experiencing the arts in bali 2015 docx - niu.edu pdfs/bali 201… · students will be responsible...
TRANSCRIPT
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PROGRAMDATES:TheprogramwillofficiallybeginonSaturday,July4,2015inTabanan,Bali,andwillendonSaturday,July25,2015.StudentswillberesponsibleformakingtheirownairtravelarrangementsinordertoarriveattheNgurahRaiInternationalAirportinDenpasarby3:00pmonSaturday,July3,2015AshuttlepickupwillbearrangedforthestudentstotakethemtoTabana.PROGRAMOVERVIEW:ThisstudyabroadprogramiscoordinatedbytheNorthernIllinoisUniversityStudyAbroadOffice(SAO),incooperationwiththeNIUCollegeofVisualandPerformingArts,theSchoolofArt,andtheSchoolofMusic.ThecooperatingoverseasagencyistheTraditionalDanceandMusicStudio,SanggarManikGalih,inTabanan,Bali.TheprogramisinresponsetoAmericans’growingawarenessofSoutheastAsianculturesingeneralandoftheuniqueBalineseartsandtheirfunctionsintraditionalandmodern‐dayBalinesesocietyinparticular.Music,dance,andtheateralongwithartandcraftsareimportantpartsofBalineseculture.TheceremonialnatureoftheartsreflectsthemultiplelayersofreligiouspracticesandphilosophiesembeddedinacomplexsocioculturalstructureofBalinesesociety.Theinseparablerelationshipsamongtheseartsprovideavividsoundscapeandlandscapeforstudentstoexperiencethefunctionsofartsinalivingenvironment.Theartisticfieldworkexperienceswillenablestudentstoencounterfirst‐handBalineseculturalinformationandwillhelpthemtoreinforcethetheorieslearnedincoursessuchasanthropology,history,arthistory,andethnomusicology.However,previousexperienceinsuchcoursesisnotrequired.Inadditiontostudyingthearts,throughlivinginatraditionalvillagecompound,banjar,studentswillbeabletointeractwithlocalvillagers,participatein(orobserve)Odalan,“regularlyscheduledfestivalstocelebratetheanniversaryoftemples’dedication”(Dunbar‐Hall2006,62),andexaminetheBalineseculturalpracticesonadailybasisinordertogainacloseandintimatefamiliaritywiththeBalineseandtheirinvolvementwithoneanotherintheirculturalenvironment.SinceBaliisoneofthemostpopulartourismdestinationsintheworld,studentsinthisprogramarealsoencouragedtointeractwithothertouriststogaininsightsintotheimpactoftourismonthedevelopmentofBalinesecultureintheglobalizedera(Dunbar‐Hall,55).PROGRAMOBJECTIVES:Throughthisprogram,participantswillexperienceanewculturebyinteractingwiththelocalpeopleandgainingknowledgeabouttheinseparablerelationshipofBalinesearts
ExperiencingtheArtsinBali
July4–25,2015
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(music,dance,crafts,andvisualarts),religion,andculture.Thisknowledgewillbeacquiredthroughthefollowing:
ClassroomlecturesonBalinesecultureandreligiouspractices,i.e.,animismandHinduism,andtheirinfluenceonmusic,dance,theaterandepicliterature,andtheartsthroughouthistory
ClassroomlecturesonBalinesemusicandthedifferentdancetraditionsaccompaniedbyvariousstylesofgamelan
ClassroomlecturesontraditionalBalinesearchitectureandcrafts,suchasbatik(adyeingtechnique)andwayangkulit(shadowpuppetry)theater
Fieldexperiencesincluding: Gamelananddanceworkshop(daily) Leatherpuppetcarvingandwoodcarvingworkshop(daily) Architecture&landscapestour(weekends) Festivalattendance(TBA,accordingtothelocalcalendar)
PROGRAMDIRECTORS:Jui‐ChingWang(Music)Jui‐ChingWangisAssociateProfessoratNorthernIllinoisUniversitywheresheteachesmusiceducationandworldmusiccoursesandcoordinatesworldmusicensemblessuchasChinesemusicensemble,Indonesiangamelanensemble,andMiddleEasternmusicensemble.ShehaspublishedjournalarticlesinEnglishandChineseandhaspresentedpapersatprofessionalmusiceducationandinterdisciplinaryconferences.Asaclinicianadvocatingthestudyofmusicasculture,Dr.Wanghasprovidedtraininganddemonstrationsforin‐serviceteachersandstudentsintheU.S.,China,andTaiwantohelpthemexpandtheirculturalhorizonthroughmusic.Shei‐ChauWang(Art)Shei‐ChauWangisAssociateProfessorinArtandDesignEducationintheSchoolofArt.BeforejoiningtheNIUfaculty,Dr.WangtaughtArt,Design,andArtEducationatseveraluniversitiesinTaiwan.Hisresearchinterestsincludee‐learninginartanddesign,artassessmentindigital/virtuallearningenvironments,andinterdisciplinaryeducationthroughthearts.HehaspublishedarticlesinbothEnglishandChineseandpresentednumerouspapersatbothnationalandinternationalconferences.HecurrentlyservesontheeditorialboardoftheInternationalJournalofEducationthroughArt(InternationalSocietyofEducationthroughArt)and美育[theJournalofAestheticEducation](NationalTaiwanArtsEducationCenter).GUESTINSTRUCTORS:IMadeLasmawan,GamelanBalinesedrummerandcomposerIMadeLasmawanwasborninthevillageofBangah,intheBaturitiregionoftheregencyofTabanan,Baliin1958.Stronglyinfluencedbyhisfamilyandinvolvedinthearts
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sincechildhood,heenteredKOKAR(ConservatoryforTraditionalPerformingArts)inDenpasar,Bali,andgraduatedin1977.Hecontinuedhisstudiesin1978atSTSI(IndonesianCollegeoftheArts)inSurakarta(Solo),CentralJava,andstudiedtraditionalJavanesemusic,receivinghisTraditionalIndonesianMusicdegreein1983.
