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Page 1: Feb-28-13

7/30/2019 Feb-28-13

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Three Italian Operas with Lorenzo da Ponte

  Da Ponte

o  Jewish Italian

o  Poet to the Theaters appointed by Emperor Joseph II

o  Eventually immigrated to U.S.  Le Nozze di Figaro

  Opera buffa

  Da Ponte’s libretto based on enlightenment played by Beaumarchais 

  Intensified social tension between classes

  Introduced moral issues

  Numerous arias in the vocal repertoire

  Dove sono

  Se vuol ballare

  Letter aria

  #6 on list of Most Performed Operas

  Don Giovanni (Don Juan)

  Dramma Giocoso

  Famous “Catalogue” aria 

  Cosi van tutte

  Die Zauberflote

o  German Singspeil

o  Some spoken dialogo  Libretto by Emanuel Schikaneder, an impresario who performed the role of Papageno

o  Rich in Masonic symbolism

o  Performed at the Theater aufder Weiden

  Queen of the Night

  Der Holle Rache kcht in meinem (The vengeance of Hell boils in my

heart)

  High range up to F6

  Performed in premiere by Mozart’s sister-in-law Josepha Hofer, the

oldest of the Weber daughters

  Requiem

o  Commissioned by Count Franz von Walsegg; attempted to claim composition as his own

o  Unfinished at Mozart’s death; completed by Sussmayer 

o  Complex fugues

o  Dies Irae – makes dramatic use of dynamics; Sturm and Drang

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Ludwig van Beethoven

  Born in Bonn, Germany

  Early age

o  Elector’s Court Organist 

o  3 piano pieces by age 13

  Service for the Archbishop

o  Grandfater and father for the court chapel for Prince of Bonn

o  Appointed assistant organist in 1784 (14)

  First trip to Vienna

o  Possibly met Mozart

o  Mother died

o  Beethoven returned immediately to Bonn

o Assumed responsibility for the care of two younger brothers

o  Became acquainted with Count Ferdinand von Waldstein

  Met Franz Josef haydn

o  Haydn stopped in Bonn on trip to London

o  Met again on return trip in 1792

o  Followed Haydn to Vienna

  Continued Studies

o  Antonio Salieri

o  Johann Georg Albrechtsberger

  Patrons

o  Prince Carl Lichnowskyo  Baron Gottfried van Swieten

o  Prince Joseph Franz Lobkowitz

  Archduke Rudolph

o  Cardinal

o  Youngest son of Emperor Leopold II

o  Studied piano and composition from Beethoven

o  Archduke Trio and Missa Solemnis dedicated to Archduke

o  Offered position as Kapellmeister for Nopolion Bonaparte, Brother of French

Emperor and King of Westphalia in Kassel

o  Beethoven persuaded to remain in Vienna by other patrons

  Increasing Deafness

o  1801 Beethoven complained of increasing difficulty of hearing, especially in

social situations

o  Tinnitus, “Ringing” in the ear 

o  1802, April to October lived in Heiligenstadt, just outside of Vienna

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o  Described frustration in a letter, now termed the Heilegenstadt Testament

  May, 1809, Napoleon bombards Vienna; Beethoven hid in the basement

of his brother’s house, covering his ears with pillows-worried that the

noise would destroy what remained of his hearing

  Completely deaf after 1814

  Used an acoustic ear horn or communicated through Conversation

books

o  Immortal Beloved?

  Giulietta Guicciardi

  Josephine Deym

  Therese Malfatti

  Antonie or Bettina Brentano

  Students

o  Carl Czerny

o  Johann Nepomuk Maelzel – inventor of metronome

o  Beethoven was the first composer to indicate metronomic markings on the

score

  Recognized during Lifetime

o  Described by Hoffman as one of the 3 great Romantic composers

o  Met Goethe, Rossini, Liszt,

  Died on Monday, March 26, 1827

  20,000 Viennese citizens lined the streets

o  Compositions in 3 periodso  To 1802

  More influenced by Mozart and Haydn

  Noteable works

o  Sonata Pathetique

o  Symphonies Nos. 1 and 2

o  1802-15

  ‘heroic’ period 

  Expanded forms for dramatic statement

  Noteable works

o  Symphonies Nos. 3 “Eroica”, 4, 5, and 6 Pastoral

  Expanded the orchestra

o  Fidelio

  One opera – four extant overtures

  1st

release at Theater an der Wein unsuccessful

  Mostly French officers in the audience

  Love opera in 3 acts

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o  Rasumovsky Quartets

  Commissioned by Count Andreas Rasumovsky

  Russian Melodies in Finale of 1st

 quartet’ another in 3rd

 

mvt

o  Moonlight Sonata

  Term from an 1832 description

  3 movements

o  1816-

  Romantic composer