing and backagain. This is a very high-energy, exciting chart, and Buddy played it all the time! Yourband will eat this one up.

WOODROW ***NEW***Arranged by Bill HolmanDifficult $65.00 Cat: SMP-759Bill Holman has created a rollicking, swinging, wonderful tribute to Woody Hermanwith this great chart. As recorded on ‘Bill Holman Band Live’ this chart features solosfor tenor saxophone, trumpet and piano. Saxophones state the theme (reminiscentof Woody’s theme “Blue Flame”), and there is a lot of call and response in the brass.The out chorus will lift your audiences out of their seats.

ZOOT ‘N’ ALArranged by Bill HolmanDifficult $67.00 Cat: SMP-934As recorded on the new CD “The Bill Holman Band Live”, this chart featurestwo tenor saxophone players throughout, playing together and separately.This is the ideal solo vehicle for your tenor players. The tempo is abright swing, and the writing - as always - is superb. A greattribute to Zoot Sims and Al Cohn, two of the greatest in jazz history.

ARRANGED BY ROGER HOLMES

DANCE TO THE MUSIC ***NEW***Arranged by Roger HolmesMedium $50.00 Cat: 7011195Sly & the Family Stone became a household name in the late ’60s and this up-temporock tune typifies this group’s energetic and funky style. This one will be a blast foryour students to play and a ‘blast from the past?’ for their parents to hear!

DO NOTHIN’ TILL [VOCAL]YOU HEAR FROM MEArranged by Roger HolmesMedium $40.00 Cat: 7500101One of the true gems from the Ellington catalog of great songs, here is a marveloussetting for vocal soloist with jazz ensemble. The style is slow swing, and the mood issensuous and lush. Key of E flat.

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THE GIRL FROM IPANEMA [VOCAL]Arranged by Roger HolmesMedium $40.00 Cat: 7010020Made famous by Astrud Gilberto and Stan Getz, this laid back Latin favorite featuresa great groove and tasty ensemble writing to back your singer, male or female. Key of F.

I REMEMBER YOU ***NEW*** [VOCAL]Arranged by Roger HolmesMedium $40.00 Cat: 7500113Roger Holmes treats this familiar standard in a light Latin style that works nicely forvocal soloist. This medium tempo chart also features a tenor sax solo and tastybackground figures. Vocal key: F

I’M JUST A LUCKY SO AND SOArranged by Roger HolmesMedium Difficult $45.00 Cat: 7010598The trombones get first crack at the melody in this great Ellington shuffle tunebefore the entire band joins in. Written in a medium tempo and featuring nicelyscored ensemble writing, solos are included for tenor sax and trumpet.

JUMP, JIVE AN’ WAILArranged by Roger HolmesMedium $40.00 Cat: 7010412This hot swing tune from the legendary Louis Prima is featured on the jitterbuggin’GAP commercial and is also on the new CD ‘The Dirty Dozen’ by The Brian SetzerOrchestra. Swing is back and this tune is helping to lead the way!

‘MISSION: IMPOSSIBLE’ THEMEArranged by Roger HolmesMedium $40.00 Cat: 7010111Aside from Take Five, this is the most famous 5/4 piece ever written. This solid chartcaptures the excitement and drive of the original and includes a solo for alto sax.

MUSIC FROM THE MOVIE ‘CHICAGO’Arranged by Roger HolmesMedium $50.00 Cat: 7010949From the movie musical that rocked the entertainment world, here is an excitingmedley that includes the show stoppers And All That Jazz, Cell Block Tango, andRoxie. Great entertainment with a tip of the hat to the styles of early jazz.

ORANGE COLORED SKY ***NEW***[VOCAL]Arranged by Roger HolmesMedium $40.00 Cat: 7500117This swingin’ medium up-tempo standard was recorded by Natalie Cole on heracclaimed Unforgettable album. Great chart! Vocal key: G

RHYTHM OF THE NIGHTArranged by Roger HolmesMedium $45.00 Cat: 7010975Originally a hit for DeBarge in 1985 and more recently revived for the hit movieMoulin Rouge, here is a hot chart for your entire ensemble. This one really burnswith Latin excitement.

SOUL MANArranged by Roger HolmesMedium $45.00 Cat: 7010905Originally recorded by Sam and Dave, and made popular again by The Blues Brothers,this well-known rhythm and blues workhorse is a natural for jazz ensemble. In theskilled hands of Roger Holmes, this one flows nicely but rocks hard!

THEME FROM ‘THE FAMILY GUY’ ***NEW***Arranged by Roger HolmesMedium $45.00 Cat: 7011187From the brash, slightly irreverent, and wildly popular TV series ‘Family Guy,? here isthe supercharged big band style theme adapted by Roger Holmes. The style ismedium swing and it features an alto solo along with screaming ensemble hits.

THIEVES IN THE TEMPLE ***NEW***Arranged by Roger HolmesMedium $45.00 Cat: 7011199You don’t normally associate the music of Prince with jazz ensembles. However, thisoutstanding arrangement draws inspiration from the funky Herbie Hancock versionand provides a great vehicle for ensemble playing as well as soloing.

WHEN SUNNY GETS BLUEArranged by Roger HolmesMedium Easy $35.00 Cat: 7010116Often recorded by jazz artists, this standard is famous for its distinctive harmonicstructure and flowing melody. Beautifully adapted in an easy version, Roger’s chart iswritten in a slow swing ballad style.

ARRANGED BY ANDREW HOMZY

BOOGIE STOP SHUFFLE ***NEW***Arranged by Andrew HomzyMedium $50.00 Cat: 7011215This catchy riff-based tune uses blues changes, and you can make it as easy or asdifficult as you like, depending on the tempo you choose! Solos (or soli) are for saxas well as piano and drums. A wonderful introduction to the exciting music ofCharles Mingus, skillfully adapted by Andrew Homzy.

GOODBYE PORK PIE HAT ***NEW***Arranged by Andrew HomzyMedium $50.00 Cat: 7011217Here is a beautiful arrangement of Charles Mingus’ signature ballad featuring altosand trumpets playing the melody off the top, then later joined by the entire ensemble.Sample written solos are provided for the short solo or soli spots for trumpet andtrombone. A jazz classic!

HAITIAN FIGHT SONG ***NEW***Arranged by Andrew HomzyMedium $50.00 Cat: 7011219Featuring a dark intensity and a powerful unison riff figure in minor, this mediumswing chart is a great showcase for your bass player as well as the trombone section.The harmonic structure is quite simple, but the depth of the arrangement comesfrom the thematic layers that are added throughout. Written solo (or soli) sectionsare included for the trombones and also trumpets.

ARRANGED BY LES HOOPER

BACK IN BLUE ORLEANS ***NEW***Arranged by Les HooperMedium Difficult $55.00 Cat: SMP-747As recorded on the Hooper Big Band CD ‘Out of the Woods,’ this hot, blues shuffleis full of energy and good ol’ down-home funky blues. This is a very exciting chart,with solo space for alto and guitar. There are a lot of wonderful brass figures, and thetune is carried mostly by the unison saxes. Makes a great opener or closer. 5/4/4/4

BLEEP BLOP ***NEW***Arranged by Les HooperMedium Difficult $55.00 Cat: SMP-744As recorded on the Hooper Big Band CD ‘Out of the Woods,’ this clever, quirky,swinging chart is terrific. Alto, tenor, trumpet and trombone state the tune, withinterjections by the rest of the band. There is solo space from trumpet, tromboneand drums. After the solos the full ensemble roars through a harmonization of thetune. This chart is fresh and exciting. 5/4/4/3

BLUE IN GREEN ***NEW***Arranged by Les HooperMedium $50.00 Cat: 7011243From the landmark jazz album Kind of Blue by Miles Davis, Les Hooper adds his ownstamp of originality and craftsmanship with this outstanding setting. The trumpetsoloist is supported by a light rock groove and lush backgrounds. Solo space is alsoprovided for alto sax.

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COOL SCHOOL DROPOUT ***NEW***Arranged by Les HooperMedium $55.00 Cat: Cat: SMP-745This is exactly as recorded on the Hooper CD ‘Out of the Woods.’ It is a wonderfulpiece at a medium swing tempo, with a great feel, fresh harmonic content, lots ofclever lines and solo space for tenor sax. There are also short drum solo breaks. Thegreat thing about this chart is how fresh it sounds, how hip it is, and how easy it isto play. The ranges are very modest (1st tpt. only an A above the staff). 5/4/4/4

LOCAL TIMEArranged by Les HooperMedium $47.00 Cat: SMP-209Once again Hooper leads the way with a chart that is simple to play but still greatto listen to. Solo space is open for Trumpet or others at your discretion. This charthas limited ranges, (occasional written D above the staff for 1st Tpt. but generallymuch lower) but not limited musicality or charm. This has a sort of Basie-ish sense toit but also a certain hipness.

LONG INTERMISSION ***NEW***Arranged by Les HooperMedium Difficult $55.00 Cat: 53000An exciting piece with driving rhythms on a meter layout of 4, 4, 4, and 3 giving theeffect of a missing beat every 4 measures. Handclapping on 2 and 4 for the 4/4measures and 2 & 3 for the 3/4 measure will give this piece an infectious quality. Soloswill be played over a singular basic mode, thereby freeing up the soloist to concentrateon the odd meter. No doubles.

MILES BACK ***NEW***Arranged by Les HooperMedium $55.00 Cat: SMP-746This is exactly as recorded on the Hooper Big Band CD ‘Out of the Woods.’ It is awonderful piece, written in an easy swing tempo, with a great feel, fresh harmoniccontent, lots of clever lines and solo space for trumpet, trombone and bass. Veryreasonable ranges (1st tpt. high B only) and rhythms make this a very easy piece toplay, but it has musical qualities and integrity which will meet the demands of eventhe most accomplished ensembles. 5/4/4/3

MUNCHY THE MOUSEArranged by Les HooperMedium Difficult $52.00 Cat: SMP-212This chart is a play on “Minnie the Moocher” and somewhat set in that era. It’s amodern day Swing chart with bebop roots. The chart sounds old fashioned andmodern all at the same time. It has modern elements mixed with an older style. Thegroove under the main “head” is a touch Latin, but mostly a Jazz feel, not unlikeHooper’s great arrangement of “Green Dolphin Street.” Solos for trumpet and altosaxophone (or anyone you wish). This chart is a blast!

NEW SUIT FOR ZOOTArranged by Les HooperMedium Difficult $57.00 Cat: SMP-213Les has created another techno-swing chart that has overtones of the old swingband style, but it is set very much in modern day fashion. The open solo section canfeature any one or a number of soloists - your choice. You’ll love the quiet, swingingensemble section. Very reasonable ranges throughout. This chart is a blast!

NOT SO FAST ***NEW***Arranged by Les HooperMedium Difficult $55.00 Cat: 53001A tenacious jazz piece with an infectious 4 bar ostinoto bass line that glues everythingtogether, leaving freedom for the horn lines that hover overhead. The ranges aren’ttoo difficult, though there are 1 or 2 high Ds written for 1st trumpet and there areno doubles. The title indicates that there is a ‘perfect’ tempo for this at 195bpm.

SHUFFLUPHAGASS ***NEW***Arranged by Les HooperMedium Difficult $42.00 Cat: SMP-110This is a new edition of this great swing/shuffle chart by Les. There is solo space fortenor, trumpet, trombone and piano. This intense, swinging, shuffle-blues will bringyour audiences to their feet. Les has created a dynamic, exciting chart that soundsa lot harder than it really is. 5/4/4/3

WHAT’S GOING ON ***NEW***Arranged by Les HooperMedium $50.00 Cat: 7011241This classic Marvin Gaye hit has always been a favorite with jazzers and has greatcrossover appeal. From the CD ‘Out of the Woods’ by the Les Hooper Band, thisfunky version is infused with a West Coast attitude and is packed with energy anddrive. A solo for alto sax is featured.

ARRANGED BY RICH IACONA

2 HIP 2 B BLUESArranged by Rich IaconaDifficult $38.00 Cat: SCM-018This extended blues form shifts from a swing shuffle to a funk bridge then backagain. Lots of excitement, easy changes to blow on with a chance to open for moresolos, if desired. Optional lead trumpet notes save chops but won’t take the energyaway from this chart.

SIN PALABRASArranged by Rich IaconaMedium Difficult $38.00 Cat: SCM-013Sin Palabras(Without Words) was written for Rich’s Bad Little Big Band and wasperfectly suited to be re-scored for full jazz ensemble. Rich did a wonderful jobmaking it playable by high school and college bands. The relaxed Latin style will be apleasant addition to any concert program. All high notes on the recording areoptional and all solos are written out.

ARRANGED BY JEFF JARVIS

BISTRO LATINO ***NEW***Arranged by Jeff JarvisDifficult $48.00 Cat: 61060This authentic Latin original for advancing groups is truly a showstopper in everyway! The chart is named after a popular Latin dance club and restaurant in NewYork City that recently closed. After opening with a dynamic tutti unison statement,this challenging work utilizes two Latin feels, namely songo and Samba. The songorhythm is most commonly heard in salsa music and employs lots of excitingsyncopation supported by a repetitious, but always moving rhythm sectionbackground. The Samba rhythm is used in the interlude section of the piece, whichfeatures very lush, modern voicings. Solo space is offered for soprano saxophone,tenor saxophone, trumpet, and trombone. A member of the rhythm section couldalso solo. A guitar chord chart by Jim Greeson is included in each set.

FLIGHT TO AUGUSTAArranged by Jeff JarvisMedium $42.00 Cat: 61215This funk original for advancing groups was commissioned by Dr. John Bradley,director of the Augusta (GA) State University Conservatory Jazz Band. The chartemploys a tuneful melody supported by an interesting chord progression, and rocksolid orchestration. It’s fun to play and will leave both the band and the audiencewhistling the melody. The piano part is predominately notated with chord symbolsprovided. The guitar part has notated parts and sections with changes and slashes.Some of the key melodic material is shared by the guitar and optional vibraphone,but is cross-cued into other horn parts during those sections. Solo changes arecued for all instruments. A guitar chord chart by Jim Greeson is included in each set.

MOHAVE BREAKDOWNArranged by Jeff JarvisDifficult $48.00 Cat: 3287Commissioned by the Arizona Association for Jazz Education for the 2003 ArizonaAll-State Jazz Ensemble, this exciting chart will energize just about any program,especially festival performances. If you liked Jeff Jarvis’ best sellers, High Octane,White Heat, Powder Keg, and Critical Mass, then you won’t want to miss this funkoriginal. Frequent articulations are provided for the horns, and the rhythm parts arean integral part of the arrangement. Solos include tenor saxophone and guitar,however all players have interesting and challenging parts.

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NIGHT SKYArranged by Jeff JarvisMedium $38.00 Cat: 61530Commissioned by Rick McClure and the St. Mark’s Upper School Jazz Ensemble inSalt Lake City, Utah, Night Sky is a lushly voiced ballad for advancing groups in theNeal Hefti, L’il Darlin’ tradition. All instruments share the tuneful melody during thissophisticated yet accessible original. As in most of Jarvis’ charts, frequent articulationsand dynamics are provided for all horns and rhythm, and are an integral part of thearrangement. A guitar chord chart by Jim Greeson is included in each chart. Standardinstrumentation, plus optional flute and vibes, trumpets on flugelhorn.

OLD SCHOOLArranged by Jeff JarvisDifficult $42.00 Cat: 1718If you like Jeff Jarvis’ bestsellers, High Octane, White Heat, Powder Keg, and CriticalMass, then you won’t want to miss out on this new medium advanced funk chart.Written in the Funkadelic and Rick James old school style of the ‘70s and ‘80s, thischart will light up any concert. Interesting and challenging parts are included for allas this tune grooves hard throughout.

OUT ON THE STREET ***NEW***Arranged by Jeff JarvisMedium $48.00 Cat: 62590Commissioned by the Centennial High School Jazz Ensemble under the direction ofDavid Pietsch, this cleverly conceived chart is dedicated to Frank Vargas tocommemorate this arts-friendly administrator’s retirement from the Phoenix (AZ)area school district. Based on the chord progression to On The Street Where YouLive, this swing original for proficient groups offers interesting playing for everymember of the big band. In addition to brief quotes from other songs containing theword street (Green Dolphin Street, On The Sunny Side Of The Street), you’ll heara couple measures of On The Street, plus short quotes from Second Time Aroundand Nica’s Dream. Exciting ensemble writing, solos for trumpet and piano, and ahumorous ricky-tick section make this energetic swing chart great fun to play.

RIPTIDEArranged by Jeff JarvisDifficult $48.00 Cat: 3309Here's a fun and challenging chart that's guaranteed to keep your audience on theedge of their seats. Scored at the medium advanced level, this bright swing originalalternates with a Samba groove. Rhythmically interesting and very densely scoredfor maximum impact, solos are offered for alto sax, tenor sax, trumpet, or tromboneand can be opened up at the director's discretion.

SHOW MEArranged by Jeff JarvisDifficult $52.00 Cat: 3333Commissioned by the Missouri IAJE Unit for their 2003 All-State Jazz Ensembledirected by Shelly Berg, this exciting swing/salsa tune thrives on high energy andstrong momentum. Though tenor and trumpet are the designated soloists, the solosection based on minor blues changes can be opened up for more players if desired.The drummer also takes center stage with an expandable solo.

VORTEXArranged by Jeff JarvisMedium $48.00 Cat: 1828Make your jazz ensemble sound more advanced while performing this medium levelswing chart that juxtaposes dense voicing with accessible swing features. Thisfestival-worthy chart has a terrific sax soli plus interesting parts for all. An optionalvibes part is included along with solo sheets and a guitar chord chart by JimGreeson. Commissioned by the University of Portland Jazz Festival, David Parkerdirector.

ARRANGED BY THAD JONES

AHUNK AHUNKArranged by Thad JonesDifficult $75.00 Cat: 52015This great Thad Jones arrangement is a funky 5/4 chart.

AIN’T NOTHIN’ NUArranged by Thad JonesAdvanced $52.00 Cat: 2655One of many tunes composed by the great Thad Jones, this uptempo burner foradvanced big bands features intricate sax section work, thick ensemble writing withmodal harmonies, and expandable solo space for trumpet, trombone, and twotenors. Recorded by Fedchock’s New York Big Band on their critically acclaimed CDOn The Edge. Includes solos for tenor saxophone and trumpet.

BACK BONEArranged by Thad Jones/Mike CarubiaMedium $43.00 Cat: SCM-002Medium tempo blues in F that really drives. Unison saxes carry the melody for thefirst chorus and are joined by the brass on the second. A short lead in to thetrombone solo carries the chart to the solo section. One chorus of sax soli sets upa solid shout chorus and an ending drum solo. Very player-friendly with written solos.May be opened up for more solos. (Scored to sound complete with 4/3/2/3).

BIG DIPPERArranged by Thad JonesDifficult $42.00 Cat: 4500This is a classic Thad Jones arrangement with standard instrumentation. From theThad Jones/Mel Lewis recording 'Central Park North.'

CENTRAL PARK NORTHArranged by Thad Jones/Mike CarubiaMedium Difficult $43.00 Cat: SCM-004This driving rock/funk/ballad/blues is Thad’s tour de force which captures theessence of life in a part of New York City in the 1970s. Carefully re-scored, it hasbeen made playable by high school and college bands at a Grade 4 level. Written asa mini-suite, this chart will be well worth the effort mastering the different stylesincorporated in this classic Thad Jones masterpiece. Written solos for tenor sax,trumpet, guitar, trombone. High trumpet note 1st ledger line A. (Scored to soundcomplete with 4/3/2/3).

A CHILD IS BORNArranged by Thad JonesMedium Easy $38.00 Cat: 4560This gorgeous Thad Jones ballad is arranged here as a trumpet feature. A vocallead sheet is also provided if you want to do this as a vocal.

DON’T GET SASSYArranged by Thad Jones/Mike CarubiaMedium $43.00 Cat: SCM-001This Thad Jones composition has been re-scored for performance by high school &Jr. high bands. Technical and range requirements have been reduced withoutcompromising the “Thad Jones sound.” This is easier of the 2 Sassy arrangements.Solos, piano voicings and bass parts are completely written out. (Scored to soundcomplete with 4/3/2/3).

DON’T GET SASSYArranged by Thad Jones/Mike CarubiaDifficult $43.00 Cat: SCM-005This is the second and more difficult of the 2 Sassy arrangements. This one mirrorsThad’s original in form and style. Slightly richer voicings than SCM-001 but not anoverly high lead trumpet part. Written Bb with optional high C. You will think you areplaying Thad’s original in Db when you play this one without the demanding rangesand difficult sax soli. (Scored to sound complete with 4/3/2/3).

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DON’T GIT SASSYArranged by Thad JonesAdvanced $48.00 Cat: 4600This great Thad Jones tune is a wonderful feature for multiple soloists. Includessoprano saxophone double.

THE FAREWELLArranged by Thad Jones/Mike CarubiaMedium $43.00 Cat: SCM-009The Farewell is the third part of Thad’s Suite for Pops completed in 1973 andrecorded for the first time in 1975. This movement reflects the joyous retreatassociated with funerals typical in Louis Armstrong’s home town of New Orleans.Adjustments made to this Thad gem make it a very playable addition to the catalogue.The written trombone solo section may be opened up for additional soloists followedby plenty of exciting ensemble for the whole band to sink their teeth into. (Scored tosound complete with 4/3/2/3).

GREETINGS & SALUTATIONSArranged by Thad Jones/Mike CarubiaMedium Difficult $43.00 Cat: SCM-003Funky jazz/rock style re-scored to be performed by high school and college jazzensembles. Range demands reduced while maintaining the “Thad Jones sound.” Lotsof unison and block soli sections. Your students will love this one. Sounds moredifficult than it plays. (Scored to sound complete with 4/3/2/3).

GROOVE MERCHANTArranged by Thad JonesDifficult $42.00 Cat: 4690This classic medium shuffle features soprano sax (sub alto part is provided if youdon’t have a soprano) and optional 5th trumpet part.

IT ONLY HAPPENS EVERY TIME ***NEW***Arranged by Thad Jones/Mike CarubiaMedium $45.00 Cat: SCM-029This beautiful Bossa Nova shows us Thad’s sensitive side. Re-scored by Mike Carubia.There are no sax doubles. Scored for full band but will sound complete with 4/3/2/3.

KIDS ARE PRETTY PEOPLEArranged by Thad JonesDifficult $42.00 Cat: 4720This fabulous ballad features the whole band on some intricate ensemble arranging.Trumpets are on cup mute during a few parts. No guitar part.

LOW DOWNArranged by Thad Jones/Mike CarubiaMedium $45.00 Cat: SCM-025This tune is based on the changes to I’m Getting Sentimental Over You but at amedium swing tempo. This chart is real jazz by a true master made playable by highschool & college bands by Mike Carubia.

RHODA MAPArranged by Thad JonesDifficult $42.00 Cat: 4880This Thad Jones swing chart is a saxophone section feature. Has nice brass accentsthroughout and a pleasing shout chorus. Featured soloists are trumpet, trombone,and tenor. Doubles: alto 1 on soprano (includes sub alto part). No guitar part.

SECOND RACEArranged by Thad Jones/Mike CarubiaDifficult $43.00 Cat: SCM-014Second Race once again shows Thad’s attention to form. Constructed to highlightthe tenor sax solo, yet perfectly setting up the two ensemble choruses which follow.Thad has once again created a masterpiece from the time honored blues in F. Noteto arrangers: check out Thad’s treatment of the last 4 measures of this composition.(Scored to sound complete with 4/3/2/3).

THREE AND ONEArranged by Thad JonesAdvanced $42.00 Cat: 4940This chart features flugelhorn, baritone saxophone and the bass. No guitar part.

THREE AND ONE ***NEW***Arranged by Thad Jones/Mike CarubiaDifficult $45.00 Cat: SCM-030A real Thad classic made accessible by Mike Carubia. Higher brass notes removed,sax soli re-scored & it still sounds like Thad. Scored for full band but will soundcomplete with 4/3/2/3.

TIPTOEArranged by Thad JonesAdvanced $52.00 Cat: 4950This is a really nice swing chart by the master, Thad Jones. Your trumpet and alto saxget the solos. Features soprano saxophone (sub alto part included).

TO YOUArranged by Thad JonesDifficult $38.00 Cat: 4960This Thad Jones ballad features his lush harmonic sense and moving voices throughoutthe band. Soprano sax (sub alto part provided) and optional 5th trombone.

TOW AWAY ZONEArranged by Thad Jones/Mike CarubiaMedium $45.00 Cat: SCM-026Need a hip funky rock chart? Thad really scored a winner here. Originally recordedfor the Central Park North album in 1969, this chart has never been released. Thisis Thad at his peak, re-scored for today’s young stars by Mike Carubia.

USArranged by Thad Jones/Mike CarubiaMedium Difficult $43.00 Cat: SCM-011Us is a wonderful gospel/rock composition a perfect 4th below Thad’s original,making it accessible to younger players. Thad utilized the a cappella brass soli,supported by the saxes in this arrangement, producing a solid funk/rock/gospelpiece that students and parents will enjoy. Interestingly, this is one of the few bigband charts Thad wrote without solo space. (Scored to sound complete with 4/3/2/3).

ARRANGED BY MICHAEL ‘GUS’ KAMBEITZ

EXOTIC LANDSCAPEArramged by Gus KambeitzMedium Difficult $55.00 Cat: 56356This is a 'blowing' tune, with minimal tutti sections. Features for bone 1, tpt 5, ten 1.A great modern Blue Note feel makes this easy to program for any concert.

ON THE DL ***NEW***Arranged by Gus KambeitzMedium Difficult $55.00 Cat: 56360Commissioned by the West Valley Jazz Orchestra for their performance with DaveLiebman, this piece is a jazz waltz in the style of ‘Alice in Wonderland,’ but with amore modal feel. Solo space (changes) for all woodwinds, this piece is a nice changeup for concerts since it is meant to be mainly soft. Lead trumpet to high E.

QUATRO CINCO SEISArranged by Gus KambeitzMedium Difficult $57.00 Cat: 56357This is a fast modal tune (with a bridge) in the style of Coltrane. Nice feature forsolos in trumpet 4, tenor 1 and opt for piano or guitar. Some challenging changes toblow over. Great piece to let your brass rest their chops!

SALLYArranged by Gus KambeitzMedium Difficult $55.00 Cat: 56358This is a 'great early in the year' medium shuffle. Scored for confidence building andeasy playability, the piece is set to the chord changes of Bernie’s Tune and withflexible backgrounds and changes for each instrument, can feature any soloist in theband. Trumpet to high E, (in backgrounds only) but can easily be revoiced down orleft out completely.

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ARRANGED BY PHIL KELLY

BEAU-DAY-SHUS BUNZArranged by Phil KellyMedium $65.00 Cat: 56400An easy walking sassy Quincy Jones type theme featuring flugelhorns and altos in atwo part exposition accompanied later by trombone punches. Solo spaces withbackgrounds for tpt/ten. Easy ensemble builds to a screaming shout chorus, finallyleading into a piano solo and recap of the theme. Tpt 1 to D. All tpts double flugels.

BLOOLONIUSArranged by Phil KellyMedium Difficult $75.00 Cat: 56401An original slow blues with a 12/8 feel based on a theme composed of "monkish"sixth leaps that ascend and descend in a somewhat acerbic manner. After developinginto an entwined twisting contrapuntal second chorus, there is solo space withbackgrounds for tpt and tenor leading to an ensemble chous. Trumpet 1 has several Ebs.

CAMELTOE WALTZArranged by Phil KellyDifficult $65.00 Cat: 56402An offbeat funk oriented piece in 3/4 time alternating with a 4/4 B section featuringa snaky chromatic funky blues line introduced by a group of 4 horns and thendeveloped by the entire band. May require work reading the 16th note funk-basednotation and some superimposed 3/16 crossrhythms in the cadences. Ensemblebased on a stop-time statement/response in the brass with snaky overlaying saxlines. A challenging offbeat chart! Tpt to D. Electric keys/bass/gtr recommended.

CONVERGENCE ZONEArranged by Phil KellyDifficult $75.00 Cat: 56403A challenging original that will really give your band something to shoot for. A semi"out" tpt/ten neo bop line based on the G diminished scaled and ascending halfdiminished changes proceeds into a contrapuntal treatment of the main theme.Open solos with big bands for tpt/tenor lead to a challenging sax soli and piano solo,leading into some fairly dissonant ensemble work culminating in a big ensemble withdrum fills finale. A really big show piece for the entire ensemble. Tpt 1 has a coupleEbs and many Ds. Soprano sax doubles on alto 1.

(I CANT BELIEVE) I 8 DA WHOLE ***NEW***/ HALF THINGArranged by Phil KellyDifficult $60.00 Cat: 56409Funky hip-hop style Brecker Bros. type line reminiscent of Freedom Jazz Dance witha strut feel B section. Solo sections feature more dimished scale vamps followed bya call and response section over a drum/percussion breakdown. Requires ensembleable to deal with Tower of Power-type 8/16 notation.

JEANNINEArranged by Phil KellyMedium Difficult $65.00 Cat: 56404A swinging up-tempo version of the old Duke Pearson jazz standard that featuresthe trombone section on the theme...solo background for tenor, trumpet, (possiblytrombone) leading to an exciting ensemble shout chorus. Trumpet 1 has a coupleEbs, generally lays around C.

JUAN BEATOV STOMP ***NEW***Arranged by Phil KellyDifficult $60.00 Cat: 56407A tongue-in-cheek funk/Latin excercise written in 7/8 (to keep everyone's toestapping a bit spasmodically) based upon extended and slightly altered blues typechanges. Features a fairly challenging ensemble shout chorus (lead tpt has a couplehigh Gs) but since the song is largely two line counterpoint, a lot of cuing is includedto afford some brass rests to save chops. Requires ensemble able to deal with Towerof Power-type 8/16 notation. A fun but challenging chart!

MERCY, MERCY, MERCYArranged by Phil KellyMedium Difficult $65.00 Cat: 56405A new treatment of the old Joe Zawinul favorite that features various two part tpt/sax voicings that build to an exciting shout chorus featuring some 16th based funkrhythms that might require some rehearsal. Open solos with backgrounds. Trumpet1 has several high Ebs. Electric keyboard, bass, and guitar suggested.

PLEADING DIM CAP ***NEW***Arranged by Phil KellyMedium Difficult $60.00 Cat: 56408Medium up tempo jazz feel with contrapuntal Holman-esque lines further exploringthe possibilities of the diminished scale both for the ensemble and soloists. Ensembleshout chorus with lots of space for the drummer to shine as well. Challengingstraight ahead type chart.

RAINSHADOWArranged by Phil KellyMedium $60.00 Cat: 56406A haunting slow Bossa Nova featuring soft flugelhorns and woodwind colors witha Gil Evansish brass chorale type bridge. Solos on flute (and guitar or piano).Requires 2 c flutes, 2 Bb clarinets, and bass clarinet along with 4 flugels, 4 bones inbuckets and 4 rhythm (acoustic guitar suggested and additional light percussioncould be added).

ZIP CODE 2005 ***NEW***Arranged by Phil KellyMedium $60.00 Cat: 56410An updated re-write of ‘Zip City’ with some new added materials including anextended ending. A real barn burner double blues of a closer for a concert. (Lead tptends on band tune.) Trumpet range to high A.

ARRANGED BY MICHAEL KOCOUR

DONNIE'S TEMPO ***NEW***Arranged by Michael KocourMedium Difficult $55.00 Cat: 52040Medium swinger with obvious references to the work of Thad Jones. While writtensolos for piano and flugelhorn are included with the chord changes, the solo sectionmay be opened up for other instrumentalists in the band. This chart was written forthe Texas All-State Jazz Band.

ARRANGED BY TOM KUBIS

12TH STREET RAGArranged by Tom KubisDifficult $55.00 Cat: 50155An up-swing feature for the two tenors. A great vehicle to show off the soloists.Trumpet high D.

AFTER YOU'VE GONEArranged by Tom KubisMedium $55.00 Cat: 55549This is a trumpet feature based on the great old standard. Up-tempo all the waywith plenty of room to solo for the jazz trumpet player!

AGGRESSIVE SHUFFLING!Arranged by Tom KubisMedium Difficult $55.00 Cat: 55524This is a bluesy shuffle with chord changes that have a unique twist! Solos forbaritone and tenor sax. This one has a lot of punch and energy starting with thebones and ending with lots of full ensemble.

AIN’T IT WONDERFULArranged by Tom KubisDifficult $55.00 Cat: 50101Up-tempo swing. Open solo section. Recorded on Tom Kubis’ Slightly Off theGround.

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C O U N T B A S I E S E R I E SALEXANDER’S BIG TIME BANDArranged by Tom KubisDifficult $55.00 Cat: 50102Great up-tempo swing chart with similar title. Recorded by Tom on ‘Slightly Off TheGround.’

ALICE BLUE GOWN ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55557Features flugels over bones, which leads into a solo section with 3 soloists, and ashout chorus and out, including a brief saxophone soli. Medium swing. Solos: trumpet,tenor sax. Trumpet 1 highest note is high E.

ALL WE NEED IS RON!Arranged by Tom KubisDifficult $53.00 Cat: 55505Written for the great Ron Stout, trumpet player for the Woody Herman orchestra.Starts out as a ballad, then jumps into an up-tempo swing feel. Great be-bopchanges to blow on!

ATLANTIC SNOW FALLArranged by Tom KubisDifficult $48.00 Cat: 55506A full and rich ballad for the baritone sax. Drops into a slight double time feel at theend.

AULD LANG SYNEArranged by Tom KubisAdvanced $40.00 Cat: 62519This starts out as a pretty rock ballad and ends on a high note so to speak. The leadtrumpet player can play the really high stuff down an octave. This is a great chart tobring in the new year! As recorded on A Jazz Musician’s Christmas.

AWAY IN A MANGERArranged by Tom KubisDifficult $55.00 Cat: 62525This is an up-tempo jazz waltz featuring the tenor sax or soprano sax. As recordedby the Tom Kubis Big Band on A Jazz Musician’s Christmas.

BAHIA YODELArranged by Tom KubisDifficult $55.00 Cat: 50178This is a cooking Latin jazz piece featuring trumpet and alto sax solos. This chart isbecoming a standard for Steve Allen and is requested by most of the bands he workswith. As usual there is plenty of hard cookin’ ensemble stuff for all to play! Recordedby the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

BALLAD FOR G AND EArranged by Tom KubisMedium Difficult $52.00 Cat: 55525A contemporary minor rock feel featuring the 2 altos in the band. Great for featuringthe 2 as they play solos and also swap back and forth. Trumpet plays a high F.

BALLAD ONEArranged by Tom KubisMedium Difficult $51.00 Cat: 50170This is a moody 16th ballad for the first tenor player who could also play this onsoprano sax. Chart has a full dynamic range and is a great vehicle for that goodtenor player who aspires to be the next Michael Brecker. Trumpet to B.

BEFORE YOU LEFTArranged by Tom KubisDifficult $49.00 Cat: 50104Up-tempo swing that starts with a sax soli. Great as an opener or closer. Featurestenor sax. No score.

THE BEST PART OF ME IS YOUArranged by Tom KubisMedium Difficult $49.00 Cat: 50158Jazz ballad. Very pretty flugelhorn feature. A great feature for that trumpet playerwith that great sound. Trumpet high C.

BIG D’S OVERNIGHT SPECIALArranged by Tom KubisDifficult $50.00 Cat: 50105 A heartily swinging piece which seems never to stop building. Perfect opener. Pianosolo. No score.

BIG ED’S MONDAY NIGHT BLUESArranged by Tom KubisDifficult $49.00 Cat: 50106The chart swings heartily featuring a trumpet solo. No score.

BILL BAILEYArranged by Tom KubisDifficult $65.00 Cat: 50148Up-tempo swing. It’s got it all from an a cappella ensemble to a Dixieland band anda killer shout section. Solo changes in each section.

BLUE JOBArranged by Tom KubisDifficult $49.00 Cat: 50108Medium blues featuring trumpet. No score.

BLUEST BLUESArranged by Tom KubisDifficult $53.00 Cat: 50179Steve penned this 12/8 down and dirty blues as a trombone feature. Features boththe lead trombone and the trombone section. Recorded by the Kubis/Allen BigBand on Fast Cars and Fascinating Women.

BOOGIE MANArranged by Tom KubisMedium $55.00 Cat: 55550Medium driving rock. Fusion. Features tenor sax.

BOOKE ENDSArranged by Tom KubisDifficult $53.00 Cat: 55507This is a cool blues chart featuring the bass and the trombone with the melody. Theblowing section is open for anybody to play ending with lots of cool ensemble at theend.

BRAZILIAN DANCE ***NEW***OF THE FLUGELHORNArranged by Tom KubisDifficult $55.00 Cat: 55558Medium to up Samba with a pretty melody statement in the flugelhorns. Very catchymelody. Samba. Features: trumpet section. Solos for flugelhorn, and alto sax. Trumpet1 highest note is double high G.

BRECKER BRACArranged by Tom KubisDifficult $43.00 Cat: 50109This is a funk chart. It will need some work, but the time spent will be worth it. Tenorsolo. No score. Recorded by Univ of Wisc-Eau Claire on ‘Jazz, In Transit.’

BUCKET BRIGADE! ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55559This starts with buckets. Plenty of ensemble room in this one! Up swing. Solos:trumpet, trombone, tenor sax. Trumpet 1 highest note is high C.

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BY THE LIGHTOF THE SILVERY HARVEST MOONArranged by Tom KubisMedium $55.00 Cat: 55541Medium swing. Great for the audience with the 2 old great classics. Done withflugelhorns and bucket trombones with a tenor solo in the middle! Tenor sax soloand trumpet 1 highest note is high D.

CAUGHT IN THE MOMENTArranged by Tom KubisMedium $50.00 Cat: 55522Pretty flugelhorn feature in the Latin Bossa Nova vein. Perfect for the lyrical trumpetplayer in your section. Starts with the head and goes into a solo section, then to thelast ensemble with a short sax soli.

CERTAIN NIGHTS I HAVE THE BLUESArranged by Tom KubisDifficult $53.00 Cat: 50180Steve Allen penned this slow bluesy piece featuring the sax section on the head andgiving room for the tenor player to air out his/her grief. The exiting 12/8 shoutsection will get them off their feet! Recorded by the Kubis/Allen Big Band on FastCars and Fascinating Women.

THE CHINESE SAMBAArranged by Tom KubisDifficult $55.00 Cat: 50149Starts off with two unison sections (that should wake everybody up) into a solosection with chord changes in every section. Based on the old early jazz standardChina Boy.

CHITLINSArranged by Tom KubisAdvanced $55.00 Cat: 55503It’s fast, and it’s rhythm changes. This is a fun one. Written for trumpeter LouiseBaranger. Play it as fast as you can! Can be opened up for anyone to play solos on.

CHUCK’S OVERNIGHT FUNK MACHINEArranged by Tom KubisMedium Difficult $55.00 Cat: 55517Written for Los Alimitos High School under the direction of Chuck Wackerman. Thisis a supreme funk piece! Lots of Breckerish and Tower of Power kind of stuff. A goodhigh school band will funk out on this one. Open drum solo at end sets this one off!

COLD SEPTEMBER MORNINGArranged by Tom KubisAdvanced $55.00 Cat: 50195WOW! What a nice ballad! This is the alto feature you have been looking for! Thisis a jazz ballad with lots of nice pad backgrounds that are easy on the ear.

DAT DA DUT DUH! ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55560Straight ahead blues shuffle with trumpet and tenor solos. Great opener: gets your attentionright away! Shuffle. Solos: trumpet, tenor sax. Trumpet 1 highest note is high F.

DECK THE HALLSArranged by Tom KubisDifficult $55.00 Cat: 62526From the Kubis Big Band Christmas CD. This is yet another Samba full of theChristmas spirit. As recorded by the Tom Kubis Big Band on A Jazz Musician’sChristmas.

DO I HEAR FOURArranged by Tom KubisDifficult $49.00 Cat: 50110It’s a swinging band feature with some great ensemble writing. Features a trumpetsolo. No score.

DOWN BY THE OLD MILL STREAMArranged by Tom KubisMedium $55.00 Cat: 55542Medium swing. Starts out with the flugels over bucket bones and and builds fromthere. Room for the trumpet to stretch out! Big shout! Trumpet solo. Trumpet 1highest note is high E.

DOWNTOWN CLOWNArranged by Tom KubisAdvanced $55.00 Cat: 50167This is a very catchy and pleasing tune. This medium swing chart has a great littlebounce to it. Opening with a statement by flute and harmon trumpet moves intosolid ensemble throughout. Trumpet 4 has a solo. There are some doubles. High D intrumpet 1. Recorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

EARLY AUTUMNArranged by Tom KubisDifficult $53.00 Cat: 50150Starts out with a tenor ballad section with brass (flugelhorns) reharmonization ofthis great tune. As the ballad section finishes, the tenor takes a written up-tempobreak ala Supersax and then weaves his way through the great changes of this tunewith a lot of hard-hitting ensemble behind. The tempo drops back into an ensembleballad and closes with a tenor cadenza and band ending.

EVERYBODY HAS THE BLUESArranged by Tom KubisDifficult $55.00 Cat: 55508Another in the line of the Steve Allen/Tom Kubis series. Steve created this hip poptune. This is a very catchy little song with the melody stated by the trumpets withlots of great ensemble stuff. A very exciting chart!

EVERYBODY LOVES MY BABY’SArranged by Tom KubisDifficult $53.00 Cat: 50160Up-tempo burner. This is a hard chart and packs quite a wallop! A great shoutchorus. Trumpet to D. Recorded by Charles Rutherford’s Jazz Pacific Orchestra.

EVERYTHING MUST CHANGEArranged by Tom KubisDifficult $45.00 Cat: 50111Nice ballad. Features alto sax solo. Conductor sketch.

EXACTLY LIKE THISArranged by Tom KubisDifficult $53.00 Cat: 50112Medium swing. Open solo section. Conductor sketch. Recorded by Tom Kubis.

EXTREME WEST COASTINGArranged by Tom KubisMedium Difficult $55.00 Cat: 55526Up-tempo cool-school chart. More of a linear feel with counterpoint unisons. Solosavailable in all sections. Trumpet 1 to high F.

FAHN AND ANDYArranged by Tom KubisDifficult $53.00 Cat: 50173Written for 2 very fine Southern California trombone players Mike Fahn and AndyMartin. This is a very fast chart featuring 2 trombones with a very cool be-bop typehead. If you have 2 good soloists in the trombone section you have wanted to showoff, this is the chart for you! Trumpet to D.

FAST CARS AND CRAZY WOMEN!Arranged by Tom KubisDifficult $55.00 Cat: 50181This is a burner that features the tenor player and has a lot of room to feature thedrummer! This cooks from beginning to the end, a great set closer! As recorded bythe Kubis/Allen Big Band on ‘Fast Cars and Fascinating Women.’

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FLY ME TO THE MOONArranged by Tom KubisDifficult $65.00 Cat: 50151Medium up-swinger that starts out with a hip hop groove (very cool!). After the firstchorus with the melody presented by the flugelhorns, the chart goes into regularswing handing the melody off to the sax section. Solo section is open then goes intoa sparkling (yes sparkling!) 2 chorus ensemble. Trumpet to high D. Recorded byCharles Rutherford’s Jazz Pacific Orchestra on Reunion.

FRANKIE AND JOHNNYAND A TROMBONE GUYArranged by Tom KubisDifficult $53.00 Cat: 50190This shuffle features the 3rd trombone player playing the old familiar Frankie andJohnny. The chart starts with a cool vamp to set up the trombone player playing themelody on plunger mute. There is plenty of soli stuff with the trombone section anda burning shout section.

GENTLE BREEZEArranged by Tom KubisDifficult $51.00 Cat: 50100This is a Samba. Features trumpet and requires a strong lead trumpet. Some doubles.

GOD REST YE MERRY TROMBONESArranged by Tom KubisAdvanced $55.00 Cat: 62518This one will warm up the old yule log! This up-tempo jazz chart features thetrombone section and a lot of great ensemble. As recorded by the Tom Kubis BigBand on A Jazz Musician’s Christmas.

HAPPY TUESDAYArranged by Tom KubisAdvanced $55.00 Cat: 55502This is a piano feature in a jazz waltz style. This gives plenty of jazz space to thepianist and also gives room for the band to cook too!

HARK THE HERALDArranged by Tom KubisAdvanced $55.00 Cat: 62517This is a pretty rock ballad that features the lead trumpet. The real high trumpetstuff at the end may be played down an octave. As recorded by the Tom Kubis BigBand on A Jazz Musician’s Christmas.

HERE WE COME A WASSELING!Arranged by Tom KubisDifficult $53.00 Cat: 62533Look out we’ve never Wasseled like this before! This one is difficult. Very good highschool or very good college with lots of meter changes but wow what a burner!Tenor feature. High trumpet F. Very fast 3/4 time. Well worth the effort! From thethird Tom Kubis Big Band Christmas CD.

HEY JEFFArranged by Tom KubisDifficult $49.00 Cat: 50159 Jazz blues shuffle. Features the 4th trumpet player. Plenty of great ensemble. Trumpetto high D.

HONEY’S BUCKLED HOSEArranged by Tom KubisDifficult $49.00 Cat: 50114Up-tempo swing. Changes based on Honeysuckle Rose. Conductor sketch.

HOSPITAL BLUESArranged by Tom KubisMedium $55.00 Cat: 55551Very pretty slow ballad for the flugel and trumpet jazz player. This part has a fewhigh notes. This arrangement is featured on Wayne Bergeron's You Call This A Living.

I AIN’T GOT NOBODYArranged by Tom KubisMedium $55.00 Cat: 55533Medium swing. The familiar standard with lots of exciting dynamics. This has a tenorsax solo. Starts with the flugelhorns and trombones in buckets. Tenor sax solo.Trumpet 1 highest note is high E.

I CAN’T BELIEVE YOUR IN-LAWS WITH MEArranged by Tom KubisDifficult $49.00 Cat: 50115Medium swing with an open solo section. Some flute doubles.

I JUST FLEW IN FROM CHICAGOAND BOY ARE MY ARMS TIREDArranged by Tom KubisDifficult $49.00 Cat: 50116Blues shuffle. Features a trombone solo. No score.

I’M ALWAYS CHASING RAINBOWSArranged by Tom KubisMedium $55.00 Cat: 55537The chart will work for concerts as well as for dance gigs. The chart starts withflugelhorns and trombones in buckets. Has blowing changes on the 4th trumpetpart. Lead trumpet up to concert D. Has an 8-bar sax soli.

I’M GONNA TELLArranged by Tom KubisDifficult $53.00 Cat: 50182A great set opener! This tune is very gospelish in nature. Tenor has the solos or it canbe opened up. Shout section is a ball! As recorded by the Kubis/Allen Big Band onFast Cars and Fascinating Women.

I’M KINDA CRAZYArranged by Tom KubisDifficult $55.00 Cat: 50183Features the trombone section on this up-tempo swing chart - this is anothercooker! Solo section set up to feature trombones. The shout features extremes indynamics. Another great set closer! Recorded by the Kubis/Allen Big Band on FastCars and Fascinating Women.

I’VE BEEN WORKING ON THE RAILROADArranged by Tom KubisMedium $55.00 Cat: 55544The head is soft brass with a bone solo in the middle with a tough sax soli and a coolshout! Features trombone solo. Trumpet 1 highest note is high D.

I’VE GOT TO GET ANOTHER BABY!Arranged by Tom KubisMedium $53.00 Cat: 50184This is a medium swing Basie style chart that opens up with the trombone section.Solo section is open for anyone to play. The shout section feature extremes indynamics and has intensity that won’t stop. All this ends with the trombone section.This is a fun one to play. Recorded by the Kubis/Allen Big Band on Fast Cars andFascinating Women.

IF I HAD IT TO DO ALLOVER AGAIN I'D SHUFFLEArranged by Tom KubisMedium $55.00 Cat: 55552Crankin' shuffle chart with solo changes in saxes and bones.

IMAGINE WHAT A CHANGE WILL DOArranged by Tom KubisDifficult $49.00 Cat: 50117Beautiful ballad featuring trombone. Recorded by Kubis on Slightly Off the Ground.

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IN MEMORY OF BIXArranged by Tom KubisMedium Difficult $55.00 Cat: 50168As a tribute to the great trumpeter Bix Biederbecke, Steve Allen penned this greatand melodic tune. This 4th trumpet feature plays a Bix-like melody line with a bigband background. This arrangement is quickly becoming a standard for trumpetrepertoire. Trumpet to high D. Recorded by the Kubis/Allen Big Band on Fast Carsand Fascinating Women.

IN THE GOOD OLD SUMMERTIMEArranged by Tom KubisMedium $55.00 Cat: 55543The great old standard - perfect for those summer concerts! This is a shuffle witha tenor solo and a very cool sax soli! Trumpet 1 highest note is high E.

IN THE WINTER IN THE SUMMERArranged by Tom KubisAdvanced $55.00 Cat: 50197This features the soprano sax all the way through but also has plenty of ensembleto work through. If you haven’t bought the Keep Swingin’ CD, you are missing agreat tune and fun chart!

INDIANA (BACK HOME AGAIN)Arranged by Tom KubisDifficult $55.00 Cat: 55540Medium swing. This one is a challenge. Bucket trombones, flugelhorns and a difficult,but swingin’ sax soli and the cool shout! Features the sax section. Solos for trumpet,trombone, and tenor sax. Trumpet 1 highest note is high E.

IS IT YOUArranged by Tom KubisMedium $53.00 Cat: 55518Sanborn-style alto ballad with a half time funk feel. Easy changes to blow on. This isa great vehicle to mellow things out and not put a lot of high stuff in the brass! Leadtrumpet up to Bb.

IT CAME UPON A MIDNIGHT CLEARArranged by Tom KubisMedium $55.00 Cat: 62521This is a solo flugelhorn 3/4 ballad nicely reharmonized with lush chords andbackgrounds. A bit on the bluesy side! As recorded by the Tom Kubis Big Band on AJazz Musician’s Christmas.

JADAArranged by Tom KubisMedium $55.00 Cat: 55531The chart will work for concerts as well as for dance gigs. It starts with flugelhornsand trombones in buckets. Starts a cappella with some cool changes. Has blowingchanges on the 4th trumpet part. Lead trumpet up to concert D. 16-bar sax soli.

JINGLE BELLSArranged by Tom KubisMedium $52.00 Cat: 62534Bass trombone feature on this old Christmas standard. This is a medium swingversion featuring the bass trombone all the way through the chart. The ensembleand bass trombone trade off throughout the chart. As recorded by the Tom KubisBig Band on A Jazz Musician’s Christmas.

JOY TO THE WORLDArranged by Tom KubisMedium $55.00 Cat: 62522A rousing Samba and a great tune to open a Christmas concert with! As recordedby the Tom Kubis Big Band on A Jazz Musician’s Christmas.

JUMP, JOHNArranged by Tom KubisAdvanced $55.00 Cat: 50196Steve Allen wrote a cute little tune that features the trombones and the bass playerin a Thad Jones-style unison line. This is a medium swing tune with a power-houseensemble towards the end and finally ends with the bass.

JUMPY BLUESArranged by Tom KubisAdvanced $55.00 Cat: 50190XHard kickin’ jazz-blues shuffle with plenty of room for the tenor to solo.

JUST A PRETTY LITTLE THINGArranged by Tom KubisDifficult $49.00 Cat: 50163A pretty flugelhorn feature in the Bossa style. Great feature for the trumpet player.

JUST MONKING AROUND ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55561Very Monkish swing jazz tune featuring the trumpet and tenor sax. Medium swing. Features:trumpet. Solos for trumpet & tenor sax. Trumpet 1 highest note is double high G.

KEEP SWINGIN’Arranged by Tom KubisDifficult $55.00 Cat: 55501This great, swingin’ chart starts with unison saxes and leads way to a trumpet solothen plenty of ensemble. This chart kicks!

KEY LIME PIEArranged by Tom KubisDifficult $55.00 Cat: 55509This is a clever little Latin tune penned by Steve Allen. Features the tenor sax on themelody. This is a very tasty tune! Lots of rich backgrounds.

KINDA TWO KINDA THREEArranged by Tom KubisMedium $51.00 Cat: 55510This chart has been a big hit with all the bands that have played it. This is a very coolLatin ballad trumpet feature.

LADY, YOUR COW’S ON FIREArranged by Tom KubisDifficult $49.00 Cat: 50119Jazz shuffle. Alto doubles on soprano. Nice ensemble and shout chorus, trombonesoli. No score.

LAST GREAT GEORGIA EXTRAVAGANZAArranged by Tom KubisDifficult $49.00 Cat: 50120Big, brassy and blustering swing which seems never to stop building. Some doubles.Goes from swing to 4-bar Dixie feel back to swing. Piano and bari solos. No score.

LE JAZZ HOTArranged by Tom KubisAdvanced $55.00 Cat: 50192Medium to up-jazz swing starting with a very challenging sax line. Lots of meatyensemble leaving room for the trumpet to stretch out. This is a cooker.

LET GEORGE DO ITArranged by Tom KubisDifficult $51.00 Cat: 50121A medium tempo blues shuffle written for George Graham. Piano solo in the middleof chart sets up a resounding shout chorus with lead trumpet solo over the band.

LET’S DO ITArranged by Tom KubisDifficult $53.00 Cat: 50174Funk-rock head that alternates into up-swing. This chart is a great mesh of rockhorns and cookin’ big band. Lots of funk syncopations. Trumpet to D.

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LET’S HAVE SOME SAMBA!Arranged by Tom KubisDifficult $53.00 Cat: 55511This starts with a very cool little melody stated by the flugelhorns. It has an opensolo section for all those who wish to play. This one will keep your toes a-tappin’!

MACFUNKYArranged by Tom KubisDifficult $53.00 Cat: 50175Is a very funky 16th groove that stays funk all the way through. Great closer oropener or just something to let the rockers blow on! Trumpet to D.

MAKE YOUR DREAMS COME TRUEArranged by Tom KubisDifficult $49.00 Cat: 50122Bossa-rock. Great ensemble writing. Solos for tenor and trombone. Some sax doubles.No score.

MAMA USED TO DO THE CHA CHAArranged by Tom KubisAdvanced $55.00 Cat: 50198This is more a jazz Latin feel then a Cha Cha. This starts out with a small groupplaying the cute melody and works into some powerful backgrounds and ensembles.Lots of good fun on this tune!

MARABA ***NEW***Arranged by Tom KubisDifficult $55.00 Cat: 55562This is a hard driving Samba chart on the difficult side but well worth the effort, veryMangioneish. Features alto sax. Solos for trumpet and alto sax. Key: C minor. Trumpet1 highest note is high E flat.

MARIE’S SHUFFLEArranged by Tom KubisDifficult $60.00 Cat: 50162Jazz shuffle based on the old Glenn Miller tune. Starts with an a cappella sectionwith lots of ensemble all over the place. Chord changes in each section.

MEAN TO MEArranged by Tom KubisDifficult $48.00 Cat: 50123Easy swing of this classic standard. Solo space for trumpet and piano. Nice sax soli.

MIDNIGHT WALTZArranged by Tom KubisDifficult $55.00 Cat: 55512Another in the line of the Steve Allen/Tom Kubis series. This lovely tune penned bythe great Steve Allen features the trumpet on a sweet 3/4 jazz waltz. Lots of greatsolo space and ensemble!

NO 3 WAYS ABOUT IT ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55563This is just the right ballad to feature your alto player with the cool sound. Nicemelodic chart with punchy ensemble at the end. Bossa. Features: alto sax. Solos foralto sax. Trumpet 1 highest note is high E.

NO GREATER BE-BOPArranged by Tom KubisDifficult $55.00 Cat: 50164This very up-swing chart starts out with a three piece be-bop group who play thehead and solos before the big band joins in. This has a lot of nice ensemble sectionsand plenty of places to blow.

NOT NECESSARILY THE BLUESArranged by Tom KubisDifficult $55.00 Cat: 50171This tune is a slow, rock, bluesy, knock down drag ‘em out kinda thing you wouldexpect a good down and dirty blues to be. Starts out in major and goes into a 16thfeel minor section with plenty of room for all soloists to perform.

NOT TONIGHT, I’VE GOT A HEADACHEArranged by Tom KubisDifficult $49.00 Cat: 50124Up-tempo flag waver based loosely on a requested Glenn Miller classic. Open solos.

O CHRISTMAS TREEArranged by Tom KubisAdvanced $55.00 Cat: 62514This medium swing chart starts out with the piano and moves into a harmontrumpet solo. As always, plenty of great ensemble to get you into that great yulespirit! As recorded by the Tom Kubis Big Band on A Jazz Musician’s Christmas.

O COME ALL YE FAITHFUL/O LITTLE TOWN OF BETHLEHEMArranged by Tom KubisDifficult $55.00 Cat: 62523A two-trumpet feature playing these two great Christmas standards in a balladstyle. As recorded by the Tom Kubis Big Band on A Jazz Musician’s Christmas.

O HOLY NIGHTArranged by Tom KubisDifficult $55.00 Cat: 62524This is a high note first trumpet feature. A very thrilling and exciting vehicle for thelead trumpet. High parts may be played down an octave. As recorded by the TomKubis Big Band on A Jazz Musician’s Christmas.

OH THAT FACEArranged by Tom KubisAdvanced $55.00 Cat: 50193A very cool melody in an up-tempo jazz waltz style. This starts by featuring theflugelhorns and also features a trombone solo. This has lots of good solid ensemblethroughout. This is a nice change of pace for a jazz concert.

ON PURPLE PORPOISE PARKWAYArranged by Tom KubisDifficult $55.00 Cat: 50125Your alto, soprano and tenor players will get a chance to trade fours on this familiartune. You’ll figure it out when you get there. Great Samba-swing recorded by Kubison Slightly Off the Ground.

ONCE IN A WHILEArranged by Tom KubisMedium $55.00 Cat: 55532The chart will work for concerts as well as for dance gigs. The chart starts withflugelhorns and trombones in buckets. Has blowing changes on the 4th trumpetpart. Lead trumpet to concert C. 16-bar sax soli.

PAIN FOR WAYNEArranged by Tom KubisDifficult $53.00 Cat: 50154Funk high trumpet feature with Maynard Ferguson in mind. This is a great vehicle forthe trumpet player with a high G.

PATITUCCI ON THE BACKArranged by Tom KubisDifficult $46.00 Cat: 50126Bossa Nova written for John Patitucci. Features bass solo. Some sax doubles. Noscore.

PAYIN’ YOUR DUESArranged by Tom KubisAdvanced $55.00 Cat: 55504Featuring the trombone section, this minor up-swing tune has a lot of personality.Saxes are featured in the Supersax style. This chart is another cooker!

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PEANUT FACEArranged by Tom KubisDifficult $55.00 Cat: 50157 Very cool Samba with a short funk section in the middle. It’s not an easy chart butit is guaranteed to keep the feet tappin’.

PEG O’ MY HEARTArranged by Tom KubisMedium $55.00 Cat: 55545Medium swing. Starts out with a cool little combo playing the melody then a bigensemble. Great way to hear this one! Solos features the trumpet and tenor sax.Trumpet 1 highest note is high D.

PLACE TITLE HERE!Arranged by Tom KubisMedium Difficult $55.00 Cat: 55519Up-tempo jazz burner in a minor mode - very west coast jazz! Starts out featuringthe trumpets in a be-bop line with the rest of the band coming in halfway. Lots ofroom for soloists in the middle with a bebop ensemble toward the end. Very coolschool chart to play and blow on! Trumpet to high D.

PLAY BY PLAYArranged by Tom KubisDifficult $51.00 Cat: 50166Up-swing. There is one purpose for this straight ahead jazz tune: swing hard andfast! This starts with a burning sax soli into an extended solo section. The rousingshout section takes it out with a bang.

PLAY IT NICEArranged by Tom KubisMedium Difficult $49.00 Cat: 50165Pretty Bossa Nova featuring flugelhorn. This tune is pretty quiet throughout butdoes have some hot ensemble writing. No doubles.

PLEASE TALK ABOUT ME WHEN I RETURNArranged by Tom KubisDifficult $55.00 Cat: 50176Medium swing chart with a lot of ensemble all the way through. Based on thechanges of another Dixie tune with approximately the same name. Nice spot for thetenor to play the solo. Trumpet to D.

POOR BUTTERFLYArranged by Tom KubisMedium $55.00 Cat: 55535Medium swing. This great old standard starting with the trumpets on flugelhorns orbuckets and the trombones in buckets. Two dynamic shout choruses at the end.Features a tenor sax solo. Trumpet 1 highest note is high D.

PREHEAT AND BURNArranged by Tom KubisDifficult $49.00 Cat: 50127Swing chart. Sax soli introduction flowing to a trumpet and an alto solo. Great as anopener or closer. No score. Some doubles.

PRETTY BABYArranged by Tom KubisMedium $55.00 Cat: 55539Medium swing. This great standard with a bit of a twist. Still in the Basie style.Features the trumpet solo. Flugelhorn and bucket trombones at the top. Trumpet 1highest note is high D.

A PRETTY GIRL IS LIKE A MELODYArranged by Tom KubisMedium $55.00 Cat: 55529Medium swing. This great old standard starting with the trumpets on flugelhorns orbuckets and the trombones in buckets. Features solo on the 4th trumpet part.Trumpet 1 highest note is high D.

RED RIVER VALLEYArranged by Tom KubisMedium $55.00 Cat: 55538Medium swing. You won’t be able to stop singing it...Red River Valley in the Basie style!This has a trombone solo and lots of ensemble. Trumpet 1 highest note is high E.

RHYTHM MACHINEArranged by Tom KubisDifficult $49.00 Cat: 50128Medium shuffle. This is a solid concert opener or closer. Nice sax soli. tenor sax solo.No score.

ROSE ROOMArranged by Tom KubisMedium $55.00 Cat: 55534Medium swing. This great old standard starting with the trumpets on flugelhorns orbuckets and the trombones in buckets. A difficult sax soli in the middle. Featurestrumpet solo. Trumpet 1 highest note is high E.

ST. LOUIS BLUESArranged by Tom KubisDifficult $53.00 Cat: 50161This is a clever version of the old standard with plenty of ensemble and sax soli andtrumpet solos. No score.

SAMBA DE ELSEArranged by Tom KubisDifficult $55.00 Cat: 50185This tune starts with soprano and flugelhorn lead in a rather quiet fashion andbuilds to a shout section featuring the trumpets. The open middle section featuresanyone who wants to blow! Recorded on Fast Cars and Fascinating Women.

SAMBA DEES GODDA DO ITArranged by Tom KubisDifficult $53.00 Cat: 50130Nice Samba with great changes. Open solo section. Conductor sketch. Recorded byKubis on Slightly Off The Ground.

SAMBA FOR THE COMMON MANArranged by Tom KubisMedium $55.00 Cat: 55553Starts out with the flugel section playing the head. This has room for the alto andbone to play solos. Features the trumpet section.

SAX TESTArranged by Tom KubisDifficult $49.00 Cat: 50131What a great jazz shuffle! All saxes solo. This also has an a cappella sax soli, and thenan ensemble shout takes it out. Alto 1 doubles on soprano.

SAY THAT AGAINArranged by Tom KubisDifficult $53.00 Cat: 50186Medium swing chart in a relaxed east coast feel featuring the baritone and 4thtrumpet on this very cool melody. Plenty of the usual Kubis shout stuff towards theend and this all ends back with the baritone and 4th trumpet again. As recorded bythe Kubis/Allen Big Band on Fast Cars and Fascinating Women.

SHUFFLE TILL YOU DROPArranged by Tom KubisMedium $55.00 Cat: 55520This starts out with the trombones in unison and burns till the end. If you have agood trombone section this one will fly! Lots of solo room and a killer ensemble.Trumpet does get an Eb above staff but only for a stab. No score.

SILENT NIGHTArranged by Tom KubisAdvanced $55.00 Cat: 62515This powerful and pretty ballad features the lead trumpet player. The extreme highnotes on the solo part towards the end may be played down an octave. As recordedby the Tom Kubis Big Band on A Jazz Musician’s Christmas.

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SINCE YOU PUT IT THAT WAYArranged by Tom KubisMedium $55.00 Cat: 55554This is a nice way to feature a bone player. This chart is quiet at the top, but thereis quite a bit of powerful ensemble at the end. Bossa. Features trombone.

SKIPPING ALONG A RAINBOWArranged by Tom KubisDifficult $55.00 Cat: 55513Another in the line of the Steve Allen/Tom Kubis series. This is not easy! This featuresthe trombone section with some great soli stuff in a medium-up swing style.

SLAUSON CUTOFFArranged by Tom KubisDifficult $49.00 Cat: 50132Blues all the way. Starts with a sax soli. Ensemble shout,tenor solo, soprano double.No score. Recorded by Northern Arizona Univ.

SLIGHTLY OFF THE GROUNDArranged by Tom KubisDifficult $55.00 Cat: 50133Up-tempo swing as recorded by Tom Kubis. Has all the goodies: sax soli, a cappellabrass soli and trombone solos. Recorded by Northern Arizona Univ Jazz Ensemble.

SMILESArranged by Tom KubisMedium $55.00 Cat: 55530The chart will work for concerts as well as for dance gigs. The chart starts withflugelhorns and trombones in buckets. Has blowing changes on the tenor sax part.Lead trumpet to concert D.

SMILING OVER YOUArranged by Tom KubisDifficult $49.00 Cat: 50134This is a nice Bossa Nova chart and serves as a change of pace for the concert.Features trombone solo. No score.

