eric schweinhart architecture portfolio
DESCRIPTION
A compilation of my work in studio and in practice and a little bit about who I am.TRANSCRIPT
Eric SchweinhartArchitectural Intern
“If the sight of the blue skies fills you with joy, if the simplest things of nature have a message that you understand, rejoice, for your soul is alive.” -Eleonora Duse
RESUME STUDIO
Cincinnati Makers CollaborativeWellness Center
Urban Grocery PrototypeShifting Sustainable Education
WORK EXPERIENCE
glaserworksBHDP Architecture
RossTarrant Architects
ERIC SCHWEINHART
EDUCATION
Class of 2014 University of Cincinnati College of Design, Architecture, Art and Planning Master of Architecture GPA: 3.75
Class of 2011 University of Cincinnati College of Design, Architecture, Art and Planning Bachelor of Science in Architecture: Cum Laude, Honors Minor in Sustaining the Urban Environment
Class of 2007 Amelia High School Graduate International Baccalaureate Program Class Rank: 1/282
WORK EXPERIENCE
SU14/W11 BHDP Architects; Cincinnati, OH Focused on the design and renovation of numerous Procter and Gamble, Fidelity Investments, and YUM Brands workplaces. The main objectives were to design for the user andtopositivelyinfluencebehaviorandproductivity.
SU13 CR Architecture + Design; Cincinnati, OH, 12 weeks Worked on the Kroger design team to quickly produce drawings for proto-similar grocery stores across the country foranumberofstorebrands.Efficiency,consistency,and accuracy were essential for optimal client satisfaction.
A11 glaserworks; Cincinnati, OH, 14 weeks Collaborated with Moore Ruble Yudell Architects to develop construction documents for a Bioengineering Building at the University of California, Santa Barbara. Detailing and understanding integrated systems and strategies were essential to portraying the architectural intent.
COMMUNITY SERVICE
College Mission Urban Development | Fuller Center Bicycle Adventure | Habitat for Humanity (Sea Island, SC; Cincinnati, OH) | Fuller Center Legacy Blitz Build 2010 Indianapolis | Fuller Center for Housing (New Orleans, LA) | City Gospel Mission | GO Cincinnati Team Leader | Appalachian Service Project | Relay for Life | Design Home tour guide | Hoxworth Blood Donor
ACTIVITIES
College Honors Program at the University of Cincinnati | Navigators Campus Christian Organization | Crossroads Community Church Enlisted Discipleship Training | The Den- Basketball Spirit Group | Intramural Sports- Flag Football, Volleyball, Basketball, Softball, Soccer
AWARDS & SCHOLARSHIPS
College Pearson Prize for Higher Education Award | Presidential Leadership Medal of Excellence Finalist | Cincinnatus University Scholarship Award | American Structurepoint Fellowship | John S. Madzula Scholarship | Mark and Carla Hutker Scholarship | Frank T. Leo Scholarship | Donald C. Smith, Gordon Wildermuth, and John H. Winkler Endowment Fund | Sigma Alpha Epsilon Scholarship
COMPUTER SKILLS
MacOSX|WindowsXP|MicrosoftOffice| Photoshop CS3 | Illustrator CS3 | InDesign CS3 | Form Z v. 6.6.1 | AutoCAD v. 2011 | SketchUp v. 7 | Revit v. 2013 | ArchGIS | Graphite 2D/3D CAD
References available upon request
Permanent Address Contact4317 Floral Ave. Apt #3 Phone (513) 236-0921Norwood, OH 45212 Email [email protected]
Cincinnati Makers CollaborativeFall/Spring 2013-14
Thesis Year
BRIGHTON ARTS DISTRICT
Humans desire to experience an intimate understanding of physical construction. While the rising Maker Movement and Do-It-Yourself Movement cater to this desire, the design and construction of contemporary architecture does not.
Today, many makers, artists, and DIYers can be found working in old warehouse spaces in blighted urban areas. Cincinnati is home to many of these individuals but they are often isolated from each other and subsequently isolated from a wealth of resources. Through demographic and geographic studies a site was selected in the north-west corner of the OTR neighborhood. The site at 607 W. McMicken includes two existing industrial buildings that will house many of the making disciplines.
