graduation project report

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PRODUCT DEVELOPMENT FOR THREE SELECTED DENIM FITS A dissertation submitted in partial Fulfillment of the requirement for the award Degree in Bachelor of Fashion Technology (Apparel Technology) Submitted by: ANURAG BANGARI RANVIJAY SINGH B.F.Tech-8 Under the Guidance of: Mr. JOSEPH REGY Assistant Professor, NIFT Bengaluru 1 | Page

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Page 1: Graduation Project Report

PRODUCT DEVELOPMENT FOR THREE SELECTED DENIM FITS

A dissertation submitted in partial Fulfillment of the requirement for the award Degree in

Bachelor of Fashion Technology (Apparel Technology)

Submitted by:ANURAG BANGARIRANVIJAY SINGH

B.F.Tech-8

Under the Guidance of:Mr. JOSEPH REGY

Assistant Professor, NIFT Bengaluru

Department of Fashion TechnologyNational Institute of Fashion Technology, Bengaluru

May, 2016

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ABSTRACT

Brands strategy is gaining more popularity because of quickly adapting the latest trends. Many

Fashion Brands claimed that it needs just two weeks to develop a new product and to get to the

store and launches. Fast fashion brands produce new clothes more frequently and rapidly because

customers do not run into the same clothes the second time of their visit to the retail shop. This

project main aim is to find the gap between the latest denim trend followed in market and the

trend followed by Lee. By analyzing Lee line data (total no of Fits available), it is found that Lee

is catering in Skinny, Slim & Tapered. But after doing market survey for competitive brands of

Lee, it is found that these brands are also focusing on loose fits like Straight, Regular, Dungaree

and Joggers which have been forecasted for the SS17.

Now the trend is changing very quickly and the cost of raw material is increasing & customer

demands for change because of that new style are being introduced in market by the brands to

maintain its image in market. Because of this brands are using alternate construction method and

introducing it as different style. The main aim of this is to understand the customer needs and

wants, the competitive environment and the nature of the market represent the top required

factors for the success of a new product.

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CERTIFICATE

“This is to certify that this Project Report titled “PRODUCT DEVELOPMENT FOR THREE SELECTED DENIM FITS” is based on our Anurag Bangari and Ranvijay Singh original research work, conducted under the guidance of Mr. Joseph Regy towards partial fulfillment of the requirement for award of the Bachelor’s Degree in Fashion Technology (Apparel Production), of the National Institute of Fashion Technology, Bangalore.No part of this work has been copied from any other source. Material, wherever borrowed has been duly acknowledged.”

Signature of Author/Researchers

Signature of Guide

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ACKNOWLEDGEMENTA project report usually falls short of its expectations until and unless guided by the right people

at the right time. Hence, we would like to express our deep sense of gratitude and heartfelt

thanks to our Course Coordinator, Ms. Jonalee Bajpai without whom our GP would have been a

distant dream. We would also like to acknowledge our college mentor Mr. Joseph Regy for his

guidance and feedback.

We would also like to thank and express our gratitude towards our honourable mentors at Lee,

Mr. Nishant Ponnapa for helping us in accomplishing our projects and for their guidance and

assistance in understanding the overall functioning of the organization.

Last, but not the least, we would like to thank all other employees, staffs and operators of the

organization for their selfless help throughout the GP period.

Thanking Everyone,Anurag BangariRanvijay Singh

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LIST OF TABLESTable 1 Story wise analysis 66

Table 2 Men Category Wise Analysis 66

Table 3 LEE Denims MRP Wise Analysis 67

Table 4 LEE Denims FIT Wise Analysis 68

Table 5 LEE Denims Top 10 Selling Codes 68

Table 6 LEE Denims Bottom 10 Selling Codes 69

Table 7 MENS PRICE RANGE & NO OF OPTIONS ACROSS BRANDS 103

Table 8 LEE vs Direct Competitors 105

Table 9 LEE vs Indirect Competitors 106

Table 10 Brief Description of Regular Straight Fit 114

Table 11 Costing of the Regular Straight fit 115

Table 12 Brief Description of Slim Straight Fit 117

Table 13 Costing of the Slim Straight fit 117

Table 14 Brief Description of Skinny Straight Fit 119

Table 15 Costing of the Skinny Straight fit 119

Table 16 Brief Description of Joggers 121

Table 17 Costing of the Joggers 121

Table 18 Brief Description of Dungaree 123

Table 19 Costing of the Dungaree 123

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LIST OF FIGURES

Figure 1 VF Corporation logo 5

Figure 2 Lee brand logo 6

Figure 3 Median Age 10

Figure 4 Calvin Klein Denim 12

Figure 5 Flexible Denim 13

Figure 6 UNIQLO MEN SELVEDGE REGULAR STRAIGHT FIT 14

Figure 7 LEVIS JEANS 501 SELVEDGE STRAIGHT FIT 14

Figure 8 HE BY MANGO STRAIGHT-FIT MEDIUM WASH BOB JEANS 14

Figure 9 GAP ORIGINAL 1969 STRAIGHT FIT JEANS 14

Figure 10 WHITE DENIM LOOKS 15

Figure 11 JOGGERS DENIM 16

Figure 12 CALVIN KLEIN PATCH WASHED DENIM 17

Figure 13 REGULAR FIT DENIM 29

Figure 14 Slim Fit Denim 30

Figure 15 Relaxed Fit Denim 30

Figure 16 Skinny Fit Denim 31

Figure 17 Bootcut fit Denim 31

Figure 18 Bell Bottom Denim 32

Figure 19 Husky fit denim 33

Figure 20 Low Raise fit denim 33

Figure 21 Carrot fit denim 34

Figure 22 Tapered Fit denim 34

Figure 23 Straight Fit denim 35

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Figure 24 VFC Global Presence 41

Figure 25 VFC Brands 43

Figure 26 Eric C. Wiseman is Chairman, President and Chief Executive Officer of VF 46

Figure 27 VFC Organization Hierarchy 47

Figure 28 VFC India 48

Figure 29 Lee India 49

Figure 30 Wrangler India 50

Figure 31 Sourcing Department 50

Figure 32 Sales Department 50

Figure 33 Product Life Cycle 54

Figure 34 Threads used in competitor brands 95

Figure 35 Buttons used in competitor brands 96

Figure 36 Rivets used in competitor brands 97

Figure 37 Zippers used in competitor brands 98

Figure 38 Logo patches use by competitor brands 99

Figure 39 Aesthetic features used by competitor brands 100

Figure 40 Garment Sketch 113

TABLE OF CONTENT

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Abstract I

Certificate Ii

Acknowledgement Iii

List of Tables Iv

List of Figures V

Table of Content Page no.

Chapter 1 INTRODUCTION 2

1.1 NEED OF THE PROJECT 3

1.2 TITLE OF THE PROJECT 4

1.3 OBJECTIVES 4

1.4 SUB OBJECTIVES 4

1.5 BACKGROUND 4

1.6 COMPANY PROFILE 5

1.7 INTRODUCTION TO LEE BRANDS 6

Chapter 2 REVIEW OF LITERATURE 7

2.1 MARKET STATUS OF DENIM SECTOR IN INDIA 8

2.1.1 MARKET SIZE AND GROWTH 8

2.1.2 COMPARISON WITH DENIM CONSUMPTION OF SOME OTHER COUNTRIES 8

2.1.3 CITY-WISE DISTRIBUTION OF DENIM MARKET 9

2.1.4 PRESENCE OF BRANDS 9

2.1.5 DRIVING FACTORS FOR DENIM MARKET 11

2.1.6 DENIM VALUE CHAIN IN INDIA 11

2.1.6.1 SELECT TRENDS IN DENIM MARKET 12

2.1.7 ISSUES & CHALLENGES FOR DENIM MARKET 12

2.2 DENIM: THE BEST JEANS AND DENIM TRENDS 12

2.2.1 LEISURE LUXE 13

2.2.2 RELAXED FITS 14

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2.2.3 WHITE 15

2.2.4 RUNNERS OR JOGGERS PANTS 16

2.2.5. ATELIER (PATCH WORK) 17

2.3 DENIMS- IT'S HISTORY 19

2.3.1 CHARACTERISTICS OF DENIM 19

2.3.2 WEAVE DESIGN OF DENIM 20

2.3.3 CLASSIFICATION OF DENIM 20

2.3.4. MACHINES REQUIRED FOR GARMENTS WASHING/DYEING 20

2.3.5 ADVANTAGES OF GARMENTS WASHING 21

2.3.6 LIMITATION OF GARMENTS WASHING 22

2.3.7 DENIM WASHING 23

2.3.7.1 CHEMICAL WASHES 22

2.3.7.2 MECHANICAL WASHES 25

2.4 GLOSSARY OF JEANS 29

2.5 ABOUT THE BRAND 36

2.5.1 VISION & VALUES 37

2.5.2 INNOVATION: A COMMITMENT TO BOLD NEW IDEAS 38

2.5.3 VF GLOBAL PRESENCE- 40

2.5.4 BRAND PORTFOLIO 42

2.6 ORGANIZATIONAL STRUCTURE 46

2.7 BUSINESS PLAN 51

2.8 PRODUCT LIFE CYCLE 54

Chapter 3 METHODOLOGY 60

3.1 PROCESS FLOW 61

Chapter 4 DATA ANALSIS 66

4.1 SECONDARY DATA ANALYSIS 67

4.2 MARKET ANALYSIS 70

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4.2.1 IDENTIFICATION OF THE DIRECT & INDIRECT COMPETITIVE BRANDS AND THEIR FITS 70

4.2.2 COMPETITION MAPPING OF BRANDS SELECTED (PRIMARY RESEARCH) 71

4.2.3 RESULTS OF MARKET SURVEY 91

4.2.4 PRICE POINT & NO. OF OPTION COMPARISION OF LEE BRANDS WITH OTHER BRANDS 102

4.2.5 FIT WISE COMPETITORS ANALYSIS 105

4.3 CONSUMER SURVEY 107

Chapter 5 PRODUCT DEVELOPMENT 111

5.4 DESIGN BRIEF 112

5.2 CONCEPT GENERATION 112

5.3 CREATION AND DEVELOPMENT OF GARMENTS 113

PRODUCT 1: REGULAR STRAIGHT FIT 114

PRODUCT 2: SLIM STRAIGHT FIT 115

PRODUCT 3: SKINNY STRAIGHT FIT 117

PRODUCT 4: JOGGERS(NON-STRETCHABLE) 119

PRODUCT 5: DUNGAREES 121

Chapter 6 SUGGESTIONS AND CONCLUSIONS 124

6.1 LIMITATIONS AND SCOPE OF FURTHER STUDY 125

6.2 CONCLUSION 125

Chapter 7 BIBLIOGRAPHY 126

Chapter 8 APPENDICES & ANNEXURE 127-144

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CHAPTER 1

INTRODUCTION

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In this section, the details of the project, company profile, significance and limitations are discussed

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PROJECT STATEMENT

There are many newly launched brands as well as already existing brands in apparel industry.

Competition is increasing day by day among brands and trend is changing at a very fast rate.

Today’s customers have become more demanding about latest trend & style of apparels.

Customers have lot of options because there are plenty of apparel brands in market, and hence it

becomes very difficult to retain the customer. To retain the existing customers and to attract new

customers, brand should have latest trend available with minimum cost. This project will discuss

about the latest trend and MRP offering in market and find the gap between the latest Style trend

and Fit & MRP trend followed in market and the trend followed by Lee.

1. INTRODUCTION

Brands strategy is gaining more popularity because they quickly adopt the latest trends through

listening to the feedback from its consumers. Consumers are satisfied with the fact that they can

wear clothes of the latest trend with reasonable price. Customers do not run into the same clothes

the second time of their visit to the retail shop. Fast fashion brands produce new clothes more

frequently and rapidly. global clothing retailer claimed that it needs just two weeks to develop a

new product to get to the store and launches, store in the fastest time to capture current trends in

the market, these trends are designed and manufactured quickly and cheaply to allow the

mainstream consumer to take advantage of current clothing styles at a lower price. This is the

philosophy of quick manufacturing at an affordable price.

1.1 NEED OF THE PROJECT

Brand Lee is experiencing a significant drop of sales in Denim (core) category, while on the

other hand the denim market of India continues to grow. Therefore, it becomes inevitable to

establish that “Lee” covers to entire spectrum of the market and also its competitors. A

thorough Evaluation of the product landscape is compulsory.

\

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1.2 TITLE OF THE PROJECT

“PRODUCT DEVELOPMENT FOR SELECTED FITS”

1.3 OBJECTIVES

a) To analyze the trend of fits & style in market

b) To gain an understanding of the current scenario about the FIT & MRP wise option

offered by LEE &other competitors brands along with product based comparison

c) Development of new fit/products as per market requirement

d) To find out the MRP brackets of competitive brands

1.4 SUB OBJECTIVES

a) Price & fit Range Analysis

b) Identification of the top selling and bottom selling pan India style codes for denim

category.

c) Development of option plan

1.5 BACKGROUND

Denims are the most comfortable outfit in bottoms, almost on all occasions. According to

estimates, the size of the denim market in India is about 65-70 million pairs. It's a large

structured industry growing at about 15-20% a year Says Chakor Jain, business head for Lee in

India, "We are only growing as there is a robust demand for denim in India. The East Asian

market is growing aggressively. Europe has seen a general slowdown and in the entire apparel

sector." Denim is of the most promising category in India’s apparel market. In 2013, the denim

market of India was worth `13,500 Cr. which accounts for 5 percent of the total apparel market

of the country. The market is projected to grow at a CAGR of 15 percent to become 27,200 Cr.

markets in 2018. The denim market in India is skewed towards men’s segments with 85 percent

contribution coming from it. Women’s denim segment contributes 9 percent to the market and

the kids segment the rest 6 percent. The women’s and kid’s denim segments are expected to

witness higher growth rates due to their lower base and increasing focus of brands and retailers

on those segments. Analysis of the customer satisfaction gauges the acceptance of a new product,

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quality of economic output, as experienced by the users of that output, to contribute to a more

comprehensive picture of the economy, to indicate how well (or poorly) VF markets behave and

to be a leading indicator of economic profits. Customer’s perception of service and quality of

product thus determines the success of the product or service in the market. The above trends

indicate the huge potential of the denim market in terms of both branding and specialty retailing.