THE SNAKE WAS ON HIS WAY TO A GIGArranged by Tom KubisDifficult $55.00 Cat: 55521Up-tempo trombone feature in a minor key. This is a difficult chart but if you havea trombone section that’s good this will be a good one to perform. Starts with aunison head followed immediately by a trombone soli - the last note of the soli is an8th note D but that could be played down an octave and the A below will work forthe lead part.

SO WHO’S SORRYArranged by Tom KubisDifficult $49.00 Cat: 50135From start to finish, you’ll bring the house down. Tenor sax solo. No score.

SOME OF THESE DAYSArranged by Tom KubisDifficult $53.00 Cat: 50152Starts with a wacky Dixieland version of this old tune featuring the alto sax (optionalsoprano sax) and a plunger trombone with the trumpets in harmons acting as thebanjo. The drums pick up the tempo into a speedy straight ahead burner with lotsof great ensemble passages. Solo section in the middle is open.

SOMETHING MYSTERIOUSArranged by Tom KubisAdvanced $55.00 Cat: 50199This is a pretty flugelhorn ballad. There are sax doubles. This is a very haunting soloand arrangement on the Keep Swingin CD. Another great ballad change of pace!

SONG FOR MY FATHERArranged by Tom KubisMedium Difficult $55.00 Cat: 55528This is the great Horace Silver Latin standard. This chart features the lead alto and4th trumpet. They get the melody and then each get a chance to solo. Lots of coolensemble at the end! Trumpet to high Eb.

SPACE AVAILABLEArranged by Tom KubisDifficult $49.00 Cat: 50136Swing at its best. This has all the goodies: ensemble, shout chorus, tenor sax solo.Some doubles. No score. Recorded by the Bill Watrous Big Band on Space Available.

SPEAK LOWArranged by Tom KubisMedium Difficult $57.00 Cat: 55527This is the great standard in a Latin groove featuring the alto sax with changes forthe trombone to solo as well. Plenty of room for the alto player with the cool soundto show off!

STAR SPANGLED BANNERArranged by Tom KubisMedium $32.00 Cat: 55523Soprano sax feature of the National Anthem.

STEELY SHUFFLE-WOW!Arranged by Tom KubisDifficult $55.00 Cat: 50172You gotta get this one. This was penned as a high-spirited rock shuffle and this onecooks from beginning to end. This kinda Steely Dan-ish chart uses the traditionalrock horn styles and has plenty of room for all to solo. Trumpet to D.

STEP THIS WAY SIRArranged by Tom KubisDifficult $55.00 Cat: 50169A lively medium-up swing that has a classic jazz feel along with the hard swinging bigband sound Kubis is known for. Trumpet 4 has a solo. High D in trumpet 1. Asrecorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

STEVE’S 5,000TH HIT!Arranged by Tom KubisDifficult $53.00 Cat: 50187This Bossa Nova was written by Steve Allen on the 30th anniversary of the TonightShow as his 5,000th song! The alto gets a nod on the solo section. This verysubdued melody gives way to a full shout chorus but still holds to a very kicked backkind of chart! As recorded by the Kubis/Allen Big Band on ‘Fast Cars and Fascinating Women.’

STREET STRUTArranged by Tom KubisDifficult $53.00 Cat: 50188Medium cookin’ rock tune that starts with a small horn trio behind some a cappellafunky bone riff with plenty of baritone funk stuff. Solo section open for anybody -even guitar. Lots of great ensemble and sax soli stuff. Each bridge section moves intofast swing feel. This is a very cool chart. Recorded on ‘Fast Cars and Fascinating Women.’

SULTRY SAMBAArranged by Tom KubisAdvanced $55.00 Cat: 50194This is a very pretty melody introduced by the soprano sax and flugelhorn. Boththese guys get a chance to solo. This starts nice and subtle and builds to the end.Again this is a nice Latin change of pace. Recorded on ‘Keep Swingin.’

SUMMER DOWN IN SAVANNAArranged by Tom KubisDifficult $55.00 Cat: 55514This is a very classy lead alto ballad. Lots of warm lush backgrounds on this one. Agreat way to show off the alto!

TAKE ME OUT TO THE BALL GAMEArranged by Tom KubisDifficult $55.00 Cat: 55546Up-swing. This great old standard in Bb cooks right along with the saxes taking themelody followed by an a cappella ensemble. Solos in each section and a modulationto C for the shout! Solos feature trumpet, trombone and tenor sax. Trumpet 1highest note is high E.

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TAKING THE “A” STUFFArranged by Tom KubisDifficult $60.00 Cat: 50153Medium-up tempo chart based on some tune about a train. This is a difficult chartwith a lot of ensemble passages. Solo section has solo chords for each section.Trumpet to high D. No Doubles.

THAT BASIE BEATArranged by Tom KubisDifficult $55.00 Cat: 55515Another in the line of the Steve Allen/Tom Kubis series. This is a great one to open upa set with. Steve Allen created this in the Basie style, medium swing feel.

THAT SAME OLD FEELINGArranged by Tom KubisDifficult $49.00 Cat: 50138Bossa Nova featuring tenor sax solo. Doubles required. No score.

THAT WORM FEELING ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55567Laid back ballad in the Nestico style. Bucket mutes are used here. Places for thetenor sax and piano to shine! Features tenor sax. Trumpet 1 highest note is high Bb.

THEME WITHOUT A MOVIEArranged by Tom KubisDifficult $40.00 Cat: 50139 A very romantic ballad featuring flugelhorn solo.

THOSE DOWNTOWN COMPTON BLUESArranged by Tom KubisMedium $55.00 Cat: 55555Slow swing. This is a hard driving shuffle chart that starts with the bones and tenors.Trumpet and bass solos in the middle with a heavy hitting shout.

TOOT TOOT THISArranged by Tom KubisAdvanced $55.00 Cat: 50177Up-tempo jazz chart with a lot of hard swinging ensemble. This is based on theDixieland tune with a similar name. This is a great chart for the advanced grouphaving plenty of open places for soloists.

TWO SAMBA TO GO ***NEW***Arranged by Tom KubisDifficult $55.00 Cat: 55564Up Samba featuring the 2 altos. There are never enough features for the 2 altos inthe big band. This one is a really fun driving minor Samba. Features alto sax. Solos foralto sax. Trumpet 1 highest note is high E.

VILLAGE DANCEArranged by Tom KubisDifficult $45.00 Cat: 50141Fusion-Samba featuring trumpet, trombone and tenor solos. No score. Recorded bythe Bill Watrous Big Band on Space Available.

WE THREE KINGSArranged by Tom KubisAdvanced $55.00 Cat: 62516This is a hard and fast jazz waltz. As recorded by the Tom Kubis Big Band on A JazzMusician’s Christmas.

WHEN I HEAR HAPPY MUSICArranged by Tom KubisDifficult $55.00 Cat: 55516Another in the line of the Steve Allen/Tom Kubis series. This is an up-swing tune withlots of gusto. This is a great opener or closer. This is one of Steve Allen’s favorites toget the attention of the audience.

WHEN YOU’RE SMILINGArranged by Tom KubisDifficult $55.00 Cat: 50142Medium swing. Recorded by Tom Kubis on Slightly Off The Ground.

WHICH CRAFT?Arranged by Tom KubisDifficult $53.00 Cat: 50143Medium swing based on the changes to a familiar standard. Features a tenor solo.Recorded by Tom Kubis on Slightly Off the Ground.

WHISPERINGArranged by Tom KubisMedium Difficult $55.00 Cat: 55556The old classic up tempo standard in the original key of Eb, starts out with thetrumpet voiced over the saxophones leading into a solo section with bone trumpetand alto solos available followed by a killer ensemble then a restatement of thetrumpet over sax melody. High D is the high trumpet note. Great way to show yourband where Groovin' High came from!

WHISPERS ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55565Bouncy jazz minor melody with the bari sax and trumpet. Solos are for baritonesaxophone and trumpet. Cool shout section at end! Medium swing. Trumpet 1highest note is high F.

WHISPOLOGYArranged by Tom KubisDifficult $53.00 Cat: 50156Based on the changes to Whispering. This is an up-tempo burner opening with thesaxes. Solo section open for anyone. Trumpet high D.

WHO CAN I TURN TO?Arranged by Tom KubisDifficult $55.00 Cat: 50144Another great classic standard. As recorded by Tom Kubis on Slightly Off TheGround.

YANKEE DOODLE BOYArranged by Tom KubisMedium $55.00 Cat: 55547Up swing. This one is great for those summer concerts or just feeling patriotic. It isan up-tempo swing with a little hip hop section at the end of each chorus. Solos fortrumpet, trombone, and tenor sax. Trumpet 1 highest note is high E.

YOU CAN COUNT ON IT ***NEW***Arranged by Tom KubisMedium $55.00 Cat: 55566Up-tempo swing. Piano solo with open solo section. Lead trumpet to high writtenhigh C. Optional Vibes.

YOU MADE ME LOVE YOUArranged by Tom KubisMedium $55.00 Cat: 55536The chart will work for concerts as well as for dance gigs. The chart starts withflugelhorns and trombones in buckets. Has blowing changes on the 4th trumpetpart. Lead trumpet to concert D. 8-bar saxohone soli.

YOU MAKE ME FEEL SO VERY HAPPYArranged by Tom KubisDifficult $49.00 Cat: 50147Medium blues shuffle with a tenor solo (optional open solos). Lead alto may beplayed on soprano.

YOU’RE A GRAND OLD FLAGArranged by Tom KubisMedium $55.00 Cat: 55548Up-swing. Good one to open up a set. Fast and cookin’! Room for solos in eachsection. A lot of fun! Trumpet, trombone and tenor sax solos. Trumpet 1 highestnote is high E.

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YOU’VE GOT TOHAVE THE BLUES SOMETIMESArranged by Tom KubisAdvanced $55.00 Cat: 55500This medium-down swinger is reminiscent of that old Jimmy Smith organ minorblues thing! This is a battle royal of the two tenors - another down and dirty chart!

ZAMBAArranged by Tom KubisDifficult $55.00 Cat: 50189Zamba is a Samba. Flute, soprano and flugelhorn open this relaxed piece with lots ofnice flugelhorn lines on the bridge. Open solo section for everyone. Unison beboplines introduce the big shout section and it all comes back to the small group in theend. As recorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

ARRANGED BY JOHN LA BARBERA

CLOTH OF SILVER ***NEW***THREADS OF BLUEArranged by John La BarberaDifficult $65.00 Cat: 55002This chart is dedicated to Horace Silver & Blue Mitchell. Written for a small groupwithin a big band, it contains all of the elements of Horace's style. Solos for piano &trumpet.

FANTAZM ***NEW***Arranged by John La BarberaAdvanced $60.00 Cat: 7011189From John La Barbera’s latest big band recording, here is the title cut: a masterfularrangement of this little-known Ellington gem. The tempo is moderate in an African/Latin vein and features a wealth of interesting orchestrational colors within thecontext of the big band. Featured solos include tenor or soprano sax and piano.

HIGHLAND CROSSING ***NEW***Arranged by John La BarberaDifficult $65.00 Cat: 55003This chart is a soprano feature with a straight eights bed that builds to a high pointfor lead trumpet solo. Modal changes with rich textured backgrounds. It evokes aScottish Highland flavor with an implied 3 against 4 melody. Solos for soprano saxand trumpet. Sax doubles: alto on soprano.

OVER F ***NEW***Arranged by John La BarberaDifficult $65.00 Cat: 55004As you might discern from the title, Over F is inspired by the Brazilian Frevo and usesa lot of F pedal with some F sharps thrown in for a little harmonic crunch. John hasincluded some of the energy and joy of a Carnival coupled with a more conventionalSamba. Solos for soprano sax, drums, and percussion. Sax doubles: alto on soprano.

PYTHODD FELLOWS ***NEW***Arranged by John La BarberaAdvanced $60.00 Cat: 7011191The Pythodd Club in Rochester, New York was where the famed La Barbera brotherswere first exposed to real, live jazz, and the Hammond B3 organ was often a part ofthese groups. Here John uses the organ as a centerpiece, but surrounds it withexuberant proclamations from the rest of the band in a smokin’ shuffle chart. Solosare included for organ, guitar and tenor sax.

YOURS OR MINE OR BLUES ***NEW***Arranged by John La BarberaDifficult $65.00 Cat: 55006One of Pat La Barbera's newest compositions that is a cross between a C minor andan F minor blues with a couple of extra bars thrown in for good measure. Solos fortrumpet, trombone, and tenor sax.

ZIN ZAK ***NEW***Arranged by John La BarberaDifficult $65.00 Cat: 55005Joseph Zynczak was a close friend and publishing attorney of John's for over thirtyyears. The chart reflects the energy with which he tackled the business at hand. Hewas as relentless in his challenge to legal opponents as this chart is on the trumpets.A true friend will be missed. Solos for alto saxophone, trombone, and piano.

ARRANGED BY DAVE LA LAMA

FULL HOUSEArranged by Dave La LamaMedium Easy $40.00 Cat: SCM-027This swingin’ minor blues features a unison sax melody and plenty of call & responsebetween brass and saxes. A simple but effective shout chorus leads back to the headharmonized this time for saxes. Solo sections can be opened up and it this chartsends with a spot for your drummer.

ARRANGED BY PAUL LAVENDER

LEAP FROG ***NEW***Arranged by Paul LavenderEasy $45.00 Cat: 30724014Paul has taken the famous Les Brown version and adapted it for younger groups.The authentic style of the original is still there in this classy arrangement of a classicfrom the swing era.

ARRANGED BY RICK LAWN

HYMN FOR 9/11Arranged by Rick LawnMedium $42.00 Cat: 1597An unusual chorale written for advancing big bands, this lush and harmonicallysatisfying ballad captures the somber, but optimistic mood that came over the worldon that historic day. An improvised piano solo is included in this hauntingly beautifulwork commemorating the unforgettable events of September 11th. All trumpetsdouble on flugelhorn, and a guitar chord chart by Jim Greeson is included in eachset. Standard instrumentation, SATTB saxophones, trumpets on flugelhorn.

ARRANGED BY PAUL LEE

PEACEFUL MOMENTSArranged by Paul LeeMedium Easy $38.00 Cat: SCM-016This original even-eighth ballad is written to allow multiple soloists. By leaving outthe appropriate section part and substituting the optional solo part, you canfeature alto, trumpet, tenor, trombone, guitar, flute or even piano as the featuredsoloist. Great for giving your students a chance to play a solo with big bandaccompaniment or for your guest artist to perform. (Scored to sound complete with 4-3-2-3).

YOU CAN COUNT ON ITArranged by Paul LeeMedium $38.00 Cat: SCM-006A nice medium-tempo blues in Bb with the shout chorus in Eb. This compositioncaptures some of the cool school style that was popular on the West & East coastsin the 1950s. Written solos, piano voicings & bass parts. High trumpet. Note writtenG top of staff, trombone 2nd ledger line F. (Scored to sound complete with 4-3-2-3).

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ARRANGED BY MIKE LEWIS

AN APPLE A DAY ***NEW***Arranged by Mike LewisMedium $42.00 Cat: 60030This is the perfect chart for tightening up your band’s concept of ensemble skills,particularly blend and phrasing. Both tenor saxophone and trumpet have solosprovided that can be performed as is or ad lib. This chart features Kendor Konvertibleinstrumentation - meaning that it can be played by as few as 9 players. See why jazzband directors everywhere are keeping lots of Mike Lewis charts in their books! Aguitar chord chart by Jim Greeson is included in each set.

CABIN FEVER ***NEW***Arranged by Mike LewisMedium $42.00 Cat: 61083As with all Mike Lewis charts, the ensemble writing is full and satisfying, whileproviding adequate opportunities for advancing groups to hone their skills. This onecontains a brief (16 bar) piano solo, but puts the spotlight squarely on the entireband for the remainder of the time. A guitar chord chart is included in each set.

HYPNOTRANCEArranged by Mike LewisEasy $48.00 Cat: 601Written in Kendor Konvertible format, this medium easy original is set in a straighteighth note feel, built around a series of rhythms and chord changes that keeprepeating throughout - hence the title! Abundant unisons will help inexperiencedgroups build confidence, while offering all players a turn at the melody.

ONE MORE FOR THE COUNTArranged by Mike LewisMedium Easy $42.00 Cat: 661Great writing in the Basie tradition is presented here for developing jazz musiciansrequiring material with accessible brass ranges, notated rhythm parts, and minimuminstrumentation requirements. It even has Count Basie’s signature piano figure atthe end! A guitar chord chart by Jim Greeson is included in each set.

SLINKY ***NEW***Arranged by Mike LewisMedium $48.00 Cat: 61700Continuing his contributions to educational jazz repertoire, professional composer/arranger Mike Lewis has penned this relaxed swing original for advancing groups. Agreat vehicle for teaching blend, balance, and phrasing, solos are also provided foralto sax and trumpet. Features of this chart include nice saxophone section writing,and solid background figures. Although it’s not technically a Count Basie style piece,it employs a similarly laid-back approach. A guitar chord chart is included in each set.

SONG FOR HAYLEYArranged by Mike LewisEasy $42.00 Cat: 677This original is set in a warm ballad style, and was written for and dedicated to oneof Mike’s granddaughters, Hayley. Alto saxophone is featured along with the fullensemble. A guitar chord chart by Jim Greeson is included in each set.

SOUL BOSSA NOVAArranged by Mike LewisMedium Easy $40.00 Cat: JE9837This tune is an old Quincy Jones hit, that has been given new life as the theme to thesmash hit comedy “Austin Powers - Man of Mystery”. This “groovy” chart is very“retro”, and your students will love it. The “Lounge Lizard” sound is back, and MikeLewis’ playable arrangement makes it perfect for any band. “Groovy Baby!”

STANDING ROOM ONLYArranged by Mike LewisMedium Easy $48.00 Cat: 681This swing chart from Mike Lewis reconfirms his ability to compose sophisticatedsounding charts for developing players. The medium bright tempo generatesexcitement without posing undue technical demands. The key alternates betweenC and Eb and features lots of section and full ensemble playing. A guitar chord chartby Jim Greeson is included in each set.

T-REXArranged by Mike LewisEasy $42.00 Cat: 699This medium easy original is set in a swing style and features Kendor Konvertibleinstrumentation. The saxophones introduce the tuneful melody, with trombonessupporting. The brass section takes over from there, before yielding to the saxophonesection again and a piano solo (as is or ad lib). The big ending will delight audiences.

ARRANGED BY AARON LINGTON

ASKEW ***NEW***Arranged by Aaron LingtonMedium Difficult $60.00 Cat: 54378Up-tempo swinger loosely based on the chord changes of the jazz standard "What'sNew?" It was recorded by the University of North Texas One O'clock Lab Band ontheir album Lab 2002, and was awarded "Best Jazz Arrangement" in the 2003Downbeat magazine Student Music Awards. In addition, it was the 2003 winner ofthe Sammy Nestico jazz composition competition, sponsored by the USAF Airmenof Note. Improvised solos are written for second alto saxophone and baritonesaxophone. Baritone saxophone doubles on bass clarinet. Top note for lead trumpetis a written G3, and top note for lead trombone is a written C2. Baritone saxophonedoubles on bass clarinet. Number of brass: 10.

THE BLACK WIDOWArranged by Aaron LingtonMedium Difficult $57.00 Cat: 54375This dark, modal-flavored medium swinger was recorded by the University of NorthTexas One O'clock Lab Band on their album Lab 2003, and was awarded anhonorable mention in the 2003 ASCAP Young Jazz Composer Awards. An extremelytuneful melody is stated over colorful chord changes by a trio of baritone saxophone,trumpet and trombone. Solos are written for baritone saxophone and tromboneand interweaving counterpoint lines are incorporated throughout the chart. Secondalto doubles on a brief, simple flute part. Top note for lead trumpet is a written F#3,and top note for lead trombone is a written B1. Second alto doubles on flute.

COBBLESTONE ROADArranged by Aaron LingtonMedium Difficult $57.00 Cat: 54376This pensive and brooding contemporary-style chart was commissioned by theUSAF Airmen of Note and was recorded by the University of North Texas OneO'clock Lab Band on their album Lab 2004. Within this medium-swinger, the melodyis featured in trumpet and tenor saxophone, both of which also have improvisedsolos. Portions of the chart alternate between 4/4 and 3/4 time signature. In addition,the middle of the composition switches from a swing feel to a straight-eighth ECMfeel. First alto doubles on a brief, simple flute part. Top note for lead trumpet is awritten E3, and top note for lead trombone is a written C2. First alto doubles onflute.

ORION ***NEW***Arranged by Aaron LingtonMedium Difficult $60.00 Cat: 54379Jazz waltz that features baritone saxophone, trumpet, and guitar on a memorable,Kenny Wheeler-type melody. It was recorded by the University of North Texas OneO'clock Lab Band on their album Lab 2004. Improvised solos are written for bassand baritone saxophone. The chart alternates between 4/4 and 3/4 time signaturesas a major part of the formal structure. Saxophones have no doubles. Top note forlead trumpet is a written F3, and top note for lead trombone is a written C2. Nodoubles. Number of brass: 10.

TRANSLUCENCEArranged by Aaron LingtonMedium Difficult $57.00 Cat: 54377This beautiful, Kenton-style ballad features tenor saxophone on a lyrical, hauntingmelody accompanied by lushly scored brass. This composition was recorded by theUniversity of North Texas One O'clock Lab Band on their album Lab 2003. Trumpetsdouble on flugelhorn, and saxophones have traditional woodwind doubles. Topnote for lead trumpet is a written D#3, and top note for lead trombone is a writtenBb1. Doubles: reed 1 utilizes alto saxophone and clarinet; reed 2 utilizes altosaxophone, clarinet and flute; reed 3 utilizes tenor saxophone and clarinet; reed 5utilizes baritone saxophone and bass clarinet. Features solo for tenor saxophone.

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ARRANGED BY BILL LISTON

LEFT IN THE DUSTArranged by Bill ListonMedium $42.00 Cat: 1657Here’s a new funk original that will add color to any program. Saxes are featured onthe melody and solo space is provided for either alto saxophone or trombone. Aguitar chord chart by Jim Greeson is included.

THE LONGEST HOURArranged by Bill ListonMedium $42.00 Cat: 1663This masterful funk chart demonstrates the writer’s expertise in big band orchestration anduse of contemporary thematic material reminiscent of the 1980s. The grooving ‘A’ sectionwill bring your audience to its feet asking for an encore. Includes guitar chord chart.

NEW TOYSArranged by Bill ListonMedium $42.00 Cat: 1702Commissioned by Chuck Wackerman and the Los Alamitos (CA) High School JazzBand, this bright swing excursion features the sax section and provides solo spacefor tenor sax and/or trombone. Nice interplay between the saxes and brass takesthe tune to an interesting finish.

OUT OF NOWHERE [VOCAL]Arranged by Bill ListonMedium $42.00 Cat: 108This masterful shuffle arrangement demonstrates his expertise in both big bandorchestration and supporting vocalists. Saxophones are featured during this chartwhich works equally well as an opener, closer, or in the middle of the set. If a vocalistis not available, a tenor saxophone solo part is included. Includes guitar chord chart.

SONG FOR J.R.Arranged by Bill ListonMedium $42.00 Cat: 61710This beautiful ballad features the trombonist. Rhythm section parts notated withchords cued; guitar chord chart included. Standard instrumentation plus vibraphone.

SUMMER’S LAST GETAWAYArranged by Bill ListonMedium $48.00 Cat: 61730This is an energetic hip-hop tune based on an altered blues progression. There arechoices of soloists and optional parts for flute and vibes. Open solo section. Standardinstrumentation plus vibraphone and flute.

UNDER THE WIREArranged by Bill ListonMedium $48.00 Cat: 61760Composed for the Los Alamitos High School Jazz Ensemble near Bill’s home inSouthern California, this chart is a great choice for use as a subtle opener or in themiddle of a program. Several solo options are offered in this introspective swingchart for advancing groups. A guitar chord chart is included in each set.

WALTZ OF THE FLOWERSArranged by Bill ListonDifficult $48.00 Cat: 3792This is a jazz arrangement of Tchaikowsky’s classic work from The Nutcracker.Written for and recorded by Wayne Bergeron on his Grammy winning WAG Recordsrelease, You Call This A Living?, this jazz waltz arrangement is an ideal showcase for abig band and its star trumpet soloist. The band parts are scored at the mediumadvanced level, while the solo part is advanced. You’ll love the way Liston hasmodernized the chord structure while staying true to the composer’s intent.

WHY MUSICIANS CAN’T DANCE ***NEW***Arranged by Bill ListonMedium $52.00 Cat: 61970The exciting work is clearly articulated and packs a lot of punch from start to finish.The brass even have an a cappella chorus while the saxophones provide ensemblehits in the empty spots. And for solos, it’s your choice whether to feature your 2ndalto saxophone, 2nd trumpet, 2nd trombone, or all three. A guitar chord chart byJim Greeson is included in each set.

YOU GOTTA MAKE THE TIMEArranged by Bill ListonMedium $42.00 Cat: 1859Also commissioned by Chuck Wackerman and the Los Alamitos (CA) High SchoolJazz Band, this swing original is ideal for use as a concert opener. It features the saxsection and provides solo space for tenor sax and/or trombone. Bill also providesgreat rehearsal suggestions in the score notes.

ARRANGED BY CHRISTOPHER MADSEN

BELOVEANCE ***NEW***Arranged by Christopher MadsenMedium Difficult $55.00 Cat: 53082A moderate Bossa with a challenging dense chord progression. Lead trumpet to highF with solos in piano and trombone 2. A good study in theme and variations. Alto 1doubling to flute, alto 2, tenor 1 and tenor 2 doubling to clarinet and baritonedoubling to bass clarinet. Good for the medium-level college to professional band.

E.V. FREE ***NEW***Arranged by Christopher MadsenMedium Difficult $50.00 Cat: 53083This medium-up straight eighths chart is scored for soprano, 2 tenors, baritone, 4trumpets, 3 trombone and rhythm. It features solo flugelhorn on melody andimprovisation, and there is also a trombone solo. Soprano doubles to flute, baritoneto bass clarinet. Lots of texture and a catchy melody.

GIVE AND TAKE ***NEW***Arranged by Christopher MadsenMedium Difficult $50.00 Cat: 53084A slow, mysterious ballad feature for texor sax. Good from the mid-level high schoolband on up to the pros with lead trumpet only reaching B above the staff. Tenorplays melody and has a chance to improvise over some interesting, somewhatchallenging chords. Piano voicings are supplied.

I'LL BE YOURS ***NEW***Arranged by Christopher MadsenMedium Difficult $55.00 Cat: 53081A medium-slow tempo swinger (quarter=100) with lush chords and a pretty melody.Solos in piano and trombone 2 with a brief sax soli. A good chart for the high-levelhigh school band which gives trumpet 1 good lead practice while not playing abovea high D. Voicings supplied for piano.

REFLECTIONS ***NEW***Arranged by Christopher MadsenMedium Difficult $55.00 Cat: 53085This medium-up swinging chart is reminiscent of Bob Brookmeyer's early writing forbig band. The chart containes tenor and trombone solos that can be opened up aswell as some extreme register work by lead trumpet and bass trombone. A high-energy chart that wows audiences.

ARRANGED BY JOHN MAHONEY

BARELY IN TIMEArranged by John MahoneyMedium $57.00 Cat: 52076A medium up tempo original in 5 flats based on an old standard with a similiar title.Solos are for piano (or guitar) and trumpet 2 (or trombone 2). There are 3contrapuntal choruses in front where everyone gets a piece of the action, a sax soliand a slow burn tutti out chorus that builds to the end. Trumpet 1 to written Eb,trombone 1 to high Cb.

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BASIE BLUEArranged by John MahoneyMedium $55.00 Cat: 52077A medium tempo blues in Eb, featuring trumpet 2 and bari sax on the melody andlots of solo space. There are a couple of choruses of horn counterpoint without therhythm section, and several roaring shout choruses. A bridge interlude takes over atthe end for more soloing and ensemble passages. Trumpet 1 to written high F,trombone 1 to high B.

O COME, EMMANUELArranged by John MahoneyMedium $55.00 Cat: 62538The sung intro leads into a stretched out modal, straight 8th note treatment of thisfamiliar carol. There are two solos for your choice of trombone 1 or trumpet 2 andtenor 1 or alto 2. Demanding trumpet parts, with trumpet 1 to written high F#,trombone 1 and 2 to high B.

ARRANGED BY FRANK MANTOOTH

A BIT FOGGY AT AUGIEArranged by Frank MantoothDifficult $48.00 Cat: 43172Finished just before he passed away, this piece was Frank Mantooth’s last work.Commissioned by Augustana College in Sioux Falls, South Dakota, this mediumadvanced bright swing captures many of the qualities that make Mantooth chartsso appealing. The rich harmonies provide a perfect contrast to the light, swingingmelody. An abundance of full ensemble work rounds out this brilliant piece. Opensolo section. Standard instrumentation, 1st tenor doubles on flute

I HEAR MUSIC [VOCAL]Arranged by Frank MantoothMedium $42.00 Cat: 88The background figures are reminiscent of the Tony Bennett, Frank Sinatra, VicDamone swing style. Unlike Frank’s usual fare, this chart has been purposely arrangedin a straight ahead format with no multi-meters, fermati, deceptive harmonies, oranything else that could discourage a top-to-bottom feel-good experience forband and vocalist. Optional tenor sax solo part is provided instead of vocals.

I KNOW WHAT I’M HERE FORArranged by Frank MantoothDifficult $52.00 Cat: 3259Here’s the result of a collaboration between Louie Bellson, Remo Palmier, and arrangerFrank Mantooth. Dedicated to trumpet/flugelhornist Clark Terry, this chart is apocket tempo swinger that grooves from the count-off to the final fermata!

INVITATIONArranged by Frank MantoothMedium Difficult $45.00 Cat: 7010943Here is a unique yet highly effective rendition of this Latin favorite by arrangingcraftsman, Frank Mantooth. Using an up-tempo groove, a fresh harmonic structureand interesting orchestration textures, Frank has created a winner for maturebands. An extended introduction helps establish the mood and the first statementis presented by a small combo of alto, trumpet and trombone.

LAURALISAArranged by Frank MantoothMedium Difficult $36.00 Cat: CLBA0320369001/2-time rock feel. Features tenor and trombone solos.

MOMENT’S NOTICEArranged by Frank MantoothDifficult $50.00 Cat: 34120031Frank Mantooth has transformed this John Coltrane classic into an outstanding up-tempo chart for big band. Features solos for tenor sax and flugelhorn.

MOON RIVERArranged by Frank MantoothMedium $45.00 Cat: 2072This swing arrangement provides a great opportunity for medium level groups toenjoy one of Henry Mancini’s most loved themes. Set in a 4/4 time signature, Mantoothshowcases the entire group as the chart meanders through three key centers. Solospace is offered for 4th trumpet and 1st tenor saxophone. A guitar chord chart byJim Greeson is included in each set.

MOONLIGHT IN VERMONT [VOCAL]Arranged by Frank MantoothDifficult $42.00 Cat: 104This 12/8 rock chart features a vocalist or optional tenor sax. Key of E flat.

A NIGHTINGALE SANG IN BERKELEY SQUAREArranged by Frank MantoothDifficult $50.00 Cat: 34120034Frank has crafted a real gem with this popular jazz tune. The opening is in a balladstyle and features Bass Trombone in a very comfortable range. The mood shifts to amediun swing groove featuring flugelhorn, bass bone, and baritone sax on themelody interspersed with brilliant ensemble writing. This classy setting wascommissioned by the USAF ‘Airmen of Note.’

ONE FOR MY BABYArranged by Frank MantoothMedium Difficult $45.00 Cat: 34909056Frank Mantooth seems to have a special flair for the sultry and sensuous. This well-known ballad arranged in a slow bluesy 12/8 feel is a marvelous solo vehicle for altosax; the full ensemble gets a chance to open up as well.

ONEIDAArranged by Frank MantoothDifficult $38.00 Cat: 3653Scored as a trombone feature for the Oneida (NY) High School Jazz Ensembleunder the direction of Tim Watson, this tuneful ‘Tooth ballad is ideal for mediumadvanced groups. Great attention to detail is the key to mastering this piece.

SO IN LOVEArranged by Frank MantoothAdvanced $50.00 Cat: 7010481As always, Frank Mantooth finds a unique way to treat a great standard. A featurefor flugelhorn, this classy up-tempo chart is written in an even 8th note feel withfresh harmonies and great melodic lines. There is plenty for the ensemble to do as well.

SPRING CAN REALLYHANG YOU UP THE MOSTArranged by Frank MantoothMedium $42.00 Cat: 2120Features trombone or flugelhorn.

STELLA BY STARLIGHTArranged by Frank MantoothMedium $45.00 Cat: 7010720Frank Mantooth was one of today’s most creative arrangers for jazz ensemble andhe treats us here to a marvelously unique take on this well-known standard. Thestyle is straight-ahead swing but the harmonic structure is fresh and the ensemblewriting is super. It starts with alto and trumpet on the melody and includes solospace for any combination of alto, trumpet or trombone.

THAT OLD BLACK MAGICArranged by Frank MantoothAdvanced $48.00 Cat: 2150Recorded by the Ashley Alexander Big Band on Powerslide and originally issued inthe mid-1980s, this dynamic solo feature for trombone or trumpet definitely warrantsan advanced rating. It starts out in a bright swing groove, switches to light Latinmidway through, and closes with a driving Samba shout. Lead alto has an optionalsoprano double.

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THE SAGE OF DUPAGEArranged by Frank MantoothDifficult $55.00 Cat: 55001This is a Samba feature for gifted alto and trumpet soloists. The chart is fairlydemanding for the ensemble and does not attempt to avoid unconventional tonal centers(e.g. Cb major). Challenging, but the rewards of a successful performance are great.

THE STUDS OF WARArranged by Frank MantoothDifficult $55.00 Cat: 55000This was commissioned by the U.S.A.F. Airmen of Note to challenge their trumpetsection. Obviously, this is not a chart for those with a fear of ledger lines. Blowingchanges appear for trombone 1 and guitar. This screams from downbeat to cutoff.

THREE LITTLE WORDS [VOCAL]Arranged by Frank MantoothDifficult $45.00 Cat: 117This medium Latin chart was commissioned by jazz singer Kevin Mahogany, whooriginally penned the tune. If used, optional doubles in the saxes and trumpets(flutes, clarinets, flugelhorns) will enhance the gentle nature of the piece. To give thechart a sense of balance and contrast, blowing changes are provided for flute, tenorsax, flugelhorn, trombone, guitar and piano. Altos and tenor double on flute; tenorand bari double on clarinet; trumpets double on flugelhorn.

WE’LL BE TOGETHER AGAINArranged by Frank MantoothMedium $35.00 Cat: 43465This ballad features trombone and trumpet solos.

WHEN SUNNY GETS BLUEArranged by Frank MantoothDifficult $50.00 Cat: 7010064Frank’s creative chart featues Flugelhorn off the top in a medium shuffle style.Changing to an up tempo Samba feel, flugelhorn and tenor are featured interspersedwith stong ensemble statements. Includes solo space for flugelhorn and/or tenor.

ARRANGED BY THOMAS MATTA

NEXT SEASON ***NEW***Arranged by Thomas MattaMedium $52.00 Cat: 62530This chart was commissioned by the Rock Valley Community College Jazz Ensemble,directed by Ken Stein. It features a flowing even eighth note groove that wasinspired by Maria Schneider’s ‘Last Season’. Explore the rich ensemble textures,chorales, and solos by flugelhorn, trombone, and tenor saxophone. This is theperfect chart for proficient groups to work on their balance and blend.

ARRANGED BY ROB MCCONNELL

4 B.C.Arranged by Rob McConnellDifficult $60.00 Cat: 51366Starts with rubato intro. This medium tempo chart features tenor and trombonesolos. Flute doubles on both alto1 and tenor 2, alto 2 on clarinet, baritone on bassclarinet. Difficult saxophone soli. This chart requires a mature band.

THE 4,679,385TH BLUES IN B FLATArranged by Rob McConnellDifficult $60.00 Cat: 51351A groove/blues chart over double-time rock. Presented here in its original form.

AWAY IN A MANGERArranged by Rob McConnellMedium Difficult $30.00 Cat: 62528This brass-only arrangement is written for 4 trumpets, 4 trombones, and 2 horns.This is a different melody from the version already in the catalog. This is in atraditional-style brass chorale. The chords are lush and rich. No rhythm or saxparts. French horn parts are necessary. Score included.

THE BACK BEATArranged by Rob McConnellDifficult $70.00 Cat: 51372Medium swing. Chart features trumpet, tenor, and piano solos. Two saxes double onflute. As recorded by Rob McConnell and the Boss Brass on Don’t Get AroundMuch Anymore.

BETHLEHEM AND JOY[O LITTLE TOWN OF BETHLEHEM/JOY TO THE WORLD]Arranged by Rob McConnellMedium Difficult $48.00 Cat: 62529O Little Town of Bethlehem begins with a rubato chorale with flugelhorn lead. 4flutes and 2nd tenor has clarinet double. First time through is a cappella. Secondverse has a trombone solo with piano accompaniment for 12 bars. The wholearrangement has no other rhythm section. Joy to the World has trumpet lead.Straight forward a cappella is cut time. Broad ensemble into 4 at the end. 5, 4, 4, andpiano. Score included. Recorded by Rob McConnell and the Boss Brass on Big BandChristmas.

BLUE TAGArranged by Rob McConnellMedium Difficult $65.00 Cat: 51373Medium blues with a tag. Featuring trombone, tenor, and trumpet. No doubles. Asrecorded by Rob McConnell and the Boss Brass.

THE CLARINET IS BLACK AND BLUEArranged by Rob McConnellDifficult $60.00 Cat: 51374Five clarinet feature. Slow blues-like tune with some flute doubles on 2nd tenor.Recorded by Rob McConnell and the Boss Brass on Even Canadians Get The Blues.

THE COUNTLESS BLUESArranged by Rob McConnellMedium Difficult $70.00 Cat: 55260Slow, wonderful feeling blues featuring guitar and trumpet. As record by RobMcConnell and the Boss Brass on Even Canadians Get The Blues.

DAYS GONE BYArranged by Rob McConnellDifficult $70.00 Cat: 51359Tenor feature with ballad, then double time, then back to ballad feel. Short pianosolo in the middle. As recorded by Rob McConnell and the Boss Brass.

EVEN CANADIANS GET THE BLUESArranged by Rob McConnellAdvanced $85.00 Cat: 51376Very fast chart featuring trumpet and tenor. Very, very difficult (per Rob). Alto 1doubles on soprano. As recorded on ‘Even Canadians Get The Blues.’

HEY!Arranged by Rob McConnellDifficult $60.00 Cat: 5135812/8 feel with a 2nd trombone solo during shuffle feel. Double time unison shout.Recorded by Rob McConnell and Boss Brass on Brassy and Sassy.

IT’S HARD TO FIND ONEArranged by Rob McConnellDifficult $86.00 Cat: 51352Excellent and very difficult jazz waltz. Once again available in the original form.Recorded by Rob and Boss Brass on The Jazz Album.

JUST TELL ME YES OR NOArranged by Rob McConnellDifficult $51.00 Cat: 51367Ballad featuring trombone. Doubles on all saxes; alto 1 on flute, alto 2 on clarinet,tenor 1 on flute, tenor 2 on clarinet, and baritone on bass clarinet.

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LOVE OF MY LIFEArranged by Rob McConnellDifficult $70.00 Cat: 51360Ballad with double time feel. Featuring flugelhorn solo. There are some sax doubles.Recorded by Rob McConnell and the Boss Brass on Brass Is Back.

MY MAN BILLArranged by Rob McConnellDifficult $73.00 Cat: 51353A great swinger. A tribute to Basie. Once again available in the original form. Recordedby Rob McConnell and Boss Brass on The Jazz Album.

NIGHTFALLArranged by Rob McConnellMedium $43.00 Cat: 51370Rubato intro leads to delicate ensemble writing without the rhythm section. Therhythm section is tacet throughout. All saxes must double. Recorded by the BossBrass on Our 25th Year.

RIFFS I HAVE KNOWNArranged by Rob McConnellDifficult $75.00 Cat: 51368Up-tempo Blues. Solos for alto 2 with open solo section. Great saxophone soli.There are some saxophone doubles. Recorded by the Boss Brass on Our 25th Year.

RUNAWAY HORMONESArranged by Rob McConnellDifficult $70.00 Cat: 51354This Samba chart features soprano and trumpet solos. Another great McConnellchart once again available in the original form. As recorded on Big Band Jazz Vol l.There are saxophone doubles.

SILENT AND MIDNIGHT[SILENT NIGHT/IT CAME UPONA MIDNIGHT CLEAR]Arranged by Rob McConnellMedium Difficult $65.00 Cat: 62530It Came Upon A Midnight Clear begins this big band arrangement with a cappellabrass, later joined by 4 flutes and a bass clarinet. Written out lead in alto 2. SilentNight is where the rhythm section joins in with a jazz waltz feel. The guitar has solofills and a solo section. Recorded on Big Band Christmas.

START WITH MRS. BEANHARTArranged by Rob McConnellDifficult $93.00 Cat: 51355Up-tempo be-bop chart, once again available in the original form.

STEREO BLUEArranged by Rob McConnellDifficult $80.00 Cat: 51361Straight ahead 4 with solos for tenor and soprano. Alto doubles on soprano.

STROLLIN’Arranged by Rob McConnellEasy $70.00 Cat: 51364Easy swing feel. There is a guitar solo and alto doubles on soprano. Recorded by RobMcConnell and the Boss Brass on The Brass Is Back.

T.O. TWOArranged by Rob McConnellMedium Easy $60.00 Cat: 51369Medium easy swing chart. Solos for trombone and trumpet 5. Alto 1 and 2 doubleon flute; tenor 1 and 2 double on clarinet; and bartone sax doubles on bass clarinet.Recorded by Boss Brass on Our 25th Year.

THAT’S RIGHTArranged by Rob McConnellDifficult $75.00 Cat: 51356Rock chart. Solos for tenor sax, soprano sax and trombone. Soprano and flutedoubles. Recorded by Rob McConnell and Boss Brass on The Jazz Album.

TRADITIONAL PEACEArranged by Rob McConnellDifficult $90.00 Cat: 51362Slow four to a Samba feel. Solos for flugelhorn and guitar. There are saxophonedoubles.

A TRIBUTE TO ART FERNArranged by Rob McConnellDifficult $70.00 Cat: 51350One of the most requested McConnell charts. A classic medium-blues chart. Thechart feautres saxophone and brass soli. Solos for tenor and trombone. This isavailable in the original form.

THE WALTZ I BLEW FOR YOUArranged by Rob McConnellDifficult $90.00 Cat: 51357Jazz waltz. Features tenor & trumpet solos. Once again available in the original form.

THE WALTZ YOU KNEW WAS BLUEArranged by Rob McConnellDifficult $80.00 Cat: 51371Jazz waltz. Chart features trumpet and tenor solos. No doubles. As recorded by RobMcConnell and the Boss Brass on Don’t Get Around Much Anymore.

WHO ASKEDArranged by Rob McConnellDifficult $70.00 Cat: 51363Straight ahead four. Solos for bass, trumpet, alto and also includes a short drum solo.There are sax doubles. Recorded by Rob McConnell and Boss Brass on Brass IsBack.

WINTER IN WINNIPEGArranged by Rob McConnellDifficult $65.00 Cat: 51365A comfortable swing chart with solos for soprano and piano. Alto doubles onsoprano. Recorded by Rob and the Boss Brass on The Brass Is Back.

ARRANGED BY DON MENZA

ACID TRUTHArranged by Don MenzaMedium Difficult $65.00 Cat: 51425Another great chart exactly as recorded by the Buddy Rich Big Band on Mercy,Mercy. 7 brass: 4 trumpets and 3 bones.

ANOTHER WHOArranged by Don MenzaDifficult $60.00 Cat: 51422Features tenor sax and bass.

BEULAH WITCHArranged by Don MenzaDifficult $65.00 Cat: 51423Classic slow rock chart. Guitar and drum solos with open solo section. Changes arein alto 1, tenor 2, trumpet 3, guitar, and piano. Lead trumpet to written F#. 10 brass.

BLUES FOR UNCOMMON KIDSArranged by Don MenzaDifficult $60.00 Cat: 51400Great Don Menza blues chart. A must for every book. As recorded by Louie Bellsonon East Side Suite.

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BONES ALONEArranged by Don MenzaDifficult $60.00 Cat: 51424Features the trombone section. No score. As recorded by Charles Rutherford’s JazzPacific Orchestra on ‘Groovin’ Hard.’

BROADBOTTOMArranged by Don MenzaDifficult $60.00 Cat: 51421Feature for bass trombone, bass, and bass clarinet. As recorded on CharlesRutherford’s Jazz Pacific Orchestra CD Collage.

BURNIN’Arranged by Don MenzaDifficult $60.00 Cat: 51401Just as the title indicates, this chart burns.As recorded by Don Menza and his 1980sBig Band.

CREAM PUFFArranged by Don MenzaMedium Difficult $60.00 Cat: 51428Easy swing. Solos for guitar, tenor sax, and trombone.

DIZZYLANDArranged by Don MenzaDifficult $60.00 Cat: 51402Another great Menza chart now available. Recorded by Don Menza and his ‘80s BigBand.

FAVIANAArranged by Don MenzaDifficult $60.00 Cat: 51417Feature for guitar and tenor. As recorded on Charles Rutherford’s Jazz PacificOrchestra CD Collage.

GROOVE BLUESArranged by Don MenzaDifficult $60.00 Cat: 51403What a great classic. A must for every book. Recorded on ‘The Louie Bellson Explosion.’

GROOVIN’ HARDArranged by Don MenzaMedium Difficult $70.00 Cat: 51429No descripton needed. One of the all time greatest charts recorded by the BuddyRich Big Band on Burning For Buddy Vol 2.

MY HUCKLEBERRY FRIENDArranged by Don MenzaMedium Difficult $60.00 Cat: 51430Written for Henry Mancini.

NEW SPANISH BOOTSArranged by Don MenzaDifficult $60.00 Cat: 51405A classic chart as recorded by Don Menza and his ‘80s Big Band.

NOTE-WALKERArranged by Don MenzaMedium Difficult $60.00 Cat: 51406Up-tempo flute feature. As recorded by Charles Rutherford’s Jazz Pacific Orchestraon the CD Note Walker.

PADDLIN MADELINEArranged by Don MenzaDifficult $60.00 Cat: 51407One of Don Menza’s favorite charts. Recorded by Louie Bellson on East Side Suite.

THE PLACEArranged by Don MenzaDifficult $60.00 Cat: 51420Features tenor and guitar. Woodwinds double.

REBEL ROUSERSArranged by Don MenzaDifficult $60.00 Cat: 51415Medium up shuffle. Solos for guitar and trumpet with optional tenor sax solo. Greatsax soli with a roaring shout chorus. No doubles.As recorded by Charles Rutherford’sJazz Pacific Orchestra on the CD Note Walker.

RED MEN’S REVENGEArranged by Don MenzaDifficult $60.00 Cat: 51408Very up-tempo swing chart. Changes are based on Cherokee. Solo space for tenorsax, trombone and drums. Recorded by UNLV Jazz Ensemble with Don Menza.

RED SNAPPERArranged by Don MenzaDifficult $70.00 Cat: 51433Very up-tempo chart. Open solo section. Changes are in alto 1, tenor 2, trumpet 5,and trombone 2. Great shout chorus. 10 brass.

ROSE TATTOOArranged by Don MenzaDifficult $60.00 Cat: 51409Medium swing. Features tenor solo. Doubles: flutes and 1 bass clarinet. Recorded byUniv Nevada Las Vegas Jazz Ensemble with Don Menza on Caliente, Muy Caliente.

ROYALArranged by Don MenzaDifficult $60.00 Cat: 51427Dedicated to Marshall Royal. Ballad featuring alto. As recorded on CharlesRutherford’s Jazz Pacific Orchestra CD Collage.

SAMBA DE ROLLINSArranged by Don MenzaDifficult $60.00 Cat: 51410Fast Samba. Features tenor sax, soprano sax and drums. As recorded by UnivNevada Las Vegas Jazz Ensemble with Don Menza on the CD Caliente, Muy Caliente.Two soprano doubles. 7 brass.

SAMBANDREA SWINGArranged by Don MenzaDifficult $75.00 Cat: 51411This great drum feature was recorded by Louie Bellson and Explosion.

SAMBIANAArranged by Don MenzaDifficult $60.00 Cat: 51416Fast Samba. Features trumpet or trombone. Open ensemble with drum solo. Notextremely difficult but watch out for the shout chorus. As recorded on CharlesRutherford’s Jazz Pacific Orchestra CD Note Walker.

SHUFFLE BROTHERSArranged by Don MenzaDifficult $60.00 Cat: 51412Nice shuffle by Don. Solo space for piano, trumpet and trombone. Recorded byUniv Nevada Las Vegas Jazz Ensemble with Don Menza on the CD Caliente, MuyCaliente.

T.N.T.Arranged by Don MenzaDifficult $60.00 Cat: 51419Features tenor and guitar solos. Can be opened for solos at bar 43. As recorded byCharles Rutherford’s Jazz Pacific Orchestra on the CD Collage.

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TENOR TIMEArranged by Don MenzaDifficult $60.00 Cat: 51413Nice tenor feature. A must for every library. Recorded by Rutherford’s Jazz PacificOrchestra on the CD Note Walker.

TIME CHECKArranged by Don MenzaMedium Difficult $70.00 Cat: 51431No description needed. As recorded exactly by the Buddy Rich Orchestra onBurning For Buddy Vol 2.

TIME TO LEAVEArranged by Don MenzaMedium Difficult $60.00 Cat: 51432Medium fast swing. Solos for guitar, tenor sax, and piano.

TONAWANDA FATSArranged by Don MenzaDifficult $60.00 Cat: 51414Another great chart as recorded by Don Menza and his ‘80s Big Band.

WHERE DID SUMMER GOArranged by Don MenzaDifficult $60.00 Cat: 51418Features tenor solo. As recorded on Charles Rutherford’s CD ‘Note Walker.’

ARRANGED BY BOB MINTZER

GENTLYArranged by Bob MintzerDifficult $48.00 Cat: 3458This Bob Mintzer original provides medium advanced groups with an opportunityto experience the sensitive side of the swing style. Soft intensity is how Bob describesthe approach to this harmonically satisfying excursion. Woodwind parts consist of2 flutes, flute/tenor saxophone, and 2 Bb clarinets.

GO GOArranged by Bob MintzerDifficult $42.00 Cat: 3459This funk chart was originally recorded by the Yellowjackets for their Time SquaredCD. Filled with unexpected twists and turns, this big band version requires a triplet-based swing feel similar to hip-hop.

MOSAICArranged by Bob MintzerMedium $42.00 Cat: 3469Originally composed for the Yellowjackets’ live recording, Mint Jam, this even eighthfeel chart was designed to promote lots of soloistic interplay. Mintzer advises drummersto check out the Jackets version for conceptual direction.

ORIGINAL PEOPLEArranged by Bob MintzerDifficult $48.00 Cat: 3482In keeping with his recent move away from the traditional power-oriented big bandconcepts, this work is dedicated to the Pequot Indian tribe. Their sophisticatedapproach to living in harmony with nature inspired the soft intensity of this piece.

PRELUDE TO A KISSArranged by Bob MintzerAdvanced $42.00 Cat: 2092Mintzer gives this Duke Ellington classic a different treatment than the customaryballad feel for medium advanced groups. Set in a slow and easy gospel-like feel, therhythm section will, in Bob’s words, get a groove on just by reading the written parts.A tenor saxophone soloist is featured throughout, which requires the player to usean R & B style while superimposing jazz harmonic sensibility over the solid, repetitiousbeat provided by the drummer.

SOPHISTICATED LADY [VOCAL]Arranged by Bob MintzerMedium $42.00 Cat: 115Features vocalist or optional tenor saxophone. Key of E flat.

TIMELESSArranged by Bob MintzerDifficult $58.00 Cat: 3514Lush orchestration overlays a gentle Samba groove. The subtle energy will thoroughlyentertain audiences. The chart was recorded using the woodwind parts (3 flutes, 2clarinets) provided, but alternate sax parts (AATTB) are included in the set thatsound equally pleasing. All trumpets double on flugelhorn and 2 optional frenchhorn parts are included.

WHO’S WALKIN’ WHO?Arranged by Bob MintzerDifficult $52.00 Cat: 3524This unhurried swing chart was inspired by the Mintzer family’s two black Labradorretrievers. Humor, imagination and unpredictability are apparent in this clever piece.

ARRANGED BY MICHAEL MOSSMAN

57TH STREET MAMBOArranged by Michael MossmanMedium Difficult $70.00 Cat: 32MUS1006Style: Mambo/Cha cha/Bembe. Trumpet feature.

AFRO BLUEArranged by Michael MossmanMedium Difficult $45.00 Cat: 7010987Made famous by John Coltrane, but treated here in a more traditional Afro-Latinstyle, this is something a little different for jazz ensemble. As with all Mossman charts,the rhythm section is meticulously notated to insure the correct style. The 3/4pattern throughout draws heavily on African influences and the melody is masterfullypassed from section to section. A single pentatonic scale works for the solo sectionmaking this a wonderful vehicle for involving many soloists.

CON ALMAArranged by Michael MossmanMedium Difficult $45.00 Cat: 7010632Dizzy Gillespie was a pivotal figure in the connection between jazz and Afro-Cubanmusic. This exciting chart explores this relationship, combining authentic Cha Chaand Bembe with straight ahead swinging jazz. A tenor sax solo is featured and lookfor some quotes from Dizzy’s original recordings.

CUBAUZAArranged by Michael MossmanMedium Difficult $70.00 Cat: 32MU1004Latin bebop chart. Solos for trumpet, alto, trombone, tenor and baritone.

THE DANCE OF DENIALArranged by Michael MossmanMedium $45.00 Cat: 7010901Using an Afro-Cuban style alternating with an authentically notated cha-cha groove,this has a hint of Egyptian mystery in creating this marvelous production numberfor today’s adventurous jazz ensemble. Includes solos for alto and trumpet, as well asspace to feature Latin percussion and/or the drummer.

FREEDOM SHOUTArranged by Michael MossmanMedium Difficult $70.00 Cat: 32MU1005This arrangement is a Mambo. Features solos for alto, tenor, trumpet, and trombone.

I LOVE LUCYArranged by Michael MossmanEasy $40.00 Cat: 7010899One of the all-time favorite TV themes, this is also an amazingly sophisticated andexciting Latin/jazz composition. In the expert hands of Michael Mossman, here is anauthentic-sounding version that even young bands can tackle.

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MOMCAT MAMBOArranged by Michael MossmanMedium Difficult $45.00 Cat: 7011127Explore the exciting world of ‘mambo’ with this Michael Philip Mossman originalcommissioned by the Delavan-Darien (WI) H.S. Jazz Ensemble. A variety of moodsand meters are used and there is solo space for dueling alto saxes, trombone andtrumpet. The angular melody and quartal harmonies give this one a distinctivesound, ensuring that your players will have a ball.

A NIGHT IN TUNISIAArranged by Michael MossmanAdvanced $60.00 Cat: 7011069Written for and recorded by Mario Bauza, Michael Philip Mossman adds his ownunique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet(of course), as well as trombone and alto. A great showcase for the entire ensemble!

ARRANGED BY PAUL MURTHA

AFTER YOU’VE GONEArranged by Paul MurthaMedium Easy $35.00 Cat: 7011145Here’s a nice change-of-pace swing tune that will work great for contest or concerts.The tempo is relaxed just enough to make it easy for younger groups to handlecomfortably. Plenty of tutti ensemble playing and lush harmonies. Written for fullband, playable with 4 saxes, 3 trumpets, 3 trombones and rhythm section. Full-length recording included.

BLACK ORPHEUSArranged by Paul MurthaMedium $40.00 Cat: 7010909This familiar standard has been around for years, and is creatively set here in amedium swing style by Paul Murtha. The trombone section is featured in thebeginning and is followed by the trumpet section. Following a solo section fortrumpet and tenor, there is an effective key change and full ensemble shout chorus.Designed for young players, experienced bands will sound great playing this as well!

BOOM BOOMArranged by Paul MurthaMedium Easy $40.00 Cat: 7010927Recently used in television ads, this classic R & B tune from John Lee Hooker is greatfor featuring a variety of soloists. The striking stop-time opening gives way to astraight-ahead blues. This one just feels good.

CAR WASHArranged by Paul MurthaMedium $45.00 Cat: 7011097Originally recorded by Rose Royce in 1977, this well-known funky hit is enjoyingnew life in the hit movie Shark Tale recorded by Christina Aguilera and Missy Elliott.

DON’T KNOW WHY [VOCAL]Arranged by Paul MurthaMedium $40.00 Cat: 7500103Recorded by newcomer vocalist Norah Jones, this haunting tune was a big hit onthe pop charts. With a beautiful melody and smooth harmonies, this is a wonderfulcontemporary feature for a vocalist. This arrangement may also be used as a featurefor flugelhorn or tenor sax, in place of the vocal part. Key of B flat.

THE INCREDIBLES ***NEW***Arranged by Paul MurthaMedium Easy $40.00 Cat: 7011211Here are the main themes from this popular soundtrack arranged for youngerbands. With its unique mix of spy/adventure music reminiscent of the 1960s with atouch of cool jazz, this is sure to be a hit with your band and liven up your concert.

MILESTONESArranged by Paul MurthaEasy $35.00 Cat: 7470681Paul Murtha takes the essence of this great tune and makes it playable by beginninggroups. The easy chords and modal style make it a natural for learning to improvise.Written for full band, playable with 3 saxes, 2 trumpets, 1 trombone and rhythmsection. Full-length recording included.

OYE COMO VAArranged by Paul MurthaEasy $35.00 Cat: 7470635This arrangement of Tito Puente’s Latin/rock classic (made famous by Santana) is anabsolute must for beginning groups! The simple chord structure makes this one anatural for players just learning to improvise. Includes full-length recording.

RESPECTArranged by Paul MurthaMedium $40.00 Cat: 7011079Nothing says Motown like this #1 Aretha Franklin hit from 1967! Add this to yourjazz ensemble’s set list, and watch the crowd get movin’.

ROUTE 66Arranged by Paul MurthaEasy $35.00 Cat: 7470663This traditional swing tune from the ’40s works great in this easy setting forbeginning bands. The moderate swing tempo and easy rhythms provide a perfectmodel for teaching this style to inexperienced players. There are plenty of tuttipatterns and the rhythm section parts are well notated.

SENTIMENTAL JOURNEY ***NEW***Arranged by Paul MurthaEasy $35.00 Cat: 7470689Give your band a little change of pace with this 1940s standard from the swing era.Slow and bluesy, this easy arrangement features various sections playing the melodyin addition to a solo or soli for trumpet and a nicely scored sax soli. A key changefollows with the full ensemble bringing it home.

SOUL MAN ***NEW***Arranged by Paul MurthaEasy $40.00 Cat: 7011209Originally recorded by Sam & Dave in 1967, then later revived by the Blues Brothers,this tune helped define rhythm & blues. Paul Murtha’s easy chart will sound greatwith any band and requires only limited rehearsal time.

WHAT’D I SAY ***NEW***Arranged by Paul MurthaMedium Difficult $50.00 Cat: 3744670Ray Charles could rock with the best of them and this tune shows why! Featuringa touch of gospel style, this exciting arrangement includes a driving pulse, an effectivestop time section, the trademark call and response, and a full-blown push to the end.

ZOOT SUIT RIOTArranged by Paul MurthaMedium $40.00 Cat: 7010414From one of the hottest new swing bands in the country, ‘Cherry Poppin’ Daddies,’here is an outstanding arrangement of their current huge hit.

ARRANGED BY OLIVER NELSON

BACK WOODSArranged by Oliver NelsonMedium Difficult $52.00 Cat: SMP-390Written to feature Phil Woods, this jazz waltz features alto saxophone and givesyou the opportunity to explore the use of clarinets in the saxophone section. Asusual with Nelson’s music, this is a catchy, wonderful, swinging piece, full of surprises.Your band will really enjoy playing this one.

BLACK, BROWN, AND BEAUTIFULArranged by Oliver NelsonMedium Difficult $42.00 Cat: SMP-373This chart is recorded by Oliver Nelson on the recording titled Black, Brown andBeautiful. Johnny Hodges was the guest soloist on this absolutely gorgeous altosaxophone feature. A ballad in the most classic jazz tradition, this chart is veryplayable, with very easy rhythms and reasonable brass ranges.

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BLUES AND THE ABSOLUTE TRUTHArranged by Oliver NelsonDifficult $47.00 Cat: SMP-389This chart is the exact, original one that Oliver Nelson wrote for his terrific recordingMore Blues and the Abstract Truth. This was taken directly from his score. A wild,wonderful, multi-metered line that is one of those challenges that is well worth it.Features tenor sax and drums. Don’t miss this one! 5/4/4/3

CRITICS’ CHOICEArranged by Oliver NelsonMedium Difficult $47.00 Cat: SMP-383Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band playedall the time. It was recorded on the Swingin’ New Big Band album and has wideopen blowing space in the blues format. A great shout chorus finishes off thisexciting, swinging chart from Oliver Nelson. 5/4/4/3

DAYLIE’S DOUBLEArranged by Oliver NelsonDifficult $49.00 Cat: SMP-459Oliver had a great feel for the “funky” jazz style which was so popular. This chartfeatures tenor sax throughout, and was recorded on the ‘Fantabulous’ album. It isa very easy chart to play, and it would be a great addition to any big band book. Thisalso could be played by a smaller instrumentation as recorded by Oliver (4 saxes, 2tpts.,2 trbs., 3 rhythm). 5/4/4/3

DOWN BY THE RIVERSIDEArranged by Oliver NelsonMedium Difficult $47.00 Cat: SMP-370There has been an illegal lift of this chart available before, but this chart is the exact,original one that Oliver Nelson wrote for his terrific recording Live From Los Angeles.This was taken directly from his score. A wild, wonderful look at an old tune that canfeature 1, 2 or all of your trumpet players (or anyone else). 5/4/4/4

EMPTY BALLROOM BLUESArranged by Oliver NelsonDifficult $52.00 Cat: SMP-398Nelson wrote an album for Johnny Hodges (Black, Brown & Beautiful) featuring thecompositions of Duke Ellington and also some of his original things. This Ellingtontune just romps and stomps right from the start. The ensemble shouts just screamwith wonderful voicings that lift you up out of your seat! There is solo space for altosax, trumpet and piano.

FULL NELSONArranged by Oliver NelsonMedium Difficult $47.00 Cat: SMP-381This chart was originally included in the Full Nelson album and then the Verve JazzMasters 48: Oliver Nelson CD (now out of print). It is a simple, swinging blues chart,full of all of the ingenious writing we have come to expect from Oliver Nelson. It canfeature many different players, but is written to feature tenor saxophone. 5/4/4/3

GROOVEArranged by Oliver NelsonMedium Difficult $52.00 Cat: SMP-415This piece was taken from Nelson’s original score. Exactly as recorded on the VerveJazz Masters 48 CD (now out of print). This is a clever, highly original rendition ofthe traditional melody. It was written to feature the great Bob Brookmeyer. It is aswinging trombone feature throughout. Opens with a great brass chorale.

HOBO FLATSArranged by Oliver NelsonMedium $47.00 Cat: SMP-386As recorded on the brilliant CD Afrique, by the Count Basie Orchestra, this chartwas originally written for a Jimmy Smith album. It’s a 12/8 blues feel, with room forpiano, trumpet and alto saxophone solos. This is a real catchy kind of vamp andmelody which will make it a favorite of your band and audiences. Very limited brassranges make this piece accessible to almost any band. 5/4/4/4

HOE DOWNArranged by Oliver NelsonMedium Difficult $47.00 Cat: SMP-374This piece was taken from Nelson’s original score, not a watered down version. It isexactly as recorded on the Verve Jazz Masters 48 CD. This is a clever, bright, swingingchart which features a trumpet solo and great ensemble shout choruses. A guaranteedcrowd-pleaser! This should be in every jazz band library - school or pro! 5/4/4/4

I HOPE IN TIME A CHANGE WILL COMEArranged by Oliver NelsonMedium $47.00 Cat: SMP-387As recorded on the brilliant recording A Dream Deferred. Quite possibly the mostheart-rending, beautiful melody Nelson ever wrote. It features soprano saxophonethroughout (either an alto or tenor player) in a slow 12/8 feel. All parts are very easyto play, but don’t let that cause you to think this is a kiddie band chart. This is Nelsonat his spiritual best. 5/4/4/3

IT’S GLORYArranged by Oliver NelsonDifficult $52.00 Cat: SMP-396Also written for Black, Brown & Beautiful, this Ellington tune starts out with arhythm section vamp and swings on from there. The ensemble shouts just screamwith wonderful, dissonant voicings that are a thrill to hear! There is solo space foralto sax, trumpet and piano.