The primary purpose of the Cincinnati Makers Collaborative is to increase the dissemination of knowledge, skills, and resources of makers, artists, and craftspeople in order to establish making as a viable livelihood nationwide. Resident makers, maker members, and the general public all share in the experience of the Collaborative. An elevated marketplace serves to unite the three groups by providing convenient access for selling directly from the live-work residential units.
Surrounding Making Culture
Industrial Sites Business Districts
Public Transit Usage Poverty Levels
Unemployment Income Levels
Site Plan | Market Level
TheCincinnatiMakersCollaborativehasbeendesignedusingbasic,easilyidentifiablematerialssuchasconcreteblock,plywood,dimensionallumber,andsteel,revealing a compositional understanding of the building. The materials are composed honestly in regards to their material properties and their connections are highlighted rather than hidden. The transparency of construction methods emphasizes the human involvement in both design and construction.
Residential Construction Public Stair Construction Makers’ Factory Stair Construction
Residential Site Section
1234
5 6 7 8
1 2 3 4
5678
1 Crank Lift Security Gate
2 Pivoting Residential Roofs
3 Suspended Track Partition Walls
4 Train Track Sliding Walls
5 Pedal Powered Elevator
6 Retractable Sunshades
7 Scissor Jack Garage Door
8 Glazed Expandable Winter Wall
Intimate interactions between humans and architecture occur through the implementation of moving elements in the design. These kinetic pieces are highly functional machines that allow makers to spatially transform their environment. They do not move by the push of a button, but rather by human power; through turning a crank or sliding a door or lifting a lever. The Collaborative shows how a building can respond to the changing spatial needs and intuitions of a rising population of makers.Body + Machine
1234
5 6 7 8
1 2 3 4
5678
1 Crank Lift Security Gate
2 Pivoting Residential Roofs
3 Suspended Track Partition Walls
4 Train Track Sliding Walls
5 Pedal Powered Elevator
6 Retractable Sunshades
7 Scissor Jack Garage Door
8 Glazed Expandable Winter Wall
Intimate interactions between humans and architecture occur through the implementation of moving elements in the design. These kinetic pieces are highly functional machines that allow makers to spatially transform their environment. They do not move by the push of a button, but rather by human power; through turning a crank or sliding a door or lifting a lever. The Collaborative shows how a building can respond to the changing spatial needs and intuitions of a rising population of makers.Body + Machine
Intimate interactions between humans and architecture occur through the implementation of moving elements in the design. These kinetic pieces are highly functional machines that allow makers to spatially transform their environment. They do not move by the push of a button, but rather by human power; through turning a crank or sliding a door or lifting a lever. The Collaborative shows how a building can respond to the changing spatial needs and intuitions of a rising population of makers.
Crank Lift Security Gate Pivoting Residential Roofs
Kinetic Mechanisms
Wellness CenterWinter/Spring 2012
20 Weeks
This two quarter studios focus was to design a wellness center on the campus of Cranbrook Academy located just outside of Detroit, MI. This campus provides a rich context and history formed by Eliel Saarinen, Williams and Tsien, Rafael Moneo, and others.
Complete understanding of my design relied upon approaching the building from three different scales; site, body and hand. Extensive modeling was done in order to understand the space three dimensionally and materially.
Conceptually the wellness center developed as a series of “ribbons” running parallel to the grande alle. These “ribbons”, created by the repitition of a 1x12 wood board module, are transformed as they dictate different spaces, allowing them to serve various functions throughout the wellness center.
Cranbrook Wellness Center Birds Eye View
East Precinct“Ribbons” Creating Space and Engaging Landscape
One of the most challenging aspects of developing a wellness center was the variety of programmed spaces that were required. Each programatic zone, whether it be residential, spa, studio, or lobby, required a different atmosphere and level of privacy. Designing in the grand alle, a very public space, required the strategic creation of buffer zones and careful detailing to ensure user comfort.
Wall and Roof Construction
North Facing Section - Ribbons and Walls
Urban Grocery PrototypeSpring 2013
14 Weeks
Identifyingandaddressingspecificbehaviorsthrougharchitecturewas the primary challenge in this studio. By researching these human behaviors and setting up an architectural business model and client, I was able to make a real life proposal to a panel of critics.
