film discourse interpretation, talk in hongkong, 7 october 2013
DESCRIPTION
How do we understand films? How do we construct meanings out of the interplay of the various modalities in filmic text? These questions are still up to date in contemporary film theory and multimodal discourse analysis. The talk wants to give a general overview of how these questions are focused and answered with the help of advancements in text linguistics and discourse semantics. It will show general parallels between verbal and filmic discourse and introduce recently developed tools for filmic discourse interpretation. With the help of some filmic examples, it will furthermore give illustrations of concrete film analysis at work.TRANSCRIPT
Film Discourse Interpretation
Janina Wildfeuer
Bremen Institute for Transmedial Textuality Research
Faculty of Linguistics and Literary ScienceBremen University
2
What is it about
How do we understand films
How do we construct meanings out ofthe interplay of the variousmodalities in filmic text
3
bdquoUnderstanding filmhellipldquo
bull analysis of the semantic content
bull analysis of the dynamic unfoldingtextdiscourse
bull analysis of information processing
4
Filmic Meaning Construction
Understanding is mediated by transformative acts both bottom-up ndash mandatory automatic psychological processes -and top-down ndash conceptual strategic ones The sensory data of the film at hand furnish the materials out of which inferential processes of perception and cognition build meanings Meaning are not found but made [hellip]
Comprehension and interpretation thus involve the construction of meaning out of textual cues In this respect meaning-making is a psychological and social activity fundamentally akin to other cognitive processesrdquo
(Bordwell 1989 3)
5
Inferential View on TextDiscourse
How do we understand what is going on in sentences and texts
ndash We just work out lsquowhat is going onrsquo(traditional pragmatics)
ndash We ask for clear textual cues that provide explicit guidance about how interpretation is to proceed
6
Discourse Mechanisms for Language
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
2
What is it about
How do we understand films
How do we construct meanings out ofthe interplay of the variousmodalities in filmic text
3
bdquoUnderstanding filmhellipldquo
bull analysis of the semantic content
bull analysis of the dynamic unfoldingtextdiscourse
bull analysis of information processing
4
Filmic Meaning Construction
Understanding is mediated by transformative acts both bottom-up ndash mandatory automatic psychological processes -and top-down ndash conceptual strategic ones The sensory data of the film at hand furnish the materials out of which inferential processes of perception and cognition build meanings Meaning are not found but made [hellip]
Comprehension and interpretation thus involve the construction of meaning out of textual cues In this respect meaning-making is a psychological and social activity fundamentally akin to other cognitive processesrdquo
(Bordwell 1989 3)
5
Inferential View on TextDiscourse
How do we understand what is going on in sentences and texts
ndash We just work out lsquowhat is going onrsquo(traditional pragmatics)
ndash We ask for clear textual cues that provide explicit guidance about how interpretation is to proceed
6
Discourse Mechanisms for Language
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
3
bdquoUnderstanding filmhellipldquo
bull analysis of the semantic content
bull analysis of the dynamic unfoldingtextdiscourse
bull analysis of information processing
4
Filmic Meaning Construction
Understanding is mediated by transformative acts both bottom-up ndash mandatory automatic psychological processes -and top-down ndash conceptual strategic ones The sensory data of the film at hand furnish the materials out of which inferential processes of perception and cognition build meanings Meaning are not found but made [hellip]
Comprehension and interpretation thus involve the construction of meaning out of textual cues In this respect meaning-making is a psychological and social activity fundamentally akin to other cognitive processesrdquo
(Bordwell 1989 3)
5
Inferential View on TextDiscourse
How do we understand what is going on in sentences and texts
ndash We just work out lsquowhat is going onrsquo(traditional pragmatics)
ndash We ask for clear textual cues that provide explicit guidance about how interpretation is to proceed
6
Discourse Mechanisms for Language
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
4
Filmic Meaning Construction
Understanding is mediated by transformative acts both bottom-up ndash mandatory automatic psychological processes -and top-down ndash conceptual strategic ones The sensory data of the film at hand furnish the materials out of which inferential processes of perception and cognition build meanings Meaning are not found but made [hellip]
Comprehension and interpretation thus involve the construction of meaning out of textual cues In this respect meaning-making is a psychological and social activity fundamentally akin to other cognitive processesrdquo