Mr.Lasmawanhastraveledthroughouttheworld,includingBelgium,France,England,Singapore,JapanandMexico.HeisaprolificcomposerwhotaughtBalinesemusicatSTSIfrom1983until1990,whenhewasinvitedtoSanDiegoStateUniversitytoteachJavaneseandBalinesemusic.LivinginColoradosince1993asanArtist‐in‐ResidencewiththeGamelanTunasMekar,healsoteachesBalinesegamelanatColoradoCollegeinColoradoSprings,NaropaUniversityinBoulder,Colorado,theUniversityofWyominginLaramie,andtheUniversityofColorado,Boulder.WheninBali,hecontinuestoplayaleadroleinthedevelopmentofhishomevillage’smusicalorchestras,whichincludeamen’sgamelanangklungandachildren’sorchestra.
IGustiNgurahKertayuda,DanceIGustiNgurahKertayudaisagraduateoftheConservatoryforTraditionalPerformingArts(KOKAR)inDenpasar,Indonesia.Hehastaughtandperformedtraditionalandmoderndanceandgamelansincethe1970s,bothnationallyandinternationallyfornumerousdignitariesandfestivals.SincehisrelocationtotheUnitedStatesin1989,heservedastheartisticandchoreographydirectorfortheIndonesianConsulateGeneralofChicagoandhasjustretiredfromthispositioninDecember2012.HeisnowthedirectorofIndonesianDanceofIllinois,anon‐profitorganizationinthegreaterChicagoareapromotingIndonesianculturethroughdanceandmusic.
PROGRAMSITE(S):BanjarBangah,Baturiti,inTabanan,Bali,istheprimarysitewherethisprogramwillbebased.
TabananisthecapitaloftheTabananregencyofBali.Notwellknownbyvisitorsduetoalackofinfrastructure,thecoastalareasinthesouthhavebeenlightlydevelopedinrecentyears,andtherearenowsomehighprofileaccommodationoptionsthere.Tabananismorefamousforitsrollinggreenlandscapes,hillsandespeciallythe
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imposingMountBatukaru,Bali'ssecondhighestpeakat2,276meters.ThetownofMengwihasalongandrichhistoryassociatedwithitsroyalfamilyandasplendidtemplecomplexatTamanAyun.(http://wikitravel.org/en/Tabanan)StudentswillstayandstudyinBanjarBangahinTabananforthethree‐weekprogram.Asmallvillagecompoundboundbyreligionandalocalbrandofcommunalism,thebanjarcanalsobeperceivedasatraditionalautonomousinstitutionthatfulfillsthevillager’scommunalandreligiousneedsbycombiningsocialactivitiesandceremonies.Becausemusicisanimportantpartofsuchceremonies,traditionallyeachbanjarownsandmaintainssetsofgamelan.BanjaristhemostbasicbuildingblockofthewholeoftheBalinesesocietyandisthemostimportantlinkbetweenthegovernmentandtheBalinese.Banjarsareliketinyscrewinthehugeengine.Ifoneofthescrewscomesloose,thewholeenginewillstarttofail.(http://www.indo.com/featured_article/banjar.html)Inaddition,theprogramwilltakeplaceatthefollowingsites:
UbudCultureCenter; Temples:TamanAyunTemple,BeratanTemple,TanhLotTemple,Besakih
Temple; ScenicSites:BeratanLake,BotanicalGarden,RiceTerrace,MonkeyForest,
LovinaBeach,andGitgitWaterfallThestudentswillalsoparticipateinpartofthe2015BaliArtsFestivalinDenpasar.TheBaliArtsFestivalisafullmontheventconsistingofdailyperformances,handicraftexhibitions,andotherrelatedculturalandcommercialactivities.Ondisplayareforgottenorrecentlyrevivedtrancedancesfromremotemountainareas,foodandofferingcontests,classicalpalacedances,and"kreasibaru"(newcreations)fromthedanceschoolsofDenpasarandcontemporarychoreographyanddancecompaniesfromotherIndonesianislandsandabroad.TheBaliArtsFestival,theDenpasarculturaleventoftheyear,isauniqueopportunitytoseelocalvillageculture,“live”andatfirsthand.(http://www.baliartsfestival.com/#about)
PROGRAMAUDIENCE:Spaceislimitedandqualifiedapplicantswillbeacceptedonafirst‐come‐first‐servedbasis.Theprogramisopentoallstudents(bothundergraduateandgraduatelevels)interestedinBalineseculture,includingnon‐traditionalstudents,
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students‐at‐large,andprofessionals.Thiscoursewillbeofspecialinteresttostudentsfromart(studioart,arteducation,andarthistory),anthropology,communication,politicalscience,globalstudies,culturalstudies,music,dance,theater,andhistory,andtothosewithaSoutheastAsianStudiesfocus.INSTRUCTIONALMETHOD:Thesessionsincludedaily(5‐day/perweek)lecturesontheoverviewofBalineseculturebyprogramdirectors(Jui‐ChingWangandShei‐ChauWang)anddailyrehearsalswithguestinstructor(MadeLasmawan,gamelan;NgurahKertayuda,dance;andNiKetutLasmawan,dance),andworkshopswithlocalleatherpuppetandwoodcarvingartists.Individualandgrouppracticesessions(onmusicanddance)arealsoimportantpartsoftheprogram.Inaddition,eveningeventsincludingparticipationinlocalfestivals/ceremonieswillbearrangedaccordingtotheBalinesecalendartobepartofyourculturalexploration.Aone‐hourdebriefingsessionwillbehelddailybytheprogramdirectorstoallowyoutoreflectontheactivitiesduringthedayandtoaskquestionsrelevanttotheculturalexperiencesyouhaveencountered.Afterthedebriefingsession,youwillberequiredtomakeanentryintoadailyjournalofwhatyouhavelearnedfromtheseinstructionalandfieldexperiencesandsubmititelectronicallydailytotheprogramdirectorsaspartoftheassessmentprocess.Sessionsarenormallyheldinthebanjar,withtheexceptionofattendanceattemplefestivals/ceremoniesindifferentvillagesandonarchitectureandscenerytoursaroundtheisland.CourseRequirementforUndergraduateStudents:
Activeparticipationindailylecture,rehearsal,workshop,practice,anddebriefingsessions,andoccasionalculturalevents(30%)
Electronicsubmissionofdailyjournalentriesonmaterialslearned(5entriesperweek,20%)
Electronicsubmissionofaweeklysummaryassignmentinamulti‐mediaformatofphotos,videoclips,anda3‐paragraphreflectionessay(3entries,30%)
Completionofa15‐minutesoundscapedocumentaryattheendoftheprogramtohighlightyourculturalexploration(20%)
CourseRequirementforGraduateStudents
Activeparticipationindailylecture,rehearsal,workshop,practice,anddebriefingsessions,andoccasionalculturalevents(30%)
Electronicsubmissionofdailyjournalentriesonmaterialslearned(5entriesperweek,20%)
Electronicsubmissionofaweeklysummaryassignmentinamulti‐mediaformatofphotos,videoclips,andanin‐depth2‐pagesinglespacedreflectionessaythattacklesculturalelementsencounteredduringtheexploration.Towriteyourreflectionessay,youmustemployethnographicmethods,e.g.,interview,observation,and/orreflexivity.YourreflectionshouldalsobeframedwithinCulturalAnthropologicalTheories,suchasGeertz’sThickDescription(3entries,30%)
Completionofa30‐minutesoundscapedocumentaryattheendoftheprogramtohighlightyourculturalexploration(20%)
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PROGRAMACADEMICCREDIT:Forsatisfactoryparticipationintheprogram,participantswillreceive3semesterhoursofundergraduateorgraduatecreditinoneofthefollowingNIUcourses.Thereisnoprerequisiteofmusical,dance,orartability.KnowledgeofIndonesianisnotrequired.
UNDERGRADUATECREDIT(Chooseoneofthetwooptionslisted)
MUHL431MusicofSoutheastAsia‐BalineseMusic 3semesterhours
Description:Thiscourseintroducesthehistory,theory,philosophy,religion,andperformancepracticesofBalinesemusic,dance,andtheatertraditions.Itisdesignedforseniorsandgraduatestudentswithlittleornopriorknowledgeofsuchtraditions.Studentsindisciplinessuchasanthropology,communication,history,philosophy,andculturalstudieswithaninterestinstudyingBalineseculturesintheirhistorical,social,andculturalcontextswillfindthiscourseuseful.Italsodrawsonsomecriticaldebatesontheinfluencesofculturalimperialism,tourism,andglobalizationonthedevelopmentoftraditionalBalinesemusicanddance.Throughlectures,participationinvariousculturalactivities,interactionwithlocalartistsandordinarypeopleonadailybasis,andexaminationofscholarlywritings,studentswillgaininsightsintothehistoricaldevelopmentoftheselectedmusicaltraditionsandtheircurrentplaceinandoutofBali.Prerequisite:ConsentofSchool
‐OR‐
ART489TopicsinArt‐BalineseArchitectureandCraftArts 3semesterhours
Description:Thiscourseintroducesthehistory,theory,philosophy,religion,andvisualandperformancepracticesofBalineseculture.Itisdesignedforseniorsandgraduatestudentswithlittleornopriorknowledgeofsucharts.Studentsindisciplinessuchasanthropology,communication,history,philosophy,andculturalstudieswithaninterestinstudyingSoutheastAsianculturesintheirhistorical,social,andculturalcontextswillfindthiscourseuseful.Italsodrawsonsomecriticaldebatesontheinfluencesofculturalimperialism,tourism,andglobalizationonthedevelopmentoftraditionalBalinesearts.Throughlectures,participationinvariousculturalactivities,visitingarchitecturesitessuchastemplesandpalaces,interactionwithlocalartistsandpeopleonadailybasis,andexaminationofscholarlywritings,studentswillgaininsightsintothehistoricaldevelopmentoftheselectedartistictraditionsandtheircurrentplaceinandoutofBali.
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GRADUATECREDIT(Chooseoneofthetwooptionslisted)
MUHL531MusicofSoutheastAsia‐BalineseMusic 3semesterhours
Description:Thiscourseintroducesthehistory,theory,philosophy,religion,andperformancepracticesofBalinesemusic,dance,andtheatertraditions.Itisdesignedforseniorsandgraduatestudentswithlittleornopriorknowledgeofsuchtraditions.Studentsindisciplinessuchasanthropology,communication,history,philosophy,andculturalstudieswithaninterestinstudyingBalineseculturesintheirhistorical,social,andculturalcontextswillfindthiscourseuseful.Italsodrawsonsomecriticaldebatesontheinfluencesofculturalimperialism,tourism,andglobalizationonthedevelopmentoftraditionalBalinesemusicanddance.Throughlectures,participationinvariousculturalactivities,interactionwithlocalartistsandordinarypeopleonadailybasis,andexaminationofscholarlywritings,studentswillgaininsightsintothehistoricaldevelopmentoftheselectedmusicaltraditionsandtheircurrentplaceinandoutofBali.Prerequisite:Consentofschool.