JADAArranged by Oliver NelsonMedium Difficult $47.00 Cat: SMP-371This chart is the exact, original one that Oliver Nelson wrote for his terrific L.A. bandon the recording ‘Live From Los Angeles.’ This was taken directly from his score. Awonderful, laid-back chart! One of those rare gems that even younger players canmanage (if they can swing!). A great teaching chart. Solos as you wish, with chordsheets provided for all. Exactly as recorded! 5/4/4/3

MISS FINEArranged by Oliver NelsonMedium Difficult $47.00 Cat: SMP-375This piece was taken from Nelson’s original score. This chart is exactly as recordedon the Verve Jazz Masters 48 CD. There aren’t many charts in this category ..... classic,one-of-a-kind, trend-setter, immediately attractive in every way. Features trumpet. Aterrific easy swing chart that starts out politely and then knocks you out with agreat shout chorus. Very reasonable ranges for all. This should be in every jazz bandlibrary - school or pro! 5/4/4/4

A PENTHOUSE DAWNArranged by Oliver NelsonMedium $42.00 Cat: SMP-372Oliver Nelson wrote the most beautiful melodies!! This is an alto saxophone featureand was recorded by Phil Woods and the Jazz Interactions Orchestra in 1967 (hearit on the Verve Jazz Masters 48 CD - now out of print). This is a stunning compositionby Nelson. The band parts are very accessible to most players. 5/4/4/4

ST. LOUIS BLUESArranged by Oliver NelsonMedium Easy $47.00 Cat: SMP-380Exactly as recorded by Oliver Nelson’s Orchestra and featuring Joe Newman ontrumpet. This chart is very simple in concept and it can be played by even theyoungest bands. The trumpet feature section can be any length. Clarinet doublesare required. Included in the Jazz Masters 48: Oliver Nelson CD. 5/4/4/3

SELF HELP IS NEEDEDArranged by Oliver NelsonMedium Easy $47.00 Cat: SMP-382Here is a great blend of swing and Latin, done in the inimitable style of Oliver Nelson.It was recorded on the Flying Dutchman label in 1969. This wonderful chartfeatures alto saxophone. 5/4/4/3

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SOUND PIECE FOR JAZZ ORCHESTRAArranged by Oliver NelsonDifficult $92.00 Cat: SMP-399This may well be the most significant (and respected) piece in the huge catalog ofOliver Nelson compositions. It is a magnificent, three-movement work that stretchesthe boundaries of the traditional big band. The instrumentation includes solo tenorsax, 5 W.W. (doubles on 3 cl. and 2 bs. cl.), 2 french horns (cross-cued and optional),4 tpts., 3 trbs., tuba, piano, bass and drums. This is a major, groundbreaking workwhich should be in every college and professional jazz ensemble library.

STOLEN MOMENTSArranged by Oliver NelsonDifficult $52.00 Cat: SMP-384This, of course, is Oliver Nelson’s best known jazz standard. Here is his OWNfantastic arrangement for big band as recorded on a 1969 LP titled A DreamDeferred (on the Flying Dutchman label). Alto solo. Exotic re-harmonizations andinstrumentations. This is a must have chart after which all other charts on this tunesound inferior. 5/4/4/3

YEARNIN’Arranged by Oliver NelsonMedium Easy $47.00 Cat: SMP-394As recorded on the wonderful LP Black, Brown and Beautiful, featuring JohnnyHodges, this nifty blues chart has very reasonable brass ranges, no doubles, andOliver’s sort-of gospel feel to it. It is a medium-slow blues, playable by mostbands and featuring a trumpet solo (and room for anyone else). 5/4/4/4

YOU LOVE BUT ONCEArranged by Oliver NelsonMedium $47.00 Cat: SMP-369There may not be a more beautiful ballad anywhere in jazz ensemble literature. Thisis an alto saxophone feature throughout and was recorded on the Full Nelsonalbum and also included in the Verve Jazz Masters collection CD. This is a stunningpiece, which has a decidedly orchestral/classical sound to it. The possibility of usingthe original clarinet, flute oboe, bass clarinet and celeste parts makes this a mostinteresting and special piece. Regular saxophone parts are also included if doublesare not available.

ARRANGED BY SAMMY NESTICO

AFTER YOU’VE GONEArranged by Sammy NesticoMedium Difficult $35.00 Cat: NEST105Very laid-back and easy for the first chorus. Use guitar, piano or your choice ofinstruments for the jazz sections. Drums should build up a bar before the ensembleat 61. The ensemble should be BIG! From 75 to the end should be very light for alarge contrast.

ALRIGHT, OKAY, YOU WINArranged by Sammy NesticoMedium $45.00 Cat: 7210016As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popularstandard breathes new life under the masterful pen of Sammy Nestico. A flexiblesolo section allows for any combination of soloists.

DON’T LOSE MY NUMBERArranged by Sammy NesticoMedium Difficult $60.00 Cat: POWH3014Sammy created this chart of the Phil Collins hit. Mid-tempo in the classic Basie style.

EASY TO LOVEArranged by Sammy NesticoMedium $40.00 Cat: 32423025Sammy features the saxophones in this medium swing arrangement of this ColePorter standard. Wonderful ensemble writing. No solos required.

FLY ME TO THE MOON [VOCAL]Arranged by Sammy NesticoMedium $40.00 Cat: 32323032This swinging vocal arrangement is in the key of A flat.

FOOTLOOSEArranged by Sammy NesticoEasy Medium $35.00 Cat: NEST1028th notes are especially short. Rhythm must supply a solid, steady beat for thisarrangement to sound good. Some real solid, “laid down” drums will really benefiteveryone. Choice of solos are all written out for the different instruments. Again, avery low trumpet section demands that everyone listen as not to cover up the melody.

FREE FLIGHTArranged by Sammy NesticoMedium Difficult $45.00 Cat: NESTP105Balance is the key starting at bar 7 and through bar 26. Each statement from thedifferent sections is important for the overall balance. During the unison bandchorus at bar 71, feel free to change a figure to tailor it for your ensemble. It isn’twritten in stone, and any change won’t detract from the principle idea of thechorus. Recorded by Sammy Nestico Big Band on This Is The Moment.

FRONT BURNERArranged by Sammy NesticoEasy $40.00 Cat: 2569This easy swing shuffle features tenor & optional alto, trumpet & trombone solos.

GOOD NEWS!Arranged by Sammy NesticoEasy Medium $35.00 Cat: NEST103Nice and crisp, avoid any sluggish approach from the band. Keep it crisp & accented.At bar 72 everyone soft and together! Pay attention to the technique markings.

GRACEArranged by Sammy NesticoDifficult $55.00 Cat: JEM01023From the Quincy Jones/Sammy Nestico CD titled ‘Basie & Beyond.’ Composed byQuincy Jones, this is an emotional ballad for either tenor or soprano saxophonesoloist that will touch the hearts of performers and audience alike. Lush chords anda tender piano introduction set the mood for this superb chart arranged incollaboration by Quincy and Sammy Nestico. This chart was originally written as theGymnastics Theme for the 1984 Olympiad. Playable by an experienced jazz ensemble,this is a sensational ballad! Strongly recommended.

THE HEAT’S ONArranged by Sammy NesticoMedium Easy $42.00 Cat: 2575This medium easy swing chart features tenor and piano solos.

HOW SWEET IT ISArranged by Sammy NesticoMedium Difficult $55.00 Cat: JEM01025From the Quincy Jones/Sammy Nestico CD titled ‘Basie & Beyond.’ A medium grooveswing tune that fits like an old shoe-so comfortable and everything works just right.Composed and arranged by the legendary Sammy Nestico for the late Harry“Sweets” Edison, this chart screams Count Basie. And speaking of swinging, there isa glorious ensemble section that brings it all together that is so very sweet! Sammyincludes solo space for trumpet, piano, 2nd alto sax, tenor and trombone. This chartis not technically difficult, but dynamics and cohesive ensemble playing are a must. Awonderful arrangement that belongs in every jazz library!

I REMEMBER CLIFFORDArranged by Sammy NesticoMedium Difficult $45.00 Cat: 32323028Benny Golson’s tribute to Clifford Brown has been a jazz favorite for years, and inthe hands of Sammy Nestico you won’t find a better feature for trumpet orflugelhorn. Silky smooth!

JERSEY BOUNCEArranged by Sammy NesticoMedium Difficult $45.00 Cat: 3232304This familiar standard is a great way to feature your entire ensemble! Sammy’s use ofintertwined melodic lines along wtih effective key changes is masterful. This chartfeatures saxes off the top and then solos for trumpet, trombone, and piano.

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JUST IN TIMEArranged by Sammy NesticoMedium $40.00 Cat: 32423017Sammy’s medium swing arrangement of this popular standard just seems to gathersteam all the way through. Terrific ensemble writing and no solos.

KATIEArranged by Sammy NesticoEasy Medium $35.00 Cat: NEST104This calls for a very lazy feel. Keep saxes quiet behind. Piano solo at bars 21-25. Workon the split triplets at bars 35 and 36. They offer a chance for some very cleanensemble work. Very full at measure 43 and back down to a whisper for ending.

KIJI TAKES A RIDEArranged by Sammy NesticoMedium Difficult $50.00 Cat: NEST114A real specialty number and can’t be played by every jazz ensemble. It sounds muchmore difficult than it really is, but it does take on some additional instrumentation. Itneeds a second keyboard (synthesizer) plus mallets and percussion. There is noguitar part. This arrangement does away with the need for flutes, woodwind, frenchhorns and tuba. It is a lot of fun to play, and individual parts are not extreme. Thebright tempo doesn’t call for a lot of fancy syncopation. With some heavy rehearsing,this could work well on a diversified program. Recorded on This Is The Moment.

LONELY STREETArranged by Sammy NesticoMedium Easy $38.00 Cat: 2410This medium easy chart features alto sax.

LOST STARArranged by Sammy NesticoEasy Medium $35.00 Cat: NESTY105The first 12 bars asks for a good balance and presence from the rhythm section(preferably electric). We need some real dynamic change at bars 29 and 61, so makeit happen! The last ensemble (bar 61) has some saxophone counter-melody thatshould be heard strongly.

LOVE IS HERE TO STAYArranged by Sammy NesticoMedium $40.00 Cat: 32423019This is an absolutely gorgeous tenor sax feature! The ensemble has plenty to do, too,in providing a lush, subtly swinging backdrop for the soloist. If you have a strongtenor player, this could be the highlight of your program.

A MINOR AFFAIRArranged by Sammy NesticoMedium Difficult $45.00 Cat: NEST101Strive for a good blend of altos/trumpets and tenor/trombone figures. Mostly sectionmaterial until the ensemble at bar 85. Minor blues always offers more color. Nostraight time for the guitar. He should be comping most of the way. Recorded bySammy Nestico Big Band on This Is The Moment.

MOTEN SWINGArranged by Sammy NesticoMedium $40.00 Cat: 32413010This classic blues was a standard of the Count Basie Orchestra for many years, andSammy Nestico’s very playable version for young groups really cooks!

MY FUNNY VALENTINEArranged by Sammy NesticoMedium $40.00 Cat: 7010042Feature a trumpet or flugel on this creative arrangement of a timeless standard.Written in a ballad style, this chart also features nice ensemble scoring and a briefvery easy section in 3/4. This terrific setting for younger groups deserves to be inevery band’s library.

NICOLEArranged by Sammy NesticoEasy Medium $35.00 Cat: NEST108Straight 8ths throughout. Electric rhythm is preferable. Bar 27 is very full, with saxline and trumpet melody predominate. Guitar should not be locked into the part.The music is down to a whisper for the ending.

ON THE SUNNY SIDE OF THE STREETArranged by Sammy NesticoMedium $40.00 Cat: 32415010Creative use of unisons will give young groups added confidence, and the polishedensemble writing adds just the right contrasts in this Basie-style masterpiece.

THE QUEEN BEEArranged by Sammy NesticoMedium $42.00 Cat: 2460Here’s Nestico’s classic from the Basie library.

QUINTESSENCEArranged by Sammy NesticoMedium Difficult $55.00 Cat: JEM01027From the Quincy Jones/Sammy Nestico CD titled ‘Basie & Beyond.’ Quincy Jonescomposed this lovely melody and beautiful alto saxophone feature, Quincy and thelegendary Sammy Nestico collaborated on this stunning arrangement. The ultimateballad showcase for your alto soloist, easily playable by an experienced jazz ensemble.

ROBBIN’S NESTArranged by Sammy NesticoMedium $45.00 Cat: 32323038Here’s an outstanding medium swing arrangement of this jazz favorite. Featuring asax soli and solos for Trumpet and Piano, this one is perfect for festivals or concerts.Effective use of key changes and a variety or scoring textures help make thisanother winner from Sanny Nestico. (Includes optional Synth. part)

ST. LOUIS BLUESArranged by Sammy NesticoMedium $40.00 Cat: 32423011Sammy’s unparalleled craftsmanship is evident in this masterpiece. In one tempothroughout, there’s a hint of ‘march style.’ Solid ensemble writing.

SAMANTHAArranged by Sammy NesticoMedium Difficult $45.00 Cat: NEST106Originally written for and played by Bud Shank, it is a showpiece for alto saxophone.The arrangement carries a wide dynamic range, and needs a very soft but smoothapproach for background figures. An extremely large swell in bars 32 and 33 leadsto a very powerful few bars of ensemble. It remains full until bar 50 and progressesinto a quiet ending containing a brass pyramid.

STRAIGHT AHEADArranged by Sammy NesticoAdvanced $42.00 Cat: 2301Here is the pro version of Sammy Nestico’s classic from the Basie Band.

STRIKE UP THE BANDArranged by Sammy NesticoAdvanced $60.00 Cat: 7011065From the Count Basie library, this classic flag-waver from the pen of SammyNestico is available again! A true tour de force for every section of the band,this monster chart features blistering brass, wailing saxes, a tenor solo, and agreat full ensemble shout. Strike it up!

SWEET GEORGIA BROWNArranged by Sammy NesticoDifficult $60.00 Cat: 7011063As recorded by Count Basie on ‘Prime Time,’ here is the magnificent Nestico flag-waver to end all flag-wavers! Combine a wonderful standard tune with solos forpiano and tenor along with some of Sammy’s finest ensemble writing ever, and youhave a highlight for any concert or festival. Classic chart!

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SWINGIN’ ON THE ORIENTArranged by Sammy NesticoMedium Difficult $45.00 Cat: NESTP108Dynamics and feel are of utmost importance in the playing of this arrangement. Thefirst two bars can be omitted. A little less volume at bar 7, and then into the trumpet/alto statement of the theme. The new theme at bar 54 is to be played full, but at anmf dynamic marking. At this point make certain that the trumpets are playing lessvolume than the saxes and trombones. They are not carrying the ball. Of course theensemble at bar 116 is full and tight. Bar 74 calls for crisp quarter notes from theband, and leads to a delicate last four bars. Recorded on ‘This Is The Moment.’

TANGERINE ***NEW***Arranged by Sammy NesticoDifficult $60.00 Cat: 7011193Adapted from the version on Sammy Nestico’s acclaimed 2005 recording Portrait ofSammy, here is a tasty up-tempo Latin treatment of this Johnny Mercer standard.Stylized as only Sammy can do, you’ll hear creative counterlines and harmonies, aswell as flawless pacing and ensemble writing. Solos for tenor, trumpet and piano arealso featured. At 81 years of age, Sammy is still the master and going strong!

THIS MUST BE LOVEArranged by Sammy NesticoMedium Difficult $60.00 Cat: POWH3018A steady rock ballad with altos and tenors on optional flutes for the introductionsection.

A TIME FOR LOVEArranged by Sammy NesticoMedium Difficult $45.00 Cat: JE9516This is one hot chart! One of Sammy Nestico’s best, it features a trombone solowhich was written for Bill Watrous. The solo goes up to B-flat 4 and requires a goodperformer, but in the right hands, it’s dynamite. Definitely first class!

TRAVELIN’ HOMEArranged by Sammy NesticoMedium Difficult $32.00 Cat: CLBA032221000Easy jazz feel. Features a trumpet solo.

THE WAY YOU LOOK TONIGHT ***NEW***Arranged by Sammy NesticoMedium $50.00 Cat: 32323034Sammy’s interpretation of this great old tune is right on target for today’s jazzensembles, with all the class we have come to expect from this master arranger!Written in a relaxed swing style, this chart features lots of tutti ensemble writing,very melodic counter melodies, and also a wonderful sax soli. No solos required.

WIND MACHINEArranged by Sammy NesticoMedium $50.00 Cat: 7210970Here is another classic Nestico chart penned for the Count Basie Band.

WITCHCRAFTArranged by Sammy NesticoMedium Difficult $45.00 Cat: 32323040This naturally swingin’ tune has been a favorite among jazz artists for many years.Sammy’s craftsmanship in orchestration is evident in this medium swing arrangementwhich requires no solos. A strong chart that will really give your band a chance to cook!

YA GOTTA TRY HARDERArranged by Sammy NesticoDifficutl $55.00 Cat: JEM01022Basie and Beyond! This is the definitive swing chart composed and arranged by thelegendary Sammy Nestico. Straight from the Quincy Jones-Sammy Nestico CD, thischart starts off swinging and then swings even more. It’s packed with trademarkNestico swing figures and soaring ensemble sound. Written for the experienced jazzensemble, the tempo is definitely brisk and there is plenty of solo space provided fordrums, piano, tenor, trumpet and trombone. Festival and concert material destinedfor critical acclaim, this chart is absolutely outstanding, a must-have arrangement forevery experienced band.

ARRANGED BY LENNIE NIEHAUS

ALMOST LIKE BEING IN LOVE(see Stan Kenton section)

BALI HI(See Stan Kenton section)

BEGIN THE BEGUINE(See Stan Kenton section)

BETWEEN THE DEVIL AND THE DEEP BLUE SEA(See Stan Kenton section)

BUT BEAUTIFUL(See Stan Kenton section)

DAY DREAM(See Stan Kenton Section)

THE END OF A LOVE AFFAIR(See Stan Kenton Section)

EVERYTIME WE SAY GOODBYE(See Stan Kenton Section)

FINAL ANSWERArranged by Lennie NiehausEasy $42.00 Cat: 399Developing jazz bands will love this new moderate swing composition by film composerLennie Niehaus. Important jazz concepts that should be in every aspiring jazzmusician’s vocabulary are taught and reinforced in this easy level chart. Lots ofunison, tutti, ensemble, and sax soli work are included, plus ad lib or as is solo spacefor trumpet (cues for tenor sax) and piano (cued for alto sax). This chart featuresKendor Konvertible minimum instrumentation, making the chart playable by as fewas 9 pieces, as many as 17 pieces, or anything in between. Playable by 9-17 players.

A FOGGY DAY(See Stan Kenton Section)

FOR ONCE IN MY LIFEArranged by Lennie NiehausMedium $38.00 Cat: 70This standard features vocalist or optional tenor sax. Key of A flat.

GO WEST, YOUNG LIONSArranged by Lennie NiehausAdvanced $48.00 Cat: 3237The well constructed form of this Niehaus original introduces an effective theme inthe beginning, referring to it throughout the composition. Solos for tenor sax andtrumpet are offered during this chart in the moderately fast swing style. A burningshout chorus and the coda section sum up the previously stated musical material.

HODGEPODGEArranged by Lennie NiehausMedium $40.00 Cat: 158This swing original for medium jazz bands showcases all sections of the ensemble ina healthy mix of unison, soli and full-group settings. The intro. features a writtenpiano solo; other solos for tenor and trumpet may be improvised or played aswritten. Scoring requirements are standard, and a chord chart by Jim Greesoncomes with each set as an aid to guitarists with little or no jazz experience.

HOW DO I LOOK IN BLUE(See Stan Kenton Section)

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I LOVE PARIS(See Stan Kenton Section)

I’VE NEVER BEEN IN LOVE BEFORE(See Stan Kenton Section)

IT COULD HAPPEN TO YOU(See Stan Kenton Section)

IT’S ALL RIGHT WITH ME(See Stan Kenton Section)

IT’S SHOWTIMEArranged by Lennie NiehausEasy $42.00 Cat: 608Here’s a great moderate swing style feature for developing sax soloists. The soloistmay improvise or perform the suggested solos, and interludes and a shout chorusgive the soloist sufficient rest. Scored at the easy level, this chart features KendorKonvertible minimum instrumentation, making the chart playable by as few as 9pieces, as many as 17 pieces, or anything in between. A guitar chord chart by JimGreeson is included in each set. Playable by 9-17 players.

KEY WESTArranged by Lennie NiehausDifficult $48.00 Cat: 3845This bright swing burner featuring alto and tenor soloists casts them together on aharmonized melody, then cuts them loose on two solo choruses each.

LAURA(See Stan Kenton Section)

LONG AGO AND FAR AWAY(See Stan Kenton Section)

LOVE WALKED IN(See Stan Kenton Section)

LULLABY OF BIRDLAND(See Stan Kenton Section)

LULLABY OF BROADWAY(See Stan Kenton Section)

MAKING THE ROUNDS ***NEW***Arranged by Lennie NiehausAdvanced $52.00 Cat: 62485This moderate swing original utilizes the II7-V7-I progression - a must for all jazzsoloists to master. Composed for proficient jazz ensembles, this chart has plenty ofinteresting material for all to play. The solo section features trumpet and tenor sax,but can be opened up for additional players by using the chord sheet provided.

METRO WAILArranged by Lennie NiehausEasy $42.00 Cat: 635This swingin’ new chart boasting an abundance of fundamental rhythms and figuresis educational, entertaining, and great fun to play. Lots of tutti and unison passagesbuild group confidence, while simple countermelodies develop independent playingskills. Solos for trumpet and piano may be improvised or played as written, and aguitar chord chart by Jim Greeson is provided. Playable by bands ranging in size from9-17 members.

MOVING RIGHT ALONGArranged by Lennie NiehausMedium $48.00 Cat: 3654This swingin’ chart starring trombones is a tip-of-the-hat to bebop great, J.J. Johnson.It features the whole section playing unison and harmonized versions of the melody,then a single player leading the way as soloist. The chart goes out with somedramatic, four-bar trades between the bones and band, a short sax soli, and apowerful finish.

MY AND ONLY LOVE(See Stan Kenton Section)

THE NEARNESS OF YOUArranged by Lennie NiehausMedium $45.00 Cat: 56120This arrangement is scored in a slow ballad style. The rhythm section parts areoptional, as is the improvised or written solo section. If no soloists are to be featured,the solo section may be cut from the performance as per the provided directions.Modern chords will give all players interesting and challenging parts, and backgroundsare provided in the string parts during the solo section, making solos possible evenif no rhythm section is used.

NORTHWEST JOURNEY ***NEW***Arranged by Lennie NiehausMedium $42.00 Cat: 61548Here’s a medium swing original for advancing groups by film composer LennieNiehaus that’s sure to be a hit with players and audiences. Beginning with anintroduction that quotes the main theme, the riff-like melody utilizes variations ofthe ‘Charleston’ rhythmic figure. There are strategically placed interludes, and asuggested or ad lib solo for trumpet. After the exciting shout chorus, the codaconsists of two-measure phrases alternating with two-measure drum solos. A guitarchord chart by Jim Greeson is included in each set.

ON THE STREET WHERE YOU LIVE(See Stan Kenton Section)

THE PARTY’S OVER(See Stan Kenton Section)

PAT’S RETORTArranged by Lennie NiehausMedium $42.00 Cat: 1723Commissioned by the University of Portland Jazz Festival, this original alternatesbetween 4/4 and 3/4 time for a refreshing change-of-pace. Written solos for trumpet(cued for alto) and piano are provided, and directors have the option of speedingup the indicated tempo for more excitement if their bands are able. The chart closesout strong, and all sections have a chance to shine. Guitar chord chart included.

PENNIES FROM HEAVEN(See Stan Kenton Section)

PEPPERArranged by Lennie NiehausDifficult $48.00 Cat: 3658Composed in tribute to baritone sax legend Pepper Adams, this original is set in amoderately bright swing style and was written with maximum flexibility in mind.Clever cross-cueing techniques allow the 1st alto, 2nd alto, or baritone sax to befeatured without leaving harmonic gaps when their ensemble parts are left out. Asolo part is included in each set, and can be used by baritone or alto saxophone.

POINT MUGUArranged by Lennie NiehausEasy $42.00 Cat: 468Named for a scenic area near his home in Southern California, this mainstreamNiehaus swing original provides great training opportunity for groups needing easylevel material. Abundant unisons, counterpoint, and lots of tutti ensemble playing willinstill confidence in developing players. Solos are provided for piano and tenorsaxophone. A guitar chord chart by Jim Greeson is included in each set.

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SPRING IS HERE(See Stan Kenton Section)

STAYIN’ INSIDE ***NEW***Arranged by Lennie NiehausEasy $42.00 Cat: 60750Featuring Kendor Konvertible instrumentation, this chart is set in a modern swingstyle for developing groups. The piece transitions into brief salsa sections, andprovides written or ad lib solos for several band members. The band even gets to dotheir best Dizzy Gillespie impression by singing ‘Salt Peanuts’ toward the end of thechart. Between Lennie’s great big band writing ability and the entertainment value ofthis piece, how can you lose? A guitar chord chart is included in each set.

TAKING A CHANCE ON LOVE(See Stan Kenton Section)

WHATEVER LOLA WANTS(See Stan Kenton Section)

YOUNGER THAN SPRINGTIME(See Stan Kenton Section)

ARRANGED BY EDWARD PARTYKA

MADLY LOVING YOU ***NEW***Arranged by Edward PartykaDifficult $55.00 Cat: 54947Dramatic and modern, blending jazz with elements from the classical world likeminimalism and serialism. While this piece is not very technically challenging, it requiresa mature ensemble (especially the rhythm section) and advanced soloist. The charthas two french horn parts and woodwind doubles, which add interesting colorsand textures to the music. A re-composition of Duke Ellington's ‘Love You Madly.’Written for Bob Brookmeyer and recorded by Bob Brookmeyer with the Ed PartykaJazz Orchestra on ‘Madly Loving You.’ Woodwinds: clarinet (solo), flute/alto, soprano/tenor, soprano/tenor, bass clarinet/bari.

SOMETIMES ***NEW***Arranged by Edward PartykaDifficult $50.00 Cat: 54946Dramatic and modern, blending jazz with elements from the classical world likeminimalism and serialism. While this piece is not very technically challenging, it requiresa mature ensemble (especially the rhythm section) and advanced soloist. The charthas two french horn parts and woodwind doubles, which add interesting coloursand textures to the music. First prize winner in 1998 Julius Hemphill CompositionAwards, sponsored by the Jazz Composers Alliance in Boston. Also recorded on‘Tunnel Vision-Music for Jazz Orchestra.’ A haunting ballad featuring piano, soprano/tenor sax and french horn (no improvising required.) Woodwinds: soprano/tenor,flute, flute, flute, bass clarinet.

STOLEN BLUES ***NEW***Arranged by Edward PartykaDifficult $55.00 Cat: 54949Dramatic and modern, blending jazz with elements from the classical world likeminimalism and serialism. While this piece is not very technically challenging, it requiresa mature ensemble (especially the rhythm section) and advanced soloist. The charthas two french horn parts and woodwind doubles, which add interesting colorsand textures to the music. A minor blues that features baritone and bass (can beopened up for more solos or other soloists.) Woodwinds: baritone (solo), soprano,soprano/clarinet, soprano/tenor, bass clarinet.

TOGETHERNESS ***NEW***Arranged by Edward PartykaDifficult $55.00 Cat: 54948Dramatic and modern, blending jazz with elements from the classical world likeminimalism and serialism. While this piece is not very technically challenging, it requiresa mature ensemble (especially the rhythm section) and advanced soloist. The charthas two french horn parts and woodwind doubles, which add interesting colorsand textures to the music. A re-composition of Alone Together as an up-tempomodal blowing vehicle for clarinet and trombone. Woodwinds: clarinet (solo), flute/soprano, flute/soprano, clarinet/tenor, bass clarinet.

TUNNEL VISION ***NEW***Arranged by Edward PartykaDifficult $55.00 Cat: 54945Dramatic and modern, blending jazz with elements from the classical world likeminimalism and serialism. While this piece is not very technically challenging, it requiresa mature ensemble (especially the rhythm section) and advanced soloist. The charthas two french horn parts and woodwind doubles, which add interesting colorsand textures to the music. Recorded on the cd ‘Tunnel Vision-Music for JazzOrchestra.’ An aggressive, up-tempo piece featuring drums and three soprano saxescollectively improvising. Woodwinds: soprano, soprano, soprano, bass clarinet, bass clarinet.

ARRANGED BY BILL POTTS

BIG SWING FACE(See Buddy Rich Section)

I GOT PLENTY O’ NUTTIN’Arranged by Bill PottsMedium Difficult $75.00 Cat: SMP-920This is from the marvelous 1959 recording ‘The Jazz Soul of Porgy & Bess,’ asrecorded by the Bill Potts Big Band (Phil Woods, Zoot Sims, Sweets Edison, ArtFarmer, Bob Brookmeyer, Bill Evans and others). This swinging chart features thesaxophone section and a trumpet solo.

IT AIN’T NECESSARILY SOArranged by Bill PottsMedium Difficult $57.00 Cat: SMP-924This is from the marvelous 1959 recording ‘The Jazz Soul of Porgy & Bess,’ asrecorded by the Bill Potts Big Band (Phil Woods, Zoot Sims, Sweets Edison, ArtFarmer, Bob Brookmeyer, Bill Evans and others). This swinging chart features thesaxophone section and a trumpet solo. 5-5-5-4 (can be played by only 8 brass).

MY MAN’S GONE NOWArranged by Bill PottsMedium Difficult $47.00 Cat: SMP-923This is arranged it to feature trumpet throughout (as recorded on the 1959 album‘The Jazz Soul of Porgy & Bess,’ featuring the Bill Potts Big Band). Lush orchestration,rich harmonies, reasonable ranges and a touching ending make this chart a greatchoice for festival programming. This should be in every big band book. 5-5-5-4

OH LAWD, I’M ON MY WAYArranged by Bill PottsDifficult $62.00 Cat: SMP-921The quintessential flag-waver (as recorded on the 1959 album ‘The Jazz Soul ofPorgy & Bess,’ featuring the Bill Potts Big Band), this one is a real romp through ahappy tune and a brilliant chart, arranged to feature everyone in the band. Someonly have 4 bars, others have more blowing space, but everyone gets their chancein the spotlight. Great fun, great music and a great chart!

PORGY & BESS MEDLEY ***NEW***Arranged by Bill PottsMedium $67.00 Cat: SMP-926Bill Potts’ arrangements for the recording ‘The Jazz Soul of Porgy & Bess’ arelegendary. This medley is one of those charts, and it includes 5 different themes fromGershwin’s masterpiece. There is space for solos for alto and tenor saxophone, 2trumpets, trombone, piano and drums. This is a lovely, peaceful setting of thesethemes, with very limited brass ranges (1 high C in the tpt. 1 part). This should beplayable by most bands. This is a chart with great musical value and no endurancedemands on anyone. 5/4/4/4 (opt. 10 brass parts).

SUMMERTIMEArranged by Bill PottsDifficult $62.00 Cat: SMP-922This is the opener on the 1959 ‘The Jazz Soul of Porgy & Bess’ album, and it is a greatopener for any live concert as well. It is an up-tempo, swinging version. Potts is amaster arranger, and he brought it all to this chart. Solo space for trumpet and tenorsaxophone. Use this to start your concerts, and you’ll never regret it.

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THERE’S A BOAT DAT’SLEAVIN’ SOON FOR NEW YORKArranged by Bill PottsMedium Difficult $67.00 Cat: SMP-925As recorded on the album ‘The Jazz Soul of Porgy & Bess’ (featuring the Bill Potts BigBand), this chart swings hard, but it isn’t hard to play. Bill arranged this in a wonderfulcontrapuntal fashion. He also chose to feature alto, tenor, trumpet, piano and drumsolos. This arrangement should be in all big band books. 5-5-5-4 (can be played byonly 8 brass).

ARRANGED BY KIM RICHMOND

HORIZON UNDER ***NEW***Arranged by Kim RichmondMedium Difficult $65.00 Cat: 50446This is a powerful piece with a strong theme initially stated in the middle lowinstruments. The even-eighth style is neither Latin nor rock but has a drivingdistinctive rhythmic pattern in the drums. After an intro with floating rhythm overwhich are fanfarish trumpets, the driving beat and motivic theme is established intrombones, baritone, guitar and French horn (optional). Orchestral in color anddramatic in shape, the melodic section opens to a trumpet solo, followed by alto (orsoprano) and tenor saxophone solos (trading). The easy solo changes are few andmodal. Solos: trumpet, alto sax (or soprano), tenor sax. Woodwind doubles: 2 sets ofwoodwind parts are provided. One with no doubles, another (preferred) with 1.flute/soprano, 2. flute/alto, 3. tenor/clarinet, 4. tenor/clarinet, 5. bari. The two versionscan be mixed. Mutes: trumpets-straights, cups, harmons (no trombone mutes needed.)Optional parts for French horns (alternate parts for flugelhorns or top 5-6 provided),tuba, and percussion (mallets and hand-percussion).

LOVE WALKED INArranged by Kim RichmondDifficult $57.00 Cat: SMP-198This chart is recorded on the sensational CD titled Passages by the Kim RichmondConcert Jazz Orchestra. It is a magnificent scoring of the Gershwin classic, a chartfor which people have been clamoring for many years. Finally, it’s in print! Wonderfulrhythmic ideas. 5-4-4-3 (Opt. French horn, tuba, Percussion).

POETRY ***NEW***Arranged by Kim RichmondMedium $60.00 Cat: 50447This is a colorful tone-piece, slow in tempo, and orchestral in nature. Starting inpiano, then progressing to woodwinds, finally reinforced in the brass, the intricateand angularly dramatic theme, constantly shifting in color and texture, spins out inan attractively harmonic fashion. No high trumpet range. No solos. No doubles.Optional parts for French horns (alternate parts for flugelhorns or tpt 5-6 provided),tuba, and percussion (mallets and hand-percussion).

ARRANGED BY LES SABINA

BLUES-GO-ROUND ***NEW***Arranged by Les SabinaMedium $42.00 Cat: 60055Quarter notes dominate the melodic material in this accessible swing chart fordeveloping groups. Aspiring musicians will learn that each quarter note must receiveits full value, that way directors can ensure that successive quarter notes do not getclipped causing acceleration. Players will not have to exceed a forte dynamic anytimethroughout the chart because it is scored in either unison or two-part harmony.This chart features Kendor Konvertible instrumentation - meaning that it can beplayed by as few as 9 players. A guitar chord chart by Jim Greeson is included in eachset. Add this confidence builder to your library today!

CHILLED OUT ***NEW***Arranged by Les SabinaEasy $42.00 Cat: 60094Here’s a light rock chart for developing groups that features an easy-to-play melody,and short solo sections for alto saxophone and trumpet. Harmonic clarity is alwaysguaranteed through plenty of unison and duet style voicings. This is the perfectchart to encourage your rhythm section to experiment with various compingpatterns once comfortable with the written portion of their individual parts. Thischart features Kendor Konvertible instrumentation - meaning that it can be playedby as few as 9 players. A guitar chord chart by Jim Greeson is included in each set.

DEEP FRIEDArranged by Les SabinaEasy $48.00 Cat: 351This is a straight-ahead swinger for developing groups. It has a touch of blues anda hint of a mysterioso feel. Saxophones and brass often trade melodic phrases, anda written or ad lib solo is included for trumpet. Playable by 9-17 players.

DOWN ‘N UPArranged by Les SabinaMedium $42.00 Cat: 366This swing original features a contrapuntal theme that combines unique melodiesfrom the saxophone, trumpet, and trombone sections. Ad lib or written solos areoffered for tenor saxophone and trumpet before moving on to a powerfullycontrasting block-scored shout section. A guitar chord chart by Jim Greeson isincluded in each set.

GIG BAGArranged by Les SabinaMedium Easy $42.00 Cat: 596This straight-ahead medium swing chart features plenty of unisons and areas ofblock ensemble voicings. The result - a powerful sound coming from a less experiencedjazz ensemble! As is or ad lib solo space is provided for tenor sax and some brief solospots appear in the drum part. A guitar chord chart is included in this chart.

HOTTER SAUCEArranged by Les SabinaEasy $42.00 Cat: 599A driving Salsa chart with lots of intensity that just doesn’t let up! A short alto sax/trumpet duet is featured along with plenty of unison sax and brass lines. An ad-libor as-is solo is provided for tenor saxophone with optional solo space indicated foralto saxophone, trumpet, and trombone. This work for the developing jazz ensembleis scored at the medium easy level and features Kendor Konvertible instrumentation,making the chart playable by as few as 9 pieces, as many as 17 pieces.

MONEY ON THE CATArranged by Les SabinaMedium Easy $42.00 Cat: 641Featuring a slinky, feline-style melody in a relaxed swing groove, this chart for big ornot-so-big bands is loaded with appealing highlights. These include an ad lib or as-written piano solo, several short sax solis, and an exciting ensemble shout. Comeswith a guitar chord chart by Jim Greeson.

SHOOT DA HOOPArranged by Les SabinaMedium $40.00 Cat: 502Scored for standard bands but playable by as few as 9 pieces, this funk originalfeatures a tight, up-to-date groove and lots of full-group writing. Solo space isprovided for piano (as written or ad lib), and the chord chart by Jim Greesonaddresses the fact that the guitarist is required in some places to play the mainmelody along with saxes and brass. In his score notes Les also mentions that thesound of electric piano may be preferable to acoustic in this medium-level-chart.

SWING INC.Arranged by Les SabinaMedium Easy $42.00 Cat: 695As the title implies, this is a no-nonsense, straight-ahead swing tune. Highlightsinclude a hard-swinging melody, a written or ad lib solo for tenor sax, and severalsolo spots for drums. With flexible scoring for 9-17 players, each performance setincludes a guitar chord chart by Jim Greeson.

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ARRANGED BY CARL SAUNDERS

AN APPLE FOR CHRISTAArranged by Carl SaundersMedium Difficult $55.00 Cat: 50879This arrangement was writen for Christa McAuliffe, the school teacher that lost herlife in the Challenger tragedy. This up-tempo piece features trumpet, alto andtrombone. This chart features an exciting out chorus with off-beat rhythmic figureswhich are challenging and fun. As recorded by Carl Saunders on Be Bop Big Band.

BABY BLUESArranged by Carl SaundersMedium Difficult $60.00 Cat: 50883This Carl Saunders original was written as how a baby would conceive the blues.The trumpet is featured throughout and has hip backgrounds and swinging ensemble.As recorded by Carl Saunders on Be Bop Big Band.

COMPILATIONArranged by Carl SaundersMedium Difficult $60.00 Cat: 50887An up-tempo romp through rhythm changes. Featuring solos from every section inthe band with hard cooking backgrounds. It can also be opened up for more solosif you wish. This arrangement builds up to an exciting out chorus and has a hipending. As recorded by Carl Saunders on Be Bop Big Band.

DEARLY BEFUDDLEDArranged by Carl SaundersMedium Difficult $65.00 Cat: 50882This is a colorful arrangement with a Latin feel. Features trumpet and tenor on aninteresting melody and changes. It has a lot of full ensemble passages and builds upto an exciting ending. As recorded by Carl Saunders on Be Bop Big Band.

HIGH VOLTAGEArranged by Carl SaundersDifficult $70.00 Cat: 50875This chart is a challenging piece of music. It is written for 10 brass but can be playedwith 8. It has many tempo changes. It goes from a 6/8 feel to an up-tempo swing toa slow Latin feel. Features tenor, trumpet and drum solos. Lead trumpet to high G.This is a professional level chart.

I’M ALL FOR YOUArranged by Carl SaundersMedium Difficult $70.00 Cat: 50880An original tune written on the changes to ‘Body and Soul.’ Features alto andtrumpet on the theme and the solos. This is an interesting arrangement. It has abalance of small band and big band writing which works its way to an ending thatfeatures cadenzas from both the trumpet and the alto. As recorded by Carl Saunderson Be Bop Big Band.

NEVER ALWAYSArranged by Carl SaundersMedium Difficult $65.00 Cat: 50881This chart goes in and out of Latin and swing. Features trumpet and alto. Enjoyableto play and listen to. As recorded by Carl Saunders on Be Bop Big Band.

PERCEPTIVE HINDSIGHTArranged by Carl SaundersMedium Difficult $65.00 Cat: 50876The trumpet and tenor are featured stating the theme and on the solos. This is acolorful arrangement - it builds up to a classic big band shout chorus and finisheswith a very climactic ending. This chart is fun to play and listen to. As recorded byCarl Saunders on Be Bop Big Band.

SOME BONES OF CONTENTIONArranged by Carl SaundersMedium Difficult $55.00 Cat: 50877This happy and up-beat theme is stated by the trombones and features twotrombones on the solos. After the solos they play 8s, 4s, 2s, and then play together.The band plays a full ensemble then ends with a double cadenza as both trombonesend in the upper register. As recorded by Carl Saunders on Be Bop Big Band.

STRIKE OUT THE BANDArranged by Carl SaundersMedium Difficult $55.00 Cat: 50878The theme is stated by the low register instruments: bass trombone, baritone sax,bass, and piano. The solos are written for trumpet and tenor. As recorded by CarlSaunders on Be Bop Big Band.

ARRANGED BY DON SEBESKY

ALCAZARArranged by Don SebeskyDifficult $45.00 Cat: 55757If you’re looking for a rock chart with a Spanish flavor, this is it! You have the optionof adding a flute, clarinet and flugelhorn to give your group that winning anddifferent sound.

ALL THE THINGS YOU AREArranged by Don SebeskyDifficult $57.00 Cat: SMP-237This chart is from the I REMEMBER BILL a tribute to Bill Evans CD arranged andconducted by Don Sebesky! All of these incredible pieces require a mature band,soloists and woodwind doublers. Although these charts are not for the faint-of-heart, they are well worth the time and effort to perform. There has never been amore interesting or musical arrangement of this immortal Jerome Kern standard.From the I Remember Bill: A Tribute to Bill Evans CD. Give it a listen. A truly amazingand extensive excursion. Features alto saxophone. 5-4-4-3 (plus french horn).

BILL, NOT GILArranged by Don SebeskyDifficult $57.00 Cat: SMP-238This chart is from the ‘I Remember Bill: a Tribute to Bill Evans’ CD arranged andconducted by Don Sebesky! All of these incredible pieces require a mature band,soloists and woodwind doublers. Although these charts are not for the faint-of-heart, they are well worth the time and effort to perform. An original by Don whichis a wonderful, kind of quirky tune with extensive solo space. Give it a listen. 5-4-4-3 (plus french horn).

BLUE MOANArranged by Don SebeskyDifficult $45.00 Cat: 55751Here’s a ballad featuring your tenor sax player in both slow and fast passages.Written for the Maynard Ferguson band, this one has all the spirit needed for greatjazz effects.

BLUER THAN BLUEArranged by Don SebeskyMedium Difficult $57.00 Cat: SMP-235This could be called Newer Than New, because Don just wrote this for JohnPizzarelli’s new band in New York. It’s a wonderful tour-de-force for the entire band,with lots of open spots for your hot jazz players to improvise. It can serve as a greatopener or an equally effective closer. This is superb Sebesky, with lots of riffs, roaringensemble passages, and just all-around great blues from top to bottom. 5-4-4-4.

BLUES FOR BELAArranged by Don SebeskyMedium Difficult $45.00 Cat: 55758Another chart recorded by Doc Severinsen based on themes of Bela Bartok. Thisclever adaptation will make your band a festival winner!

CAPTAIN ARCADE’S VIDEO PARADEArranged by Don SebeskyMedium Difficult $45.00 Cat: 55759A video game fantasy scored as a jazz/rock march. If you want something different,this is the one.

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DANNY BOY(see Maynard Ferguson Section)

FAN IT, JANET(See Maynard Ferguson Section)

GLADLYArranged by Don SebeskyDifficult $57.00 Cat: SMP-339This section starts out with a cymbal roll and a fanfare-ish intro which leads to awonderful, happy, hip line stated in the brass. There is solo space for drums, trumpet,trombone, bass and alto saxophone. The original recording featured Dennis Mackrel,Bob Brookmeyer, Phil Woods, Tom Harrell and Dennis Irwin. This is a terrific chartwith a light, puckish melody and big, swinging shout choruses. You’ll love it! Neededdoubles are soprano sax, clarinet, flute and bass clarinet.

HANDEL WITH CAREArranged by Don SebeskyMedium Difficult $45.00 Cat: 55750Originally recorded by Doc Severinsen, this chart shouts Handel’s Hallelujah with alot of surprises. A great show opener.

HAPPY FEETArranged by Don SebeskyMedium Difficult $45.00 Cat: 55752Toes will be tapping when playing this jazz/rock tune. The chart moves along with ahappy feel that’s fun to play and definitely one that will leave your audience singing.

HOME COOKIN’Arranged by Don SebeskyMedium Difficult $45.00 Cat: 55753This chart cooks from beginning to end with plenty of opportunity for soloists(either reading or improvising) to swing.

MADLYArranged by Don SebeskyDifficult $57.00 Cat: SMP-341A fitting last section to this marvelous suite. It features trombone, clarinet, flugelhorn,bass and drums. Sebesky’s tribute to Ellington comes to a wonderful, inspired endwith this amazing music. Soprano sax doubles required. 5-4-4-3

PEOPLE(See Maynard Ferguson Section)

SADLYArranged by Don SebeskyDifficult $57.00 Cat: SMP-340Phil Woods was the featured soloist on the recording on this chart which is an altofeature for the most part. There is also a piano solo section (a la Duke) as played byJim McNeely on the original recording. This section is set in a slow, moody feel. Abeautiful melody! Bass clarinet double. 5-4-4-3

SOFT CELLArranged by Don SebeskyMedium Difficult $45.00 Cat: 55754A nice relaxed rock-style with close-voiced ensemble in the introduction and clustersat the end. You have the option of opening up this arrangement for additional solos.

SONG FOR CYMBALINEArranged by Don SebeskyMedium Difficult $45.00 Cat: 55755This arrangement features the alto sax in a ballad and swing combination. Recordedby the Maynard Ferguson band, the lyrical theme will become one of your favorites.

SUNFLOWERSArranged by Don SebeskyMedium Difficult $45.00 Cat: 55756The unique blend between girl’s voice (optional) and flute will introduce anothercolor that will set your band apart from the others.

SWEETIE PIE (EDITED)Arranged by Don SebeskyDifficult $42.00 Cat: SMP-403This wonderful, quiet, Li’l Darlin’-ish chart was recorded by Maynard as Easy Chair.It has a great melodic and harmonic sense that puts it in a class all its own. Thisversion has been edited to exclude any woodwind doubles and high trumpetparts.(full score incl.). Also available as a pro version.

WALTZ FOR DEBBYArranged by Don SebeskyDifficult $57.00 Cat: SMP-236This chart is from the I Remember Bill: A Tribute to Bill Evans CD. All of theseincredible pieces require a mature band, soloists and woodwind doublers. Althoughthese charts are not for the faint-of-heart, they are well worth the time and effortto perform. There has never been a more interesting or musical arrangement of thisimmortal Bill Evans standard. A truly amazing and extensive excursion. Featurestenor sax, flugelhorn and guitar solos. 5-4-4-3 (plus french horn).

WARM VALLEYArranged by Don SebeskyMedium Difficult $47.00 Cat: SMP-342Don Sebesky has taken Ellington’s melody and created a warm, sensuous chartwhich will be played for years to come. The ensemble voicings and colorful harmoniesare set in a kind of Li’l Darlin’-ish type of feel. This will be a wonderful contrast on anyjazz program, as the brass ranges are very easy, and the effect of the chart is verymellow and peaceful. A must for any big band library! 5/4/4/3

ARRANGED BY BOB SENNETT

BLUES, BOOZE, & TATTOOS ***NEW***Arranged by Bob SennettMedium Difficult $55.00 Cat: 51657A swinging modified blues. Extensive ensemble chorus around tenor and trombone solos.

DARK CLUSTERS ***NEW***Arranged by Bob SennettMedium Difficult $55.00 Cat: 51659An ethereal sounding composition that employs cluster voicing in the reeds andclose voicing in brass. There is a tenor solo, part written, part improvised, with abuilding brass background leading to a climax which immediately reverts to quiet,cluster voicing again. Trumpets double on flugelhorns.

DON'T LEAVE NOW ***NEW***Arranged by Bob SennettMedium $55.00 Cat: 51658Lush ballad featuring the trombone section. Lead trombone solo. Pretty changesand lush voicings. Trumpets on flugelhorns.

MINOR MATTERSArranged by Bob SennettMedium Difficult $55.00 Cat: 51656Features trumpet-tenor. Ensemble backgrounds and out chorus compliment soloists.No doubles.

ARRANGED BY GEORGE SHUTACK

EASY OUTArranged by George ShutackEasy $42.00 Cat: 42097Jazz writer George Shutack has written this rock excursion especially for developingplayers. It serves equally well as a concert opener or closer due to the strong, yetaccessible rhythms, and catchy groove. The easy-to-hear solo changes will givestudents the opportunity to work on improvisational skills in a non-threateningsetting. Written or ad lib solos for all rhythm section parts. Playable by 12-17 pieces.

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UNCHARTED TERRITORY ***NEW***Arranged by George ShutackEasy $42.00 Cat: 42355A driving rhythm groove sets the mood in this contemporary Latin/rock chart. Withsolid scoring, a catchy melody, and an open solo section, this easy level chart will bethe perfect vehicle to introduce young players to this essential style of music. As withall First Edition charts, this piece can by played by as few as 12 players.

ARRANGED BY DAVE SNIDER

BASS ON TOP ***NEW***WHERE PAUL LIKES ITArranged by Dave SniderMedium Difficult $55.00 Cat: 55676This is a medium blues swing chart in the key of F, dedicated to the late great bassistPaul Chambers. Scored for 5 saxes, 4 trumpets, 4 trombones, and rhythm, withoptional guitar, no doubles. This chart features the bass player with an optionalcadenza at the beginning followed by a blues solo. The bass is also featured on themelody; shared with the solo trumpet. There is a challenging sax soli and tuttisection with open solo sections. The lead trumpet plays a few passages going up tothe high concert B natural. This chart is a great feature and challenge for any bassplayer and college or pro bands.

JP ***NEW***Arranged by Dave SniderDifficult $55.00 Cat: 55678This is a great contemporary R&B chart in the key of B flat, dedicated to the lategreat electric bassist Jaco Pastorius. Scored for 5 saxes, 5 trumpets (the 5th part isoptional), 4 trombones, and rhythm, with optional guitar, no doubles. The bassplayer should play electric bass. The bass part is written but it can be improvisedsince there are chords above the written line. The tempo is 96 bmp for the quarternote. This chart has a very nice and funky melody with a tenor solo with challengingrhythmic riffs and backgrounds throughout the first half of the chart. The secondhalf of the chart changes feel from an R&B feel to a double time swing feel with atrumpet solo and a challenging sax soli/tutti section. There is a drum solo in swingtime which goes back to the original R&B feel to the head, followed with a tag indouble time swing feel with battling sax and trumpet solos. The highest note for thelead trumpet is concert high D flat. This chart is a definite opener or closer and is agreat challenge for any college or pro band.

A LITTLE TASTE OF FUNK ***NEW***Arranged by Dave SniderDifficult $55.00 Cat: 55677This is a great contemporary funk chart, dedicated to the great electric bassist LarryGraham. Scored for 5 saxes, 5 trumpets (the 5th part is optional), 4 trombones, andrhythm, with optional guitar, no doubles. The bass player must play electric bass(NOT STRING BASS). The bass part is written but it can be improvised since thereare chords above the written line. The tempo is 90 bmp for the quarter note. Thischart is very high energy from the beginning to the end. There are challengingrhythmic and melodic riffs and backgrounds throughout the chart in all sections.The chart starts in G minor with a tenor solo. There is a drum solo/groove with hornbackgrounds used as a transition and modulation to the key of concert E for atrumpet solo. The highest note for the lead trumpet is concert high D. This chart isa definite opener or closer and is a great challenge for any college or pro band.

SEVEN FOR SCOTT ***NEW***Arranged by Dave SniderMedium Difficult $55.00 Cat: 55679This is a up blues swing chart that features the tenor sax. The chart has no melodyso it requires the tenor player to be a good soloist with a good musical imagination.The introduction is a slow, thick, gospel feel with the tenor whaling over the top,followed by a cadenza into seven choruses of blues with horn riff backgrounds.There is a challenging sax soli and tutti section. This chart is a definite challenge forany tenor player and is a real crowd pleaser. Difficult for the tenor soloist.

THINKIN' 'BOUT MAYNARD ***NEW***Arranged by Dave SniderMedium Difficult $55.00 Cat: 55675This is a medium blues swing chart in the key of G, dedicated to the great trumpetplayer Maynard Ferguson. Scored for 5 saxes, 4 trumpets, 4 trombones, and rhythm,no doubles. There is an optional bass solo cadenza at the beginning followed by apiano solo into a great melody in a blues riff style. There is a challenging sax solisection. Solo sections are open. There is a drum solo with horn backgrounds. The

trumpet section is not written in the high register as in Maynard's band, and thehighest note for the lead trumpet is concert G throughtout the chart with one highD in the last measure. This is a good closer for the first set and is a great chart for anycollege or pro band.

ARRANGED BY RICK STITZEL

C JAM BLUESArranged by Rick StitzelEasy $35.00 Cat: 7470604Finally, this Ellington classic is available for even the most inexperienced bands. Forstarters, this version is in Bb rather than C. Rick features the saxes on the melodywith inventive brass counterlines, and later a marvelous ensemble tutti section thatstarts soft then builds to the end. An absolute must!

GOD BLESS THE CHILDArranged by Rick StitzelMedium Easy $35.00 Cat: 7011091One of the most soulful ballads ever written, this standard has been recorded byartists ranging from Billie Holiday to Blood, Sweat & Tears. Rick’s easy arrangementfeatures rich harmonies with full ensemble writing. A short written solo is includedfor any sax, but no improvised solos are required. Written for full band, playable with4 saxes, 3 trumpets, 3 trombones and rhythm section. Full-length recording included.

I’VE JUST SEEN HERArranged by Rick StitzelMedium Difficult $45.00 Cat: 7011093From the 1960s Broadway production ‘All American,’ this ballad has enjoyed widepopularity among jazz artists and has been recorded countless times. The beautifulmelody and marvelous changes are blended perfectly in this feature for alto sax.

MOON RIVERArranged by Rick StitzelMedium Easy $40.00 Cat: 7470651Henry Mancini was a master of melodies and this is one of his best. Rick’s easyarrangement is in 3/4 and features skillful scoring and rich harmonies.

NIGHT SONG (FROM GOLDEN BOY)Arranged by Rick StitzelMedium Easy $40.00 Cat: 7011095From the show ‘Golden Boy,’ this jazz standard composed by Charles Strouse istastefully arranged in a Latin ballad style with a Bossa/bolero feel. There is plenty offull ensemble playing, and solos are included for trumpet and tenor (written or adlib.). This one will be a perfect change of pace for your next concert.

NOW’S THE TIMEArranged by Rick StitzelMedium Easy $35.00 Cat: 7010969Charlie Parker helped define the language of modern jazz. This marvelous arrangementof one of his most accessible compositions provides a perfect introduction to thislegendary jazz master. Solid and swingin’!

PROUD MARY ***NEW***Arranged by Rick StitzelEasy $35.00 Cat: 7470691Similar to the trademark version by Ike & Tina Turner, this easy arrangement startsout slow in the beginning, then kicks into high gear to finish out. Saxes take the leadat first, but there is plenty of full ensemble playing as well. No solos are required.

THEME FROM SHAFTArranged by Rick StitzelEasy $35.00 Cat: 7010967Few of the famous funk themes from the ’70s are more well-known than thisclassic by Isaac Hayes. Rick’s authentic-sounding rendition makes it playable byjust about any band.

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WHAT A WONDERFUL WORLDArranged by Rick StitzelEasy $35.00 Cat: 7470606Made famous by Louis Armstrong, this is one standard that has stood the test oftime. This very playable version is nicely scored with short features for each section.

WHAT I’D SAYArranged by Rick StitzelEasy $45.00 Cat: 7011201An up-tempo rockin’ style, call-and-response playing, and hot horn riffs are all a partof this arrangement of the Ray Charles classic. The legend of Ray lives on throughtunes like this that never seem to grow old.

ARRANGED BY GEORGE STONE

ALL OR NOTHING AT ALLArranged by George StoneMedium Difficult $45.00 Cat: 7010351This often recorded standard is expertly arranged by George Stone in a mediumswing style. Filled with creative harmonies and soaring ensemble figures, this is truly anoutstanding choice for contest or festival use. Includes solos for piano and/or trumpet.

BASS-ICALLY TWO OF A KINDArranged by George StoneMedium $56.00 Cat: 51750Unique chart featuring an acoustic and an electric bass together, as well as a jazzand a rock groove. Scored with an optional guitar part to cover one of the bassparts.There are some doubles.

BODY AND SOULArranged by George StoneMedium Difficult $45.00 Cat: 34909038George Stone’s medium swing setting of this familiar standard features lush ensemblewriting with short solos for alto and tenor. Beautifully orchestrated and easy on the chops.

D-BOPArranged by George StoneMedium Difficult $60.00 Cat: 51756Bright swing, unison bop line for alto, tenor, baritone, trumpet and guitar. Funchanges for tenor sax and trumpet solos.Challenging development section for thewhole ensemble and sax soli/ensemble shout at the end. This is a great chart forfestival and concert use. Lead trumpet is written high E, no doubles.

THE EARLY MONDAY MORNINGREHEARSAL BLUESArranged by George StoneMedium $54.00 Cat: 51751Medium rock shuffle with soprano lead. Open solo section for any instrument andan extensive sax soli.

I’M OUT, ME TOO, I WINArranged by George StoneDifficult $53.00 Cat: 51752Medium swing. Great ensemble writing. Solo changes on 1st tenor sax and 1sttrombone. Nice shout chorus. Flute doubles. Optional percussion.

IT COULD HAPPEN TO YOUArranged by George StoneMedium Difficult $45.00 Cat: 7010030This powerful chart takes a familiar standard and sets it as a medium up-temposwing number. There’s lots of sax work here, including solos for alto and tenor anda great soli section.

IT MIGHT AS WELL BE SPRINGArranged by George StoneMedium Difficult $45.00 Cat: 7010140From the prolific pen of Rodgers and Hammerstein, this standard has been a favoritewith jazz performers for years. George’s outstanding setting features tenor sax in aballad style with a double-time swing section for soloing.

LA SAMBA PRIMERAArranged by George StoneMedium $60.00 Cat: 51753Medium Samba that features a flugelhorn solo. There are some doubles: flute andsoprano.

NARDISArranged by George StoneMedium Difficult $50.00 Cat: 7010736Here is a marvelous big band setting of this bebop classic from Miles Davis. Arrangedin a medium up-tempo swing feel, this chart is loaded with great ensemble writingwith the melody being traded among all the sections of the band.

PEEL ME A GRAPEArranged by George StoneMedium Difficult $45.00 Cat: 7010512Recorded by Diana Krall on ‘Love Scenes,’ George Stone has taken a similar approachand created this sensual and engaging version for jazz ensemble. The slow and softswing style makes this one a great change of pace for contest or festivals.

SHUFFLE SCUFFLEArranged by George StoneMedium Difficult $66.00 Cat: 51754Straight-ahead, hard-swinging shuffle with solos for alto and tenor. Soprano lead onextensive sax soli.

SOPHISTICATED LADYArranged by George StoneMedium Difficult $45.00 Cat: 7010275This beautiful Duke Ellington ballad has been masterfully arranged here.

SPEAK LOWArranged by George StoneMedium $60.00 Cat: 51755This is a Samba/Mambo which features both trombone and trumpet solos. Adistinctive Bolero section offers a refreshing style change for a soprano sax soloist.Instrumentation includes four trumpets, four trombones, five saxes (double onsoprano), guitar, piano, bass, drums and vibes.This chart is a fresh-sounding stylisticaddition to a concert and/or festival set. Lead trumpet note is written B below highC, making this arrangement very accessible to bands of all performance levels.

STRAIGHT AHEAD ***NEW***Arranged by George StoneDifficult $60.00 Cat:51757As the title suggests, it is a straight ahead swinger from start to finish. There is aunique rhythm section intro (with optional flute) followed by the band's statementof the melody and a large sax soli. Solos are designated for any rhythm instrumentplus alto sax, tenor sax and trumpet. Following the solo section is an open rhythmsection improvisation which can be constructed however you wish. Lastly, a threepart contrapuntal section builds to a strong shout section all the way to the end.You will really enjoy this new, fresh and exciting composition. The high notes (optional)are high concert Eb and F.

THE VERY THOUGHT OF YOUArranged by George StoneMedium Difficult $45.00 Cat: 7010608It’s not very often that we offer a trombone feature, but this classic tune by RayNoble in the capable hands of George Stone seemed like a natural fit. Beautifullyscored in a ballad style.

YOU’D BE SO NICE TO COME HOME TOArranged by George StoneMedium Difficult $45.00 Cat: 7010040When it comes to great swing tunes, this Cole Porter classic is near the top of thelist. George’s outstanding chart is well-paced and a pleaure to perform.

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ARRANGED BY CARL STROMMEN

A NIGHT AT THE BLUE NOTEArranged by Carl StrommenMedium Easy $38.00 Cat: SCM-024This tune will remind you of all those Blue Note records you bought over the years.Moderate tempo and difficulty level, and full of surprises. Not quite a blues in F...

AS TIME GOES BYArranged by Carl StrommenEasy $45.00 Cat: WBJE9319The trumpet soloist starts alone with this memorable melody and soon draws theentire ensemble into this easy arrangement. Although the band get its say, it is thetrumpet soloist who sustains right to the end. An excellent trumpet feature.

SLIP SLIDIN’Arranged by Carl StrommenMedium $38.00 Cat: SCM-012One of the country’s leading educational writers for jazz ensemble, chorus, concertband and orchestra has written a hip-hop piece at an easy level that kids shouldreally dig. Ranges are moderate with optional higher notes if you have the horses.Written solos.

TIME OUT ***NEW***Arranged by Carl StrommenMedium Easy $38.00 Cat: SCM-032Remember ‘Moanin’ Carl has done a great job with this at the high school, middleschool and junior high school level. Blues in F. Scored for full band but soundscomplete at 4/3/2/3.

UNO MASArranged by Carl StrommenMedium Easy $38.00 Cat: SCM-022Carl has created a dynamic chart at a moderate difficulty level that gives you thathot Latin chart you’ve been looking for.

WHAT KIND OF FOOL AM IArranged by Carl StrommenMedium $35.00 Cat: 130In the key of C, this arrangement features a vocalist or optional tenor saxophonist.

ARRANGED BY FRED STURM

ALL BIRD’S CHILDREN ***NEW***Arranged by Fred SturmAdvanced $50.00 Cat: 123406Arranged to feature the composer — the amazing Phil Woods — and recorded onPhil’s 1998 Grammy nominee CD ‘Festival.’ Phil toured Europe with a big band andtypically opened or closed the show with this burning swing chart.

MICHELANGELO ***NEW***Arranged by Fred SturmMedium Difficult $55.00 Cat: SMP-752As recorded on ‘Libertango! Hommage to Astor Piazzolla’ (HR Big Band), this chartis very, very exciting. Set in a fast, quasi rock/fusion feel, this chart features solo spacefor trumpet (or whichever player(s) you might choose). The wonderful rhythmicinterplay between all the sections and the brilliant scoring creates a must-havechart for every band. 5/4/4/5 (opt. marimba)

MUMUKI ***NEW***Arranged by Fred SturmMedium Difficult $55.00 Cat: SMP-753As recorded on ‘Libertango! Hommage to Astor Piazzolla’ (HR Big Band), this chartis a beautifully sensitive setting of a gorgeous ballad. There are different solo parts(Eb, Bb, C) for you to use in choosing your soloist. It is a solo feature throughout thechart. Sturm’s orchestration and the climactic passage will tear your heart out, it isso intensely beautiful. This requires 4 clarinets and bass clarinet in the sax sectionwith very easy to play parts. The brilliant scoring of Sturm creates a must-have chartfor every band. 5/4/4/5 (opt. vibes/bells)

ARRANGED BY MICHAEL SWEENEY

ALL BLUESArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010656Here’s the classic Miles Davis tune from the landmark album ‘Kind Of Blue’ carefullyarranged for young groups. Written in 3/4 for ease of reading, Mike has kept the feeland sound of the original in this excellent setting. Full length recording included.

ALL OF ME ***NEW***Arranged by Michael SweeneyMedium $35.00 Cat: 7011159Made famous by the Count Basie band as well as countless other jazz artists, bringa bit of history to your young players with this familiar standard. This easy arrangementincludes a nice mix of unison passages with full-sounding ensemble scoring. Mediumswing at its best!

ALL THE THINGS YOU AREArranged by Michael SweeneyMedium Easy $35.00 Cat: 8050003This easy arrangement features a moderate Latin groove with alternating swingsections. Nice! Written for full band, playable with 4 saxes, 3 trumpets, 3 trombonesand rhythm section. Full-length recording included.

ALRIGHT, OKAY, YOU WINArranged by Michael SweeneyMedium Easy $35.00 Cat: 7470526Some tunes seem to get better with age. Mike’s version of this swingin’ standard iswritten in a medium shuffle style and is easy to learn. The solo section features stop-time ensemble figures and written sample solos.

APRIL IN PARISArranged by Michael SweeneyMedium Easy $35.00 Cat: 7474568Here’s an easy version of this big band favorite from the Count Basie Orchestra. Youraudience is sure to recognize this one, and it’s the perfect way to introduce youngplayers to one of the great bands of all time.

BIRDLANDArranged by Michael SweeneyMedium Difficult $35.00 Cat: 8721581Josef Zawinul and the jazz fusion group Weather Report broke new ground withthis inNovative composition. This easy version maintains the drive and power of theoriginal and will sound great with mature as well as inexperienced bands.

BLUE BOSSAArranged by Michael SweeneyEasy $35.00 Cat: 7010567This great jazz standard by Kenny Dorham is now available in a playable arrangementfor young players! There is a touch of the original combo scoring as well as theoriginal background figures scored for the entire band.

