get involved pack may 2019 - creative multilingualism · get involved! this pack has been produced...

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1 Creative Multilingualism @creativelangs www.creativeml.ox.ac.uk GET INVOLVED! This pack has been produced to introduce you to the Multilingual Performance Project and to give you some ‘do-it-yourself’ multilingual performance ideas to try out in your school. The exciting Multilingual Performance Project reaches across England and Wales to showcase and celebrate the multilingual nature of schools and demonstrate how multilingualism can interact creatively with teaching in the classroom, promoting both taught languages and the use of community languages. Our aims include: Building confidence among MFL teachers in conducting creative work in school, increasing awareness of the creative dimension of languages. Connecting schools with our project, with each other and with local theatres. Celebrating the multilingual nature of schools, and demonstrating how this can interact with modern foreign languages as taught in the classroom, building confidence among learners from multilingual backgrounds and showcasing their home languages. Promoting internationalism in schools, encouraging students’ interest in other countries and cultures. If you find this pack’s activities useful, want advice on how to adapt them, or if you have other exercises you use and would like to share then please get in touch - [email protected] Daniel Daniel Tyler-McTighe Director, MPP Releasing the creative potential of modern languages Making linguistic diversity more visible, valued, and vibrant Inspiring learners. Empowering communities. Invigorating research The Multilingual Performance Project is an initiative of Creative Multilingualism, a four-year research programme funded by the Arts and Humanities Research Council in the context of its Open World Research Initiative. Creative Multilingualism is investigating the interconnection between linguistic diversity and creativity, and rethinking the identity of Modern Languages. It aims to strengthen the identity of the discipline, enhancing the visibility and status of languages in society, and giving a new impetus to language learning in schools. To find out more, please visit: www.creativeml.ox.ac.uk

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Page 1: Get Involved Pack May 2019 - Creative Multilingualism · GET INVOLVED! This pack has been produced to introduce you to the Multilingual Performance Project and to give you some ‘do-it-yourself’

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Creative Multilingualism @creativelangs www.creativeml.ox.ac.uk

GETINVOLVED!ThispackhasbeenproducedtointroduceyoutotheMultilingualPerformanceProjectandtogiveyousome‘do-it-yourself’multilingualperformanceideastotryoutinyourschool.TheexcitingMultilingualPerformanceProject reachesacrossEnglandandWales to showcaseandcelebratethemultilingualnatureofschoolsanddemonstratehowmultilingualismcaninteractcreativelywithteachingintheclassroom,promotingbothtaughtlanguagesandtheuseofcommunitylanguages.Ouraimsinclude:

• Building confidence among MFL teachers in conducting creative work in school,increasingawarenessofthecreativedimensionoflanguages.

• Connectingschoolswithourproject,witheachotherandwithlocaltheatres.• Celebratingthemultilingualnatureofschools,anddemonstratinghowthiscaninteract

withmodernforeignlanguagesastaughtintheclassroom,buildingconfidenceamonglearnersfrommultilingualbackgroundsandshowcasingtheirhomelanguages.

• Promotinginternationalisminschools,encouragingstudents’interestinothercountriesandcultures.

Ifyoufindthispack’sactivitiesuseful,wantadviceonhowtoadaptthem,orifyouhaveotherexercisesyouuseandwouldliketosharethenpleasegetintouch-daniel.tyler-mctighe@mod-langs.ox.ac.uk

Daniel DanielTyler-McTigheDirector,MPP

Releasingthecreativepotentialofmodernlanguages

Makinglinguisticdiversitymorevisible,valued,andvibrantInspiringlearners.Empoweringcommunities.Invigoratingresearch

The Multilingual Performance Project is an initiative of Creative Multilingualism, a four-yearresearchprogramme fundedby theArtsandHumanitiesResearchCouncil in the contextof itsOpenWorld Research Initiative. Creative Multilingualism is investigating theinterconnection betweenlinguisticdiversityandcreativity,andrethinkingtheidentityofModernLanguages.Itaimstostrengthentheidentityofthediscipline,enhancingthevisibilityandstatusoflanguagesinsociety,andgivinganewimpetustolanguagelearninginschools.Tofindoutmore,pleasevisit:www.creativeml.ox.ac.uk

