etudes poetiques for the pianoforte, op. 75

SCHMIDTS educational series^;

FOR THE

book n

Schmidt’s Educational Series.

Pianoforte Collections.Vol.

30.

49.

BOHM, CARL.Op. 358. Lyric Suite. C Compositions 0.75Musical Echoes. 10 Instructive and melodious Com-

positions . . 0.75

DENN^E, CHARLES.100. Album of Selected Compositions 0.75

EGGELING, GEORG.98. Transcriptions from the works of old masters. Vol. I 0.75

FRIML, RUDOLF.3. Op. 35. Suite mignonne. 6 Compositions 0.75

GURLITT, CORNELIUS.93. Op. 172. Miniatures 0.7550. Op. 197. Fireside Fancies. 12 Little Tone Pictures

on Five Notes 0.6011. Musical Sketch Book. 15 Selected Compositions . 0.75

hAndel, g. f.

64. Instructive Pieces. Adapted by Carl Faelten.2 Books each 0.75

HEINS, CARL.15. Op. 270. Six Fancies . 0.75

HENNING, MAX.1. Op. 22. 12 Two-Part Fughettas and Fugues (In-

troductory to the works of J. S. Bach) . . .0.75

KAISER, ALFRED.57. Arlequinade. Suite of 8 Compositions . . . . . . 0.75

KRENTZLIN, R.

59. Op. 19. Village Scenes. 6 Characteristic Pieces . 0.75

LACK, THEODORE.47. Morceaux po6tiques. 8 Selected Compositions . . 1.00

Vol LYNES, FRANK.53. Op. 14. Bagatelles. 10 Melodious Sketches. . . .0.7519. Op. 47. A Pleasant Beginning and other tunes for

little lingers in all the major and minor keys 0.75

MAC DOWELL, EDWARD.107 6 Utile Pieces (After Sketches of J. S. Bach) . . . 0.75

MEYER, FERDINAND.76. Christmas Suite 0.75

MOSZKOWSKI, MORITZ.89. Op. 89. Impressions Musitales. 5 Waltzes 1.00

(Valsr-pr6lude -- Valse mignonne - Valse tristeValse tendre — Valse Tourbillon i

THE PUPIL’S LIBRARY.43a-b. First Series. 2 Books .each 0.6044a-b. Second Series. 2 Books each 0^6045a-b. Third Series. 2 Books each 0.60

RITTER, G. P.

27. First Amusements. 12 Pieces on Five Notes. . .0.75

SCHYTTfc, LUDVIG.48. Instructive Recreations. 8 Selected Compositions . 0.757. 10 Study-pieces selected from Op. 66 0.75

SGAMBATI, G.90. Introduction and Etude brillante (Reveil des Fdes)

by E. Prudent .0.60

SMITH, WARREN STOREY.38a-b. Effort and Pastime. 24 Melodious Pieces in all

keys. 2 Books . .each 0.60

TORJUSSEN, TRYGVE.63. Op. 3. Norwegian Suite. 6 Compositions . . . .0.75

WOLF, OSKAR.88. Op. 7. Aphorisms. 6 Compositions 0.75

<s

— —

s

Pianoforte Duets.

BARBOUR, FLORENCE N.

105. Rambles in Musicland. First Duets for Pupil & Teacher 0.75

BODENHOFF, HAROLD.94. Op. 7. Bagatelles . 6 Duets 0.75

DENN&E, CHARLES.6. Op. 18. The Children’s Festival. 10 Easy Duets . 0.75

FOOTE, ARTHUR.20. 12 Duets on Five Notes 0.75

GURLITT, CORNELIUS.35a-b. Op. 178. Tender Blossoms. 20 Melodious Duets.

2 Books each 0.75

KRONKE, EMIL.69. Op. 66. From Far and Near. 5 Duets 0.75

THE PUPIL’S DUET ALBUM.46a-b. First Series. 2 Books each 0.60

SARTORIO, ARNOLDO.58a-b. Op. 400. Pictures from Youth. 12 Melodious Duets.

2 Books each 0.60

ARTHUR P. SCHMIDTBOSTON LEIPZIG NEW YORK

') 120 Boylston Street. 1 1 West 36th Street.

no. se. Printed In born. any.

2

GRIEE

Andante (con molto espressione

)

Rudolf Friml, Op. 75 N9 7.

nmm rT3 . vH4

p legato

9^ m-3

melodia marcato *

| > rr^-^T, uuucresc.