However, the key success factors for both new brand and retail entrants will be product

differentiation and retail experience. Savvy marketing and interactive promotions with kids, in

addition to the product and retail offer shall be the key to success in this category.

1.6 COMPANY PROFILE

"At VF, business success starts with our family of powerful brands whose very names reflect

the pride and foundation of our company.

Represent the aspirational interests and lifestyles of people of all ages on every continent.

These are brands that enrich consumers’ lives, help them express their individuality and push

them to the boundaries of what’s possible. We support these brands with powerful business

platforms that help us maintain VF competitive edge.

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Figure 1: VF Corporation logo

Every day, around the world, VF leverages these platforms across the company to share best practices, enable VF success and strengthen VF brands. This close relationship between powerful brands and powerful platforms plays out within a company culture that combines collaboration, creativity, operational excellence and financial discipline to ensure that everything we do contribute to superior total shareholder returns and passionate consumer loyalty."

1.7 INTRODUCTION TO LEE BRANDS

Lee Jeans have a proud history stretching back to 1889, and a heritage of quality clothes

that are not only classic, but comfortable too. That's why today Lee is one of the most

popular work and casual brands on the planet. Henry David Lee established the H.D. Lee

Mercantile Company in Kansas; a business specialized in selling fine goods. H.D. Lee

quickly sees the need for reliable work wear. Unhappy with the quality and inconsistent

delivery of work wear from Eastern suppliers, Lee is convinced his company can do it better.

It is with this venture that Lee starts what is to become one of the most successful garment

companies throughout the 20th century. They have always been doing things differently and

been first at it as well. In 1995, they were the first international brand to be made available to

the Indian market, the first to have exclusive outlets, the first to offer such a wide range in

fits, fabrics and styles.

They have done so many things since 1995, like first casual brand to open exclusive store

first apparel brand to go on television, Lee Dance Furnace, Lee A to Z of Rock, Lee Model

Hunt, a super model calendar with Yana Gupta, a website, (leelounge.com) first brand to

have a WAP site, giving customers virtually everything they need to know about Lee:

catalogues, downloads, contests, limited edition stuff and giveaways to die for.

Figure 1: Lee brand logo

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CHAPTER 2

REVIEW OF LITERATURE

In this section, the secondary research that was conducted for the project is articulated. The

relevant literature that was reviewed regarding the project is elaborated

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2.1 MARKET STATUS OF DENIM SECTOR IN INDIA

Consumers, especially the youth, in cities beyond the metros and mini metros are growing

exceptionally aspirational. They are increasingly accepting denim as a core apparel category to

be worn as an everyday casual garment Amit Gugnani, SVP, Fashion (Textile & Apparel),

Technopak share more insight on the denim market.

2.1.1 MARKET SIZE AND GROWTH

Denim is of the most promising category in India’s apparel market. In 2013, the denim market of

India was worth `13,500 Cr. which accounts for 5 percent of the total apparel market of the

country. The market is projected to grow at a CAGR of 15 percent to become `27,200 Cr. market

in 2018.

The denim market in India is skewed towards men’s segments with 85 percent contribution

coming from it. Women’s denim segment contributes 9 percent to the market and the kids

segment the rest 6 percent. The women’s and kid’s denim segments are expected to witness

higher growth rates due to their lower base and increasing focus of brands and retailers on those

segments.

2.1.2 COMPARISON WITH DENIM CONSUMPTION OF SOME OTHER COUNTRIES

In general, the western lifestyle and western fashion has accelerated the trend of casualization

across the globe. This trend has boosted the consumption of casual fashion apparel like denims,

dress shirts, tees, casual shirts among both men and women consumers in all developing

countries including India. The average number of denim items owned by Indian consumer is

much lower in comparison to consuming market of the United States, Europe etc. The number is

even lower than countries like Brazil and China. This difference in the number demonstrates the

huge potential that exists for denim in the domestic market.

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2.1.3 CITY-WISE DISTRIBUTION OF DENIM MARKET

The value share of denim market is skewed in favor of mega metros and metros which account

for almost half of the total denim market at a share of 49 percent. Though the markets of other

urban areas and rural India contribute high in volume terms, their combined share in market

value is only 51 percent.

As the penetration of denim category and the awareness of denim quality increases in those cities

and rural India, their share in market value will start increasing with more number of consumers

willing to pay premium for the quality, design and fit.

2.1.4 PRESENCE OF BRANDS

In India unbranded denim products dominate the market with around 60 percent share of the

market. The share of brands in denim market stands at 40 percent. Most of the unbranded players

operate on the lower price segment of the market where awareness of quality of fabric, finishing

and washes, design and fit are relatively low.

The emergence of semi-urban clusters, areas having less number of farming communities, across

the country has opened a plethora of opportunities for regional brands and retailers. A typical

denim consumer of the semi-urban cluster demonstrates a blend of the characteristics of urban

and rural consumers; like an urban consumer he or she shows awareness of brand and product

quality and like a rural consumer pricing and affordability plays a crucial role in his or her

purchase decisions. The regional brands have focusing to cater to these typical requirements of

the semi-urban consumers. However, presence of lots of unbranded players in such markets it a

market of intense competition to many national level brands.

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2.1.5 DRIVING FACTORS FOR DENIM MARKET

Some of the key driving factors for the denim market in India are:

An aspiration youth (15-29 year olds) with higher spending power than previous

generations, which make 26 percent of the consuming population

A wide range of consumer segment that consider denim as an apparel of choice owing

to its comfort and style

Favored preference for denim amongst youth owing to its versatile association

Increasing usage of denim products by women and youth in smaller cities and rural

India

Figure 2: Median Age

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2.1.6 DENIM VALUE CHAIN IN INDIA

India has an integrated value chain for denim products starting from fibre to retail. Denim is

primarily produced from cotton and India is expected to overcome China as the single largest

producer of cotton the world in 2014. The country is the second largest producer of cotton yarn.

The denim fabric production capacity of India is more than 1,000 million meters per year, and

India is still witnessing entrance of more denim fabric manufacturers in the industry.

Denim fabric production in India is concentrated in the western and northern parts of the country

with more than 45 percent contribution coming from Gujarat alone where Ahmedabad is the

production hub.

Denim apparel production in India remains a fragmented industry where only 20-30 percent of

denim apparel is manufactured in the organized units. The denim apparel production activities

are concentrated in Delhi and NCR, Mumbai, Bangalore and Ahmedabad.

2.1.6.1 SELECT TRENDS IN DENIM MARKET

The denim market in India has been evolving fast with introduction of more styles, colours and

some distinct trends in the product offering.

Some of the key trends in denim market are: 

In India most of the denim manufacturers focus on the domestic markets as the value

realization remains higher in domestic market than in export markets

In the recent times the industry has witnessed entrance of new fabric manufacturers

which is expected to make the market for denim fabric more price competitive in the

coming years

Cotton remains the fiber of choice in denim apparel. In blended denim fabrics

polyester is being used as weft threads

The demand for stretch denim is growing at a faster rate in India market due to its

comfort and fi t characteristics

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The color of denim jeans is no longer limited to traditional blue colors. Indian youth

has started accepting denim in different colors including green, red, yellow etc.

2.1.7 ISSUES & CHALLENGES FOR DENIM MARKET

Though the denim category is among the most promising categories in apparel market of the

country, it faces its own set of issue and challenges. The prudence in which various stakeholders

of denim eco-system identify and address the issues and challenges associated with the value

chain will determine the growth of denim apparel market in the country. India at present lacks

behind in its ability of the denim product development and innovation. There is a need to

develop a larger portfolio of denim garments and accessories, including shorts, shirts, bags,

dresses, accessories among others.

At present the market is skewed towards denim jeans. The weight (gsm) range of available

denim fabric could be broadened to widen denim application. There is a lot of scope of

improvement in right processing and value addition in denim through fashion-led processes and

finishes. Establishment of high quality processing and could help to improve the quality and

colors, this attracting more to try denim.

2.2 DENIM: THE BEST JEANS AND DENIM TRENDS

There will always be those style purists who say that dark, unsullied denim (preferably

selvedge) is the only kind worth investing in for versatility and longevity. And this article is

not for them. Besides, when did fashion ever concern itself with such practicalities? For the

rest of us, denim has moved on since tailor Jacob W. Davis and dry-goods salesman Levi

Strauss patented the rivet in 1873.

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Figure 4: Calvin Klein Denim

Indeed, the 20th century’s most iconic garment – the blue jean – is positively overripe for

designers to experiment with and subvert.

And they’re doing it in their droves. These are the denim trends to buy into for this season

and (slightly further) beyond.

2.2.1 LEISURE LUXE

Leisure luxe lies in oversized luxe sport – a combination of leisure and sporty elements

teamed with oversized jackets, in a palette of soft cosmetic hues. Silhouettes become less

tailored and more about casual, oversized relaxed and loose fits while the simple lines and

relaxed, layered silhouettes continue to be influenced by menswear tailoring. Sporty shapes

in luxurious materials rely on the emphasis of texture – a key focus on the quality

combinations of loungewear and classic wardrobe staples. (Bowring, 2016)

Figure 5: Flexible Denim

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2.2.2 RELAXED FITS

The warmer months are the time to take things easy. “A key style for SS16 is the more relaxed,

straight or tapered fit,” says Robyn Ferris, Junior Buyer at MRPORTER.com, who buys the

majority of the discerning e-tailor’s denim.

Slim, skinny and spray-on styles might continue to dominate the industry, but that’s precisely

why the menswear pendulum is swinging in the other direction, with designers like Christopher

Shannon and E. Tautz continuing to push wider leg cuts.

Figure 6: UNIQLO MEN SELVEDGE REGULAR STRAIGHT FIT Figure 7: LEVIS JEANS 501 SELVEDGE STRAIGHT FIT

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Figure 8: HE BY MANGO STRAIGHT-FIT MEDIUM WASH BOB JEANS Figure 9: GAP ORIGINAL 1969 STRAIGHT FIT JEANS

2.2.3 WHITE

For this summer, the forecast is bright. Again. “White denim is the one to watch,” says Gordon

Richardson. “It works well with this season’s predominance of neutral colors as a clean

alternative to a basic chino. “Adding some white to your rotation also gives you another fail-safe

option for pulling off a double-denim look without having to worry about shades of blue melting

into one another JT-at-the-2001-AMAs-style Or sweltering in black at the height of summer.

Plus, it’ll enhance that tan you’re trying to get.

Figure 10: WHITE DENIM LOOKS

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2.2.4 RUNNERS OR JOGGERS PANTS

Tapered sweatpants called "jogger pants" are one of the hottest new trends in menswear,

according to industry experts. The legs of the sweatpants, which feature elastic at the feet, are

designed to fall just above the ankle.

Unlike sweatpants of the past, their primary utility isn't in jogging, but in showing off expensive

basketball shoes, writes Sara Germano for the Wall Street Journal. "They’re the hottest trend in

bottoms in men’s," Sports OneSource analyst Matt Powell told the Journal. 

According to men's site Complex.com, "The pants have not only become synonymous with

sneaker culture, but it's also found its way into its boutique

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Figure 11: JOGGERS DENIM

2.2.5. ATELIER (PATCH WORK)

Denim atelier, diesel’s ultra-bespoke denim, draws its inspiration from painterly techniques this

season. Splatter and worn-out effects, and workwear-like stripes are effortlessly and artfully

stylish. Denim is manually ripped, distressed and splattered with various tonal paint colors,

coated treatments fade over time to reveal the original denim at its core, and double fabrics are

treated and sewn together for a couture patchwork effect.

Figure 12: CALVIN KLEIN PATCH WASHED DENIM

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2.3 DENIMS- IT'S HISTORY

The story goes that “jean” derives from the word Genoa. It refers to the material that sailors

from Genoa used in their pants. This was a coarse cotton wool and/or linen blend. It

originally came from Italy, and is evidence of the custom of naming a material for its place of

origin. By the late 16th century, jean was already being produced in Lancashire, England.

The composition eventually evolved to 100% cotton by the 18th century ‘Jeans’ today

usually refer to a garment that has 5 pockets (two in the front, two in the back and a small

change pocket on the front right pocket) and this style can be made using any kinds of fabrics

be it corduroy, twills, or bull denim. Historic brands include Levi's and Wrangler. On the

other hand, the origin of the term “denim” can be traced to late 16th century France where a

fabric known as “serge de Nimes” (Twill from Nimes) was very popular. Some doubt

remains as to whether the contraction “denim” actually came from this French fabric or twill

called “nim”, also used in France at the time. “Serge de Nimes” was a blend of silk and wool,

which leads some historians to doubt if this was truly the origin of modern day denim. Either

way, the history of jeans goes this far back in history. Both fabrics (jeans & denim) grew in

popularity, denim being the stronger and more expensive of the two. The major difference

between them was that denim was woven with one colored thread (the warp) and the other

white (the weft), while jean was woven with two colored threads.

Jean and denim remained two very different fabrics, and were used for different types of

clothing. Denim was used mainly for workers clothes and jean for lighter clothes that did not

have such high durability requirements. By the late 19th century, weavers in America were

making twills in the same fashion as the European denim, adapting to the more readily

available and locally produced cotton fibres. The material had a reputation for being very

strong and not wearing out quickly, in spite of many washes.

2.3.1 CHARACTERISTICS OF DENIM

Warp yarns are coloured usually with Vat or Sulphur dyes.

Weft yarns are always white in colour.

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Structure: warp dominating right hand or left hand twill i.e. Z/S-twill of 2/1 or 3/1

construction

Usually made of cotton yarns of coarser count (7S, 10S, 14S, 16S, etc.)

Rotor yarns are usually used.

Coarser cloth (weight lies between 6 – 14 oz/sq.yds.) and used for pant and warm

jacket

2.3.2 WEAVE DESIGN OF DENIM

We all know that the denim fabric is constructed with TWILL Design. Now, let us

take a brief look about Twill construction.

A distinct design for the twill weave is it forms a diagonal line.

In the right-hand twill, the diagonals run towards to the right.

In the left-hand twill, the lines run towards to the left.

Denim, gabardine are well-known twill weave fabrics.

The simplest twill weave is either 1/2 or 2/1 twill (three-leaf twill).

3/1 or 1/3 twill is called four-leaf twill.

