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Italian Neorealism (1943-1950)

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Fate Adesso – GET INTO GROUPS!!! Read the following quote and write down one statement about it.

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Page 1: Fate Adesso – GET INTO GROUPS!!!

Italian Neorealism(1943-1950)

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Fate Adesso – GET INTO GROUPS!!!

• Read the following quote and write down one statement about it.

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Obiettivo

• Students will be able to understand the concept of Neorealism and its specifics focuses brought to each students attention by researching specific topics regarding Neorealism in Italian Cinema.

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Attivita’

• As a group you are to research and teach the class the full concept of Neorealism.

• Each group will be assigned to a topic of Neorealism and each student will have be responsible for his/her part

• Give completed with your part, help your group members out!!!!

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Group Topics• 1: What is Neorealism?• 2: Acting in Neorealism Films?• 3: Neorealism Film - The Bicycle Thieves (Ladri

di Biciclette)• 4: Neorealism Film: The Sweet Life (La Dolce

Vita)• 5: Neorealism Film : Rome, Open City (Roma,

Citta’ Aperta)• 6: Demise of Italian Neorealism

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Group 1

• What is Neorealism ?• 1. Definition of Neorealism ( in your own

words)• 2. Provide examples of Neorealism

focuses• 3. Characteristics of Neorealism • 4. Reaction from Fascism era

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Group 2

• Acting in Neorealism films• 1. Locations?• 2. Directors choice in actors?• 3. Screenwriting?• 4. Sound Effects

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Group 3

• Neorealism Films • The Bicycle Thieves (Ladri di Biciclette)• 1. Name the director of the film • 2. When was film directed?• 3. What significance does this film have on

Neorealism?• 4. Provide examples from research of how it

depicts everyday life.

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Group 4

• Neorealism Films • The Sweet Life (La Dolce Vita)• 1. Name the director of the film • 2. When was film directed?• 3. What significance does this film have on

Neorealism?• 4. Provide examples from research of how it

depicts everyday life.

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Group 5

• Neorealism Films• Rome, Open City (Roma, Citta’ Aperta)• 1. Name the director of the film • 2. When was film directed?• 3. What significance does this film have on Neorealism?• 4. Provide examples from research of how it depicts

everyday life.

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Group 6

• Demise of Italian Neorealism • 1. Postwar Italian government position?• 2. Are Neorealism films still created in

today's film industry?• 3. Name a current popular neorealism film,

is made.• 4. How has Italian Neorealism influenced

other filmmakers?

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Italian Neorealism

•A movement of film realistically reflecting the difficult economic and moral conditions in post-WWII Italy

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Italian Neorealism• Significant because its revolutionary

characteristics influenced so many other filmmakers…even to this day

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Characteristics of Italian Neorealism

• An emphasis on the value of ordinary people--in particular the poor

• a preoccupation with Italy's Fascist past and its aftermath of wartime devastation

• Often featured Christian and Marxist humanism…the idea that all social classes should be treated equally and with compassion

• An avoidance of neatly or cleverly plotted stories• A dark and gritty sensibility that often focused on

darker themes

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It was also a reaction AGAINST the Romanticism of American Cinema

• “This powerful desire of the [neo-realist] cinema to see and to analyze, this hunger for reality, for truth, is a kind of concrete homage to other people, that is, to all who exist…

• …Whereas we are attracted by the truth, by the reality which touches us and which we want to know and understand directly and thoroughly, the Americans continue to satisfy themselves with a sweetened version of truth produced through transpositions.” --Bernardo Bertolucci, Italian Director

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Mise en Scene of Italian Neorealism

• Documentary-like visual style with an avoidance of special effects or unnatural lighting

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Mise en Scene of Italian Neorealism

• The use of actual locations, especially city exteriors, rather than studio sets

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Acting in Italian Neorealism films• Directors cast real non-professional people

—not trained actors—sometimes even for the lead roles.

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Acting in Italian Neorealism films• Screenwriting featured conversational,

everyday speech rather than literary or over-dramatic dialogue

• Use of post-synchronized sound—dubbing of dialogue in the studio—allowed for greater camera movement.

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Birth of Italian Neorealism• Director Robert

Rossellini’s 1945 Rome, Open City

• The film is about ordinary citizens fighting the WWII Nazi occupation of Rome shortly before the American army liberated the city.

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Birth of Italian Neorealism• Rossellini wanted to portray the cruel atmosphere

that existed during Nazi occupation and many of the film's narrative elements are based on actual events during this time.

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Italian Neorealism Continues• Director Vittoriao de Sica and screenwriter

Cesare Zavattini advanced the movement.

Vittoriao de Sica

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Major Films of Italian Neorealism• Their 1946 film Shoeshine told the story of

boys getting into trouble with the police after trying to find the money to buy a horse.

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Major Films of Italian Neorealism• The film won an honorary Academy Award

(before the Best Foreign Film category was invented)

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Major Films of Italian Neorealism• Di Sica’s The

Bicycle Thieves (Ladri di biciclette) of 1948 represents the pinnacle of the movement.

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The Bicycle Thieves Legacy• It was given an honorary

Academy Award in 1950.• It appears on critics’ and

directors’ lists as one of the most important and influential films ever made.

• The film placed sixth as the greatest film ever made in Sight & Sound's latest directors' poll, conducted in 2002

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The demise of Italian Neorealism• Postwar Italian governments did not

approve of films that portrayed Italy in a negative light.

• A 1949 law strengthening production and exhibition of Italian films imposed censorship on scripts that “slandered Italy.”

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Italian Neorealism Influenced other filmmakers because…

• It opened the door to filming on location rather than in a studio

• It showed filmmakers that movies can be used to highlight the reality of societal problems and make viewers consider social change

• In Asia, Africa, and Latin America, in particular, it demonstrated that you could make great films inexpensively with your own country’s landscape and people—without lavish sets or expensive stars.