3 3X

to. « to. *

A. P. S. 945b.”

Copyright 1912 by Arthur P. Schmidt.

International Copyright Secured.

t/

3

G 7U-S^ie

/ b- ^=3==^^=- - rn i(f^i/ 7 }j2-

/ « tempom r— f2

7 ^-ar"^

—

. #_a .

-t-v

/ j ^ a

^0

to & to *

/ jp -r

'~ -"• • * •

•

g—O hi— op 1 y

/ /*

ETE . . L

- ^p '*0 t--^——

—

4 J ^V**

l^ J^ 1

to. # to. * to # to &

A. P. S. 9456*?

\\ 434 3

\l , .'Tr > rTJ 1

. -- 4--“^ • —-^T- » --m-

"

7 *=p= 7 * -"-s —

i-r T-^=f=pp molto fit.

? *•- i O - _4 —« - =r

5

A P S, 945G^

THE MILL-WHEEL.Rudolf Friml, Op. 75 N9 8.

. Tl =1RF- pt—

p » p » f f9

—^ a-3—» • * p rf

£ 0 W....0 p 0—p

?_ —r

rit.

— te—(->)

j. r ^

A. P. S. 9 i5Cl*

Copyright 1912 by Arthur P. Schmidt

International Copyright Secured

7

A. P. S. 9456*?

A. P. S. 9456*?

9

A. P. S. 9456^

10

THE CUCKOO CLOCK.Allegretto.

Rudolf Friml, Op. 75 N? 9.

R. H. sempre staccato

melodia marcato

£2-fi-

1J2.

5-21

IZ. H. sempre legato

A P. S. 9456!Copyright 1912 by Arthur P. Schmidt.


11

A. P. S. 94561

12

fit .~e—\ =R=-JRP

ftHr-iE.. .

» X x—3*=rit.

—X X— :ip •

.

..

C*1 -—— J—=±==E=— —f 4- o

9)1

A. P S 94561

13

MURMURING BROOK

Allegro moderato.2 3 2 5 2 3 2

* 0 " 0 0 " 1


1 3

>• w" 0 ~7»-:w .00-w--0 0 w- 0 0-"—0

it¥ ¥ ¥legato

Pmelodia marcato

A. P. S. 9456-!Copyright 1912 by Arthur P. SchmidtInternational Copyright Secured.

14

A. P. S. 9456 ’

15

l^-=f

--d*

r r

L 2

ffim5

12 4 a*—

- J*U—«N-J—J-*i^j

•

e

P0 f

1

;

r

t===-R

A. P. S. 9456^

GNOMES.

Moderato (con espressione

)


3 ±

/dtt =t—i—

-

k S ,i~ ^•

K I -

(4 -- y * 4 #— =t=l=l:L=fc=l*^=^,—

• ! ^ —,

—

) # * i#j

/^—0 —t~4 ^ pi— —

pr--

—iL^—T"=r=p. .... j?j2~

\ / uM i>

—4

. 4 £ 5 4rt M = a z -

1 5

2 1

52 4

L V.

/ y tf 3 Vi A. ‘ s «. t a S V • ^ |L I ^ k

i / i ) * 7 tfl / fni 7 x f —7 *•j f .

ftr <as .. r'l “W #r w a •#

P• 0 »

1\—o Z9

\ ^_ ... ... .........

(0 4 K

2*

J A A1

** ._ _^-T *» M - ) •r A1 4J V a* 7 ;.

r_ T 7 X a* • 7 4 a a '

1 vp —r;,

i• • • 0

i

* « f ^• •)«r q

a a a

a

Ik . k - 1 1 #i *

f k V # U ^ . _

f -sr^ a 'P A or r r_M

\ ...

i i

^ a «/ J 5

~~f . ^ A

%f 1- * - V • f ip i •* ^ . _^J J ,t-0~l

1 rA— T- * x 7 fr I—*p 0 - 7^ U m T * P 7 “ m • r m M. -M '1

1 **:> a i i

—a' • j W

V tf ^ r-1

r

Vrit.

\>p~ r.ff i n '— i i

r jr n1 ^ * — nM 1 — ~w~ ^ a

A P S. 9456^Copyright 1912 by Arthur P. Schmidt.


17

/ J H ^ . -m\ -V, - f f!