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ACTIVITIES:DramaGames&TheatreExercises

Allofthegamesandexercisesthatfollowcanbeadaptedtobebi-ormulti-lingualorbefullytransposedintodifferentlanguageswithinavibrantmultilingualenvironment.Someoftheseactivitiesandotherscanbeseenonlineat:https://www.creativeml.ox.ac.uk/resources/multilingual-drama-teaching-activitiesBUSYBEES(AKABUZZYBEES)This is a greatway to energise the room, aswell as being a really interestingway to test students’vocabularyandquickthinking!Playedinanotherlanguage,it’sagreatvocabularytestforstudents.Youneedabitofspaceforthisone,butaclassroomwithspacebetweendeskscando.

- Thegameleaderstandsattheheadoftheroomandshouts“BusyBeesBUZZ!”- Studentsbeginto“buzz”aroundtheroom.- TheGameleaderthencalls“BusyBeesmakesomethingbeginningwith…”andchosealetterof

thealphabet;thegameleaderbeginscountingdownfrom5.- Eachstudentmustthenfreezeinastatueofsomethingbeginningwiththatletter.(Forexample,

theletter“L”mightyieldstatuesoflions,lemons,legs,leaves,lusciouslips,ladders…).- TheGLthenproceedstoaskeachstudentwhattheyarerepresenting.Anystudentswhohavethe

sameassomeoneelseareout;likewise,anystudentwhohasnotmanagedtothinkofsomethingisout.

- Thegamecontinues,withfewerandfewerpeopleineachround,untilawinner(orwinners)aredeclared.Extrapraisemaybegivenforanyexemplarystatuescreated.

ILLNESSESANDINJURIESAgreatgameforanyageandskilllevel.Frombasicvocabularyaboutbodypartsandhealthtocomplicatedsentencestructureandtheuseofpast/presenttense,allskilllevelscantakepartinthisactivity,andeveryonelovessharingagoodstoryabouthowtheygotthatinterestingscar…

- Eachpersonmustfirstthinkofanillnessorinjurytheyhavesuffered(andarewillingtosharewiththeclass!)andthestorythatsurroundsit(i.e.“whenIwasonholidaywithmyDadIfelloffmybikeandbrokemycollarbone.”)

- Participantsthenshow,physically,howtheywouldlookwiththatillnessorinjury(i.e.holdingcollarboneandgrimacing).TheGameLeaderscanstheroom,andwheneveryonehasaclearstatuetheycanbegin.

- Eachpersonmustwalk(orlimp!)aroundtheroomwiththeirillness/injury.Whentheymeetanotherpersontheymustswapstories,andthenabsorbtheotherperson’sinjury/illnesswiththeirown.(Brokencollarbonemeetssomeonewithfoodpoisoningfromawedding.TheyswapstoriesandwalkawaybothwithabrokencollarboneANDfoodpoisoning.)

- Theymightthenmeetsomeoneelse,speakaboutbothoftheircurrentillnesses/injuriesandalsohavetoabsorbthetwoillnessesandinjuriesoftheotherperson.(Brokencollarboneandfoodpoisoningmeetsupwithsomeonewhobrokeanankleplayingfootballandhasalsocutopentheirfingerwhilstcooking.Theybothnowhaveallfourillnesses/injuries.)

- Dependingongroupsize/ability,setalimitonhowmanyinteractionseachpersonshouldhave.Whentheyreachthelimit(i.e.twointeractions/fourinjuries)theyshouldagainfreeze,showingtheGLwhattheynowlooklike.

