Art, Technology and Data as Culture

Hannah Redler, ODI Associate Curator in Residence@hannah_redlertheodi.org/culture

Data as Culture 3: Data AnthropologiesThomson & Craighead / DAC Collection leaflet, 2015Open Data Institute

Science Museum Wellcome Wing, as launched in 2000: Digitopolis (top) and Who am I? 2000 galleries. Image: Science Museum

Art students

Sensation exhibition of YBAs at the Royal Academy of Arts, 1997Exhibition design / image: Sophie Hicks Architects

Paul Sermon Telematic Vision, 1993At ISEA 1994

Pong, or my complete failure at writing code

Watched and Measured2000David RokebyWinner 2000 Interactive Art BAFTAScience Museum Collection

Machination2000Tessa Elliott & Jonathan Jones MorrisScience Museum Collection

Energy: fuelling the futureScience Museum , London2004

Lead design: Casson MannGraphics: Graphic Thought Facility Lighting: dhaArtists & designers: Kitchen Rogers Design, Robson & Jones, Spiral, Allofus, Blast Theory, Christian Moeller, Simon, Tegala, Mike Stubbs, Dunne & Raby, Soda, Plant with Land Transmedia

Do not touch 2004Christian MoellerScience Museum Collection

Do not touch 2004Christian MoellerScience Museum Collection

Listening Post I/III, 2003Mark Hansen & Ben RubinScience Museum CollectionImages courtesy the artistsAcquired 2007 with a grant from The Art Fund

Mark Hansen & Ben RubinListening Post I/III, 2003Science Museum CollectionPhoto: Graham Peet

rLondon Tigers with various artistsBeing Connected 2008Science Museum Arts Programme

*The Obelisk , 2012 Fabio Lattanzi Antinori DAC1Vending Machine, 2009 Ellie Harrison DAC1Watching the Watchers James Bridle2013 ongoingDAC2

Julie FreemanWe Need Us, 2014 weneedus.orgCommissioned by the ODI and The Space

Thomson & CraigheadDecorative Newsfeeds, 2004 (ongoing)

Natasha Caruana works from the series Fairytale for Sale, 2010-13

I take the theft of my original work very seriously and would draw to your attention it is protected under UK copyright law. Please note I will always sue for compensation if ANY PART of my website, designs, sculpture, photos, or SEO whether text or images, are found being used without prior authorisation in writing. This includes derivative works. The law is quite explicit that the making of what is called 'derivative work' (that means works based or derived from another copyrighted work) is the exclusive province of the owner of the original work"

Where is our cultural thinking going?LAST CENTURY NOW AND BEYONDHierarchicalDistributedObjectDataMineOursAuthoredSharedBoxesSystemsBroadcastTransmission One-to-many Many-to-manyEliteDemocraticDefined disciplines Hybrid

theodi.org/culturehannah.redler@theodi.org@hannah_redler

Thank you

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