. 1 Jii

-iT— JV > J V~L /A. . —I^-Ji— a 7 lJ ai-y* • 4 —V4-—4—l pa tempo — — 4 *

1 9=14- 4— 1

1 i i £=

/*'£: ? -u —

-

G &\~=— Lt f

=^

* a 5 5 5 5 5 53— £ -1

r i i

/ it --—A*" g ' M"

&j.-i i-jH

—) # a

'^-f - r- *r— ~ > .±— . fl

1 2

^—M'

PFfTf L*-j V Jrjdsi ? * *

—

1—

* ^44=*^rit.

(font p ' 7~Hx1

-kg [\'rG‘p- J.O .

1 2

—G-s

A P. S 9456^

18

/rHM i1

-1 K i-l H Hi* :-- -

ft

—

-Tz—^znrsezz—s * *r 9 • t •* w Wl (VS 1 m 7 9 l L LZ X / • /

X L

— n • 0 j w

P i * M\ # • #V

\yo~/ V 1 /’v

l/•

' o p\ / °\| o 0 1

[jtj t 1 .. ttl—I-

* f : m - m "x'jS l J K I K| *T

1 # # •* £ /

p f ? r~P7 .*--i j

-'J—••• < t ,«*•

i—i ft*—

4

—

9

—

i

Ih--~hi—o^ p j9 - -

v- * -H—

i

— V v- •* V-* s=

(p=^J—

0

4kJ'

; iu.—

0

t JX--^—9

4—

0

I- 10

40

41

.

=±==*#1

0

4i=±=Pt t|j

0t 1

4—

r4 1: J ^ ! t Ijq i

[

yT r* ri ^•—©

—

EfEE=-+==d

19

IMPATIENCE.

Allegro moderato. Rudolf Friml, Op. 75 N9 12.

A. P. S. 9456]Copyright 1912 by Arthur P. Schmidt.


20

A. P. S. 9450?

21

±

_c-

A. P. S. 9450]

COMPOSITIONSksm

PAR

RUDOLF FRIMLl.^Slssv&ad

Piano

Op. 32. Reveil du Printemps . . .

Op. 33. Chant Poetique

Op. 34. Romance Sentimentale . .

Op. 35. Suite mignonne . Complet

No. 1. Solitude

No. 2. Chanson matinale

(Morning Song) . .

No. 3. Valse romantique .

No. 4. Petite Histoire (A little

story)

No. 5. Danse Bohemienne .

No. 6. Un Moment de Reve(Contemplation) . .

Op. 36. No. 1. L’Aurore (At dawn).

No. 2. Crepuscule (Twilight)

No. 3. Melodie Sentimentale

Op. 55. Trois Pieces de Concert

No. 1. Polonaise triomphale .

No. 2. Valse de Concert . .

No. 3. Oberek. Danse Polo-

naise

Op. 56. No. 1. La Sevillana. Bolero .

No. 2. Venetienne. Gondoliera

Op. 57. California. Suite . Complet

No. 1. An old Monastery . .

No. 2. Mountain Cascade . .

No. 3. Orange blossoms . .

$ Jt

-.50 1.20

-.40 1.-

--.40 1.-

-.75 2.-

-.30 -.60

.30

.30

.30

.30

.60

.60

.60

.60

-.40 -.80

-.40

-.40

-.40

-.65

-.75

-.80

-.80

-.80

1.50

1.50

1.50

1.20

1.20

-.65

-.60

-.60

1.-

-.40 -.80

-.50 1.-

-.40 -.80

Piano$ Jt

Op. 57. California. Suite.

No. 4. Festival of Roses . . -.40 -.80

No. 5. Rubideaux Vista . . . -.40 -.80

No. 6. From Spanish Days . -.50 1.-

Op. 61. Etude fantastique .... 1.20

Op. 62. No. 1. Pensee fugitive . . . -.50 1.-

No. 2. Marche grotesque . . -.50 1.-

No. 3. Reverie appassionee . -.60 1.20

Hymne celeste

Violin & Piano

Op. 35. No. 4. Petite Histoire (A little

story)

No. 5. Danse Bohemienne . .

Op. 36. No. 2. Crepuscule (Twilight) .