BLUE MONKArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010308One of the all-time great tunes by jazz legend Thelonious Monk. This arrangementby Michael Sweeney is an authentic adaptation using the original key (Bb) andpreserving Monk’s unique rhythmic phrases. The chart opens with a trumpet/tenorduet, however there is plenty of tutti ensemble playing and flexible solo sectionsover blues changes. This one is a must.

BLUES MACHINEArranged by Michael SweeneyEasy $35.00 Cat: 7474537First released in 1992, this excellent blues original has stood the test of time. Perfectfor teaching style and introducing the blues scale as a basis for improvisation.Includes CD.

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BOOGIE DOWNArranged by Michael SweeneyMedium Easy $35.00 Cat: 8050070Here is an easy version of Al Jarreau’s funky jazz favorite. The rhythms have beensimplified without losing the great feel of the original. Written for full band, playablewith 4 saxes, 3 trumpets, 3 trombones and rhythm section. Recording included.

CARAVANArranged by Michael SweeneyMedium Easy $35.00 Cat: 8050083Everyone will recognize this Duke Ellington classic. Using interesting textures andalternating between a Latin groove and swing, this is a very effective productionnumber with limited technical demands. Comes with CD.

CHAMELEONArranged by Michael SweeneyMedium Easy $35.00 Cat: 805182Here’s Herbie Hancock’s jazz-funk masterpiece.

CHOO CHOO CH’BOOGIEArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010540In the tradition of Boogie Woogie Bugle Boy and ‘Chattanooga Choo Choo,’ here isone of the classic swing tunes from the ’40s made famous by Louis Jordan. The saxesget a workout on the main theme, then the brass take the lead on the familiarchorus. This entertaining chart is as fun to play as it is to listen to.

CRUELLA DE VILArranged by Michael SweeneyEasy $35.00 Cat: 7470582Here’s a bluesy and swingin’ version of this well-known favorite from Disney’s 101Dalmations. This easy chart features a flexible solo section for any trumpet and/ortrombone as well as a hard-hitting shout chorus to finish it out.

FREDDIE FREELOADERArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010380This early jazz classic by Miles Davis is an excellent vehicle for introducing the blues.The trumpet soli section is derived from Miles’ original solo and may be performedeither as a solo or as a section feature.

FROSTY THE SNOW MANArranged by Michael SweeneyEasy $35.00 Cat: 8721405Be sure to bring the hip side of Frosty to your next holiday event with this swingin’version for beginning groups. Including short solos for trumpet that can also beplayed as section features, this chart is easy to learn and fun to play.

GEORGIA ON MY MINDArranged by Michael SweeneyEasy $35.00 Cat: 7470552This enduring standard by Hoagy Carmichael continues to sound fresh year afteryear. The notable recording by Ray Charles with its lush harmonies and bluesy balladstyle is hinted at in this easy setting for jazz ensemble. The short solos for trumpet,sax, and trombone may also be played as section features. Great for developingbalances and ensemble playing. Written for full band, playable with 3 saxes, 2trumpets, 1 trombone and rhythm section. Full-length recording included.

HOW DEEP IS THE OCEANArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010451Here is a unique version of this all-time great tune done in a Latin style. This easychart features creative harmonies and exceptional scoring. Short solos are includedfor tenor, trumpet and drums. A great showpiece for young groups.

HOW HIGH THE MOONArranged by Michael SweeneyMedium Easy $35.00 Cat: 8721376Here is the swinging standard arranged by Sweeney for younger bands.

IN THE MOODArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010016One of the best-known tunes from the swing era is this classic from the Glenn MillerOrchestra. This updated chart from Mike Sweeney features very comfortable ranges,easy rhythmic patterns, and short written or ad lib solos.

IT DON’T MEAN A THING(IF IT AIN’T GOT THAT SWING)Arranged by Michael SweeneyEasy $35.00 Cat: 7470508Introduce Duke’s music to your beginning group with this great version. The rhythmshave been simplified but the style is authentic. Includes full-length recording.

KILLER JOEArranged by Michael SweeneyEasy $35.00 Cat: 8720665Here is a very playable arrangement of this quintessential ‘cool’ jazz swing tune.Carefully scored to sound full with incomplete instrumentation this arrangementalso features written or ad lib solos for any sax and trumpet or trombone.

MALAGUENAArranged by Michael SweeneyEasy $35.00 Cat: 7474514Stan Kenton’s signature version is probably the best-known treatment of thisSpanish classic. Mike’s easy arrangement draws upon this version while keeping theranges and rhythms well within the reach of beginning groups. A real powerhouse!Written for full band, playable with 3 saxes, 2 trumpets, 1 trombone and rhythmsection. Full-length recording included.

MARY ANNArranged by Michael SweeneyMedium Easy $35.00 Cat: 7011101From the master of soul comes this catchy blues tune from the movie Ray. Adistinctive feature is the alternating style between rhumba and straight ahead swing,and Michael’s skillful arrangement makes it a perfect fit for younger players. Writtenfor full band, playable with 4 saxes, 3 trumpets, 3 trombones and rhythm section.Full-length recording included.

MOANIN’Arranged by Michael SweeneyEasy $35.00 Cat: 7470645Known for his skill in adapting jazz classics for beginning players, Michael bringsus this Bobby Timmons favorite in a very playable version. The style is mediumslow swing, and the saxes present the theme first followed by the entireensemble. Solos are only over sections with easy chord changes. Includes full-length recording.

MOTEN SWINGArranged by Michael SweeneyEasy $35.00 Cat: 7470518Practically a trademark Count Basie tune, this medium swing classic has been carefullymodified to fit the needs of beginning bands. Features authentic style, lots of tuttiensemble playing and easy written solos.

MY FUNNY VALENTINEArranged by Michael SweeneyEasy $35.00 Cat: 7473535Here is the Rodgers and Hart ballad arranged for young bands.

A NIGHT IN TUNISIAArranged by Michael SweeneyMedium Easy $35.00 Cat: 805500Without losing the essence of this masterpiece, Mike has crafted a great chart foryoung players using safe ranges and moderate rhythms. You’ll still find the trademarkalternating from Latin to swing, as well as written or ad lib solos for alto and trumpet.

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PERFIDIA ***NEW***Arranged by Michael SweeneyMedium Easy $35.00 Cat: 7011165This medium slow standard provides a nice introduction to Latin style for youngplayers. Solo sections are based on easy scales and the rhythm section groove iscompletely written out.

ROCK AROUND THE CLOCKArranged by Michael SweeneyEasy $35.00 Cat: 7470661Bill Haley & The Comets made the top of the charts with this hit back in 1955. And,it’s as fun now as it was back then! This easy chart will sound great with any band.

ST. THOMASArranged by Michael SweeneyEasy $35.00 Cat: 7470647Never has there been a version of this Sonny Rollins classic in an arrangement thiseasy! With ample use of unison lines, a moderate tempo and careful scoring, this onewill really cook with young players.

SATIN DOLLArranged by Michael SweeneyMedium $35.00 Cat: 7010740Beginning jazz ensembles will sound great with this solid swing arrangement byMichael Sweeney. Featuring tutti scoring and easy rhythms, this is a perfect chart toteach the basics of style.

SOFT WINDSArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010728This jazz classic adapts perfectly for young players. The tempo is moderate and theswing figures are easy to play. The blues form makes it easy for inexperiencedimprovisers and sample solos are included for alto, tenor, trumpet, and piano.

SPINNING WHEELArranged by Michael SweeneyEasy $35.00 Cat: 7474140Anyone who remembers Blood, Sweat & Tears will instantly recognize this jazz-rockclassic from the ’60s. Perfect for teaching rock to beginning bands, this easy chartgives every section a chance to shine, particularly the trombones!

TEQUILAArranged by Michael SweeneyEasy $35.00 Cat: 7470502Everybody knows it, and your students will want to play it! The simple chordprogression is perfect for encouraging your inexperienced improvisers.

TOMORROW [FROM ANNIE]Arranged by Michael SweeneyEasy $40.00 Cat: 7010907Attractively arranged in a light rock style, here is a great sounding chart on the mainsong from the musical Annie. Featuring a trombone soloist on the melody and somenice harmonic twists, this arrangement builds to a solid finish with the full ensemble.Also includes solos for trumpet and tenor.

UNTIL I MET YOU ***NEW***(CORNER POCKET)Arranged by Michael SweeneyEasy $35.00 Cat: 7470693One of the all-time classic charts from the Count Basie Band is this gem penned bylong standing guitarist Freddie Green. Available for the first time in an arrangementfor beginning bands, Michael Sweeney has crafted an authentic-sounding versionthat will work great for festivals or concerts. From the opening strains to the finalshout chorus, the Basie style shines through.

WHITE CHRISTMAS Arranged by Michael SweeneyEasy $35.00 Cat: 7474570Irving Berlin’s unforgettable holiday classic is a perfect choice for your winter concert.This easy yet effective setting will sound great with limited rehearsal time.

WITCHCRAFTArranged by Michael SweeneyEasy $35.00 Cat: 7010226This medium tempo swing standard provides the perfect way to get your youngplayers to swing. Mike’s easy arrangement features plenty of full ensemble tuttirhythms and no solos are required.

YARDBIRD SUITEArranged by Michael SweeneyMedium Easy $35.00 Cat: 805877This Charlie Parker bebop classic is now available for young bands.

ZOOT SUIT RIOTArranged by Michael SweeneyEasy $35.00 Cat: 7470566The hippest new swing tune of the year from the ‘Cherry Poppin’ Daddies.’ Thisexciting chart for young players features the signature horn riffs and drum breaks.

ARRANGED BY MARK TAYLOR

AFTER YOU’VE GONEArranged by Mark TaylorMedium $45.00 Cat: 7010708Arranged here in a Basie-style slow swing setting, this well-crafted chart starts outas a study in ensemble writing with the brass in buckets and the drums on brushes.Later there is a solo for trumpet followed by a shout chorus where the full bandreally lets loose. Quality writing for contests and festivals!

ATTITUDE DANCEArranged by Mark TaylorMedium Difficult $50.00 Cat: 7010148Celebrating 25 years of funk and soul, the unmistakable sound of Tower of Powerstill sounds as fresh and impressive as ever. Mark’s chart on this hot tune features theblazing horn lines and driving groove of the original.

BLUE ‘N’ BOOGIEArranged by Mark TaylorMedium Easy $40.00 Cat: 7011123From bebop master Dizzy Gillespie comes this lively tune in a great chart foryounger players by Mark Taylor. It opens with a trumpet and alto on the headfollowed by a quintet of 3 saxes and 2 trumpets. A tutti ensemble section comesnext followed by a flexible solo section for any combination of alto, tenor, trumpetor trombone. The brass ranges are reasonable and most rhythms are tutti. Let thematurity of your group determine how fast (or slow) you play this one, however.

BLUE BOSSAArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010884Kenny Dorham’s relaxed Latin classic is a must for all jazz programs. Mark hasretained elements of the original version using a small group (alto, tenor, trumpetand trombone) on the opening statement, then the saxes playing the importantsecondary theme. Included after the flexible solo section is a sax soli, ensemble shout,and stop-time section featuring the drums. This chart is destined to become a classic.

BLUE SKIESArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010314Mark Taylor has created an effective new treatment of a great standard song.Alternating between a Samba feel and swing, this chart also uses contrasting texturesof small group playing and full ensemble. Includes solos for tenor and/or guitar andfeatures a nice sax soli. Great choice for contest.

BLUES IN HOSS’ FLATArranged by Mark TaylorMedium Easy $35.00 Cat: 7010888There is no better style for young players to emulate than that of the CountBasie Orchestra. This famous swing tune is nicely arranged here by Mark Taylorin a very playable version that still sounds authentic. Comes with CD.

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BRADLEY’S BOP HOUSEArranged by Mark TaylorAdvanced $60.00 Cat: 7011117Accompanied by drums on brushes, saxes take the first round followed by the brasson this tasty bop-style original from Mark Taylor. Plenty of nice ensemble work andsection feature spots spice up this winner. Solos are for trumpet and tenor.

BROADWAYArranged by Mark TaylorMedium Easy $40.00 Cat: 7011119This familiar standard is arranged here in a medium up-tempo swing style andfeatures your entire trumpet section. All parts include written sample solos, and it isconstructed so that a single player can handle all the solo parts. Later, the trumpetsection trades phrases with the drummer and a short ensemble shout takes you therest of the way. Trumpet feature.

CHEGA DE SAUDADE (NO MORE BLUES)Arranged by Mark TaylorMedium $40.00 Cat: 7500115Smooth Bossa Nova sophistication describes this classy chart. With its lyrical melodicstyle and terrific-sounding band accompaniment, this is truly a standout feature fora vocal soloist. Vocal key: C minor

COTTON TAILArranged by Mark TaylorMedium $40.00 Cat: 7010802Here is the classic Ellington swinger in a fabulous version for younger players. Thedrive and excitement of the original is still there as Mark starts out with a smallcombo of 2 tenors and 2 trombones, then gets the full band involved. Includes solosfor alto and/or trombone and also for trumpet and/or piano. This chart will soundgreat with any band!

DAT DEREArranged by Mark TaylorMedium Difficult $45.00 Cat: 34204010Here is the Bobby Timmons classic for jazz band.

DOXYArranged by Mark TaylorMedium $40.00 Cat: 7010646Mark Taylor has adapted one of Sonny Rollins’ best tunes in this medium tempochart for younger bands.

FLY ME TO THE MOONArranged by Mark TaylorMedium $40.00 Cat: 7010107Here’s one of the most recognizable standards ever written, effectively scored foryouger groups by Mark Taylor in a Basie swing style. This chart features tuttiensemble writing at its best, and also includes a short piano solo.

FOURArranged by Mark TaylorEasy $40.00 Cat: 7010404Miles Davis left a legacy of inNovative playing and enduring compositions. Here isone of his best tunes in a swinging medium up-tempo arrangement for young bands.

GEORGIA ON MY MINDArranged by Mark TaylorMedium Easy $40.00 Cat: 30707010At last...an easy ensemble-oriented chart on this great jazz classic. Arranged in a laid-back Basie groove, this chart is everything you could ask for.

GIRL TALKArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010376The unmistakable style of Neal Hefti is apparent in this popular swing standard.Mark’s well-paced chart starts with the full ensemble playing soft. After an alto saxsolo, it builds to a full-blown shout and then tapers to a quiet ending. Real smooth!

GORILLA MAN BLUESArranged by Mark TaylorDifficult $50.00 Cat: 7010684This swingin’ Basie-style shuffle starts out with a piano chorus followed by the saxesand finally a roaring brass section. Also featured are solos for tenor and trumpet anda fabulous shout chorus that starts quietly then builds to the end. Just hard-hittingswing as only Mark Taylor can deliver.

HALLELUJAH I LOVE HER SOArranged by Mark TaylorMedium $40.00 Cat: 7011103The Ray Charles sound comes through loud and clear in this distinctive gospel/rockarrangement for young bands. Featured in the hit movie Ray, this solid chart has adriving feel throughout, interspersed with the trademark stop-time phrases.

HOW SWEET IT IS TO BE LOVED BY YOUArranged by Mark TaylorMedium $40.00 Cat: 7500081Recorded by many artists (including James Taylor) Mark’s version for vocal soloist iswritten in a medium swing style with a moderate vocal range, and features well-written background figures. Key of C. G below middle C to fourth space C.

I CONCENTRATE ON YOU ***NEW***Arranged by Mark TaylorMedium $45.00 Cat: 7011249Feature your tenor sax in a very comfortable and smooth-sounding range with thissoft Bossa style arrangement of Cole Porter’s standard. Well-styled ensemble writingcombined with the soloist help make this a perfect change-of-pace arrangement.

I’M BEGINNING TO SEE THE LIGHTArranged by Mark TaylorMedium $40.00 Cat: 7500027This makes an outstanding vocal feature, yet your band will have a great time withit as well. Key: C to E flat.

I’VE GOT THE WORLD ON A STRINGArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010228In the style of “Li’l Darlin’”, Mark has crafted a wonderful ensemble-based version ofthis standard featuring a wide range of dynamics for the full band and a solo fortenor sax. Impressive change of pace for festivals and contests.

I’VE GOT YOU UNDER MY SKINArranged by Mark TaylorMedium $40.00 Cat: 7500021Arranged in the key of C.

IMPRESSIONSArranged by Mark TaylorMedium Difficult $45.00 Cat: 34223043Written and recorded by John Coltrane, this is one of the landmark tunes in jazzhistory. Mark Taylor’s exceptional setting for full jazz ensemble is a must. The modalnature of this chart makes it very accessible for improvising.

IN A MELLOW TONEArranged by Mark TaylorMedium Easy $40.00 Cat: 7011083One of the all-time Ellington classics is this elegant medium swing tune. Mark’ssmooth arrangement features plenty of rich ensemble scoring plus solos for trumpetand trombone.

IN THE WEE SMALL HOURS OF THE MORNINGArranged by Mark TaylorMedium Difficult $40.00 Cat: 7500109This beautiful ballad has been recorded by countless jazz artists over the yearsin addition to being featured in several recent movies. The marvelous melodyand distinctive harmony are treated masterfully in this setting for vocal soloist.

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IT MIGHT AS WELL BE SPRINGArranged by Mark TaylorMedium $40.00 Cat: 7010612Feature your drummer on brushes with this classy chart on a well-known standard.The ensemble plays mostly tutti rhythms with solo fills provided by the drums. Agreat concept on a wonderful tune. Also included is a trumpet solo.

JUMP JIVE AN’ WAILArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010471Definitely the flagship of the current jump swing style, this tune was made famousagain by Brian Setzer on his popular ‘The Dirty Boogie’ big band CD. Mark Taylortakes it one step further in this smokin’ arrangement. Featuring solos for tenor andguitar, soaring sax lines and ensemble hits, this chart never lets up!

LESTER LEAPS INArranged by Mark TaylorMedium $40.00 Cat: 7010592The sax section gets a turn in the spotlight on this enjoyable chart of Lester Young’sjazz classic. This medium up-tempo chart features a great swing feel and a flexiblesolo section with ensemble backgrounds.

LET THE GOOD TIMES ROLL ***NEW***Arranged by Mark TaylorMedium $45.00 Cat: 7011107Inspired by the famous arrangement that Quincy Jones penned for Ray Charles,here is an impressive offering that pays tribute to Ray’s genius for style andshowmanship. This is hard-hitting big band writing at its best!

THE LOOK OF LOVEArranged by Mark TaylorMedium $40.00 Cat: 7500107This well-known Latin classic has been recorded by many jazz artists and lends itselfto an easy relaxed feel. Written in a very comfortable range for vocalists, thisexceptional chart by Mark Taylor will be a joy to perform. Key of Eb (G below middleC to A above middle C).

MAIDEN VOYAGEArranged by Mark TaylorEasy $40.00 Cat: 30713030This intriguing Hancock classic is ideal for younger groups in Mark Taylor’s solidtreatment, with a versatile modal solo section that is great for first attempts at improvisation.

MAS QUE NADAArranged by Mark TaylorMedium $40.00 Cat: 7010316Made famous by Sergio Mendez and Brazil ’66, you are sure to recognize the tuneeven if you don’t know it by its title. Featuring a great Latin groove, this is a naturalfor change of pace programming.

MOANIN’Arranged by Mark TaylorMedium $40.00 Cat: 7010626Mark has arranged this well-known jazz tune by Bobby Timmons as a piano featureat the beginning. The saxes take it after the piano and there is a solo section withsample written solos for piano, tenor sax and/or trumpet. This medium tempo swingchart also features a nice ensemble chorus before returning to the head.

MOMENT’S NOTICEArranged by Mark TaylorEasy $40.00 Cat: 7010876John Coltrane’s wonderful jazz classic is written in a medium up-tempo swing styleand features solid ensemble figures alternating with a small combo (alto, tenor,baritone sax, trumpet, and trombone). Includes solos for tenor or trumpet.

MY CHERIE AMORArranged by Mark TaylorMedium Difficult $45.00 Cat: 7011113Who would have thought to transform this Stevie Wonder hit into a swinging jazzwaltz? That’s exactly what master arranger Mark Taylor has come up with as he usesthis creative setting to feature an alto sax soloist and inventive ensemble lines.

MY FUNNY VALENTINEArranged by Mark TaylorMedium Difficult $45.00 Cat: 34223023You simply can’t go wrong with a trusted standard, arranged by a gifted writer. MarkTaylor’s version is a concert ballad for tenor with a few hints of Latin to spice it up.

MY ONE AND ONLY LOVEArranged by Mark TaylorMedium Difficult $45.00 Cat: 34213010Mark Taylor’s superb arrangement of this great jazz ballad is one of the mostdramatic alto sax features in years. Great for contest or festival use!

MY ROMANCEArranged by Mark TaylorMedium Difficult $45.00 Cat: 34223031Mark’s tasteful ballad treatment of this Rodgers and Hart classic features lushharmonies and a Latin middle section. An excellent setting for solo flugelhorn.

MY ROMANCEArranged by Mark TaylorMedium $40.00 Cat: 7010594Written in a soft Latin style, here is an attractive setting for solo flugelhorn on thisRichard Rodgers favorite. The range is very comfortable for young players and all ofthe solo lines are written out.

A NIGHT IN AUGUSTA ***NEW***Arranged by Mark TaylorMedium $50.00 Cat: 7011227This Mark Taylor original is written in a moderate Samba style and starts with aquartet of alto, tenor, trumpet and trombone at the top. Also featured are ensembleriffs trading with solo drum fills. The flexible solo section is followed by a soft tuttiensemble section that builds to a powerful finish.

PEBBLE BEACHArranged by Mark TaylorMedium Easy $40.00 Cat: 7010786The music of Vince Guaraldi is always melodic and fresh sounding and you willprobably recognize this from the TV Charlie Brown specials. Arranged here in amoderate Samba style, the opening theme is played by a small combo with backgroundfigures played by the full ensemble. Includes solo opportunities for any combinationof alto, tenor or trumpet.

PICK UP THE PIECESArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010263This is the unmistakable number one hit from the ‘70s group Average White Band!Mark’s ultra-funky and ultra-cool chart written in classic horn band style showcasesthe familiar licks and hot grooves. Great chart for letting your soloists really open up!

QUIET NIGHTS OF QUIET STARS(CORCOVADO)Arranged by Mark TaylorDifficult $45.00 Cat: 7010105From the master of Latin music, this is one of Jobim’s best. Mark’s excellent treatmentfeatures tenor sax and nice ensemble writing.

THE RAINBOW CONNECTION ***NEW***Arranged by Mark TaylorMedium $45.00 Cat: 7011203Written in a light jazz waltz style, Kermit’s familiar tune from The Muppet Movieworks great as a feature for flugelhorn in the skilled hands of Mark Taylor. Featuringa comfortable range for the soloist, a sax soli, and effective ensemble writing, this gemis a nice change of pace number.

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ST. THOMASArranged by Mark TaylorMedium $40.00 Cat: 7010465One of the best-known Latin/Jazz compositions is this classic by Sonny Rollins. Markhas done a great job of making it playable by younger groups while maintaining thestyle of the original. Small group playing is alternated with the full band and a flexiblesolo section allows any number of soloists. This one is a must!

SALT PEANUTSArranged by Mark TaylorMedium Easy $40.00 Cat: 7011081Playing jazz should be fun and this carefully constructed arrangement for youngplayers will certainly help make this happen. Alto and trumpet take the melody at thetop, then the rest of the band joins in for a lively romp!

SEPTEMBER ***NEW***Arranged by Mark TaylorMedium $50.00 Cat: 7011231Here’s the classic funk tune from Earth, Wind & Fire in a terrific arrangement for bigband by Mark Taylor. This one includes all your favorite signature horn riffs as well asa solo for tenor sax.

SIDEWINDERArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010416Here is a standout chart on Lee Morgan’s soulful jazz standard. The familiar melodyriff is first played by a small ensemble of alto, tenor, trumpet, trombone, and guitar.Gradually the entire ensemble gets into the act followed by solo space for alto and/or trumpet and finally drums. With its distinctive and important style, this chartbelongs in every band’s library.

SMOKE GETS IN YOUR EYESArranged by Mark TaylorMedium $40.00 Cat: 7010318Mark has given this Jerome Kern favorite a soft Bossa treatment that serves as a solofeature for flugelhorn. The tempo is comfortably moderate and the scoring isexceptional.

SO WHATArranged by Mark TaylorEasy $40.00 Cat: 7010575Jazz giant Miles Davis is probably best-known for this tune. Alternating between asmall combo (alto, tenor, bari.,trumpet, trombone, and guitar) and full ensemble,Mark has created a masterful chart for young players. Improvising is all done on 2dorian scales. Sample written solos and scales are included. This one should be inevery young band’s library!

SONG FOR MY FATHERArranged by Mark TaylorMedium $40.00 Cat: 7010203Here is the Horace Silver standard arranged for big band.

STOLEN MOMENTSArranged by Mark TaylorMedium $40.00 Cat: 30724026This outstanding Oliver Nelson composition has been a jazz favorite for many years.This arrangement alternates between small group statements of the melody withfull ensemble sections. The modal chord progression is easy for younger soloists tohandle and separate solo sheets are included with sample solos and scales.

STRAIGHT, NO CHASERArranged by Mark TaylorMedium $40.00 Cat: 7010459Required literature for the noble study of Monk, this arrangement of a jazz classicwill delight young bands as well as experienced groups. You can play it as fast or slowas you like, and it will sound great either way.

SWING, SWING, SWINGArranged by Mark TaylorDifficult $60.00 Cat: 7010152From the movie 1941 this is John Williams’ big band era extravaganza from thedance marathon scene. Written in a ’40s swing style, this up-tempo burner givesevery section a feature spot and is guaranteed to bring down the house.

TAKE THE ‘A’ TRAINArranged by Mark TaylorMedium $40.00 Cat: 2500470Made famous by the Duke, this Billy Strayhorn classic is the definitive swing tune.Carefully arranged in an authentic style, this one is a must for your vocalist.

THIS CAN’T BE LOVEArranged by Mark TaylorEasy $40.00 Cat: 7010947Beautifully scored with tutti ensemble rhythms played softly and featuring thedrummer on brushes, here is a strikingly effective version of this Rodgers & Hartfavorite. Also includes a sax soli and solo for trumpet. Excellent!

TRIBUTE TO MILES ***NEW***Arranged by Mark TaylorMedium $55.00 Cat: 7011221Celebrating the achievements of a true jazz inNovator, this excellent medley byMark Taylor embraces some of the greatest compositions by the legendary MilesDavis. Includes: So What, All Blues, Seven Steps to Heaven and Milestones. Featuredare solos for trumpet and drums.

TURNAROUNDArranged by Mark TaylorMedium Difficult $45.00 Cat: 7011115This Latin funk tune starts out softly, then gradually picks up intensity as layers ofsound are added until finally the entire ensemble is cookin’. Nice feature spots areprovided for your drummer in addition to a solo for tenor sax.

WELL YOU NEEDN’TArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010596Thelonious Monk was a master of creating distinctive melodies in the bebop styleand this is one of his best-known offerings. Mark starts out by giving the melody toa small group of trombones, tenors, and bari. sax before turning it over to the entiresax section. After the trumpet solo section, there is a marvelous sax soli followed bysolo space for tenor sax and a shout chorus for the full ensemble. This great charthas something for everyone!

WHAT’LL I DOArranged by Mark TaylorEasy $40.00 Cat: 7010897Mark has taken this Irving Berlin favorite and crafted a marvelous setting for soloflugelhorn using a unique 3/4 Samba feel. Beautifully supported by the ensemble, andall of the solo part is written out.

YOU’VE CHANGEDArranged by Mark TaylorMedium Difficult $45.00 Cat: 7010497This wonderful standard from the ’40s receives a sensitive and beautifully orchestratedsetting by Mark Taylor featuring tenor sax. In the double time swing section, thesoloing changes are spaced far enough apart to make improvising easier on youngplayers. The solo tenor part is completely written out including a sample solo.

ARRANGED BY GENE THORNE

LI’L JAMESArranged by Gene ThorneMedium $42.00 Cat: 1661This piece originally started as a short introduction and 16-measure melody for aneducational video by the Jazz Ambassadors of the U.S. Army Field Band entitledInside The Big Band. This moderately slow Basie-style chart for advancing groupscontains nice melodic and harmonic movement, which encourages better ensembleplaying. It isn’t technically demanding, so more emphasis may be placed on achievinga laid back swing feel. A guitar chord chart is included. Trumpets on flugelhorn.

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NEXT CHAPTER ***NEW***Arranged by Gene ThorneMedium $52.00 Cat: 61525Every school jazz ensemble should have a jazz waltz in their program, and here’s theperfect one for advancing groups! It reflects upon some of the music written duringthe 1960s fertile Blue Note era. Balance and blend are vital factors since brassplayers are in mutes at times. Solos are provided for piano and alto saxophone. Thewriter provides excellent rehearsal suggestions to help you make this chart a hugesuccess at your next concert. A guitar chord chart is included in each set.

ARRANGED BY MIKE TOMARO

‘ROUND MIDNIGHTArranged by Mike TomaroMedium $45.00 Cat: 7010864Few jazz ballads have been performed as consistently as this Thelonious Monk gem.Mike’s version is a solo vehicle for alto sax and includes a double time feel thatalternates with the traditional ballad tempo. Beautiful lines and striking harmonieshelp create a real standout arrangement.

ALL THE THINGS YOU AREArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010328Mike Tomaro has penned a Latin style version of one of Jerome Kern’s most oftenperformed classics. Mike’s creativity and total command of the idiom shine throughin this superb chart.

BEWITCHEDArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010602Here’s a great old standard in the hands of a great arranger who really understandshow to use the colors of the jazz ensemble. The style is relaxed swing and atrombone solo is featured.

BIRK’S WORKS ***NEW***Arranged by Mike TomaroMedium $60.00 Cat: 7011125A classic minor blues tune from Dizzy Gillespie, Mike Tomaro starts this version as afunky mambo but then shifts the style to swing and finally back again to the mambo.This well-paced chart features a great feel plus solos for trumpet and tenor.

BLUES AT THE GATE ***NEW***Arranged by Mike TomaroMedium $42.00 Cat: 42035While Mike Tomaro is well known for his more challenging works, Blues At The Gateproves that he is equally adept at writing easy level charts. This straight ahead bluesconsists of a strong melody and very solid ensemble writing. An open solo sectionprovides any player with the chance to work on their solo chops.

BLUESETTE ***NEW***Arranged by Mike TomaroMedium $45.00 Cat: 7011131We’re not entirely sure what possessed Mike Tomaro to take what is probably thebest-known jazz waltz and turn it into a Samba! Actually, the relaxed Latin grooveworks quite well, and there are solos for trombone and tenor sax. Give it a try!

BOPLICITYAs Performed by Miles Davis with Gil EvansAdapted by Mike TomaroMedium $45.00 Cat: 7010770The landmark album by Miles Davis Birth of the Cool brought us a uniqueinstrumentation (the nonet) along with distinctive jazz sounds. Without strayingfrom the intent of the music and working directly with the original version, MikeTomaro’s adaptation for standard instrumentation makes this wonderful classicavailable to the contemporary jazz ensemble. As an added bonus this edition includesthe transcribed solos of Gerry Mulligan, Miles Davis and John Lewis.

CARAVAN(See Duke Ellington Section)

COME SUNDAY(See Duke Ellington Section)

EQUAL TIMEArranged by Mike TomaroEasy $42.00 Cat: 42109Here’s an easy level relaxed swing chart by Pittsburgh jazz composer and educatorMike Tomaro. As always, Tomaro’s writing is well-crafted, harmonically and melodicallypleasing, and fun to perform. Aspiring jazz bands will find this a terrific concert orfestival piece. Written or ad lib solos. Playable by 12-17 pieces.

FANCY THATArranged by Mike TomaroMedium $60.00 Cat: 54500Jazz waltz featuring flugelhorn and baritone sax (optional tenor). Sax doubles: allflute and some clarinet.

FOREIGN INTRIGUE ***NEW***Arranged by Mike TomaroDifficult $56.00 Cat: 43173Mike Tomaro has created one of the most interesting charts in recent years with thisnew medium advanced work that alternates between a Brazilian Samba and a funkstyle. A strong melodic statement, and an exciting ensemble section leads to asoprano saxophone solo. A call and response between the trombones and the bandadds an unique twist. Commissioned by the New Trier High School Jazz Ensemble inWinnetka (IL), James Warrick, director.

I COULD WRITE A BOOKArranged by Mike TomaroMedium $45.00 Cat: 7010688Here is a marvelous medium swing arrangement of this Rodgers and Hart classicthat features solos for trumpet and alto, and also a unique sax soli section with atrumpet lead. Big band swing writing at its best!

IN A SENTIMENTAL MOODArranged by Mike TomaroMedium Difficult $50.00 Cat: 7010372Mike Tomaro has beautifully adapted this well-known Ellington classic to featuretenor sax. With flowing melodies and a lush orchestration, this is the perfect balladfor contests or festivals.

LAZY RIVERArranged by Mike TomaroDifficult $50.00 Cat: 7010604Mike kind of ignored the ‘lazy’ part of this river and has turned it into more of araging whitewater monster. Look for some unusual twists in this high-poweredchart including an original bebop line for small group, a brief ‘stride’ piano sectionand some wild ensemble writing.

LET’S FACE THE MUSIC AND DANCEArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010569In a fast Samba style reminiscent of Horace Silver’s ‘Nutville’, this energetic chartfeatures trumpet, tenor and trombone backed by a marvelous display of ensemblesounds weaving in and around the melody.

LUSH LIFE ***NEW***Arranged by Mike TomaroMedium $50.00 Cat: 2500828Here is Billy Strayhorn’s beloved ballad, skillfully arranged with subtle reharmonizationsand reworkings of the melody, all the while remaining faithful to the original intent.Featured are solos for piano & trombone. A gorgeous setting for the entire ensemble.

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MANTECAArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010261Dizzy Gillespie was a genius at combining Latin influences with the jazz idiom. Thismedium tempo arrangement of one of his best-known compositions really sizzles forjazz ensemble.

MILESTONESArranged by Mike TomaroMedium Difficult $45.00 Cat: 7011015Mike Tomaro has taken this Miles Davis standard and created a roaring arrangementthat screams with big band excitement. In a medium uptempo swing style, this chartincludes solos for trumpet and tenor plus an ensemble shout that really pays off!

A NIGHTINGALE SANGIN BERKELEY SQUARE [VOCAL]Arranged by Mike TomaroMedium $40.00 Cat: 7500057This vocal ballad is in the key of E Flat.

NIGHTOWL SUITE, MOVEMENT 1Arranged by Mike TomaroDifficult $56.00 Cat: 43285Commissioned by the Kentucky Music Educators’ Association for its 2002 All-StateJazz Ensemble, the inspiration for this up-swing release comes from the music of ArtBlakey’s Jazz Messengers and Birdland, NYC’s legendary jazz club. Though improvisedsolos are assigned to trumpet and trombone, chord sheets are included so anyonecan serve as soloist. Mike’s score calls for five trumpets, and the chart takes about sixminutes from start to finish.

NIGHTOWL SUITE, MOVEMENT 2Arranged by Mike TomaroMedium $56.00 Cat: 43286Commissioned by the Kentucky Music Educators’ Association for its 2002 All-StateJazz Ensemble, this provocative swing ballad features tenor sax soloist from start tofinish. Mike’s score calls for five trumpets with harmon mutes and flugelhorn doubles;the lead part goes to E6 at the dramatic climax. A great change-of-pace chart.

NIGHTOWL SUITE, MOVEMENT 3Arranged by Mike TomaroDifficult $56.00 Cat: 43287This challenging medium advanced Latin original hails from Mike Tomaro’s extendedwork, Nightowl Suite, a musical account of a night in the life of the quintessentialjazz fanatic. This movement finds our nocturnal fan going home as the city awakensfrom some much needed sleep after a night of listening to jazz. This movement canbe played alone or programmed with the other two movements.

ON THE NIGHTSIDEArranged by Mike TomaroMedium Easy $52.00 Cat: 42752Dedicated to Pittsburgh’s premier jazz deejay, Tony Mowod, this aggressive tune canbe played in a swing or shuffle feel. Either way, figures must be heavily swung whilethe rhythm section delivers a driving groove. Though improvisation is encouraged inthe open solo section, scales and sample solos for all instruments are provided. Saxesand brass solis and rousing shout round things out.

ONE FOR OLIVERArranged by Mike TomaroEasy $42.00 Cat: 42260Scored at the easy level, this minor blues chart is a tip of the hat to Oliver Nelson’sStolen Moments. Set in a relaxed swing feel, developing players will benefit greatlyfrom this well-written original. Scales and sample solos are provided.

ONE NOTE SAMBAArranged by Mike TomaroDifficult $60.00 Cat: 7010197The trombone section takes the spotlight in this smooth arrangement of Jobim’swell-known standard. There are solo sections for alto sax and piano with creativelywritten accompaniment figures. The powerful ending section begins with a strikingfull band unison and drives to the end. Great number for mature groups.

OTHERS BROTHERS ***NEW***Arranged by Mike TomaroDifficult $60.00 Cat: 54503Commissioned by the Ultraphonic Jazz Orchestra, this fusion Samba grabs you fromthe introduction and never lets go! Written in the style of the Brecker Brothers, thechart features extended solo space for trumpet and tenor as well as plenty of ‘inyour face’ ensemble writing.

OUT OF NOWHEREArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010368This standard from the 1930s has a distinctive melody and great changes. Mike’smedium tempo arrangement features some excellent ensemble writing and a niceflowing swing feel.

OUT ON A WHIMArranged by Mike TomaroMedium Difficult $40.00 Cat: KJOS-ZB100Shuffle funk. Alto 1 doubles on soprano, and there are tenor and guitar solos. Asrecorded by the Mike Tomaro Big Band on Dancing Eyes.

PASSION FLOWERArranged by Mike TomaroMedium $45.00 Cat: 2500648One of the true jazz gems from the magnificent catalog of Billy Strayhorn. UsingBilly’s original score, this adaptation features alto sax throughout and a kaleidoscopeof ensemble backgrounds creating a rich and colorful setting.

SCOTT FREEArranged by Mike TomaroMedium Easy $42.00 Cat: 42813This medium easy level chart is an excellent introduction to the Samba style. Thecomposer states that once a basic understanding of the rhythms has been established,the piece poses few problems.

SUPERSTITION ***NEW***Arranged by Mike TomaroMedium $45.00 Cat: 7011135Mike Tomaro takes this funk classic by Stevie Wonder through a series of new twistsand turns, but he is careful to preserve the great groove and signature horn riffsfrom the original. Featured are solos for alto and trumpet.

SWEET SORROWArranged by Mike TomaroMedium $43.00 Cat: 54501 This is an alto sax feature. Easy funk groove with very smooth melody line. Some saxdoubles.

THERE WILL NEVER BE ANOTHER YOUArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010244This is a nice swing arrangement of the standard.

TO NO AVAIL ***NEW***Arranged by Mike TomaroDifficult $55.00 Cat: 54502Written for Steve Houghton, this composition features the drummer in both delicate,color painting solo situations as well as more powerful ones. There is extensive useof woodwind doublings and brass mutings for color and flugelhorn solo space aswell. This chart runs the dynamic and emotional gamut.

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TONES FOR JOAN’S BONES ***NEW***Arranged by Mike TomaroMedium $60.00 Cat: 7011157One of pianist Chick Corea’s earlier compositions, this medium swing chart begins ina subtle manner that features counterlines that are interwoven with the sinewymelody. However, the intensity begins to build through the piano and alto sax solos,ending with a roaring full band climax.

YES OR NOArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010941Jazz master Wayne Shorter has given us a wealth of jazz standards and this is one ofhis best. Written in an up-tempo swing style, this impressive-sounding chart featuressolos for alto and trumpet.

ARRANGED BY CHRIS WALDEN

COUNT THE STARS ***NEW***Arranged by Chris WaldenMedium $60.00 Cat: 55850Medium-tempo Basie-like melody featuring muted trumpet and flute.

FILM NOIR SUITE, PART I ***NEW***Arranged by Chris WaldenDifficult $55.00 Cat: 55851Med up tempo, long intro, movie-score like, featuring trombone solo. Recorded bythe Chris Walden Big Band on ‘Home Of My Heart.’

FILM NOIR SUITE, PART II ***NEW***Arranged by Chris WaldenMedium Difficult $55.00 Cat: 55852Slow, long intro without rhythm, movie-score like, flghn solo. Recorded by the ChrisWalden Big Band on ‘Home Of My Heart.’

FILM NOIR SUITE, PART III ***NEW***Arranged by Chris WaldenMedium Difficult $55.00 Cat: 55853Ultra fast intro, then going into half time blues, open for any solo over blues changes.Recorded by the Chris Walden Big Band on ‘Home Of My Heart.’

HOME OF MY HEART ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55854Slow jazz-waltz featuring a flugelhorn melody, then going into 4/4 Bossa featuringtenor sax solo, ending in 3/4 again. Recorded by the Chris Walden Big Band on‘Home Of My Heart.’

HOT WHEELS JUMPIN' HIGH ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55855Up-tempo ‘40s swing featuring guitar melody and solo (Brian-Setzer-like).

IN THE DOGHOUSE ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55856Medium-up tempo. The intro illustrates funnily an argument between husband andwife. Then theme and solos played by flugelhorn and alto sax. Recorded by the ChrisWalden Big Band on ‘No Bounds.’

MR. J ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55857Up-tempo be-bop, featuring trombone and trumpet solo.

NITE CLUB SWING ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55858Up-tempo ‘40s swing in minor featuring guitar solo (Brian-Setzer-like).

REMEMBER TOMMY ***NEW***Arranged by Chris WaldenMedium $55.00 Cat: 55859Medium tempo easy swing featuring trombone melody (Tommy Dorsey-like).

SHORT PENCIL ***NEW***Arranged by Chris WaldenMedium $55.00 Cat: 55860Medium tempo swing, features the band all the way, no solos. Medium.

START GROOVIN' ***NEW***Arranged by Chris WaldenMedium Difficult $55.00 Cat: 55861Medium tempo blues, melody with saxes, featuring alto sax and trumpet solos. Brasssolo in between without rhythm.

TAKE YOUR TIME ***NEW***Arranged by Chris WaldenMedium $55.00 Cat: 55862Easy-going, smooth jazz, featuring tenor sax melody and solo.

THIS BAND IS BOUNCIN' ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55863Medium-up tempo boogie, featuring tenor sax solo.

THIS IS NOT 4 U ***NEW***Arranged by Chris WaldenDifficult $60.00 Cat: 55864Jazz-rock (Brecker Brothers-like) features trumpet and guitar solo.

TICINO ***NEW***Arranged by Chris WaldenDifficult $60.00 Cat: 55865Long contemporary jazz piece (10 min) starts out medium tempo with flugelhornand tenor sax melody and solos, then a slow jazz waltz featuring flugelhorn andfinishing with a fast jazz-Samba featuring a tenor sax solo.

TRY HARDER ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55866Up-tempo be-bop on the changes of ‘There Is No Greater Love.’ Theme played bythe whole band followed by an alto sax solo, band tutti, and trumpet solo. Recordedby the Chris Walden Big Band on ‘No Bounds.’

ARRANGED BY BOB WASHUT

LEAP OF FAITHArranged by Bob WashutMedium Difficult $53.00 Cat: 55071A modal composition in a fast swing feel. This arrangement was commissioned by itscomposer, saxophonist Dick Oatts, for a performance by a German radio band. Solochanges are in alto 1, tenor 1-2, trumpet 5, piano, and guitar parts and a drum soloover a vamp is also featured. Meaty tutti ensemble passages permeate the chart.Lead trumpet extends to a written E above staff. Leap of Faith is the title track to arecording by the University of Northern Iowa Jazz Band One on Sea Breeze Vista.

SHININ'Arranged by Bob WashutMedium $55.00 Cat: 55072A contrafact on My Shining Hour changes Shinin' featuring the piano trio within thebig band. The chart is a medium swinger and was commissioned by director RandyKaron for the Barrington (IL) High School jazz band. The pianist, bassist, anddrummer all get solo space and plenty of ensemble work is included as well. Leadtrumpet extends to a written D above staff.

T I T L E S L I S T E D B Y A R R A N G E R

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TONES FOR JOAN’S BONES ***NEW***Arranged by Mike TomaroMedium $60.00 Cat: 7011157One of pianist Chick Corea’s earlier compositions, this medium swing chart begins ina subtle manner that features counterlines that are interwoven with the sinewymelody. However, the intensity begins to build through the piano and alto sax solos,ending with a roaring full band climax.

YES OR NOArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010941Jazz master Wayne Shorter has given us a wealth of jazz standards and this is one ofhis best. Written in an up-tempo swing style, this impressive-sounding chart featuressolos for alto and trumpet.

ARRANGED BY CHRIS WALDEN

COUNT THE STARS ***NEW***Arranged by Chris WaldenMedium $60.00 Cat: 55850Medium-tempo Basie-like melody featuring muted trumpet and flute.

FILM NOIR SUITE, PART I ***NEW***Arranged by Chris WaldenDifficult $55.00 Cat: 55851Med up tempo, long intro, movie-score like, featuring trombone solo. Recorded bythe Chris Walden Big Band on ‘Home Of My Heart.’

FILM NOIR SUITE, PART II ***NEW***Arranged by Chris WaldenMedium Difficult $55.00 Cat: 55852Slow, long intro without rhythm, movie-score like, flghn solo. Recorded by the ChrisWalden Big Band on ‘Home Of My Heart.’

FILM NOIR SUITE, PART III ***NEW***Arranged by Chris WaldenMedium Difficult $55.00 Cat: 55853Ultra fast intro, then going into half time blues, open for any solo over blues changes.Recorded by the Chris Walden Big Band on ‘Home Of My Heart.’

HOME OF MY HEART ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55854Slow jazz-waltz featuring a flugelhorn melody, then going into 4/4 Bossa featuringtenor sax solo, ending in 3/4 again. Recorded by the Chris Walden Big Band on‘Home Of My Heart.’

HOT WHEELS JUMPIN' HIGH ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55855Up-tempo ‘40s swing featuring guitar melody and solo (Brian-Setzer-like).

IN THE DOGHOUSE ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55856Medium-up tempo. The intro illustrates funnily an argument between husband andwife. Then theme and solos played by flugelhorn and alto sax. Recorded by the ChrisWalden Big Band on ‘No Bounds.’

MR. J ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55857Up-tempo be-bop, featuring trombone and trumpet solo.

NITE CLUB SWING ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55858Up-tempo ‘40s swing in minor featuring guitar solo (Brian-Setzer-like).

REMEMBER TOMMY ***NEW***Arranged by Chris WaldenMedium $55.00 Cat: 55859Medium tempo easy swing featuring trombone melody (Tommy Dorsey-like).

SHORT PENCIL ***NEW***Arranged by Chris WaldenMedium $55.00 Cat: 55860Medium tempo swing, features the band all the way, no solos. Medium.

START GROOVIN' ***NEW***Arranged by Chris WaldenMedium Difficult $55.00 Cat: 55861Medium tempo blues, melody with saxes, featuring alto sax and trumpet solos. Brasssolo in between without rhythm.

TAKE YOUR TIME ***NEW***Arranged by Chris WaldenMedium $55.00 Cat: 55862Easy-going, smooth jazz, featuring tenor sax melody and solo.

THIS BAND IS BOUNCIN' ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55863Medium-up tempo boogie, featuring tenor sax solo.

THIS IS NOT 4 U ***NEW***Arranged by Chris WaldenDifficult $60.00 Cat: 55864Jazz-rock (Brecker Brothers-like) features trumpet and guitar solo.

TICINO ***NEW***Arranged by Chris WaldenDifficult $60.00 Cat: 55865Long contemporary jazz piece (10 min) starts out medium tempo with flugelhornand tenor sax melody and solos, then a slow jazz waltz featuring flugelhorn andfinishing with a fast jazz-Samba featuring a tenor sax solo.

TRY HARDER ***NEW***Arranged by Chris WaldenMedium Difficult $60.00 Cat: 55866Up-tempo be-bop on the changes of ‘There Is No Greater Love.’ Theme played bythe whole band followed by an alto sax solo, band tutti, and trumpet solo. Recordedby the Chris Walden Big Band on ‘No Bounds.’

ARRANGED BY BOB WASHUT

LEAP OF FAITHArranged by Bob WashutMedium Difficult $53.00 Cat: 55071A modal composition in a fast swing feel. This arrangement was commissioned by itscomposer, saxophonist Dick Oatts, for a performance by a German radio band. Solochanges are in alto 1, tenor 1-2, trumpet 5, piano, and guitar parts and a drum soloover a vamp is also featured. Meaty tutti ensemble passages permeate the chart.Lead trumpet extends to a written E above staff. Leap of Faith is the title track to arecording by the University of Northern Iowa Jazz Band One on Sea Breeze Vista.

SHININ'Arranged by Bob WashutMedium $55.00 Cat: 55072A contrafact on My Shining Hour changes Shinin' featuring the piano trio within thebig band. The chart is a medium swinger and was commissioned by director RandyKaron for the Barrington (IL) High School jazz band. The pianist, bassist, anddrummer all get solo space and plenty of ensemble work is included as well. Leadtrumpet extends to a written D above staff.

T I T L E S L I S T E D B Y A R R A N G E R

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ANDREWS SISTERS/ANTHONY/BARNETAS PERFORMED BY THE ANDREWS SISTERS

APPLE BLOSSOM TIME ***NEW*** [VOCAL]Transcribed by Alan GlasscockMedium $65.00 Cat: LL-3100This arrangement of the Andrews Sisters’ version of Apple Blossom Time shows amore sentimental side of the trio’s repertoire. Unusually, the chart is only scored for3 voices, 4 trombones and 4 rhythm. There are no parts for trumpets or saxes,so it can be used as a showcase for your bone section and singers. This hasbeen faithfully transcribed by referencing a number of recordings that the Sistersmade, in order to get complete authenticity and accuracy. This number will sit wellin any set, particularly as a late-night closer. Vocal key G/Eb/G [Female trio vocal SSA]

BEI MIR BIST DU SCHOEN ***NEW***[VOCAL]Arranged by Myles CollinsEasy $65.00 Cat: LL-2135Here is the Andrews Sisters’ version of Bei Mir, and it is one of their most famous andpopular songs. This chart includes the opening verse, with the clarinet solo fill-insbehind, and the solo vocal middle 8 also with the clarinet solo behind. The bandbackings have been adapted into a full big band line-up, from the smaller set-up usedfor their original recording. The vocal lines are written out as-sung, and the trumpetsolo is written out in full too. Alto 1 is on clarinet throughout, with alto 2 and bothtenors doubling clarinet up to the trumpet solo. The vocal key is F minor.

BOOGIE WOOGIE BUGLE BOY [VOCAL]Transcribed by Alan GlasscockMedium $65.00 Cat: LL-99408The Andrews Sisters produced a huge number of hits, and this is one of their finest.Alan Glasscock has scored a cracking version here, and has notated the vocal trioparts with exceptional skill. There were a couple of key verions of this song. One wasthe Decca release and the other done for the movie ‘Buck Pirates.’ The Decca chartused a small backing band, the movie a full big band. This version fuses the two andtakes the best from both. Both of the trumpet solos are fully written out (intro andin the middle section of the chart), and the Boogie Woogie piano / bass lines are allthere. Although this is a vocal trio, a solo vocal part has been included should youwish to perform this chart with just one female vocalist. The saxes are scored forclarinet, 2 altos and 2 tenors throughout. Key of D.

HOLD TIGHT [VOCAL]Transcribed by Alan GlasscockMedium $65.00 Cat: LL-2144The Andrews Sisters recorded this chart with the Jimmy Dorsey orchestra inNovember 1938, and it went on to be a big hit for them. The original chart has beentranscribed, but it has been scored for 8 brass and 5 saxes rather than the original5 + clarinet (the clarinet solo lines are now on alto 2). The Andrews Sisters interweavingvocal lines are scored in full, as are all of the band backings with carefully notateddynamics and articulations, to allow your band to recreate the authentic sound.Another fine transcription. Alto 2 doubles clarinet, and the vocal key is Bb.

JINGLE BELLS [VOCAL]Arranged by Alan GlasscockMedium Easy $65.00 Cat: LL-2016This chart is just happy and fun from start to finish. Written for a male vocal andfemale vocal trio, it is equaly well suited to a male / female duo. Full of quirky little fillsand backings from the band which compliment rather than outshine the vocalists,plus a cameo baritone sax solo, this chart is perfect for injecting a little festive cheer.Both altos are on clarinets, the brass ranges are very moderate (lead trumpet onlyup to an A) and the vocal ranges are not challenging. The only tricky little bit is thepiano intro. Key of E flat.

RUM AND COCA COLA [VOCAL]Transcribed by Alan GlassockEasy $65.00 Cat: LL-2132Rum and Coca Cola is an enduring hit for the Andrews Sisters, sung against aCalypso rhythm apart from the last 5 measures which move into swing tempo. Allthree vocal parts are written to intertwine in true Andrews Sisters style. The chartis scored for SSA vocal, piano, bass, guitar, drums, maracas and 4 trumpets only. Thesolo trumpet line is written on the 1st part, but cross-cued on the other 3 trumpetparts, so you can share the solos around the section if needed. The vocal key is Bb.

AS PERFORMED BY RAY ANTHONY

MR. ANTHONY’S BOOGIETranscribed by Myles CollinsDifficult $65.00 Cat: LL-1093Mr Anthony’s Boogie is a rousing up-tempo swing Boogie Woogie which features thetrumpet section, and a solo 3rd trumpet in particular. This chart is really powerful,and great for a jitterbug dance crowd. We have graded it as medium/advanced, asthe arrangement has a number of triplet passages which require precision fromboth trumpet and sax sections, plus the trumpets are quite high in their registers.The trumpet and tenor solos are written out, though we have left the pianist freeto improvise. Though not a long chart, at two and a half minutes, your players mightstill need a quick rest after blowing it! No sax doubles.

TENDERLYTranscribed by Bob MartinMedium $65.00 Cat: LL-1057Tenderly has been a standard for trumpet players for a long time. This is the RayAnthony version from his huge-selling album, ‘Dream Dancing’, from the early ‘50s,and is in 4:4 time. Ray played a little bit with the Miller band and, when he formed hisown outfit after WWII, he kept the clarinet lead. Ray is not a high-note artist andhas a powerful low range, and in this chart the solo is given to the 3rd trumpet.

THUNDERBIRDTranscribed by Myles CollinsMedium Easy $65.00 Cat: LL-1206Thunderbird is another chart from the Ray Anthony/George (the Silver Fox) Williamspartnership, and is a classic of its time. It is an ensemble chart, and has some greatsectional writing. The unusual feature part is the baritone sax, which underpins thewhole chart from start to finish. The arrangement is full of color and dynamiccontrast, as well as being a really bouncy swing number. Playing this chart will help todevelop good sectional techniques within your band, and it is recommended notjust as a dance piece but as a band training tool too. The chart has been faithfullytranscribed right down to the Anthony’s cameo muted trumpet lead over the saxsection towards the end of the piece, and the important little piano licks and fills onthe part have also been written in.

TRUMPET BOOGIEArranged by John FergusonDifficult $65.00 Cat: LL-1169Ray Anthony used this chart in much the same way as Harry James used TrumpetBlues - as a rousing sectional feature. It storms from start to end, and plays just aswell at a slightly reduced tempo too. The arrangement features solos for tenor andtrumpet, a cameo piano solo in the intro, and some thundering sectional interplay.Saxes are scored for a regular section and there are no sax doubles.

AS PERFORMED BY CHARLIE BARNET

CHEROKEEArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1078Cherokee was the first big hit for Charlie Barnet and his Orchestra, though whenBilly May arrived for the 1939 recording session and handed out the parts nobodyseemed that impressed with it! This is a good tenor feature, and a straight forwardchart to play. The arrangement is full of interest. Glissing trombones, trumpets withwah-wah plungers, and some rich voicings in the saxes and ensemble sections. Thischart is the one that set the standard for all subsequent arrangements of this RayNoble composition. There are no sax doubles.

SKYLINER ***NEW***Transcribed by Myles CollinsDifficult $65.00 Cat: LL-1043Arguably the most famous number of the Charlie Barnet Orchestra, Skyliner is areally punchy, up-tempo swinger, featuring a piano intro, unison brass carrying themelodic line, with clarinet-led saxes over the top and later on a cracking trombonesoli. Both tenor sax parts are scored with the solo chords and the cameo trumpetsolo can be taken by lead or second.

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C O U N T B A S I EACES AND FACESArranged by Myles CollinsMedium $65.00 Cat: LL-1053This is a medium swing tempo chart from the Basie band of 1945, featuring thetrumpet. There are ad-lib solos for piano, clarinet, tenor 1 (cued on 2), trumpet 2(cued on 1,3&4) and trombone 1 (cued on 2) too. This chart will make a refreshingaddition to any library, and it is very playable, provided you have soloists who canimprovise! Lead alto doubles clarinet.

AFTER SUPPERTranscribed by Jon HarpinMedium $65.00 LL-1108Another beautifully relaxed chart from the Basie band, featured on the Atomic MrBasie album. Written by Neal Hefti, this easy chart is aptly named. It is slow, relaxed,laid-back and super cool. It features piano, tenor and muted trumpet solos andthere are no sax doubles. The brass is muted throughout. Originally written for 7brass, an optional 4th trombone part has been added for completeness. The basstrombone is on the 3rd part.

ALL OF ME ***NEW*** [VOCAL]Transcribed by Myles CollinsMedium $65.00 Cat: LL-1172This version is a transcription of Basie’s performance from the ‘Sinatra at the Sands’album, and it differs slightly from the great Billy Byers studio version of the chart. Itopens with a floating piano solo, and the piano takes the first chorus, with sparsebackings from the band. The second chorus is ensemble, with some beautiful harmonicstructured writing, and the piano solo comes back for the third, with some classiccall and response with the band. The chart must be taken at a laid-back pace, andyour band needs to observe the written dynamics and articulations in order toachieve the right feel. The piano part is written out as played, though the lead line atthe start of the second half of the first chorus has been written in, where Mr. Basiechose not to play at all. The chart is graded as medium even though the leadtrumpet has a written high F. The 4th trombone is bass.

ALL OF MEArranged by Billy ByersDifficult $50.00 Cat: 33301010This is the original Billy Byers arrangement.

ALRIGHT, OKAY, YOU WIN [VOCAL]Transcribed by Myles CollinsMedium $65.00 Cat: LL-2403This version of Alright, Okay was done by Joe Williams with the Count BasieOrchestra and it is a very danceable bouncy shuffle that has a solid pulse. There isnothing complicated about the chart and it is a fine example of how to score anarrangement to feature your vocalist. There is also a great 8 bar bridge between thevocal choruses which gives a real kick. The trombones are written for 3 tenors anda bass, though the bass bone is in tenor range. The chart has been scored to reflectJoe Williams’ performance. No sax doubles. Vocal key: Ab

ALRIGHT, OKAY, YOU WINArranged by Sammy NesticoMedium $45.00 Cat: 7210016As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popularstandard breathes new life under the masterful pen of Sammy Nestico. A flexiblesolo section allows for any combination of soloists.

AMOROSOArranged by Benny CarterMedium Difficult $52.00 Cat: SMP-273As recorded by Count Basie on the Roulette LP (Vogue CD) ‘The Legend,’ this is anup-tempo latin and swing chart. Solo space is provided for tenor sax. trumpet anddrums. There is an open solo for your drummer and latin inst. players (if you havethem) The tune moves beautifully from latin to swing and back again. Classic Basie!5-4-3-4 (w/opt. 4th Trb.)

APRIL IN PARISTranscribed by Jeff HestMedium $50.00 Cat: JE9902Exactly how Count Basie and his orchestra played it. Every detail of this jazzstandard has been transcribed and recontructed by Jeff Hest. What better way tolearn about the Basie style than to play this classic. An educational vehicle that islong overdue.

AVENUE CTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1089Here is Avenue C in all its glory. A rousing flat-out swing chart, written by BuckClayton for the Basie band. This chart powers from start to finish and is great forboth concert work and swing dancing. All of the instrumental solos have beentranscribed (2 tenors, trumpet, trombone and piano) and have included all phrasingmarks, articulations and dynamics. This is a truly rare chart from the Basie band atthe height of its power. There are no sax doubles.

BASIE BOOGIETranscribed by Myles CollinsMedium $65.00 Cat: LL-2407Basie Boogie is, as its name might suggest, an up-tempo piano feature that swingsfrom top to toe. Like many of Basie’s charts, the arrangement evolved over time, butthis version is from the original recording. The piano part has been written out in fullto include the licks and fills and the boogie-woogie left hand patterns, though yourplayer can improvise from the chords if need be. The band parts are not demanding,and fairly sparse, leaving the pianist a lot of space. No sax doubles.

BEAVER JUNCTIONTranscribed by Myles CollinsMedium $65.00 Cat: LL-1052Written by Harry Edison, this chart, whilst still being a punchy swing tune, shows theway for others such as Cute, where unison muted trumpets take the melody. Thereare a couple of fine sax soli passages in this arrangement, a small cameo solo fortrumpet 2, and the Basie piano intro that became something of a hallmark. Nottechnically difficult, this chart requires precision and good section work to do itjustice. Great for dancing or concert work. No sax doubles.

BLUE FIVE JIVEArranged by Benny CarterMedium Difficult $52.00 Cat: SMP-267As originally recorded on Kansas City Suite, this is a medium-tempo chart featuringsolos for tenor saxophone, trumpet and piano. It is a terrific arrangement that putsa lot of emphasis on the saxophone section. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.)

COME FLY WITH METranscription by Jon HarpinDifficult $65.00 Cat: LL-85400This is Frank Sinatra at his best. This chart is a transcription of Sinatra with theCount Basie Band, taken from Sinatra at the Sands. It features the original bandintro - big, punchy and nearly a minute long - giving you time for a big introductionto your vocalist. The chart is also marked with an optional start point, just before thevocal, should you wish to shorten things. We have removed a couple of mutedtrumpet fills here and there, to keep things cleaner. There are some sax doubles.Altosgo to clarinets and tenors to flutes. These doubles add color to the voicings thoughare not vital to the chart. So if your tenor players are fluteless don’t worry too much.The vocal is in Bb, with a range from Bb to D (one octave and 3 tones) and has beenwritten out to give your vocalist a good feel of Sinatra’s phrasing.

CORNER POCKETTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1220Corner Pocket was written by the unsung hero of the Count Basie band, FreddieGreen, and its title is a reference to the place that Green called his own - the cornerpocket of the rhythm section. This has been transcribed from the ‘Basie in London’album but the chart has been adapted slightly to make it suitable for 8 brass. Thereare ad-lib solo spots for trumpets 1 & 2 and tenor 1. Basie’s piano solos are writtenout as-played, as is the last 8 measures of the lead trumpet solo because it suggeststhe theme for the final shout chorus at the end of the piece, though your player canimprovise if desired. There are no sax doubles. A fabulous chart from the height ofthe Basie Band.

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C O U N T B A S I ECUTEArranged by Neal HeftiMedium Easy $75.00 Cat: LL-1199Cute is one of the great tracks from the Basie band of the 1950s, and one of a serieswritten and arranged for the band by Neal Hefti similar to that found on TheAtomic Mr Basie album. This is the original Hefti arrangement and not atranscription, and makes a nice show spot for your drummer. There is not a fullscore with this arrangement, though a conductor lead sheet is included.

DICKIE’S DREAMTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1090Another very rare chart, this is named for trombonist Dickie Wells. This was firstrecorded in ‘39 as a 7-piece featuring Wells, Buck Clayton and Lester Young, backedby the All-American rhythm section. The tune evolved over time until Basie recordedthe version that is offered here. The tempo is more relaxed and the harmonicstructure is modified a little, though the form is still original. This chart featurestrumpet, trombone, tenor and piano, interspersed with backing phrases. All four ofthe solos are written out as-played (chords are included for improv). No sax doubles.

DUETTranscribed by Jon HarpinMedium Easy $65.00 Cat: LL-1098Duet is one of the great tracks by Neal Hefti, from The Atomic Mr Basie album. Thisis a wonderfully laid back chart featuring two of your trumpet players. This is atranscription of the original Hefti arrangement, and includes fully transcribed JoeNewman and Thad Jones’ solos, scored on trumpet 2 and trumpet 4, plus the pianosolo and fill-ins. We have rated it as easy/medium, but as with so many charts yourband will need to be tight to do it justice. There are no sax doubles.

EVERY TUBTranscribed by Myles CollinsMedium $65.00 Cat: LL-1051Another flat-out swing chart from the earlier days of the Count Basie band. EveryTub is a quick swing chart featuring tenor sax, trumpet and piano, with loads ofvisual possibilities too, as much of the brass ensemble work uses plungers/fan hats. Allof the original solos are written out, though your players can improvise over thechords if they wish. This is another rare Basie chart. The brass ranges are moderateand there are no sax doubles.

FANCY PANTSArranged by Sammy NesticoMedium Easy $40.00 Cat: 2565Funky blues arranged by Nestico and performed by Count Basie.

FEELIN’ FREEArranged by Sammy NesticoMedium $40.00 Cat: 2340Arrangement by Sammy Nestico as performed by Count Basie.

FLIGHT OF THE FOO BIRDSTranscribed by Myles CollinsMedium $65.00 Cat: LL-1200Flight of the Foo Birds is one of the great tracks from the Basie band of the 1950s,and one of a series done for the band by Neal Hefti, to be found on The Atomic MrBasie album. This is a transcription of the original arrangement, and includes fullytranscribed trumpet, alto and tenor solos, plus the piano fill-ins and even the 2 bardrum solo leading into the shout chorus. This chart really swings.