- Onceeveryoneisfrozen,theGameLeadercanchooseparticularlyinterestinglookingstatuestosharetheirstories.(i.e.“IwasonholidaywithmyDadandIfelloffmybikeandbrokemycollarbone,andthenextdayIwenttoaweddingandgotfoodpoisoning.ThenIdecidedtoplayfootballtomakemyselffeelbetterandbrokemyankle.Ithoughtasandwichwouldbetheeasiestthingtomaketosettlemystomachandcutmyfingeropen…”)

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WORKINGWITHSCRIPTSAnyscript,whetherwrittenbytheteacherorthestudentsthemselvesorapublishedtextcanbeusedtoenlivenaclassroom.Askstudentstoconsidernotonlythevocabularyneededbutthestructureofthesentencesandtheirimpact,thegrammar,thesoundofthewordsandtheirforeignlanguagecounterpart,andtheculturalreferencesinatext.Allofthesethingscanbeagreattoolforengagingstudentsinthepoweroflanguage.Youcould:

- Find/writeascenewithtwocharacters.PlaythesceneinEnglish.PlayitagainwithonepersonspeakingEnglishandoneinthesubjectlanguage.Cantheyretainthesenseofthescene?Whichwordsareimportant?

- Playthesceneagainwiththembothhavingtranslatedthetext–doesitfeelthesameasinEnglish?Arethereanywords/phrasesthatDON’Ttranslate?Why?

WINTERIS…Alovelywaytostudysomeoftheculturaldifferencesandsimilaritiesbetweenthestudent’scultureandthesubjectlanguage.Again,adapttothenumbersandskillsetofyourgroup.

- Aclassissplitinhalf.Onegroup(A)decideswhatthingsmakeupatraditionalBritishwinter(i.e.snow,Christmas,delayedtrains,hotchocolateandmarshmallows,openfires,‘flu,snottycolds,woollyhatsetc…).Theothergroupdecideswhatmakesupthe“winter”ofthesubjectculture.(Resourcesorindependentresearchtimewillbeneededforthisexercise.)

- Afteratime,eachgroupwillpresenttheirfindings.Aspeaker/smallgroupofspeakerswillreadout“Winteris…”andthevariousthingstheyhavedecidedrepresentthat,whilsttherestoftheteamactout/mimethosethingsbehindthem.Thenextteamshowstheclasswhat“Winteris…”forthesubjectlanguage.

- Thegroupsthenswap;theteamwhohadlookedatBritishwinterthenlookatthesubjectlanguagesummer,andvisa-versa.

Thiscouldbedonewithanyfestival/seasonthatisculturallyappropriate.WHATAREYOUDOING?Ashort,fungametoworkonthoseverbs!

- Thefirststudent(“A”)standsandmimesanactivity.- Thesecondstudent(“B”)asks“whatareyoudoing?”.- “A”replieswithanewactivity,which“B”mustthenbegintomime.- Thiscontinuesuntileveryonehashadaturn.

Forexample,“A”beginstomimediggingahole.“B”asks,“whatareyoudoing?”.“A”replies“I’mdancingtoNightFever!”andsitsdown,whilstBmustbegintodotheNightFeverdanceuntilthenextstudentasks“whatareyoudoing?”.INTERNATIONALPERSONOFMYSTERYThisisaquickwarm-upgamewhichgetsparticipantsfocusedandusessomebasicvocabulary.

- Everyonestandsinacircle.- Anominatedpersonpointsatsomeoneandsays‘double’(doble,doppelt,double)- Thispersonpointsatsomeoneandsays‘o’(theremaynotbeatranslatable‘o’meaning‘zero!)- Thispersonpointsatsomeoneandsays‘seven’(siete,Sieben,Sept)- Thisperson‘becomes’JamesBondandshootssomeonewitha‘bang’- Thepersonwhohasbeenshotduckstoavoidthebulletandthetwopeopleeithersideputtheir

handsupandgasp.- Participantsareeliminatediftheydoanyoftheactionsdescribedaboveincorrectly,orafter

somepracticetooslowly.

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WOULDILIETOYOU?BasedontheTVprogrammeofthesamename,agoodfunwaytosharestoriesandworkcollaboratively.Dependingonhowmuchtimeyouhaveandhowmanyparticipantsyouwillbeincluding,youcanre-workthisinvariouswaystobestsuityourneeds.Belowisabasicstructurewhichyoucanthenadapt.