Being an urban prototype means it was essential that the store occupied less land and was overall more compact than a traditional grocery store. A quick mart was added at the front of the store to provide convenience and sell expiring products. Products are stored on the lower level and brought up and shelved with a modular shelving system and a centrally located elevator. Circulation is routed around an internal food service counter, reducing time of travel for customers while retaining exposure to all products.
Circulation Patterns
3.5’ - 6’
Casual Buyer
Expiration Date Product Selection - MilkAnalyzing the selection habits of consumers.
All Levels
“Date Digger”
Aisle Restock
Restocking ShelvesEmployee interference and wasted space.
Service Space RestockObstructed
Customer SpaceUnderutilized
Service Space
Front Elevation
Checkout and Wine Tasting
Grocery Entrance
Behavior Observations
Children living in urban areas often lack an opportunity to explore and interact with nature. This net-zero environmental education annex provides an opportunity for the students at Taft Elementary School to coexist with nature. Students are able to escape the normality of urban dwelling and enter into an educational experience that will enlighten and connect.
The annex is shifted slightly off the street grid to create an optimum orientation for passive and active solar strategies. In addition, the wall separating the street from the site serves as the location for solar thermal collection. A complex Excel spreadsheet was used in order to monitor the influence of different design strategies on the performance of the building and to achieve net-zero energy consumption.
Materiality, energy consumption, energy production, site development, building layout, experiential quality, and cost were all factors that were critically examined throughout the design process.
Shifting Sustainable EducationSpring 2011
10 Weeks
SOUTHERN AVE
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due south
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people
nature
people
nature
people
nature
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united
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pene
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UPDN
UP
UP
DW
DN
DN
GREENHOUSE
MECHANICAL
STORAGE
Site Axon
View from Meeting Room
Bird Watching Space
Green Design Strategies
First Floor Plan
Front Elevation
glaserworksAutumn 2011
14 Weeks
Working alongside the project architect on CD detailing helped me gain a sophisticated understanding of construction details and architectural intent. Understanding and developing integrated systems was another key aspect in designing the technically complex Bioengineering Building at the University of Santa Barbara. I also worked on the initial development of a building to house the business school at Washington University in St. Louis. Both of these projects were done in collaboration with Moore Ruble Yudell. Images Property of glaserworks and Moore Ruble Yudell.
LEVEL 10' - 0"
LEVEL 215' - 3"
LEVEL 330' - 6"
PENTHOUSE45' - 9"
E
T.O. ROOFPARAPET
47' - 9"
T.O. LANTERN60' - 3"
WINDOW ASSEMBLY(See window schedule)
VERTICAL SUNSHADE (TYP.)
HORIZONTAL SUNSHADE
6" LIGHT SHELF
LIGHT SHELF
4" X 6" SUNSHADESUPPORT POST (TYP.)
2" X 16" SUNSHADES
CURTAINWALL ASSEMBLY(see window schedule)
METAL FASCIA (TYP.)
METAL FLASHING OVERROOFING MATERIAL
7/8" STUCCO WALL OVER8" CFMF STUD (TYP.)
STONE WALL PANELS OVERCONCRETE WALL
STOREFRONT GLAZINGASSEMBLY (See window schedule)
ARCHITECTURALFINISH CONCRETE
ARCHITECTURALFINISH CONCRETE
FORMED ALUMINUM SILL
CW10
W11
W11
CW1
T.O. ROOF66' - 10"
DD.2
METAL COPING
10
A5.10
9
A5.10
11
A5.258
A6.26
10
A6.71
LEVEL 10' - 0"
LEVEL 215' - 3"
LEVEL 330' - 6"
PENTHOUSE45' - 9"
LANTERN TOS60' - 9"
1314
T.O. ROOFPARAPET
47' - 9"
6" LIGHT SHELF (TYP.)
METAL COPING (TYP.)
VERTICALSUNSHADES (TYP.)
7/8" STUCCO OVER 8"CFMFSTUD WALL (TYP.)
HORIZONTAL SUNSHADE (TYP.)