2.3.3 CLASSIFICATION OF DENIM

The weight/unit area of Denim is

Light Weight: 4.5 to 7 oz/sq.yd (Technology of Industrial Denim Washing: Review

27)

Medium Weight: 7 to 10 oz/sq.yd

Heavy Weight: 11 and above

The hue/tone and colour of Denim is:

Indigo vat, Sulphur black

The fabric structure/design of Denim is:

Plain, Twill (S-twill, Z-twill, herringbone or Zigzag twill)

There are two methods of garment finishing:

Dip process, Tumbling process

2.3.4 MACHINES REQUIRED FOR GARMENTS WASHING/DYEING

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A garments dyeing and washing factory needs the following machines

Garments dyeing/washing machine for- Sample & Bulk

Hydro extractor

Dryer

Basically there are two types of machines used for garments dyeing

Pedal Type machine

Rotary Type machine

Pedal Type garments dyeing machine is the first and oldest type of garment dyeing

machine still used in the European countries. Peal type garments dyeing machines are

two types that are overhead pedal type and side pedal type.

2.3.5 ADVANTAGES OF GARMENTS WASHING

The followings advantages could be gained from garments washing:

Removal of starch or size materials makes the garments soft hand feel

Softness could be increased by the addition of softener just at the last stage of

washing

Dirt, spots, impurities, gums, etc. if accumulated in garments during their

manufacturing, could be removed

During washing shrinkage takes place, therefore, after washing there is no possibility

to create such problem

Washed garments could be worn directly after purchase

Faded or worn out effects could be introduced to the garments which creates new

fashion

Comparatively lower capital is required to set up a washing plant

Lower land space and least manpower cost are required to run a washing plant

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2.3.6 LIMITATION OF GARMENTS WASHING

Like other processes Garments washing is also not without some limitations. They include as

below:

Garments Size Change: The change takes place due to shrinkage properties of fabric.

The amount of shrinkage properties of fabric determines the size changes of the

garments

Size Material is Partly Removed: Size materials applied during preparation of fabric

are removed partially during washing though complete removal is possible if desired

Colour is Partly Removed: Unfixed dyes may remain on the surface of the garments

and it is necessary to remove them completely. They might not be removed

completely after washing

2.3.7 DENIM WASHING

It is of two types. They are

1. Mechanical Washes

Stone wash

Micro sanding

2. Chemical Washes

Denim bleaching

Enzyme wash

Acid wash

2.3.7.1 CHEMICAL WASHES

1. Denim Bleach

In this process a strong oxidative bleaching agent such as sodium hypochlorite or

KMnO4 is added during the washing with or without stone addition. Discoloration

produced is usually more apparent depending on strength of the bleach liquor quantity,

temperature and treatment time. It is preferable to have strong bleach with short treatment

time. Care should be taken for the bleached goods so that they should be adequately

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antichlor or after washed with peroxide to minimize yellowing. Materials should be

carefully sorted before processing for colour uniformity.

2. Enzyme Wash Denim

Enzyme Wash -In order to minimize the adverse effect of stone-washing, the denim

garments are washed with enzymes. The enzyme breaks the surface cellulose fibres of the

denim fabric and removes during Washing. During enzyme washing certain amount of

indigo dye and cellulose fibres from the surface of the fabric are removed.

Enzymes are proteins, found in all living organisms, plants, as well as animals and

microorganism. All organisms produce a wide range of enzymes. Enzyme washing is

ecologically friendly due to the natural origins of enzymes.

Enzymes basically catalyse specific chemical reactions and are known as ‘bio-catalysts’.

Enzymes act on living cells and can be work at atmospheric pressure and in mild temp

and ph. In recent years, there has been increasing interest in the use of environmentally

friendly, nontoxic, fully biodegradable enzymes in the modern textile technology

finishing process. Enzymatic treatment can replace a number of mechanical and chemical

operations, which have been applied to improve the comfort and quality of fabrics by

now. In the textile industry enzymes are applied mainly to get a cleaner fabric surface

with less fuzz, to reduce tendency to pill formation, to improve handle, to smooth the

surface combining with traditional softeners. The development studies of this area have

been focused on applying enzymes on cellulose materials based on cotton, linen, viscose

and their blends with synthetics fibres.

LOCK AND KEY THEORY

The Lock and Key analogy first postulated in 1894 by Emil Fischer. Here the lock is the

enzyme and the key is the substrate. Only the correctly sized key (substrate) fits into the

key hole (active site) of the lock (enzyme). Larger keys, smaller keys, or incorrectly

positioned teeth on keys (incorrectly shaped or sized substrate molecules) do not fit into

the lock (enzyme). Particular lock can only be open by correctly shaped key. Key fits

lock-turns, it thus opening the door for reaction to proceed. Enzymes reject dissimilar

substance and accept substrate -reaction proceed.

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APPLICATION OF ENZYMES IN TEXTILE INDUSTRY

Amylases: Used for desizing

Cellulose: Used for bio-polishing and denim finishing

Protease: Used for wool finishing

Catalase: Used for bleach clean-up

Laccase: Used for discoloration of indigo dyes

3. Acid Wash

Acid wash on denim jeans is becoming very popular due to its significant contrasts and

attractive Appearance in colour. Acid wash can be carried on Indigo & Sulphur base

fabric garments. Acid Wash was a chemical wash process on denim which stripped the

top layer of colour and makes a White surface while the colour remained in the lower

layers of the material, giving it a faded look.

Acid was first launched in 1980’s as a new innovative finish on denim garments. This

wash was being carried out by soaking stones in bleach and then followed by

neutralization.

Acid wash of denim garment is normally carried out by tumbling the garments with

pumice stones pre-soaked in a solution which contains sodium hypochlorite (5 to 10%) or

potassium permanganate (3 to 6%). This causes localized bleaching which produce non

uniform sharp blue/white contrast.

Acid Wash Denim

In this wash addition of water is not required. The colour contrast can be increased by

optical brightening treatment.

Limitations of Acid Wash

Acid washed, indigo dyed denim has a tendency to yellow after wet processing. The

major cause is residual manganese due to incomplete neutralization, washing or rinsing.

Remedy

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Manganese is effectively removed during laundering with addition of ethylene- diamine-

tetra acetic acid as chelating agent.

2.3.7.2 MECHANICAL WASHES

1. Denim Hand Sand / Scraping

Hand sand is step which is generally being done in rigid form of garments to get distress

look.

Locations can be front thigh & back seat or it can be overall / global application as per

Standard. Emery paper is being used to scrape the garments in particular placement & design.

Emery paper comes in different number generally starts from 40 till 600 and above, higher

the number finer the emery paper, lower the coarseness of the paper. In garment industry

from 220, 320 & 400 number papers are most popular & widely used.

The most important factor is to select right number of paper according to the fabric strength

& intensity need.

Scraping can be done on inflated rubber balloons for better effect (horizontal or vertical it’s

up to operator’s convenience), even it can done on plain wooden board of garment size &

hand pressure should be uniform in order to get better results.

Hand sanding must be started from intense part & feathering out on less intense part

gradually.

2. Stone Wash

In the process of stone washing, freshly dyed jeans are loaded into large washing machines

and tumbled with pumice stones to achieve a soft hand and desirable look.

Variations in composition, hardness, size shape and porosity make these stones

multifunctional. The process is quite expensive and requires high capital investment.

Technology of Industrial Denim Washing: Review 31

Pumice stones give the additional effect of a faded or worn look as it abrades the surface of

the jeans like

sandpaper, removing some dye particles from the surfaces of the yarn.

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Selection of Stone

Stone should be selected of the proper hardness, shape, and size for the particular end

product. It should be noted that large, hard stones last longer and may be suited for heavy

weight fabrics only.

Problems Caused by Stones

Damage to wash machineries and garment due to stone to machine and machine to

stone abrasion

Increase in labour to remove dust from finished garments.

Water pollution during disposal of used liquor.

Back staining and re deposition

Back Staining or Re-Deposition

The dye removed from denim material after the treatment with cellulose or by a conventional

washing process may cause "back staining” or "redeposit ion”. Re-coloration of blue threads

and blue coloration of white threads, resulting in less contrast between blue and white

threads.

3. Sand Blasting

Sand blasting technique is based on blasting an abrasive material in granular, powdered or

other form through a nozzle at very high speed and pressure onto specific areas of the

garment surface to be treated to give the desired distressed/ abraded/used look.

It is purely mechanical process, not using any chemicals.

It is a water free process therefore no drying required.

Variety of distressed or abraded looks possible.

Any number of designs could be created by special techniques

Advantages

Pure chemical process.

Water free process therefore no need drying

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Variety of distresses or abraded looks possible

Any number of designs could be created by special finishes whiskering

On denim, Whiskers/moustaches, chevrons are nothing but the worn out lines / impression

generated by natural wearing on hip & thigh area. There are many designs & pattern

available.

This is being done manually with help of sharp edge emery paper roller on fine wood stick or

pasted on plastic material. Before starting execution placements also known as ‘Cat's

Whiskers’ Industrially done with laser, sandblasting, machine sanding, hand sanding and

abrasive rods.

4. Potassium Permanganate Spray / Rub & Bleach Spray

Potassium permanganate spray is done on jeans to take a bright effect on sand blast area. One

important thing about potassium permanganate spray is this is usually a sporting process to

increase the effect of sand blast. Potassium permanganate solution is sprayed on blasted area

of jeans garment with the help of normal spray gun. This potassium permanganate spray

appears pink on garment when fresh and turns to muddy brown on drying. Potassium

permanganate spray concentrations range from 0.25 gm per litre to 15.00 grams per litre

depending to required results and fabric types.

Usually indigo died fabrics are treated with low concentrations whereas Black Sulphur Fabric

requires high concentrations to treat with. Sulphur is not much affected with potassium

permanganate and hence requires high concentrations and even sometime multiple spray

operations.

The variables in spray process are as follow-

Distance of spray gun to garment- less distance will give more defined and sharp

effect where as distant spray will result to more mild and merged effect.

Distance ranges from one foot to two and a half foot.

Air to Water Ratio of Gun- this is to be set very carefully. Low air pressure possibly

will through KMn04 drop on garment resulting too bright white spots whereas high

pressure will produce very low bright effect spray effect to areas where it is not

required.

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Potassium Permanganate Solution Concentration - of course, this will control the

extent to brightness.

PP spray is being done on denim garments to achieve local abraded area to appear whiter

than back ground indigo colour shade. This can be applied by spray gun by towel dipped in

to pp solution & rubbed on desired area followed by neutralization in wet process. This

process can be done in rigid after doing hand scrape or in the middle of the wash.

5. Tie and Dye Effect

In this effect, the fabric of the garment is tied after folding using plastic pins and then

washed. The pins are detached / broken after washing and the fabric in the folded areas is less

washed as compared to the edges created by folding and contained relatively high intensity of

original colours.

6. Tear Effect

The garment is given torn effect after washing. Two cuts are made horizontally and garment

is washed. After washing, threads come out of the garment. Vertical threads are taken out of

the garment leaving horizontal threads toproduce this effect.

7. Tint Effect

Tint means fainted colour spread over a surface. In this effect, the garment is rinsed with

colour solution, giving the garment same colour at the bottom and back of the fabric. The

same colour is visible at the front of the fabric but with mixed shade. This colour is more

prominent on back side of the fabric.

8. Diesel Effect

This effect gives oil stained look on the garment, with the intensity defined by the buyer.

9. Grinding Effect

This effect is made on the pocket lining, a roughing effect after washing the garment.

10. Ozone Fading

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By using this technique, the garment can be bleached. Bleaching of denim garment is done in

washing machine with ozone dissolved in water. Denim garments can also be bleached or

faded by using ozone gas in closed chamber. In the presence of UV light, there is an

interaction between the hydrocarbons, oxides of nitrogen and oxygen that causes release of

ozone. Indigo dyestuff tends to fade or turn yellow due to ozone reaction.

11. Water Jet Fading

Hydro jet treatment is used for enhancing the surface finish, texture, durability of denim

garment. This treatment involves exposing one or both surfaces of the garment through hydro

jet nozzles. The degree of colour washout, clarity of patterns, and softness of the resulting

fabric are related to the type of dye in the fabric and the amount and manner of fluid impact

energy applied to the fabric. As this process is not involved with any chemical, it is

pollution free.

12. Laser Technology

It is computer controlled process for denim fading. This technique enables patterns to be

created such as lines and/or dots, images, text or even pictures. It is water free fading of

denim. Being an automatic system, chances of human error are slim. Also called spray

painting in denims. This technique has relatively high cost. The classic jean is strong,

durable, comfortable and so fashionable. Manufacturers are keeping this classic on the

fashion radar by stoning, icing, burning and drilling the beloved jean to create novel and

unique effects. There’s a new technology that is producing some amazing looks on denim.

With the popularity of special effects surging, it’s a good time to check-out laser engraving.

The laser technology utilizes a beam of light, to produce a non-contact mark on the denim

fabric. When engraving denim, the laser burns away the indigo dye to produce a worn look.

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2.4 GLOSSARY OF JEANS

Fly Length: The zipper attachment below the waistband. The length of the openable zipper

in the fly length.

Crotch: The complete measurement from center front waistband to center back waistband in

U Shape is measured as Crotch.

Inseam: The inner side of leg is measured as inseam, which starts from crotch to the hem of

the jeans.

Outer seam: The full length of the Jeans from waist on the side to the hem.

Fit Specification of Jeans

Regular Fit: For an average build with little to no body fat, standard 2-4-inch ease around the

body for a snug but not restrictive fit, some ease in the crotch, 2-inch ease in the seat and

thighs.

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Figure 13: REGULAR FIT DENIM

Slim fit: For a younger man with no body fat, hips and waist the same girth and slender build

in things and seat. 0-2 inches ease in all areas, no extra crotch ease, fractional ease in seat,

thigh is cut smaller that standard fit.

Figure 14: Slim Fit Denim

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Relaxed fit: Cut roomier all around with 4+ inches ease in all areas. Fits a man with some body

fat or a man who prefers a less restrictive pant.

Figure 15: Relaxed Fit Denim

There is more ease and a "break" in the front crotch, an ease wedge in the center back fork and

the thigh is cut larger in the back to accommodate a longer stride.

Skinny fit: Similar to slim, some companies have re-labeled slim fits with the skinny label

and made the pant legs narrow from thigh to ankle.

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Figure 16: Skinny Fit Denim

Boot cut: Similar to regular with a slight flare at the lower leg

Figure 17: Bootcut fit Denim

Flare or Bell bottom: similar to regular with a wider leg at the lower hem.