‐OR‐
ART690IndependentStudy‐BalineseArchitectureandCraftArts 3semesterhours
Description:Thiscourseintroducesthehistory,theory,philosophy,religion,andvisualandperformancepracticesofBalineseculture.Itisdesignedforseniorsandgraduatestudentswithlittleornopriorknowledgeofsucharts.Studentsindisciplinessuchasanthropology,communication,history,philosophy,andculturalstudieswithaninterestinstudyingSoutheastAsianculturesintheirhistorical,social,andculturalcontextswillfindthiscourseuseful.Italsodrawsonsomecriticaldebatesontheinfluencesofculturalimperialism,tourism,andglobalizationonthedevelopmentoftraditionalBalinesearts.Throughlectures,participationinvariousculturalactivities,visitingarchitecturesitessuchastemplesandpalaces,interactionwithlocalartistsandpeopleonadailybasis,andexaminationofscholarlywritings,studentswillgaininsightsintothehistoricaldevelopmentoftheselectedartistictraditionsandtheircurrentplaceinandoutofBali.Prerequisite:Consentofschoolandinstructor.
INDEPENDENTSTUDY/RESEARCHPROJECT:Individualsdesiringtoearnthreeadditionalhoursofundergraduateorgraduatecreditmaydosobyengaginginanindependentstudy‐researchprojectunderthedirectionofProfessorJui‐ChingWang(Music)orShei‐ChauWang(Art),programdirectors.Theresearchreportshouldbeatleast10pagesforundergraduatecreditand20pagesforgraduatecredit. RequirementsforIndependentStudy/ResearchProject:InordertoobtainapprovalfromcourseormajordepartmentchairandJui‐ChingWangorShei‐ChauWang,programdirectors,applicantsmust:
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1. Relatetheprojecttoatopicorsubjectintroducedduringtheprogram.2. CompleteandsubmittheprojectforfinalevaluationtoJui-Ching Wang or Shei-Chau
Wang, program directors,nolaterthanNovember1,2015.
UNDERGRADUATECREDIT
ART490IndependentResearch 3semesterhours
Description:Workonindividualproblemsinthestudent’smajorfield.Mayberepeatedtomaximumof9semesterhours.Prerequisite:Consentofschool.
‐OR‐
INTL401StudyAbroadPrograms3semesterhours
ThiscourseservesasanindependentstudyMusiccourseforstudentparticipatingintheBaliprogram.
Description:Courseworkundertakenaspartofanapproveduniversitystudyabroadprogram.Discipline‐basedcourseusedtoreflectcreditgiven,withdepartmentalapproval,forcourseworkforwhichthereisnoNIUequivalentcourse.Mayberepeatedtoamaximumof9semesterhours.
GRADUATECREDIT
ART690IndependentStudy3semesterhours
Description:Workonindividualproblemsinstudent’schosenfield.Mayberepeated.Multiplesectionsmaybetakenwithinthesamesemester.Prerequisite:Consentofschoolandinstructor.
‐OR‐
MUHL798SelectedStudiesinMusicHistoryandLiterature 3semesterhours
Description:Independentorsmall‐groupstudyofselectedtopics.Participationinmorethanoneindependentstudypersemesterpermittedbyconsentofschooldirector.Mayberepeatedtoamaximumof20semesterhours.Seespecificdegreerequirementsforlimitations.S/Ugrading.Prerequisite:Consentofschool.
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APPLICATIONANDADMISSIONPROCEDURES:TheprogramisopentobothundergraduatesandgraduatelevelstudentswhomeettheNIUgeneraladmissionrequirements,andwhoareinterestedinart,music,anthropology,andhistory.CurrentlyenrolledstudentsmustmeetCollegeofVisualandPerformingArtsorCollegeofLiberalArtsandSciencescourseGPArequirements.GraduatelevelstudentsmustalsomeetNIUGraduateSchooladmission,courseandGPArequirements.Studentsmustbeingoodacademicanddisciplinarystandingatthetimeofapplication.Studentswhoareonacademicordisciplinaryprobationarenoteligibletoparticipateinstudyabroadprograms.ApplicantsmustparticipateintheentireprogramandsatisfyNIUundergraduateorgraduateadmissionandcourserequirements.StudentscannothaveanyencumbrancesagainsttheirNIUrecords.Anyencumbrancesplacedonastudent’srecordsbyNIU(i.e.,theGraduateSchool,UndergraduateAdmissions,Bursar’sOffice,AccountsReceivable,RegistrationandRecords,HealthServices,ParkingServices,etc.)mustbeclearedbeforeastudentisgrantedadmissiontoastudyabroadprogram.Forundergraduatestudentstobeadmittedtotheprogram,anapplicant’sofficialtranscriptmustbeonfileintheNIUStudyAbroadOffice.StudentswhoarecurrentlyenrolledatNIU,orwhohavepreviouslyenrolledatNIU,donotneedtorequestanofficialtranscript;theStudyAbroadOfficewillmakethisrequestonbehalfoftheapplicant.StudentswhowanttoparticipateintheprogramandearnacademiccreditfromNIUwhohavenotpreviouslyenrolledatNIU,orwhoarenotcurrentlyenrolledatNIU,shouldasktheRegistrarattheirinstitutiontoforwardanofficialtranscriptassoonaspossibletotheStudyAbroadOffice.(Student‐issuedtranscriptsandphotocopiesarenotacceptable.)QuestionsrelatingtotheadmissionrequirementsortranscriptsshouldbedirectedtotheStudyAbroadOffice.StudentswhodesiretoobtaingraduatecreditmusteitherbeadmittedtoagraduateprogramwithintheNIUGraduateSchool,orbeadmittedtothestatusofa"student‐at‐large"(SAL)withinNIU'sGraduateSchool.Forstudentstobeadmittedtotheprogramforgraduatecredit,theapplicant'sofficialtranscriptmustbeonfileintheNIUSAO.StudentswhoarecurrentlyenrolledatNIU,orwhohavepreviouslyenrolledatNIU,donotneedtorequestanofficialtranscript.However,studentswhowillparticipateintheprograminordertoearnacademiccreditasanSAL(studentswhohavenotcurrentlyenrolled,norarepreviouslyenrolledat