EXTERIOR AIR &MOISTURE BARRIER
WINDOW ASSEMBLY (Seewindow schedule)
METAL FASCIA
METAL SOFFIT
CURTAIN WALL ASSEMBLY(See window schedule)
6"X 32" LIGHT SHELF
2"X16" SUNSHDES
SUNSHADESUPPORT POSTS
STUCCO SOFFIT
CURTAINWALL ASSEMBLY(See window schedule)
FORMED ALUMINUM SILL
A5.103
A5.104
A5.502
A5.501A5.70
1ROOFASSEMBLY
A5.702 ROOF ASSEMBLY
LIQUID-APPLIEDELASTOMERICWATERPROOFINGMEMBRANE
7 1/
8"
A5.708
7 1/8" 1' - 4 7/8"
1' - 4"
7"
5 5/8"
1' - 3"
A5.249
A5.235
A5.236
OPP
MECH. MEZZANINE56' - 3"
1' - 6"
LEVEL 10' - 0"
LEVEL 215' - 3"
LEVEL 330' - 6"
PENTHOUSE45' - 9"
LANTERN TOS60' - 9"
1314
T.O. ROOFPARAPET
47' - 9"
METAL FASCIA
METAL SOFFIT
CURTAIN WALLASSEMBLY (See
window schedule)
6"X 32" LIGHT SHELF
2"X16" SUNSHDES
METAL COPING TYP.)
7/8" STUCCO ON 8" CFMF STUD WALL (TYP.)
STUCCO SOFFIT
STONE PANELS ONCONCRETE WALL
EXTERIOR AIR &MOISTURE BARRIER
RIGID INSULATION
5
A5.44
A5.701 ROOF ASSEMBLY
A5.502
Sim
A5.501
Sim
A5.444
Sim
A6.732
A5.106
8A0.21
16
A9.20
17
A9.20
18
A9.20
MECH. MEZZANINE56' - 3"
A5.708
STRUCTURAL ENGINEER
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REV# DATE DESCRIPTION
Englekirk & Sabol Consulting Structural Engineers2116 Arlington Avenue
Los Angeles, CA 90018Phone: 323.733.2640
MEPT / LIGHTING
Syska & Hennessy, Inc.11500 West Olympic Blvd. Suite 680
Los Angeles, CA 90064Phone: 310.312.0200
UNIVERSITY OFCALIFORNIA
SANTA BARBARA
BIOENGINEERINGBUILDING
LABORATORY CONSULTANT
CIVIL ENGINEERPenfield & Smith
111 East Victoria StreetSanta Barbara, CA 93101
Phone: 805.963.9532
LANDSCAPE ARCHITECTSuding Design
10 East Islay StreetSanta Barbara, CA 93101
Phone: 805.687.9455
ACOUSTIC CONSULTANT
Schaffer Acoustics Inc.869 Via de la Paz Suite A
Pacific Palisades, CA 90272Phone: 310.459.6463
Design for Science2133 Sun Valley Road
San Marcos, CA 92078Phone: 760.598.7333
COST ESTIMATOR
Davis Langdon301 Arizona Avenue Suite 301
Santa Monica, CA 90401Phone: 310.393.7493
12/21/2011 100% CONSTRUCTION DOCS
1. SEE SHEET G1.00 FOR GRID DIMENSIONS2. SEE SHEET A6.20 FOR EXTERIOR DOOR TYPES3. SEE SHEET A6.40 FOR INTERIOR DOOR TYPES4. SEE SHEET A6.00 THRU A6.11 FOR EXTERIOR WINDOW AND LOUVER TYPES5. SEE SHEET A6.30 FOR INTERIOR FRAME TYPES6. SEE LF SERIES FOR DETAILED LABORATORY FITOUT.7. FINISH ELEVATION 0'-0" = SITE ELEV 53'-6"8. SEE SHEET A9.00 FOR INTERIOR FINISH KEY9. SEE SHEET A9.10 FOR ROOM FINISH SCHEDULE
DRAWING FILE NO. 512-101
PROJECT NO. FM 110496L / 981650
WALL SECTIONS ANDENLARGED ELEVATIONS
A4.70 3/8" = 1'-0" A2.11
1EAST ELEVATION - ENLARGED 3/8" = 1'-0" A2.10
3WALL SECTION - EAST WALL TYPICAL 3/8" = 1'-0" A2.10
2WALL SECTION - EAST LECTURE WALL
6"1 1/2"
10' - 0"4 1/
2"
1 3/
16"
3-5/8" 20 GA. METALSTUDS @ 16" O.C.