Figure 18: Bell Bottom denim

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Husky fit: These are cut for a man with a rounder stomach, fuller seat and thighs. The jeans

are cut so the front waist is wider than the back waist to accommodate a stomach and as the

waist sizes go up, there is often an extra ease wedge added to the center front. There can also

be an extra gusset cut into the back thigh, sometimes this will appear as an extra wedge of

fabric, sometimes the wedge is added to the pattern and cut into the fabric.

Figure 19: Husky Fit Denim

Low rise: the rise is the measurement from the base of the crotch line to the top waist before

it's attached to the waist band. Standard for men is seven to nine inches. Low rise is about

five inches.

Figure 20: Low Raise Fit

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Carrot fit: Skinny Jeans are body hugging and they curve along with the skin; they are tight

in every part of the body. Carrot Jeans are looser at the waist and thigh, and are tighter from

the calf down.

Figure 21: Carrot Fit DenimTapered fit: Unlike boot cut jeans, which widen towards the bottom, tapered jeans become

skinnier as they reach the ankle. They are usually fairly form-fitting and considered a type of

skinny jeans; however, companies also make tapered jeans that are simply roomier at the top

and narrower towards the ankle.

Figure 22: Tapered Fit Denim

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Straight fit: Straight leg jeans are denim pants that are cut so that the diameter of the leg

opening is almost exactly the same from the knee down to the ankle. They differ from flare

jeans and that begin to widen at the middle of the calf and bell bottoms that begin to widen at

the knee. They also differ from skinny jeans, which actually decrease in diameter from the

knee to the ankle.

Figure 23: Straight Fit Denim

2.5 ABOUT THE BRAND

It’s a culture that defines who we are and how we work. It’s a culture of learning from the

past and living in the future. It’s a culture we call One VF.

The company was established first as Reading Glove and Mitten Manufacturing Company in

Pennsylvania in October 1899 by John Barbey and a group of investors. The company was

started with $11,000 and a 320-square-foot (30 m2) factory that was leased for $60/month. It

was incorporated in Pennsylvania on December 4 of that same year. The manufacture of

undergarments began in 1919, accompanied by a name change to Vanity Fair Mills. Shares

were sold to the public in 1951. The H.D. Lee Company (now Lee Jeans) was acquired by

the company in 1969 and the corporate name was changed to VF Corporation to reflect the

more diverse product line. Blue Bell Inc., the owner of such brands as Wrangler and Jan

Sport was acquired in 1986, effectively doubling the size of VF and making it the largest

publicly held clothing company. On October 3, 2005, Lee brand jeans, sold by the VF

Corporation, was seeking another agency after parting ways with Fallon Worldwide in

Minneapolis, part of the Publicis Group.

The company announced the purchase of VF Corporation's underwear business by Fruit of

the Loom for $350 million in cash on January 23, 2007. On February 28, 2007, VF

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Corporation acquired Majestic Athlete. On July 26, 2007, VF Corporation announced the

purchase of 7for all Mankind and Lucy Active wear for a combined $885 million. On June

13, 2011, VF Corporation announced its intention to purchase Timberland for $2.2 billion.

The deal closed in September 2011. On December 21, 2012, VF Image wear was awarded a

multi-million-dollar contract to provide uniforms and insignia for Customs and Border

Protection officers. In February 2013, Image wear was awarded a $50-million contract to

manufacture uniforms for Transportation Security Administration officers.

VF Corporation is an American clothing corporation VF corporation sells Jeanswear,

underwear, daypacks, and work wear. The corporate headquarters is in Greensboro, North

Carolina. VF Corporation is a global apparel and footwear company founded in 1899 and

headquartered in Greensboro, North Carolina. The company’s more than 30 brands are

organized into five product categories: Outdoor & Action Sports, Jeanswear, Image wear,

Sportswear and Contemporary Brands.

Today, VF is an $12 billion apparel and footwear powerhouse, with an incredibly diverse,

international portfolio of brands and products that reach consumers wherever they choose to

shop. With the expertise in both the art and science of apparel, VFC have built a sustainable

base for continued long-term success. Fast and flexible, they are able to leverage VF highly

diversified global supply chain as continuous expansion of their reach around the world.

2.5.1 VISION & VALUES

Ours is a perpetually driven culture, focused on constant innovation. Using deep research

and insights, we combine the art and science of apparel to create products that excite

consumers and brands that inspire loyalty. We responsibly manage the industry's most

efficient and complex supply chain, which spans multiple geographies, product categories

and distribution channels. Our goal is to continuously exceed the expectations of VF

consumers, customers, shareholders and business partners. We help VF retail partners

win with consistently solid execution and outstanding service. And we continually find

ways to improve VF performance and generate bottom line results. Our people are the

source of VF success. VF associates share a deep commitment to diversity - in people and

ideas. We conduct business with the highest levels of honesty and integrity and we foster

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a positive working environment based on creativity, collaboration, and congeniality.

These are the things that make us great. These are the things that make us VF."

VF Corporation is a global leader in branded lifestyle apparel and footwear ... and we

believe we're just getting started. With a diversified portfolio of powerful, global brands,

supported by powerful platforms, we have the right strategies and the right people to

continue to grow. Nearly a decade ago, we began the process of transforming VF into a

global lifestyle apparel company. We identified six growth drivers that are crucial to VF

success, including building lifestyle brands, expanding internationally and serving

consumers directly. VF's largest and fastest-growing coalition is Outdoor & Action

Sports, which accounted for 54 percent of revenues in 2012. Our Outdoor & Action

Sports brands - The North Face, Vans, Timberland, JanSport, Eastpak, Reef, Kipling,

Napapijri, Lucy, Eagle Creek and Smart wool- have tremendous opportunities for

expansion into existing and emerging markets, driven by a robust innovation agenda and

efforts to further connect with consumers. With nearly three-quarters of VF's total

revenue expected to come from VF lifestyle businesses by the year 2017 - Outdoor &

Action Sports, Sportswear and Contemporary Brands - we are the best-positioned

company in VF industry to deliver consistent returns to VF shareholders.

In June 2013, we updated VF long-term targets to reflect the confidence we have in VF

future. With a goal of reaching $17.3 billion in revenues by 2017 - driven primarily by

strong growth from VF highly profitable Outdoor & Action Sports, international and

direct-to-consumer businesses - we expect VF earnings per share to reach $4.50.During

the next five years, we are targeting a 300 basis point improvement in gross margin, to

49.5 percent, and a 250 basis point increase in VF operating margin, to 16 percent, when

compared to VF 2012 results. Our international business, which is expected to grow at an

average compounded annual rate of 13 percent, should reach 43 percent of total VF

revenues in 2017, up from 37 percent achieved in 2012. Additionally, VF direct-to-

consumer business is targeted to reach $4.4 billion by 2017, and should account for 25

percent of VF's total revenues by the end of the next five years.

2.5.2 INNOVATION: A COMMITMENT TO BOLD NEW IDEAS

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At VF, we define innovation as something new that creates value. Our goal: to shape the

future of apparel. Over the next five years, innovation will play an increasingly large role

in VF plan to drive organic growth and higher gross margins. In early 2011, we adopted

"Lead in Innovation" as one of VF Growth Drivers. We're working to foster a new culture

of innovation within VF, supported by new processes and collaborative networks. We're

exploring new platforms for future growth, and building the talent and skills needed to

exploit them. We're also working with experts from outside the apparel industry to

provide VF's leaders and teams with new perspectives that can help them solve problems

and discover new opportunities. For example, VF is the only apparel company sponsor of

the MIT Media Lab, a collaboration of more than 100 academics and corporate lab

sponsors that uses unorthodox research methods to envision the impact of future

technologies on everyday life. Our sponsorship will give VF brands access to a successful

and proven source of innovation.

Below are just a few examples of innovation at work.

Wrangler: Collaborating to Create the Next Great Jeans Throughout its long history, the

Wrangler brand has relied on the insights and ideas of its consumers - beginning in

1947, when tailors worked with rodeo stars to develop products for a cowboy's lifestyle.

Decades later, the brand continues its consumer collaboration with Next Blue, a project to

design a limited-edition collection of jeans. This spring, Wrangler invited fans across the

U.S. to create a short video explaining their unique jeans idea and encouraged consumers

to go online to view and vote for their favorites. Five finalists had the chance to visit

Wrangler's headquarters to work alongside design, merchandising and marketing teams,

while the grand prize winner earned the opportunity to have her design produced,

marketed and sold by Wrangler this fall as the first style in the Next Blue collection.

THE NORTH FACE: BUILDING OUTDOOR ENTHUSIASM IN CHINA

In China, there is no strong tradition of outdoor participation, so The North Face brand

is creating one. During 2010, a majority of the brand's marketing budget here was

invested in events that encouraged consumers to get outside and experience the spirit of

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the brand firsthand. Among these events was an online contest to recruit for an expedition

to climb China's legendary Haba Mountain, a feat accomplished by only 500 people in

history. From nearly 2,000 entries, an online vote allowed consumers to help choose three

winners to join a team of the brand's sponsored Chinese athletes as well as famous

bloggers, who documented the entire trip. In addition to the 18 expedition members who

summated the mountain, millions more experienced the trip through print, TV, and social

media.

HORACE SMALL: BLENDING FIT AND FUNCTION FOR FEMALE FRAMES

Through market research, the Horace Small brand identified an unmet need for uniform

trousers specifically tailored to the needs of female police officers and first responders.

The brand's new Function Fit Female Pant meets this need with a contoured front rise and

modest back rise, fitting women's bodies while enabling the full range of motion needed

for their jobs. Designed by women and tested by female officers, the pants also feature a

Comfort Cool-Flex waistband that can extend up to three inches while preventing

gapping and supporting the weight of an officer's duty belt. This spring, the pant received

a "Top Innovator" award from Apparel magazine, marking the third consecutive year that

a VF Image wear brand's product has won the award.

VANS: STAYING ON THE CUTTING EDGE OF YOUTH CULTURE

The Vans brand has always stood for self-expression. Its iconic checkerboard design

was inspired by kids who drew the pattern on their shoes. Today, the brand reaches new

audiences by allowing external collaborators to use Vans shoes as a blank canvas for

their creativity, giving the brand an entrée into new youth audiences. Examples of recent

collaborations include TV series and pop culture phenomenon "YoGabbaGabba!"; global

icon Hello Kitty up-and-coming singer and designer Jesse Jo; and Seattle-spawned rock

legends Pearl Jam.

VF: ACCELERATING SUPPLY CHAIN INNOVATION

Through VF Asia Innovation Centers, VF is bringing designers and manufacturers

together to get better products to market faster. VF currently operates three centers in

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Asia, two for Jeanswear and one for the JanSport brand. The North Face brand is

currently working to create a fourth innovation center. The goal of these centers is to

shorten lead times required to get new products to market by bringing product designers

and supply chain experts together. The team seeks to create a new kind of manufacturing

and logistics model based on face-to-face collaboration, a shared spirit of

experimentation and new communications tools that make it easier for everyone to

"speak the same language." 

2.5.3 VF GLOBAL PRESENCE-

VF is more than the world's largest apparel company. We're a dynamic, global

powerhouse with $12 billion in annual revenues, over 30 dynamic lifestyle brands and

approximately 57,000 associates working in locations across the globe.

Our brands are sold in more than 150 countries through 47,000 retailers in all channels of

distribution, from mass to department to specialty retailers. In addition, we own and

operate more than 1,100 retail stores. Many of VF brands also sell products directly to

consumers over the Internet. Sourcing and manufacturing are managed through VF

Global Supply Chain organization, which oversees the production of approximately

450 million items annually at more than 1,900 owned or sourced facilities in locations

around the world.

Figure 24: VFC Global Presence

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2.5.3.1 U.S. Region

VF Corporation's world headquarters is located in Greensboro, North Carolina, where VF

senior management team is based, along with VF corporate Strategy, Finance, Global

Business Technology, Global Supply Chain, Law and Human Resources teams. Our

unique business model supports the individuality of VF lifestyle brands, each of which

has their own headquarters and management team focused on their consumers and

customers.

2.5.3.2 Americas Region (South America, Central America, Mexico and Canada)

The Americas Region is both an important market for VF products and a vital strategic

manufacturing region for VF. This is particularly true for VF Jeanswear-Americas

business and Active wear apparel business, given its close proximity to the United States.

The Jeanswear-Americas operations in this region are based in Buenos Aires, Argentina,

Mexico City, Mexico and Toronto, Canada.  Our Outdoor group has an office in Québec,

Canada.

2.5.3.3 EMEA Region (Europe, Middle East, Africa)

As VF's brands meet growing global demand, the EMEA region remains an area of focus

for sustainable growth across VF coalitions and brands. Our strength in the region has

been built over the 30 years we have conducted business in Europe. Our EMEA

infrastructure - in sales, marketing, distribution, technology and administration - is highly

developed and serves as a platform for continued growth, for VF owned businesses, VF

licensee/distributor relationships, and for acquisitions.

2.5.3.4 Asia-Pacific Region

The Asia-Pacific operation markets VF brands throughout the region where VF revenues

are now approaching the $1 billion mark. We have wholly owned subsidiaries in

mainland China, Hong Kong, Taiwan, South Korea, Japan, Singapore, Malaysia and

India which manage many of VF brands in those key markets primarily through a

network of well over 2500 owned or partner brand stores/shop in shops. Our regional

head office in Hong Kong oversees VF subsidiaries and the strong network of distributors

and licensees which we have in all other regional markets where we are not directly

present.

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2.5.4 BRAND PORTFOLIO

At VF, we have a diverse portfolio of powerful brands around the world.

Keeping them powerful requires consistent investment in inspirational storytelling and

innovative products that build strong equity with consumers. And it means delivering all of

this whenever and wherever consumers shop. The talented, achievement-focused people at

VF leverage VF proven business model to develop and advance VF brands. By doing so, we

enable reinvestment, promote growth and deliver superior returns to VF shareholders.

Powerful brands ... they set VF apart.

Figure 25: VF Brands

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Brands owned by VF Corp.