GOIN’ ON ***NEW***Arranged by Benny CarterMedium Difficult $55.00 Cat: SMP-748Benny Carter created a wealth of marvelous, swinging big band music, and this pieceis no exception. As recorded on ‘The Legend’ by Count Basie, this medium-swingchart features solo space for tenor saxophone and piano and the terrific ensemblewriting for which Carter is so well known. Modest ranges (tpt. high C only) makethis a great choice for players of all ages and levels of ability. 5/4/4/4

I LEFT MY HEART IN SAN FRANCISCOTranscribed by Myles CollinsEasy $65.00 Cat: LL-1075This arrangement is based on a 1960s Basie instrumental version, in the Neal Heftistyle. It is a laid-back, relaxed swinger, mostly in ensemble but with nice counterpointpassages of unison altos and trumpets against tenors and trombones. The tenorsolo can be played as written or improvised, depending on your preference. Likewisewith the little piano fills and licks. This chart is easy to play and will give thatwonderful relaxed sound that was the feature of so many Basie arrangements.

I’VE GOT YOU UNDER MY SKIN [VOCAL]Transcribed by Myles Collins & Patrick GazardMedium $65.00 Cat: LL-2014This chart is a transcription of Sinatra with the Count Basie Band, taken fromSinatra at the Sands, and is a must for all male vocalists. Everything has been included,from the rumbling baritone sax line, the big trombone build after the first vocalchorus, the wailing trombone solo and even the little piano fills and tinkles. We havere-scored the saxes to a regular AATTB section and have removed the clarinet &bass clarinet doubles from the original, as we recognize that not all bands have abass clarinet at hand. All dynamics are clearly written, and the vocal part replicatesSinatra’s performance. The brass ranges are moderate other than the trombone solowhich is up to high Db, though your player can always improvise on the chordsprovided. A fine addition to any library. Key of Db.

IN A MELLOW TONEArranged by Myles CollinsMedium $65.00 Cat: LL-1189This Basie chart was scored by Frank Foster, and our version is closely modeled onthis. It has the same length and structure as the Basie chart, but we have modifiedthe sax soli to make it playable by us mortals, though the lead trumpet still needs tohit high F. This chart is a Basie classic, and all five and a half minutes swing in thegroove. We have written out an opening piano solo and another behind the laterbrass chorus, but your pianist can improvise instead. There is also an ad-lib trombonesolo written on the 1st trombone part. 4th trombone is bass. No sax doubles.

IT’S OH SO NICEArranged by Sammy NesticoMedium $40.00 Cat: 2390Arranged by Sammy Nestico and performed by Count Basie.

JACKSON COUNTY JUBILEEArranged by Benny CarterMedium Difficult $52.00 Cat: SMP-263As originally recorded on Kansas City Suite, this is an up-tempo swing chart featuringsolos for tenor saxophone, trumpet and piano. Your band will love playing this happy,swinging flag waver. It is a terrific arrangement that will make a great opener or closer.Classic Basie! 5-4-3-4 (with optional 4th trombone).

JAMIEArranged by Sammy NesticoMedium Easy $35.00 Cat: 2400This ballad was arranged by Sammy Nestico and performed by Count Basie.

KATY-DOArranged by Benny CarterMedium Easy $47.00 Cat: SMP-261As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a slow swing, not unlike Li’l Darlin’ in effect.A brilliant, laid-back chart on a lovely melody. Solos are written out (opt.) for tenorsaxophone, trumpet and piano. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

THE KID FROM RED BANKArranged by Neal HeftiDifficult $65.00 Cat: LL-1210The Kid From Red Bank is one of the great tracks from the Basie band of the 1950s,and one of a series written and arranged for the band by Neal Hefti to be found onThe Atomic Mr Basie album. This is the original arrangement and not atranscription, and includes the piano solo fully written out. There is not a full scorewith this arrangement, though a conductor lead sheet is included.

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C O U N T B A S I ETHE LEGENDArranged by Benny CarterMedium Difficult $52.00 Cat: SMP-274As recorded by Count Basie on the Roulette LP The Legend, Benny Carter hascreated a marvelous, quiet, “smoky” sounding tune - somewhat in the vein ofWhisper Not. This is a wonderful piece, so classic in its proportions, melody, harmonyand its slow, swinging feel. There is solo space for trumpet, tenor sax and a bit ofpiano. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.)

LESTER LEAPS INTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1087First recorded in September 1939, in the same session as Dickie’s Dream, LesterLeaps In is a milestone chart which showcased the phenomenal talent of LesterYoung. The arrangement evolved over time, easing in tempo, lengthening and gatheringmore band backing, until we arrive at this version. This chart simply swings from startto finish. All of the tenor solos have been transcribed, also the piano solos and basslines too, though chords are provided on the parts should your players wish toimprovise. If you have a star tenor player that you wish to spotlight, then LesterLeaps In is a perfect choice. There are no sax doubles.

LI’L DARLIN’Arranged by Neal HeftiMedium Easy $65.00 Cat: LL-1202Li’l Darlin’is one of the great tracks from the Basie band of the 1950s, and one of aseries written and arranged for the band by Neal Hefti to be found on The AtomicMr Basie album. This is the original arrangement and not a transcription, andincludes fully written out muted 4th trumpet solo. There is not a full score with thisarrangement, though a conductor lead sheet is included.

LONELY STREETArranged by Sammy NesticoMedium Easy $35.00 Cat: 2410This Nestico ballad arrangement features alto saxophone.

MAGIC FLEAArranged by Sammy NesticoAdvanced $52.00 Cat: 2420This Nestico arrangement is fast swing for advanced bands.

MEETIN’ TIMEArranged by Benny CarterMedium Easy $47.00 Cat: SMP-265As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a medium slow Swing with more than atinge of Gospel flavor. The trombone section gets the call and the saxophonesrespond. A delightful, happy chart with solo space for tenor saxophone and trumpet(written out solos opt.). Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

MISS MISSOURIArranged by Benny CarterMedium $52.00 Cat: SMP-262As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a medium Shuffle which features solos forpiano, tenor saxophone and trombone. This melody will stick with you for a longtime. Benny was the best at creating those tight, soft, Basie ensemble choruses, andthis one has it all. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

MOTEN SWINGArranged by Ernie WilkinsMedium $47.00 Cat: SMP-191There have been a lot of published charts on this tune, but this is the original versionas played by and recorded by the Count Basie Orchestra. This chart should be inevery jazz band library! Wonderful roaring ensemble passages and soft, soft sectionswhich will make your band sparkle. A guaranteed winner. 5-4-4-4

MOTEN SWINGArranged by Sammy NesticoMedium $40.00 Cat: 32413010This classic blues was a standard of the Count Basie Orchestra for many years, andSammy Nestico’s very playable version for young groups really cooks!

ONE O’CLOCK JUMP ***NEW***Transcribed by Jeff HestDifficult $50.00 Cat: JEM04019This is a transcription of the original arrangement. Meticulously notated with Basie'ssimple but timeless piano solo plus transcribed solos for tenors 1 and 2, trombone,trumpet, bass and the mother of all Basie swinging shout choruses.

ORANGE SHERBETArranged by Sammy NesticoMedium Easy $40.00 Cat: 2592This bright chart features trombone ad lib or written solo.

PASEO PROMENADEArranged by Benny CarterMedium $52.00 Cat: SMP-266As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a medium-up Swing chart that everyone willlove to play. The saxophones get a workout, and there is solo space for tenorsaxophone, trombone and piano. Soft, exciting ensemble work makes this chart atrue delight. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

PENNIES FROM HEAVEN ***NEW*** [VOCAL]Transcribed by Jon HarpinMedium $65.00 Cat: LL-2109Frank Sinatra and Count Basie combined brilliantly on their 1962 album ‘Sinatra-Basie,’ featuring arrangements by Neal Hefti. From Basie’s opening intro right to thelast note this chart was and still is a classic. It has been transcribed here by JonHarpin, and adapted from the original 5 trumpet 3 trombone studio line-up, to amore regular 4-4 section, with the bass trombone on 3rd and an optional 4thtrombone part. The vocal key is Ab and there are no sax doubles.

PLAIN BROWN WRAPPERArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-196This chart was recorded by the Count Basie Orchestra on the CD I Told You So. Thisis a rip-roaring, swinging chart. It starts with trombones and rhythm setting the timewith simple halfnote figures. The saxes and trumpets join in with a swinging, excitingseries of lines! One of the great shout choruses of all time! Features solo space fortenor sax, trombone, piano and drums. A great closer for your programs.5-5-4-4

POUND CAKETranscribed by Myles CollinsMedium $65.00 Cat: LL-1091Pound Cake is Basie doing what he did best - pumping out swinging blues-based riffcharts. This chart also features a rarity - a long solo spot for baritone sax, and thereare other solos for alto 1 (cued on 2), tenor 1 (cued on 2), trumpet 2 and piano. Allof the solos are written out, the brass ranges are very moderate and there is loadsof brass fan hat (or plunger) work, so the visual appeal is high too.

THE QUEEN BEEArranged by Sammy NesticoMedium $42.00 Cat: 2460This Nestico arrangement was performed by Count Basie.

RED BANK BOOGIE ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat: LL-1139Red Bank Boogie is a classic Basie piano feature, and the piano part is written out infull. This chart evolved over time, as many of Basie’s charts did. The original waspossibly a little ‘corny’ perhaps, with the piano line being played in typical stride style.This later version was played using far fewer notes, with less emphasis on the lefthand, and it swings all the better for it. However, it is a quick chart and you will stillneed a pretty good pianist to do it justice. There are no sax doubles.

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C O U N T B A S I EROLL ‘EM PETE ***NEW*** [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-2113The Joe Williams/Count Basie partnership was a rich one indeed, and together theyproduced many fine recordings. Roll ‘Em Pete, from the early ‘70s, is one of the best,with Williams improvising around the original blues line. The band backings supportthe vocalist all the way, and there is also a 2 chorus solo spot for tenor 1. Thetrombone solo fill-ins behind the first two choruses and the tenor fills after the solohave been written out. The vocal sheet is written out as sung, and there are no saxdoubles. Although the band had 5 trumpets during the recording session, this charthas been adapted to 4. The vocal key is B flat.

ROMPIN’ AT THE RENOArranged by Benny CarterMedium Difficult $52.00 Cat: SMP-268As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a fast Swinger that will be a lot of fun foryour band. Tight, rhythmic ensemble passages make this a joy to play and hear. Youraudiences will really respond to this one. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.).

SAMANTHAArranged by Sammy NesticoEasy $35.00 Cat: 2601Ballad, tenor sax feature arranged by Sammy Nestico and performed by Basie.

SCOOTTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1117A wonderful chart from the pen of Neal Hefti. Scoot is almost all muted and fluted,originally with Frank Wess’flute paired with tightly plugged trumpets (using a mix ofmutes) to generate a relaxed but closely confined sound. The chart is quite quickand will need nimble fingers from your trumpets, but once they get their fingersround it the chart will snap into place. The flute solo is ad-lib, and the saxes are onflute, alto, 2 tenors & baritone. We have cued the flute solo chords onto the alto 2part in case you don’t have a flautist. The chart is playable without the flute lead.

SHORTY GEORGETranscribed by Myles CollinsMedium $65.00 Cat: LL-1181Shorty George was first recorded by the Count Basie Orchestra in 1938, andproved to be one of his early big hits, and has become a ‘must-have’ tune for Basiefans. It is up-tempo swing chart which featured Basie and his three big soloists -Buck Clayton (trumpet), Lester Young (tenor) and Dicky Wells (trombone). We havewritten out the original solos for you, though your players can improvise on thechords provided too. This arrangement is really punchy and powerful, with somegreat sectional interplay and big ensemble passages. We have also written in the licksand fills on the drum part. There are no sax doubles.

SMACK DAB IN THE MIDDLEArranged by Sammy NesticoEasy $42.00 Cat: 2605This jazz shuffle was arranged by Nestico and performed by Basie.

SPLANKYArranged by Neal HeftiMedium Easy $75.00 Cat: LL-1203Splanky is one of the great tracks from the Basie band of the 1950s, and one of aseries written and arranged for the band by Neal Hefti to be found on The AtomicMr Basie album. This is the original arrangement and not a transcription, andincludes fully written out tenor and piano solos. There is not a full score with thisarrangement, though a conductor lead sheet is included.

SPLANKYArranged by Sammy NesticoMedium $45.00 Cat: WBRP2021Your band will shine on this medium tempo chart and the ensemble writing will havethe band sounding just like Basie. Solo space provided for 1st tenor sax, 2ndtrumpet and 1st trombone, accessible brass ranges, add the Basie-style rhythmsection fills and you have a superior chart that will stand the test of time.

STRAIGHT AHEADArranged by Sammy NesticoAdvanced $42.00 Cat: 2301Arranged by Nestico and performed by Basie.

STRIKE UP THE BANDArranged by Sammy NesticoAdvanced $60.00 Cat: 7011065From the Basie library, this classic flag-waver from the pen of Sammy Nestico isavailable again! A true tour de force for every section of the band, this monster chartfeatures blistering brass, wailing saxes, a tenor solo, and a great full ensemble shout.

SUNSET GLOWArranged by Benny CarterMedium $47.00 Cat: SMP-247As originally recorded by Count Basie on the Roulette LP ‘Kansas City Suite - theMusic of Benny Carter,’ this is a beautiful ballad, written to feature trombonethroughout. The middle section features the saxophones in one of Benny’s patentedsax choruses. 5-4-3-4 (w/opt. 4th trombone).

SWEET GEORGIA BROWN ***NEW***Arranged by Sammy NesticoDifficult $60.00 7011063As recorded by Count Basie on ‘Prime Time,’ here is the magnificent Nestico flag-waver to end all flag-wavers! Combine a wonderful standard tune with solos forpiano and tenor along with some of Sammy’s finest ensemble writing ever, and youhave a highlight for any concert or festival. Classic chart!

SWINGIN’ THE BLUESTranscribed by Myles CollinsDifficult $65.00 Cat: LL-99964An up-tempo chart that swings from beginning to end, with solo space for trumpet,both tenors, piano and drums. All solos and the piano/bass/guitar parts are chordbased. A nice punchy chart from the Basie book.

TEDDY THE TOADArranged by Myles CollinsMedium $65.00 Cat: LL-1121This is NOT the Hefti stock chart that was issued many years ago. This is thecomplete Basie version, and a nice trombone sectional feature. The chart is writtenfor 2 tenors and 1 bass trombone, with an optional 4th (tenor) trombone part. TheBasie band only recorded this tune three times, once on the Atomic album, once livein 1958 and again live in 1959. The live takes were played quicker! All three versionshas been drawn from to recreate this swing classic. The piano part has all of the littlefills and licks written in, as does the drum part, and the trombone parts are writtenas they were played, including the over-emphasised dragged notes and the lovelyunison trombone ending with the band whisper quiet behind, so that your band willbe able to recreate the authentic Basie feel. There are no sax doubles. The leadtrombone hits a high C, hence we have rated the chart as medium.

THAT WARM FEELINGArranged by Sammy NesticoMedium Easy $42.00 Cat: 2510This ballad arrangement was performed by Count Basie.

TICKERArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-190This chart was recorded by the Count Basie Orchestra on the CD I Told You So.Another hip, blues chart from Holman’s Basie LP. Piano, tpt., and tenor sax solos, witha very neat saxophone section Soli. Great shout choruses. Well within the abilities ofany good band. Cond. Score/parts for 5-5-4-4 instrumentation. (condensed score)

TICKLE TOETranscribed by Myles CollinsDifficult $65.00 Cat: LL-1088Tickle Toe is a real tenor sax feature. This chart, with the usual Basie combination offlowing sax lines and punchy brass, is written in a minor key, giving it a hauntingtonality. Quite quick, at 210 bpm, the chart itself is not technically too demanding,once your sax players have got their fingers around the tune. All of the solos havebeen written out (tenor, trumpet and piano) and the chords too, should yourplayers want to improvise. No sax doubles and the brass ranges are pretty moderate.

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BASIE/LOUIE BELLSON/LES BROWNTOO CLOSE FOR COMFORTArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-310Count Basie recorded this on the wonderful CD I Told You So. This is a happy,cookin’ chart by Holman, with solos for tenor saxophone and piano. It is a guaranteethat your band will LOVE playing this one, and your audiences will love hearing it.The final “shout” chorus is amazing! 5-5-4-4 (4 tpts. works as well)

TREE FROGArranged by Bill HolmanDifficult $52.00 Cat: SMP-329This chart was recorded by the Count Basie Orchestra on the CD I Told You So. Thisis yet another terrific Holman chart written for that band! A medium-tempo shufflethat just swings and swings! There is solo space for a bucket-muted trombone,piano and an optional high trumpet part in the shout chorus. Tree Frog is awonderful chart, written for and recorded by the great Basie Band. 5-5-4-4

TUNE TOWN SHUFFLETranscribed by Myles CollinsMedium $65.00 Cat: LL-1134Here is a fabulous swing dance chart from the Count Basie orchestra of 1941, andif you play to a dance crowd, then this chart is a must-have number. After a punchyopening, the tune itself is just so bouncy that it makes your feet tap without yourealizing. The chart also features a wonderful bridge, leading to an ad-lib piano solo,then some great brass passages which give ample opportunity for plenty of fan-hatwaving. The chart is then lifted higher by two chromatic key changes, an ad-lib tenorsolo and the final short shout chorus to finish. A rare jewel from the Count Basiebook. There are no sax doubles.

UNTIL I MET YOU (CORNER POCKET) ***NEW***Arranged by Michael SweeneyEasy $35.00 Cat: 7470693One of the all-time classic charts from the Count Basie Band is this gem penned bylong standing guitarist Freddie Green. Available for the first time in an arrangementfor beginning bands, Michael Sweeney has crafted an authentic-sounding versionthat will work great for festivals or concerts. From the opening strains to the finalshout chorus, the Basie style shines through.

UNTIL I MET YOU (CORNER POCKET) ***NEW***Arranged by Mark TaylorMedium Easy $40.00 Cat: 7010913One of the classic arrangements from the Count Basie Orchestra is adapted foryounger bands in this authentic-sounding version by Mark Taylor. The signaturepiano intro is scored for trumpets in mutes and all the familiar ensemble passages areincluded. There are brief solos for trumpet and tenor before the well-known shoutchorus closes it out. A must for all bands.

VINE STREET RUMBLEArranged by Benny CarterMedium Difficult $52.00 Cat: SMP-269As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a medium-up Shuffle feel, with solos fortenor saxophone and piano. The sax section plays the tune in unison while thebrass interject those terrific rhythmic figures that Carter wrote so well. Soft, tightensemble passages swing like crazy and raise the roof when played yet again up anoctave and very powerfully. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.).

WHIRLY BIRDTranscribed by Myles CollinsAdvanced $65.00 Cat: LL-2412Another beautifully crafted piece from the Basie Band, featured on the Atomic MrBasie album. Written by Neal Hefti, this chart is aptly named. It is a flat-out, drivingswing chart that features piano and tenor. Basie’s solos are written out, but thetenor solo has been left open. This arrangement is advanced, not because of thespeed of it, but because the trumpets need to play up high. The lead goes to awritten high F. Originally written for 7 brass, a 4th trombone part has been added.The bass trombone is on the 3rd part. There are no sax doubles.

WHO’S BLUE ***NEW***Arranged by Benny CarterMedium $55.00 Cat: SMP-749One of the great Basie recording was ‘The Legend,’ of which all the pieces wereBenny Carter originals. This chart is from that recording, and it is a wonderfullysoulful piece, set in a slow swing tempo. There is solo space for piano and trumpet.This is a simple, elegant 16-bar tune that Benny sets in his wonderful fashion. Thisbluesy chart will be a favorite with everyone. Very modest brass ranges (1st tpt. highBb only) make this is must for any band. 5/4/4/4

THE WIGGLE WALKArranged by Benny CarterMedium $52.00 Cat: SMP-260As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas CitySuite - the Music of Benny Carter, this is a medium tempoed Swing chart featuringsolos for tenor saxophone, trumpet, trombone and piano. There are lots of greatensemble passages and rhythmic hits in the brass. And the saxophones have theirtime in the spotlight. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

WIND MACHINEArranged by Sammy NesticoDifficult $50.00 Cat: 7210970This up-tempo chart from the Count Basie library features a tenor sax solo.

YA GOTTA TRYArranged by Sammy NesticoAdvanced $42.00 Cat: 2530Arranged by Sammy Nestico and performed by Basie.

AS PLAYED BY LOUIE BELLSON

SKIN DEEPTranscribed by Myles CollinsMedium $65.00 Cat: LL-1070A great swing chart from the pen of Louis Bellson, this opens with a big half-timefanfare and then breaks into up-tempo swing. The saxes lead the first chorus andthe brass are loud and punchy. With some great unison runs and trombone passages,the drums drive this number. There are four drum solo passages, with the last onebeing as long as you like. It leads the band into a huge climactic finish.

AS PERFORMED BY LES BROWN

BIZET HAS HIS DAYArranged by Bob MartinMedium Difficult $65.00 Cat: LL-99977Made famous by the Les Brown Orchestra, this tune is one in a series of numberswhere a classical theme is given the swing treatment. From a piano opening phrase,echoed by trombones, the lower saxes enter with the fugue, the altos vary it, andtrumpets are layered on top, to arrive at the tutti swing phrase. Solos for Alto 2,Trombone 2 and Piano. Lead alto doubles clarinet, Baritone doubles alto. Leadtrumpet to high C. A moderately easy chart and really effective in any band library.

LEAP FROGArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1115One of the more famous tunes from the Les Brown Orchestra, Leap Frog is one ofthose charts that gets feet tapping and dancers dancing. It simply bounces fromstart to finish. Technically, this is a straightforward chart to perform, and we havewritten out the four sax cameo solos (one each for Alto 1 on Clari, Alto 2 and bothTenors) and also the drum part complete with the little fills and licks that help powerthe chart along. There are also two short ad lib drum solos, taken mostly on thesnare. If you play to a swing dance crowd they will lap this up!

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SENTIMENTAL JOURNEY ***NEW*** [VOCAL]As Performed by Doris Day with Les BrownArranged by Bob MartinEasy $65.00 Cat: LL-2039Co-written by Les Brown for his own Orchestra, this was a great hit for Doris Day,and this version remains as the definitive standard for the tune. It has to be playedbluesy, laid back, softly and not too fast! The brass lines at the end of the first chorusemphasise the ‘drag’ and the tenor solo behind the vocal re-enforces the lazy feel.Key of A, the range is from A below, to B above middle C. Lead alto doubles clarinet.

AS PERFORMED BY BOBBY DARIN

BEYOND THE SEA [VOCAL]Arranged by Myles CollinsMedium Easy $65.00 Cat: LL-2119Bobby Darin had a big hit with this tune, and other singers hae also covered it verysuccessfully. We have transcribed the Darin chart here, except that there are nostrings in our version. Instead we have given the relevant lines to the saxes, adaptingthe phrasing to improve the swing. The vocal is as per Bobby Darin’s delivery, and wehave also included an optional repeat at the end of the chart, to extend the playout, plus have written a definite ending, because the recorded version fades, andfade-outs are not good for live perfomances! There are no sax doubles. Apart fromthe lead trumpet having to reach a written high D# the brass parts are notdemanding, and the chart will be a certain crowd pleaser. Vocal key F.

CLEMENTINE [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-99409Clementine is simply great fun. This Bobby Darin version is in a similar style to hismore well known Mack the Knife, with successive half-step modulations, and a bandbacking that builds and builds to a huge finish. We have accurately notated Bobby’svocal line and phrasing, and written the rhythm parts as-played, where they aremost important to the feel of the chart. No sax doubles.Vocal Keys: E flat to A flat.

AS PERFORMED BY TOMMY DORSEY

BIRMINGHAM BOUNCE [VOCAL]Arranged by Myles CollinsMedium Difficult $65.00 Cat: LL-2416This is a post-war chart from Dorsey, featuring the singing and trumpet of CharlieShavers. This is a very good dance chart and it has a lot of nice features - vocal stops,hand claps, powerful ensemble passages, a solo spot for tenor and some screamingtrumpet licks too. As the name suggests, this chart really bounces along. We haverated it medium difficult, as the trumpet soloist has a written high F and thetrombones need to reach Bb. Birmingham Bounce is a refreshing change to the usualvocal fare. The key is Eb and would suit a high baritone or an alto.

EASY DOES ITTranscribed by Myles CollinsMedium Easy $65.00 Cat: LL-1114This is another classic but underplayed chart from Dorsey, written by Sy Oliver. Thischart is a medium tempo swing chart with a 2-beat feel that dancers might describeas a Shag. It glides along if taken at the right tempo. The chart features your leadtrombone and tenor 1. The trombone lead is cross-cued onto the 3rd trumpet part,should the range prove too high for your player, and we have transcribed fully theoriginal tenor solo, though he/she can improvise. Both altos double clarinets.

I’M GETTING SENTIMENTAL OVER YOUTranscribed by Myles CollinsMedium $65.00 Cat: LL-99993This is the theme tune for the Dorsey Band, and perhaps the definitive solo vehiclefor trombone, where the melody brings out the best of the instrument. Thisarrangement is true to the original, with the solo part written on 1st trombone,excepting that the sax backings are not taken on full section clarinet doubles(including bass clarinet), but have reverted back to standard sax section voicing toavoid awkward, and nearly impossibly quick changing of instruments. There is a solotrumpet part that is a duplicate of the trombone solo.

LOOSE LID SPECIALTranscribed by Myles CollinsMedium $65.00 Cat: LL-22250In many ways this Sy Oliver chart written for Dorsey was ahead of its time, with itsfloating tonality and dissonant voicings. It has an almost ethereal feel to it, with hugecontrasts in dynamics throughout the chart. All original solos have been written out(trombone-Dorsey and trumpet-Elman), and have notated the drum part in full,with all the little licks and fills needed to recreate the original. The trombone solo isalso cross cued onto the 3rd trumpet part, should your player not be able to reacha high C. There are no sax doubles and the chart has been re-scored to 8 brass.

THE MINOR GOES MUGGIN’ ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat: LL-1133The Tommy Dorsey Orchestra is most often remembered for a lush trombonesound, the band also produced some extraordinarily powerful swing numbers, andnot many were better than this one. Written by the great Sy Oliver, this quick minorswing chart is raw, raunchy, powerful and full of surprises. It features your leadtrombone, 2nd alto, 2nd trumpet, 1st tenor and piano. All original solos have beenwritten out. The only sax double is 2nd alto on clarinet for the last 2 bars. Alltrumpets hit high C, and all trombones hit high Bb.

ON THE SUNNY SIDE OF THE STREETArranged by Myles CollinsMedium Easy $65.00 Cat: LL-23223Made famous by the Tommy Dorsey Orchestra, this instrumental version of SunnySide of the Street is taken from the vocal version. The form and structure is based onthe original Dorsey version, including the unique intro, where we have written outthe bass ‘solo’and piano fills too. The lead trumpet range in the last bar goes to a highF, but we’ve cued alternative notes which keep the range here to top C#. No saxdoubles, and the brass ranges are moderate. The saxes take the ‘vocal’chorus,backed by trombones and trumpets. Vocal version cat: LL-23223V.

OPUS ONETranscribed by Myles CollinsDifficult $65.00 Cat: LL-99960Another classic from the pen of Sy Oliver, and a famous tune for the Dorsey band,though much copied and adapted by other bands. Anita O ’Day recorded a vocalversion with Gene Krupa, and Ted Heath used it as a stock chart. This is as per theoriginal, though it lacks the strings used by Dorsey in the original arrangement. Stringparts can be provided on request. Both alto saxes double clarinet (for the greatmiddle passage of clarinets over a pair of muted trumpets), and the lead alto takesboth clarinet solos, which we have written out. Likewise, the piano solo is writtenout too. This is a medium to advanced chart in terms of difficulty. By far the trickiestbit is the semi quaver, semitonal sax run which introduces the key change into thelast chorus. Nimble fingers are needed!

SONG OF INDIATranscribed by Myles CollinsMedium $65.00 Cat: LL-1085This Dorsey classic is another great solo spot for trombone. Based on a tune byNikolai Rimsky-Korsakov, the original arrangement was by Tommy Dorsey himself. Awell known piece, Song of India was originally scored for just 6 brass. We haveaugmented the chart to a full section of 8 brass. The trombone and trumpet solosare written out in full, though your 2nd trumpet player can improvise a solo fromthe chords given. This arrangement sounds like the original article, and includes theclarinets (altos 1 and 2) scored in the intro. All dynamics and articulations are given,and these are particularly important to give the chart its correct feel. We have ratedthis as a medium difficulty chart, though the 1st trombone does go to high C.

SWANEE RIVERTranscribed by Alan GlasscockMedium Easy $65.00 Cat: LL-1232This Dorsey classic is based on a 1944 version, when the Dorsey band was at itsheight. The arrangement went on to be used by the later Dorsey band under thedirection of Warren Covington. It is longer than earlier versions, and also longer thanthe stock chart, with additional solo space for trumpet and tenor sax. Thebackgrounds and fill-ins are complete, as are all of the dynamics and mute/hatindications for the brass. We have included the famous Ziggy Elman trumpet solowhich forms the first half of the trumpet’s solo space.

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TOMMY DORSEY/DUKE ELLINGTONT.D.’S BOOGIE WOOGIE ***NEW***Transcribed by Alan GlasscockAdvanced $65.00 Cat: LL-1197Tommy Dorsey first recorded a version of Clarence Smith’s Boogie Woogie in the late1930s. This chart is not it. It’s his much better effort which is known as T.D.’s BoogieWoogie, and is an excellent development of the original, featuring piano. The pianopart has been written out in full, and be warned, it is not easy. We have also writtenout T.D.’s closing trombone solo. This chart takes great sectional and ensemblediscipline to make it sound right, so your players will need to be on top form. Bothaltos and both tenors double clarinet.

WELL GET ITTranscribed by Myles CollinsAdvanced $65.00 Cat: LL-99956Sy Oliver wrote a number of memorable charts for the Tommy Dorsey Orchestra,such as Opus One and Swanee River. However, Well Get It is one of his finest, and yetnot best known. A thumping swing chart that features first and second trumpet ina great duet near the end, and also including the original (written out) solos fortrombone, clarinet and tenor. If you play to a jive or jitterbug crowd they will lovethis. Be warned though: it is a tough blow for the trumpets. The lead range is to highG and the second to high D. Second alto takes the clarinet double.

AS PLAYED BY DUKE ELLINGTON

ALMOST CRIEDTranscribed by David BergerMedium $50.00 Cat: JLCM001From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Ellington recorded this in 1959 for the film 'Anatomy of a Murder'.Trumpet feature written for Shorty Baker. Instrumentation: 2 altos, 2 tenors, baritone,2 trumpets, 3 trombones, and bass/drums - no guitar or piano parts.

BLACK AND TAN FANTASYTranscribed by David BergerDifficult $50.00 Cat: JLC9801From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded by Duke Ellington in 1945. 5/4/3/4

BLI BLIPTranscribed by David BergerDifficult $50.00 Cat: JLCM03001From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded by Ellington in 1941. Instrumentation: 2 altosaxophoes; clarinet; tenor saxophone; baritone saxophone; 3 trumpets; 3 trombones;and 4-piece rhythm section.

BLUE CELLOPHANETranscribed by David BergerAdvanced $50.00 Cat: JLCM008From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington. Features information about the original recording,rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestionsfrom Wynton Marsalis. Medium swing. This was written as a trombone feature forLawrence Brown. Instrumentation: 2 altos, 1 tenor, baritone, 3 trumpets, 3 trombones,4-piece rhythm section, and orchestra bells.

BLUE FEELINGTranscribed by David BergerMedium $50.00 Cat: JLCM002From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Ellington recorded this in 1934. Instrumentation: 2 altos, tenorsax, baritone sax, 3 trumpets, 3 trombones, 4-piece rhythm, and orchestra bells.

C JAM BLUESArranged by David PughMedium Easy $40.00 Cat: JE9834The Duke Ellington classic in a straight ahead easy version for developing jazzgroups. David Pugh is a young writer to watch. His charts over the past two yearshave really been nice. in this classic, David has kept it playable, but has worked insome great ensemble work, including a nice sax tutti section.

C JAM BLUESArranged by Rick StitzelEasy $35.00 Cat: 7470604Finally, this Ellington classic is available for even the most inexperienced bands. Forstarters, this version is in Bb rather than C. Rick features the saxes on the melodywith inventive brass counterlines, and later a marvelous ensemble tutti section thatstarts soft then builds to the end. An absolute must!

CARAVANArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010146Here’s a fresh version of this Ellington classic done in a Latin style that really sizzles.Solid and creative writing for the entire ensemble.

COME SUNDAYArranged by Mike TomaroMedium Difficult $45.00 Cat: 50485556From Duke Ellington, comes this hauntingly beautiful ballad. Mike’s outstandingsetting features a lush ensemble sound plus solos for alto and piano.

COTTON TAILTranscribed by David BergerDifficult $50.00 Cat: JLC9803From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Recorded by Ellington in 1940. Solos for trumpet, tenor saxophoneand baritone saxophone. Instrumentation: 2 altos, tenor 1 doubles on clarinet;tenor 2, baritone saxophone; 3 trumpets; 3 trombones and 4-piece rhythm section.

COTTON TAILTranscribed by Mark TaylorMedium $50.00 Cat: 7010802Here is the classic Ellington swinger in a fabulous version for younger players. Thedrive and excitement of the original is still there as Mark starts out with a smallcombo of 2 tenors and 2 trombones, then gets the full band involved. Includes solosfor alto and/or trombone and also for trumpet and/or piano. This chart will soundgreat with any band!

DIMINUENDO AND CRESCENDO IN BLUETranscribed by David BergerAdvanced $50.00 Cat: JLCM03002From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington. Features information about the original recording,rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestionsfrom Wynton Marsalis. This was originally recorded by Duke Ellington in 1937 andhelped him re-gain the spotlight following his 1956 appearance at the NewportJazz Festival. During the performance of this tune Paul Gonzalves brought theaudience to near riot with his legendary 27-chorus solo. Instrumentation: 4/4/3/4 -tenor doubles on clarinet.

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D U K E E L L I N G T O NDO NOTHIN’ TILL [VOCAL]YOU HEAR FROM MEArranged by Roger HolmesMedium $40.00 Cat: 7500101One of the true gems from the Ellington catalog of great songs, here is a marveloussetting for vocal soloist with jazz ensemble. The style is slow swing, and the mood issensuous and lush. Key of Eb.

DO NOTHIN’ TILL YOU HEAR FROM MEArranged by John BerryEasy $35.00 Cat: 7010732In this Ellington favorite, John Berry stays true to the original medium slow swing ina well crafted arrangement that is very playable by inexperienced bands. Alto sax isfeatured at the top and later the melody is passed off to the trumpet section. Alsoincluded are written or ad lib. solos for alto sax and trumpet.

DON’T GET AROUND [VOCAL]MUCH ANY MOREArranged by Mark TaylorMedium $40.00 Cat: 30325013Key of Ab.

DON’T GET AROUND [VOCAL]MUCH ANYMOREArranged by Dave WolpeMedium $45.00 Cat: JE9609This beautiful arrangement is the perfect way to feature your best vocalist. Dave’schart is very sweet. The vocalist gets an opportunity to trade licks with the bandand even do a little improvisation. Duke Ellington and Dave Wolpe make for a greatcombination! Key of F.

EIGHTH VEILTranscribed by David BergerMedium $50.00 Cat: JLCM01008From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This is a trumpet feature, beguine chart. Instrumentation: 5/4/3/2- clarinet double. No piano or guitar parts.

HALF THE FUNTranscribed by David BergerDifficult $50.00 Cat: JLC9806From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This beguine was originally arranged by Billy Strayhorn and recordedby Duke Ellington in 1956. Trumpet 1 plays a cowbell. Instrumentation: 2 altos;tenor 1 doubles on clarinet; tenor 2; baritone saxophone; 4 trumpets; 3 trombones;and 3-piece rhythm section - no guitar.

HAPPY-GO-LUCKY LOCALTranscribed by David BergerDifficult $50.00 Cat: JLCM04001This transcription is direct from the recordings of Duke Ellington. Features informationabout the original recording, rehearsal notes from Jon Faddis and Brent Wallarab,and performance suggestions from Wynton Marsalis. This movin' shuffle arrangementstarts with a piano-bass into. Following that duo, an alto solo enters (this waswritten). The arrangement is meant to evoke the sound and feel of a train.Instrumentation: 5/5/3/3 - tenor saxophone 2 doubles on clarinet.

HARLEM AIRSHAFTTranscribed by David BergerDifficult $50.00 Cat: JLCM02002From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Instrumentation: 5/3/3/4

I LET A SONG GO OUT OF MY HEARTTranscribed by David BergerMedium $50.00 Cat: JLCM003This transcription is direct from the recordings of Duke Ellington. Features informationabout the original recording, rehearsal notes from Jon Faddis and Brent Wallarab,and performance suggestions from Wynton Marsalis. Ellington recorded this in1938 for the Brunswick label. Instrumentation: 2 altos, tenor (doubles on clarinet),baritone, 3 trumpets, 3 trombones, and 4-piece rhythm.

I’M BEGINNING TO SEE THE LIGHTArranged by Gordon GoodwinMedium Difficult $45.00 Cat: 7010529Classic Ellington swinger! Gordon’s medium tempo chart features the saxes at thestart and them lets the ensemble carry it and build to the alto solo. This one goesdown smooth.

I’M BEGINNING TO SEE THE LIGHTArranged by Sammy NesticoDifficult $45.00 Cat: 32609020

I’M BEGINNING TO SEE THE LIGHT [VOCAL]Arranged by Mark TaylorMedium $40.00 Cat: 7500027This Ellington classic is one of the best swing tunes. This makes an outstanding vocalfeature, yet your band will have a great time with it as well. Key: C to E flat.

I’M JUST A LUCKY SO AND SO ***NEW***Transcribed by David BergerMedium $50.00 Cat: 0-JLCM05006This classic Ellington vocal ballad starts features an eight bar alto solo leading intothe vocal. The trombone solo at the end features nice sax backgrounds. Key of G.

I’M JUST A LUCKY SO AND SOArranged by Roger HolmesMedium Difficult $45.00 Cat: 7010598The trombones get first crack at the melody in this great Ellington shuffle tunebefore the entire band joins in. Written in a medium tempo and featuring nicelyscored ensemble writing, solos are included for tenor sax and trumpet.

I’VE JUST SEEN HERTranscribed by David BergerDifficult $50.00 Cat: JLCM02005From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded in 1962 by Ellington. This ballad features tenorsaxophone. Instrumentation: 5/4/3/2 - no piano or guitar parts.

IN A MELLOW TONEArranged by Paul CookEasy $30.00 Cat: JE9548This great song (from the all-time great, Duke Ellington) is arranged here for beginninggroups. Written for six brass and five saxes, it can be played by three saxes and threebrass. Ranges are controlled for young players and the rhythms move vertically foreasy performance. Guaranteed success with this chart.

IN A SENTIMENTAL MOODArranged by Mike TomaroMedium Difficult $45.00 Cat: 7010372Mike Tomaro has beautifully adapted this well-known Ellington classic to featuretenor saxophone. With flowing melodies and a lush orchestration this is the perfectballad for contests or festivals.

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D U K E E L L I N G T O NIN A SENTIMENTAL MOODArranged by John BerryMedium Easy $35.00 Cat: 7010508This is an outstanding easy setting of one of Ellington’s best-known ballads. Nicelyscored for an effective performance by inexperienced bands.

ISFAHANArranged by Frank MantoothMedium Difficult $45.00 Cat: 7010370The songwriting team of Ellington and Strayhorn is legendary. This is one of theirlesser known tunes, but certainly not less in effectiveness in the able hands of FrankMantooth. Alto and flugelhorn are featured off the top in this medium swing chart,then the rest of the ensemble joins in with some very effective scoring textures. Theopen solo section gives this chart added flexibility.

IT DON’T MEAN A THING [VOCAL](IF IT AIN’T GOT THAT SWING)Transcribed by David BergerMedium $50.00 Cat: JLCM01006From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Features vocalist - key of F minor. Instrumentation: 3/3/2/4 -Saxophones: alto/baritone; alto; tenor/clarinet.

IT DON’T MEAN A THING(IF IT AIN’T GOT THAT SWING)Arranged by Michael SweeneyEasy $35.00 Cat: 7470508Introduce the music of the Duke to your beginning groups with this great soundingeasy version. The rhythms have been simplified but the style is authentic.

IT DON’T MEAN A THING [VOCAL](IF IT AIN’T GOT THAT SWING) Arranged by Jerry NowakMedium $40.00 Cat: 7500039Comfortable for just about any singer, Jerry’s swingin’ chart on this classy jazzstandard is a perfect addition to any program. Key of Cm (E flat).

IT DON’T MEAN A THING [VOCAL](IF IT AIN’T GOT THAT SWING)Arranged by Matt HarrisDifficult $48.00 Cat: 96This arrangement is done in a salsa style and features tenor saxophone and avocalist. Vocal key: Bb.

IT DON’T MEAN A THING [VOCAL](IF IT AIN’T GOT THAT SWING)Arranged by Mike CarubiaMedium $50.00 Cat: JEV9505More Duke Ellington magic! This chart sells itself... the vocal group is just the frostingon the cake. The voice leadings are good and the band cooks along well.

JACK THE BEARTranscribed by David BergerMedium $50.00 Cat: JLCM03003From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded by Ellington in 1940. Instrumentation: 5/3/3/4- saxophone 3 doubles on clarinet.

JUMP FOR JOY [VOCAL]Transcribed by David BergerDifficult $50.00 Cat: JLCM02004From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Medium-fast swing. Vocals begin halfway through the tune. Key ofEb goes to Bb during vocals. Instrumentation: 5/4/3/4 plus vocalist.

KINDA DUKISH/ROCKIN’ IN RHYTHMTranscribed by David BergerAdvanced $50.00 Cat: JLCM02006From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. The rhythm section begins with the tune Kinda Dukish then thefull band begins with the familiar standard Rockin in Rhythm. Instrumentation: 5/4/3/4 - comes with optional guitar part.

KO-KOTranscribed by David BergerMedium Difficult $50.00 Cat: JLCM02001From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded in 1940 by Ellington. Minor blues.Instrumentation: 5/3/3/4

LAUNCHING PADTranscribed by David BergerDifficult $50.00 Cat: JLC9904From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis.

MAIN STREETTranscribed by David BergerDifficult $50.00 Cat: JLC9903From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis.

MOOD INDIGOArranged by Jerry NowakEasy $35.00 Cat: 7470556What better way to introduce the magic of Duke Ellington to your beginningplayers than with this very easy version of one of the Duke’s most revered standards.The style of the original version is preserved with the opening small group statement(alto, tenor, 2 trumpets, and trombone). From there the tune is passed alternately tothe full ensemble, sax section, brass section, and finally back to the small group.

MOOD INDIGOTranscribed by David BergerDifficult $50.00 Cat: JLC9908From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis.

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MOOD INDIGOArranged by John ClaytonDifficult $60.00 Cat: 7011045Combine the music of the legendary Duke Ellington with the contemporary arranginggenius of John Clayton, and get ready to hear Mood Indigo like you’ve never heard itbefore! Written in a slow swing style, this smooth chart is written with harmonicsophistication and emotional depth. From the velvety soft passages to the powerfulfull band hits, this is an impressive setting. Includes solos for trombone and tenor.

NEVER NO LAMENT/DON’T GET AROUND MUCH ANYMORETranscribed by David BergerDifficult $50.00 Cat: JLC9902From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded by Duke Ellington in 1940. Features solos foralto saxophone and trumpet. Instrumentation: 5/3/3/4

OCLUPACATranscribed by David BergerMedium $50.00 Cat: JLC9901From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Recorded by Duke Ellington in 1968. This Latin chart features atenor solo. Instrumentation: 5/(alto saxophone 2 doubles on clarinet) 4/3/3

PERDIDOTranscribed by Klauss LessmannEasy $65.00 Cat: LL-1158Perdido was one of Duke Ellington’s early big hits. Many arrangements have beenmade of this chart over the years - lots of them at a flat out tempo. The Duke’sversion is a very laid-back swinger that chugs along in a steady groove. The chartopens with a cameo piano solo, the baritone saxophone picks up the tune andimprovises on the repeat, with the brass plunger figures pulsing away behind it. Themiddle 8 is taken as a Trumpet solo (written out) and on it goes! This chart is a solofeature for tenor 2 and trumpet, as both have improvised solos, and there is a lovelyexample in the last chorus of the sort of instrumental voicings for which theEllington band was later so famous. Tenor 1 doubles clarinet and there are no othersax doubles.

PORTRAIT OF LOUIS ARMSTRONGTranscribed by David BergerDifficult $50.00 Cat: JLC9907From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Recorded in 1970, this tune is from the New Orleans Suite. As thetitle would suggest, it is a trumpet feature. 5/5/3/3. Trumpet range to high C.

PRELUDE TO A KISSArranged by Dave WolpeMedium $50.00 Cat: JEM03005A superb feature for baritone saxophone, this is one of Ellington’s more beautifulmelodies and another winning chart from master arranger Dave Wolpe. The perfectballad showcase for your baritone player with plenty of melodic soloing and noimprovisation. A swingin’ double time section offers a nice contrast in this lush ballad.This chart is perfect for festival, concert and even a dance gig.

PYRAMIDTranscribed by David BergerMedium $50.00 Cat: JLCM004From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington. Features information about the original recording,rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestionsfrom Wynton Marsalis. This transcription is from the 1962 recording (it was originallywritten in 1938). Instrumentation: 2 altos, clarinet, tenor, baritone, 4 trumpets, 3trombones, bass/drums - no piano or guitar parts.

RAINCHECKTranscribed by David BergerMedium $50.00 Cat: JLCM01003From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington. Features information about the original recording,rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestionsfrom Wynton Marsalis. This is fast swing. Solos for trombone, tenor, and a sax solisection. Instrumentation: 5/3/3/4 - includes clarinet double.

RHAPSODY IN BLUETranscribed by David BergerMedium $50.00 Cat: JLCM03004From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington. Features information about the original recording,rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestionsfrom Wynton Marsalis. This was arranged by Billy Strayhorn and recorded by DukeEllington in 1962. Instrumentation: 5/4/3/3 - tenor doubles on clarinet.

ROCKS IN MY BED [VOCAL]Transcribed by David BergerDifficult $50.00 Cat: JLCM006From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was written for the 1941 musical Jump for Joy. Includes partfor female vocalist. Key of Bb. Vocal range: F below middle C to 3rd line Bb.Instrumentation: 2 altos, clarinet, tenor, baritone, 3 trumpets, 3 trombones, vocalist,4-part rhythm section.

RUMPUS IN RICHMONDTranscribed by David BergerDifficult $50.00 Cat: JLCM007From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Recorded in 1940 by Duke Ellington. Features solo space fortrumpet and clarinet. Instrumentation: 2 altos, clarinet, tenor, baritone, 3 trumpets, 3trombones, 4-piece rhythm section.

SATIN DOLLArranged by Michael SweeneyMedium $35.00 Cat: 7010740Beginning jazz ensembles will sound great with this solid swing arrangement byMichael Sweeney. Featuring tutti scoring and easy rhythms, this is a perfect chart toteach the basics of style.

SATIN DOLLArranged by Sammy NesticoDifficult $50.00 Cat: 7010273From the Count Basie library, this Nestico classic features solos for tenor and piano.

SATIN DOLL [VOCAL]Arranged by Jerry NowakMedium Easy $40.00 Cat: 7500035One of the Duke’s most loved melodies in an easy setting for vocal soloist. Skillfullyhandled by Jerry Nowak. Key of Bb.

D U K E E L L I N G T O N

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SOLITUDEArranged by John BerryEasy $35.00 Cat: 7470528Here is the perfect opportunity to introduce your beginning band to one of thelegends of jazz. John Berry uses limited ranges and easy rhythms in this swing balladstyle arrangement.

SOLITUDETranscribed by David BergerDifficult $50.00 Cat: JE9717From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. As recorded by Duke Ellington and His Orchestra in 1934. Featuresclarinet, muted trumpet and a trombone soli. Scored for clarinet, alto, alto/soprano,tenor, baritone, 3 trumpets, 3 trombones, and 4 rhythm.

SOPHISTICATED LADYTranscribed by David BergerDifficult $50.00 Cat: JLC9906From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This ballad is presented here as recorded in 1957. This is abaritone feature. Scored for 5 saxes; 4 trumpets; 3 trombones; piano/bass/drums.

SOPHISTICATED LADY [VOCAL]Arranged by Bob MintzerMedium $42.00 Cat: 115Features vocal or optional tenor saxophone. Key of E flat.

STAR-CROSSED LOVERSTranscribed by David BergerMedium Difficult $50.00 Cat: JLC2007This classic Strayhorn ballad is presented here as part of the Jazz at Lincoln CenterSeries. This is a wonderful alto feature for your band. Scored for 5 saxes (tenordoubles on clarinet), 3 trumpets, 2 trombones, and piano/bass/drums.

STOMPY JONESTranscribed by David BergerMedium $50.00 Cat: JLCM03005From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded by the Duke Ellington Orchestra in 1934.Instrumentation: 2 alto saxophones; clarinet; baritone/alto saxophone; 3 trumpets;3 trombones; 4-piece rhythm section.

SUGAR RUM CHERRY[FROM NUTCRACKER SUITE]Transcribed by David BergerMedium $50.00 Cat: JLCM03006From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded in 1960 and is from the Nutcracker Suite.Instrumentation: 5/4/3/2 no piano or guitar parts. Saxophone 3 doubles on clarinet.

SULTRY SUNSETTranscribed by David BergerMedium $50.00 Cat: JLCM01002From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Recorded in 1946. Alto feature, originally for alto-great JohnnyHodges. Instrumentation: 5 saxes, 4 trumpets, 3 trombones, 4-piece rhythm section.

TAKE THE ‘A’ TRAINTranscribed by Jon HarpinMedium $65.00 Cat: LL-22416This is the 1966 Ellington version of Strayhorn’s great tune, with Cootie Williams’trumpet solo (written on the 4th part) transcribed in full. This version also featuresan extended ending, giving more trumpet solo time. Originally written for four saxesand seven brass, this version is scored for full sections. An excellent job of transcriptionby Jon Harpin, and a worthy addition to any library.

TAKE THE ‘A’ TRAINArranged by Sammy NesticoMedium $45.00 Cat: 7210740This great arrangement from the pen of master Sammy Nestico features standardinstrumentation of 5/4/4/4.

TAKE THE ‘A’ TRAINTranscribed by David BergerDifficult $50.00 Cat: 34909016This historic publication is an exact transcription of the 1941 version recorded byDuke Ellington. David Berger’s expertise is evident in the completely voiced outrhythm parts and written out solos. This classic belongs in every library.

THINGS AIN’T WHAT THEY USED TO BEArranged by Mark TaylorDifficult $50.00 Cat: 34320010Ellington’s famous blues is arranged here as a shuffle. Great final chorus plenty ofblowing space.

THINGS AIN’T WHAT THEY USED TO BETranscribed by Duke EllingtonMedium $50.00 Cat: JLCM01001From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. Features alto sax. Instrumentation: 5/4/3/3

TUTTI FOR COOTIETranscribed by David BergerMedium $50.00 Cat: JLCM005From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This version was recorded in 1963. Medium shuffle - trumpetfeature. Instrumentation: 5 saxes, 5 trumpets, 3 trombones, piano/bass/drums..

ZWEET ZURZDAYTranscribed by David BergerMedium $50.00 Cat: JLCM01004From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This is the 3rd movement from Suite Thursday, which was performedin 1960 at the Monterey Jazz Festival. The opening piano solo has been written out(includes chord changes). Instrumentation: 5/4/3/3 - no guitar.

D U K E E L L I N G T O N

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AS PERFORMED BY MAYNARD FERGUSON

AFTER YOU’VE GONEArranged by Michael AbeneMedium Difficult $52.00 Cat: SMP-419The Maynard Ferguson Band performed a lot of Abene’s charts over the years. Thischart is an excellent example of Abene’s very musical approach to a great jazzstandard. Very reasonable ranges throughout. Features tenor sax, trumpet andtrombone solos. Destined to be a best-seller! Printed as originally scored (4-4-2-3),but including extra parts for a standard 5-4-4-4 instrumentation. This one burns!

BLUES FOR KAPPArranged by Marty PaichMedium $47.00 Cat: SMP-420This doesn’t need to be “higher-louder-faster” to be a wonderfully effective chart. Itis set in a medium slow tempo and has solo space for alto saxophone, 2 trumpetsand baritone saxophone. This one will become a staple in jazz libraries throughoutthe world. If you’re looking for a comparison, this chart might remind you of ErnieWilkin’s arrangement of ‘Moten Swing,’ except it is even easier to play. Printed asoriginally scored (4-4-2-3), but includes extra parts for a 5-4-4-3 instrumentation.

A COUNTRY BOYArranged by Bill HolmanMedium $47.00 Cat: SMP-416This is another lost treasure from Maynard Ferguson’s Birdland Dream Band Library.This starts out with a lazy trombone solo on the written melody and swings alongfrom there. Recorded on the “Come Blow Your Horn” LP. Printed as originally scored(4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

DANCING NITELYArranged by Bill HolmanMedium Difficult $42.00 Cat: SMP-402Bill titles this one after the signs which used to be in the old-time dance halls aroundthe country. Written in the ‘50s for Maynard’s Birdland Dream Band, this chart is alaid back, swinging tune, with a roaring ensemble section near the end. Blowing spacefor trombone and tenor. (full score incl.)

DANNY BOYArranged by by Don SebeskyMedium Difficult 42.00 Cat: SMP-401If you’ve ever heard Maynard’s recording of this world famous melody (“LondonderryAir”), you probably never forgot it! Sebesky’s chart is superb, and this publicationincludes practical alternate choices for the trumpet feature. The piece is very playable,and will serve to showcase your “hot” trumpet soloist.

FAN IT, JANETArranged by Don SebeskyMedium Difficult $47.00 Cat: SMP-406Also part of the ‘Message from Newport’ album, this chart features tenor, trombone,and great contrapuntal writing, great changes and a terrific straight-ahead, swingingfeeling. Nothing but the best from Sebesky, one of the greatest writers in jazz.

FOURArranged by Willie MaidenMedium Difficult 52.00 Cat: SMP-407This is from Maynard’s Birdland Dream Band Library. Willie scored this Miles Davisclassic to feature four different saxophone players. A typical chart for that time, itcovers the whole dynamic range with exciting, swinging music. Printed as originallyscored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

FOX HUNTArranged by Michael AbeneMedium Difficult $52.00 Cat: SMP-417Another great chart from Maynard Ferguson’s Birdland Dream Band Library. If youwant to feature 2 trumpets, it doesn’t get any better than this! Printed as originallyscored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

GRAVY WALTZArranged by Willie MaidenDifficult $52.00 Cat: SMP-422This chart is a blast! It is one of the more popular charts from the Birdland DreamBand of Maynard’s. It is a high-energy chart which features baritone sax, as well astrumpet.You need a lot of “horses” in the trumpet section for this one, but it is wellworth it. 5-4-4-4 (or use orig. instrumentation only).

GROOVEArranged by Oliver NelsonMedium Difficult $52.00 Cat: SMP-415Oliver Nelson wrote this one for the Maynard Ferguson Band Library. Recorded onthe “Come Blow Your Horn” LP. Features a great tune and trumpet throughout.Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

HEY THEREArranged by Willie MaidenMedium Difficult $49.00 Cat: SMP-423As recorded on “Maynard Ferguson Plays Jazz For Dancing” (Roulette), this may bethe prettiest chart that Willie did for Maynard’s band. It is a great standard tune, andthe chart features trumpet throughout. The band parts are not too difficult. Thesolo part comes with 2 versions ...... a transcription of what Maynard plays on therecord, and another part for mortals. 5-4-4-4 (or use orig. instrumentation only).

HIT AND RUNArranged by Dennis DiBlasioDifficult $52.00 Cat: SMP-412Talk about a Flag-Waver!!! The Maynard Ferguson Band recorded this on theirFootpath Cafe CD. The chart asks every player in the band to wail through a veryhip and challenging be-bop line in unison. There are ensemble breaks here and therefor very dramatic effects, and plenty of “blowing” space on the “rhythm” changes.You’ll love doing this chart because you can really show off your band. 5-4-4-3.

HUMBUGArranged by Don SebeskyDifficult $47.00 Cat: SMP-405This chart starts out in a blaze of excitement and never eases off. It features tenorsax and trombone on the melody, with solo space for alto and trumpet as well. Thiswas featured on the famous ‘Message from Newport’ album which Maynard’s bandrecorded for Roulette in the late ‘50s.

KNARFArranged by Michael AbeneDifficult $52.00 Cat: SMP-418Another great chart from Maynard Ferguson’s Birdland Dream Band Library. Itfeatures baritone sax (written for Frank Hittner) and trumpet solos. A nice, easyswing with a great harmonic scheme. Printed as originally scored (4-4-2-3), butincluding extra parts for a standard 5-4-4-4 instrumentation.

THE LAMP IS LOWArranged by Ernie WilkinsMedium $42.00 Cat: SMP-408Ernie Wilkins has created a swinging version of this great classic tune. Features altosax, trumpet, piano and trombone solos. There is a wonderful ‘Basie-ish’ shoutchorus, with very neat dynamics. Very playable by most bands. Full score included.

MY FUNNY VALENTINEArranged by Willie MaidenMedium $42.00 Cat: SMP-409This absolutely beautiful arrangement features trombone and tenor sax solos, alongwith the primary solo by the trumpet player. There are two solo trumpet partsincluded...Maynard’s version and one for mere mortals. This works very well withmost bands (the band parts are quite easy). Full score included.

ON GREEN DOLPHIN STREETArranged by Michael AbeneMedium Difficult $57.00 Cat: SMP-411This is a great, hot chart from Maynard’s Dream Band book. Beautifully written, withtenor and trumpet solos. This is the one everyone has been asking for! Let yourband sink their teeth into this one! Full score/parts for 5/4/4/3.

M A Y N A R D F E R G U S O N

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PEOPLEArranged by Don SebeskyDifficult $47.00 Cat: SMP-421Here is another fantastic trumpet feature for a fantastic trumpet player. A greatballad standard in a gorgeous setting! There are two solo parts provided, Maynard’sversion and one for mere mortals. As usual, the band parts are not too difficult, butthe alto sax plays flute (quite necessary) and there is a tuba part. There is also solospace for tenor saxophone (a la Willie Maiden). This was recorded on the “NewSounds of Maynard Ferguson” album. 4-4-2-3 or standard instrumentation.

SLIDE’S DERANGEMENTArranged by Slide HamptonDifficult $67.00 Cat: SMP-404Undoubtedly one of the best big band charts ever written! This was recorded byMaynard’s incredible band on the Message from Newport LP. It is the blues, bothminor and major changes, lots of solo space, exciting ensemble passages...an amazingchart...over eight minutes of sensational big band excitement! (full score incl.)

STARFIREArranged by Benny GolsonMedium $42.00 Cat: SMP-410One of Maynard’s most beautiful ballads from the Dream Band period. Created bya young Benny Golson. The highest trumpet solo note is a written B. This chart isquite easy to play and makes a wonderful concert or dance book addition. Trumpetfeatured throughout. Full Score/parts for 5/4/4/4.

SWEETIE PIE (EDITED)Arranged by Don SebeskyMedium Difficult 42.00 SMP-403This wonderful, quiet, ‘Li’l Darlin’-ish’ chart was recorded by Maynard as ‘Easy Chair.’It has a great melodic and harmonic sense that puts it in a class all its own. Thisversion has been edited to exclude any woodwind doubles and high trumpet parts.

SWEETIE PIE (PRO VERSION)Arranged by Don SebeskyAdvanced $42.00 Cat: SMP-403This wonderful, quiet, ‘Li’l Darlin-ish’ chart was recorded by Maynard as ‘Easy Chair.’It has a great melodic and harmonic sense that puts it in a class all its own. Thisversion is the original version, with flute and clarinet doubles and roaring trumpets.

WHISPER NOTArranged by Michael AbeneDifficult $52.00 Cat: SMP-414The Maynard Ferguson Band recorded this on their ‘Come Blow Your Horn’ LP. Thechart is an excellent example of Abene’s very musical approach to this great BennyGolson jazz standard. Very reasonable ranges throughout. Destined to be a best-seller!! Printed as originally scored (4-4-2-3), but including extra parts for a standard5-4-4-4 instrumentation.

AS PERFORMED BY ELLA FITZGERALD

A TISKET, A TASKET [VOCAL]Arranged by Klaus LessmanEasy $65.00 Cat: LL-2032A Tisket A Tasket was a hit for Ella Fitzgerald during her time with the Chick Webbband, and remains one of her most memorable charts. Klaus Lessmann has produceda classy transcription of this chart and had adapted it for a full band line-up.Everything is here, including the band answer-back vocals. Both the sax and thebrass sections get to have a go! All articulations are clearly marked and the vocalsheet is as per Ella’s performance. Key of A flat.

I SAID NO ***NEW*** [VOCAL]Arranged by Jon HarpinMedium Easy $65.00 Cat: LL-2145This version is from Ella Fitzgerald’s 1966 album ‘Whisper Not,’ with the originalarrangements all by Marty Paich. Opening with a short Colla Voce, the chart movessmoothly into a relaxed balladic swing, with subtle backings from the band throughout.A rhythmically interesting bridge leads to the half-step up modulation with mutedtrumpet infills. A change to a more bluesy feel follows and the swing increases, withthe bass now walking and the drummer using sticks. The improvised muted trumpetbackings continue through the second half of the chart, which builds to punchyclimax. We have written out the vocal lines in full, and the piano part contains all ofthe important licks and fills too. The vocal keys are G and Ab.

I’VE GOT MY LOVE TO [VOCAL]KEEP ME WARMTranscribed by Alan GlasscockDifficult $65.00 Cat: LL-99507A classic from Ella Fitzgerald, this chart is a faithful transcription of her version, andis nothing at all like the Les Brown / Skippy Martin instrumental version. We haveeven written out Ella’s vocal line so your singer can reproduce the timing andphrasing if she wants. This chart is also a Trumpet feature, and the original solo is fullynotated on the 2nd part. There are no sax doubles. Key of B flat.

NIGHT AND DAY [VOCAL]Arranged by Myles CollinsEasy $65.00 Cat: LL-99970A classic Cole Porter song from 1932, Night and Day was a must-have number forthe great big bands of the era. This version is based on that used by Ella Fitzgerald,and is a good example how to score the band to best support the vocalist. Thearrangement includes the vocal verse, backed by a solo tom-tom, leading into thetutti chorus. This is very easy to play, though this in no way detracts from itseffectiveness in performance. If you have a pianist who has a light touch, then addedfills behind the vocalist really set this number off. Vocal key: Ab

THAT OLD BLACK MAGICArranged by Jon HarpinDifficult $65.00 Cat: LL-2124Here is her finest version, from the 1960 Billy May collaboration album ‘Sings theHarold Arlen Songbook.’ This chart is just great all the way through, from the almostPhrygian opening into the relatively reserved first chorus, the blasting band chorus(including the fully written out tenor solo), Ella’s more fluid second vocal chorus(also written out in full), the implied repeat to fade and the punch finish. This chartis simply a must have for any big band library. The vocal key is Bb.

TIME AFTER TIMETranscribed by Jon HarpinEasy $65.00 Cat: LL-2110This version was originally arranged by Marty Paich and recorded by Ella Fitzgeraldon her Whisper Not album. This version is a transcription of this version, includingthe short verse intro and Ella’s vocal line in full. The chart is an easy yet rewardingone for the band to play, and a chance to show off your girl vocalist’s skills. The brassranges are very moderate, with lead tumpet only getting to top line F, though yourpianist will need to improvise some fills behind the vocal. The middle chorus Tenorsolo is improvised, and we have written in the melody lead line and chords onto thepart. The vocal keys are G and Ab. No sax doubles. The 4th trombone is Bass.

MAYNARD FERGUSON/ELLA FITZGERALD

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AS PERFORMED BY BENNY GOODMAN

AMAPOLA [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-94440This is the Benny Goodman version of Amapola, with Helen Forrest taking the vocal.A delightful tune, well delivered, and of course with a clarinet solo from the greatman himself. This chart is as per the original version, and we have scored the saxesAATT plus a clarinet solo part. The trick with this chart is not to play it too fast. Itjust chugs along and swings all the way. Vocal Key: F

AND THE ANGELS SING [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-99979Another classic from the Goodman Orchestra, written by trumpeter Ziggy Elman. Inthe original arrangement the vocal chorus led to a typical Goodman ‘Yiddish’trumpet chorus. In our arrangement this is replaced by a more conventional trumpetsolo chorus and ‘middle 8’, with the vocal returning to close. The ending is as per theoriginal, with a trumpet solo leading the band to a rousing finale. Vocal Key: Bb

BEI MIR BIST DU SCHOENArranged by Myles CollinsEasy $65.00 Cat: LL-1007The Goodman orchestra performed a similar vocal version of this chart at theCarnegie Hall concert, with Martha Tilton the featured vocalist. This is an instrumentalversion of the chart offered in our vocals section, but with more punch and swingto the second chorus. Lead alto doubles clarinet. Also available as VOCAL.

