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Mirko Daneluzzo May 2012

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  • Mirko DaneluzzoMay 2012

  • we shape the tools, and they in turn shape us.

    Marshall McLuhan

    we change our way of thinking

    self-evolution

  • Its a matter of points of viewIn antiquity, the model of nature was based on the IDEAL NUMBERS and PROPORTIONS: the rules to dimension architecture and to describe the concept of beauty.

  • Today, backed by 3-400 years, the model of nature is based on CALCULATION:

    - Dimensions are purified by ideals units- A mathematical language: CURVES -> to describe surfaces- The whole and the parts related in continuity: discrete and continuous elements

  • Calculation and design with digital tools

    Ivan Sutherland e lo Sketchpad, 1963.

  • 1967, Steven Anson CoonsSurfaces for computer-aided design of space forms

    From Coons Patch To B-Spline Surfaces and NURBS Surfaces

  • Mirko Daneluzzo, L chiar 2012

  • Ed Catmull (University of Utah):subdivision algorithm to display curved surfaces

    1972, Halftone Animation, Ed Catmull 1986, Luxo, Pixar Studio.

  • 1960s: digital art revolution

    John e James Whitney

  • 1968, Charles CsuriThree dimensional surface.

  • Greg Lynn, tea and coffee tower, 2003

    Bernard Cache , surface study.

  • John Whitney, 1975

    60-70Design by coding

  • 80-90Proprietary software:

    -Autocad-Alias-Illustrator....

    Proprietary software

    Top-down culture Role of the professional

  • Casey Reas, 2004

    2000-now

    biological paradigm

    The return f the CODE

  • ... Envisions a future in which information technologies have advanced so far and fast that they enable humanity to transcends its biological limitation - tranforming our lives in a way we cant imagine

    Bill Gates

  • The singularity is near

    1999 Ray Kurzweil

  • HypertextHypermediaA reading and writing space where text, images and sounds may be interconnected electronically.

    1961 Theodor Nelson

  • Different manifestations of the same information.I can take a physical representation and transform it into information but it is not obvious how to go from information to representation, it is not univocal, the information might have other manifestations.

    Different manifestations,unique language

  • Yoshi Sodeoka, ASCII ROCK 2003

  • digitalparametricalgorithimcproceduralgenetic...

    design

    vague definitions

    Is there a pencil design? There is Descriptive geometry.Is there a design that is derived from the Descriptive ge-ometry? Sure.When these tools will be fully integrated, we will return to talk about design.

    They are tools that help the paradigm transition.

  • Biology as the dominant science

    Biological paradigm

  • From the geometric descriptionto growth algorithms: about morphogenesis

    absence of the temporal dimension

  • an obsession for complex geometriesformal translations of mental spaces

    Epitro konzerthaus: Study of the main shell geometry.

  • Embodiment

  • Syncro, Internal components diagram.

  • Syncro, interiors.

    Transition in shape and pattern (color).

  • Embodimentand sensitivity

    Sensitive flesh, Toronto. Model 1:100.

  • Main concert hall: flow lines study.

  • Several layers allow smooth transitions between the differ-ent environments. The whole layering model is a reactive dynamic system (particulate).

  • Sensitive flesh: expansions surface diagram.

  • From the genotype to the phenotypeTrajectories. Physical manifestation of the trajectories (marching cubes).

    Sensitive flesh: layersing.

  • About manifestation:same genotype, different phenotype

    Embedded interferences, Pordenone.

  • Embedded interferences,: study diagrams

  • Embedded interferences,: main facade and entrance.

  • Embedded interferences: sections.

  • Embedded interferences: structural diagram

  • Embedded interferences: facade

  • Embodiment and mass

    Villa Y, Azeglio, Torino: volumetric diagram.

  • VillaY: Groundfloor.

  • VillaY: Second floor

  • VillaY: interlocking pattern of higher volumes.

  • for a dialogue with the nature

    VillaY: rendering .

  • VillaY: Green design.

  • VillaY: rendering entrance-staircase.

  • VillaY: rendering livingroom.

  • Embodimentand tension

    casa D1: general view.

  • casa D1: Frontal view.

  • casa D1: side view.

  • casa D1: top view.

  • The construction of an apparatus in order to an-alyze and then understand a process in its devel-opment, as it unfolds.

    Simulation:

  • System and Model

    Relatioship between the parts

    Simplified representation of a system at a given time

    . . . In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters.

    On Exactitude in Science or On Rigor in Science is a one-paragraph short story by Jorge Luis Borges,

  • Studio for playground - 2012A system of forces generated by the neighborhood relationship between the objects of the context, generates the shape of the whole as a complex of discrete elements.

    The hallucinosis: simulation is a tool for the generation of the Other through the idea of incompleteness of the system.

  • Studio aggregation FAM - 2011-2012Physical model study for FAM aggregation

    From a modeling strategy that describes surfaces to a modeling strategy which describes aggregative dy-namics. From curves to trajectories and the Floating Atoms Modeling.

    To simulate the discrete component of the universe.

    FAM

  • Under Se(a)cre(a)tion 2008undeterminist artificial island

  • Enrico Dini and Radiolaria by Andrea Morgante

  • Mirko Daneluzzo for Mirco Bianchini:.Interwoven Landscape: stratification of the structural component.

  • Interwoven landscape: component printed by D-Shape

  • digital simulation, Alessandro Zomparelli

  • W chair: Hemp fibers and bio-plastics.

  • Parasitise the void: chunk view.

    Redundant systems

  • Parasitise the void: Development diagram.

  • Parasitise the void: study diagram.

  • Parasitise the void: side view of a chunck.

  • Parasitise the void: structure detail.

  • Parasitise the void: whole view.

  • Parasitise the void 0: preparation analysis.

  • Parasitise the void 0: structure.

  • Parasitise the void 0: structure.

  • Parasitise the void 0: plastic extrusion robot.

  • Parasitise the void 0: extrusion examples.

  • To closein ugliness

  • Studi di aggregazione.

  • dis-GUSTINGflatware

    Disgusting flatware: serie 1.

  • Disgusting flatware: serie 1.

  • All the material in this file is to be intended as research material of NYXO ltd Creative Commons For all non original content: copyright by respective owners.

    more info:

    Mirko [email protected]

    NYXO studiowww.nyxostudio.com

    [email protected]

    April 2016