from conception to delivery: sourcing the (musical) emotions in early baroque italy tim carter

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From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

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Page 1: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

From Conception to Delivery: Sourcing the (Musical) Emotions in

Early Baroque Italy

Tim Carter

Page 2: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Monteverdi, Arianna (Mantua, Palazzo Ducale, 28 May 1608)

Page 3: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Federico Follino, Compendio delle suontuose feste fatte l’anno MDCVIII nella città di Mantova, per le reali nozze del serenissimo prencipe d. Francesco Gonzaga con la serenissima infante Margherita di Savoia (Mantua, Aurelio & Lodovico Osanna, 1608)

Page 4: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 5: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Montserrat Figueras (soprano)

Page 6: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Domenico Fetti, Ariadne and Bacchus (portrait of Virginia Andreini, the first Arianna?)

Page 7: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Luca della Robbia, Cantoria (Museo dell’Opera Del Duomo, Florence)

Page 8: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Luca della Robbia, Cantoria (Museo dell’Opera Del Duomo, Florence)

Luca della Robbia, Orpheus(Campanile del Duomo, Florence)

Page 9: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

Page 10: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

Page 11: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

Page 12: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

• Memoria

Page 13: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

• Memoria

• Actio (Pronuntiatio)

Page 14: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

• Memoria

• Actio (Pronuntiatio)

Page 15: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

• Memoria

• Actio (Pronuntiatio)

Page 16: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

• Memoria

• Actio (Pronuntiatio)

Page 17: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

• Inventio

• Dispositio

• Elocutio

• Memoria

• Actio (Pronuntiatio)

Page 18: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 19: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 20: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 21: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Consort of Musicke, dir. Anthony Rooley

Page 22: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Paolo Veronese, Mars and Venus Unitedby Love

Page 23: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 24: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 25: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 26: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Concerto Italiano, dir. Rinaldo Alessandrini

Page 27: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

…i dolci vezzi, e i sospirati baci

…the sweet glances, and the sighed-for kisses

Page 28: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

…i dolci vezzi, e i sospirati baci

…the sweet glances, and the sighed-for kisses

Page 29: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

…i dolci vezzi, e i sospirati baci

…the sweet glances, and the sighed-for kisses

Page 30: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

…i dolci vezzi, e i sospirati baci

…the sweet glances, and the sighed-for kisses

Page 31: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 32: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 33: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 34: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 35: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 36: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Monteverdi, Lamento della ninfa (Madrigali guerrieri, et amorosi, 1638)

Page 37: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Monteverdi, Lamento della ninfa (Madrigali guerrieri, et amorosi, 1638)

Tragicomedia, dir. Stephen Stubbs

Page 38: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter

Monteverdi, Lamento della ninfa (Madrigali guerrieri, et amorosi, 1638)

Page 39: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 40: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 41: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 42: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 43: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 44: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 45: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter
Page 46: From Conception to Delivery: Sourcing the (Musical) Emotions in Early Baroque Italy Tim Carter