.40 -.80

.40 -.80

.60 1.20

Violoncelle & Piano

Op. 36. No. 2. Crepuscule (Twilight) . —.60 1.20

Orgue — OrganOp. 35. No. 6. Contemplation . . . — .40 — .80

Op. 36. No. 3. Melodie —.40 —.80

Op. 61. No. 4. Hymne celeste . . . — .40 — .80

:: ARTHUR P. SCHMIDT ::

BOSTON120 Boylston Street

LEIPZIGLindenstrafie 16

NEW YORK11 West 36 th Street

No. 43. Printed in Germany.

»

Schmidt s Educational Series.

PIANOFORTE STUDIES.Vol.

67. Op. 315.

AILBOUT, HANS.20 Progressive Velocity Studies. 0.75

24.

66 .

91.

29.

39.

9.

BACH, J. S.

15 Two-Voice Inventions. Edited by Arthur Foote 0.75

BIEHL, ALBERT.Op. 139. Preparatory School of Technic. 12 Etudes 0.75Op. 140. 10 Octave Studies 0.75Op. 153. 12 Melodious Studies for the development

of the left hand 0.75Op. 156. 12 Melodious Arpeggio Studies . . . . . 0.7515 Selected Etudes for the development of technic

and expression 0.75

BOSE, FRITZ von103a-b. Op. 6. 14 Special Studies in modern Pianoforte

Technique. 2 Books each 0.75

CONCONE, J.

96. Studies in Melody and Interpretation. Augmented.Edited and Arranged by Thomas Tapper . . .0.75

DENNfcE, CHARLES.37. Progressive Studies in Octave Playing (with special

preparatory exercises) 1.00

EGGELING, GEORG.75. Op. 90. 18 Melodious Octave Studies of Medium

Difficulty 1.0050 Melodious Studies Book 1 & 2 each 0.75

25 Etudes (without octaves) for technical

and musical development. 2 Books each 0.75Pleasure and Progress. 35 Descriptive

Etudes for the earlier grades. 2 Books ea. 0.75

llOa-b. Op. 122

16a-b. Op. 170.

60a-b. Op. 176.

FOOTE, ARTHUR.2. Op. 27. 9 Etudes for musical and technical deve-

lopment 1.00

73. Op. 52. 20 Preludes in the form of short technical

Studies 1.00

74. Etude Album. A Collection of Etudes, selected

and arranged in progressive order . . . 1.00

FRIML, RUDOLF.68a-b. Op. 75. Etudes Podtiques. 2 Books each 0.75

GURLITT, CORNELIUS.41. Op. 186. Velocity Studies for Beginners 0.7531. Op. 187. 53 Very first Studies 0.7551. Op. 198. 16 Studies in Melody and Rhythm . . . 0.7552. Op. 199. 16 Melodious Studies for more advanced

players (A Sequel to “Studies in Melodyand Rhythm” Op. 198) 0.75

lOla-b. Op. 201. Studies in all the Major and Minor Keys.

2 Books each 0 . 60106a-c. Op. 228. Technic and Melody. A Fundamental

Course for the Pianoforte. 3 Books each 0.75

HELLER, STEPHEN.78a-b. A Compendium of HELLER’S Pianoforte Studies.

Revised, Edited and Arranged in Pro-

gressive Order by Arthur Foote. 2Bks. ea. 0.75

Vol HOFMANN, RICHARD.40. 10 Melodious Etudes from Op. 72 0

.

KAISER, ALFRED.25. The Weaker Fingers. Exercises and tuneful pieces 0

KRAUSE, EMIL.26. Op. 99. 12 Technical Studies for the equal deve-

lopment of both hands 0

KRENTZLIN, H. R.

97a-c. Systematic Finger Technic. Progressive Studies for

the Earlier Grades by Carl Czerny. Selected,

arranged and augmented with studies after

motives from Czemy. 3 Books . . . each

LYNES, FRANK.10 Special Studies 08 Studies for the development of the 3rd ,

4th, and 5th fingers 0

75

75

75

0.50

8. Op. 20.

92. Op. 21.

75

75

MAC DOWELL, EDWARD.Op. 39. 12 Studies for the development of technic

and style 1.50

MAYLATH, H.

55. Op. 163. Melodious Etudes. Edited by Charles

Denn6e 0.75

MEYER, FERDINAND.70. The Pupil’s First Etude Album. 53 Easiest Etudes 0

71. The Pupil’s Second Etude Album. 34 Easy Etudes 0

NEUPERT, EDMUND.61. 10 Selected Studies for the development of Expression

and technic. Arranged and edited byCharles Denn6e. 1

PFITZNER, HEINRICH.13. Systematic training for Polyphonic Playing. . . . 0

SARTORIO, ARNOLDO.21. Op. 214. 14 Melodious Etudes (without octaves) . 0

SCHYTTfc, LUDVIG.7. 10 Melodious Etudes from Op. 66 0

TAPPER, THOMAS.Sight Reading and Memory Lessons 0

TURNER, A. D.

