evening train by tom clark book preview,
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In Evening Train we witness people on a bus, a window in the night, greenery, a bird on its perch—and then at the center of this world, something nameless seems to open. It’s hard to say just what happens, other than the words of each poem itself. But that isn’t quite right. It’s as if the words are a way for the poet to inscribe silence. You turn the page, wondering, and it arrives again—something quite beyond what is told. Tom Clark is a master. —Aram SaroyanA long time fan of Tom Clark’s poetry, I have turned to his books and blog for years to find inspiration, entertainment, and truth. His is a poetry that I can trust—at once spare and direct, witty and uncompromising, personal and universal, intelligent and deeply felt. I rely on Clark to reveal the nation I live in but often fail to see, complete with its environmental degradation, commercial excess, and kitschy spiritualism. His poems live at the intersection of truth and beauty, weaving the threads of the humdrum and the unbearable with the mystical—or at least with a longing for the mystical. Tom Clark is undoubtedly one of the great living American poets. — Nin AndrewsTom Clark is a master of surprise. He is a poet twenty-four hours a day and in possession of a very entertaining mind. He gets the familiar and the strange to dance together, and the dance steps are never the ones you expect. There is pathos in the humor of the situation: "First it's stuffed bunnies they're giving you. Next it's ice cream and then the nice surprise — you're at the hospital, having an operation." Clark has the ability to guide words as they "turn a nowhere into a putative somewhere" — to take the complications of mental or physical experience and redeem them in lyric poems of notable brevity. Evening Train is smart and companionable and joyously imaginative. — David LehmanThese poems are radically, almost luridly, American, mapping out landscapes imagined, described, and entered into with stunning visual acuity and incisive intelligence. Yet the language has a spareness, a near egoless authority, giving this book wondrous aesthetic tension. Evening Train confirms what readers of this major American poet have long known: Tom Clark is a contemporary master.—Terence WinchTom Clark was born in Chicago in 1941 and educated at the University of Michigan, Cambridge University and the University of Essex. He has worked variously as an editor (The Paris Review), critic (Los Angeles Times, San Francisco Chronicle) and biographer (lives of Damon Runyon, Jack Kerouac, Charles Olson, Robert Creeley, Edward Dorn), has published novels (Who is Sylvia?, The Exile of Céline, The Spell), memoirs (Jim Carroll, Late Returns: A Memoir of Ted Berrigan) and essays (The Poetry Beat, Problems of Thought: Paradoxical Essays). His many collections of poetry have included Stones, Air, At Malibu, John's Heart, When Things Get Tough on Easy Street, Paradise Resisted, Disordered Ideas, Fractured Karma, Sleepwalker's Fate, Junkets on a Sad Planet: Scenes from the Life of John Keats, Like Real People, Empire of Skin, Light and Shade, The New World, Something in the Air, Feeling for the Ground, At the Fair, Canyonesque, and Distance. He lives in Berkeley, California with his wife and partner of forty-five years, Angelica Heinegg.Book Information:· Paperback: 102 pages · Binding: Perfect-Bound · Publisher: BlazeVOX [books] · ISBN: 978-1-60964-187-0$16TRANSCRIPT
EVENING TRAIN
TOM CLARK
B L A Z E V O X [ B O O K S ] Buffalo, New York
Evening Train © Copyright by Tom Clark, 2014 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Interior design and typesetting by Geoffrey Gatza Cover image: Transmission lines and railroad near Salton Sea, California. District of Los Angeles smog obscures the sun: photo by Charles O'Rear, May 1972 for the Environmental Protection Agency's DOCUMERICA Project. First Edition ISBN: 978-1-60964-187-0 Library of Congress Control Number: 2014943800 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected]
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Acknowledgements: Some of these poems first appeared in Poetry magazine, as well as in the Bunchgrass Press limited edition chapbook anthologies Myth, Official Leagues, For Hours Now, Envoy, and on the Tom Clark/Beyond the Pale blog.