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NIU)mustprovideatranscriptfromthebaccalaureateinstitutionandfromanyinstitutionatwhichgraduatecredithasbeenearned.ThisdocumentmustbeprovidedtotheSAObeforeastudentcanbeadmittedasanSALtotheprogram.(Studentissuedtranscriptsandphotocopiesarenotacceptable.)APPLICATION:ClickExperiencingtheArtsinBaliorvisittheNIUStudyAbroadOfficewebsiteathttps://niu.studioabroad.com(andsearchfor“Bali”or“ExperiencingtheArtsinBali”tobegintheonlineapplicationprocessforthisprogram.Theonlineprocessprovidesguidanceonrequestinginformation,advising,orapplyingfortheprogram.Pleasenotethatatthetimeofapplication,applicantswillbeexpectedtosubmitasignatureverificationformandcopyoftheirIDtotheStudyAbroadOffice.Moredetailedinstructionscanbefoundonthehttps://niu.studioabroad.comwebsiteorbycontactingtheStudyAbroadOfficeat(815)753‐[email protected].$200APPLICATIONFEE/DEPOSIT:A$200applicationfee/depositisrequiredofallapplicants.The$200isbrokendowninto$100forthenon‐refundableapplicationfeeand$100foraprogramdeposit.Boththeapplicationfeeandthedepositwillbeappliedtothetotalbalanceoftheprogramcost.The$100depositisrefundableonlyiftheparticipantwithdrawspriortothewithdrawaldeadlineindicatedontheprogrammaterialsorformedicalreasonsverifiedbyaphysicianifthewithdrawaltakesplaceafterthewithdrawaldeadline.The$200applicationfee/depositwillbechargedtoNIUstudents’NIUBursar'saccount.(ChecksandmoneyorderscannotbeacceptedfromNIUstudents.)Non‐NIUstudentsmustsubmitacheckormoneyorderintheamountof$200.Moredetailedinstructionsregardingtheapplicationfee/depositcanbefoundontheseminarapplicationwebsite.IMPORTANT–Allapplicationswillbecategorizedas“Pending–NoDeposit”untilthe$200applicationfee/deposithasbeenreceived(or,inthecaseofnon‐NIUstudents,onceacheckhasbeenreceived).TheStudyAbroadOfficewillnotconsiderorprocessapplicationswithoutthe$200applicationfee/deposit.Inordertoreserveyourplaceintheprogramyoumustsubmitthe$200depositwithin14daysofapplication.After14daysapplicationswithoutadepositwillbeinactivated.
APPLICATIONDEADLINE:March31,2015.
ACCOMMODATIONSANDMEALS:ParticipantswillresideinBanjarBangah,traditionalvillagecompoundintwinbeddedroomswithsharedbathandtoiletandwillbeprovidedthreemealsdailythroughouttheperiodofresidency.Addressoftheprimarysite:BanjarBangah,Baturiti,Tabanan,Bali,IndoneisaPrimarycontactperson:MadeLasmawanPhoneNo.(Indonesia):011‐62‐238‐636‐041
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AIRTRANSPORTATION:IndividualswillberesponsibleformakingtheirownairtravelarrangementsbetweentheU.S.andDenpasar,Bali,Indonesia,andforpurchasingtheirticketsfromatravelagentorairlineoftheirchoice.(Travelinsuranceisrecommended.)ParticipantsshouldkeepinmindthatinordertoarriveinDenpasarintimefortheofficialbeginningoftheprogram,theyshouldplantodeparttheU.S.nolaterthanMay29,2015.Pleasenotethatthereisa12‐hourtimedifferencebetweenDeKalbandDenpasarandtherefore,aMay29departureinDenpasartimeisalreadyMay30.Forinformationregardingairfaresandairlinesstudentsmaywishtocheck‐outadditionalairfaresitesontheInternet.Important‐TheStudyAbroadOfficeadvisesallparticipantsthatflightreservationsforthisprogramshouldnotbebookeduntil:
a. AftertheMarch31,2015applicationdeadline ANDb. TheSAOhasacceptedtheminimumnumberofparticipantsneededtooperatethisprogram.
Thisadvisoryisgivensothatparticipantsdonotfindthemselvesfinanciallyresponsibleforairlineticketsshoulditbenecessarytocanceltheprogram.(Seesectionentitled,CANCELLATIONOFTHEPROGRAM)LANDTRANSPORTATION:Forprogram‐relatedtravelthegroupwilltravelbyprivateshuttleprovidedaspartoftheNIUprogramcost.(RefertotheTentativeDailyScheduleforspecificdetailsregardingotherprogram‐relatedtransportation.)),andPASSPORT:‐‐IMPORTANT‐‐AllparticipantsarerequiredtopossessavalidpassportbyMarch1,2015.ImportantNote:U.S.passportsmustbevalidSIXmonthsbeyondtheintendedstayoverseas.Individualswhodonotcurrentlypossessavalidpassportshouldapplyforoneimmediatelyuponacceptanceintotheprogram.AfterMay1,2015applicantsmayneedtorequestexpeditedservicesorapplyinpersonattheChicagoPassportAgency.IfapplicantsarenotwithintheChicagoarea,theymustapplyatthenearestpassportagency.)Passportapplicationscantakeanywherefromtwotosixweekstoprocessthereforeyoumustnotdelayinapplyingforyourpassport.InformationonacquiringaU.S.passportisavailableattheU.S.StateDepartment’swebsite:http://travel.state.gov/content/passports/english.html.Foreignpassportholdersmayneedspecialvisasfortravelandareresponsibleforobtainingallnecessaryvisas.VISA:VISA:AtouristvisaisrequiredandwillbepurchasedattheairportinBali.PASSPORTANDISICPHOTOS:Youmayhaveyourpassportand/orISICphoto(s)takenintheNIUStudyAbroadOffice.Photosare$3.00forthefirstphotoand$2.00foreachphotoafterthat.Afterthefirsttwophotos,photosmustbepurchasedinmultiplesoftwo.Photosareusuallydevelopedwhileyouwait.