METAL STUD KICKERS
GYP. BOARD
CONT. WOOD BLOCKING
METAL GRATING
METAL CEILING PANELS
CEILING SUSPENSIONSYSTEM
ACOUSTIC PANEL CEILING
6" M
IN.
A6.8111
A6.8112
12' - 0"
1 1/2"
CEILING SUSPENSION SYSTEM'T'-GRID
2X2 18 GA. CONTINUOUSANGLE ATTACHED TO GRIDWITH CLIPS
SHIMS
ATTACH METAL GRATE TOANGLE W/ Z-CLIPS
METAL BAR GRATING
METAL CEILING PANEL
HANGER WIRE
3-5/8" METAL STUDBULKHEAD DESIGNED TOCARRY LOADING OF METALGRATING AND SUSPENDEDCEILING BELOW
2X4 CONT. WOOD BLOCKING
CONT. RUNNER TRACK
SHIM AS REQUIRED FORMETAL GRATINGALIGNMENT
HANGER WIRE CLIPFASTENED THROUGHGRATING BAR INTOBLOCKING
3" DEEP TOP BAR WELDEDTO GRATING
ANCHOR GRATING TOBOTTOM OF SOFFIT
METAL GRATING
CAULK JOINT
ACOUSTIC PANEL CEILING
GYP. BOARD
3/8"
3/8"
HARDWOOD EDGE BAND.MATCH VENEER SPECIES
CEILING SUSPENSION 'T' GRID
C-HANGERS ATTACHED TOWOOD CEILING PANELS
4" 4"
SPLINED MITER
CEILING SUSPENSION 'T' GRID
C-HANGERS ATTACHED TOWOOD CEILING PANELS
4"
SOLID CORE PANEL W/HARDWOOD VENEER, SOLID EDGEBANDING AND BALANCING PLY ONBACK
A6.819
VERTICAL SLIDINGWHITEBOARD SYSTEM
REAR WHITEBOARDPANEL
5/8" GYP. BOARD
6" METAL STUD
MECHANICALPROJECTION SCREEN
3/8" THREADED ROD
PENDANT FIXTURE: SEEFIXTURE SCHEDULE
3 5/8" METAL STUD
5/8" GYP. BOARD
UPLIGHT FIXTURE: SEEFIXTURE SCHEDULE
WOOD PANEL CEILING
12" EXTERIORCONCRETE WALL
6 5/8" 4" 5 1/2" 10 1/4" VARIES
UNISTRUT CHANNELANCHORED TO SLAB
10' - 0"
10' - 6"
CHANNEL NUT
ALIGN
WOOD TRIM BEYOND
A6.819
ALIGN
VERTICAL SLIDINGWHITEBOARD SYSTEM
REAR WHITEBOARDPANEL
GYP. BOARD
1 1/2" Z-FURRING
MECHANICALPROJECTION SCREEN
3/8" THREADED ROD
PENDANT FIXTURE: SEEFIXTURE SCHEDULE
3 5/8" METAL STUDS
GYP. BOARD
UPLIGHT FIXTURE: SEEFIXTURE SCHEDULE
WOOD PANEL CEILING
VERTICAL LEG OF WDCEILING PANELBEYOND
UNISTRUT CHANNELANCHORED TO CONCRETE
CHANNEL NUT
3 5/8" METAL STUDS
METAL STUD KICKERS
6 5/8" 4" 6 1/4" 11 3/4"
EXTERIOR CONCRETE WALL
A6.816
12' - 0"
ACOUSTIC PANEL CEILING.SEE RCP FOR TYPE
5/8" GYP. BOARD
3 5/8" METAL STUDS
WOOD PANEL CEILING
VERTICAL LEG OF WOODCEILING PANEL
METAL STUD KICKERS
ATTACH SUSPENSIONSYSTEM TO STUDS W/ CLIPANGLES
10' - 0"
CEILING SUSPENSIONSYSTEM
CEILING SUSPENSION SYSTEMATTACHED TO RUNNER TRACKW/ CLIP ANGLES
C-HANGER
6 5/8"
SELF-TRIMMINGFLANGE
GYP. BOARDCEILING
3 5/8" METAL STUDS
3/8" THREADED RODATTACHED TO HANGERBRACKET
4" 4"
7 3/4"
6 3/
8"
VARIABLE POSITIONMOUNTING BRACKET
6 1/2"
RUNNER CHANNEL. SUPPORT TOSTRUCTURE ABOVE WITH SUSPENSIONWIRES
ESCUTCHEON RING
PROJECTOR MOUNTSUSPENDED CEILINGREINFORCING PLATE
POWER AND DATAJUNCTION BOXESAND TRIMS
PROJECTOR MOUNTSUPPORT COLUMN
PROJECTOR MOUNT
SUPPORT WIRES WITHTURNBUCKLES ATTACHEDTO CONCRETE SLAB ABOVE
SUSPENDEDCEILING T-GRID
F.8
CEILING SUSPENSION SYSTEM
METAL CEILING PANELS
5/8" GYP. BOARDMETAL STUDS
CONCRETE BEAM
12' - 0"
ACOUSTIC PANEL CEILING. SEE RCP FOR TYPE
METAL CEILING PERIMETER TRIM
4 1/
2"
8"
ATTACH CEILING SUSPENSIONSYSTEM TO STUDS W/ CLIP ANGLES