BIG JOHN’S SPECIALArranged by Myles CollinsMedium $65.00 Cat: LL-1201This is a romping swing chart from the early years of the Goodman Orchestra, whenmuch of his success came courtesy of Fletcher Henderson’s arrangements. The charthas been expanded to 8 brass, and because the chart is not a clarinet feature (itonly has an 8 measure solo) the saxes have been scored for a regular AATTB section,with alto 2 doubling the clarinet solo. The trumpet solos have been written out andthe piano solo in stride style.

CHRISTOPHER COLUMBUS ***NEW***Arranged by Myles CollinsMedium Easy $65.00 Cat: LL-1154The Goodman original has been adapted here to suit an 8 brass line-up, and all ofthe original solos have been transcribed (clarinet, trombone & trumpet), thoughyour players can improvise. The brass ranges are fairly moderate, making the chartplayable by bands of all abilities. The saxes are scored for clarinet, 2 altos & 2 tenors.

CLARINADE ***NEW***Arranged by Myles CollinsAdvanced $65.00 Cat: LL-1208The chart is full of rich, flowing texture and has a superb harmonic structure, yet isstill a thumping swing number. Aside from an 8 measure piano solo, the chart is anout and out clarinet feature. However, it is not easy. Your clarinet player will need tobe very nimble fingered to get it right, as playing in the keys of E and F# at 240 bpmis quite a challenge, and the band will need to be tight and have good intonation too.The arrangement is scored for 8 brass and 5 reeds (clarinet, alto, 2 tenors andbaritone). Tenor 1 doubles clarinet.

CLARINET A LA KINGArranged by Myles CollinsAdvanced $65.00 Cat: LL-1141A fabulous chart from the Goodman band of the early ‘40s, and, quite naturally, aclarinet feature. The chart is harmonically very innovative, and shows glimpses of thesort of writing that Eddie Sauter produced later on in. This is quite a hard chart toplay, but very rewarding once your players have it right, and a fine addition to theGoodman corner of your band library. The clarinet and piano solos are written outin full, and all dynamics and articulations have been included on all the parts, becausethis is one chart that simply won’t work if played at the same volume throughout!We have augmented the brass to 4 + 4 and the reeds are scored C/A/T/T/B. Thereare a couple of quick sax doubles - baritone on alto and 2nd alto on on clarinet.

DON’T BE THAT WAYArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1171One of the all-time classic charts from the Benny Goodman book. The original hasbeen modified to suit 8 brass, and have written out the original clarinet, trumpet &trombone solos in full, as well as including an optional trumpet soli instead of just thetrumpet solo, should you want to show off the section a bit. Reeds are scored forclarinet, 2 altos and 2 tenors, and there are no sax doubles.

DOWN SOUTH CAMP MEETING ***NEW***Transcribed by Douglas RustDifficult $60.00 Cat: 7011003Based on the Benny Goodman 1936 version of this jumpin’ Fletcher Hendersontune, this authentic edition features swingin’ choruses for every section, a transcriptionof Benny’s clarinet solo, and the distinctive 5 clarinet chorus at the end (opt. saxsubstitutions included). A true classic from the big band era, this up tempo swingerbuilds with intensity from beginning to end!

GOODBYEArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1185Goodbye was Benny Goodman’s closing theme. A slow, hauntingly beautifulcomposition from Gordon Jenkins, rich in musical colour and tonality and a finetestament to Benny. We have faithfully reproduced the original here, though haveexpanded the brass to a full 4/4 section to suit a standard big band line-up. Thechart features clarinet and 2nd trumpet, with some cameo spots for baritone &guitar and plenty of flowing piano runs. The reeds are scored for clarinet, alto, 2tenors and baritone. Not a difficult chart to play, but plenty of dynamic discipline isrequired to make it sound right.

JAM SESSION ***NEW***Arranged by Myles CollinsMedium $65.00 Cat: LL-1148Written by Jimmy Mundy for the Benny Goodman Orchestra shortly after he joinedas a staff arranger, Jam Session is an up-tempo swing chart with solo space for tenor,clarinet and trumpet. The arrangement starts in two beat style for the first chorus,and then switches to four beat swing to the end of the piece. This chart has beenadapted to 8 brass from the original 5, and because it is not a clarinet feature thesaxes have been scored AAATT, with the 2nd alto taking the clarinet solo. All solosare fully transcribed, though your players can improvise from the chords provided.

JERSEY BOUNCETranscribed by Alan GlasscockDifficult $65.00 Cat: LL-99403Many bands played Jersey Bounce, and the two versions most remembered arethose from the Miller and Goodman Orchestras. This is the Benny Goodman version,meticulously transcribed by Alan Glasscock. For us it is the more interesting versionof the two. Mel Powell’s harmonics and phrasing in the piano solo (fully written out,including the super-fast runs) were really ahead of their time. The other three solospots are all here too, written for tenor 1, trombone 2 and of course solo clarinet. Inthis recorded version Goodman had the luxury of a complete sax section of AATTB,plus Goodman himself. We recognize that not many bands have six saxes, but restassured that the chart works equally well played with CAATT. Not too fast!

KING PORTER STOMPTranscribed by Myles CollinsMedium $65.00 Cat: LL-1101Here is the rousing King Porter Stomp, the Fletcher Henderson arrangement forBenny Goodman, featuring solos for trumpet, trombone and clarinet. All originalsolos have been written out, including Benny’s extended clarinet solo, though thechords are included for improvisation. This chart is written for clarinet, 2 altos, 2tenors and is has been augmented up to 8 brass, from the original 5. This is a finechart from the time when the Goodman band regularly topped the polls and Bennywas ‘King of Swing’. Technically not too demanding for the band but precision withthe articulations and phrasing is needed if you wish to reproduce the authentic feel.

LET’S DANCETranscribed by Bob MartinMedium $65.00 Cat: LL-99971Benny Goodman’s famous opening number has been faithfully re-created by BobMartin and comes complete with the original clarinet and alto solos fully written out.This arrangement is scored for 8 brass, though we have included an optional 5thtrumpet part too. The saxes are scored for 2 altos, 2 tenors and the clarinet lead.

B E N N Y G O O D M A N

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LIFE GOES TO A PARTY ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat: LL-1192Co-written by Benny Goodman & Harry James, this is a pulsating, energetic andquick minor swing chart. The Goodman band recorded this tune on several occasions,the first in 1937, then again in 1938. The ’37 chart was used as the model for thisarrangement. A couple of small modifications have been made: the brass has beenaugmented to 8 voices and the tempo indication has been slowed to 240 (from280) to match the tempo of the ’38 chart. The solos are written out in full (clarinet,trumpet, tenor and piano) and the saxes are scored for CAATT.

PAGANINI CAPRICE XXIV ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat: LL-1214In 1941 Skippy Martin took the 24th of Niccolo Paganini’s caprices for solo violin,and turned it into a big swinging chart for Benny Goodman. The original has beenadapted and expanded, scoring it for a regular AATTB sax team, and 8 Brass. Youralto 2 player doubles clarinet, and has the entire Benny Goodman solo written out.Tenor 1 takes the Vido Musso solo, and the Mel Powell piano solo is also fully scored.This is a VERY rare chart from the Goodman era, and a fine addition to any library.

ROLL ‘EMArranged by Alan GlasscockMedium $65.00 Cat: LL-2102Roll ‘Em was a hugely popular number for the Goodman band, and its infectiousboogie feel will have dancers flocking to the the floor. Our version is true to theGoodman original, with a couple of modifiactions. The brass has been augmented upto 8 and the piano solo passage has been written in conventional 12-bar form,rather than a mix of 12 and 10 found in the original. Whilst the piano solo is ad-lib,the other solos (clarinet & trumpet) are fully written out, though your players canimprovise from the chords provided if they prefer. Alan Glasscock has done a terifficjob with this chart, and the articulations and phrasing marks on the parts will enableyour players to produce an authentic sound. The reeds are written for clarinet, 2altos & 2 tenors, with no sax doubles.

SING SING SING (PART 1)Arranged by Myles CollinsDifficult $65.00 Cat: LL-99969Possibly the most famous number from the Benny Goodman Orchestra, this recreationis true to the original, in the original key and with all of the original licks. The onlyconcession that we have made is to augment the brass from 5 to 8. The saxes arescored for clarinet, 2 altos and 2 tenors. This chart makes a stunning openingnumber, or a great drum feature for all aspiring Krupas.

SOFT WINDSArranged by Michael SweeneyMedium Easy $35.00 Cat: 7010728This jazz classic adapts perfectly for young players. The tempo is moderate and theswing figures are easy to play. The blues form makes it easy for inexperiencedimprovisers and sample solos are included for alto, tenor, trumpet, and piano.

STEALIN’ APPLESTranscribed by Alan GlasscockAdvanced $65.00 Cat: LL-1017An absolutely storming chart from the Benny Goodman Orchestra. Goodman madeseveral takes of this tune, before deciding on which version to issue on record. Thechart was rather lengthy in its original form, and had to be pared down in order tofit onto one side of a 78-rpm record. Alan Glasscock has reconstructed the chartwith all of the intended choruses intact, as originally scored by Fletcher Henderson.All of the solos are written out (piano-a full 32 bars, trumpet and clarinet) and thedynamics and articulations are meticulously accurate. The saxes are scored forclarinet, 2 altos, 2 tenors and the brass goes from the original 5 to a full section of 8.

STOMPIN’ AT THE SAVOYArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1155Here is Benny Goodman’s timeless classic in all its glory. Many bands performedversions of this song, but the Goodman Orchestra’s rendition remains the standardby which all others are judged. The saxes are scored for clarinet, 2 altos & 2 tenors.We have augmented the brass up to a full 8 from the original 5. All of the originalsolos (clarinet, tenor & trombone) are fully transcribed, though your players canimprovise from the chords if they prefer. The piano part is written on 4 beat styleand the drum part is notated as per the original, though you may prefer to have himplay a more swingy hi-hat style if you wish to push the feel a little.

WHY DON’T YOU DO RIGHT ***NEW***[VOCAL]Transcribed by Myles CollinsMedium Easy $65.00 Cat: LL-2081This version was recorded in 1942 by Peggy Lee during her stay with the BennyGoodman band. Goodman’s chart has been faithfully transcribed here, including allof the clarinet licks and solos, but the brass has been expanded from the original 6up to 8. The sax parts are written for solo clarinet, alto, 2 tenors & baritone thoughan an extra alto sax part (the tenor 1 part, written for alto) is included to give youa bit more flexibility in the section. The brass ranges are very moderate, and asidefrom the clarinet solos there are no surprises, so the chart is very playable.

AS PLAYED BY GLEN GRAY

NO NAME JIVETranscribed by Myles CollinsDifficult $65.00 Cat: LL-99997This is simply a great up-tempo jump jive number, made famous by Glen Gray, and tothe best of our knowledge has never been published before, anywhere. If your bandplays to a dance crowd then this arrangement is an absolute must have. No NameJive is a huge six and a half minutes long, and drives from beginning to end. Technicallyit’s not difficult, though the band needs to be tight and crisp in order to achieve therelaxed feel that makes the number work so well. There are some instrumentdoubles: saxes 1, 2 and 3 all double clarinet, and the baritone doubles alto. Lead altoalso needs a soprano if your alto 2 can’t hit high F# and A. All solos are written outas exact transcriptions of the original, though players may improvise if they wish. Thesecond trumpet takes two solos and both are cross-cued on the lead part.

AS PERFORMED BY TED HEATH

12TH STREET RAG ***NEW***Arranged by Myles CollinsAdvanced $65.00 Cat: LL-117012th Street Rag as you never imagined! This chart was written for the Ted Heathband, and goes way way beyond the original Bowman concept. The chart opens byimitating traffic along 12th Street, in a series of dissonant hoots before the bandkicks in with the real intro. The chart is full of contrasting elements and color, anduses a dixie band-in-band on 3 occasions, each section being in a different historicalstyle - ‘20s, ‘40s and ‘60s. Interspersed whith these are some blasting tutti passages,some deliberately corny solo work in street busker style and a screaming finale. Thewhole piece goes through 5 modulations, building all the time. This is a very challengingchart with some tough asks in all sections. Both altos and tenors double clarinet, andthe bari doubles alto for the solo (can be played on bari instead). If your band isbrave enough to take on the challenge they will not be disappointed.

AUTUMN LEAVES ***NEW***Arranged by Myles CollinsMedium $65.00 Cat: LL-1168A superb example of ensemble playing from the Ted Heath book. This version is notwritten as a slow ballad, but is a grooving mid-tempo swing chart that packs plentyof punch. The chart relies on some tight section work from the brass, and strictadherance to the written dynamics in order to deliver the right feel. At just over 2minutes it is not a long chart, but it is certainly a memorable one. There are no saxdoubles, and apart from trumpets 1 and 2 reaching high E, the ranges are fine.

DARKTOWN STRUTTERS BALLArranged by Myles CollinsDifficult $65.00 Cat: LL-1202This version is a transcription of the Ken Moule chart which was written for the TedHeath Orchestra. It is two minutes of pure joy, featuring some great tutti passages,and a dixieland chorus too. The Dixie trio is ad-lib, and is written for your 1sttrumpet, 1st trombone and clarinet. The clarinet also features with a solo followingthe Dixie passage. The sax section has a slightly unusual make-up, being written forclarinet, soprano, alto, tenor and baritone, though also included is an extra tenorpart (a transposition of the alto part) to give you more flexibility.

GOODMAN/GLEN GRAY/TED HEATH

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HEADING NORTHTranscribed by Myles CollinsMedium Easy $65.00 Cat: LL-1081A rare and unusual song from the Ted Heath book, Heading North is a 1957composition and is a medium tempo (at 130 bpm) minor blues chart. It kicks off witha solo piano 12 bar lick (written), joined after by unison bones with sax answerbacks.Saxes then take the soli, answered by the trombones leading to a 24 bar mutedtrumpet solo (chord-based scored on all 4 trumpet parts) with sax and bonebacking figures. Piano comes back in and the chart finishes off with a big tutti shoutchorus. This is a fairly straightforward chart to play. Other than that the ranges aremoderate and the chart is very playable. No sax doubles.

HOT TODDY ***NEW***Arranged by Myles CollinsMedium Easy $65.00 LL-1227This wonderful version is from the Ted Heath band, and features your baritoneplayer and second trumpet. The chart opens with a rumbling bari line backed byhand claps from the band. The trombone section takes the first soli, the saxes joinfor the second, backed by the trumpets who then give a run-up to the mutedtrumpet solo. This trumpet solo is written out as originally played, though yourplayer can improvise. The chart builds from here, with glissing trombones against aunison sax repeat of the melody riff leading into a big brass soli, and finishing up witha fading trombone soli down to pianissimo, and a band blast to finish. Great fun anda real crowd pleaser too.

JA-DATranscribed by Myles CollinsDifficult $65.00 Cat: LL-1187Bob Carleton penned a little 16-bar tune in 1918, whilst still a club pianinst in Illinois.The tune was briefly famous, then spent 35 years in obscurity until Sonny Rollins ‘re-invented it’ using the Ja-Da chords for his composition ‘Doxy’ in 1954, and the jazzworld took to it. In 1958 Ted Heath’s orchestra recorded the arrangement of Ja-Dathat we offer here, transcribed from the original Ken Moule chart. The rhythm partsare all chord based, the improvised solo is written on tenor 1 and there are no saxdoubles. We have graded it as difficult, not because the chart is hard, but becausethe lead trumpet has to hit high E (and optional high G).

LINCOLNSHIRE POACHERArranged by Jon HarpinMedium $65.00 Cat: LL-1157This is a traditional English song, given the full swing treatment by the Ted Heathband. This chart is up, bouncy and always a crowd pleaser. The chart itself is verystraight ahead, though the lead trombone does go up to high C briefly. There is asolo spot for tenor sax (chords also cued on the tenor 2 part). No sax doubles.

LULLABY OF BIRDLANDTranscribed by Mogens HobelMedium Easy $65.00 Cat: LL-22410This chart has been transcribed from the Ted Heath book by Mogens Hobel. Theoriginal Reg Owen arrangement was one of Heath’s most requested tunes, and aswell as containing some lovely ensemble writing it gives solo opportunities to yourpianist and lead tenor. The chart is typical of many of Heath’s numbers - a mix ofsubtlety and raw power, light and shade. An excellent tune for dancing or forconcert work. Both altos double clarinet, and trumpets 1 & 2 reach a brief high D,though the chart is not generally demanding on your brass players’ chops.

MANHATTAN SPIRITUALTranscribed by Myles CollinsMedium $65.00 Cat: LL-2402This is a wonderfully uplifting swing chart, as its name might suggest. Originallyscored in the late ‘50s by Reg Owen, this chart was also a feature for Owen’s ownoutfit, and that of Jack Parnell too. The arrangement starts and ends with a chorale-style fanfare, and swings like crazy in between. Plenty of hand claps from all sectionsof the band add to the rousing nature. We have scored this chart for a regular bigband and a timpanist, though the timp notes are cued onto the piano and drumparts and the chart works equally well without the kettles. The last few bars are abit of a scream for the trumpets (with lead up to high F and second to high D) butthe section can be taken down an octave if need be. Both altos double clarinets.

MEMORIES OF YOUArranged by Myles CollinsAdvanced $65.00 Cat: LL-1188Once in a while there comes along a chart which just makes you want to listen andweep with joy. This Ted Heath version of Memories of You is one of them. A fabulousfeature for two trumpets, the arrangement is full of lush backings and builds from arelatively quiet opening, through two key changes to a flat out finale which soarsever higher and higher. Simply stunning. We have rated this chart as advancedbecause of the demands on the trumpet soloists. The 2nd is written to high F, andthe 1st to high G. Apart from that, the other band parts are straightforward. Leadalto doubles clarinet, and there are no other sax doubles.

OL’ MAN RIVER ***NEW***Transcribed by Myles CollinsAdvanced $65.00 Cat: LL-1207Transcribed from the original Johnny Keating chart, this is an absolute screamer ofa chart, from the time when the Ted Heath band was at its height. Heath recordedtwo slightly different versions of the chart, the only difference being that the‘Palladium Revisited’ chart kicks off in G before modulating to Bb then Ab, whilst the‘Kern for Moderns’ version starts in Bb. This is the Palladium version. This is a fast,tough chart, particularly for the brass. Lead trumpet (Bobby Pratt) hits high G, and2nd trumpet high F. Trombones 3 & 4 need to reach high Bb, with 1 & 2 reaching C.It is not for the faint hearted. The trumpet solo is improvised, and written on the2nd part. The piano, bass & guitar parts are from chords. It is a showstopper if youcan pull it off! There are no sax doubles.

STAR DUSTArranged by Bob MartinMedium $65.00 Cat: LL-22411Star Dust is one of the great Hoagy Carmichael tunes, and deserves a place in thelibrary of every band. Bob Martin has done a truly excellent job of transcription andmodification of this Ted Heath version, which is a two-trumpet feature from start tofinish. The key change in the middle of the piece has been brought down a fourthfrom the original, bringing it into the range of most players. A rich, big chart.

SWINGIN’ SHEPHERD BLUESTranscribed by Myles CollinsMedium Easy $65.00 Cat: LL-99402This version of Swingin’Shepherd Blues is transcribed from a Ted Heath recording.Unusual for a swing chart the tempo is pretty slow, but very effective nonetheless.This chart is a real contrast of dynamics, because it alternates from one or two reedsplus rhythm, to tutti fortissimo and back again. This arrangement makes a greatconcert piece and is equally suitable for strict tempo dancing. Lead alto is onsoprano sax throughout, and 2nd alto is on clarinet throughout.

AS PERFORMED BY WOODY HERMAN

FOUR BROTHERS ***NEW***Arranged by Jimmy GuiffreMedium Difficult $45.00 Cat:7009276Here is the famous Woody Herman signature tune. This fabulous chart features theentire saxophone section. Woody Herman’s clarinet solo has been written out here,though your clarinet player can improvise his/her own solo.

HALLELUJAH TIMETranscribed by Myles CollinsAdvanced $65.00 Cat: LL-99992This is a great up-tempo swinger. It starts with a solo hi-hat opening with off-beattutti accompanying phrases, leading into the first chorus of saxes voiced in thirds, abrass middle 8, and re-statement of the sax theme. From then on it is a rip-roaringtwo saxophone (alto 2 and tenor 1) solo chase with occasional punchy brassfigures backing the soloists. The solo space gets ever compacted, going from 16 to 8,4 and then 2 bar interchange sequences, until just when it feels that they will collide,the band is back with the opening chorus, into a frenzied coda and finish. Needless to say,if you have a couple of sax players to show off, this is the vehicle. This piece is advancednot because of the tempo or the difficulty of the notes (both are quite straightforward oncethe band has the feel of the arrangement) it is because it depends heavily on having2 good sax soloists who are comfortable at speed, and who can work off each other.

T E D H E A T H / W O O D Y H E R M A N

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HAPPINESS IS A ***NEW*** [VOCAL]THING CALLED JOETranscribed by Alan GlasscockMedium $65.00 Cat: LL-2131Transcribed from Ralph Burns’ original chart written for Frances Wayne / WoodyHerman, Happiness is a Thing Called Joe is a lush swing ballad for female vocal. Thechart has been adapted to suit a standard line-up with a regular sax section, thoughWoody’s clarinet line is taken by alto 1 on clarinet throughout. The other saxes areATTB. There is a fair bit of unison muted trumpet work in this chart, so intonationneeds to be good. Also the 1st trumpet is written to high G in the bridge, but this iscross-cued onto the clarinet part if your lead can’t reach this high.The short pianosolo intro is written out, as is the vocal line sung by Frances Wayne. The vocal key is G.

THE JAZZ ME BLUESTranscribed by Bob MartinDifficult $65.00 Cat: LL-1234This is pure Woody Herman, and a great transcription by Bob Martin of the originalNat Pierce chart. The Jazz Me Blues is an old Dixieland tune of the 1920s, and thisarrangement lifts it into a new sphere altogether. Written in the Four Brothers style,it is scored for three tenors, baritone and clarinet (though we include duplicateparts for alto sax, making it playable by a standard section line-up), with solos forclarinet, tenor and trombone.

THAT’S WHERE IT ISArranged by Bob MartinAdvanced $65.00 Cat: LL-1233A ripsnorter of a number, based on the original Woody Herman version. A briefpunchy start introduces a piano solo - a real opportunity for your pianist to showoff a little. The sequence is repeated, and then the band’s in, with saxes taking thetune and brass backing. Solos for tenor and trumpet, followed by a very fluid and yetpunchy tutti passage, leading to a re-statement of the theme and tight ending. Bob’schart is written for 5 trumpets, but is equally playable with 4. Although it is a fastnumber it’s not that hard, once you’ve got your fingers round it!

WOODCHOPPER’S BALLArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1160Here is the great Woodchopper’s Ball. Co-written and first performed by WoodyHerman, this chart became a mainstay in the repertoire of all Herman’s bands. Ourversion is based on Woody’s, though re-scored for regular sections (saxes AATTB, 8brass). This arrangement features solo space for clarinet (on 1st alto part), tenor,trumpet and trombone, and has that characteristic chromatic set of key changes atthe end that gives the whole chart a thumping climax.

AS PERFORMED BY HARRY JAMES

B-19 ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat:1204B-19 is a driving swing number, clearly taking some influences from tunes such asSing Sing Sing and Bizet Has His Day. The chart has a raw and angry feel about it, asone might expect from a tune whose name is that of a famous aircraft. Being a HarryJames chart there is naturally a big solo spot for trumpet (James’ chorus is fullywritten out on the 2nd trumpet part), and the tenor solo has been transcribed aswell. The original was recorded by James with a string section. However, thearrangement has been modified; the string part has been written back into thesaxes, and given a solo spot to 1st trombone. This maintains the integrity of theoriginal and makes for a more readily playable chart. The ranges for the other brassare moderate. There are no sax doubles.

CHERRYTranscribed by Alan GlasscockDifficult $65.00 Cat: LL-99405Cherry is a classic from the Harry James Orchestra and a great chart for showcasingone of your trumpet players. The original arrangement was done with strings, butwe have replaced the string lines with saxes, to make the chart playable by a regularline-up. All of the solos (for trumpet, trombone and alto) are fully written out,though we have included the chords should your players wish to improvise. This isa very rare chart, and we are delighted to offer it to you. There are no sax doubles.The trumpet solo is on the 2nd part & the trombone solo is on the 2nd part.

CIRIBIRIBIN ***NEW***Arranged by Myles CollinsAdvanced $65.00 LL-1198Ciribiribin is perhaps the solo trumpet chart by which all others are measured. It iscertainly a very challenging piece for your soloist, though can also be used as a solovehicle for clarinet or soprano sax instead. We have reproduced James’ 1939 classicfor you in full, from the classically inspired intro, the Mediterranean waltz section, thelittle Baroque bridge, the trumpet cadenza and the fast swing second half. We haveadapted the original to suit 8 brass (solo trumpet, trumpets 1,2,3 & 4 trombones)and 5 saxes (AATTB). The solo trumpet part is exactly as played by James along withall articulations and phrasings. Aside from the difficulty of the trumpet part, thechart is reasonably straightforward for the rest of the band.

DONCHA GO ‘WAY MAD ***NEW*** [VOCAL]Arranged by Alan GlasscockMedium $65.00 Cat: LL-2107Harry James and The Skylarks vocal group briefly joined forces in 1949-50, and cameup with this gem of a chart. Don’cha Go ‘Way Mad is all about a guy beggingforgiveness for cheating on his girlfriend - quite a risky choice of a song for the times.The band and singers gel really well in this song, and the chart itself is not toodemanding. Whilst the Skylarks were a 5-piece vocal outfit, we have modified thevocals to make it suitable for a more regular 4-piece (SATB) group. There are no Saxdoubles in this chart. Another fine work from the pen of Alan Glasscock.

I HAD THE CRAZIEST DREAM [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-2170I Had The Craziest Dream was another big hit for the Harry James Orchestra, in his‘band that swings with strings’ period. It is a romantic, floaty ballad, sung by HelenForrest, and which also features James’ trademark trumpet solo. This chart wasoriginally recorded with big band plus string section, and some additional orchestralbacking. We have modified the arrangement by removing the strings and extrainstruments, to make it suitable for a standard line-up. Therefore both alto saxesdouble clarinet, and the French horn solo lines have been re-assigned to trombone1, with an upper range of high C. Harry James’ solo is written out in full. Vocal key Ab.

I’VE HEARDTHAT SONG BEFORE ***NEW*** [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-2123Originally written for the film ‘Youth on Parade’ by Jule Styne & Sammy Cahn, thistune became a huge hit for Helen Forrest and the Harry James Orchestra. Jamesrecorded the chart in 1942 and 1955. This arrangement is a fusion of these two,mostly drawn drawn the ’42, with touches of the ’55. James’ 1st chorus solo iswritten out in full (on the 1st trumpet part) and the string lines behind the vocalchorus have been given to the sax section. Helen Forrest’s vocal is written out as-sung, and the vocal key is G.

IT’S BEEN A LONG, LONG TIME [VOCAL]Arranged by John FergusonMedium $65.00 Cat: LL-2118A beautiful vocal ballad from the great co-operative writing team of Sammy Cahn &Jule Styne, this chart was made famous by Harry James and features your leadtrumpet, lead alto and naturally your singer too. We have written out James’ soloand Willie Smith’s alto solo in full, and have kept the chart true to the James original,with the exception of re-scoring the string lines back into the saxes. The chart hasbeen graded as medium though the lead bone has to hit a high C. Other than this,it’s not that hard to play. The vocal key is C and there are no sax doubles.

JAMES SESSION ***NEW***Arranged by Myles CollinsAdvanced $65.00 Cat: LL-1183Written by Jack Mattias (of Trumpet Blues & Cantabile fame), this is a big swingchart that features trumpet, drums, trombone and alto sax. James recorded thischart in ‘42 and again in ‘55. The later version is presented here, though thetrombone solo from the ‘42 recording is featured. Also the final trumpet cadenza hasbeen shortened and the ending from the earlier version has been added in to bringthe chart to a positive close. James’ lead line and Willie Smith’s alto solos are fully writtenout, as are the first 100 measures of the cadenza as played by James. This is a raw, energypacked piece, great for dancing or concert work. There are no sax doubles.

WOODY HERMAN/HARRY JAMES

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LUSH LIFETranscribed by Jon HarpinDifficult $65.00 Cat: LL-1112This version is an out-and-out trumpet feature from the Harry James book. It is asthe name suggests, lush, rich, full of wonderful tone and color - and it makes the hairon the back of your neck stand up. The horns are written as three trumpets andsolo trumpet, and the solo part would suit a player with a big fat tone. The lead altodoubles clarinet for just a couple of bars, the 1st trumpet reaches a high Db brieflyon a couple of occasions, and the 1st trombone gets to high C, though we’ve cuedthe 3rd trumpet just in case.

MUSIC MAKERS ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat: LL-1211Harry James recorded a couple of versions of this tune, first in 1941 and again in1955. This is the later version which packs more punch. The chart is at heart atrumpet section feature with three snorting passages of play, though not at thedifficulty level of ‘Trumpet Blues & Cantabile.’ The tenor solo is written in full and isbest played as originally written, though your player can improvise from the chordsif preferred. The lead trumpet is written to a high F in the closing run, but the line canbe taken down an octave without detracting from the finish, which then makes therequired lead range a top Eb (in the second of the sectional passages).

SEPTEMBER SONGTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1156Here is a really unusual arrangement of this jazz standard from the Harry JamesOrchestra. Slow, bluesy and laid back, the chart opens with the baritone and bass inunison, with tightly muted trumpets over, then the saxes layer in with a smoothcontrapuntal line, then the unison trombones pick up the melody over the sameunderlying bari/bass figures. There follows a truly inventive bridge, a tutti chorus inswing time and then Harry’s soaring solo which we have written out in full. Nimblefingers needed. Then everything calms down and returns to the opening theme atthe end. There are no sax doubles.

SLEEPY LAGOONTranscribed by Alan GlasscockDifficult $65.00 Cat: LL-2406Although composed originally as a waltz, this version from the Harry James orchestrais firmly in 4/4 time. Alan Glasscock has transcribed this chart beautifully, and has re-scored the string lines into the band, making this chart playable as with a standard5/4/4/4 line up. The arrangement features trumpet, as you might expect with aJames chart, and also a solo spot for trombone. This is a really lush, fat tune, full ofdynamic contrast and soaring modulations. Your pianist will need to be nimble andsmooth in the intro, to make the rolling arpeggio figures flow like the waves lappingon a tropical shore. There are some sax doubles too: both altos use clarinets,baritone doubles alto and lead alto has a toot of flute in the intro.

STRUTTIN’ WITH SOME BARBECUEArranged by John FergusonMedium $65.00 Cat: LL-1162This tune was written by Louis Armstrong and used by him as his theme tune for anumber of years. This version is from the Harry James book, and is not only a greattrumpet feature, but a really rare chart too. It has a lilting two-beat feel that swingslike crazy from start to finish. The 1st trumpet has the solo lead, the solo is writtenout in full and there is a ripping sax soli where your players need to stand up andshow themselves off a bit. There are no sax doubles.

TRUMPET BLUES & CANTABILETranscribed by Myles CollinsDifficult $65.00 Cat: LL-95501A great swing chart from the James book. Trumpet Blues opens with a short bandfanfare in half time, and then breaks into a driving swing boogie. The middle half-timeCantabile provides the contrast, but breaks back into swing boogie for the lastchoruses. A feature for your trumpet section, but be warned that they will need afew minutes to recover afterwards. You will need a good trumpet section to play thisarrangement. It is in the original key of Bb, and modulates to D for the end choruses.

TWO O’CLOCK JUMPTranscribed by Myles CollinsDifficult $65.00 Cat: LL-45004This version of Two O’Clock Jump is from the James band of the 1950s, and has amuch more relaxed and laid back feel then the original version. This number is greatfor swing dancing and grooves from start to finish. The opening piano and trumpetsolos are written out for you, and the 12 bar piano solo is from chords. This chartis graded medium/advanced mainly because of the high trumpet triplet runs whichgo from high Eb on the 2nd part, with the 8va option written onto the other 3parts too. There are no sax doubles.

AS PERFORMED BY STAN KENTON

23°N 82°WArranged by Bill RussoDifficult $59.00 Cat: SMP-530This is one of the most creative, important big band compositions ever written byanyone! It is also a chart which has been in demand for many years. We publish thisin the memory of the passing of Mr. Russo in 2003. He was a dynamic force in all ofmusic, and this particular piece was his most requested work. This is exactly as it wasrecorded by the Stan Kenton Orchestra on the New Concepts of Artistry inRhythm CD. If you have the “horses” this will be a big hit for your band. Solos foralto sax and trombone. 5-5-5-4

ABSTRACTIONArranged by Pete RugoloDifficult $37.00 Cat: SMP-625From the Kenton Encores LP. Recorded in 1947, Abstraction (the 3rd Movement ofthe Prologue Suite) is an excellent example of the far-reaching compositional styleswhich the band was doing in the late ‘40’s. Rugolo was a real pioneer in this respect.Solos for alto, tenor and piano.

ADESTE FIDELESArranged by Stan KentonMedium Difficult $52.00 Cat: SMP-605The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. This particular arrangement is more traditional in scope, but it is filled withwonderful, lush harmonies and the Kenton style of arranging. The originalarrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba,keyboard, bass, drums and auxiliary percussion. These are the charts we sell, butwe’ve also included saxophone parts which take the place of the mellophoniumparts. They work quite well! From Kenton’s Merry Christmas recording.

ALL AT ONCE YOU LOVE HER ***NEW***Arranged by Lennie NiehausMedium Difficult $55.00 Cat: SMP-736Lennie Niehaus wrote a series of terrific arrangements for the Stan Kenton Orchestra(this was recorded on the ‘Stage Door Swings’). This chart is a medium-swingversion of a great Rodgers & Hammerstein tune. It features solo space for tenorsaxophone and a short solo for bass. Ranges are quite modest for a Kenton chart,and this could also be played with only 8 brass. 5/5/5/3

ALL THE THINGS YOU AREArranged by Stan KentonMedium Difficult $42.00 Cat: SMP-688The lush trombone section sound of the Kenton Orchestra on a gorgeous ballad.Rescored to be played without the mellophoniums. A wonderful concert or dancebook addition. Recorded on the Romantic Approach LP.

ALL THE THINGS YOU AREArranged by Gerry MulliganMedium $47.00 Cat: SMP-577One of those mystery charts that hardly anyone knows about, this chart is a beauty.Mulligan was a master at creating moods and using wonderful chord substitutions,as he did in this medium ballad. The arrangement features trumpet throughout(written to feature Buddy Childers), and it was played very often by the KentonBand. The brass ranges and rhythms for all are very reasonable (written Bb abovethe staff for Trumpet). This is a VERY impressive chart that is easy to play. 5-5-5-4

H A R R Y J A M E S / S T A N K E N T O N

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ALMOST LIKE BEING IN LOVEArranged by Lennie NiehausMedium $52.00 Cat: SMP-578As recorded by the Stan Kenton Orchestra on ‘Adventures in Standards,’ this is amedium, swing chart on a great tune. Lennie uses a very clever countermelodythroughout the arrangement. There is solo space for Tenor Sax and terrific ensemblewriting in the Kenton tradition. 5-5-5-3 (can be played with 8 brass).

ALONEArranged by Bob CurnowDifficult $52.00 Cat: SMP-546The Stan Kenton Orchestra was always ahead of its time! This chart was based onthe music of Blood Sweat & Tears. It is a trombone feature throughout and is a wildand very exciting rock/fusion chart in a brand-new edition. Recorded on the StanKenton Plays Chicago CD.

AN AMERICAN TRILOGYArranged by Bob CurnowDifficult $42.00 Cat: SMP-503A dramatic setting of three American songs.... from the National Anthems of theWorld LP. Ends with a glorious rendition of America the Beautiful.

ANGELS WE HAVE HEARD ON HIGHArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-604The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the more traditionalof the ten we have in print. It does have a swinging section, and it works very well!The original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,tuba, keyboard, bass, drums and auxiliary percussion. These are the charts we sell,but we’ve also included saxophone parts which take the place of the mellophoniumparts. They work quite well! From Kenton’s Merry Christmas recording.

ARTEMIS & APOLLOArranged by Bob CurnowMedium Difficult $47.00 Cat: SMP-556This is a newly re-arranged version of the magnificent melody recorded on theAdventures In Time CD. BOB eliminated the mellophonium parts, used a standardsaxophone section and changed the key to make it more accessible to most bands.(10 brass optional)

ARTISTRY IN PERCUSSIONArranged by Pete RugoloMedium Difficult $47.00 Cat: SMP-635Written to feature Shelly Manne. A great drum feature. It also contains a nicetrombone solo. Very showy piece. Great for an historical look back on any Kentontribute concert. One of the most fascinating drum set features ever written. Fromthe exciting and innovative 1946 recordings. Recorded on the MAMA Back ToBalboa CD set.

ARTISTRY IN RHYTHM (SHORT VERSION)Arranged by Stan KentonDifficult $35.00 Cat: SMP-552There have been many requests for a stand alone version of Kenton’s theme song.This is the short version which was played by Stan’s band in the later years.

ARTISTRY JUMPSArranged by Stan KentonDifficult $52.00 Cat: SMP-539Exactly as recorded on the Kenton/CapitolRetrospective CD (and the originalMilestones LP). This was Stan’s first long version of the theme Artistry in Rhythm andis a great piece to program. Features piano and tenor saxophone solos. A classic, wildand bright chart which should be a part of any Kenton Tribute concert.

BALI HAIArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-579This was recorded by the Stan Kenton Orchestra on ‘Stage Door Swings,’ and it isone of Lennie’s wonderful charts on a great Broadway standard tune. It has veryreasonable ranges for all. This shifts between Latin and Swing Feels. Solo for tenorsax. 5-5-5-3 (can be played with 8 brass).

BEELINE EASTArranged by Ken HannaDifficult $52.00 Cat: SMP-629A later composition of Hanna’s, Beeline has a wonderful Latin feel to it and all of thegreat Hanna harmonies and voicings.Recorded on the Live at Butler University CD.(condensed score)

BEGIN THE BEGUINEArranged by Lennie NiehausMedium Difficult $60.00 Cat: SMP-566As recorded by the Stan Kenton Orchestra on ‘Adventures In Standards,’ this is amedium-swing chart on a great tune.

BEGIN THE BEGUINEArranged by Johnny RichardsMedium Difficult $67.00 Cat: SMP-730As recorded by the Stan Kenton Orchestra on Back To Balboa (Capitol), Richardstakes this great standard and turns it into a 6/8 Latin and swinging screamer. This isa magnificent chart, very much in the style of the Cuban Fire pieces that Johnnywrote for Kenton. Solos for alto, tenor, trumpet and drums. 5-5-5-3

BERNIE’S TUNEArranged by Gene RolandMedium Difficult $57.00 Cat: SMP-585This was recorded on the Stan Kenton Orchestra CD “Live at the Tropicana. It maybe the best chart Gene Roland ever did for Stan. Although it opens with a bass solo,there is also solo space for alto and tenor saxophones. The ensemble writing willknock your socks off! 5-5-5-3

BETWEEN THE DEVILAND THE DEEP BLUE SEAArranged by Lennie NiehausMedium Difficult $57.00 Cat: SMP-567As performed by the Stan Kenton Orchestra, here is one of the “hippest” chartsfrom the Kenton book. It was a favorite with the band and audiences alike, and itswings like crazy. There is a nice, long trombone solo space. (It was played by DeeBarton when recorded). A wonderful melody and a sensational chart! 5-5-5-3 (canbe played with 8 brass)

BUT BEAUTIFULArranged by Lennie NiehausMedium Difficult $47.00 Cat: SMP-533When Lennie arranged for the Stan Kenton Orchestra, he created the most beautifulbig band dance book ever written. Begins with a lush, warm trombone soli. Solospace for alto sax. Recorded on the Sophisticated Approach LP. This chart haswonderful trombone and sax solis. A marvelous addition to any jazz and/or dancelibrary. (edited to be played with 8 brass instead of 10 if you should choose, andwithout mellophoniums)

CARLArranged by Bill HolmanMedium Difficult $60.00 Cat: SMP-568When Bill Holman writes a feature for a player, especially in the Kenton Band, youknow it will be wonderful. He wrote this one to feature the amazing trombonist CarlFontana. Carl is a terrific melody, scored in the inimitable, swinging way of Holman.The demands on the brass sections are not too bad, so the piece is very playable. 5-5-5-3 (can be played with 8 brass)

CHIAPAS ***NEW***Arranged by Hank LevyDifficult $65.00 Cat: SMP-737This was the first of many ‘time charts’ that Hank wrote for the Kenton Band. Thisis as exactly recorded on the ‘Live at Redlands University’ CD. The piece in writtenmostly in 5/4 and features solo space for alto sax and trumpet. This is a remarkablecomposition which should be in every big band library, not only because it is anhistorically important work, but also because it’s simply a lot of fun to play. 5/5/5/3

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CHRISTMAS MEDLEYArranged by Stan KentonDifficult $59.00 Cat: SMP-580As recorded by Kenton on ‘Merry Christmas,’ this chart has optional saxophoneparts which nicely cover the french horn parts (originally written for only brass andrhythm section). This completes the publication by Sierra of all of the charts on thisalbum. The medley contains six carols. Instrumentation is 5 horns, 4 trumpets, 4trombones, tuba, piano, bass, drums and opt. chimes. Solo for piano only.

COLLABORATIONArranged by Pete RugoloMedium Difficult $47.00 Cat: SMP-637This historically important piece opens with a rubato piano solo and then moves toa terrific Rugolo trombone feature (originally recorded by Kai Winding). A strong,gorgeous melody, backed by the power and beauty of Rugolo’s writing.

CONCERTO TO END ALL CONCERTOSArranged by Stan KentonMedium Difficult $52.00 Cat: SMP-612One of Kenton’s most important compositions. It moves through a series of moods,tempos, and styles, and features each section in a way that best describes theKenton Sound of the 1940s and beyond. A must-have chart for any big bandhistorian. No Kenton tribute is complete without a performance of this exquisite1946 composition. This piece set the music world on its ear! A great composition!

CUBAJAZZArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-557Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid-1950s), the chart never was recorded by the band (Holman doesn’t know why),and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm(Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. Itutilizes counterpoint between the wind sections over a latin vamp and explores theperfect balance between counterpoint and dynamic ensemble writing in the Swingsections. This is Holman at his very best!

DANCING IN THE DARKArranged by Gerry MulliganDifficult $47.00 Cat: SMP-729One of the few charts Mulligan contributed to the Kenton library. Solos for pianoand trumpet.

DAY DREAM [VOCAL]Arranged by Lennie NiehausMedium Difficult $49.00 Cat: SMP-586As recorded by the Stan Kenton Orchestra and Jean Turner, this is a superb Ellingtonballad that will make you want to hear it over and over again. The lyrics and theorchestration are exceptional. This is a great vehicle for your female or male vocalist,arranged by the best! 5-5-5-3 and vocal

DECOUPAGEArranged by Hank LevyDifficult $47.00 Cat: SMP-540Hank contributed so much to the Kenton book in the ‘70s, and this chart is one ofthe best of the bunch. A lovely, melodic, easy-flowing piece in 5/4 which is a greatvehicle for getting into odd-meter music. Alto sax and trpt. solos, and all ranges arevery reasonable. Exactly as recorded on the Kenton ’76 CD.

DON’T WORRY ‘BOUT MEArranged by Bob GraettingerMedium Difficult $47.00 Cat: SMP-724Graettinger arranged this standard in his most unusual way, using dissonance offsetwith the beauty of this gorgeous melody. It is a trombone solo pretty muchthroughout the entire ballad. Great writing for the soloist and the trombonesection as well. This is something quite different and quite wonderful. 5-5-5-2

DYNAFLOWArranged by Stan Kenton and Art PepperMedium $47.00 Cat: SMP-558A true Kenton Classic. Alto saxophone, piano and bass are featured on this one-of-a-kind piece. The piece was recorded in the early 1950s by Stan Kenton, became ahuge hit and found its way onto many albums, most notably Popular Favorites byStan Kenton. If you need a Kenton chart that doesn’t demand a great deal of hard,high blowing, this is the one.

EL CONGO VALIENTE (VALIANT CONGO)Arranged by Johnny RichardsAdvanced $87.00 Cat: SMP-679The 2nd movement of Richards’ amazing Cuban Fire Suite. This movement roarsfrom the top. A great melody with chances to feature alto sax, trumpet, tenor saxand trombone solos. The original score of Richards’ was the source for this and allthe movements of this suite. Full score and parts for the original instrumentation of4/5/5/4 plus, 2 horn parts and 6 perc. parts. This really is a marvelous chart! Recordedon the Cuban Fire CD.

EL MANISERO (PEANUT VENDOR)***NEW***Arranged by Myles CollinsMedium $65.00 Cat: LL-1229Adapted from the 1956 recording, El Manisero (the Peanut Vendor) remains one ofStan Kenton’s most enduring hits, and is a feature chart for lead trombone (whosolos for the first minute of the chart), the trumpet section with their screamingdissonances and for the pianist. This arrangement is essentially the same as Kenton’s‘Peanut Vendor,’ but transposed down a major 3rd and with a shortened piano solo.To add more interest and to build the rhythm backing to the chart, rhythm indicationshave been written on all the brass parts (except trombone 1) from the opening ofthe chart, so bring some wood blocks, claves, cabasas and cuicas along. The trumpetlines are not hard, but they are fairly high, with 1 & 2 reaching high C and 3 reachingA. If you want to play the genuine Kenton version with the complete piano solo andhave trumpets who can reach high D and E please order the ‘Peanut Vendor - LL-1297’ chart. There are no sax doubles, and the 4th trombone is bass.

EL MANISERO (PEANUT VENDOR) ***NEW***Transcribed by Myles CollinsAdvanced $65.00 Cat: LL-1297Transcribed from the 1956 recording, the Peanut Vendor remains one of StanKenton’s most enduring hits, and is a feature chart for lead trombone (who solos forthe first minute of the chart), the trumpet section with their screaming dissonancesand for the pianist. The Kenton piano solo has been written out in full and the soloitself is a work of art, showing us what can be done when improvising over just acouple of chords. To add more interest and to build the rhythm backing to the chart,rhythm indications have been written on all the brass parts (except trombone 1)from the opening of the chart, so bring some wood blocks, claves, cabasas and cuicasalong. The trumpet lines are not hard, but they are high, with 1 & 2 reaching high Eand 3 & 4 reaching high D. If your players don’t have this range, please order the ‘ElManisero - LL-1229’ chart. (It is essentially the same chart transposed down a major3rd with a shortened piano solo, so the trumpet ranges are limited to high C). Thereare no sax doubles, the 4th trombone is bass (optional 5th trumpet & tromboneparts have been included).

ELEGY FOR ALTOArranged by Pete RugoloMedium Difficult $52.00 Cat: SMP-624From the Progressive Jazz period in the 1940s, this piece focused on the altosaxophone (originally played by George Weidler).

THE END OF A LOVE AFFAIRArranged by Lennie NiehausMedium Difficult $42.00 Cat: SMP-628A magnificent alto saxophone feature. Lennie also solos on his chart on the Livefrom the Tropicana CD. This is a superb arrangement, using all of the textures andpower and sensitivity of the Kenton Orchestra. (opt. 10 brass)

EVERYTIME WE SAY GOODBYEArranged by Lennie NiehausMedium Difficult $50.00 Cat: SMP-569As recorded by the Stan Kenton Orchestra on Stage Door Swings, this is a lovelyballad scored in the incomparable Kenton style. Niehaus uses the saxophone sectionto great effect. Limited ranges make this a very playable chart for most any band.There is solo space for trumpet. 5-5-5-3 (can be played with 8 brass)

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FANFARE FOR THE NEWArranged by Hugo MontenegroAdvanced $62.00 Cat: SMP-632One of the great pieces written for the Los Angeles Neophonic Orchestra, foundedand conducted by Stan. Four french horns are essential, along with 4 trumpets, 5trombones and woodwinds. Exciting and challenging music. Recorded on the L.A.Neophonic Orchestra LP. Woodwinds require 2 piccolo, 2 clarinets and basssaxophone (baritone saxophone opt. part included).

FASCINATING RHYTHMArranged by Bill RussoDifficult $52.00 Cat: SMP-677Russo always created wonderfully interesting (and challenging) arrangements ofstandard tunes. He explores unusual instrumentation and exciting newharmonizations. Recorded on the Kenton Sketches on Standards LP. (This music isavailable from Mosaic Records in their Russo/Holman CD set.)

FEARLESS FINLAYArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-691There were a few Holman charts that were written for the Stan Kenton Orchestrawhich had disappeared over the years, seemingly lost forever. This was one of them.This is one of those incomparable, swinging charts from the ‘50s. Absolutely the best!Recorded on the Kenton Showcase LP. (This music is available from Mosaic Recordsin their Russo/Holman CD set.)

FIRST CHILDArranged by Bob CurnowDifficult $47.00 Cat: SMP-545One of the loveliest ballads ever recorded by the Kenton Band. Recorded on theStan Kenton Plays Chicago CD. This is one of 2 original pieces by Bob Curnow fromthis album. This Kenton arrangement is finally available. Features a 3-horn melodicline in a flowing, richly-harmonized texture. No improvised solos, and reasonableranges. (opt. 10 brass as recorded)

A FOGGY DAYArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-693This is one of the many wonderful charts arranged by Lennie for the Stan KentonOrchestra. He was able to capture the Kenton sound without a lot of high-rangeproblems or difficult concerns for the players. Solo space for baritone sax andtrumpet. A great addition to any jazz and/or dance library. This chart swings likecrazy!

FRANK SPEAKINGArranged by Bill RussoDifficult $52.00 Cat: SMP-532The Stan Kenton Orchestra was always an ideal showcase for the outstandingsoloists within its ranks. This piece was written to feature Frank Rosolino on trombone.Absolutely the best! A trombone feature throughout. Recorded on the KentonNew Concepts of Artistry in Rhythm CD.

FUEGO CUBANO (CUBAN FIRE)Arranged by Johnny RichardsDifficult $67.00 Cat: SMP-662Movement I (of 7) of the Cuban Fire Suite. Finally, the definitive version of thismagnificent music. The original score of Richards’ was the source for this and all themovements of this suite. Full parts for original instrumentation of four saxes, 5trumpets, 2 French horns, 4 trombones, tuba, piano, guitar, bass, drum set, timpaniand 6 additional percussionists. For the first time, a full score is included. Recordedon the Cuban Fire CD.

GET OUT OF TOWNArranged by Johnny RichardsMedium Difficult $47.00 Cat: SMP-690Johnny Richards at his best! A very playable chart without a lot of range concernsfor brass. A bass trombone feature from beginning to end, in a Latin and a Swing feel.This chart is recorded on the Back To Balboa recording by the Stan Kenton Orchestra.

GIRL TALKArranged by Stan KentonMedium Difficult $49.00 Cat: SMP-587Stan Kenton had a certain touch in his arranging that stood out. He took a simple,slow-swinging approach to this great Neal Hefti tune, and it was one of the mostpopular charts played by the band in the 1970s. Piano takes the melody, while thetrombones set the harmonic and rhythmic groove. This is a wonderful piece toprogram, because it is so different than most things. 5-5-5-3

GOD REST YE, MERRY GENTLEMENArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-606The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the jazzier oneson the album. It swings like crazy! The original arrangements were written for 4trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliarypercussion. These are the charts we sell, but we’ve also included saxophone partswhich take the place of the mellophonium parts. They work quite well! FromKenton’s Merry Christmas recording.

GOOD KING WENCESLASArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-639The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the jazzier oneson the album. It swings like crazy! The original arrangements were written for 4trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliarypercussion. These are the charts we sell, but we’ve also included saxophone partswhich take the place of the mellophonium parts. They work quite well! FromKenton’s Merry Christmas recording.

HAPPY BIRTHDAY TO YOUArranged by Bill HolmanDifficult $52.00 Cat: SMP-671A fun-filled, exciting chart on the old tune. Commissioned as a surprise birthdaypresent for Stan. Trumpet and trombone solos, and a very clever Holmanesquetreatment. Every jazz library should have this chart for that special occasion.Recorded on the Birthday in Britain CD.

HERE’S THAT RAINY DAYArranged by Dee BartonDifficult $42.00 Cat: SMP-633This is the original, quintessential arrangement by the great Dee Barton. Recordedon the Live at Redlands University CD.

THE HOLLY AND THE IVYArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-642The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is a great deal of fun to play.It moves through different keys, and it has a lot of interesting variations in it. A terrificchart! The original arrangements were written for 4 trumpets, 4 mellophoniums, 4trombones, tuba, keyboard, bass, drums and auxiliary percussion. These are thecharts we sell, but we’ve also included saxophone parts which take the place of themellophonium parts. They work quite well! From Kenton’s Merry Christmas recording.

HOW DO I LOOK IN BLUEArranged by Lennie NiehausMedium $47.00 Cat: SMP-543This is another of the many wonderful charts arranged by Lennie Niehaus for theStan Kenton Orchestra. Features the lush Kenton trombone sound and gorgeousfull ensembles. As recorded on the Sophisticated Approach LP. A great addition toany library. 5-5-5-3 (can be played with 8 brass or 10)

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I CONCENTRATE ON YOUArranged by Johnny RichardsDifficult $59.00 Cat: SMP-581This was recorded by the Stan Kenton Orchestra on “Back To Balboa”, and it is ahighly original, exciting chart (Latin/swing) on a great standard tune. Johnny Richardswrote for Kenton as well as anyone. Solos for alto sax, baritone sax, trumpet andtrombone. 5-5-5-3 (can be played with 8 brass)

I LOVE PARISArranged by Lennie NiehausMedium Difficult $47.00 Cat: SMP-695When Lennie arranged for the Stan Kenton Orchestra, he was able to capture theKenton sound without a lot of high-range problems or difficult concerns for theplayers. Solo space for trombone. Recorded on the Stage Door Swings LP. This charthas a great unison sax soli. A marvelous addition to any jazz and/or dance library. 5-5-5-3 (parts also supplied for 8 brass instead of 10)

I REMEMBER YOUArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-653This is one of those superb Holman charts written for Kenton in the early ‘50s thatjust swings like crazy. It starts off very soft and easy, with clever linear writing. It thenroars into an alto sax solo, to be followed by a trumpet solo. A key change brings thechart to a great shout section before returning to the soft opening for a moment.This chart requires 1 alto, 2 tenor and 2 baritone saxophones (condensed score).

I’M GLAD THERE IS YOUArranged by Stan KentonMedium $47.00 Cat: SMP-544This is a rich, warm chart as arranged by Stan. Features the lush Kenton trombonesound and gorgeous full ensembles. Stan used this as an opener for years. Asrecorded on the Romantic Approach LP. A magnificent melody and a great additionto any jazz or dance library. 5-5-5-3 (edited to be played without mellophoniumsand can be played with only 4 trombones instead of 5)

ILL WINDArranged by Bill MathieuDifficult $47.00 Cat: SMP-538Bill Mathieu’s arrangements, done for the Stan Kenton Orchestra were some of themost beautiful pieces ever recorded by that band. This is a splendid rendition of agreat standard. It contains all of the elements so associated with the Kenton band- wonderfully inventive writing. Trombone solo throughout. This chart is on the newStandards in Silhouette CD.

IMPRESSIONISMArranged by Pete RugoloMedium Difficult $47.00 Cat: SMP-627Another amazingly futuristic piece from Rugolo’s great mind. An outstanding exampleof the classical side of the late ‘40s Kenton bands written in 1947. A great (unusual)addition to any Kenton program.

IN LIGHTER VEINArranged by Bill HolmanDifficult $52.00 Cat: SMP-620Recorded in 1954 for the recording Kenton Showcase , this chart is an alto saxophonefeature throughout. It was originally recorded by Lee Konitz. Yet another wonderfulHolman feature chart. (condensed score)

INDIANAArranged by Bill HolmanDifficult $52.00 Cat: SMP-306Here is another chart written for Stan Kenton (in the mid-1950s), that was neverrecorded by the band. It is a sensational piece, a real flag-waver which features altosaxophone from top to bottom. Great ensemble figures propel the soloist everonward. This up-tempo swing chart is refreshing, with band vs soloist, greatbackground figures, a very hip key change and excitement throughout. A wonderfulfeature for your hot alto saxophonist. Typical, great Holman.

INDRAArranged by Hank LevyMedium Difficult $52.00 Cat: SMP-670This was one of Hank’s early charts for Kenton. It is recorded on the Live at ButlerUniversity CD. It opens with bass setting the tempo and meter in 9/4. The trombonesolo begins things, and it also features saxophone and trumpet. A superb look intothe odd-meter world. Not too difficult to play. 5-5-5-4 (condensed score)

INNER CRISISArranged by Bob CurnowDifficult $52.00 Cat: SMP-549Exactly as recorded on Stan Kenton Plays Chicago, this chart is a great feature foralto saxophone set in a big band fusion style. Every reed player plays flute in theintro, and the chart just screams from there! Lots of exciting, strong, no-doubt-it’s-Kenton music! Curnow’s chart really works great!

INTERLUDEArranged by Pete RugoloMedium $32.00 Cat: SMP-631Recorded in 1947 and included on the Milestones LP, this piece is a gorgeous melody(one of Pete’s best known). It features piano throughout (and it is all written out),with wonderful, warm, lush 5-trombone backgrounds. Perfect for the Kenton Tributeconcert, because it gives your other players a rest (especially the trumpets!).

INTERMISSION RIFFArranged by VariousDifficult $52.00 Cat: SMP-570Finally, the up-to-date version that the Kenton Band played right up until the end.This chart has all of the solo space and all of the background figures and lines, andit differs from the 1947 version quite a bit. No Kenton Tribute concert would becomplete without this chart. Solo space is very flexible, as is all of the backgroundmaterial. A true Kenton classic! 5-5-5-3

INTERMISSION RIFFArranged by Ray WetzelMedium Difficult $42.00 Cat: SMP-648This is the original version of the tune recorded in 1946, and also included in theMilestones LP. This was transcribed by Bob Curnow for Gunther Schuller’s SmithsonianJazz Orchestra concerts. Tenor and alto saxophone solos. 5-5-4-4 (note only 4trombones).

INVENTION FOR GUITAR AND TRUMPETArranged by Bill HolmanDifficult $52.00 Cat: SMP-634Once used in the Blackboard Jungle movie, this piece is one of Holman’s earliestcompositions to be recorded by Kenton. It was written for Maynard Ferguson andSal Salvador and recorded in 1952. Recorded on the Kenton New Concepts ofArtistry in Rhythm CD.

IT COULD HAPPEN TO YOUArranged by Lennie NiehausMedium Difficult $59.00 Cat: SMP-582As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is awonderful, swinging chart on a great tune. As usual, Lennie does a great job arrangingit, with terrific section work and limited ranges for the brass (written high D for 1sttpt). There is a nice, lengthy solo for baritone sax. 5-5-5-3 (can be played with 8 brass)

IT’S ALL RIGHT WITH MEArranged by Lennie NiehausDifficult $59.00 Cat: SMP-583Here is another terrific chart as recorded by the Stan Kenton Orchestra on“Adventures In Standards.” Lennie sets the chart at a very fast, swinging pace, usingcountermelodies, a 6-horn group in places, and lots of solo space for alto sax. Awonderful recurring pattern ties the whole chart together. Lennie out-did himselfwith this one! 5-5-5-3 (can be played with 8 brass)

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I’VE GOT YOU UNDER MY SKINArranged by Bill HolmanDifficult $67.00 Cat: SMP-672This may be the all-time greatest jazz arrangement of a standard tune. Recorded onthe Contemporary Concepts LP, this great standard is turned into a marvelousvehicle for solo statements from alto, tenor, 2 different trumpets and baritonesaxophone. No big band jazz library can be complete without this superb arrangement.

I’VE NEVER BEEN IN LOVE BEFOREArranged by Lennie NiehausMedium $42.00 Cat: SMP-687A lovely Broadway tune as scored for Kenton’s dance book. This chart features thegreat sound of the trombone section. A wonderful concert or dance book addition.Exactly as recorded on the Stage Door Swings LP. Full score and parts for 5/5/5/3instrumentation. (Can be played with 8 brass)

KINGFISHArranged by Bill HolmanMedium Difficult $42.00 Cat: SMP-614This is one of Holman’s best loved (and most often played) charts. Written for theShowcase album, it is a light, well-paced blues, featuring bass, tenor, trumpet and alto.Holman’s well known linear writing makes this a special chart. Fairly easy to play.

LA GUERA BAILA (THE FAIR ONE DANCES)Arranged by Johnny RichardsDifficult $52.00 Cat: SMP-663Movement V (of 7) of the Cuban Fire Suite. From Richards’ magnificent suite writtenin 1956. The original score of Richards’ was the source for this and all the movementsof this suite. Features an absolutely exquisite trombone solo. Full set of parts forcomplete, original instrumentation. Recorded on the Cuban Fire CD. Parts for 5auxiliary Latin players included.

LA SUERTE DE LOS TONTOS(FORTUNE OF FOOLS)Arranged by Johnny RichardsDifficult $67.00 Cat: SMP-664Movement VI (of 7) of the Cuban Fire Suite. From Richards’ magnificent suitewritten in 1956. Fire is probably the best way to describe this piece. A fantastic,dramatic opening (used for years by marching band and drum corps) leads to arollicking, latin feel. Solos are on the alto sax and trumpet parts. The original score ofRichards’ was the source for this and all the movements of this suite. Probably thebest known and well-liked movement of the whole suite. Recorded on the CubanFire CD. Parts for 5 auxiliary latin players included.

LAURAArranged by Lennie NiehausMedium $50.00 Cat: SMP-572As arranged for and performed by the Stan Kenton Orchestra, this is a wonderfulsetting that features the saxophone section and solos for trumpet and trombone.Very reasonable brass ranges make this an extremely playable chart. This is the lush,gorgeous sound of the Kenton Band without the higher, louder brass parts. 5-5-5-3 (can be played with 8 brass)

LIMEHOUSE BLUESArranged by Bill HolmanDifficult $67.00 Cat: SMP-536This is another of the many wonderful charts arranged by Holman for the StanKenton Orchestra. He is the master at creating exciting, up-tempo flag-wavers. Solosfor alto, trumpet and tenor. Recorded on the Adventures in Jazz CD. Your rhythmsection can burn on this one! A great addition to any library. 5-5-5-3 (edited to beplayed without mellophoniums)

LIMELIGHTArranged by Gerry MulliganMedium Difficult $52.00 Cat: SMP-678Another terrific chart from Kenton’s Contemporary Concepts LP. Features trombonethroughout this fast-paced, Cool Bop chart in the unmistakable style of the late,great Gerry Mulligan. Use this with 3 other Sierra publications to do a MulliganTribute at your next concert. Full Score/parts for 5-5-5-4

A LITTLE MINOR BOOZEArranged by Willie MaidenMedium Difficult $47.00 Cat: SMP-638This is arguably Willie’s best known chart - a swinging, happy chart which allows forlots of blowing space.Great ensemble sections throughout. This chart has beenplayed by bands all over the world. Essential to any jazz library. 5-5-5-3 (condensed score).

LIVE AND LET DIEArranged by Bob CurnowDifficult $42.00 Cat: SMP-643A great arrangement of the great tune written by Paul McCartney. This chart wasthe reason for the great success of recording 7.5 on the Richter Scale. Melodystated by alto, trumpet and trombone and the chart roars on! If you’re looking fora contemporary chart, written for this great band and based on a well known tune,this is the one. We get a lot of requests for this arrangement.

LONELY WOMANArrange by Bill MathieuDifficult $49.00 Cat: SMP-576As recorded on the “Standards in Silhouette” CD, this is yet another of Bill Mathieu’sclassic arrangements of a great jazz standard ballad. Trombone and tenor saxophoneare featured on this brilliant, highly original orchestration of a beautiful and hauntingmelody. Trumpet ranges are quite high, but, if you have the players, this is one balladyou’ll want to play over and over again. 5-5-5-4

LONG AGO AND FAR AWAYArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-553Not every Niehaus dance chart was recorded by the Kenton Band, but this chartwas played all the time by the band. A wonderful medium tempo setting of a greatjazz standard. Features the saxophone section and a baritone saxophone solo.Terrific writing! 5-4-4-3 (10 brass optional)

LOT OF LIVIN’ TO DO [VOCAL]Arranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-588As recorded by the Stan Kenton Orchestra and Jean Turner, this chart used to beJean’s opener when she sang with the Kenton Band. Holman sets the mood rightfrom the top, and things swing on from there. This is a wonderful vocal chart foreither female or male vocalist. It’s a happy, up-beat way for your vocalist to get outthere in front of the big band. 5-5-5-3 and vocal.

LOVE FOR SALEArranged by Pete RugoloDifficult $52.00 Cat: SMP-674Kenton had many hits over the years, and this very creative arrangement by Petewas one of them. A great Latin setting with that unforgettable trombone lick in theshout chorus. There is room at the end of the chart for your drummer to stretchout if you wish.