Contents
Moving House ......................................................................................................... 13 Evening Train .......................................................................................................... 14 Taking the El to Work ........................................................................................... 15 Pancake and Pizza Breakfast ............................................................................... 16 Nice Surprise ........................................................................................................... 17 The Past ..................................................................................................................... 18 Point and Shoot ...................................................................................................... 19 Words ....................................................................................................................... 20 Styx ............................................................................................................................. 21 Sliver ......................................................................................................................... 22 Nightly Encounter .................................................................................................. 23 Castaway .................................................................................................................. 24 Reflection .................................................................................................................. 25 Nebulous .................................................................................................................. 26 Suspension ............................................................................................................... 27 Storm Light, from Ocean View ......................................................................... 28 Bridge ........................................................................................................................ 29 One Moment ........................................................................................................... 30 Exposed ..................................................................................................................... 31 Ladybug ..................................................................................................................... 32 Wild ............................................................................................................................ 33 Light Relief .............................................................................................................. 34 Fissure ........................................................................................................................ 35 Hidden Villa ............................................................................................................ 36 Christmas Market ................................................................................................... 37 Diminishing Perspective ..................................................................................... 38 Bait ............................................................................................................................. 40 Lunch Poem ............................................................................................................. 41 Balancing ................................................................................................................. 42 Stretching It ............................................................................................................ 43 Vulnerable ............................................................................................................... 45 skyfalling .................................................................................................................. 46 Other ......................................................................................................................... 47 State of Emergency ............................................................................................... 48 Woman in the Window ....................................................................................... 49 The View from Here ............................................................................................. 50 A Door in the Wall ................................................................................................. 51 Why Me ..................................................................................................................... 52 Lust for Life ............................................................................................................. 54 Lacuna ....................................................................................................................... 55
Opaque ..................................................................................................................... 56 So Now You Know ................................................................................................. 57 Bright Ideas ............................................................................................................. 58 Blank (Don't Be Late) ............................................................................................ 59 Millennial Rising ................................................................................................... 60 Rue (Melancholy Couple) .................................................................................... 61 The Beginning ........................................................................................................ 62 Doom Forest ........................................................................................................... 63 Party Animals ......................................................................................................... 64 Peerage ..................................................................................................................... 65 Still Lights ................................................................................................................ 66 Negative Development ........................................................................................ 67 Not Wading But Sinking ..................................................................................... 69 Product Placement ................................................................................................ 70 Emotional ................................................................................................................. 71 Sheepish .................................................................................................................... 72 Express ...................................................................................................................... 73 Imaging (The White Horse) ............................................................................... 74 Fear ............................................................................................................................. 75 I Am Alive (Bounded by Forest) ........................................................................ 76 Interrogation ............................................................................................................ 77 Lionize ...................................................................................................................... 78 Who goes there? .................................................................................................... 79 Something ............................................................................................................... 80 Then and Now ......................................................................................................... 81 America (Razor Sharp Cuts) ............................................................................... 82 Recovered Memory ............................................................................................... 83 Appointment ........................................................................................................... 84 Myth .......................................................................................................................... 85 After the Flood ....................................................................................................... 86 Giuseppe Ungaretti: Sunset ............................................................................... 87 Giuseppe Ungaretti: In Memoria ...................................................................... 88 Impending: Hölderlin's Brevity ......................................................................... 90 Dust Devil Days ...................................................................................................... 91 Blown Away ............................................................................................................ 92
EVENING TRAIN
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Moving House We were always moving out ahead of the next wave yet not riding the last wave to the crest history refracts the burden and it all breaks back and down and returns yet not the same, tipping ill fitting puzzle bits of myth captured and released in transition to dust from real life as time flows on away beneath the ground all the endless summer night long
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Evening Train Train whistle in cold January night down by the water lonesome sound from a long way off amid memory forest Harlem Avenue 1947 or 1948 late upstairs in the exile bedroom at grandparents' house across from the house of the mysterious famous gangster in the dark under the attic rafters hour after hour imagining a meaning to fit the brilliant silvery word Zephyr
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Taking the El to Work I make it out the door to the El station. It's a hot summer day in 1955. Heat waves jump off the El tracks. From the train you can see down into the backyards Where angels live in dejection. Ragged wash hangs there: grey t-shirts without arms. Next come vistas of wrecked cars and the bolt factory. Downtown I change trains for the North Side Or the South Side. One night late I'm walking down 35th Street toward the El When out of the double doors of a bar Explodes a woman screaming as if escaped From hell, her torso a red streaming suture. I decide I am unsuited for this line of work But the next night I'm back on the train to the ballpark.
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Pancake and Pizza Breakfast Yellow Olds with 1970 Iowa plates so bilious you put me in mind of adventure seeking back in the lost time when all it took to inspire the heart with a prolonged rush of expectation was the idea of a deranged weekend at the Dells
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Nice Surprise There toward the end of that last Millennium, with only about sixty more years to go, when things were finally beginning to become just that little bit clearer, it was thought time to provide the child a soft, loyal, companionable stuffed friend. But by then, it was perhaps too late. The mask had slipped just enough to reveal the inchoate fear encroaching. What was it, merely a passing shadow, there, behind the child's untrusting eyes. That which had been suspected yet not thus far seen would indeed soon enough become actual, as incipient things have a way of doing. First it's stuffed bunnies they're giving you. Next it's ice cream and then the nice surprise — you're at the hospital, having an operation.
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The Past There is no such thing as a clean break with the past Chase it off, it comes sneaking straight back much as a blindly loyal companion, whose company one had never quite earned and does not wish to keep
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Point and Shoot A wee bit of intelligent direction — all reality that hopelessly awkward and ungainly proposal forever spilling over into uncertainty seemed to need.
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Words Even in the middle of nowhere there are words words turn a nowhere into a putative somewhere Like the arena exhortation at sports events to CHEER! still flashing in the dark long after the partisans have departed
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Styx Getting away with it's the easy part But what comes later, the flight Into incompatible identities Taking shadows hostage On the descent...