ACOUSTICAL WOOD PANEL
1" ACOUSTICAL INSULATION
ACOUSTIC PANEL CEILING
5/8" GYP. BOARD
METAL STUDS
WALL ANGLE
HARDWOOD TRIM . MATCHSPECIES OF ACOUSTIC WOODWALL PANELS
1/4"
1/4"
WOOD BLOCKING
STRUCTURAL ENGINEER
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REV# DATE DESCRIPTION
Englekirk & Sabol Consulting Structural Engineers2116 Arlington Avenue
Los Angeles, CA 90018Phone: 323.733.2640
MEPT / LIGHTING
Syska & Hennessy, Inc.11500 West Olympic Blvd. Suite 680
Los Angeles, CA 90064Phone: 310.312.0200
UNIVERSITY OFCALIFORNIA
SANTA BARBARA
BIOENGINEERINGBUILDING
LABORATORY CONSULTANT
CIVIL ENGINEERPenfield & Smith
111 East Victoria StreetSanta Barbara, CA 93101
Phone: 805.963.9532
LANDSCAPE ARCHITECTSuding Design
10 East Islay StreetSanta Barbara, CA 93101
Phone: 805.687.9455
ACOUSTIC CONSULTANT
Schaffer Acoustics Inc.869 Via de la Paz Suite A
Pacific Palisades, CA 90272Phone: 310.459.6463
Design for Science2133 Sun Valley Road
San Marcos, CA 92078Phone: 760.598.7333
COST ESTIMATOR
Davis Langdon301 Arizona Avenue Suite 301
Santa Monica, CA 90401Phone: 310.393.7493
11/14/2011 100% CONSTRUCTION DOCS
1. SEE SHEET G1.00 FOR GRID DIMENSIONS2. SEE SHEET A6.20 FOR EXTERIOR DOOR TYPES3. SEE SHEET A6.40 FOR INTERIOR DOOR TYPES4. SEE SHEET A6.00 THRU A6.11 FOR EXTERIOR WINDOW AND LOUVER TYPES5. SEE SHEET A6.30 FOR INTERIOR FRAME TYPES6. SEE LF SERIES FOR DETAILED LABORATORY FITOUT.7. FINISH ELEVATION 0'-0" = SITE ELEV 53'-6"8. SEE SHEET A9.00 FOR INTERIOR FINISH KEY9. SEE SHEET A9.10 FOR ROOM FINISH SCHEDULE
DRAWING FILE NO. 512-101
PROJECT NO. FM 110496L / 981650
INTERIOR CEILING ANDSOFFIT DETAILS
A6.81
6" = 1'-0" A8.60
15DETAIL - ACT PLANK AT CONCRETE BEAM, AUDITORIUM 1 1/2" = 1'-0" A3.12
5DETAIL - EXHAUST GRILL IN AUDITORIUM 3" = 1'-0" A6.81
11DETAIL - METAL GRATE ATTACHMENT TO CEILING GRID
3" = 1'-0" A6.81
12DETAIL - METAL GRATE ATTACHMENT TO BULKHEAD
3" = 1'-0" A3.12
7TYPICAL WOOD CEILING PANEL JOINT
3" = 1'-0" A3.12
6TYPICAL WOOD CEILING MITERED EDGE
1 1/2" = 1'-0" A3.12
2DETAIL - WHITE BOARD AND SCREEN HEAD CENTER
1 1/2" = 1'-0" A3.12
3DETAIL - WHITE BOARD AND SCREEN HEAD
1 1/2" = 1'-0" A3.12
4DETAIL - AUDITORIUM WOOD CEILING PERIMETER 3" = 1'-0" A6.81
9TYPICAL PROJECTOR SCREEN MOUNTING DETAIL 3" = 1'-0" A3.12
14TYPICAL PROJECTOR MOUNTING DETAIL 1 1/2" = 1'-0" A3.12
1DETAIL - METAL CEILING AT BOT OF AUDITORIUM RAMP
3" = 1'-0" A3.12
13DETAIL - ACOUSTICAL WOOD WALL PANEL AT CEILING
3" = 1'-0" A3.12
10Detail 102
Working in the Proctor & Gamble studio while at BHDP allowed me to improve my Revit skills dramatically while gaining a thorough understanding of space layout. I worked on a combination of new construction and renovation projects. I had the opportunity to explore some elements of furniture and lighting design while working on the interior spaces. Images Property of BHDP Architecture