- Splitthegroupintosmallteams(i.e.fourgroupsofthree).- Ingroups,eachpersonmustshareastorybasedupontheGameLeader’schoiceoftopic.You

coulddo“BestBirthdayEver”,“MostEmbarrassingMoment”,“FavouriteHolidayMemory”orwhateversuitsyourtopic/class.TheGameLeaderre-iteratesthatthestoriesmustbeTRUE.

- Thegroupsthendecidewhichstorywillbethehardestonefortheotherteamstoguesswhoitbelongsto,andrehearseit,eachtellingitasifitistheirownstory.

- Teamstakeitinturnstopresenttheirstories.Forexample,TeamAstandandeachpersontellsthesamestoryasifithashappenedtothem.TeamsB,CandDdeliberateamongstthemselvesandvotewhotheythinkitreallybelongsto.Eachteamwhohasguessedcorrectlygetsapoint.TeamAgetsapointforeveryteamthatguessesincorrectly.TeamsB,CandDgettheirturn.

Teamscanworktogethertoworkouthowtotellthetaleinthesubjectlanguage,ormoreadvancedstudentscantelltheiroriginalstoriesinthesubjectlanguage.PROPSPropscanbeusedinavarietyofwaystostimulateaspeakinginanotherlanguage.Here’safewideas:

- Whatisit?Aplainobjectispassedaroundthecircle,andeachpersonmustcomeupwithavariationonwhatitis.i.e.acardboardboxispassedaround.Thefirstpersonsays“It’sacageIkeepmymicein,“thenext“mybesthat”,thenextperson“mynewbabybrother.”

- Ifoundthis…Twopeoplemustcreatethemostinterestingstoryaboutwheretheygotacertainpropfrom.Thestoryvotedmostinterestingbytheclasswins.

- It’smine!Inpairs,thestudentsdeviseshortscenesbasedonthembothwantingtopossessacertainprop.Youcouldhaveabagof15randomobjects,oneisgiventoeachpairandtheymustdeviseascenebasedonthedesireforthatprop.

- 1,3,5…Apropisgiventoeachsmallgroup.Atmosphericmusiccouldbeplayedtosupportthescenes.Groupsmustdeviseashortscenebasedonthepropbutareonlyallowedtouseone(orthree,orfive)words.Bylimitingthenumberofwordsused,youareallowingstudentswithvariouslevelsofabilitytocontribute,aswellaschallenginggroupstothinkcarefullyaboutthepowerandimportanceofcertainwords.

THESUNSHINESONThisgamewouldworkbestwithstudentshaveagraspofadjectivesandhumancharacteristics,likesandsoon.

- Thewholegroupsitonchairsinacirclewithonepersonstoodinthemiddleofthecircle(withnoavailableseat).Thispersonwantstowinachairbymakingpeopleleavetheirplaceandgotoanotherchair.

- Thisisdonebythepersoninthemiddlesaying“Thesunshineson…”(ortheMFLtranslation)andthencompletingthephrasewithacharacteristicthatcouldbetrueofmorethanoneseatedperson(e.g.women,peoplewholikechocolate,anyonewearinggreen).Ifthestatementistrueofthemeachplayermustleavetheirchairandruntoanotherchairbeforethepersoninthemiddlestealsachair.No-onecanreturntothesamechairinthatround.

- Thereshouldbearegularturnoverofwhoisinthemiddle.- Continueplayingroundsforaslongasyoulike!