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StudyAbroadOfficehoursare8:00a.m.–12:00p.m.(closedoverthelunchhour)and1:00–4:30p.m.HEALTHREQUIREMENTS/VACCINATIONS:ItisimportanttocheckwiththeNIUUniversityHealthServiceTravelClinicregardingvaccinationsandmedicationsforvaccine‐preventablediseasesandotherdiseaseyoumightbeatriskforinBali.AllvaccinationsshouldbeadministeredBEFOREtheendofthespringsemester.Unlessyouareenrolledinon‐campusNIUsummercoursesinadditiontothisstudyabroadprogram,youwillnothaveaccesstotheNIUHealthService.StudyabroadfeesdonotincludetheNIUHealthServicefee.NIUMAJORMEDICALINSURANCE:NIUStudenthealthinsuranceisrequiredforparticipationinanNIUstudyabroadprogram.ParticipantsnotcurrentlyenrolledintheNIUMajorMedicalInsurancePlanwillbeenrolledbytheStudyAbroadOffice.TheNIUMajorMedicalInsurancePlanhasa$250deductibleclause.StudentsrequiringmedicalattentionwillbeexpectedtopayanyrelatedcostsandthenfileaclaimwiththeNIUStudentInsuranceOfficeafterreturningtotheStates.Receiptsshowingpaymentforallmedicalexpensesarerequiredforreimbursement.INTERNATIONAL STUDENT I.D. CARD: The ISIC card is provided as part of the program cost. The I.D. card can provide discount on international airfare and other travel. Students will receive an application and instructions for obtaining this card when accepted into the program. TheInternationalStudentIdentityCardalsoincludesalimitedhealthandaccidentinsurancepolicywhichisonlyvalidoutsidetheU.S.Studentswillhavetopaybillsatthetimeoftreatmentandwillbereimbursedlater.
NIUPROGRAMCOST:Theprogramcostpaysforthefollowingcostrelatedservices:1) DormaccommodationsandthreemealsdailywhilethegroupisinBali,
Indonesia.2) LandtransportationinBali,Indonesia.3) Admissionfeestoculturalandhistoricalsitesvisitedaspartofthedaily
schedule.4) NIUundergraduateorgraduatecredit.6) NIUmajormedicalinsurance.7)InternationalStudentI.D.CardPROGRAMCOST:$3,930
Allpricesquotedaresubjecttochange.Theinformationcontainedintheprogramdocumentsandformsispresentedingoodfaithandisbelievedtobecorrectasofthedate
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presented.NorthernIllinoisUniversityreservestherighttoamend,modify,revise,ordeleteanyinformationappearinginthesedocuments,includingbutnotlimitedtothecostoftheprogram.
Non‐NIUstudentsshouldconsultwiththeirhomeinstitutionsregardingadditionalcoststhatmayapplytostudyabroad.Non‐NIUstudentsareresponsibleforanystudyabroadchargesimposedbytheirhomeinstitution.
ADDITIONALCOSTSTOPARTICIPANTS: Internationalairfare Costofacquiringapassport(approximately$130,including2passportpictures) FeeforacquiringthevisatoenterBaliforstayingupto30days‐$25 Additionalcostsassociatedwithobtainingavisafornon‐U.S.passportholders. Immunizationfees(ifimmunizationsarerequired) $40Undergraduateapplicationfeefornon‐NIUundergraduatestudents Independenttravelandvisacostsassociatedwithindependenttravel Additionalmealsandsnacks Expensesforfree‐timepursuits Shoppingmoney(personalnatureexpenses/purchases)‐$200
FINANCIALAID:AsaparticipantinastudyabroadprogramthroughNIU,applicantsmaybeeligiblefor:PellGrant,SEOG,PerkinsLoan,PLUSLoan,SubsidizedorUnsubsidizedStaffordLoan,MAPAwardoryourprivatelyawardedscholarshipwithconsentofawardingorganization.PleasecontactPamelaRosenberg,InternationalProgramsBusinessManager,WillistonHall407,(815)753‐9530,[email protected]:ApplicantswithdrawingfromtheprogramafterMarch31,2015willnotberefundedthe$200programdeposit.Applicantswithdrawingfromtheprogramafterthisdatewillalsobeheldaccountableforanyfundsobligatedtooverseasvendorsandagentsontheapplicant’sbehalf.Thisprovisionisineffecteveniftheapplicanthasnotsubmittedthe$200depositoradditionalpayments,andiftheapplicantisapplyingforfinancialaid.IftheapplicantmustwithdrawafterMarch31,2015formedicalreasons,fundsobligatedontheirbehalftooverseasvendorscanonlyberefundedif:
1) TherequestissubmittedtotheStudyAbroadOfficeinwritingandaccompaniedbyasignedstatementstatingthattravelisnotadvisedfromaphysicianonthephysician’sletterhead;and
2) NIUisabletoobtainrefundsfromoverseasvendorsandagents.
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CANCELLATIONOFTHEPROGRAM:TheStudyAbroadOfficereservestherighttocancelthisprogramiftheminimumrequiredenrollmentisnotattained.If,priortothecommencementoftheprogram,aU.S.StateDepartmentTravelWarningisissuedforIndonesia,allapplicantswillbenotifiedpromptlyofthewarningandthepossibilityofcancellationoftheprogram.If,duringthecourseoftheprogram,aU.S.StateDepartmentTravelWarningisissuedforIndonesia,studentswillbepromptlynotifiedofthewarningandtheadvisabilityofcancelingtheprogram.
Theinformationcontainedintheprogramdocumentsandformsarepresentedingoodfaithandisbelievedtobecorrectasofthedatepresented.NorthernIllinoisUniversityreservestherighttoamend,modify,revise,ordeleteanyinformationappearinginthesedocuments,includingbutnotlimitedtothecostoftheprogram.