BHDP ArchitectureWinter 2011
12 Weeks
0.787 1.238
EQEQ
2.28
61.
524
3.65
8
2.012 0.013
0.152 1.322 0.691
0.15
2
609
610
615
612
613
CENTER SHORTLEG OF 'L' ONMULLION.
611
D5A110
616
617
608
616
SS2
SS3
0.76
2
0.10
2
0.051
0.787
0.127
602
601
605
607
603
601
D10A110
D7A110
0.76
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7
601
SS2
SS3
601
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0.10
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203
0.76
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0.152 0.051
0.610
0.30
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0.178
606
604
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603
607
616
D7A110
D10A110
SS2
SS3
0.76
20.
305
0.30
50.
762
601601
607
FINISH SPECIFICATIONSMILLWORKSOLID SURFACESS2: MFG: CORIAN
COLOR: BRONZE PATINA
SS3: MFG: CORIANCOLOR: GLACIER WHITE
PAINTP1: MFG. BENJAMIN MOORE
NAME: MOUNTAIN PEAK WHITECOLOR: 2148-70
P2: MFG: SHERWIN-WILLIAMSNAME: RAPTURE BLUECOLOR: SW 6773
0.76
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0.10
2
0.051 0.038
602
601
605
607
601
615
L14A110
0.91
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0.652 0.711
0.559 0.102
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1.36
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1.24
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0.05
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607
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1.168
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0.365
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620
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5
618
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C:\Users\eschweinhart\Documents\PGCx - Costa Rica - Lobby_ESchweinhart.rvt 2/2/2011 3:53:18 PM
Author
Approver
Checker
01/18/11
PGC01.60
A110
REC
EPTI
ON
DES
KCo s
taR
ic aC
1L o
bby
Ren
ovat
ion
No.
I ssu
e/R
e vis
ion/
Subm
issi
o nD
ate
1 : 20A110
A13 RECEPTION DESK PLAN
1 : 10A110
D7
RECEPTION DESKSECTION
1 : 20A110
A5
RECEPTION DESK FRONTELEVATION
1 : 10A110
D10
RECEPTION DESKTRANSACTION SECTION
1 : 20A110
A10
RECEPTION DESK SIDEELEVATION
SHEET KEYNOTES307 GLASS PANEL TURNSTILE - BASIS OF DESIGN GUNNEBO - SPEED
STILE - COORDINATE WITH SECURITY CONTRACTOR.601 13 mm SOLID SURFACE MATERIAL ON 19mm PLYWOOD OR MDF
BOARD ON ALL VERTICAL AND HORIZONTAL SURFACES UNLESSNOTED OTHERWISE
602 2 X 4 NON-COMBUSTIBLE WOOD MILLWORK FRAME603 380mm X 530mM X 3mM THICK FREFINISHED WORK STATION
SUPPORT BRACKETS. COLOR WHITE604 3'-0" UNDER CABINET LIGHT. WIRE ALL FIXTURES TO ONE SWITCH605 PLASTIC LAMINATE FINISH ON ALL VERTICAL SURFACES UNDER
WORK SURFACE. COLOR TO MATCH SOLID SURFACE606 13mm MICORE BOARD WRAPPED IN FABRIC607 PLASTIC LAMINATE VERTICAL SURFACE OF TOE KICK608 2" PLASTIC GROMMET. TYPICAL OF TWO LOCATIONS609 WORK STATION SUPPORT BRACKETS BELOW SHOWN DASHED.