(Bordwell 1989 3)
5
Inferential View on TextDiscourse
How do we understand what is going on in sentences and texts
ndash We just work out lsquowhat is going onrsquo(traditional pragmatics)
ndash We ask for clear textual cues that provide explicit guidance about how interpretation is to proceed
6
Discourse Mechanisms for Language
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
5
Inferential View on TextDiscourse
How do we understand what is going on in sentences and texts
ndash We just work out lsquowhat is going onrsquo(traditional pragmatics)
ndash We ask for clear textual cues that provide explicit guidance about how interpretation is to proceed
6
Discourse Mechanisms for Language
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
6
Discourse Mechanisms for Language
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
7
Linguistic Examples of Discourse Relations
Paul arrived Max greeted him
ndash If we add b into a discourse interpretation then we might deduce that b adds to a narrative
ndash If Narration (a b) then a happens before b
temporal sequence
Narrationevent a event b
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
8
Linguistic Examples of Discourse Relations
Max fell Paul pushed him
- If we are adding b into a discourse interpretation and b causes a then we might deduce that b is an explanation of a
causal relation
Explanationevent a event b
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
9
What kind of structure is text structure
bull discursive not syntactic
bull defeasible abductive (Peirce) non-monotonic
Formal and functional models of discourse semantics Kamp Asher amp Lascarides Martin Polanyi Webber
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
10
Theory of Film Comprehension
THEORIE DES FILMVERSTEHENSLOGIC OF FILM DISCOURSE INTERPRETATION
1 level of identification and arrangement of the
meaning-making entities
2 level of coherence and structure
1 logic
2 logic
constructing logical forms of discourse
relating the logical forms via discourse
relations
Wildfeuer 2013
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
11
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
12
Film Discourse Interpretation
1 step
Interpreting Narrative Events of the Filmic Discourse
level of identification and arrangement of the
meaning-making entities
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
13
1 Step Interpreting Narrative Events
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
14
1 Step Interpreting Narrative Events
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
15
Film Discourse Interpretation
2 step
Inferring Discourse Relations between the Events
level of coherence and structure
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
16
Logic of Film Discourse Interpretation(Wildfeuer 2013)
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
17
Discourse Relations in Film
temporal sequence
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
18
Discourse Relations in Film
causality
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
19
2 Steps of Film Discourse Interpretation
1 ask for the multimodal construction ofnarrative events in the film intersemiosis of the various resources
2 ask for the combination of these eventsinto a coherent structure via inferringdiscourse relations
1
2
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
20
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
further interpretations
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
21
What forhellip
bull work out how filmic material constructs meaning
bull work out clear textual cues within the artefact
= semantic basis
interpretations
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
22
Example El Vendedor de Humo(Maestro 2012)
available online httpvimeocom42329392
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
23
El Vendedor de Humo
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
24
El Vendedor de Humo
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
25
El Vendedor de Humo
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
26
El Vendedor de Humo
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
27
Causality in Film
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
28
What forhellip
bull analysis of thepropositionalsemantic content
bull analysis of topics in the text
bull evaluation of topics
bull questions of genre style aestheticsetc
analysis
interpretation
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
29
What forhellip
Website German Film Academy bdquoClassic Movies in Schoolldquo |
httpwwwdeutsche-filmakademiedeno_cacheherzlich-
willkommenaktuellesmeldunghtmltx_ttnews5Btt_news5D=279ampcHash=
0594f5ed6d2c84f69fc632cbcb682811 |
bdquoWatching classical movies ndash understanding filmldquo
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde
30
Thank you very much for your attention
wildfeueruni-bremende || wwwfb10uni-bremendebitt || httpextraneousde