NORTHERNILLINOISUNIVERSITYRESERVESTHERIGHTTOALTER
ORCANCELTHISPROGRAMASMAYBEDEEMEDNECESSARY!
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CourseSyllabus
ExperiencingtheArtsinBali
ART489/689TopicsinArtor
MUHL431/531MusicofSoutheastAsia
ProgramDirectors:Jui‐ChingWang,Shei‐ChauWangCollegeofVisualandPerformingArts
CourseDescription:ThisstudyabroadprogramiscoordinatedbytheNorthernIllinoisUniversityStudyAbroadOffice(SAO),incooperationwiththeNIUCollegeofVisualandPerformingArts,theSchoolofArt,andtheSchoolofMusic.ThecooperatingoverseasagencyistheTraditionalDanceandMusicStudio,SanggarManikGalih,inTabanan,Bali.TheprogramisinresponsetoAmericans’growingawarenessofSoutheastAsianculturesingeneralandoftheuniqueBalineseartsandtheirfunctionsintraditionalandmodern‐dayBalinesesocietyinparticular.Music,dance,andtheateralongwithartandcraftsareimportantpartsofBalineseculture.TheceremonialnatureoftheartsreflectsthemultiplelayersofreligiouspracticesandphilosophiesembeddedinacomplexsocioculturalstructureofBalinesesociety.Theinseparablerelationshipsamongtheseartsprovideavividsoundscapeandlandscapeforstudentstoexperiencethefunctionsofartsinalivingenvironment.Theartisticfieldworkexperienceswillenablestudentstoencounterfirst‐handBalineseculturalinformationandwillhelpthemtoreinforcethetheorieslearnedincoursessuchasanthropology,history,arthistory,andethnomusicology.However,previousexperienceinsuchcoursesisnotrequired.Inadditiontostudyingthearts,throughlivinginatraditionalvillagecompound,banjar,studentswillbeabletointeractwithlocalvillagers,participatein(orobserve)Odalan,“regularlyscheduledfestivalstocelebratetheanniversaryoftemples’dedication”(Dunbar‐Hall2006,62),andexaminetheBalineseculturalpracticesonadailybasisinordertogainacloseandintimatefamiliaritywiththeBalineseandtheirinvolvementwithoneanotherintheirculturalenvironment.SinceBaliisoneofthemostpopulartourismdestinationsintheworld,studentsinthisprogramarealsoencouragedtointeractwithothertouriststogaininsightsintotheimpactoftourismonthedevelopmentofBalinesecultureintheglobalizedera(Dunbar‐Hall,55).CourseObjectives:Throughthisprogram,participantswillexperienceanewculturebyinteractingwiththelocalpeopleandgainingknowledgeabouttheinseparablerelationshipofBalinesearts(music,dance,crafts,andvisualarts),religion,andculture.Thisknowledgewillbeacquiredthroughthefollowing:
ClassroomlecturesonBalinesecultureandreligiouspractices,i.e.,animismandHinduism,andtheirinfluenceonmusic,dance,theaterandepicliterature,andtheartsthroughouthistory
ClassroomlecturesonBalinesemusicandthedifferentdancetraditionsaccompaniedbyvariousstylesofgamelan
ClassroomlecturesontraditionalBalinesearchitectureandcrafts,suchasbatik(adyeingtechnique)andwayangkulit(shadowpuppetry)theater
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Fieldexperiencesincluding: Gamelananddanceworkshop(daily) Leatherpuppetcarvingandwoodcarvingworkshop(daily) Architecture&landscapestour(weekends) Festivalattendance(TBA,accordingtothelocalcalendar)
Assignments:
Electronicsubmissionofdailyjournalentriesonmaterialslearned(5entriesperweek,20%total)DUE10:00pmdaily,MondaytoFriday
3‐paragraphreflectionessaybasedondailyactivities(includinginteractionwithlocalresidents,suchasBalineseinstructors,neighbors,orvendors/merchantsand/ortouristsonthestreet)
Electronicsubmissionofaweeklysummary(3entries,30%total)DUE10:00pmSundays(July12,19,and25)
Amulti‐mediasummaryofphotos,videoclips,anda3‐paragraph(atleastonepage,singlespaced)reflectionessaybasedontheactivitiesduringtheweek
GRADUATESTUDENTS:Inyourmulti‐mediasummary,provideanin‐depthanalysisoftheculturalphenomenayouhaveencounteredorobservedduringtheexplorationeachweek.Towriteyourreflectionessay,employethnographicmethods,e.g.,interview,observation,and/orreflexivity.YourreflectionshouldbegroundedinCulturalAnthropologicalTheories,suchasGeertz’sThickDescription.ReadingmaterialsaboutGeertz’sThickDescriptionwillbesenttoyouviaemail.
Completionofa15‐minute(graduatestudents,30‐minute)soundscapedocumentaryattheendoftheprogramtohighlightyourculturalexploration(20%)DUE7:00pmFridayJuly31.
Theprimarycontentofthisdocumentarywillbebasedonthethreeweeklysummariesyouhavesubmitted.Shelemey’sSoundscapesApproachwillbethetheoreticalframeworkfororganizingyourdocumentary.ReadingsaboutShelemey’sworkwillbesenttoyouviaemail.
Grading:Yourfinalgradewillbebasedonyourparticipationindailylecture,rehearsal,practice,touristexcursion,anddebriefingsessions,andthe3assignments.
Activeparticipationindailylecture,rehearsal,workshop,practice,anddebriefingsessions,andoccasionalculturalevents(30%)
Electronicsubmissionofdailyjournalentriesonmaterialslearned(5entriesperweek,20%total)
Electronicsubmissionofaweeklysummaryinamulti‐mediaformatconsistingofphotos,videoclips,andanin‐depthreflectionessay(3entries,30%total)
Completionofa20‐minute(graduatestudents,30‐minute)soundscapedocumentarytohighlightyourculturalexploration(20%)
RequiredMaterials:YouwillneedtocarryalaptoporaniPad,camera,video/audiorecorder,orasmartphoneinordertocompletepartoftheassignments.