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PLAYWRITINGSCHEMEOFWORKThisisanexampleofaschemeofworkinwhichstudentsworktowardscreatingperformancethatcaneasilybe adapted to integrate different languages or support the students to create their first fully foreignlanguageplay.Theexercisesdescribedintheschemeofworkcanbeusedwithprimarystudentsupwardsandcan,ofcourse,beadaptedtobemorecomplexforolderstudents.Attheendoftheschemeisanexampleofanactivityonbuildingacharacterwhichwouldbeusedforolder,moreadvancedstudents.SESSION1

- Introductionandexplanationofhowtheprojectwillrunoverthenextfewweeks.- Discussion:Whatisaplay?Maincomponentsarestagedirections,charactersanddialogue.You

canfacilitatethisinwhateverwayyoulike,youcouldusetheboardtowriteanexampleofaverysimpleplaysetinaclassroomwiththegroupandthenhavevolunteersactitout.Theaimistounderstandthedifferencebetweenaplayandastoryandhowtheyaresetoutonapage.

- Exerciseoncharacternames.Astudentwritestheirownfirstnameontheboardandthenjumblethelettersroundtomake3newpossiblenames.Theclasscanthenchoosetheirfavourite.Thengiveoutscrappaperandaskallstudentstodothisexerciseindividuallyuntiltheyeachhaveanewcharactername.

- Exerciseonsimplecharacteristics.Drawatablewithtwocolumns:happyandsad.Writeoneofthestudents’newcharacternamesvertically.Asagroupchoosesomethingthischaracterlikesandsomethingtheydislikeforeachletterandfilloutthetableontheboard.Again,askstudentstoalldothisexerciseindividually.

- Extra,funactivity:GiveeveryoneanA5pieceofscrappaperandaskthemtodesigntheircharacter.Nocolouringin...justsketching.Theycanthendecideonfinalcharactername.Itdoesnotneedtobeoneoftheanagramsyouhavecompletedbeforeascanbeinformedbyhowtheyhavedesignedthem.

SESSION2Thisisallaboutgettingthestudentstocollaborateonwritingtheplayinpairsorsmallgroups.

- Discussionofnarrative.Giveexamplesofstorieswithclearbeginning,middleandend.IdeallystoriesfromcultureswhouseyourMFL.Focusontheideathatgoodstorytellingisproblemsolvinganddramaistheobstaclesyoucomeacrossandhavetoovercome.

- Ingroups:decidehoweachcharacterknowseachotherandiftheircharactersarebadorgood.Theythenneedtodecideonthesituationandtheproblem.

- Askthemtowritetheirstoryinonesentence.Yougivethemanexample.- Thenplantheirstorymorefullybasedonthreescenesinthreedifferentlocations.

SESSION3AND4

- Writingtheplays.Thismaybebesttodirectlyontolaptopsortablets.Youcaninstructstudentsthateachpersonshouldwritetheirowncharacterdialogueencouragingamoredemocraticformofcreatingthescripts.

SESSION5

- RehearsingandPerformingthenewplays.Workingacrosscurricula,studentscouldalsodesignpostersandevenprogrammesfortheirplays.AliteracytaskafterwardswouldbeallstudentswritingreviewsintheMFLofeachother’splays.Keeptheplaysshortandsimpleandfeelfreetoamendanyofthisplantosuityourownstyle.Itissetupsotheycandothissittingatdesks,butsometimesyoumaywantthegroupstostanduptoactoutsectionsoftheirplays.

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ThefollowingquestionnairecanbeusedduringthisschemetoCREATEADRAMATICCHARACTER:Character’sName: ______________________________________________Myfamilystructureis: ______________________________________________Myfriendsare: ______________________________________________Ilivein: ______________________________________________Iwork: ______________________________________________Myageis_____________Iwasbornon______________________________________________MyPrimarySchoolwas ______________________________________________MySecondarySchoolwas ______________________________________________ThefirstmusicIrememberlisteningtoandlikingwas______________________________________________NowImostlylistento______________________________________________Myearliestmemoryis: ______________________________________________Myfirstkisswas: ______________________________________________Myperfecteveningis: ______________________________________________Peoplesaymyhandwritingis:______________________________________________Mygreatestfearis: ______________________________________________Myfavourites:Colour ______________________________________________

Food ______________________________________________Typeofholiday______________________________________________

Thisisforyoutocreateastatementspecificallyforyourcharacter:My_____________________________________is: ______________________________________________

Lastupdated:17May2019