found hardscape brochure

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    Chapter 1: Slipping and Sliding to the

    Starting line

    Why and how to use reclaimed materials in the garden

    Chapter 2: the goodS and Where to get themWhere to source reclaimed materials and how to see their beauty

    Chapter 3: more than Your handS alone

    The tools necessary to complete the projects

    Chapter 4: Walk on thiS

    Tips and designs or pathways

    Chapter 5: making good neighborS

    How to design and build encing

    Chapter 6: arborS and other over-the-top

    ideaSBuilding structures that provide shade

    Chapter 7: Contain YourSelf

    Design and create your own containers

    Chapter 8: Sitting thiS one out

    Functional seating in the garden

    Chapter 9: a Candle againSt the night

    Creative lighting projects

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    ContentS

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    The use o reclaimed materials in outdoor spaces is by no means a

    new practice. Examples run throughout the history o landscaping

    and gardening. A column borrowed rom a temple here, a ountain

    lited rom some exotic palace over there, and violaits a clas-

    sic. Today this is the most recognized orm o reuse in the garden,

    because contemporary practice or the most part still ollows the

    old ideas. To confrm this, one has only to look at all the designs

    eatured in the contemporary press that incorporate pavilions, stat-

    uary, and urnishings rom one exotic locale or another.

    Slipping and Sliding to the Starting line

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    Most gardeners rely on o-the-shel solutions when it comes to materials.

    You can select a period or locale, then go out and buy everything you need

    to t that look, all laid out or you in neat little rows. The advantage is that

    the materials are uniorm, readily available, and easily specied. The disad-

    vantage is that the materials uniormity, availability, and prebuilt specics

    are likely to stop cold any real exploration o material possibilities that might

    lie beyond the supply stores shelves.

    a neW World of poSSibilitieS

    Any gardener who has ever been in want o a fowerpot has crossed paths

    with choice. There are so many pots to choose rom, so many shapes and

    sizes. All those pretty things lined up on the nursery shelves, begging to be

    taken home and ound useul. My advice is let them lie, let the dust settle on

    them, or there is a whole world o other orms to be ound. To unlock that

    world, the key is reuse o the materials that are local to you.What is a fowerpot but a hole with a bottom and sides? Through reuse

    a great many things can t that description. Take, or example, an empty

    toolbox. Is it not a hole with a bottom and sides? Will the dirt know the

    dierence? But why use a toolbox? More to the point, why not? Toolboxes

    are built to be sturdy; they are oten colorul and can be had or a pittance

    at any garage sale.

    As the toolbox example illustrates, when I say reuse, I am not reerring to

    the worn-thin conventions o a shabbiness made chic by repetition, wheredistressed nish and rustication, either original or manuactured, swayed

    the day. I am talking about the contemporary practice o reuse that embraces

    exploration o materials and how those materials can and do aect the

    spaces we build.

    ABOVE LEFT A selection o plants and

    toolboxes stand ready to assemble

    into planters. RIGHTHoles have been

    drilled in the bottom o the toolbox

    or drainage.

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    WhY reuSe?

    Reused materials are generally not standard in size or in practice and there-

    ore can be perceived as hard to use, dicult to speciy, and inecient.

    So why bother to explore the world o contemporary reuse! You may nd

    yoursel motivated by economic, aesthetic, or environmental reasonsor an

    amalgam o the three.

    ABOVE LEFTToolbox planters, flled

    with planting mix, await plants.

    RIGHT We set the tallest plants in the

    toolboxes frst. BELOW Our planters

    are complete.

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    diSCover the neWeStgarden deSign trend

    about the authorA pioneer in the art o using recycled materials in cutting-edge garden

    design, mattheW leveSQueis the program director and master o

    recycled art at the nonproft San Francisco company Building Resources

    and the Red Shovel Glass Company. He has appeared on HGTV, the

    Discovery Channel, the San Francisco CBS afliate, and other local

    broadcasts.

    publiCitY & promotion

    pss cc: [email protected] Online marketing campaign

    National publicity

    West Coast author events

    T IMBER PRESS 133 SW Second Ave, Ste 450 Portland, OR 97204 503-227-2878 fax: 503-227-3070 www.timberpress.com

    Timber Press books are distributed in the gift and book trade by Workman Publishing.

    Please see sales representative to order, or call 800-722-7202.

    Discovering new uses or what you already

    have or what you discover in the salvage yard

    is truly living local. From making pathways out

    o scrap wood and metal to creating garden

    lights rom discarded indoor fxtures, Found

    Hardscapeeatures dozens o garden projects

    and inspirational ideas or taking advantage o

    salvaged materials ound in the home, junkyard,

    or thrit store.

    found hardscapeIDEAS FOR REPURPOSING MATERIALS TO CREATE

    CONTAINERS, PATHWAYS, LIGHTING, AND MORE

    ISBN: 978-0-88192-997-3, $22.95

    Paperback, 192 pp, full color throughout

    Ships in October

    mw lsqss s

    ss jy.

    Horticulture

    Creative containers, pathways, furniture, and more