Brands are broadly divided into following categories:

Jeanswear

VF Image wear

Outdoor and Action Sports

Sportswear

Contemporary

Jeanswear

Wrangler

Lee Jeans

Riders

Rustler

Chic

20X

Maverick

Rock & Republic at Kohl's

VF Image wear

Red Kap

The Force (Horace Small)

Bulwark Protective Apparel

Chef Designs

Majestic Athletic

Outdoor & Action Sport

Eastpak

JanSport

Kipling

Napapijri

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The North Face

Reef

Vans

Eagle Creek

Smart Wool

Timberland

Lucy

Sportswear

Nautica

Contemporary

7 for all Mankind

John Varvatos

Ella Moss

Splendid

Rock & Republic

INTRODUCTION OF LEE BRAND

Lee Jeans have a proud history stretching back to 1889, and a heritage of quality clothes

that are not only classic, but comfortable too. That's why today Lee is one of the most

popular work and casual brands on the planet.

Henry David Lee established the H.D. Lee Mercantile Company in Kansas, a business

specialized in selling fine goods. H.D. Lee quickly sees the need for reliable work wear.

Unhappy with the quality and inconsistent delivery of work wear from Eastern suppliers, Lee

is convinced his company can do it better. It is with this venture that Lee starts what is to

become one of the most successful garment companies throughout the 20th century.

They have always been doing things differently and been first at it as well.

In 1995, they were the first international brand to be made available to the Indian market, the

first to have exclusive outlets, the first to offer such a wide range in fits, fabrics and styles.

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They have done so many things since 1995, like first casual brand to open exclusive store

first apparel brand to go on television, Lee Dance Furnace, Lee A to Z of Rock, Lee Model

Hunt, a super model calendar with Yana Gupta, a website, (leelounge.com) first brand to

have a WAP site, giving customers virtually everything they need to know about Lee:

catalogues, downloads, contests, limited edition stuff and giveaways to die for.

2.6 ORGANIZATIONAL STRUCTURE

Figure 26: Eric C. Wiseman is Chairman, President and Chief Executive Officer of VF

Corporation (NYSE: VFC), a global leader in branded lifestyle apparel and footwear with

$12 billion in revenues. Headquartered in Greensboro, N.C., VFC is the parent company of

more than 30 well-known brands. The company's top-five brands are The North Face, Vans,

Wrangler, Timberland and Lee; other brands include 7 For All Mankind, Eagle Creek,

Eastpak, Ella Moss, JanSport, Kipling, Lucy, Majestic, Napapijri, Nautica, Red Kap, Reef,

Riders, Splendid and Smart wool.

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Wiseman has 35 years of experience in the apparel industry. His career with VF began in

1995 when he joined the company as Executive Vice President of JanSport. He then held a

progression of leadership roles, including Chairman of VF's Sportswear and Outdoor

coalitions and Executive Vice President, Global Brands. He was named President and Chief

Operating Officer of VF Corporation in 2006, and elected to VF Corporation's Board of

Directors that same year. Wiseman was named CEO in January 2008 and Chairman of the

Board in August 2008.

Wiseman holds a bachelor's degree in business and an MBA from Wake Forest University.

He serves on the Board of Directors of Lowe's Companies Inc., CIGNA Corporation and the

Retail Industry Leaders Association (RILA), as well as the Board of Visitors of Wake Forest

University School of Business.

Figure 27: VFC Organization Hierarchy

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VFC Chairman, President and CEO

(Eric Wiseman)

VF Europe Operations

EMEA RegionAsia Pacific Region

Head (Aiden O'meara

VF Asia V.P. and M.D. (Carmen

Cheng)

VFC India (Mr. K. C. Pant - M.D. &

V.P.)

Chief Finance Officer-Asia (Robert K. Shearer)

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Figure 28: VFC India

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Business Head (K.C.

Pant)

Lee (Mr. Chakor Jain - Business

Head)Wrangler

Sourcing Head

(Venu)

Supply Chain Head

(Saurabh Mandal)

Retail Head (Naved Ashraf)

VANS Business Manager (Vishal)

HR Head (Debolina

Dutta)

IT Team ((Ajay Pole)

Quality Head

(Rajeev Sharma)

Commercial Head

(Bhoopathi)

Warehouse Head

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Figure 29: Lee India

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Business Head (Mr. Chakor

Jain)

Key Accounts NSM (Mr. Biju

Darmal)

Lifestyle - Sarita

Shopper's Stop - Merlyn

E-commerce - Melroy

Operations (Retail

PLanner) - Naveen

Design Head

Menswear - Geofrey

Bhaswatdeep

Womenswear - Samhita

Irshna

Produc Head (Mr. Rajan

Jain)

Denims - Nishan

Ponnappa

Shirts - Eline & Aarti

Knits - Pramod

Marleting Head (Mr.

Vipul Mathur)Assistant

Brand Manager - AishwaryaConcept Manager &

Visual Merchandiser

- Arvind

MBO NSM (Mr. Anil Mishra

MBO Operations - Suresh Babu

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Figure 30: Wrangler India

Figure 31: Sourcing Department

Figure 32: Sales Department

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WRANGLER

Business Head (Mr. Krishna)

Multi Brand Outlets

Key Accounts

E-Commerce

Marketing

Product Head (Mr. Pramod

Hebar)

Design Manager

Menswear

Shirt & Knits

Denims

Womenswear

Shirt & Knits

Denims

Product Manager

Menswear

Wovens

Sourcing Head (Mr. Venu)

Shirts DenimsProduct

Development Team

Knits IE & CAD

Sales

Retail (Exclusive Brand Outlet/

Franchises)

Multi Brand Outlets

Key Accounts (Shopper's Stop

& Lifestyle)

Institutions/ E-Commerce

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2.7 BUSINESS PLAN

A business plan is a formal statement of a set of business goals, the reasons they are

believed attainable, and the plan for reaching those goals. It may also contain background

information about the organization or team attempting to reach those goals. Business

plans may also target changes in perception and branding by the customer, client,

taxpayer, or larger community. When the existing business is to assume a major change

or when planning a new venture, a 3 to 5-year business plan is required, since investors

will look for their annual return in that timeframe. So, Business Plan is basically a plan to

set the organization’s target. In VF this planning is done on yearly basis. For this

planning they set the Target first. Business plans also target changes in perception and

branding by the customer, client, taxpayer, or larger community. Business plan is been

made on yearly basis. The budget is being finalized for Spring Summer and Autumn

Winter Collection. As the A/W collection carries high value, it’s been given more

weightage than SS collection in terms of value while doing budget planning.

2.7.1.1 Target in terms of sales value :-In planning stage VF set the target in terms of sales value

i.e. how much sales value they want to achieve in that year. They set this target on the

basis of two determinants. They are

Past sales data

External environmental condition

2.7.1.2 Target in terms of volume or quantity of products: After the setting of the target in terms

of sales value VF transfer that target into sales volume i.e., how much volume they want

to sell. For this they set a average price for the products and just divide the sales value by

that price. Thus they get the volume. After getting this sales volume they split it into two

different groups. They are-

Volume made by Men’s wear

Volume made by Women’s wear

Generally, this ratio is 4:1 i.e., 80% of men’s wear and 20% of women’s wear. According

to the past sales data this volume is further divided into different categories like denim,

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shirts, t-shirts, sweaters, sweatshirts, jackets, non-denims and accessories for both men

and women. Then they prepare Merchandise Mix.

2.7.1.3 Merchandise Mix : The selection of products and categories that comprise a basic store set

or distribution center layout. Competing brands within a category.

Here they decide how many categories they want to offer

Different designs in each category

Number of styles in each design

Number of SKU’s in each style

1.5.2.1

2.7.2 Business Format

Wholesaling, jobbing, or distributing is defined as the sale of goods or merchandise to

retailers; to industrial, commercial, institutional, or other professional business users; or

to other wholesalers and related subordinated services. In general, it is the sale of goods

to anyone other than a standard consumer. Since VF is a U.S based company therefore

they cannot sell directly to the customers, therefore they follow a Wholesale Module of

Selling. They have different kinds of buyers; they are-

Key Accounts: They are the major buyers. They are the buyers like Lifestyle, Shoppers

Stop, Central, Pantaloons, and Reliance. It works in 2 or 3 models. One is Outright in

which buyers buy the product and they do not give back the products to the brand, but yes

they have a 5 to 8% return scheme. Both lifestyle and Shopper stop does not do Regional

Road show. Key accounts are the most important buyers and for orders they have given

the first preference. The discount schemes are shared by the Lifestyle but with Shopper

stop they do not share discount schemes. Second, Sale of Return (SOR) in this Central

works in this format. They share discount, they have given 10% return slab. They buy the

product and if the product does not sell, they will return it to the brand. Margins depend

upon overheads. Mr. Kanchan Pant approves all discount schemes. Lifestyle and Shopper

stop do the 60-day payment while Central 22 pays Fortnight (twice in a month) The

Visual merchandising is decided by the brand in Central while in Lifestyle and Shopper

stop brand does not participate in it.

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MBO (Multi Brand Outlet): The MBO’s are the various buyers who stock some goods

from different brands and then sell it in small quantities to small retailers. There are

different persons taking care of the different regions of MBO’s. The MBO’S give 35 %

of margin to the distributor. The distributors come to the Road show and Regional Road

shows (at the distributors cost) and selects products as per their choice. There are

exclusive stores also which come under MBO’s. MBO’S can offer discounts/Promos,

which runs across India. The distributors can return the product given 5 to 8% margins.

They can also give the Unsold goods to the distress sale which is Third Party Outlets

(Brand factory / Coupons/ Megamart). These products are sold at low cost. The payment

is done in 30 to 40 days otherwise goods will stop moving to the store.

EOP’s/ EBO’s: Exclusive other parties/Exclusive brand outlets . It is a franchisee module

of the business where exclusive stores are owned by other party having provided

marginal stocks, share in discount payouts, fair deal on the rate of stock returns, store

operations, marketing and VM activities of brand and products. This module plays a

major role in retail business of the company and also on the brand perception over the

consumers.

Export: Some of the countries like Sri Lanka, Maldives, and Bangladesh doesn’t produce

the apparels for their domestic market so the buyers from there come down to countries

like India. So the parts of the apparels are shipped to these countries.

Institutional: In this the brand provides uniforms or t-shirts to the companies like TCS,

Infosys. Buyers from online sites like Flipkart, Myntra, Jabong, Fashion and you, etc.

attend Roadshow and give orders as per their choice. Business head decides about what

margins are to be given to the buyers. This contributes to more than 8% of the total

revenue.

TPO (Third Party Outlet): Here street retailers buy rejected products at a very low price

and sell those products at a very low price to the customers. Sarojini Market in Delhi,

New Market in Kolkata etc.

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2.8 PRODUCT LIFE CYCLE

Figure 33: Product Life Cycle

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DesignersDockets Making

Designers & Wet Process TechnicianWash Direction Wash Presentation

Sourcing & PD TeamSampling Yardage Ordered Basic 5 Pocket & Bottles Making

Product & Design TeamFinal Fabric Selected Trims Ordered

Sourcing & MillsMill Week

Product TeamMerchandising Plan

DesignersTrend Presentation

DesignersTrend Forecasting

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.

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Distribution ChannelsStock Allocatied to Buyer Stock Dispatched Sales

Quality Inspection

Product Team to Sourcing/ Vendor/ QualitySample Handed over for production Size-set Submission / Final Go-ahead

Product TeamPre Order of Fabric Order Compilation Open-to-buy Finalization BOM Creation

Product Team Order Form Making(Pritning by

Marketing) Tagging & Packing Raodshows Regional Roadshows

Marketing TeamProduct photoshoot & Cataloguing

Business Head / Product & Design Team)MRP Finalisation Risk Analysis Range Finalisation

Product TeamCosting

Head Office / Distribution Channels9 Final Samples received Tagging Reference no.

Vendor/ PD Team/ Design Team/SourcingApproval Stage Final Sample Stitchout Wash Placement on Sample Sample Washout

Product TeamSAP Code Creation & Purchase Requisition Making

Des. to Product TeamDockets Handover with SAP code

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Business plans also target changes in perception and branding by the customer, client,

taxpayer, or larger community. Business plan is being made on yearly basis. The budget is

being finalized for Spring Summer and Autumn Winter Collection. As the A/W collection

carries high value, it’s been given more weightage than SS collection in terms of value while

doing budget planning.

Target:

In the annual budgeting, different target been set for both the seasons, S/S and A/W. On the

basis Sales Ratio, target is being divided in terms of volume for different categories in both

men’s wear as well as women’s wear FOR Summer which is as follows:

Men’s wear: 80% Women’s wear: 20%

Denim: 60% Denim: 60%

Shirts: 30% Top: 30%

T-Shirts: 10% Shirts: 10%

Quantity:

On the basis of Sales ratios of different categories and forecasting, merchandiser plans for:

Different designs in each category.

Number of styles in each design.

Number of SKU’s of each styles.

Mill Week:

Mill week is a platform where vendors of different Textile mills and sourcing team of Lee

meet. Vendors -- Suppliers from Arvind, Raymond, Bhaskar and many other textile

companies bring their fabrics and buyers from Lee select suitable fabric on the basis of

collection and budget of the garment.

Some of the fabric vendors are:

Denim Shirting

Arvind Arvind

Ashima Ashima

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Baskar NSL

Rainbow Pashjey

KG Denim Preeot

Envoy

Fabric and Trims Order

After attending mill week, quotation of fabrics from different fabric vendors is been taken

and then as per the requirement and budget of specific quality and price, final order been

given to the vendor in required quantity.

Lee sources all trims materials like buttons, labels, zips etc. locally as well as for premium

range of merchandise from Hong Kong, which is leader in trims industry.

Dockets Making

Designer makes docket for each styles which tells appearance of the garment from different

angles and gives other descriptions like length, size, color and material has to be used, which

later sent to the vendor to get the sample.

Vendor Selection for garment manufacturing:

Selection of the vendor for the garment construction on the basis of following:

Fabric handling capability.

Credibility of the vendor

Delivery period/Lead time

Price quoted by him

After the selection of vendor, final order been placed in the required quantity.

Top vendors for garment construction are:

Shirts Denim

Gokaldas Export Gokaldas Export

Aquarelle Raymond

HN Apparel VD Fashion

Madura Prateek

Maya Indus

Indus (woven)

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Time and Action Plan

Time and action plans are pivotal for a manufacturing process. In the apparel industry, a

well-made and strictly-adhered time and action plan can prove to be quite an asset for the

manufacturer. Time and Action Plan refers to simple managerial tools that can be used to

complete a certain task within the defined time frame.