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Youarealsorequiredtostudythereadingmaterialsthatwillbeinelectronicformatandwillbesenttoyouviaemailpriortothestartingdateoftheprogram.ReadingList:
Davies, S. 2007. “Balinese Aesthetics.” The Journal of Aesthetics and Art Criticism, 65 (2), 21- 29.
Dunbar-Hall, P. 2006. “Culture, Tourism, and Cultural Tourism: Boundaries and Frontiers in Performances of Balinese Music and Dance.” In Post, J. (ed.), Ethnomusicology: A Contemporary Reader, 53-66.
Gralapp, L.W. 1967. “Balinese Painting and the Wayang Tradition.” Artibus Asiae 29, 239-266. Geertz,Clifford.1973.“ThickDescription:TowardanInterpretiveTheoryofCulture.”InThe
InterpretationofCultures,3‐30.NewYork:BasicBooks. McPhee,C.2002(1948).AClubofSmallMen:AChildren’sTalefromBali.HongKong:
PeriplusEditions,Inc. Miller,T.&SeanWilliams.2008.“SoutheastAsianMusic:AnOverview.”InMiller&Williams
(eds.),The Garland Handbook of Southeast Asian Music, 4‐20. Shelemay,K.2006.“WhatisaSoundscape?”InSoundscape: Exploring Music in a Changing
World, xxxiv‐xxxv.NewYork:W.W.Norton&Company.
RecommendedBooks: Bohan‐Tyrie,T.,Mason,V.,&Beal,G.2001.BalineseChildren’sFavoriteStories.Singapore:
PeriplusEditions,Inc. Eiseman,F.B.2009.Bali:Sekala&Niskala.NorthClarendon,VT:TuttlePublishing. Lasing,J.S.1995.TheBalinese.Orlando,FL:HarcourtBraceCollegePublishers. McPhee,C.2000(1947).AHouseinBali.HongKong:PeriplusEditions,Inc. Reichle,N.2011.Bali:Art,Ritual,Performance.SanFrancisco:AsianArtMuseum. Tenzer,M.1991.BalineseMusic.Singapore:PeriplusEditions,Inc.
DailySchedule:Mornings
Breakfastisservedbetween7:30and8:30. One‐hourlecturebeginsat9:00. Gamelananddancerehearsalbeginsat10:00. Lunchisservedatnoon.
Afternoons Craft/Artsclassstartsat2:00. Individual/grouppracticeorTrekkingstartsat4:00. Debriefingsessionstartsat5:30.
Evenings Dinnerisservedat6:30. Festivals/Ceremonies(TBA)
Weekends Touristactivitieswillbearranged.
*Therewillbe10eventfestivals/ceremoniesandweekendtours.
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TENTATIVESCHEDULEWeek Date Activities&Events Assignments1 7/4 Orientation
BasicIndonesianlanguageskills Touraroundthebanjarandthevillage
Reflection#1 Introduceyourself Yourexpectations
7/5 Lecture:Balinesecultureoverview#1 Gamelanangklung:basics Dance:basicsteps Wayangkulit:introduction
Reflection#2
7/6 Lecture:Balinesecultureoverview#2 Gamelanangklung:basics Dance:basicsteps&handgestures Wayangkulit:characters
Reflection#3
7/7 Lecture:Balinesereligionoverview Gamelanangklung:composition#1 Dance:maskdance(topengkeras) Wayangkulit:plays
Reflection#4
7/8 Lecture:BalineseHinduism Gamelanangklung:composition#1 Dance:maskdance Wayangkulit:introductiontothematerials
&toolsforcarving
Reflection#5
7/9 Tour 7/10 Tour WeeklySummary#1
7/11 Lecture:Balinesehistory Gamelanangklung:composition#1 Dance:Baris Wayangleathercarvingorwoodcarving
Reflection#6
7/12 Lecture:Balinesearts(functionandaesthetics)#1
Gamelanangklung:composition#2 Dance:Baris Wayangleathercarvingorwoodcarving
Reflection#7
2 7/13 Lecture:Balinesearts(functionand
aesthetics)#2 Gamelanangklung:composition#2 Dance:Bandrang Wayangleathercarvingorwoodcarving
Reflection#8
7/14 Lecture:ArchitecturalstyleofBalinesetemplesandpalaces
Gamelanangklung:composition#2 Dance:Bandrang Wayangleathercarvingorwoodcarving
Reflection#9
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7/15 Lecture:Balinesemusic(functions&aesthetics)#1
Gamelanangklung:composition#2 Gamelangongkebyar:basics Dance:socialdance(janger) Arrangingofferingplates(weaving)
Reflection#10
7/16 Lecture:Balinesemusic(functions&aesthetics)#2
Gamelanangklung:composition#2 Gamelangongkebyar:basics&
composition#1 Dance:janger Arrangingofferingplates(weaving)
Reflection#11
7/17 Review 7/18 Tour 7/19 Tour WeeklySummary#2
3 7/20 Lecture:RamayaninBali#1
Gamelanangklung:composition#3 Gamelangongkebyar:composition#1 Dance:pendet
Reflection#12
7/21 Lecture:RamayanainBali#2 Gamelangongkebyar:composition#1 Dance:janger Wayang:writingtheplay
Reflection#13
7/22 Lecture:Balinesemythology&animism#1 Gamelangongkebyar:composition#2 Dance:pendet
Reflection#14
7/23 Lecture:Globalism&tourisminBali KeCak Gamelangongkebyar:composition#2
Reflection#15
7/24 FinalPresentation,Concert,andCelebration 7/25afterbreakfast,shuttletotheairportSelamatJalan!HaveaNiceTripbackHome!
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