LOVE STORYArranged by Willie MaidenDifficult $52.00 Cat: SMP-726As recorded by the Stan Kenton Orchestra on “Live at Brigham Young University”,this may well be Willie’s best chart done for Stan. Maiden uses a latin feel, the lushsound of the trombones and saxophones and the exciting energy of the trumpetsand rhythm section to create a superb arrangement of this very special melody.Solos for piano, trombone, and alto saxophone. 5-5-5-3

LOVE WALKED INArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-542This is another of the many wonderful charts arranged by Niehaus for the StanKenton Orchestra. A splendid rendition of a great standard, and it swings like crazy!It contains all of the elements so associated with the Kenton band. Wonderfullyinventive writing which at first states the melody with a small band. 5-5-5-3 (editedto be played without mellophoniums and can be played with 8 brass or 10)

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LOVER MANArranged by Bill RussoDifficult $47.00 Cat: SMP-728As recorded by the Stan Kenton Orchestra on Sketches on Standards, this is asuperb alto saxophone ballad feature, as arranged by Russo for Lee Konitz. Russoemploys a dark, brooding, beautiful setting for Konitz’s soaring saxophone. Includedis a transcription of Lee’s amazing solo. 5-5-5-3

LULLABY OF BIRDLANDArranged by Lennie NiehausMedium Difficult $47.00 Cat: SMP-676Lennie wrote a magnificent dance book for Stan in the early ‘60s. This chart wasfrom that period, and it is a full blown jazz chart that really cooks! It has been editedso that it can be played by a standard big band with a normal saxophone section.There is solo space for alto saxophone and trumpet. This can be played with 8 brass.5-4-4-3 (opt. 10 brass)

LULLABY OF BROADWAYArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-694This is another of the many wonderful charts arranged by Lennie for the StanKenton Orchestra. He is able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the players. Solo space for trombone.Recorded on the Stage Door Swings LP. A great addition to any library.

MACHITOArranged by Pete RugoloDifficult $52.00 Cat: SMP-602This is one of the early, fantastic Latin charts recorded by the Kenton Band andplayed for years and years. A great chart from the late ‘40s. This chart requires 1 alto,2 tenor and 2 baritone saxophones.

MALAGAArranged by Bill HolmanDifficult $62.00 Cat: SMP-650Absolutely one of the all-time great big band charts! Tenor sax, drums and trumpetsolos, interspersed with fabulous ensemble writing. Latin to the hilt! As recorded onthe Live at Brigham Young University CD. A completely new edition with full scoreand parts for 5-5-5-3 instrumentation.

MALAGUENA ***NEW***Arranged by Bill HolmanDifficult $67.00 Cat: Cat: SMP-601This is a new edition (Finale computer notation) of the original arrangement, withno editing. Instrumentation requires 1 alto, 2 tenors, baritone and bass saxophone,5 trumpets, 4 horns in F, 4 trombones, tuba, piano, bass and drums. This is exactly asrecorded on the ‘Adventures in Jazz’ CD. There is solo space for trombone (written)and tenor saxophone (improvised).

MALAGUENA [EDITED] ***NEW***Arranged by Bill Holman, Edited by Bob CurnowDifficult $67.00 Cat: Cat: SMP-743This is a new edition (Finale computer notation) of the original arrangement, editedto be played with the following instrumentation: 2 altos, 2 tenors, baritone saxophone,5 trumpets, 5 trombones, piano, bass and drums. The original version of this isrecorded on the ‘Adventures in Jazz’ CD. The instrumentation has been convertedto a standard big band, and the horn lines have been written into other parts. Thereis solo space for trombone (written) and tenor saxophone (improvised).

THE MEANING OF THE BLUESArranged by Bill MathieuMedium Difficult $47.00 Cat: SMP-689An absolutely gorgeous Bobby Troup ballad which features trumpet and tenor sax.Beautiful use of the warm sax and trombone sounds so typical of Kenton. Asrecorded on the Standards in Silhouette CD.

MISTYArranged by Gene RolandMedium Difficult $47.00 Cat: SMP-725This was recorded by the Stan Kenton Orchestra on “Adventures in Jazz.” The solomay be played with any one of various instruments, or this could be used as a vocalchart. It was originally played by Ray Starling on mellophonium. A gorgeous balladwith an equally beautiful arrangement.

MODERN OPUSArranged by Bob GraettingerDifficult $52.00 Cat: SMP-685If you’re looking for something very different for a jazz history concert, this is it!Graettinger was a Third Stream composer in jazz long before the term was invented.This was recorded on the Kenton Era and has been recently released on the City ofGlass CD on Capitol. 5-5-5-4 plus 2 French horns.

MY OLD FLAMEArranged by Marty PaichDifficult $52.00 Cat: SMP-654Although this has been in the catalog for a while, it is now notated inFinale, and the new edition comes with a full score for the first time.Marty’s arrangement stands alone in the category of Kenton ballads. This istruly a classic, one-of-a-kind piece. 5-5-5-4 (can be played by 8 brass).

MY ONE AND ONLY LOVEArranged by Lennie NiehausMedium Difficult $47.00 Cat: SMP-547This is another of the many wonderful charts arranged by Niehaus for the StanKenton Orchestra. A more beautiful ballad has not been written, and this onefeatures a trombone and a tenor sax solo. As recorded on the Sophisticated ApproachLP. Published in memory of Bob Fitz Fitzpatrick. 5-5-5-3 (edited to be playedwithout mellophoniums and can be played with only 4 trombones instead of 5).

NO HARMFUL SLIDE EFFECTSArranged by Willie MaidenDifficult $52.00 Cat: SMP-640This is Willie Maiden at his most playful. A great chart from the early ‘70s (1973),recorded on the Birthday in Britain CD. Solos for trombone and tenor saxophone.5-5-5-3 (condensed score).

O HOLY NIGHTArranged by Ralph CarmichaelMedium Difficult $37.00 Cat: SMP-607The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is more traditional in scope,but it is filled with wonderful, lush harmonies and the Kenton style of arranging. Theoriginal arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,tuba, keyboard, bass, drums and auxiliary percussion. These are the charts we sell,but we’ve also included saxophone parts which take the place of the mellophoniumparts. They work quite well! From Kenton’s Merry Christmas recording.

O, TANNENBAUMArranged by Ralph CarmichaelMedium Difficult $37.00 Cat: SMP-608The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the simpler charts,but it is beautiful. Very playable! The original arrangements were written for 4trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliarypercussion. These are the charts we sell, but we’ve also included saxophone partswhich take the place of the mellophonium parts. They work quite well! FromKenton’s Merry Christmas recording.

OF ALL THINGSArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-555Holman originally wrote this chart to feature Charlie Parker with the Kenton Bandin the early ‘50s. Based on the changes to the ever-popular All the Things You Are, itfeatures alto saxophone throughout (can be done with trumpet also), and thechart has all of the wonderful creativity for which Holman is so well known with hisfeature charts. It doesn’t get any better than this! 5-4-4-3 (10 brass optional)

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OF SPACE AND TIMEArranged by Hank LevyDifficult $52.00 Cat: SMP-641Hank Levy wrote this wonderful 5/4 chart in the early ‘70s (1973), and it wasrecorded on the Birthday in Britain CD. Solos for bass and alto saxophone. 5-5-5-3 (condensed score)

ON THE STREET WHERE YOU LIVEArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-559The album Stage Door Swings, by the Stan Kenton Band, was one of the mostpopular recordings done by Kenton. All of the arrangements were done by LennieNiehaus, and this is one of the best of the tunes on the album. It features a shortharmon-muted trumpet solo, but most of the chart is ensemble or section oriented.A medium-up Swing tempo gives your band a chance to shine on this very familiarstandard tune.

ONCE IN ROYAL DAVID’S CITYArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-609The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is very much in the brasstradition, but it has very hip harmonies and lines. The original arrangements werewritten for 4 trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drumsand auxiliary percussion. These are the charts we sell, but we’ve also includedsaxophone parts which take the place of the mellophonium parts. They work quitewell! From Kenton’s Merry Christmas recording.

THE OPENERArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-613There are a few charts from this library which are very playable by any reasonablywell developed jazz ensemble. This surely is one of the best! Holman created abeautifully layered piece, based on the Rhythm changes. This is one of the mostpopular charts in the entire Kenton Library. Solo space for alto, tenor, trombone andtrumpet. Recorded on ‘Showcase’ in 1954. 5-5-5-3 (condensed score)

OPENINGArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-560Here is a great, free-swingin’ opener, also written for Stan Kenton. Although it wasnever recorded commercially by the band, it was played a great deal in liveperformances throughout the country. It cooks from beginning to end, and featuressolo space for trumpet and tenor saxophone and one of those patented Holmanensemble shout choruses that just swings like crazy!

OPUS IN PASTELSArranged by Stan KentonMedium $32.00 Cat: SMP-659The all-time, classic saxophone section feature. Originally recorded for the first timein 1940, it has been recorded many, many times since (the latest recording was StanKenton in London on Decca Records from 1972. 5 saxes-3 rhythm

OUT OF NOWHEREArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-619Holman wrote this to feature Bill Perkins in the mid ‘50s. It is a tenor saxophonefeature throughout and a wonderful chart. Lots of blowing space and the usualswinging ensemble sections for which Holman is so well known. This chart requires1 alto, 2 tenor and 2 baritone saxophones.

OVER THE RAINBOWArranged by William RussoDifficult $47.00 Cat: SMP-669In 1953, Kenton recorded an album titled Sketches on Standards. It was a greatrecording containing the arrangements of Russo and Kenton. The piece has awonderful trombone solo in it (as originally recorded by Bob Burgess) and can beused as a feature for that instrument. A lovely, adventurous chart on a classic tune.

THE PARTY’S OVERArranged by Lennie NiehausMedium Difficult $47.00 Cat: SMP-696This is one of the many wonderful charts arranged by Lennie for the Stan KentonOrchestra. He is able to capture the Kenton sound without a lot of high-rangeproblems or difficult concerns for the players. Solo space for trumpet and a bit ofpiano. Recorded on the Stage Door Swings LP. A great addition to any jazz and/ordance library, and a wonderful closer for any musical event.

THE PEANUT VENDORArranged by Stan Kenton and Pete RugoloDifficult $47.00 Cat: SMP-692The original chart as played by the Stan Kenton Orchestra. No holds barred on thisone, no watered-down version. This allows for cued sections, exactly how the bandplayed it. This is the real thing as recorded so many times over Kenton’s career.

PEGASUS ***NEW***Arranged by Hank LevyMedium Difficult $ 52.00 Cat: Cat: SMP-626This piece is one of the most popular Levy charts that he did for the Stan KentonOrchestra. This is a new edition (Finale computer notated) and is available with afull score for the first time. This is recorded on the ‘Journey Into Capricorn’ CD bythe Kenton band. The meter is 6/8 throughout, and the piece swings like crazy.There is solo space for alto sax and trumpet. A great melody and Hank’s accessiblerhythms make this chart very playable. 5/5/5/3

PENNIES FROM HEAVENArranged by Lennie NiehausDifficult $47.00 Cat: SMP-683This was the first chart arranged by Lennie to be recorded by Stan’s band. It is agreat arrangement of a wonderful tune, and it features space for a trumpet solo(originally recorded by Conte Candoli). This is a great addition to any jazz bandlibrary. Recorded on the Sketches on Standards album.

POLKA DOTS AND MOONBEAMSArranged by Bill HolmanMedium Difficult $47.00 Cat: SMP-550Arranged by Holman for Carl Fontana with the Stan Kenton Orchestra in the mid50s. This chart is wonderful in its simplicity and melodic content. A striking melodyand an exquisite arrangement. Solo for trombone throughout. Very reasonable brassranges and overall rhythmic content. If you’ve got a good trombonist looking for afeature ballad, this is it! And the band parts are not very demanding.

PORTRAIT OF A COUNTArranged by Bill RussoDifficult $52.00 Cat: SMP-531The Stan Kenton Orchestra was always an ideal showcase for the outstandingsoloists within its ranks. This piece was written to feature Conte Candoli on trumpet.Absolutely the best! A trumpet feature throughout. Slow, Fast, Slow. Recorded onthe Kenton New Concepts of Artistry in Rhythm CD.

QUIEN SABE? (WHO KNOWS?)Arranged by Johnny RichardsDifficult $62.00 Cat: SMP-680Movement IV (of 7) of the Cuban Fire Suite. Finally ... the definitive version of thismagnificent music. The fourth of seven movements published by Sierra Music. Theoriginal score of Richards’ was the source for this and all the movements of this suite.Full parts for original instrumentation of 4 saxes, 5 trumpets, 2 French horns, 4trombones, tuba, piano, guitar, bass, drum set, timpani and 6 additional percussionists.For the first time, a full score is included. Recorded on the Cuban Fire CD.

QUINTESSENCEArranged by Hank LevyDifficult $62.00 Cat: SMP-646Of all the pieces Hank wrote for Kenton, this is arguably the best one. This isrecorded on the University of N Texas One O’Clock Lab Band 2005 CD. It is a melodiouswork, set in 5/4 throughout. There is a long, wonderful section for trumpet (orflugelhorn) solo. The middle Baroque sounding contrapuntal section is a masterpiece.The trumpet range is very reasonable. 5-5-5-3 (can be played by only 8 brass)

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RECUERDOSArranged by Johnny RichardsDifficult $52.00 Cat: SMP-665Movement III (of 7) of the Cuban Fire Suite. Finally ... the definitive version of thismagnificent music. The third of seven movements published by Sierra Music. Theoriginal score of Richards’ was the source for this and all the movements of this suite.Full parts for original instrumentation of 4 saxes, 5 trumpets, 2 french horns, 4trombones, tuba, piano guitar, bass, drum set, timpani and 6 additional percussionists.For the first time, a full score is included. Recorded on the Cuban Fire CD.

REED RAPTUREArranged by Stan KentonMedium $37.00 Cat: SMP-561We are proud to publish another one of Stan Kenton’s ground-breaking saxophonesection features. Opus in Pastels is already in print, but this piece actually pre-datesOpus in Pastels and was included in the Kenton Era collection of recordings. Thepiece perfectly demonstrates the thinking of the young Stan Kenton. Written forsaxophones and rhythm only.

RENDEZVOUS AT SUNSETArranged by Johnny RichardsMedium Difficult $47.00 Cat: SMP-667One of the things Johnny Richards did best was write gorgeous melodies (many justthink of him as bombastic and obsessed with odd-meter things). This is one of thosemelodies, as recorded on the Back to Balboa LP. There are trumpet, tenor andtrombone solos. The chart has been edited so it can be played with a standard bigband. 5-5-5-4 with an optional french horn part.

RHAPSODY IN BLUEArranged by Bill HolmanDifficult $52.00 Cat: SMP-727As recorded by the Stan Kenton Orchestra on “Live at Brigham Young University”,this is a rare baritone saxophone solo feature throughout. The arrangement byHolman is marvelous, opening and closing with a slow statement of the theme, androaring in an up-tempo setting in the middle of the chart. This is a very excitingarrangement of Gershwin’s unforgettable piece. 5-5-5-3

THE RISE AND FALL OF A SHORT FUGUEArranged by Bob CurnowDifficult $52.00 Cat: SMP-551The Stan Kenton Orchestra was always ahead of its time! This chart was recordedon the Stan Kenton Plays Chicago CD. It was one of two originals on the album. Stanasked Bob to write something which could be performed differently every night. Thefugue is an interesting tone row style jazz line which leads into a free-form sectionwhich is cued by the conductor in any manner so chosen. A great piece!

ROUND ROBINArranged by Shorty RogersDifficult $59.00 Cat: SMP-584This amazing chart was recorded by the Stan Kenton Orchestra and released onthe By Request-Volume One album. It is one of those stunning charts by Shortywhich took full advantage of the talents of the likes of Maynard Ferguson, BudShank, Milt Bernhart and Shelly Manne. This requires an accomplished tpt. sectionwith lots of chops. Solos for alto sax, tenor sax and trumpet. 5-5-5-3

ROYAL BLUEArranged by Bill HolmanDifficult $67.00 Cat: SMP-697Bill Holman’s compositions in the library of the Stan Kenton Orchestra were some ofthe most exciting pieces ever conceived for jazz orchestra. This is an up- temporomp through the blues, major and minor. It contains all of the elements so associatedwith the Kenton band-excitement, energy and wonderfully inventive writing. Thischart was recorded on the Back To Balboa LP. 5-5-5-3 (w/opt. french horn parts)

SAMBA SIETEArranged by Hank LevyAdvanced $62.00 Cat: SMP-645A samba in 7/4 ...... only Hank could make that work! This is a tough chart, but wellworth the effort. Exactly as recorded on the Live at Butler University CD. Trumpet,alto saxophone and drums are featured on this extremely exciting Latin piece. Levyat his best ! This chart requires 1 alto, 2 tenors and 2 baritones. (condensed score)

SEPTEMBER SONGArranged by Stan KentonMedium $32.00 Cat: SMP-622The Kenton Band had many hits over the years, and a couple of them involved thewhole band singing. This was one of those charts. Now, if your band isn’t into singing(maybe they should be), then this is the perfect vehicle for your vocalist. Pitched inAb. Trumpets get a breather and the trombones and saxophones shine as section.A wonderfully relaxing, lush chart.

A SMITH NAMED GREGArranged by Hank LevyMedium Difficult $52.00 Cat: SMP-562This is a wonderful feature for baritone saxophone! It was recorded by the StanKenton Orchestra on the Kenton ’76 CD. It opens with a slow, pensive melody (bassand soloist only) and continues with backgrounds through the rest of the melody.The soloist then sets a brighter tempo with a 4-bar break, and the soloist andrhythm section continue for a while until the band is cued in. Limited ranges (exceptfor one measure in 1st tpt.) make this a very accessible chart for most bands. Hurrayfor Hank Levy!

SOLO FOR BUDDYArranged by Bill HolmanDifficult $52.00 Cat: SMP-615Buddy Childers, that is! Willis wrote this for Buddy in 1954, and it is recorded on theKenton Showcase album. A terrific feature for your stellar trumpet player. 5-5-5-4(condensed score)

SPEAK LOWArranged by Johnny RichardsDifficult $52.00 Cat: SMP-682Recorded on the Back To Balboa LP by the Stan Kenton Orchestra, this is a typicalRichards chart in that it contains exciting ensemble blowing and lots of solo spacefor trombone, tenor sax, trumpet and alto sax. It is set in a Latin feel and has veryreasonable brass ranges. A must for your library!

SPRING IS HEREArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-563This is another one of those absolutely wonderful charts that Lennie did for StanKenton for what was known as the dance book. It was the hippest dance book ever!A medium-swing tempo sets this great standard in a framework that is very musicaland very exciting. Trumpet and bass are featured. Limited ranges (tpt. written highD). This one will be a real favorite.

STAIRWAY TO THE STARSArranged by Bill HolmanDifficult $52.00 Cat: SMP-554Another terrific feature chart by Bill Holman. This one was written to feature GabeBaltazar (alto saxophone) and was recorded on the Adventures in Jazz album. Itopens with a slow setting, moves into a fast tempo and returns to the pensive,beautiful, slow setting which opened the chart. Exquisite writing! Edited to beplayed without mellophoniums. Standard sax section. 5-4-4-3 (10 brass optional)

STAN KENTON “HITS” MEDLEYArranged by Bob CurnowMedium Difficult $62.00 Cat: SMP-603Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry inRhythm are included in this medley. Curnow put on paper what the band used toplay to close most concerts or dances in the later years. Perfect for a kenton TributeConcert when you want to end with the best loved hits of this band. Fairly easy toplay for most bands. In fact, the idea was to rest the trumpet section for a while.

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STAR SPANGLED BANNERArranged by Bob CurnowDifficult $45.00 Cat: SMP-575There have been SO many requests for the ORIGINAL arrangement as recordedby the Stan Kenton Orchestra, that Curnow has made it available for the first time.Here is the national anthem, as recorded by Kenton in 1972 on “National Anthemsof the World.” Here is a respectful, beautiful, powerful arrangement in the Kentontradition. (alto, 2 tenors, 2 baritones; 5 trpts.; 4 trbs.; tuba, piano, bass drum set andtimpani).

STELLA BY STARLIGHTArranged by Johnny RichardsMedium Difficult $60.00 Cat: SMP-574This is the bass trombone solo, as recorded (The Kenton Era) by George Robertswith the Stan Kenton Orchestra. Folks have been waiting for this one for a long time.Johnny Richards sets this wonderful ballad in his typically adventurous and excitingmanner. There is also a trumpet solo. Reasonable ranges make this piece very playable.A classic chart on a classic melody. 5-5-5-3 (can be played with 8 brass)

STELLA BY STARLIGHTArranged by Bill HolmanMedium Difficult $47.00 Cat: SMP-661A great alto saxophone feature. From the incomparable Contemporary Conceptsalbum (1955). It begins with a soft, lovely statement of the melody and ends thatway, with a roaring up-tempo middle section. This is one of Holman’s most oftenplayed features.

A STEP BEYONDArranged by Hank LevyDifficult $52.00 Cat: SMP-616Live at Brigham Young University was the CD on which this chart was recorded. Itis written in 5/4 and has solos for baritone saxophone and trumpet. A terrific chartby the incomparable Hank Levy. 5-5-5-3 (condensed score)

STOMPIN’ AT THE SAVOYArranged by Bill HolmanDifficult $52.00 Cat: SMP-655If there is one chart which seems to capture the essence of Stan’s mid-fifties bands,this is the one! The chart swings like mad from downbeat to the end. This is one ofHolman’s best early charts, and he turned everyone on their ear with it. Greatensemble sections, and great solo spaces for guitar (or piano), bass, trumpet andtenor saxophone. This is very sophisticated music on maybe the best album theKenton Band ever did. Recorded on the Contemporary Concepts album.

STREET OF DREAMSArranged by Stan KentonMedium Difficult $32.00 Cat: SMP-623Stan had a very definite style of arranging which, of course, was the basis of most ofthe music for his early bands. This chart is very simple but extremely effective. Itbegins with quiet trombones (5 parts), then piano, then the whole band at fullvolume, then an alto saxophone solo, then the sax section is featured, and thenthere is a quiet, wonderful ending with alto and rhythm alone. This chart wasrecorded many times, but it was first included in the Portraits on Standards album(featuring Art Pepper on the solo). A beautiful ballad and a real arranging masterpiece!

STREET SCENE ***NEW***Arranged by Gene RolandMedium Difficult $49.00 Cat: SMP-739This is the exact arrangement as played on the ‘Live at the Tropicana’ by the StanKenton Orchestra. It is a lovely, moody chart, with lush, warm harmonies andorchestration. Solos are in the tenor sax, trumpet, trombone and piano parts. Verymoderate ranges (one isolated high D in tpt. 1) make this a most playable chart. Yourband will love playing this. 5/5/5/3 (needs 10 brass)

STRING OF PEARLS ***NEW***Arranged by Gene RolandDifficult $55.00 Cat: SMP-740This is NOT the Glenn Miller version of this tune. Gene Roland arranged this for theKenton Band (recorded on the ‘Live at the Tropicana’ CD), and it swings like crazy!There is a nifty pattern created in the rhythm section which underlies the themestated by trombones. You’ll find this to be a refreshing and take on this old standard.There is solo space for alto saxophone. 5/5/5/3 - can be played with just 8 brass.

SUNSET TOWERArranged by Stan KentonMedium Difficult $52.00 Cat: SMP-537This is one of the amazing stories of finding what was thought to be a long-lostchart. After extensive research, it turned up as an untitled set of parts in the NorthTexas Kenton archives. We are proud to bring you this unedited Kenton original,computer notated (as are most of our charts) from the original parts. This is awonderful piece which features a trombone solo (Carl Fontana’s transcribed solo isincluded). Reasonable ranges.

SWING HOUSEArranged by Gerry MulliganDifficult $47.00 Cat: SMP-658Mulligan’s writing for the Kenton Band was fairly minimal in quantity but extraordinaryin quality. He had a profound effect on the band and the writers to follow him. Thiscomposition was recorded in 1952 and is on the New Concepts CD. There is solospace for trombone, alto tenor and trumpet. A classic which should be in every jazz library.

TAKING A CHANCE ON LOVE ***NEW***Arranged by Lennie NiehausMedium Difficult $55.00 Cat: SMP-741This is one of those marvelous dance charts that Lennie Niehaus wrote for StanKenton. Of course, all of Lennie’s charts are extremely hip, and this is no exception.Saxophones lay down a nifty little counter melody which occurs throughout thechart, and trumpets state the wonderful melody. There is solo space for trumpetand a neat saxophone soli. This has very moderate brass ranges (high D for tpt. 1)and will be a great addition to any jazz library. 5/4/4/3 (opt. 10 brass parts)

THEME AND VARIATIONSArranged by Bill HolmanDifficult $52.00 Cat: SMP-617Recorded in 1953 on the Kenton Showcase album, this is a medium tempo swingchart which was (and still is) very different and fresh. There is no improvisation in it!It opens with unison trombones playing a simple melody, and then the differentsections join in one at a time to create the many variations in the piece. Holmandemonstates his classical knowledge, but never at the expense of swinging.

THERE’S A SMALL HOTELArranged by Bill RussoDifficult $49.00 Cat: SMP-589As recorded by the Stan Kenton Orchestra on “Sketches on Standards”, this isa wonderful, creative arrangement of a great standard. Russo had a wonderfulway with chord substitutions and used them a lot in this chart. There is asolo for alto sax (the transcribed solo of Lee Konitz is included) andpiano. This will make a great addition to any jazz and/or dance library.All the ranges are reasonable. 5-5-5-4

THREE THOUGHTSArranged by Dee BartonDifficult $62.00 Cat: SMP-647What a dynamic chart this is! It is included on the CD recording The Jazz Compositions of DeeBarton (1967). It opens with a dramatic, rubato ensemble at a slow tempo (whilethe bass and drums are swinging at a bright tempo) and then it moves into a fast-paced setting. Lots of solo space for bass and drums and alto saxophone and trumpet. Thepiece ends the way it begins. A wonderful composition by an extraordinary composer.This chart requires 1 alto, 2 tenor and 2 baritone saxophones. 5-5-5-3 (condensed score)

THE THRILL IS GONEArranged by Bill MathieuDifficult $47.00 Cat: SMP-534Many think that Standards in Silhouette was the most beautiful ballad album everrecorded by the Kenton Band. This chart is the fourth one (along with Ill Wind, TheMeaning of the Blues and Willow Weep for Me) which is now in print. Bill Mathieu isan extremely creative arranger who has reinvented these gorgeous ballads.

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TIAREArranged by Ken HannaDifficult $47.00 Cat: SMP-541This is arguably the most beautiful piece ever written by Ken Hanna. One flutedouble and all 10 brass are required (with tuba). If you’re looking for that exotic,romantic, gorgeous ballad for your band, this is the one! Recorded on the Live fromRedlands University CD.

TIME FOR A CHANGE ***NEW***Arranged by Hank LevyDifficult $52.00 Cat: SMP-618This is a new edition (Finale computer notation) of this wonderful composition. Itis available with a full score for the first time. Exactly as recorded by the Stan KentonOrchestra on the ‘Kenton ’76’ CD, this is, unquestionably, one of the best thingsHank ever wrote for Kenton. Once you get by the 9/8 meter (not too difficult), thereasonable ranges (1st tpt. high D only) make this a very playable chart. The melodyis absolutely lovely, and there is solo space for alto, tenor and trumpet. 5/5/5/3 (canbe played with only 8 brass).

A TIME FOR LOVEArranged by Hank LevyMedium Difficult $42.00 Cat: SMP-67This is another one of those charts which did not get commercially (or legally)recorded by the band. Hank wrote it in the later years. It features the lush 5-waytrombone sound for which the band was so well known. There is a short (written)piano solo, a strong ensemble (trumpets do not play very high at all) and a quietending. Another masterful chart by Hank Levy. 5-5-5-3

TRES CORAZONESArranged by Johnny RichardsDifficult $57.00 Cat: SMP-666Movement VII (of 7) of the Cuban Fire Suite. Finally ... the definitive version of thismagnificent music. This is the lost movement, which we were fortunate to find. Theoriginal score of Richards’ was the source for this and all the movements of this suite.Full parts for original instrumentation of 4 saxes, 5 trumpets, 2 French horns, 4trombones, tuba, piano, guitar, bass, drum set, timpani and 6 additional percussionists.For the first time, a full score is included. Recorded on the Cuban Fire CD.

TURTLE TALKArranged by Dee BartonAdvanced $52.00 Cat: SMP-649There are quite a few charts in the Kenton Library that stand out because of theirextreme originality. This is one of them. It is also a very demanding and exciting chart.The melody and harmonic structures are based for the most part on the wholetone scales (as is Waltz of the Prophets). This piece has not been converted tocomputer notation, and the parts and score (a very poor visual quality full score)are exactly as played by the band. This is fast, screaming big band jazz at its wildest!This chart requires 1 alto, 2 tenor and 2 baritone saxophones.

THE TWELVE DAYS OF CHRISTMASArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-610The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the more complexcharts on the album. It goes through a series of meters and textures and ends upwith a no-holds-barred swinging section at the end. A great chart! The originalarrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba,keyboard, bass, drums and auxiliary percussion. These are the charts we sell, butwe’ve also included saxophone parts which take the place of the mellophoniumparts. They work quite well! From Kenton’s Merry Christmas recording.

TWO SHADES OF AUTUMNArranged by Joe CocciaMedium Difficult $47.00 Cat: SMP-673This is a beautiful ballad, exactly as recorded on the Rendezvous with Kentonalbum. It features solos for alto and tenor saxophones. This is a gorgeous theme ina lovely setting.

UNISON RIFFArranged by Pete RugoloDifficult $50.00 Cat: SMP-636This chart has appeared on a couple of different albums over the years (KentonClassics and Hits). It is typical, swinging Rugolo as he was writing in the late ‘40s.Solos for trumpet, alto, bass and trombone.

WALKIN’ SHOESArranged by Gerry MulliganMedium Difficult $42.00 Cat: SMP-656This is one of those charts that can be played by any reasonably accomplished bigband (including high school players). It is Mulligan’s own chart on his famous tune.The only recorded version of it, oddly enough, is the one on Road Show, and it wasused as a vehicle for June Christy and the Four Freshmen to sing. They simply singthe instrumental lines which are in the chart. However, when the band takes over, itis obvious what a great chart this is. Easy swinging and wonderful music. (condensed score)

WALTZ OF THE PROPHETSArranged by Dee BartonAdvanced $62.00 Cat: SMP-651There are quite a few charts in the Kenton Library that stand out because of theirextreme originality. This is one of them. It is also a very demanding and exciting chart.The melody and harmonic structures are based for the most part on the wholetone scales (as is Turtle Talk). There is space for tenor and trumpet solos. This wasone of the more popular charts that the band played throughout the 1960s. It isrecorded on the Adventures in Jazz CD. This piece has not been converted tocomputer notation, and the parts (no score) are exactly as played by the band. Thischart requires 1 alto, 2 tenor, 1 baritone and 1 bass saxophone. (no score)

WE THREE KINGSArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-611The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the jazzier oneson the album. It swings like crazy! The original arrangements were written for 4trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliarypercussion. These are the charts we sell, but we’ve also included saxophone partswhich take the place of the mellophonium parts. They work quite well! FromKenton’s Merry Christmas recording.

WE’LL BE TOGETHER AGAINArranged by Stan KentonMedium Difficult $47.00 Cat: SMP-698Written by Stan in the late 50s, this chart is wonderful in its simplicity and melodiccontent. A more beautiful ballad has not been written, and Kenton’s arrangementreally focuses on that beauty. Solos for trumpet and piano (written out). Recordedon the Ballad Style of Stan Kenton CD.

WHAT’S NEW?Arranged by Bill HolmanMedium Difficult $62.00 Cat: SMP-660This may be the all-time greatest jazz arrangement of a standard tune. Also from theContemporary Concepts LP (1955). This great standard is turned into a marvelousvehicle for solo statements from alto, tenor trumpet and trombone. No big bandjazz library can be complete without this superb arrangement.

WHATEVER LOLA WANTSArranged by Lennie NiehausMedium Difficult $52.00 Cat: SMP-590As recorded by the Stan Kenton Orchestra on Stage Door Swings, this medium-upswing chart comes roaring out of the chute with a brass pop and leads into thepiano stating the melody. There is additional solo space for baritone sax and a neatunison enesemble passage that takes this happy, swinging chart to the end. 5-5-5-4 (can be played by only 8 brass).

WHERE OR WHENArranged by Gerry MulliganMedium Difficult $47.00 Cat: SMP-723Mulligan contributed only a few charts to the Kenton Library, and they are all classics. Thisarrangement is no exception. Although originally arranged for Stan’s dance book in the ’50s,this is much more than a dance chart. The saxophone section is featured, and thechart finishes with Mulligan’s marvelous creative touch. Solo for piano. 5-5-5-4

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WILLOW WEEP FOR MEArranged by Bill MathieuDifficult $47.00 Cat: SMP-535Bill Mathieu’s arrangements, done for the Stan Kenton Orchestra, were some of themost beautiful pieces ever recorded by that band. This is a splendid rendition of agreat standard. It contains all of the elements so associated with the Kenton band- wonderfully inventive writing. Trumpet, tenor and trombone solos. This chart is onthe new Standards in Silhouette CD.

WORKSArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-564Here is a terrific medium swing chart, also written for Stan Kenton in the ‘50s.Although it was never recorded commercially by the band, it was played a great dealin live performances throughout the country and is on a number of transcriptionrecordings. It cooks from beginning to end, and features solo space for trumpet andtenor sax, and one of those patented Holman ensemble shout choruses that justswings like crazy!

YESTERDAYSArranged by Bill HolmanDifficult $42.00 Cat: SMP-668This is a wonderful feature for tenor saxophone (as recorded by Bill Perkins). Billsays that people ask him about this recording more than any other he has done(and that’s a LOT!). Holman uses the essence of this beautiful ballad, stays out of theway of the soloist, and creates one of the most successful feature ballads everarranged. This is very sophisticated music on maybe the best album the KentonBand ever did. Recorded on the Contemporary Concepts album.

YOU GO TO MY HEADArranged by Bob GraettingerDifficult $47.00 Cat: SMP-686It is hard to explain the characterisitic of this arrangement except to say that, eventhough Graettinger writes some very adventurous and futuristic textures and lines,you always know where and what the melody is. This is just wonderful writing! Ifyou’re looking for something to program which demonstrates the contributions ofGraettinger to the Kenton aura, but does not get as weird (not a good word) asother things he wrote, this really fits the bill. Included on the City of Glass CD.

YOUNG BLOODArranged by Gerry MulliganDifficult $52.00 Cat: SMP-657Mulligan’s writing for the Kenton Band was fairly minimal in quantity but extraordinaryin quality. He had a profound effect on the band and the writers to follow him. Thiscomposition was recorded in 1952 and is on the New Concepts CD. There is solospace for alto, tenor and trumpet. A classic which should be in every jazz library. 5-5-5-4 (This music is available from Mosaic Records in their Russo/Holman CD set.)

YOUNGER THAN SPRINGTIME ***NEW***Arranged by Lennie NiehausMedium Difficult $55.00 Cat: Cat: SMP-742Lennie Niehaus wrote a series of terrific arrangements for the Stan Kenton Orchestra(this was recorded on the ‘Stage Door Swings’ CD). This chart is a medium-swingversion of a great Rodgers & Hammerstein tune. It features solo space for trumpet.Ranges are quite moderate (a couple of high E’s for tpt. 1) for a Kenton chart. Thisswings like mad, and your band will surely love playing it. 5/5/5/3

ZOOTArranged by Bill HolmanDifficult $52.00 Cat: SMP-652Holman wrote this to feature (of course) Zoot Sims on tenor saxophone. This is afeature throughout the chart and is a typical swinger in the Holman style of theearly 1950s. The only recording is on the Kenton Era collection. (This recording isalso available from Mosaic Records in their Russo/Holman CD set.) The parts arehand copied, not computer notated. (condensed score)

AS PERFORMED BY GENE KRUPA

BOOGIE BLUES [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-99504A hit for Anita O’Day during her second spell with the Gene Krupa Orchestra, thischart is taken from the album Let Me Off Uptown on Columbia/Legacy (CK65625). The opening Boogie, followed by an Alto solo (written) leads in to the vocalchorus. There’s just a muted trumpet and the rhythm section backing the singer. Theband comes back with the boogie and into a big shout chorus to finish. Baritone saxon alto throughout. The alto and trumpet solos are written out. Vocal Key: Eb

DISC JOCKEY JUMPTranscribed by Bob MartinDifficult $65.00 Cat: LL-99973This chart is very clever in its concept, as it is both big band and an 8-piece bebopall rolled into one. The front line is a quartet of alto, tenor, trumpet and trombonetaking the unison melody line, with the rest of the blowers providing the backingsupport. Each of the quartet have solos. This chart in a way reflects its time in history,with the shift from the big band format of the ‘40s to much smaller outfits in the ‘50s.This is not a demanding piece to play, and also sounds good at reduced tempo.

LEAVE US LEAPArranged by Myles CollinsDifficult $65.00 Cat: LL-99972Made popular by the Gene Krupa Orchestra, Leave Us Leap is a full-blooded up-tempo swing chart in which dynamics are everything. The first chorus is taken by thesaxes, with punchy brass backing. Solos for trumpet, trombone, tenor and pianofollow, with a cameo alto solo introducing a big shout chorus at the end. Thedrummer is then left to his own devices for a solo spot, which could last from a fewseconds to several minutes. Some bands leave the stage at this point and let him geton with it! The shout chorus is repeated to end things off.

LET ME OFF UPTOWN [VOCAL]Arranged by Myles CollinsDifficult $65.00 Cat: LL-99467This was a huge hit for the Krupa band, featuring Anita O’Day and Roy Eldridge. Thechart is a medium tempo swing duet between the two and has some lovely spokeninterplay between them. We realize than not many bands have trumpet players whoalso sing, so we have written both vocal lines on one part, and cross-cued the malevocal onto the 2nd trumpet part just in case. This chart is also a trumpet feature,with the 2nd trumpet taking a screaming solo when the vocals are over. Eldridge’soriginal version (which we have written out in full) goes up to a super G, though wehave provided chords should your player wish to improvise. All 3 other trumpets arewritten to high Eb during a unison run up to the T2 solo, but 3 & 4 can be droppedan octave if they can’t reach the range. This chart would be a medium if the soloistimprovises and T3&4 drop the octave. There are no sax doubles. Vocal Key: Db

OPUS ONE [VOCAL]Transcribed by Myles CollinsDifficult $65.00 Cat: LL-99960This is the vocal version that Anita O’Day recorded with Gene Krupa, and is a mixof powerhouse swing that you would expect from Krupa’s band, and a laid-back,slightly humourous vocal chorus from O’Day. It features a blasting trumpet solonear the end, and a wonderfully conceived modulation into the vocal chorus. Thetrumpet solo has been written out, and the little piano fill-in solo in the intro also.This is a medium to advanced chart in terms of difficulty, because the trumpet soloscreams up to a high E, and 1st and 2nd trombones have to pick a top D out of theair at one point. No sax doubles. Vocal Key: D

STOP! THE RED LIGHT’S ON ***NEW*** [VOCAL]Arranged by Myles CollinsMedium $65.00 Cat: LL-2129This is another well known up-tempo swing chart from Anita O’Day and the GeneKrupa Orchestra. The arrangement (transcribed from the Elton Hill original) notonly features your vocalist and your band shouting ‘Stop!’, but also your Trumpet 2.Gene Krupa often featured Anita O’Day and Roy Eldridge together in the samearrangements. Let Me Off Uptown and North Carolina are other examples. This isa fine swinger from the height of the Krupa band. The vocal key is Bb.

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SYMPHONY IN RIFFS ***NEW***Arranged by Myles Collins and Alan GlasscockDifficult $65.00 Cat: LL-1228Benny Carter wrote this piece and recorded it with his band in 1933, and it becameone of the defining swing charts of the era. He later scored this arrangement forGene Krupa, and it is arguably even better than the original. The only changes fromthis classic was to score the chart for 8 brass and 5 saxes (originally 6 & 4 respectively).There are solo spots for tenors 1 & 2, trumpet 2, trombone 1 and drums, and all ofthe solos are written out in full, except the drum solo where the the first 4 (of 16)measures have been written out in Krupa style. This chart skips in a relaxed right-on-the-beat swing style, and is great for the dancers. There are no sax doubles.

TUXEDO JUNCTIONArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1113More bluesey than the Miller version, this arrangement from the Gene KrupaOrchestra makes a refreshing addition to any library. The chart features some lovelyguitar and alto solo cameos and a solo spot for clarinet (1st tenor), plus someflowing brass choruses. Whilst the Miller-style trombone plunger figures are nowhereto be found, the brass sections do have the chance to wave their rubber near theend of the chart, and the trombones round the piece off with pedal note doo-wops.The saxes are scored for 3 altos & 2 tenors, and 1st tenor doubles clarinet. Theguitar solos are cued onto the piano part should you lack a guitarist. The brassranges are very moderate and we have graded the piece as medium easy, as theclarinet solo (as written) gets a bit busy in one bar.

AS PERFORMED BY PEGGY LEE

THAT’S MY STYLE [VOCAL]Transcribed by Jon HarpinMedium $65.00 Cat: LL-1231This is the late, great Peggy Lee at her laid back best. This tune is so relaxed it isalmost horizontal, yet the band’s support of the vocalist is just perfect. Loud andsnappy where it needs to be, yet in places as laconic as the vocal itself. The tempo ismoderate and the brass ranges not overly demanding, though the band needs to betight to do the chart justice. No sax doubles. Vocal range: G3 -A4; Vocal Key: F

WHY DON’T YOU DO RIGHT [VOCAL]Arranged by Myles CollinsMedium Easy $65.00 Cat: LL-2081This version was recorded in 1942 by Peggy Lee during her stay with the BennyGoodman band and Peggy made this song her own. Goodman’s chart has beenfaithfully transcribed, including all of the clarinet licks and solos, but have expandedthe brass from the original 6 up to 8. The sax parts are written for solo clarinet, alto,2 tenors & baritone though an extra alto sax part has been included (the tenor 1part, written for alto) to give you a bit more flexibility in the section. The brassranges are very moderate, and aside from the clarinet solo there are no surprises, sothe chart is very playable. Female vocal range: A3-D5 (10 steps); Vocal key: F

AS PERFORMED BY DEAN MARTIN

AIN’T THAT A KICK ***NEW*** [VOCAL]IN THE HEADTranscribed by Myles CollinsMedium $65.00 LL-2112This tune was a huge hit for Dean Martin, and the same version was more recentlycovered by Robbie Williams on his ‘Swing When You’re Winning’ album. The originalchart has been transcribed here, and it will be a complete show-stopper for yourband, whether your singer wants to be Dean or Robbie. There are no sax doubles,the 4th trombone is written for a bass, and the vocal key is D.

AS PERFORMED BY GLENN MILLER

ADIOSTranscribed by Myles CollinsMedium $65.00 Cat: LL-99962A hauntingly beautiful number from the Glenn Miller book. This is a faithfulreproduction of the original arrangement, with correct Miller-voiced saxes throughout.Lead trumpet takes the solo line, and lead trombone has the muted middle solo. Thischart is all about dynamics and blending of instruments, in order to achieve the rightfeel and expression. The notes are easy, but the band must be tight. Sax doubles: alto1 on clarinet throughout; baritone on alto.

AMERICAN PATROLTranscribed by Myles CollinsMedium $65.00 Cat: LL-22406There are many bands using a stock dance band arrangement of American Patrol,originally written for 5 saxes and 5 brass, and possibly then adapted for a biggerband. The problem is that it’s wrong on a number of counts, not least of which isthat the correct key is Bb. The stock was in Ab and made many sectional passageslumpy and tricky to play. We have faithfully reproduced the original for you here,scored the instruments properly and tidied up the wrong notes and chordprogressions. All of the expressions and dynamics are in place and easy to read. Thisis a really good value for money chart and will give your band the authentic Millersound when you play it. Lead alto doubles clarinet, baritone sax doubles alto.Trumpet solo written for 2nd part, and cued on lead part.

ANVIL CHORUSTranscribed by Alan GlasscockDifficult $65.00 Cat: LL-1080Originally from Verdi’s Il Trovatore, Anvil Chorus was a big hit for the Glenn Millerband, thanks to the fabulous arrangement by Jerry Gray. This is faithfully restored tothe original version, complete with fully written out solos for tenor and trumpet. Thesaxes are voiced AAATT throughout, as per the original, and all dynamics aremarked. This is great in performance, and at 240 bpm you will need nimble fingers.

AT LAST [VOCAL]Arranged by Alan GlasscockMedium $65.00 Cat: LL-2029Here is Miller’s beautiful vocal ballad. The Miller band had several versions of thischart, and this is drawn from the version in the film Orchestra Wives. Whilst it is notthe complete film version (i.e., not with both male and female vocal), it has the samedramatic opening with the trumpet solo, then into the sax soli, followed by atrombone soli in even time, accompanied by piano obligato. Then follows themodulation into the vocal chorus (in the key of A) and final band flourish. Lead altois on clarinet throughout, and baritone doubles alto. The trumpet ranges are verymoderate, but because the lead trombone reaches a high C it is medium.

BOOM SHOTArranged by Myles CollinsMedium $65.00 Cat: LL-1079Boom Shot is a rare gem of a chart from the Glenn Miller book, co-written by Mr.Miller himself. It swings with a lilt (if not played too fast) and features your 2ndtrumpet as well as solos (written) for 1st alto and trombone, and space for somebackground improvised piano too. The song itself is unusual, being not much morethat an 8 bar melody, but the orchestration is superb and the series of modulationsthat run through the chart give the whole thing a series of constant kicks that keepit fresh and moving. Baritone doubles on alto.

CARIBBEAN CLIPPERTranscribed by Myles CollinsMedium $65.00 Cat: LL-1012From the pen of Jerry Gray for the Glenn Miller Orchestra, this up-tempo swingchart features the piano (originally Mel Powell) as well as the drums in the shoutchorus. A classic Miller technique is used to propel this number: unison saxes withbrass punches providing rhythmic support, with the melody inverted later on to thebrass, with sax figures backing. A wonderful middle passage of two trumpet pairsplaying counterbalancing lines, one set open, one pair with wah-wah plungers, andboth backed by glissing trombones and fill-phrased saxes is quite unique. Saxdoubles: 1st alto to clarinet; 1st tenor to clarinet; baritone to alto.

K R U P A / L E E / M A R T I N / M I L L E R

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CHATTANOOGA CHOO CHOOArranged by Myles CollinsDifficult $65.00 Cat: LL-1009Here is Glenn Miller’s Chattanooga Choo Choo, adapted from the version in the filmSun Valley Serenade. Essentially this is the same structure as vocal version, exceptthat the chart has been modified to go straight from the instrumental chorus to thesurprise key change into the final shout chorus. This chart is therefore only two anda half minutes long, but perfectly suited. The film soundtrack as well as the film itselfwas used in order to study the players’ fingerings and therefore get things right. Saxdoubles: alto 1 & tenor 1 double clarinets; baritone doubles alto. Please note thatthe vocal version (see vocals section) doesn’t work as an instrumental as the bandmodulates from Db to C for the vocal, but from Db to F for the final chorus.

DANNY BOYTranscribed by Alan GlasscockMedium $65.00 Cat: LL-1037Here is the lush and lovely Danny Boy (a.k.a. Londonderry Air) as played by theMiller Band. This chart features Miller-voiced saxes, beautifully balanced muted brassand some delicate piano work which is written out for your pianist in the places thatmatter. Though short, at just over two minutes, this chart is perfect for those gentlermoments in a set, or for a late night closer. The lead trombone is the cameo-featuredsolo instrument and its range goes quite high - to top C#, hence we have graded thisas a medium piece. Lead alto is on clarinet throughout. Second alto doubles clarinetand the baritone doubles bass clarinet, though we have also cued the passage withnotes for the bari in case a bass clarinet is unavailable.

DON’T SIT UNDER THE APPLE TREEArranged by Myles CollinsDifficult $65.00 Cat: LL-99505This is Glenn Miller’s version that was originally performed by the Modernaires vocalgroup, except that we have turned it into an instrumental, whilst keeping the formtrue to the original. The band intro is there, as are the correct modulations and fillsbehind the melody lines. The trombones are written quite high in places (lead tohigh Db). We also offer this chart as a vocal version (see the vocals section).

GLEN ISLAND SPECIALTranscribed by Myles CollinsDifficult $65.00 Cat: LL-1147Glen Island Special is a very quick swing chart written by Eddie Durham for theGlenn Miller band, and on first hearing it you could be forgiven for thinking it to bea Basie chart. At 240 beats per minute this chart rips from start to finish. It featuresad-lib solos for 2nd trumpet and 1st tenor and has plenty of visual appeal too, withmuch plunger/hat work in the brass. The saxes are scored for 3 altos and 2 tenors.The trumpet ranges are very moderate, with lead only reaching a G. The sax partsdo require very nimble fingers.

I KNOW WHYTranscribed by Myles CollinsMedium $65.00 Cat: LL-99506This version of I Know Why is adapted from the vocal version and is from the filmSun Valley Serenade. It includes an additional instrumental chorus not found in theearlier Miller recorded version. A lovely ballad, this conversion from the SATB vocalis true to the original in its structure, and naturally features Miller-scored reeds. Leadalto is on clarinet throughout and baritone doubles alto.

IN THE MOODTranscribed by Alan GlasscockMedium $65.00 Cat: LL-22406For the first time ever, here is an authentic version. There is no definitive version ofthis Miller tune because it evolved over time, from civilian band, Air Force band, thefilm version (Sun Valley Serenade) and so on. This is a fusion of the civilian band andSVS version. The saxes are re-voiced to AAATT, so the 1st tenor player now hasplayable fingerings and the note-doubling in the stock has gone. The rhythm linesare now right, so the chart doesn’t come to a grinding halt in the middle 8 andtrumpet solo. The sax solos are now for two tenors, as they should be. The backingbehind the trumpet solo is correct, with no trombones here at all. The last fade-outchorus contains the quasi-bass solo, with saxes only playing the top note of the riff.The trumpet run-up at the end is now right and this chart has all of the articulationsand dynamics needed to reproduce the authentic feel.

IT MUST BE JELLYArranged by Myles CollinsMedium $65.00 Cat: LL-1179Co-written by Chummy MacGregor (Miller’s pianist) and George “The Silver Fox”Williams (who wrote extensively for Ray Anthony) this Glenn Miller chart is both anexcellent swing chart, as well as being a lot of fun. Opening in half-time the chartpicks up into a lively swing tempo with the piano taking the first (improvised solo)chorus. Then the whole brass section gets their chance to sing the tune. There aresolos for 1st tenor, 2nd trumpet and 1st alto (all written out in full), followed by aripping sax soli. The chart plays out in true Miller style, building and building to athundering climax which just swings like crazy. Baritone doubles alto.

JOHNSON RAG Transcribed by Myles CollinsMedium $65.00 Cat: LL-1150Here is Glenn Miller’s version of Johnson Rag, transcribed from the original BillFinegan chart with all of the solos (both tenors, trombone 1 and trumpet 2) writtenout. This tune features many of Miller’s trademarks, such as the steady build andoverlayering of sections to increase the depth of sound and to establish the tunefirmly in the mind, plenty of trumpet plunger figures, sudden changes of dynamicsand rich ensemble scoring. The brass ranges are generally moderate, though thetrombone solo does hit a high Db. Trombone solo has been re-scored onto the 4thtrumpet part should your player not feel comfortable with the range. No sax doubles.

(I’VE GOT A GAL IN) [VOCAL]KALAMAZOOArranged by Myles Collins and Alan GlasscockDifficult $65.00 Cat: LL-2100Here is the extended version of I’ve Got a Gal in Kalamazoo, made famous by theGlenn Miller Orchestra in the film Orchestra Wives. This chart differs significantlyfrom the studio recorded version, and has a full chorus band intro, an interludeleading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 barband section to close. At five and a half minutes long, it’s a showstopper. Thearrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3tenors and baritone, and in the Saxes Alto 2 and Tenor 1 both double Clarinets. TheTenor solo is written on the 2nd Tenor part and also cross-cued on the male vocalpart. The vocal whistling in the interlude is cued on the Piano part, and we havewritten out the opening Trumpet solo in full. Vocal keys D flat to G flat.

LITTLE BROWN JUGTranscribed by Myles CollinsMedium $65.00 Cat: LL-22408Little Brown Jug was an early classic for the Miller band, first recorded in 1939, withthe original arrangement done by Bill Finegan. This is an accurate transcription ofthat version, complete with fully written out tenor, trumpet and trombone solos.Many bands have a stock version of this chart in their libraries, but the problem withthe stock arrangements is that the solos aren’t scored, the trombone solo is missingentirely, and there are numerous other errors, such as the sax section should beAAATT, there are incorrect voicings in the bridge, lack of backing behind the tenorsolo and so on. This chart will recreate the authentic sound of the Miller band.

LONG TALL MAMAArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1190Long Tall Mama is a solid swing chart written for the Glenn Miller band by Billy May,though credited to his wife Arletta for fiscal reasons at the time. Miller recorded thiswith his civilian and USAAF bands, and there were subtle differences between thetwo. This is the later version, and features solo spots for alto, clarinet (on the alto 2part), tenor and trumpet. We have written out all of the solos, though your playerscan improvise on the chords if they prefer. This chart would make a fine addition toyour Miller collection, and is not that tricky to play. Alto 2 doubles clarinet.

G L E N N M I L L E R

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MISSION TO MOSCOWTranscribed by Myles CollinsAdvanced $65.00 Cat: LL-99996This song was written by Mel Powell when he was pianist with the Goodmanorchestra, and it was a hit in 1942. Glenn Miller, whilst in charge of the US Army AirForce Training Command Band, used it as a vehicle for showing the clarinet skills ofPeanuts Hucko. It also fit well into a series of numbers that were patriotic andsupported the war effort - tunes such as Keep ‘Em Flying, Tail End Charlie and JeepJockey Jump. This is a great punchy swing chart, and you will need a good clarinetplayer to do it justice. Lead alto doubles clarinet, baritone doubles alto.

MOONLIGHT SERENADETranscribed by Jeff HestMedium $35.00 Cat: TBS0026Moonlight Serenade is the Glenn Miller theme tune, and one of the best known bigband tunes of all time. This is the original arrangement, transcribed by Jeff Hest, andis a completely faithful reproduction. Saxes are scored for clarinet, 2 altos and 2tenors. The clarinet solo is fully written out and the arrangement comes withrehearsal/performance notes for the bandleader.

MOONLIGHT SONATATranscribed by Myles CollinsMedium $65.00 Cat: LL-1084A much underrated chart from the Glenn Miller book but one that makes the hairstand up on the back of your neck. The arrangement builds on Beethoven’s work forsolo piano, and adds layers of rich texture and voicing in the way that only the Millerband could. We have written out the piano part in full, and the solo in the lead tenorpart too, plus all of the dynamics and articulations needed to enable you to recreatethe original sound. Apart from the piano part, this is not a difficult piece to perform.The brass ranges are moderate, the lead trumpet only reaching a B, but there are anumber of sax doubles: altos and tenors all double clarinets and the baritonedoubles alto sax and bass clarinet, although we have cued in notes for baritone atthe appropriate places, should your baritone player not have a bass clarinet available.A wonderful concert piece or late-night closer.

THE NEARNESS OF YOU [VOCAL]Tramscribed by Alan GlasscockMedium $65.00 Cat: LL-2024Here is the lovely ballad as performed by Glenn Miller, with vocal by Ray Eberly.Another lush ballad with the trademark Miller sax sound of clarinet lead over 2 altosand 2 tenors, with restrained brass backings. We have rated this medium as the leadtrombone goes up to to a high C and 2nd to an Ab (otherwise it would be easy).The trombone phrases have been cross-cued onto the trumpet parts in case yourtrombone players are not comfortable with the range. This chart is also very singableas a female vocal, as the range is from C to D one ocave higher. Also included is a solotrombone part, so it can beplayed as an instrumental. .Sax doubles: baritone on altothroughout, and 2nd alto doubles clarinet. Vocal key: F

PENNSYLVANIA 6-5000Transcribed by Jeff HestMedium Difficult $40.00 Cat: TBS0035This is another timeless Glenn Miller classic and must-have standard. This is a JeffHest transcription of the original song and includes fully written out solos for tenorand trumpet and cues for the band shouts.

PERFIDIAArranged by Myles CollinsMedium $65.00 Cat: LL-99959Originally entitled Tonight, Perfidia came into its own when given the Glenn Millertreatment, as a fabulous vocal showcase for the Modernaires. This arrangement istrue to the original, except that we give the vocal chorus to the trombone sectionas a feature. This chart has the correct Miller voiced saxes, the surprise key change,the blend from brass to reed behind the cameo bass solo near the end, and all thewritten dynamics to help create the authentic sound.

RHAPSODY IN BLUETranscribed by Myles CollinsMedium $65.00 Cat: LL-1056This transcription is of the Miller version of Gershwin’s famous work. All of the soloshave been written out (1st trumpet, 1st tenor, guitar and bass) and all the parts areaccurately notated and articulated to give the real Miller feel. Both altos doubleclarinet, and baritone doubles alto. The trombones go up quite high (lead to highDb), though the parts are cross-cued onto the trumpet parts, making things a bitmore versatile for bands with range limitations.

ST. LOUIS BLUES MARCHTranscribed by Alan GlasscockMedium $65.00 Cat: LL-1005This is the version performed by Miller’s US Army Air Force band, and featurestrumpet and tenor solos. The fill-in alto solos are there too, as is a fully notated drumpart. This is the definitive St. Louis Blues. This chart is a huge improvement over thestock chart published many years ago and is a must-have for all lovers of Miller.

SERENADE IN BLUE [VOCAL]Transcribed by Alan GlasscockMedium Difficult $65.00 Cat: LL-2022Serenade In Blue is another classic from the Glenn Miller Orchestra with theModernaires, and Alan Glasscock’s transcription is a true reflection of the original.Thechart is written for male vocalist with a 4-piece backing group. Perhaps the trickiestpart of the chart is Billy May’s unique opening passage which needs to be playedwith confidence and a relaxed feel. The saxes have a number of instrument doubles:altos 1 & 2 on clarinets, tenor 2 on bass clarinet (in the intro), though this may betaken on tenor if needs be, and baritone on alto. The trumpet solo in the intro ismeticulously written out too. All articulations and dynamics are indicated, enablingyour band to reproduce one of Millers’ best known tunes. Vocal key: Eb

SKYLARK [VOCAL]Transcribed by Alan GlasscockMedium $65.00 Cat: LL-99401This is a lush male vocal ballad from the Miller Orchestra, and it naturally makes useof Miller-voiced saxes. The voicings and harmonic structure of this arrangement aresimply stunning, and completely complement the crooning vocal line. This is anotherquite superb transcription from Alan Glasscock which faithfully reproduces theoriginal chart. Lead alto is on clarinet throughout, alto 2 doubles clarinet andbaritone doubles alto. The trumpet ranges are very modest, with the lead onlyreaching Bb, making this chart playable by even moderate players. Vocal key: Db

SONG OF THE VOLGA BOATMENTranscribed by Myles CollinsDifficult $65.00 Cat: LL-99967Written by Bill Finegan for the Glenn Miller Orchestra, this number is a greatexample of the arranger’s art. He took a simplistic tune (Yo Ho Heave Ho) andturned it into a memorable piece, famous for its central passage of unison trombonesfollowed four bars later by unison trumpets repeating the same phrase, both gettingever higher in their ranges, and leading to a huge tutti finish, embellished with acameo written ad-lib solo trumpet. A true reproduction of the original.

THE SPIRIT IS WILLINGArranged by Myles CollinsMedium Easy $65.00 Cat: LL-1177A gentle, somewhat quirky chart from the Glenn Miller band of 1941 written byJerry Gray as a two trumpet feature. This tune grows on you, has an easy tempo andis really smooth. The ‘hook’ is is in the harmonic structure - a rising and fallingsequence up and down the scale chords of D, and the bouncy sax riff will leave youhumming the thing. We have written out all of the trumpet solos, with mute indicationsand articulations, and have included the little piano fills near the end of the piece,and the drum licks too. There are no sax doubles. An easy chart, aside from a coupleof trumpet high notes (1st & 2nd to written top C), which plays really well.

STORY OF A STARRY NIGHT [VOCAL]Arranged by John FergusonEasy $65.00 Cat: LL-2417Straight from the Miller book, the Story of a Starry Night was originally arranged forthe Miller band by Bill Finegan, and has been re-created by John Ferguson. Based onTchaikovsky’s Pathetique Symphony #6, this arrangement is one of a number ofclassical pieces given the big band treatment. Scored for Miller-voiced saxesthroughout, this arrangement shimmers and shines. The vocal (in Ab) is beautifullysupported by just the right amount of band backings, the brass ranges are verymoderate, and the whole chart is lush and rich. Fabulous.

G L E N N M I L L E R

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STRING OF PEARLSTranscribed by Myles CollinsMedium $65.00 Cat: LL-99965There are many bands using a stock dance band arrangement originally written for5 saxes and 5 brass, and possibly then adapted for a bigger band. The problem isthat it’s wrong on a number of counts. This is a faithful reproduction of the original,and have scored the saxes properly (AATTA) including the two tenor chase solo,voiced the brass correctly, written out the piano solo and fills and tidied up thewrong notes and chord progressions. All of the expressions and dynamics are inplace and easy to read. This will give your band the authentic Miller sound when youplay it. Baritone sax on alto throughout; trumpet solo written for 2nd part, andcued on lead part; second tenor portion of sax duet cued on 2nd alto part.

SUN VALLEY JUMPTranscribed by Myles CollinsMedium $65.00 Cat: LL-2106Another Glenn Miller classic, this was one of a long line of hits written by Jerry Gray.The original chart has been reproduced here, complete with the trumpet, tenor andclarinet solos, all of which are written out. This chart has a nice bounce feel to it, andplays at about the same tempo as In the Mood. It has been rated medium, mainly dueto the range of the trumpet 2 solo (up to high E). Apart from that it is an mediumeasy chart. The clarinet solo is written on the alto 2 part, no other sax doubles.

SUNRISE SERENADE ***NEW***Transcribed by Myles CollinsMedium $65.00 Cat: LL-1100Originally released in 1939 on the RCA Bluebird label as the flipside to MoonlightSerenade, and the record became a huge hit for the Miller band. The original Millerchart was by Bill Finegan, first written for only 6 brass and later adapted for 8. Thistranscription is full of typical Miller color, with a pair of Clarinets carrying the melodyin thirds, echoed by two tenors an octave below, all backed by wah wah brass. Theoriginal Tex Beneke sax solo is fully written out, as is the solo piano fill at the end ofthe chart. Saxes are written for 3 altos (1 & 2 doubling clarinet) and 2 tenors.

SWING LOW, SWEET CHARIOT ***NEW***Transcribed by Alan GlasscockDifficult $65.00 Cat: LL-1173Bill Finegan wrote the original version of this arrangement for Glenn Miller’s civilainband, and adapted it for Miller’s USAAF band. This is the version that we offer here.Transcribed beautifully by Alan Glasscock, this rousing chart has instant appeal is aworth addition to your Miller collection. There are no sax doubles.

TAIL END CHARLIETranscribed by Myles CollinsDifficult $65.00 Cat: LL-99963Another Bill Finegan masterpiece, Tail End Charlie was made famous by Miller’s ArmyAir Force Training Command Band. The Tail-end Charlie was the rear gunner in abomber - often the first line of defense - and probably the most exposed positionof any crewmember. This mid-tempo swing chart has unison saxes carrying thetheme, backed by muted brass figures, building into a key-change bridge to introducethe baritone solo. The whole number reaches a peak with a written-to-sound-ad-lib trumpet solo, before the theme returns, repeating to a fade-out (a well-triedMiller effect), with final tutti crescendo to end with.

TUXEDO JUNCTIONTranscribed by Myles CollinsEasy $65.00 Cat: LL-99983This is the true Glenn Miller version, complete with written out trumpet solos for2nd and 3rd trumpets. The solos are cross-cued to the 1st and 4th parts too, givingyour other players the chance to play them too. The transcription is accurate, rightdown to the little cameo piano & drum solo breaks. All dynamics are clearly marked,so your band can achieve the authentic Miller sound. This is a straightforward chartto play. This sounds best if the band is relaxed and doesn’t rush the tempo!

WE’LL MEET AGAIN [VOCAL]Arranged by Myles CollinsEasy $65.00 Cat: LL-2068Another nostalgic song from the early WWII years, We’ll Meet Again remains aspopular as ever. It is a particularly good closing number for a nostalgia gig or concertas it is not a long arrangement, though a very effective one. The saxes are Miller-voiced with clarinet lead and baritone on alto throughout. In Eb, the vocal range isA below to Bb above middle C, and is well within the range of most male and femalevocalists. Lead trumpet to top C#. Vocal Key: Eb

WHEN JOHNNY COME [VOCAL]MARCHING HOMEArranged by Myles CollinsMedium $65.00 Cat: LL-2078This patriotic wartime tune was originally done by Glenn Miller with Tex Beneke andMarion Hutton and the Modernaires supplying the vocals.This is a medium swingtempo chart that kicks. This has been scored for male & female vocalist with a 4-piece backing group, though the arrangement works well as a boy girl duet or as asolo vocal (we have included a solo vocal sheet in the pack). The tenor sax line thatwould have been missing when Beneke took the vocal is scored back in, therebykeeping your section complete. This chart is true to the Bill Finegan original, andthere are no sax doubles. Trumpets 2,3 & 4 need to be able to reach high C for theunison passage before the tenor solo in the last chorus. Vocal Key: G

AS PLAYED BY THE MINGUS BIG BAND

CHILDREN’S HOUR OF DREAMArranged by Sy JohnsonAdvanced $60.00 Cat: 7010957The unique genius and originality of Charles Mingus is nowhere more apparentthan in this symphonic masterpiece adapted for big band by Sy Johnson. Involvingno improvisation but rather a series of through-composed colors and changingmoods, the Mingus Big Band has been amazing audiences for years with this impressiveconcert piece. Stunningly effective and different!