T&A is generally a reverse calculation, wherein the date of the shipment is taken as a zero

day, and then all the actions that are required to be done to execute the order are listed and

the time taken to complete the job is indicated next to it. The date for execution of the job is

calculated in an inverse manner and also indicated next to that activity.

Sample In-house:

Merchandisers receive the sample for all styles from the vendor on the basis of what final

order been placed for the manufacturing. Then they observe the sample and ask to make any

changes if required and then finally it’s been sent for quality check before placing the final

order.

Range Finalization

Before Roadshow and placing the final order to the vendor, Merchandiser finalizes the total

range in terms of style, colors and quantity in coordination of its different departments like

Design, Sales and Business head

MRP Finalization:

On the basis of design, details, total cost of the material and perceived value of the garment,

Merchandiser decides the final price of each style, based on required mark up.

Road Show:

Road Show is a platform where seller and buyer meet. After the Range and MRP

Finalization, all the primary customers, Franchise owner, buyers from Key Accounts, MBO’s

and other Discount Stores been called to the Road show where they can see all the collections

for the forthcoming season and can place order as per their end customer requirements and

planned sales or open to buy.

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During Road Show, buyers have been introduced with the forthcoming season theme and

inspirations and collection is being previewed to them. Then they placed the final order and

on the basis of order quantity for different styles, final range has been finalized and order

placed for the final production.

Costing:

Main Components of Denims:

Fabric Cost

Main Fabric

Trim Fabric

Trim Cost:

Buttons

Rivets

Zip

Hip pocket Label

Main Label

Wash Care Label

Vendor Code Label

Thread 1

Thread 2

Embroidery Cost

Print Cost

Washing

Finishing

Over dye

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Packaging

Carton

Polybag

Tag Price

Season Tag

CM

Mark up/Multiple

Over Head

Excise Duty

CST

Types of Packing: -

Roll Pack: Only Polybag & Tissue paper

Flat pack: Polybag, Tissue paper, Plastic Clip, Collar Patti

Stand pack: All above + Foam, Board, Collar Interlay.

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3. METHODOLOGY

3.1 PROCESS FLOW

The Project was broadly divided into three phases: -

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Secondary Research

Market Analysis

Consumer Survey

Designing of the range

Sourcing of fabrics

Development of Garments

Phase 1

Phase 2

Phase 3

Primary Research

Product Development

Phase 1 – Understanding Denim wear market and its products

Phase 2 – Identifying the customer requirements for denims (fit &mrp)

Phase 3 – Analyzing and developing the garments

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Literature Review (Gap Analysis)

Trend forecast Report

Research Papers& Fashion Blogs about the trend

STR Report

Distributors/dealer Feedback during Road Show

Feedback from Exclusive stores/ store manager/fits

Primary data analysis

Market survey: - Competitors data collections(Spec)

Price points

Fit

Fashion quotients

Fabric

No of Option

Color

Information that will be obtained from Market survey

o Who are my top five competitors?

o On what basic I able to compete?

o What is the range of product they offer ?

o Are their product or services aimed at satisfying similar target market?

o Do they have a competitive advantage; if so, what is it?

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Secondary Research

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o What are their pricing structure?

Consumer Survey on Fit

Market size and structure

o The Key consuming segment of the market

o The competition and its shares

Customer satisfaction

o Ratings of customer (and sometimes potential customer) to show what they

think is important in influencing their buying decision and how satisfied they

are with their supplier on each issue

Brand Impact

o Awareness of brands

o Values attached to brands

o The influence of brands in the purchasing decision

Pricing Effectiveness (Optimum Prices)

Product Test/concept

o Likelihood of purchasing different products

o Attitudes of product

o Attitudes to new concept

Segmentation

o Opportunities of segmentation based on demographics, behavior or needs

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RESEARCH DESIGN

I. Type of Research Design

Exploratory research design was used for the project. The main purpose for using the

exploratory research was to explore the requirements of the consumers. Besides this,

another objective was to understand the brand ratings in minds of the consumers

II. Scale selection for questionnaire

The scale selected for the questionnaire would be Likert scale. This scale is selected for

the questions which involves understanding of the parameters and requirements of the

consumers

III. Questionnaire Design

Questionnaire includes both open and closed ended questions. Open ended questions are

kept for recording the free responses for understanding the requirements and problems of

the consumers. Closed ended questions are kept for recording the price ranges, and

knowing the buying behavior of the consumers.

IV. Sampling Design

a. Target Population

The target population for the research project would be defined as:

Element: Working People/ Students (Mainly youth)

Sampling Unit: Shops, Malls, Majorly Online

Extent: Bangalore region

Time: Period of the survey

b. Sampling Technique

The Sampling without replacement technique with probability judgment sampling

is used for the survey.

The reason for using this technique is used because the sample element can be

repeated and a judgment selection of the customers has to be done.

c. Sample Size

The Sample size selected for the research would be 180 customers falling in the

age group between 16 years to 44 years.

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Data Analysis

Findings

Fit/Product development

Measurements of competitor denim brands

Pattern development by using mean of measurements gather

Garment Construction

Washing

Finishing

Fit trials and feedback

Suggestion

Conclusion

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CHAPTER- 4

DATA ANALYSIS

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4.1 SECONDARY DATA ANALYSIS

Brand Key Stories 1 Gross in Qty Net Sale Qty Closing Stock Sell thru Wt. Avg Days

Lee 101+ 6019 2310 3701 38% 117

DWD URBAN

RI 8652 4785 3803 55% 117

STRETCH

DELU 7063 4085 2967 58% 129

Others 233519 146345 85214 63% 133

Lee Total 255253 157525 95685 62% 132Table 1: - Story wise analysis

Brand Key Stories 1 Gross In Qty Net Sale Qty Closing Stock Sell thru WtAvg Days

Lee 101+ 6019 2310 3701 38% 117

DWD URBAN

RI 8652 4785 3803 55% 117

STRETCH

DELU 7063 4085 2967 58% 129

Others 233519 146345 85214 63% 133

Lee Total 255253 157525 95685 62% 132Table 2: - Men Category Wise Analysis

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Brand MRP Gross In Qty Net Sale Qty Closing Stock Sell thru WtAvg Days

Lee 1899 365 148 208 41% 95

1999 1643 899 727 55% 134

2099 1066 405 617 38% 85

2199 262 163 98 62% 168

2299 904 575 321 64% 157

2399 3164 2165 972 68% 144

2499 5376 3677 1656 68% 138

2599 6108 4019 2050 66% 145

2699 6026 4177 1825 69% 134

2799 3633 2281 1340 63% 129

2899 6117 4034 2062 66% 133

2999 7538 5410 2103 72% 145

3099 6043 3883 2139 64% 127

3199 7834 5557 2248 71% 139

3299 4859 3935 908 81% 152

3399 6424 4594 1783 72% 143

3499 5566 3652 1866 66% 136

3599 5218 2882 2315 55% 127

3699 2418 1244 1158 51% 132

3799 2692 1605 1056 60% 128

4499 1014 251 768 25% 116

4599 848 133 714 16% 118

4799 593 312 282 53% 86

4999 697 169 522 24% 105

5199 138 91 48 66% 70

5399 129 56 73 43% 74

5699 99 31 69 31% 78

6999 108 19 89 18% 45Table 3: - LEE Denims MRP Wise Analysis

Bran Gende FIT Gross In Net Sale Closing Sell thru WtAvg

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d r Qty Qty Stock Days

Lee ME BRUCE 22829 16640 6047 73% 146

CHICAGO 187 35 153 19% 58

KANSAS 2288 1073 1207 47% 125

LOWBRUC

E 17274 12315 4900 71% 139

MACKY 2418 1608 787 67% 142

POWELL 17193 9286 7827 54% 123

RODEO 5376 2889 2386 54% 126

TORNADO 673 139 526 21% 108

TWISTER 230 68 156 30% 144Table 4- LEE Denims FIT Wise Analysis

Style Code MRP Gross In Qty Net Sale Qty Closing Stock Str % Wt. Avg. Days

LEJN4988 2699 83 79 4 94.72 165

LEJN4887 3499 896 823 63 90.25 172

LEJN4934 3099 910 821 77 87.98 127

LEJN4890 2999 702 631 70 87.89 128

LEJN4888 3499 851 748 97 86.36 162

LEJN4971 4799 134 117 17 86.13 69

LEJN4889 3399 765 669 87 85.5 176

LEJN4859 3199 968 851 113 85.28 175

LEJN4904 3299 954 831 119 84.83 163

LEJN4930 3299 841 707 133 83.91 150Table 5: - LEE Denims Top 10 Selling Codes

Style Code MRP Gross In Qty Net Sale Qty Closing Stock Str % Wt. Avg. Days

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LEJN4868A 3099 45 6 39 16.61 36

LEJN4951 4599 565 86 473 16.16 165

LEJN4950 4599 282 47 240 14.94 94

LEJN4977 2399 232 26 206 14.11 37

LEJN4958 3499 138 19 111 13.99 106

LEJN4994 6999 15 2 13 13.33 34

LEJN4894 3199 302 43 259 13.22 75

LEJN4979 1999 107 9 98 8.42 35

LEJN4510 2099 34 145 196 7.58 46

LEJN4978 2399 163 9 154 7.05 36

Table 6: - LEE Denims Bottom 10 Selling Codes

4.2 MARKET ANALYSIS

4.2.1 Identification of the Direct & indirect competitive brands and their fits

The benchmarking process of any brand is done on the basis of two sub categories. First, the

competitive are the inspirational brands; the enhancement of any brand towards a better

brand value can only be obtained by keeping a vision to broaden the circles of the products

being offered. So, this allows the brands which the brand and the product range must look

closely on to beat the relevant competition in the market and enhance its brand value in terms

of collection offered, price points, fabric, etc. Second brand to look at the bigger and

successful brands which have been the market leaders in terms of the given product. They

might also be an inspiration to a wide number of collections, products, the overall range or

the most basic fit of the product.

List down all the brands which cater to the men’s wear jeans category.

Select the brands which have the same price range and the target the costumers of

the same age group, as of LEE. These are the Competitor brands.

Choose brands which lie in the Lower price grid as the indirect competitor’s brands.

Brands:

• Levi’s

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• Lee

• Wrangler

• Pepe Jeans

• Spykar

• Mufti

• Flying Machine

• John Players

• Lee Cooper

• Killer

The next step is to select the feasible factors with the help of the product team on the basis

of which competition mapping is done.

The factors for completion mapping are:

• Fit

• Fabric

• Price Point

• Color

• Fashion Quotient

• Trims (Visual Assessment)

4.2.2 Competition Mapping of brands selected (Primary Research)

The mapping is done on the basis of the above mentioned factors. The initial phase is visiting the

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flagship stores of the various brands selected to study the overall product offering and identifying

gaps. The various factors are studied in each brand and then the contribution of the overall

product offering is calculated at every level. Further the competitive, and the current LEE brand

product offering can be compared for obtaining a benchmark product mix.

1. Levi’s

29%

71%

NO. OF OPTION

CORE NON CORE

501(STRAIGHT) 504(REGULAR STRAIGHT)

511(SLIM) 508(TAPPERED) 531(STRAIGHT) 65504(SKINNY)0 3

20

017 17

28 28

58

1

519

FIT WISE OPTION Core Non-Core

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Cotton(1999-1

0101)

Cotton Ela

stan

e(1999-5

000)

Cotton Poly

Ela

stan

e(2199-6

000)

Cotton Ela

stom

ulties

ter(

3299-4099)

Cotton Linen

(5000-5

500)

Cotton Poly

este

r(3699)

010203040506070

FABRIC WISE NO. OF OPTION N

O. O

F O

PTI

ON

Basic Basic+ Fashion0

20

40

60

80

100

120

140

CATEGORY NO. OF OPTION

NO

.OF

OPT

ION

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Blue Navy Black Grey White Khakhi/Brown0

10

20

30

40

50

60

70

80

90

COLOR WISE NO OF OPTION N

O. O

F O

PTI

ON

2. PEPE JEANS

70%

30%

NO. OF OPTION CORE NON-CORE

Mid / Regular Low / Regular Tapered

Mid / Regular Straight

Low / Slim Straight

Low / Skinny Low / Slim0

10

20

30

40

50

60

FITWISE NO. OF OPTION

NO

. OF

OP

TIO

N

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Cotton(2699-3499) Cotton Lycra(1799-4999) Cotton Poly(2999)0

20

40

60

80

100

120

140

FABRIC-WISE NO. OF OPTION N

O. O

F O

PTIO

N

Basic Basic+ Fashion0

10

20

30

40

50

60

CATEGORY WISE NO. OF OPTION

NO

.OF

OPT

ION

Blue Navy Black Grey White Khakhi/Brown0

10

20

30

40

50

60

70

80

COLOR WISE NO. OF OPTION

NO

. OF

OP

TIO

N

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3. SPYKAR

CORE %54%

NON-CORE %46%

NO. OF OPTION

SLIM NARROW SKINNY0

20

40

60

80

100

120

140

FIT WISE NO OF OPTION

NO

OF

OPT

ION

COTT

ON(2

199-2399)

COTT

ON E

LAST

ANE(2399-2

599)

COTT

ON P

OLY

LYCRA

COTT

ON P

OLY

SPANDEX

COTT

ON S

PANDEX

0%20%40%60%80%

100%120%140%160%180%

FABRIC WISE NO OF OPTION

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BASIC BASIC+ FASHION 0%

10%

20%

30%

40%

50%

60%

70%

80%

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

20%

40%

60%

80%

100%

120%

140%

COLOR WISE NO OF OPTION

4. PEPE JEANS

CORE %; 70%

NON CORE%; 30%

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REGULAR REGULAR TAPERED

REGULAR STRAIGHT

SLIM STRAIGHT SKINNY SLIM0%

20%

40%

60%

80%

100%

120%

FIT WISE NO. OF OPTION

COTTON(2699-3999) COTTON LYCRA(1799-4999) COTTON POLY LYCRA (2999)0%

50%

100%

150%

200%

250%

FABRIC WISE NO OF OPTION

BASIC BASIC + FASHION 0%

10%

20%

30%

40%

50%

60%

70%

80%

FASHION QUOTIENT

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BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