REFER DETAIL610 FACE OF VERTICAL SURFACE BELOW TRANSACTION TOP SHOWN
DASHED611 38mm THICK END SUPPORT PANEL612 OPTICAL SCANNER PROVIDED BY OWNER. COORDINATE SIZE AND
LOCATION WITH OWNER'S REPRESENTATIVE613 TRANSACTION TOP615 TWO DRAWER OWNER FURNISHED FILING CABINET UNDER WORK
SURFACE616 RETURN SOLID SURFACE BACK TO TACK BOARD MOUNTING
SURFACE617 OWNER FURNISHED PENCIL DRAWER UNDER WORK SURFACE618 CLEAR TEMPERED GLASS619 1" #4 STAINLESS STEEL BASE620 GATE HINGE621 3" SQUARE STAINLESS STEEL POST ANCHORED TO FLOOR622 1" STAINLESS STEEL FRAME
1 : 10A110
D5
RECEPTION DESK ENDPANEL SECTION
1 : 20A110
H14 GUARD DESK PLAN
1 : 10A110
L14 GUARD DESK SECTION
1 : 20A110
H11 HANDICAP GATE PLAN 1 : 10A110
H7 HANDICAP GATE ELEVATION 1 : 10A110
H4 HANDICAP GATE PARTITION ELEVATION
P&G Global AnalyticalDS2 Blocks 600 & 800
PGC30.4103|17|11
Final Schematic Design Option FIN
DS2 - 600/800 Final Design Option78 Workstations
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40 Workstations
38 Workstations
General Program Requirements
# of Workstations: 78
Typical Collaboration Ratio: 110%
Collaboration Seats Required: 86
(50% Conference, 40% Huddle, 10% Open Collaboration)
Conference Seats (50%): 43 Huddle Seats (40%): 35Open Collaboration Seats (10%): 8
Program Provided in Design
Workstations: 78
Conference Seats: 24Huddle Seats: 35Open Collaboration: 8
Informal Collaboration in 600: 24
Total Collaboration Provided: 91
UP DN
UP DN
5
E F G H K L M N P
1
4
5
2.1
J
3
2
.P
MOMSMASSAGE
MAIL ROOM
LOST AND
FOUND ROOM
STORAGE - OFFICES
SUPPLIES, CLEANING, AND
MEETING SERVICES
IT STORAGE
MEDICAL
SUPPLIES
level 2
NURSES
OFFICE /
RECEPTION
SICK BAY
TREATMENT
RESTROOM
BP
S
FILESDOCTORS
OFFICE
K L M N PJHGF
4
3
2
1
Stair Iterations
Programmatic Layout
Furniture Layout
RossTarrant ArchitectsLexington, KY
Winter/Summer 201022 Weeks
RossTarrant Architects works towards enhancing education through design in the most sustainable manner possible. Working strictly on education facilities I was able to gain an in depth understanding of how to design for low budget projects, with a very specific user, while keeping sustainability in mind through the entire process. The most encouraging and enlightening part of my time at RossTarrant was to see how the firmtooktheconcernsoftheirclientsattheforefrontofalldesignthinking in order to produce the best product possible.
I had the opportunity to work in all phases of design and constructionwithmytimeatthefirm.Thishasprovidedmewitha very good understanding of the different phases an architect encounters on a typical project. Working primarily in Revit and AutoCAD I developed my computer skills and technical knowledge. I worked with everything from site master plans to door jamb details, helping to enhance my understanding of buildings in general.
Images property of RossTarrant Architects
Front Entrance_Williamsburg Independent School
Revit Rendering_Tates Creek Middle School
Master Plan_Good Shepherd