15 Short Melodious Studies from Op. 30. (Selected

and Edited by F. Addison Porter) . . . 0

Special Studies for the Pianoforte. (Selected, Re-

vised and Edited by F. Addison Porter) . 0

WILM, NICOLAI VON.77. Phrasing and Agility. 12 Etudes 0

to

75

00

75

75

75

12 .

86 .

87.

75

75

75

75

jjjgARTHUR P. SCHMIDT f

V BOSTON LEIPZIG NEW YORK120 Boylston Street. 11 West 36th Street. 1

No. 73. Printed In Germany.

Schmidt s Educational Series.

Violin Violoncello <*> Organ Vocal.

Vol. ALTHAUS, BASIL.

5a-c. Op. 65. Legato and Staccato Studies.

Part 1. Exercises in the first position 0.60

Part 2. Exercises in the first to fourth

positions . . 0.60

Part 3. Scale Studies in two octaves

and exercises in all positions 0.60

BIEHL, ALBERT.

54. Op. 178. First Recreations. 5 Composi-

tions for Violin and Pianoforte. (First

Position) 0 60

BOHM, CARL.

23a-b. Op. 366. From many Lands. 12 Com-

positions for Violin and Pianoforte.

2 Books each 0.75

lOa-b. Op. 367. 40 Progressive Studies (First Po-

sition). 2 Parts . each 0.60

CUTTER, BENJAMIN.

62. 5 Characteristic pieces for Violin and Piano-

forte (First Position) 0.75

VIOLIN.Vol. DANCLA, CHARLES.

36. Op. 191. Spring Flowers. 6 Compositions

for Violin and Piano 0.90

42. Op. 194. 12 Melodious Studies (With ac-

companiment of a second violin) . .0.75

HERMANN, FRIEDRICH-

18a-c. Op. 29. 36 Exercises and Etudes.

Book 1. 12. Exercises for Beginners

(First Position) 0.60

Book 2. 12 Easy Etudes (First and

Third Positions) . . L . .0.60

Book 3. 12 Special Studies (First to

Seventh Positions) . . . . .0.60

HERMANN, TH.

28a-b. Op. 100. 12 Melodious Etudes (First Po-

sition) with accompaniment of a second

violin. 2 Books each 0;60

HOFMANN, RICHARD.

32a-b. 14 Etudes (with accompaniment of a second

violin). 2 Books each 0.60

VIOLONCELLO.14. SCHRODER, CARL. Op. 87. 18 Very Easy Studies (with second 'cello ad lib.) 0.75

ORGAN56. DUNHAM, HENRY, M. Bach's smaller Organ Works (8 Short Preludes and Fugues and other Pieces

Adapted to the Modern Organ, with registration, pedalling etc.) 1.00

95 KING, OLIVER. Wedding Suite. 4 Compositions 1.00

33. TRUETTE, EVERETT E. The Organist’s First Etude Album 0.90

34. TRUETTE, EVERETT E. 20 Preludes and Postludes (A Sequel to the Organist’s First Etude Album) 0.90

65a-b. STEANE, BRUCE. Short Compositions for the Church Service.

Book I. A Book of Short Voluntaries ) 0.75

Book II. Offertories and Other Pieces. . . 0.75

VOCAL.83a-b. LYRIC FANCIES. Album of Songs by American Composers. 2 Volumes each 1.25

80a-b. SCHMIDT’S Collection of Sacred Song’s. High Voice . 2 Volumes each 0.75

Sla b. SCHMIDT’S Collection of Sacred Songs. Medium Voice. 2 Volumes each 0.75

82a-b. SCHMIDT’S Collection of Sacred Songs. Low Voice 2 Volumes each 0.75

22. STURM, WILH. Op. 83. 12 Vocalises for Soprano or Tenor 0.75

ARTHUR P. SCHMIDTBOSTON LEIPZIG NEW YORK120 Boylston Street. 11 West 36 th Street.

No 57. Printed In Germany.

etudes poetiques for the pianoforte, op. 75

Documents