20%

40%

60%

80%

100%

120%

140%

COLOR WISE NO. OF OPTION

5. WRANGLER

CORE%32%

NON CORE%68%

NO. OF OPTION

REGULAR STRAIGHT SLIM TAPERED REGULAR STRAIGHT

SKINNY 0

0.1

0.2

0.3

0.4

0.5

0.6

FIT WISE NO. OF OPTION

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COTT

ON(1

695-3795)

COTT

ON LY

CRA(2495)

COTT

ON P

OLY

ESTE

R(1995-3

695)

COTT

ON P

OLY

SPANDEX

(1995-3

695)

COTT

ON S

PANDEX(1

895-3895)

0%20%40%60%80%

100%120%140%

FABRIC WISE NO. OF OPTION

BASIC BASIC+ FASHION0%

20%

40%

60%

80%

100%

120%

140%

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

20%

40%

60%

80%

100%

120%

140%

COLOR WISE NO. OF OPTION

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6. FLYING MACHINE

CORE %26%

NON CORE%74%

NO. OF OPTIONS

SKINNY SLIM TAPERED SLIM0%

10%

20%

30%

40%

50%

60%

70%

80%

FIT WISE NO. OF OPTIONS

COTT

ON(1

699-2499)

COTT

ON E

LAST

ANE(1799-2

699)

COTT

ON LY

CRA(2099-2

699)

COTT

ON P

OLY

ELA

STANE(

1799-2699)

COTT

ON P

OLY

SPANDEX

(1699-2

299)

COTT

ON S

PANDEX(1

799-2699)

0%10%20%30%40%50%60%70%80%

FABRIC WISE NO. OF OPTIONS

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BASIC BASIC+ FASHION0%

20%

40%

60%

80%

100%

120%

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

20%

40%

60%

80%

100%

120%

140%

COLOR WISE NO. OF OPTIONS

7. JOHN PLAYER

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CORE%27%

NON CORE%73%

NO. OF OPTIONS

SKINNY SLIM SUPER SKINNY0%

20%

40%

60%

80%

100%

120%

FIT WISE NO. OF OPTIONS

STRETCH(1599-2499) NON STRETCH(1599-2199) Category 30%

100%

200%

300%

400%

500%

600%

FABRIC WISE NO. OF OPTIONS

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BASIC BASIC+ FASHION0%

10%

20%

30%

40%

50%

60%

70%

80%

90%

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

20%

40%

60%

80%

100%

120%

140%

160%

COLOR WISE NO. OF OPTIONS

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8. U.S. POLO ASSN

CORE 40%

NON CORE 60%

NO. OF OPTIONS

REGULAR SLIM TAPERED SKINNY SLIM STRAIGHT 0%

10%

20%

30%

40%

50%

60%

70%

80%

90%

FIT WISE NO OF OPTIONS

COTTON(1799-3299) COTTON LYCRA (1999-3599) Category 30%

100%

200%

300%

400%

500%

600%

FABRIC WISE NO. OF OPTION

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BASIC BASIC+ FASHION0%

20%

40%

60%

80%

100%

120%

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

10%

20%

30%

40%

50%

60%

70%

80%

90%

100%

COLOR WISE NO.OF OPTION

9. MUFTI

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NO. OF OPTIONS

CORENON CORE

NARROW SLIM SUPER SLIM0

0.1

0.2

0.3

0.4

0.5

0.6

Chart Title

Axis Title

COTTON(2299-2899) COTTON POLY ELASTANE(2099-

3299)

CPVE(2499-3299) COTTON ELASTANE(2099-3299)

0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

FABRIC WISE NO. OF OPTIONS

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BASIC BASIC+ FASHION0

0.05

0.1

0.15

0.2

0.25

0.3

0.35

0.4

0.45

0.5

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0

0.1

0.2

0.3

0.4

0.5

0.6

COLOR WISE NO. OF OPTIONS

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10. KILLER

CORE33%

NON CORE 67%

NO. OF OPTIONS

REGULAR STRAIGHT SLIM SKINNY SUPER SKINNY0%

20%

40%

60%

80%

100%

120%

FIT WISE NO. OF OPTIONS

COTTON(1399-1599) STRETCH(1899-2799)0%

20%

40%

60%

80%

100%

120%

140%

160%

180%

FABRIC WISE NO. OF OPTIONS

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BASIC BASIC+ FASHION0%

50%

100%

150%

200%

250%

300%

350%

400%

FASHION QUOTIENT

BLUE NAVY BLACK GREY WHITE KHAKHI/BROWN

0%

10%

20%

30%

40%

50%

60%

70%

80%

COLOR WISE NO. OF OPTIONS

4.2.3 RESULTS OF MARKET SURVEY

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1 NO. OF OPTION

LEE

LEVIS

WRANGLER

PEP

E

SPYK

AR

MUFTI

U.S. POLO

Assn

FLYING M

ACHINE

JOHN PLA

YER

LEE COOPER

KILLER

0

50

100

150

200

250

NO. OF OPTIONS

2 FIT-WISE NO. OF OPTIONS

CORE LEE CORE NON CORE LEE NON CORE 0%

20%

40%

60%

80%

100%

120%

LEE vs COMPETITOR BRANDS

NO

OF

OPTIO

N

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SLIM FIT 44%

SUPER SKINNY 4%

NARROW10%

SLIM STRAIGHT 14%

REGULAR STRAIGHT8%

REGULAR 5%

TAPERED15%

COMPETITORS FIT SHARE

SLIM 24%

SKINNY36%

NARROW34%

REGULAR 1%

TAPERED5%

LEE FIT SHARE

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After the analysis of various brands, the final Mean Fit Share:

• Slim Fit 44%

• Skinny 17%

• Classic Tapered 12%

• Regular + Regular Straight 22%

2. FABRIC WISE NO. OF OPTION

CORE% NON-CORE% TOTAL%0%

20%

40%

60%

80%

100%

120%

COMPETITOR FABRIC SHARE

NO

. OF

OP

TIO

N

CORE % NON CORE % TOTAL%0

20

40

60

80

100

120

LEE FABRIC SHARE

NO

. OF

OP

TIO

N

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Mean Fabric Share:

• Stretch 81%

• Non-Stretch 19%

Some new fabrics were found which could be experimented in PE:

• Cotton Linen – Levi’s Red loop - Rs.5500

• Cotton Elastomultieter – Levi’s Commuter – Rs.3299-4099

• Cotton ThermaliteClimacool Elastane – Lee Cool – Rs.3499

4. FASHION QUOTIENT

CORE % NON CORE % TOTAL %0%

20%

40%

60%

80%

100%

120%

FASHION QUOTIENT OF COMPETITORS BRANDS

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CORE% NON CORE % TOTAL%0%

20%

40%

60%

80%

100%

120%

FASHION QUOTIENT OF LEE BRANDS

Mean Fashion Quotient Share:

• Basic 44%

• Basic+ 34%

• Fashion 22%

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5. TRIMS (VISUAL ASSESSMENT)

Threads:

Figure 34: Threads used in competitor brands

Mostly 30’s ticket used for top stitches.

50’s ticket used for bobbin.

Diesel uses specialized threads in its denims named “TERA” Gutermann

High abrasion resistant and High breaking strength

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Buttons:

`

Figure 35: Buttons used in competitor brands

Commonly used materials are Brass, copper and Aluminum.

Only Nonferrous materials used.

Diesel uses same across the metal trims.

Branding done in buttons across all styles. Antique finish found common.

Embossing & Stamping are the techniques used

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Rivets:

Figure 36: Rivets used in competitor brands

Commonly used materials are Brass, copper and Aluminum.

Only Nonferrous materials used.

Diesel uses same across the metal trims.

Branding done in buttons across all styles. Antique finish found common.

Embossing & Stamping are the techniques used

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Zippers:

Figure 36: Zippers used in competitor brands

YKK no3 zippers used across

Brass bronze and copper are commonly used materials

Diesel uses contrast tapes

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Logo Patches:

Figure 37: Logo patches use by competitor brands

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Aesthetic Features:

Figure 38: Aesthetic features used by competitor brands

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4.2.4 PRICE POINT & NO. OF OPTION COMPARISION OF LEE BRANDS WITH OTHER BRANDS

MENS PRICE RANGE & NO OF OPTIONS ACROSS BRANDS

MRP LEE

WRANGLER

LEVIS

PEPE UCB FLYING MACHINE

US POLO ASSN

MUFTI SPYKAR

KILLER

LEE COOPER

JOHN PLAYER

1399 1

1499 4

1599 1 30

1699 3 2 1

1799 12 8 8 34

1899 6 3 6 18

1999 1 11 7 3 2 12 27

2099 8 9 5 13

2199 2 24 18 12 5 16

2299 1 2 16 8 8 3 35

2399 4 4 7 10 5 9 2 34

2499 3 2 14 8 20 5 44 3

2599 8 6 14 5 12 16 4

2699 7 4 12 7 18 6

2799 9 8 4 3 5 5

2899 12 8 28 3 9

2999 15 17 6 4 13 8

3099 16 2 2 3 2

3199 8 12 21 20 2

3299 17 21 21 4 19 3

3399 11 1 9 1

3499 4 16 29

3599 2 22 9 5

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3699 13 17 5

3799 5 12 21

3899 2 11

3999 2 10 11

4099 1 15

4199

4299 1 3 7

4399 1

4499 1 1 10 4

4599 7

4699 1

4799 2 1

4899 3

4999 8 2 8 3 3

5499 1 6 2

5999 3

Table 7: MENS PRICE RANGE & NO OF OPTIONS ACROSS BRANDS

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1399-1899

1899-2399

2399-2899

2899-3399

3399-3899

3899-4399

4399-4899

4899-5399

5399-5899

5899-6399

6399-6899

0

10

20

30

40

50

60

70

80

LEEWRANGLERLEVIS PEPEUCB

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4.2.5 FIT WISE COMPETITORS ANALYSIS

4.2.5.1 LEE vs DIRECT COMPETITORS

DIRECT COMPETITORS

FIT/BRAND LEE WRANGLER LEVIS PEPE US POLO UCB

SUPER SKINNY 510

SKINNYBRUCE, LUKE, LOW BRUCE BRYSON 511 SOHO REGALO SKINNY

SLIM KANSAS SAMMY 513 VAPOUR BADGERSLIM

STRTCH,SLIM

SLIM TAPERED POWELL GREENSBORO 508 LONDON DELTA

SLIM LOW CROTCH

SLIM BOOTCUT 517

ORIGINAL RODEO 501 JACKET

STRAIGHT CRANK 505 HATCH STRAIGHT

STRAIGHT SLIM

SPENCER514 HELIX WOODY

SLIM STRAIGHT

BOODCUT 527

LOOSE TAPER MACKY CODY 562

CARROT FIT, BOWLEG

RELAXED STRAIGHT DAMON 559 HELBOURNE

LOOSE STRAIGHT 569

SKINNY STRAIGHT 65504

Table 8: LEE vs Direct Competitors

4.2.4.2 LEE vs INDIRECT COMPETITORS

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INDIRECT COMPETITORS

FIT/BRAND LEE SPYKAR FLYING MACHINE

LEE COOPER MUFTI JOHN

PLAYER KILLER

SUPER SKINNY

SUPER SKINNY

SUPER SKINNY

SKINNYBRUCE,

LUKE,LOW BRUCE

SKINNY JACKSON FRANK SUPER SLIM SKINNY SKINNY

SLIM KANSAS RENEGADE MICHAEL NORRIS SLIM SLIM JUSTIN

SLIM TAPERED POWELL VITO PRINCE NARROW

SLIM BOOTCUT

ORIGINAL RODEO

STRAIGHT CHICAGO RICO HARRY COMFORT

STRAIGHT SLIM ARTHUR

BOODCUT

LOOSE TAPER MACKY

RELAXED STRAIGHT

LOOSE STRAIGHT

SKINNY STRAIGHT

Table 9: LEE vs Indirect Competitors

This market analysis gives us the information that all the competitors of LEE have straight fit and it’s in their fit range. Levi’s even have fits like Boot Cut, Tapered with their variation also.

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4.3 CONSUMER SURVEY

The data of consumer survey is collected by both online and personal with a sample size of

200 (70- personal & 130-online)

The questionnaire contained both open end and close end questions.

*Almost 64% of our target customer buys denim once in every six month and 33% buy denim every three months

*The Monthly Income of our target customer is between 11k-20k with 35% of the target customer falling in this category. Another 31.5% lies in monthly income range of 21k-40k.

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*The most preferred price range that the target customer are willing to pay lies between 1.5k-2.5k with 168 responses. Another 59% (118 responses) have selected the price range between 2.6k-3.5k

*Fit is the most effective factor for 80% of the target customer after that they consider style as the second most effective factor with 73% .

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*47% of the target customer prefers jeans as their attire for 4-5 times a week and 41% prefer only 2-3 times a week

*Straight & slim are the most preferred fit by the target customer after that tapered and joggers are being preferred by the target customer.

The least preferred fit by the target customer is skinny, relaxed & regular.

Joggers & Dungarees are mostly preferred by the age group of 20-25

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Name the Fit/Style you are planning to buy next?

*Straight fit – 20%

Slim fit – 25%

Tapered fit- 8%

Joggers – 21%

Skinny – 4%

Relaxed fit- 2%

Dungarees – 12%

Carrot fit- 5%

Regular fit- 3%

*61% of the target customer falls under the age group of 20-25 years. Another 34% falls in the age group of 26-30.

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CHAPTER- 5

PRODUCT DEVELOPMENT

In this section, the details of the garments that were developed has been discussed

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5. PRODUCT DEVELOPMENT

5.1 DESIGN BRIEF

5.1.1 Findings of Survey

The major findings of the survey are: -

Despite of having a strong Brand Image, the brand does not have good sales. The brand is available at almost all the price points in the bracket of 2099-4099, whereas

Levis has segmented their price category very effectively. Almost every brand other than lee has Straight fit in their Fit range and on an average it

consists of 19% of their total no. of options. The trend forecast for spring summer17 says that Fits like straight & joggers are very

much in trend with premium brands (Calvin Klein, Diesel, GAS) also including dungarees in their product option.

From the consumer survey we got to know that straight fit and joggers are also one of the mostly preferred fits and customer are willing to buy them next time when they are going for shopping.

Indira Nagar & M.G Road is the most preferred shopping destination for young customer due to the availability of more no. of options in both fit & style.