GOODBYE PORK PIE HATArranged by Sy JohnsonDifficult $60.00 Cat: 7010398This is probably Charles Mingus’ best-known composition. Sy Johnson’s updatedchart is the authentic version from the latest CD by the Mingus Big Band, Blues and Politics.

GUNSLINGING BIRDArranged by Steve SlagleDifficult $60.00 Cat: 7010394The opening cut from the Mingus Big Band CD Gunslinging Birds is this raucous andblistering jazz waltz. Mingus wrote this piece as a tribute to Charlie ‘Bird’ Parker withthe subtitle ‘If Charlie Parker were a gunslinger there’d be a whole lot of deadcopycats’. This chart doesn’t hold anything back!

HAITIAN FIGHT SONGArranged by Sy JohnsonDifficult $60.00 Cat: 7010516The Mingus Big Band recorded this on the Blues and Politics CD. This minor blueshas a bass solo opening. Includes ample solo space. 5/3/3/3

MOANIN’Arranged by Sy JohnsonDifficult $60.00 Cat: 7010238The bartione saxophone player get the opening vamp. Ample open solo space andfantastic ensemble sections. 5/3/3/3

NOSTALGIA IN TIMES SQUAREArranged by Ronnie CuberDifficult $60.00 Cat: 7010396This medium tempo swing chart is the lead-off cut from the CD Mingus Big Band 93.Featured is a distinctive melody, a stop-time solo section, and a great swing groovethroughout.

TIJUANA GIFT SHOPArranged by Michael Philip MossmanDifficult $60.00 Cat: 7010514This was recorded by the Mingus Big Band on the Que Viva Mingus CD. Featuresgreat Latin sounds and textures mingled with swing sections. 5/3/3/3 Saxes doubles:2 flutes, soprano sax, and tuba. Percussion parts.

GLENN MILLER/MINGUS BIG BAND

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AS PERFORMED BY BUDDY MORROW

NIGHT TRAINTranscribed by Alan GlasscockMedium $65.00 Cat: LL-1033Here is Buddy Morrow’s thundering rendition of Night Train. What is unusual is thespeed of the chart - a slowish 85 bpm - and, as a result, the arrangement has a solid,rumbling momentum that carries all before it. The melody and solo is taken by thelead (solo) trombone. Alan Glasscock has scored the chart meticulously, so yourband can capture the feel and get the phrasing absolutely right in order to recreatewhat is one of Morrow’s finest performances. There are no sax doubles.

AS PERFORMED BY BUDDY RICH

ACID TRUTHArranged by Don MenzaMedium Difficult $65.00 Cat: W-51425Another great chart excatly as recorded by the Buddy Rich Big Band on Mercy,Mercy. 7 brass: 4 trumpets and 3 bones.

BIG SWING FACEArranged by Bill PottsMedium Difficult $52.00 Cat: SMP-240This is the real thing, as written for and recorded by the Buddy Rich Band on the BigSwing Face CD. It is a medium-up swing chart that provides plenty of solo space foralto sax (a la Ernie Watts), piano (a la Ray Starling) and trumpet (a la Bobby Shew).Features a terrific saxophone section soli. Big band swing at its best! 5-4-4-4

CHANNEL ONE SUITEArranged by Tom DavisDifficult $55.00 Cat: JE9741We’re proud to bring you the Buddy Rich jazz classic CHANNEL ONE SUITE. Thispiece was one of Buddy’s signature tunes, and it is now in print for the first time ever.Tom Davis has faithfully transcribed this chart from the original recording. It’s a realchallenge, but one your students will love. In order to make this chart more accessibleto most bands, we have provided alternate trumpet parts that have been rewrittento omit some of the extreme upper register passages. This is a piece of jazz history,and either way you play it, this chart is a winner!

GROOVIN’ HARDArranged by Don MenzaMedium Difficult $70.00 Cat: W-51429No descripton needed. One of the all-time greatest charts recorded by the BuddyRich Big Band on Burning For Buddy Vol 2.

KEEP THE CUSTOMER SATISFIEDArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-232From the CD Keep the Customer Satisfied. Who will ever be able to forget thedynamic Buddy Rich Band? This chart was a staple in that library for a long time,spinning off of the ‘60s-’70s look at more contemporary music sources (rock, folk,etc.). It is a LOT of fun for any band to get into this chart. Space for alto saxophone,trombone and, or course, drum solos.

LOOSEArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-308Written for and recorded by the Buddy Rich Band on the Big Swing Face CD, thiswonderful chart features trumpet (a la Bobby Shew on the CD) and alto saxophone(a la Quinn Davis on the CD). Alto sax 2 and tenor sax 2 double on flute. This is awonderful, relaxed, kind of loose feeling chart at a medium-up tempo. 5/4/4/4

LOVE FOR SALEArranged by Pete MyersMedium Difficult $57.00 Cat: SMP-245A sensational arrangement of a great tune in an up-tempo setting. This is recordedon the Big Swing Face CD. Solo space for alto sax, trumpet, tenor sax and, of course,some wonderful drum breaks. This is in-your-face, outrageous, exciting music, exactlyas written for, and recorded by Buddy Rich.

MERCY MERCY MERCYTranscribed by Myles CollinsAdvanced $65.00 Cat: LL-1027Well, here it is, the great Joseph Zawinul composition, as played by the Buddy Richband. This chart features drums (naturally), solo space for tenor sax and guitar (orpiano) and is a thunderously rousing arrangement. Quite long, at 5 and a halfminutes, this chart is a TOUGH blow for your lead and 2nd brass players. The leadtrumpet range is up to a high F#, 2nd to high E and the lead trombone to high C#.So, as long as you have the players, you will not regret buying this chart.

NORWEGIAN WOODArranged by Bill HolmanMedium Difficult $57.00 Cat: SMP-309This is the real thing, as written for and recorded by the Buddy Rich Band on the BigSwing Face CD. It is perhaps one of Holman’s best known charts ever. A scintillatingjazz waltz, full of excitement and energy, it features solos for alto saxophone (a laErnie Watts on the CD) and trombone (a la Jim Trimble on the CD). Lots of rawpower and blistering figures make this the ideal opener or closer for your concerts.Your audiences will love it!

RUTHArranged by Bill HolmanMedium Difficult $52.00 Cat: SMP-322From the CD Buddy and Soul. This is one of the most original big band rock/fusioncharts ever written. The Buddy Rich Big Band recorded this as a closer on the CDBuddy & Soul. Tenor solo and lots of exciting counterpoint. Red-hot ensemblepassages prevail! Played on the Tonight Show many times when Buddy would be aguest. This is a terrific crowd-pleaser.

STRAIGHT, NO CHASERArranged by John La BarberaDifficult $60.00 Cat: 7010628Never before published, we are proud to offer Buddy Rich’s famous version of thisThelonious Monk jazz classic arranged by John La Barbera. Newly edited andprofessionally prepared, this edition belongs in the library of every serious jazzensemble. The tempo for this recording is a bit slower than Buddy’s and more inkeeping with the arranger’s original intent.

TIME CHECKArranged by Don MenzaMedium Difficult $70.00 Cat: W-51431No description needed. As recorded by the Buddy Rich Orchestra on Burning ForBuddy Vol 2.

WALK ON THE WILD SIDEArranged by John La BarberaDifficult $60.00 Cat: 7010995Buddy Rich fans will instantly recognize this staple of the famed drummer’s liveperformances. Although Buddy never recorded this monster chart, John La Barberahas featured it on his new big band recording ‘On the Wild Side.’ An impressive multi-styled tour de force for mature ensembles!

WAVEArranged by John LaBarberaMedium Difficult $47.00 Cat: SMP-182Buddy Rich played this chart constantly! Features a great bass trombone solo onthe tune. Flute doubles required on all saxophone parts. Here is a rare chance tofeature the bottom of the trombone section with a beautiful Jobim melody. Fullscore/parts.

B U D D Y M O R R O W / B U D D Y R I C H

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WINNING THE WESTArranged by Bill HolmanMedium Difficult $59.00 Cat: SMP-316As written for and performed by the Buddy Rich Big Band, here is the long-missingchart that Holman wrote to feature Buddy on drums and Pat LaBarbera on tenorsax. What a great chart! It is set in a quasi Rock Feel which shifts to swing and backagain. This is a very high-energy, exciting chart, and Buddy played it all the time! Yourband will eat this one up. 5/4/4/3

AS PERFORMED BY SHORTY ROGERS

BASIE EYESArranged by Shorty RogersMedium Difficult $50.00 Cat: SMP-450A wonderful, easy, swinging chart which is the centerpiece of the CD Tribute toCount Basie. This piece has brief solo sections for the bass and piano, and longersolos for baritone sax, trumpet and tenor sax . Very reasonable brass ranges. Shortywas always able to compose very memorable melodies, and this is one of them.

BLUES EXPRESSArranged by Shorty RogersMedium Difficult $52.00 Cat: SMP-456As recorded on The Big Shorty Rogers Express, this is a terrific romp through a fastswing, featuring solos by alto sax, tenor sax, bari. sax, trumpet, trombone and piano.Shorty uses modulating 2-5 turnarounds to spice up this already exciting blueschart. There is lots of solo space and exciting ensemble passages. Reasonable rangesfor all make this quite playable. 5/4/4/3

BLUEZIESArranged by Shorty RogersMedium Difficult $62.00 Cat: SMP-458As recorded on Portrait of Shorty (including the best of West Coast jazz musicianssuch as Herb Geller, Bill Holman, Jack Montrose, Frank Rosolino, Conrad Gozzo,Conte Candoli and others), this is a great, up-tempo, swinging chart with lots of solospace for alto, tenor and baritone saxophones, trumpet, trombone, piano anddrums. The tune is typical Shorty Rogers, swinging and melodious. There are lots ofexciting, powerful ensemble passages and still plenty of room for all the soloists. 276bars of swinging happiness!

GRAND SLAM ***NEW***Arranged by Shorty RogersMedium Difficult $55.00 Cat: SMP-750Here is another terrific chart from Shorty Rogers (as recorded on the ‘Portrait ofShorty’ album). Shorty always had a way of creating wonderful melodies and excitingarrangements for big band. This chart is no exception. This is an up-tempo swingchart which has solo space for alto, tenor, trumpet, bass and drums. The piece is 218measures long, and it swings from top to bottom. Brass ranges are exceptionallyreasonable (tpt. to high C only). 5/4/4/3

JUST A FEWArranged by Shorty RogersMedium Difficult $52.00 Cat: SMP-208Bob Curnow has arranged one of Shorty Rogers’ hippest tunes. The melody isstated by alto and trumpet, and the whole chart has that wonderful West Coast feelto it. There is a neat section which features flugelhorn and saxophones in a long soli.There is also solo space for alto sax, trumpet and piano.

LINEBACKERArranged by Shorty RogersMedium Difficult $62.00 Cat: SMP-460As recorded on Portrait of Shorty (including the best of West Coast jazz musicianssuch as Herb Geller, Bill Holman, Jack Montrose, Frank Rosolino, Conrad Gozzo,Conte Candoli and others), this is a great, up-tempo, swinging chart with lots of solospace for alto and tenor saxophones, trumpet, trombone, bass and drums. The tuneis typical Rogers, swinging and melodious. There are lots of exciting, powerful ensemblepassages and still plenty of room for all the soloists. 200 bars of swinging happiness!

PAY THE PIPERArranged by Shorty RogersMedium Difficult $52.00 Cat: SMP-454As recorded on The Big Shorty Rogers Express, this is a wonderful West Coast chartwhich features optional clarinet with trumpet on the melody for a neat sound. Thechart has a very unique, catchy sound to it. There is solo space for alto sax, tenor sax,trumpet, trombone and drums. 5-4-4-3

PINK SQUIRRELArranged by Shorty RogersMedium Difficult $50.00 Cat: SMP-451As recorded on Blues Express, this is a wonderful West Coast chart which featuresunison saxophones on the melody, solo space for alto sax, trumpet, and tromboneand a short solo for bass. Shorty’s melodies are memorable and very attractive. Thislaid-back style is great fun for the band. Reasonable ranges make it very playable.

PIROUETTE (NONET) ***NEW***Arranged by Shorty RogersMedium $49.00 Cat: SMP-751Shorty Rogers was very well known for his nonet charts (6 horns, 3 rhythm), andthis was one of his best-loved compositions. Set in an easy, slow swing, ‘Pirouette’ hasa lilting melody, along with a lovely counter-melody. This is a great chart to do on abig band concert to rest the band and feature your soloists. There is solo space foralto, tenor, flugelhorn, trombone and piano. (alto, tenor, barit. saxes, 2 flugelhorns,trombone, piano bass, drums).

RED DOG PLAYArranged by Shorty RogersMedium Difficult $62.00 Cat: SMP-457As recorded on Portrait of Shorty, this is a medium-tempo swing chart that has avery unique, catchy sound to it. There is solo space for alto, tenor and baritonesaxophones, trumpet, trombone, piano, bass and drums. Once again Shorty writes asuperb chart for big band. Over 200 bars of enjoyment!

WALK, DON’T RUNArranged by Shorty RogersMedium Easy $47.00 Cat: SMP-455Here is a wonderful, easy, swinging chart which is on the CD Shorty Rogers Courtsthe Count, a terrific big band tribute to Basie. This piece has a very delightful sound,and it’s very easy for even the youngest bands to play. The pros will love it too! Itfeatures optional clarinet with trumpet on the melody. Lots of solo space. 5-4-4-3

AS PERFORMED BY ARTIE SHAW

AT SUNDOWN ***NEW***Arranged by Myles CollinsDifficult $65.00 Cat: LL-1140This is Artie Shaw’s 1939 version from the time when his first band was at its height.Apart from the clarinet solo, the chart is not too hard, and swings freely with goodsolid bounce. The arrangement has been adapted from the original 3 trumpet 3trombone line-up, to a regular 4/4 brass section, and the reeds are scored forclarinet, 2 altos and 2 tenors. Shaw’s Clarinet solo has been written out, along withthe tenor and trumpet solos, but the piano solo has been left as an improvisation. Allthe soloists have the chords on their parts should they wish to do their own solo.This is a fun chart, quite quick but a full four minutes long. There are no sax doubles.

BACK BAY SHUFFLETranscribed by Myles CollinsMedium $65.00 Cat: LL-1151Back Bay Shuffle is a jump tempo swing chart from the great Artie Shaw orchestra,perfect for dancing. This has been transcribed as per the original, though expandingit to 8 brass in the process. All solos (clarinet, trumpet, trombone, tenor and piano)are written out in full, as are the correct drum patterns. The reeds are scored forsolo clarinet, 2 altos & 2 tenors. Everything is here: correct sax voicings, dynamicmarkings & phrasing indications so that your band can recreate that Shaw sound.

BEGIN THE BEGUINETranscribed by Jeff HestMedium $50.00 Cat: JE9728This is a truly authentic transcription of Artie Shaw’s classic version of Begin theBeguine. Jeff Hest has meticulously notated every detail of this famous chart. Since itwas such an important song in the genre, this arrangement creates a great opportunityto teach your students about the history of the big band.

SHORTY ROGERS/ART IE SHAW

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CONCERTO FOR CLARINET (PART 1)Transcribed by Myles CollinsAdvanced $65.00 Cat: LL-1013Here is part 1 of Artie Shaw’s stunning Concerto for Clarinet, written by the greatman himself. Following a big tutti opening comes a stylish clarinet cadenza intro, withband backing and solo piano infills. The piano then picks up into 8-beat boogie stylewith a 24 bar solo, answered by the clarinet. Solos are for trumpet, trombone, altoand tenor with a final clarinet solo flourish. This is Shaw’s defining work for soloclarinet and big band, but be warned: you will need a very good pianist and clarinetplayer to carry this off. At nearly 4 and a half minutes this is only the half of it. Thewhole piece is scored for clarinet, 2 altos, 2 tenors, 8 brass and 4 rhythm. All solos arefully written out, though naturally your players can improvise if they wish.

CONCERTO FOR CLARINET (PART 2)Transcribed by Myles CollinsAdvanced $65.00 Cat: LL-99407Here is part 2 of Artie Shaw’s stunning Concerto for Clarinet. The chart opens withfour stylish clarinet cadenzas, after which the drummer picks up the tempo with afloor-tom solo, joined by solo clarinet for 40 measures. Briefly into 3/4 time for bandchord stabs, the clarinet & drum solo continues. Another time shift for more stabs,then three tutti swing choruses to a false finish. The clarinet solo wraps things upwith a further four cadenza passages. This is a very challenging work for solo clarinet,and will need a great player to pull it off. The saxes are scored for 2 altos and 2tenors. The clarinet range is up to super C.

FRENESIArranged by Myles CollinsMedium $65.00 Cat: LL-2100Frenesi was a tune popularized and played by many of the well known bands of thelate ‘30s and early ‘40s. This version is an adaptation of the Artie Shaw version, butre-scored for a regular big band line-up, as Shaw’s chart made heavy use of strings,and had an orchestral flavour to it. We have kept the structure of the original, andhave transcribed all of the solos (clarinet, tenor, trumpet & piano). The re-voicing ofthe chart means that the saxes (written C,A,T,T,B) have plenty of doubles. The altodoubles clarinet & flute, both tenors double clarinet and the bari doubles alto. Thechart floats between swing and rhumba, your players will need to be alert!

INDIAN LOVE CALLArranged by Myles CollinsMedium $65.00 Cat: LL-1120This version of Indian Love Call is a variation on the vocal version that we offer andis a clarinet feature. (see the vocals section for a more complete description). Thestructure is the same as the vocal, true to Shaw’s original, except that we havechanged the vocal chorus to an ad-lib clarinet solo, and have written some punchyyet supportive backings coming from the band. After the opening drum & clarinetsolo passage, the band is still scored with the falsetto singing, so no excuses for thebrass not to get involved. The saxes are scored for solo clarinet, 2 altos and 2 tenors.All the saxes double clarinets (mainly unison passages) though it won’t really matterif the alto 2 (your baritone player) doesn’t play any clarinet parts. We have scoredhis lines as the lowest voice in the harmonized clarinet passages.

NON-STOP FLIGHTTranscribed by Myles CollinsMedium $65.00 Cat: LL-1161Non-Stop Flight is a really bouncy swing chart and is perfect for dancing to. Thepulse is infectious and will really get the feet tapping. Written by Artie Shaw, itnaturally features the clarinet, and also tenor sax. All of the solos have been writtenout, including the solo licks and fills, plus the obligato clarinet solo that floats overthe rest of the band in the last chorus. Your clarinet player will need to be dextrous,as some pretty nimble fingerwork will be needed. The brass ranges are moderate, andit’s not a tough blow for them. The saxes are scored for solo clarinet, 2 altos and 2tenors. The original 6 brass has been expanded up to 8. If you are looking for a gooddance chart, or a stunning concert piece, you’ve just found it!

SOFTLY AS IN A MORNING SUNRISETranscribed by Myles CollinsMedium $65.00 Cat: LL-2405One of Artie Shaw’s most endearing charts, this was scored as a mid-tempo swingchart by Jerry Gray, later of Glenn Miller fame. The chart has been transcribed andscored for a full band line-up of 5 reeds & 8 brass. The saxes are written for soloclarinet, 2 altos and 2 tenors. The 2nd tenor takes the solo (written out) and Shaw’ssolos are also notated in full. Alto 1 and tenor 1 double clarinets, and there is anoptional clarinet double on the alto 2 part. The trombone solo, also written, is on the1st part. A good concert piece or equally suitable for dancing. The brass ranges aremoderate and the only tricky bit is the final clarinet run-up which goes to a high A.

TRAFFIC JAMTranscribed by Myles CollinsMedium $65.00 Cat: LL-1146Artie Shaw had many great swing charts to his name, but few were as punchy andas powerful as Traffic Jam. It fairly rips along at a quick 240 beats a minute, yet itnever sounds forced or rushed. The original has been transcribed, including all thesolos (drums, clarinet, tenor, trombone & piano), and expanded the chart to a full 8brass. The saxes are scored for clarinet, 2 altos and 2 tenors. The chart kicks off witha 4 bar drum solo leading into a rising chromatic dimished passage, then the mainchorus with the clarinet flying over the top of the band. A quick tenor solo follows,then back to the band blasting away. There is then a wonderful bell-tone bridgeleading to alternating clarinet and trombone solos over just bass and drums, moreband choruses, a piano solo and a couple of huge shout choruses to end. The bandparts are not hard, despite the speed of the chart. It’s only Mr. Shaw’s bits that neednimble fingers, though your clarinet player can always improvise over the chordsinstead. This is a real beauty of a chart, and a must-have in any book.

AS PERFORMED BY FRANK SINATRA

COME FLY WITH ME [VOCAL]Transcribed by Jon HarpinDifficult $65.00 Cat: LL-85400This is Frank Sinatra at his best. This chart is a transcription of Sinatra with theCount Basie Band, taken from Sinatra at the Sands. It features the original bandintro giving you time for a big introduction to your vocalist. The chart is also markedwith an optional start point, just before the vocal, should you wish to shorten things.Some muted trumpet fills have been removed to keep things cleaner. There are somesax doubles: altos go to clarinets and tenors to flutes. The vocal is in Bb, with a rangefrom Bb to D (one octave and 3 tones) and has been written out to give yourvocalist a good feel of Sinatra’s phrasing. All in all this chart is exceptional.

I GET A KICK OUT OF YOU [VOCAL]Transcribed by Jon HarpinMedium $65.00 Cat: LL-2404Taken down from Sinatra’s 1962 Reprise recording, I Get a Kick Out of You hasbecome a Sinatra classic and a much requested tune. The original arrangement wasdone by Neal Hefti (a familiar name to Count Basie fans) and his style is clearlyapparent throughout the chart. Jon Harpin has produced a superb recreation ofthe original, and it swings from start to finish. Sinatra’s vocal line has been writtenout, for those of you who wish to emulate the master. The chart is technically notthat difficult, but needs crispness and precision to make it come alive. The trombonesare scored for 3 tenors and bass, and there are no sax doubles. Vocal key: Db, D

I’VE GOT YOU UNDER MY SKIN [VOCAL]Transcribed by Myles Collins & Patrick GazardMedium $65.00 Cat: LL-2014This chart is a transcription of Sinatra with the Count Basie Band, taken fromSinatra at the Sands. Everything has been included, from the rumbling baritone saxline, the big trombone build after the first vocal chorus, the wailing trombone soloand even the little piano fills and tinkles. We have re-scored the saxes to a regularAATTB section and have removed the clarinet & bass clarinet doubles from theoriginal, as we recognize that not all bands have a bass clarinet at hand. All dynamicsare clearly written, and the vocal part replicates Sinatra’s performance. The brassranges are moderate other than the trombone solo which is up to high Db, thoughyour player can always improvise on the chords provided. Key of Db.

A R T I E S H A W / F R A N K S I N A T R A

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THE LADY IS A TRAMP ***NEW*** [VOCAL]Transcribed by Jon HarpinDifficult $65.00 Cat: LL-2122This chart is a transcription of the Billy Byers chart as performed by Frank backedby Woody Herman at Madison Square Garden in 1974. The opening is thunderinglybrassy and establishes a great contrast to the quiet start of the vocal. The first vocalchorus is backed mainly by Saxes and Trombone licks, but builds in intensity to thehalf-step modulation. From here the arrangement powers its way to the finish line,and swings like crazy all the way. The vocal keys are Bb and B.

LUCK BE A LADY [VOCAL]Transcribed by Jon HarpinDifficult $65.00 Cat: LL-2025Adapted from the original Billy May arrangement of Sinatra’s Reprise recording, thiskicks off with the slow, almost colla voce intro, which picks up into a thumping swing chart.Everything is here: dynamics, articulations, phrasing, modulations, the works. Stringswere used in the original recording, those have been re-scored into the band, tomake the chart suitable for a 5/4/4/4 line-up. At 5 minutes 15 seconds this is a longchart, and makes for a great vocal feature. Lead alto doubles clarinet. Keys: Db, D, Eb.

MY KIND OF TOWN [VOCAL]Transcribed by Jon HarpinMedium Easy $65.00 Cat: LL-1456This tune was originally written for the Rat Pack-esque film Robin and the SevenHoods. Wonderfully melodic and visually exciting in concert, it was Sinatra’s themetune for some 15 years, his show-stopper and frequent show-ender. This version istranscribed from Billy May’s version from Sinatra at the Sands with the Basie Band.It’s all here: the creamy opening verse with the lush brass voicings leading into thepunchy swing of the main vocal, with the successive modulations from F to G to Aband the powerhouse modal riffs to finish. The lead alto doubles flute. Keys: F/G/Ab

NEW YORK, NEW YORK [VOCAL]Transcribed by Jon HarpinMedium Difficult $65.00 Cat: LL-2111One of Sinatra’s most enduring hits, the theme from New York, New York is also oneof his most memorable, and will be immediately familiar to all audiences from themoment that the band kicks off the signature opening. Transcribed beautifully byJon Harpin from the original Don Costa chart, this arrangement has all the elements- the slick key change, the shifts in tempo and Sinatra’s vocal line in full - making thischart an absolute must-have tune. The vocal keys are D to Eb and no sax doubles.

PENNIES FROM HEAVEN ***NEW*** [VOCAL]Transcribed by Jon HarpinMedium $65.00 Cat: LL-2109Frank Sinatra and Count Basie combined brilliantly on their 1962 album ‘Sinatra-Basie,’ featuring arrangements by Neal Hefti. From Basie’s opening intro right to thelast note this chart was and still is a classic. It has been transcribed here by JonHarpin, and adapted from the original 5 trumpet 3 trombone studio line-up, to amore regular 4-4 section, with the bass trombone on 3rd and an optional 4thtrombone part. The vocal key is Ab and there are no sax doubles.

SATURDAY NIGHT IS THE [VOCAL]LONELIEST NIGHT OF THE WEEKTranscribed by John FergusonMedium $65.00 Cat: LL-2114Sinatra recorded this song a number of times during his career, but the mostswinging version was the Billy May arrangement that John Ferguson has transcribedhere. In typical May style, it is punchy, crisp and offers a great balance between thevocal passages and some fine ensemble work. Not too long, at a shade over 2minutes, this is a memorable chart and a must for all Sinatra lovers. There are no saxdoubles in this chart and the vocal key is C.

THAT’S LIFE [VOCAL]Transcribed by Jon HarpinMedium Easy $65.00 Cat: LL-2026Another great tune from Frank Sinatra’s Reprise days. The original version of thischart featured female backing vocals and a Leslie-style organ. We appreciate thatthis limits the playability of such an arrangement, so Jon Harpin has creativelytranscribed and re-scored for a standard big band line-up. The backing vocals areshared between a quartet of 2 saxes, trumpet & trombone, and the opening organsolo has also been scored into the sax parts should your pianist not have theappropriate bag of tricks to make a nice organ noise. There are no sax doubles andthe brass ranges are moderate to low. Vocal key: G, Ab

YOU MAKE ME FEEL SO YOUNG [VOCAL]Arranged by Jon HarpinDifficult $65.00 Cat: LL-2121This version of You Make Me Feel So Young is the one performed by Frank Sinatrawith the Count Basie Orchestra on the “Sinatra at the Sands” album, later re-issuedon the Reprise collection, and it is arguably one of Sinatra’s finest numbers. Theoriginal Quincy Jones chart has been wonderfully transcribed and adapted (for 8brass) by Jon Harpin, and includes the muted trumpet solo written out, and all ofthe little licks and fills on the drum part which add so much punch. The vocal keysare G and Ab, and there are no sax doubles.

ZING! WENTTHE STRINGS OF MY HEART [VOCAL]Arranged by Dick BurlantEasy $65.00 Cat: LL-2012This was recorded by Frank Sinatra in December 1960 for the Ring-a-Ding album,but remained unreleased until 1990 when the master tapes of the original recordingwere rediscovered. This chart is a Sinatra gem, and even includes the rarely-heardopening verse. Beautifully transcribed and adapted by Jon Harpin from the originalJohnny Mandel arrangement, to incorporate the strings back into a regular big bandline-up, this chart is unique and deserves a place in everyone’s library. Lead altodoubles clarinet briefly. Vocal key: Db

MISC. INSTRUMENTALS

CHUCHOTranscribed by Myles CollinsMedium $65.00 Cat: LL-1004Chu Cho is a wonderful Latin number, from the pen of the great Paquito D’Rivera,written for Mario Bauza and his Afro-Cuban Orchestra. This tune simply oozes style,and also offers a chance to show off the improvisation skills of your lead alto (ortenor), baritone and lead trombone.

ONE NOTE SAMBAArranged by Wally MenardDifficult $65.00 Cat: LL-1083One Note Samba has been done many a time, usually in a straight-ahead, slightly dull,gentle Latin feel. Not this version! Wally Menard has pulled off a really creative job ofwriting to give this chart a totally unique signature. It kicks off with a trumpet/trombone answer-back intro, followed by unison saxes, and trumpets to establishthe tune, all the while with backings building up throughout the first chorus. Thencomes a complete change of feel and form in the middle of the chart. Unisontrombones, baritone and rhythm, overlaid with saxes and screaming trumpet figuresbuild and build until, with a tangible feeling of relief, the chart collapses back into agentle Latin feel.

PICK UP THE PIECESArranged by Myles CollinsMedium $65.00 Cat: LL-99998A big band version of the Average White Band hit, following the same structure asthe original. This number is just a real laid-back groove. The saxes take the main riffwith trombones and guitar backing. The chart really needs an electric bass, especiallya bassist who can slap. There’s solo space for anyone in the sax or brass sections, andthe vocal line of ‘Pick Up the Pieces’ is cued in too!

POR UNA CABEZAArranged by Myles CollinsEasy $65.00 Cat: LL-2099Por Una Cabeza is the famous Argentinian Tango from the film ‘Scent of a Woman’.Our arrangement is very easy to play, with low brass ranges, yet makes for greatTango. The verse is played by flute, 2 clarinets, a muted trumpet & rhythm section,with the whole band entering for the Tango ‘chorus’. This chart will make a usefuladdition to any library, for those rare occasions when someone asks you to play aTango. The saxes are scored as flute, 2 clarinets, tenor & baritone.

F R A N K S I N A T R A / M I S C .

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Featured VideosH O L I D A Y A R R A N G E M E N T SADESTE FIDELES(OH COME ALL YE FAITHFUL)Arranged by Dave AabergDifficult $55.00 Cat: 62507A driving shuffle groove a la Killer Joe makes this traditional Christmas tune reallycome to life. Features alto sax and keyboard solos in high-energy settings. Also has abrief out section. Lead trumpet to written G5. Recorded on the Trilogy Big BandDoes Christmas.

ADESTE FIDELESArranged by Stan KentonMedium Difficult $52.00 Cat: SMP-605The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is more traditional in scope,but it is filled with wonderful, lush harmonies and the Kenton style of arranging. Theoriginal arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,tuba, keyboard, bass, drums and auxiliary percussion. Also included are saxophoneparts which take the place of the mellophonium parts. They work quite well! FromKenton’s Merry Christmas recording.

ANGELS WE HAVE HEARD ON HIGHArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-604The 1961 Capitol Records recording of Christmas music was a smash hit forKenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael oftraditional Christmas music. This particular arrangement is one of the more traditionalof the Kenton holiday charts. It does have a swinging section, and it works very well!The original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,tuba, keyboard, bass, drums and auxiliary percussion. Also included are saxophoneparts which take the place of the mellophonium parts. They work quite well! FromKenton’s Merry Christmas recording.

AULD LANG SYNEArranged by Tom KubisAdvanced $40.00 Cat: 62519This is a great trumpet feature. This starts out as a pretty rock ballad and ends ona high note so to speak. Again the lead trumpet player can play the really high stuffdown an octave. This is a great chart to bring in the new year! Recorded by the TomKubis Big Band on A Jazz Musician’s Christmas.

AULD LANG SYNEArranged by by Bob FlorenceDifficult $40.00 Cat: 50303A touching treatment of a song that works at any time of the year. An a cappellatrombone soli states the melody, then the baritone sax is featured as the rhythmsection accompanies with some lovely substitution chords. Some sax doubles.

AULD LANG SYNEArranged by Rick HirschMedium $38.00 Cat: 62532You can’t play a New Year’s gig without it, and this version swings with a little roomto stretch and a great out-chorus. Lead trumpet to written D above staff withoptional high G.

AWAY IN A MANGERArranged by Tom KubisDifficult $55.00 Cat: 62525Hold on to your elfs! An up-tempo jazz waltz featuring the tenor sax or sopranosax. Recorded by the Tom Kubis Big Band on A Jazz Musician’s Christmas.

AWAY IN A MANGERArranged by Rob McConnellMedium Difficult $30.00 Cat: 62528This brass-only arrangement is written for 4 trumpets, 4 trombones, and 2 horns. Itis in a traditional style brass chorale. The chords are lush and rich. No rhythm orsax parts. French horn parts are necessary. Score included. Recorded by RobMcConnell and the Boss Brass on Big Band Christmas.

BABY IT’S COLD OUTSIDE (DUET) [VOCAL]Transcribed by Alan GlasscockEasy $65.00 Cat: LL-99768Ours is the great Johnny Mercer & Margaret Whiting version of this classic vocalduet. The chart itself relies on the interplay and chemistry between your twovocalists. The band backings are easy and add just the right amount of punch whenneeded. In this arrangement the saxes are all written to play clarinets, but recognizingthat not all sax players double clarinets all of the sax parts are double-sided, so thatone side is as written and the reverse side is scored for a regular sax section: this wayyou will have more flexibility. The brass ranges are moderate and the chart is veryplayable and makes a great vocal feature. Female Vocal Range: Ab3 -Bb4; male vocalrange: Ab2 -Eb43 -B4; Vocal key: Db

BETHLEHEM AND JOY[O LITTLE TOWN OF BETHLEHEM/JOY TO THE WORLD]Arranged by Rob McConnellMedium Difficult $48.00 Cat: 62529O Little Town of Bethlehem begins with a rubato chorale with flugelhorn lead. 4flutes and 2nd tenor has clarinet double. First time through is acappella. Secondverse is a trombone solo with piano accompaniment for 12 bars. The whole charthas no other rhythm section. Joy to the World has trumpet lead. Straight forwardacappella is cut time. Broadens into 4 at the end. 5/4/4 and piano. Score included.Recorded by Rob McConnell and the Boss Brass on Big Band Christmas.

CHRISTMAS CLASSICS VOL. 1Arranged by Peter BlairMedium $48.00 Cat: HERTM60/1086HThis collection includes four complete arrangements in contrasting styles. They aredesigned to sound great using a minimum of rehearsal time. The tunes are: We ThreeKings; The First Noel; Silent Night; and God Rest Ye Merry Gentlemen.

CHRISTMAS MEDLEYArranged by Stan KentonDifficult $59.00 Cat: SMP-580As recorded by the Stan Kenton Orchestra on Merry Christmas, this chart hasoptional saxophone parts which nicely cover the french horn parts (originallywritten for only brass and rhythm section). The medley contains six carols.Instrumentation is 5 horns, 4 tpts , 4 tbns, tuba, piano, bass, drums and opt. chimes.Solo for piano only.

CHRISTMAS SONGArranged by Bob LowdenEasy $35.00 Cat: 805184This is one of the best-loved holiday favorites, here arranged as a ballad.

CHRISTMAS SONG [VOCAL]Arranged by Jerry NowakMedium $40.00 Cat: 7500377This holiday favorite is a must to feature on your holiday concert! This begins in Aflat and modulates to B flat.

CHRISTMASTIME IS HERE [VOCAL]Arranged by Roger HolmesMedium Easy $40.00 Cat: 7500089The touching and beautiful ballad from A Charlie Brown Christmas makes a wonderfuladdition to your holiday concert featuring a vocal soloist. Key of C.

DECK THE HALLSArranged by Tom KubisDifficult $55.00 Cat: 62526This is yet another Samba full of the Christmas spirit. Recorded by the Tom KubisBig Band on A Jazz Musician’s Christmas.

DECK THE HALLSArranged by Ted BlumenthalDifficult $42.00 Cat: 3229This creative arrangement of the popular Welsh Air is featured on The AdventuresIn Jazz Orchestra Celebrates Christmas CD. The holiday classic has been arrangedin the funk style for jazz band. As Ted puts it, Deck The Halls is a party song, and theparty has a rockin’ big band! This is one party you won’t want to miss!

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H O L I D A Y A R R A N G E M E N T SDECK THE HALLSArranged by Mike CrottyDifficult $60.00 Cat: 62503Slow bluesy feel. Duet for bass trombone and bass. Solo for trombone 3. Alto sax 1,tenor sax 1 and 2 double clarinet. Recorded by the U.S.A.F. Airmen of Note.

THE FIRST NOELArranged by Bob CurnowMedium $42.00 Cat: SMP-807Curnow has adapted the amazing vocal arrangements of David Maddux for thejazz ensemble. This arrangement moves through many variations of this most lovelyof melodies. The music is not difficult to play, and it has a very hip, sophisticated, lushharmonic sound.

FROSTY THE SNOW MANArranged by Michael SweeneyEasy $35.00 Cat: 8721405Be sure to bring the hip side of Frosty to your next holiday event with this swingin’version for beginning groups. Including short solos for trumpet that can also beplayed as section features, this chart is easy to learn and fun to play.

GOD REST YE MERRY GENTLEMENArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-606The 1961 Capitol Records recording of Christmas music was a hit for Kenton. Itcontained arrangements by Kenton and (mostly) Ralph Carmichael of traditionalChristmas music. This particular arrangement is one of the jazzier ones on the album.It swings like crazy! The original arrangements were written for 4 trumpets, 4mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary percussion.Also included are saxophone parts which take the place of the mellophonium parts.

GOD REST YE MERRY GENTLEMENArranged by Mike CrottyDifficult $53.00 Cat: 62501Up-tempo jazz 3/4 featuring flugelhorn solo. Alto sax 1 doubles clarinet and soprano,alto 2 doubles flute, tenor sax 1 doubles flute, tenor 2 doubles clarinet, and baritonesax doubles bass clarinet. Recorded by the U.S.A.F. Airmen of Note.

GOD REST YE MERRY GENTLEMENArranged by Rick HirschMedium Difficult $47.00 Cat: 62535Traditional Christmas tune treated as a groovy up-tempo swing. G minor solosection is open for soloists. Well-written backgrounds superimpose We Three Kingsover this chord progression. Optional clarinet, vibes, and French horn parts included.

GOD REST YE MERRY TROMBONESArranged by Tom KubisAdvanced $55.00 Cat: 62518This one will warm up the old yule log! This up-tempo jazz chart features thetrombone section and a lot of great ensemble. Recorded by the Tom Kubis Big Band.

GOOD KING WENCESLASArranged by Mike CrottyMedium Difficult $55.00 Cat: 625131A swinging up-tempo version of a familiar old Christmas tune. This often humorousarrangement features a trumpet and baritone duet playing the head, a trumpet solo,and lots of ensemble playing with drum solos interspersed throughout.

GOOD KING WENCESLASArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-639This arrangement is from Kenton’s Merry Christmas album. It swings like crazy! Theoriginal arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,tuba, keyboard, bass, drums and auxiliary percussion. Also included are saxophoneparts which take the place of the mellophonium parts.

GOOD KING WENCESLASArranged by Mark TaylorMedium Difficult $45.00 Cat: 8720637Arranger Mark Taylor has put great touches on this holiday classic.

GREENSLEEVESArranged by Dave MetzgerDifficult $48.00 Cat: 51474Tasteful jazz waltz treatment featuring your pianist (optional solo parts are includedfor trumpet/flugelhorn, alto sax, and trombone which work equally well). Chartworks anytime during the year, as well as on your winter/Christmas concert (subtitledWhat Child Is This). Recorded by the Kicks Band on Alive and Kickin’.

HARK THE HERALDArranged by Tom KubisAdvanced $55.00 Cat: 62517This is a pretty rock ballad that features the lead trumpet. The real high trumpetstuff at the end may be played down an octave. Recorded by the Tom Kubis BigBand on A Jazz Musician’s Christmas.

HERE COMES SANTA CLAUS/ [VOCAL]SANTA CLAUS IS COMING TO TOWNTranscribed by Alan GlasscockAdvanced $65.00 Cat: LL-2011This is a tough, storming swing chart from the talented Linda Eder. The arrangementis a medley of Here Comes Santa Claus and Santa Claus is Coming to Town. Theopening is memorable, there is a solo spot for lead alto and a surprise change of feelin the middle taken from Sing Sing Sing and Oh Tannenbaum which leads into thesecond half of the medley. This is a huge chart. If your band can pull it off it will bea showstopper. Both altos double flutes, both tenors double clarinets and thebaritone doubles bass clarinet, though we have also cued this passage with notes forthe baritone in case a bass clarinet is unavailable. Vocal range: F3 -Eb5; keys: Db, Bb, C

HERE COMES SANTA CLAUS(RIGHT DOWN SANTA CLAUS LANE)Arranged by Paul LavenderMedium Easy $35.00 Cat: 8724956One of the all-time holiday favorites, this lively and happy song is perfect for yourband’s first winter concert. Arranged to sound full and with every section given achance to play the melody, this will quickly become a favorite!

HERE WE COME A WASSELING!Arranged by Tom KubisDifficult $53.00 Cat: 62533Look out-we’ve never wasseled like this before! This one is difficult. Very good highschool or very good college with lots of meter changes but wow what a burner!Tenor feature, high trumpet F. Very fast 3/4 jazz in a 1 feel! Well worth the effort! Thisis from the third Christmas CD from the Tom Kubis Big Band.

THE HOLLY AND THE IVYArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-642This arrangement, from Kenton’s Merry Christmas album (1961) is a great deal offun to play. It moves through different keys, and it has a lot of interesting variationsin it. A terrific chart! The original arrangements were written for 4 trumpets, 4mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary percussion.Also included are saxophone parts which take the place of the mellophonium parts.

HOME FOR THE HOLIDAYS [VOCAL]Arranged by Alan GlasscockMedium $65.00 Cat: LL-2104Home for the Holidays is a seasonal vocal chart, written for a boy/girl duet, thoughequally suitable as a solo vocal feature. This classy arrangement from Alan Glasscockmoves along with a punchy swing feel, and modulates up chromatically from concertBb to C. At 2 minutes 20 secs it is not a long chart, but is as long as it needs to be.A fun and festive chart which everyone will enjoy. The vocal keys are Bb to B to C,and there are no sax doubles. The 4th trombone is bass.

IT CAME UPON A MIDNIGHT CLEARArranged by Tom KubisDifficult $55.00 Cat: 62521This is a solo flugelhorn 3/4 ballad nicely reharmonized with lush chords andbackgrounds. A bit on the bluesy side! Recorded by the Tom Kubis Big Band.

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IT CAME UPON A MIDNIGHT CLEARArranged by John LabarberaDifficult $42.00 Cat: 2975John says in his score notes that directors should think Basie with just a touch ofBach and the chart will play itself. Piano interjects solo material in several places,including a pair of straight-8th interludes for stylistic contrast.

IT CAME UPON A MIDNIGHT CLEARArranged by Steve HeroldMedium Difficult $55.00 Cat: 62511A Basie-style medium swing that features the full ensemble. Solos are for flute (ontenor 1) and trombone. Tenor 1 doubles on flute. Lead trumpet is demanding.

JINGLE BELLS [VOCAL]Transcribed by Alan GlasscockDifficult $65.00 Cat: LL-2016Here’s a bit of Christmas cheer, courtesy of Bing Crosby and the inimitable AndrewsSisters. This chart is just happy and fun from start to finish. Written for a male vocaland female vocal trio, it is equally well suited to a male/female duo. Full of quirky littlefills and backings from the band which complement rather than outshine thevocalists, plus a cameo baritone sax solo, this chart is perfect for injecting a littlefestive cheer. Both altos are on clarinets, the brass ranges are very moderate (leadtrumpet only up to an A) and the vocal ranges are not challenging. Vocal key: Eb

JINGLE BELLSArranged by Tom KubisMedium $52.00 Cat: 62534Bass trombone feature on this old Christmas standard. This is a medium swingversion featuring the bass trombone all the way through the chart. The ensembleand bass trombone trade off throughout the chart. Lead trumpet to high E.

JINGLE BELLSArranged by Mike CrottyDifficult $60.00 Cat: 62500A funk version of this Christmas favorite. It features EVI Wind controller (substituteBb part included), and electric bass. Alto sax 1 doubles piccolo, and tenor 1 doubles flute.

JOY TO THE WORLDArranged by Tom KubisDifficult $55.00 Cat: 62522 A rousing Samba and a great tune to open a Christmas concert with!

LET IT SNOW! LET IT SNOW! [VOCAL]LET IT SNOW!Arranged by Roger HolmesMedium $40.00 Cat: 8721720Medium-swing arrangement for vocal soloist.

O CHRISTMAS TREEArranged by Tom KubisAdvanced $55.00 Cat: 62514This medium-swing chart starts with piano and moves into a harmon trumpet solo.As always, plenty of great ensemble to get you into that great yule spirit!

O CHRISTMAS TREEArranged by Steve HeroldDifficult $53.00 Cat: 62510This is a ballad feature for the bass. Time shifts from 3/4 to 4/4 and back. Horn andrhythm parts are easy. Sax doubles: 2 flutes, 2 clarinets, 1 oboe (includes an opt.soprano sax part as substitute for the oboe).

O COME ALL YE FAITHFUL/O LITTLE TOWN OF BETHLEHEMArranged by Tom KubisDifficult $55.00 Cat: 62523A two-trumpet feature playing these two great Christmas standards in a balladstyle. Recorded by the Tom Kubis Big Band on A Jazz Musician’s Christmas.

O COME, O COME, EMMANUELArranged by Chuck TumlinsonDifficult $53.00 Cat: 62508This haunting melody is given a modern poly-chordal and mixed meter treatment.Lead alto doubles on soprano (with optional English horn), other saxes double onflute and clarinet. Solos for soprano (lead) sax and piano.

O HOLY NIGHTArranged by Ralph CarmichaelMedium Difficult $37.00 Cat: SMP-607This arrangement is more traditional in scope, but it is filled with wonderful, lushharmonies and the Kenton style of arranging. The original arrangements were writtenfor 4 trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums andauxiliary percussion. Also included are saxophone parts which take the place of themellophonium parts. From Kenton’s Merry Christmas recording.

O HOLY NIGHTArranged by Tom KubisDifficult $55.00 Cat: 62524 This is a high note, first trumpet feature. A very thrilling and exciting vehicle for thelead trumpet. High parts may be played down an octave.

O HOLY NIGHTArranged by Mike CrottyDifficult $60.00 Cat: 62502Progressive jazz waltz with extensive trombone solo. The opening and closingfeature a free piano solo. Alto sax doubles clarinet and soprano, tenor 1 doublesflute, and baritone doubles bass clarinet. Recorded by the Trilogy Big Band.

O, TANNENBAUMArranged by Ralph CarmichaelMedium Difficult $37.00 Cat: SMP-608This arrangement is one of the simpler charts, but it is beautiful. The originalarrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba,keyboard, bass, drums and auxiliary percussion. Also included are saxophone partswhich take the place of the mellophonium parts. From Kenton’s Merry Christmas.

SANTA BABY [VOCAL]Transcribed by Alan GlasscockEasy $65.00 Cat: LL-2015A cheeky and fun vocal number, originally by Eartha Kitt, though later covered byMadonna. This arrangement draws inspiration from both, without losing any of theessence. Whilst predominantly used as a Christmas song, this chart is good in any set,any time of the year! There are some sax doubles: altos 1 & 2 and the baritone areon clarinets throughout, with both tenors staying on tenor. Baritone players are notfamous for clarinet skills, so an extra sax 4 part (turning the baritone into the 2ndtenor part) has been included so that one of your tenor players can take theclarinet part instead. Female vocal range: Ab3-Ab4; Vocal Key: Db

SANTA CLAUS IS COMING TO TOWN [VOCAL]Arranged by Dave WolpeMedium Difficult $40.00 Cat: SS9001You’d better watch out, because Dave Wolpe’s up-tempo arrangement of thisholiday favorite really brings Santa to town! This one features the vocalist in aspecial way and includes a tenor sax solo part which can be substituted for thevocal part. Key of G.

SANTA CLAUS IS COMING TO TOWNArranged by Mike LewisMedium Easy $40.00 Cat: JEM03011Mike Lewis has taken this tune and placed it at the ability level of the young jazzplayer. Logical swing figures, written out or ad-libbed solos for tenor sax and piano,along with lots of ensemble make this chart essential. Toss in a few modulations andyou have the perfect holiday swing chart that is accessible.

SILENT AND MIDNIGHTArranged by Rob McConnellMedium Difficult $65.00 Cat: 62530This chart begins with a cappella brass, later joined by 4 flutes and a bass clarinet.Written out lead in alto 2. Silent Night is where the rhythm section joins in with ajazz waltz feel. Guitar has solo fills and a solo section. Recorded by Rob McConnell.

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SILENT NIGHTArranged by Tom KubisAdvanced $55.00 Cat: 62515This powerful and pretty ballad features the lead trumpet player. The extreme highnotes on the solo part towards the end may be played down an octave.

SILENT NIGHTArranged by Mike CrottyDifficult $53.00 Cat: 62504Ballad feature for flugel with double time solo section. Alto sax 1 and 2 double clari,tenor 1 doubles flute and clarinet, tenor 2 doubles clarinet, bari doubles bass clari.

SILENT NIGHT [VOCAL]Arranged by Bob CurnowMedium $42.00 Cat: SMP-806This arrangement moves through many variations of this most lovely of melodies.This is not difficult to play, and it has a very hip, sophisticated, lush harmonic sound.

SILENT NIGHTArranged by Mark TaylorMedium $40.00 Cat: 30925113Outstanding holiday programming! This setting is both reverent and contemporary.

SILVER BELLSArranged by George StoneMedium $40.00 Cat: 7010070Here’s a great sounding Latin treatment of one of the best holiday songs everwritten. This chart features creative harmonies and very reasonable technical demands.

SLEIGH RIDEArranged by Mike LewisMedium Difficult $50.00 Cat: JEM00022Mike has used a rhythm section pedal note pattern behind the melody, giving thisclassic a brand new life. This chart moves along at a bright swing tempo, yet the brassdemands are very reasonable with 1st trumpet to D and lead trombone up to A. Abig shout chorus and no jazz solos-just ensemble and section work galore keepsyour band thinking, playing and swinging together throughout this exciting chart.

SUGAR RUM CHERRY[FROM NUTCRACKER SUITE]Transcribed by David BergerMedium $50.00 Cat: JLCM03006From the Jazz at Lincoln Center Library collection. This transcription is direct fromthe recordings of Duke Ellington, and they are not only authentic, they are perfectfor your jazz ensemble. Features information about the original recording, rehearsalnotes from Jon Faddis and Brent Wallarab, and performance suggestions fromWynton Marsalis. This was recorded in 1960 and is from the Nutcracker Suite.Instrumentation: 5/4/3/2 - no piano or guitar parts. Saxophone 3 doubles onclarinet.

TWELVE DAYS OF CHRISTMASArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-610This arrangement is one of the more complex charts on Kenton’s Christmas album.It goes through a series of meters and textures and ends up with a no-holds-barredswinging section at the end. A great chart! The original arrangements were writtenfor 4 tpts, 4 mellophoniums, 4 tbns, tuba, keyboard, bass, drums and aux. percussion.Also included are saxophone parts which take the place of the mellophonium parts.

WE THREE KINGSArranged by Tom KubisAdvanced $55.00 Cat: 62516This is a hard and fast Jazz waltz. Recorded by the Tom Kubis Big Band.

WE THREE KINGSArranged by Ralph CarmichaelMedium Difficult $52.00 Cat: SMP-611This arrangement swings like crazy! The original arrangements were written for 4trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and percussion.Also included are saxophone parts which take the place of the mellophonium parts.

WE THREE KINGSArranged by Mike CrottyDifficult $53.00 Cat: 62506Straight-ahead 3/4 featuring the ensemble. Solos are for guitar and trombone. Alto1 doubles soprano, clarinet, and piccolo; alto 2 doubles clarinet; tenor 1 doublesflute and alto flute; tenor 2 doubles clarinet; and baritone doubles bass clarinet.

WHAT ARE YOU DOING NEW YEAR’S EVE [VOCAL]Arranged by Jon HarpinEasy $65.00 Cat: LL-2105This lovely ballad arrangement features lush band voicings, with muted brass throughout.The 4th trumpet is really a solo obligato part, behind the vocal where appropriate.The 1st alto had a couple of bars of clarinet double in the intro, but apart from thatthere are no other sax doubles. The brass ranges are very moderate, and the vocalwould suit most male or female vocalists. The vocal key is Eb to E.

WHAT CHILD IS THIS (GREENSLEEVES)Arranged by Mike CrottyDifficult $60.00 Cat: 62505Tremendous feature for guitar. Rubato opening and closing for 1 or 2 guitars. Tempochanges from easy groove to jazz waltz. Solos are for guitar & alto. No doubles.

WHAT CHILD IS THIS? (GREENSLEEVES)Arranged by Steve HeroldDifficult $55.00 Cat: 62512This is a very fast swing. The tempo should be as fast as possible. Arrangementcenters around the alto and tenor soloists. Each soloist gets an extended section bythemselves, then they trade 16s, 8s, etc. Solo section can be easily altered to featureonly one soloist. Strong soloists and rhythm section are a must.

WHITE CHRISTMAS [VOCAL]Arranged by Roger HolmesMedium $40.00 Cat: 7500043You can’t go wrong with one of the best holiday songs ever written. This chart willbring out the best in your vocalist, and will bring smiles to your audience. Key: B flat.

WHITE CHRISTMASArranged by Mark TaylorMedium $40.00 Cat: 30925091Enhance any holiday concert with Mark’s smooth light bossa treatment.

WINTER WONDERLANDArranged by Dave WolpeMedium $50.00 Cat: JE9924This chart includes solos for tbn, tpt, & tenor. The ensemble writing is superb. Itsounds a lot harder than it plays, and it will come together with little rehearsal time.

YO, TANNENBAUMArranged by Gordon GoodwinMedium Difficult $53.00 Cat: 62531From the pretty opening chorale, to the Basiesque statement of the theme, to thefast bebop variations and a cappela horn solis, this chart will showcase preciseensemble work. Some sax doubles.

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DAVE PELL OCTET ARRANGEMENTS

- NOTES ON THE DAVE PELLOCTET ARRANGEMENTS -

We are very pleased to be able to offerthese historic, classic Dave Pell Octetarrangements. These charts are repro-ductions of the actual ones that wereused on his famous recordings.

All arrangements feature the classicDave Pell Octet instrumentation of:

- Tenor Saxophone- Baritone Saxophone- Trumpet- Trombone- Piano- Bass- Drums- Guitar

Arrangers include: Shorty Rogers, JackMontrose, Marty Paich, Johnny Mandel,Andre Previn, Bill Holman, Harry Betts,Bob Florence, Wes Hensel, and others.

Please note that these are self-producedby Dave Pell himself and are photo-copies of the originals.

ALL DAVE PELLARRANGEMENTS:

$25.00

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TITLE ARRANGER CAT #LOVE FOR SALE ARRANGED BY BOB FLORENCE DP-1094LOVE IS THE SWEETEST THING ARRANGED BY MARTY PAICH DP-1126LOVE ME OR LEAVE ME ARRANGED BY MARTY PAICH DP-1014LULU’S BACK IN TOWN ARRANGED BY MED FLORY DP-1085MANHATTAN ARRANGED BY JOHN WILLIAMS DP-1042MEDITATION ARRANGED BY HARRY BETTS DP-1089MEMPHIS IN JUNE ARRANGED BY MARTY PAICH DP-1102MIKE’S PEAK ARRANGED BY SHORTY ROGERS DP-1003MINNESOTA ROUSER ARRANGED BY BOB ENEVOLDSEN DP-1127MOUNTAIN GREENERY ARRANGED BY MARTY PAICH DP-1031MY HEART BELONGS TO DADDY ARRANGED BY MARTY PAICH DP-1007MY HEART IS A HOBO ARRANGED BY BILL HOLMAN DP-1063NAP’S DREAM ARRANGED BY MARTY PAICH DP-1010NAVY BLUE & GOLD ARRANGED BY BILL HOLMAN DP-1128NOTRE DAME ARRANGED BY BOB ENEVOLDSEN DP-1129OH, DIDN’T HE RAMBLE ARRANGED BY BILL HOLMAN DP-1040OKLAHOMA HILLS ARRANGED BY JACK MONTROSE DP-1130ON A SLOW BOAT TO CHINA ARRANGED BY SHORTY ROGERS DP-1101ON THE GOOD SHIP LOLLIPOP ARRANGED BY WES HENSEL DP-1008ON THE ISLE CAPRI ARRANGED BY WES HENSEL DP-1105ON WISCONSIN ARRANGED BY BILL HOLMAN DP-1131ONE MORE CHANCE ARRANGED BY MARTY PAICH DP-1132ONE NOTE SAMBA ARRANGED BY BOB FLORENCE DP-1093OUR DAY WILL COME ARRANGED BY BOB FLORENCE DP-1097PAPER DOLL ARRANGED BY MED FLORY DP-1038PARIS IN THE SPRING ARRANGED BY SHORTY ROGERS DP-1103PEOPLE IN LOVE ARRANGED BY MARTY PAICH DP-1013POOPSIE ARRANGED BY SHORTY ROGERS DP-1004PROM TO PROM ARRANGED BY MARTY PAICH DP-1027RAMBLIN’ WRECK FROM GEORGIA TECH ARRANGED BY MARTY PAICH DP-1133REMEMBER ME ARRANGED BY MARTY PAICH DP-1087SANDY SHOES ARRANGED BY MARTY PAICH DP-1032SAY IT WITH MUSIC ARRANGED BY SHORTY ROGERS DP-1074SHI MA SHA WABBLE ARRANGED BY MED FLORY DP-1034SHIP WITHOUT A SAIL, A ARRANGED BY SHORTY ROGERS DP-1055SHUFFLE OFF TO BUFFALO ARRANGED BY SHORTY ROGERS DP-1134SIGMA CHI ARRANGED BY BOB ENEVOLDSEN DP-1135SING FOR YOUR SUPPER ARRANGED BY SHORTY ROGERS DP-1058SOMEONE IN LOVE ARRANGED BY BOB ENEVOLDSEN DP-1064SOUTH OF THE BORDER ARRANGED BY MARTY PAICH DP-1136SPRING IS HERE ARRANGED BY WES HENSEL DP-1061STAR EYES ARRANGED BY JACK MONTROSE DP-1005SUDDENLY IT’S SPRING ARRANGED BY MARTY PAICH DP-1030SUGAR FOOT STRUT ARRANGED BY BILL HOLMAN DP-1036SUMMER NIGHT ARRANGED BY MARTY PAICH DP-1088SUNDAY IN SAVANNAH ARRANGED BY WES HENSEL DP-1106SUZE BLUZE ARRANGED BY MARTY PAICH DP-1023TEN CENTS A DANCE ARRANGED BY SHORTY ROGERS DP-1062THE VICTORS ARRANGED BY MARTY PAICH DP-1137THEM THERE EYES ARRANGED BY BILL HOLMAN DP-1020THERE’LL BE SOME CHANGES MADE ARRANGED BY MARTY PAICH DP-1029THIS YEAR’S CROP OF KISSES ARRANGED BY WES HENSEL DP-1078TIME AFTER TIME ARRANGED BY BILL HOLMAN DP-1011TISHOMINGO BLUES ARRANGED BY JOHN WILLIAMS DP-1026WALK RIGHT IN ARRANGED BY BOB FLORENCE DP-1091WALKIN’ MY BABY BACK HOME ARRANGED BY BILL HOLMAN DP-1052WALKIN’ SHOES (TENTET) ARRANGED BY GERRY MULLIGAN DP-1138WAVE THE FLAG ARRANGED BY BILL HOLMAN DP-1139WAY YOU LOOK TONIGHT, THE ARRANGED BY BILL HOLMAN DP-1009WE’RE IN THE MONEY ARRANGED BY BILL HOLMAN DP-1082WHAT DOES IT TAKE ARRANGED BY SHORTY ROGERS DP-1065WHEN I TAKE MY SUGAR TO TEA ARRANGED BY JERRY FIELDING DP-1048WHEN THE SAINTS GO MARCHING IN ARRANGED BY MARTY PAICH DP-1035WHITE CLIFFS OF DOVER, THE ARRANGED BY JOHNNY MANDEL DP-1018WHO WALKS IN ARRANGED BY JACK MONTROSE DP-1140WHY DO YOU SUPPOSE ARRANGED BY MARTY PAICH DP-1053WOOL OVER MY EYES ARRANGED BY MARTY PAICH DP-1141WOULD YOU LIKE TO TAKE A WALK ARRANGED BY SHORTY ROGERS DP-1084YOU ARE TOO BEAUTIFUL ARRANGED BY WES HENSEL DP-1054YOUNG AND HEALTHY ARRANGED BY BILL HOLMAN DP-1045YOU’RE MY EVERYTHING ARRANGED BY MARTY PAICH DP-1016

DAVE PELL OCTET ARRANGEMENTS

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Ordering Info:

ORDER BY PHONE:1-518-587-1102

We will be happy to assist you9 a.m. to 6 p.m. EST, M-F

ORDER ONLINE:Visit www.ejazzlines.com to view our complete catalog online. You will be able tocheck out sale items that don’t appear in our printed catalog. We offer a secure andprivate environment in which to browse and purchase. In addition, there are fulldescriptions, sound samples, and score samples for the items listed in this catalog.

ORDER BY FAX:1-518-587-2325

To use our 24-hour fax order line, just complete the order form, including paymentinformation, and fax it to us. There is no need to phone us to confirm your order. Ifyou provide an email address on your fax, on request we will send you an emailconfirming your order and then another one when your order is shipped.

PAYMENT METHODS:We accept checks, money orders, credit cards (Mastercard, Visa, Discover, and AmericanExpress) and purchase orders from U.S. institutions. All credit card information thatyou provide is kept strictly confidential and is processed in a secure environment. Ifyou are paying by check, please allow 7 business days for your check to clear.

DO YOU ACCEPT PURCHASE ORDERS?

Yes, we accept purchase orders from recognized U.S. institutions. Please completethe order form with your selections as well as your purchase order number.Additionally, you can fax or mail your own completed official purchase order form tous. Please make sure you indicate both billing and shipping addresses.

WHEN WILL MY ORDER BE SHIPPED?

We make every effort to process orders as quickly as possible; indeed, many go outthe same day as placed. Usually, orders containing readily available items will beshipped within 2 to 3 business days, while most orders containing out-of-stockitems will ship within 7-14 days, with some exceptions as detailed below. For allorders placed online we will always let you know within five business days when youcan expect your order if it has not already been shipped.

We try to make as many jazz-related items available as possible. Many of ourarrangements are either imports or are self-produced by the arranger. Due to this,shipping times for some items may depend on the availability and/or travel scheduleof the arranger. All of these arranger/musicians are actively working and touring sothere may be a delay in re-stocking their arrangements. If there will be a significantdelay in shipping an item you have ordered, we will let you know.

WHAT IF I WANT SOMETHING THAT IDON’T SEE LISTED ANYWHERE, OR

SOMETHING THAT ISN’T JAZZ?

We have a wide network of suppliers for arrangements, CDs, videos, books, and alltypes of sheet music, ranging from the million-sellers to the most obscure. Please letus know if you did not find what you were looking for.

SHIPPING RATES:ejazzlines.com packages all orders by hand using the utmost care, and utilizing carefully selected, custom-sized, and many recycled and recyclable materials. Everythingis always guaranteed to arrive in the condition you expect. We offer USPS and UPS shipping options, which are listed below; please call, email, or check our websitefor all overnight and international shipping prices: we offer many choices. UPS shipping includes a tracking number and insurance. Also please note that for all ordersshipped to PO boxes, USPS must be used. Time of delivery is from when items are shipped, not from when an order is placed. See above for shipping time information.

$24.99 AND LESS $3.50 $5.50 $7.00$25.00 TO $49.99 $4.50 $7.00 $8.00$50.00 TO $99.99 $5.50 $8.50 $9.50$100.00 TO $149.99 $7.50 $11.00 $12.00$150.00 TO $199.99 $9.00 $13.00 $14.50$200.00 AND OVER $11.00 $16.00 $17.50

USPS Media Mail USPS Priority Mail UPS GroundAmount of Order (4-14 days for delivery) (2-3 days) (2-6 days)

CUSTOMER SERVICE

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Name: ___________________________

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email address: ___________________________

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Please note that UPS cannot deliver to Post Office boxes.We require a phone number for all international orders.

MAIL YOUR ORDER TO:EJAZZLINES.COM

PO BOX 1236SARATOGA SPRINGS, NY12866

USA

ORDER BY PHONE:[9 A.M. TO 6 P.M. EST MONDAY-FRIDAY]

1-518-587-1102

24-HOUR FAX LINE:1-518-587-2325

FOR MORE COMPLETE INFORMATIONON THE ITEMS IN THIS CATALOG,

PLEASE VISIT OUR WEBSITE ATWWW.EJAZZLINES.COM

CAT # PRODUCT NAME/EDITION QTY PRICE TOTAL

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Shipping :(See Customer Service page)

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Account Number:

CHECK, MONEY ORDER, CREDIT CARD OR PURCHASE ORDERINFO MUST ACCOMPANY ALL ORDERS.

AUTHORIZED PURCHASE ORDERS ACCEPTED FROMRECOGNIZED SCHOOLS AND INSTITUTIONS.

PLEASE CALL OUR ORDER LINE FOR INFORMATION.

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