Customers falling in age group of 20-25 are open towards new style such as Joggers & Dungarees while customers above 25 mostly prefer comfortable fits such as straight, relaxed, and regular fit

5.1.2 Final Design Brief

The design brief that was decided contained following objectives: -

1. To develop a new fit which the brand does not offer yet.-Straight Fit

a. Skinny Straight b. Slim straight c. Regular straight

-Joggers -Dungarees

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5.2 CONCEPT GENERATION

Keeping the following objective in mind, the following concept was initiated: -

1. To develop the range that offers the best fit available.Product 1: Regular straight fitProduct 2: slim straight fitProduct 3: skinny straight fitProduct 4: Joggers (stretched fabric)Product 5: Joggers (non-stretched fabric)Product 6: Dungarees

5.3 CREATION AND DEVELOPMENT OF GARMENTS

GARMENT SKETCH

Figure 39: Garment Sketch

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PRODUCT 1: REGULAR STRAIGHT FIT

Brief Description

Garment Category Denim Jeans

Color Blue

Fabric Base Cotton

Age Category 22-44 years

Gender Men's

Proposed MRP 1899

Table 10: Brief Description of Regular Straight Fit

Key Features:The product developed offers a new fit to the brand.

Key Measurements taken from competitors for reference: Waist: - 32 Seat: - 37 Thigh: - 23 Knee: -15 Front Rise: -10 Back Rise: - 13 1/4 Hem: - 15 In Seam: - 33

Costing of the Product 1(Regular Straight Fit)

SORT NORDS-3291

FABRIC COST 193

WIDTH 55

CONSUMPTION 1.36

TOTAL FABRIC 262.48

POCKET CONS 0.18

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POCKET FABRIC 20'S TWILL 72

POCKET COST 12.96

BUTTON 2.5

RIVET 7.5

HPL 0.5

THREAD 20

MAIN & SIZE LABEL 2.5

TAG 3

CARTON 2.5

POLYBAG 1.75

WASH ROUTING RINSE

WASH COST 17

BASIC SAM 22.71

SAM FACTOR 4.6

TOTAL CM 104

TOTAL 437.1

MARGIN 14%

MARGIN COST 61.2

FREIGHT ON BOARD 498.3

COST OF GOODS AT DC 522.2

MRP 1899

MULTIPLE 3.64

Table 11: Costing of the Regular Straight fit

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PRODUCT 2: SLIM STRAIGHT FIT

Brief Description

Garment Category Denim Jeans

Color Black Denim

Fabric Base Cotton

Age Category 20-44 years

Gender Men's

Proposed MRP 1899

Table 12: Brief Description of Slim Straight Fit

Key Features:The product developed offers a new fit to the brand.

Key Measurements taken from mean of competitors for reference: Waist: - 32 Seat: - 37 Thigh: - 23 Knee: -15 Front Rise: -10 Back Rise: - 13 1/4 Hem: - 14 In Seam: - 33

Costing of the Product 2 (Slim Straight Fit)

SORT NORDS-3291

FABRIC COST 193

WIDTH 55

CONSUMPTION 1.36

TOTAL FABRIC 262.48

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POCKET CONS 0.18

POCKET FABRIC 20'S TWILL 72

POCKET COST 12.96

BUTTON 2.5

RIVET 7.5

HPL 0.5

THREAD 20

MAIN & SIZE LABEL 2.5

TAG 3

CARTON 2.5

POLYBAG 1.75

WASH ROUTING RINSE

WASH COST 17

BASIC SAM 22.71

SAM FACTOR 4.6

TOTAL CM 104

TOTAL 437.1

MARGIN 14%

MARGIN COST 61.2

FREIGHT ON BOARD 498.3

COST OF GOODS AT DC 522.2

MRP 1899

MULTIPLE 3.64

Table 13: Costing of the Slim Straight fit

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PRODUCT 3: SKINNY STRAIGHT FIT

Brief Description

Garment Category Denim Jeans

Color Navy Blue

Fabric Base Cotton

Age Category 16-44 years

Gender Men's

Proposed MRP 2799

Table 14: Brief Description of Skinny Straight Fit

Key Features:The product developed offers a new fit to the brand.

Key Measurements taken from mean of competitors for reference: Waist: - 32 Seat: - 37 Thigh: - 23 Knee: -15 Front Rise: -10 Back Rise: - 13 1/4 Hem: - 14 In Seam: - 33

Costing of the Product 3(skinny straight fit)

SORT NO RDS-3200

FABRIC COST 202

WIDTH 54

CONSUMPTION 1.33

TOTAL FABRIC 268.66

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POCKET CONS 0.18

POCKET FABRIC 20'S TWILL 72

POCKET COST 12.96

BUTTON 2.5

RIVET 7.5

HPL 0.5

THREAD 20

MAIN & SIZE LABEL 2.5

TAG 3

CARTON 2.5

POLYBAG 1.75

WASH ROUTING RINSE

WASH COST 17

BASIC SAM 22.71

SAM FACTOR 4.6

TOTAL CM 104

TOTAL 443.3

MARGIN 14%

MARGIN COST 62.1

FREIGHT ON BOARD 505.4

COST OF GOODS AT DC 529.5

MRP 1999

MULTIPLE 3.78

Table 15: Costing of the Skinny Straight fit

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PRODUCT 4: JOGGERS(NON-STRETCHABLE)

Brief Description

Garment Category Denim Jeans

Color Navy Blue

Fabric Base Cotton

Age Category 20-44 years

Gender Men's

Proposed MRP 2599

Table 16: Brief Description of Joggers

Key Features:The product developed offers a new fit to the brand.

Key Measurements taken from MUFTI for reference: Waist: - 32 Seat: - 37 Thigh: - 23 Knee: -16 Front Rise: -10 Back Rise: - 13 1/4 Hem: - 14 In Seam: - 33

Costing of the Product 4 (Jogger)

SORT NO RDS-4500

FABRIC COST 240

WIDTH 52

CONSUMPTION 1.73

TOTAL FABRIC 415.2

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POCKET CONS 0.18

POCKET FABRIC 20'S TWILL 72

POCKET COST 12.96

BUTTON 2.5

RIVET 7.5

HPL 0.5

THREAD 20

MAIN & SIZE LABEL 2.5

TAG 3

CARTON 2.5

POLYBAG 1.75

WASH ROUTING RINSE

WASH COST 17

BASIC SAM 22.71

SAM FACTOR 4.6

TOTAL CM 104

TOTAL 589.9

MARGIN 14%

MARGIN COST 82.6

FREIGHT ON BOARD 672.4

COST OF GOODS AT DC 701.2

MRP 2599

MULTIPLE 3.71

Table 17: Costing of the Joggers

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PRODUCT 5: Dungaree (STRETCHABLE FABRIC)

Brief Description

Garment Category Denim Jeans

Color Navy Blue

Fabric Base Cotton

Age Category 16-25years

Gender Men's

Proposed MRP 1899

Table 18: Brief Description of Dungaree

Key Features:The product developed offers a new fit to the brand.

Key Measurements taken from Diesel for reference: Waist: - 32 Seat: - 37 Thigh: - 23 Knee: -15 Front Rise: -15 Back Rise: - 18 1/4 Hem: - 14 In Seam: - 33

Costing of the Product 5(Dungaree)

SORT NO RDS-3291FABRIC COST 193

WIDTH 55CONSUMPTION 1.36TOTAL FABRIC 262.48POCKET CONS 0.18

POCKET FABRIC 20'S TWILL 72POCKET COST 12.96

BUTTON 2.5RIVET 7.5

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HPL 0.5THREAD 20

MAIN & SIZE LABEL 2.5TAG 3

CARTON 2.5POLYBAG 1.75

WASH ROUTING RINSEWASH COST 17BASIC SAM 22.71

SAM FACTOR 4.6TOTAL CM 104

TOTAL 437.1MARGIN 14%

MARGIN COST 61.2FREIGHT ON BOARD 498.3

COST OF GOODS AT DC 522.2MRP 1899

MULTIPLE 3.64

Table 19: Costing of Dungaree

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CHAPTER 6

SUGGESTIONS AND CONCLUSIONS

In this section, the details of the garments that were developed has been discussed and suggestions are given.

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6.1 LIMITATIONS AND SCOPE OF FURTHER STUDY

Limitations

Due to various constraints market survey was limited to few high selling and dominant

areas which in turn limit the reach and scope of the project.

A sample size of 2oo for consumer survey also limits the thought process of consumers to

a certain size which in turn restrict the research to explore other options for new fits.

Scope of further study

As it already established that lack of trending fit (product) options in the market

constitute one of the reasons for decreasing sales this research opens the door for

further research in the fits category with new fits emerging in today’s market.

With a growing affinity in the denim market towards comfort based fits this research

leaves a scope for further design developments in the comfort based denim fits for

consumer.

6.2 CONCLUSION

The conclusion of the project is as follows:

While fall of Lee sales in denim market can be attributed to various factors such as

marketing, supply chain, product etc. but lack of trending options and variations available

when compared to rival brands also play a big part in the downfall.

Hence, introducing trending options and variations such as Straight fits, Joggers and

Dungarees in the market after a thorough research including inputs from the consumer can

play a huge part in reviving the downward sales.

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7. BIBLIOGRAPHY

Bowring, L. (2016). Trend forecast for S/S 2016 catwalk season. wgsn insider.

A. B. (n.d.). technopak. Retrieved 01 09, 2016, from technopak: http://www.technopak.com/Files/apparel-e-tailing-in-india.pdf

indiacompanynews. (2012). Retrieved 02 15, 2016, from www.indiacompanynews.com: http://www.indiacompanynews.com/post/view/3157/Growing-market-of-fashion-accessories/

researchandmarkets. (2012). Retrieved 02 15, 2016, from researchandmarkets.com: http://www.researchandmarkets.com/reports/2359106/indian_denim_jeans_market_trends_and

fashionera. (2014). Retrieved 02 15, 2016, from fashionera.org: http://fashionera.org/?p=282

Bowring, L. (2016). Trend forecast for S/S 2016 catwalk season. wgsn insider.

Chakraborty, A. (n.d.). shine. Retrieved 01 09, 2016, from shine.com: http://info.shine.com/industry/retail/7.html

Gugnani, A. (2015). Denim Market in India. indiaretailing.

Neha Dewan, E. B. (26 sep,2012). economictimes. Denim majors continue to grow in India.

thomsonreuters. (n.d.). Retrieved 01 09, 2016, from thomsonreuters.com: http://blog.thomsonreuters.com/wp-content/uploads/2014/03/india-retail.jpg

vfc. (n.d.). Retrieved 01 26, 2016, from vfc.com: http://www.vfc.com/about/

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9. APPENDICES & ANNEXURE

Appendices:

a. Consumer Survey for FIT Preferences in Jeans

Greetings,We at National Institute of Fashion Technology, Bangalore, India are conducting a survey to determine the consumer Fit preferences in Jeans.Please fill the survey below,Your inputs shall be highly appreciated.Thank you

1. Name

2. Age

Below 20 20-25 26-30 31-35

Above 35

3. Occupation

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4. How often do you purchase jeans?

Once a month Once every three months

Once every six months

Once a year

5. Monthly Income

Below 10k 11k-20k 21k-40k 41k-80k

Above 80k

6. How much will you spend to purchase jeans?

Below 1.5k 1.5k-2.5k 2.6k-3.5k 3.6k-4.5k

Above 4.5k

7. Rate the factors which affect the selection of jeans on the scale of 1-5. (1=ineffective, 5=most effective)

1 2 3 4 5

Fit

Brand

Style

Durability

Colour

Fabric

Price

Other

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8. How frequently do you wear jeans in a week?

Once in a week 2-3 times a week 4-5 times a week 6-7 times a week

9. Which Fits/Styles do you prefer to buy?

Skinny

Slim

Straight

Regular

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Tapered

Carrot

Joggers

Dungarees

Others

10.Name the Fit/style you are planning to buy next?

Thank you very much for taking the time to complete this survey. Your feedback is valued and very much appreciated!

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b. Checklist for Market Survey

 S. no. FIT CORE NON-CORE

1

2

3

4

5

6

7

8

9

10

FABRIC PRICE RANGE

1

2

3

4

5

COLOUR

1

2

3

4

5

6

7

8

9FABRIC QUOTIENT

BASIC

BASIC+

FASHION

BEST SELLING FIT

BRAND NAME

STORE LOCATION

STORE MANAGER

CONTACT DETAIL

DO CUSTOMER PREFER JOGERS DENIM?

YES NO

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DO CUSTOMER PREFER STRAIGHT FIT DENIM?

YES NO

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c. Feedback Form for every denim, for example: Joggers

This form is to take valuable feedback in terms of fit, look and overall quality from people who took part in the fit and trial process.Thank You.

Joggers

1. Do you like the fit? *

a. Yes b. No

If no, why?

2. Rate the fit out of 10.

1 2 3 4 5 6 7 8 9 10

3. Rate the best attributes of the jeans * 

Bad Average Good Best

Fit

Comfort

Look

Colour

4. Please suggest changes, if any? *

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d. Patterns

1. Dungarees

2. Joggers

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3. Straight Skinny

4. Straight Slim

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5. Straight Regular

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Annexure:

1. Market Survey Data

1.1 Levi’s

Contribution

Fit Original Name CoreCore

%Non-Core

Non-Core

Total

Total%

501 Mid Rise / Straight 0 0.00% 28 20.14% 28 14.29%504 Low Rise / Regular Straight 3 5.26% 28 20.14% 31 15.82%511 Low Rise / Slim Fit 20 35.09% 58 41.73% 78 39.80%508 Classic Tappered 0 0.00% 1 0.72% 1 0.51%531 Low Rise / Straight 17 29.82% 5 3.60% 22 11.22%

65504 Low Rise / Skinny 17 29.82% 19 13.67% 36 18.37%Total 57 100.00% 139 100.00% 196 100.00%

Fabric Price Range CoreCore

%Non-Core

Non-Core

Total

Total%

Cotton 1999-10101 32 56.14% 60 43.17% 92 46.94%Cotton Elastane 1999-5000 20 35.09% 30 21.58% 50 25.51%Cotton Poly Elastane 2199-6000 5 8.77% 23 16.55% 28 14.29%Cotton Elastomultiester 3299-4099 0 0.00% 13 9.35% 13 6.63%Cotton Linen 5000-5500 0 0.00% 12 8.63% 12 6.12%

Cotton Polyester3699 0 0.00% 1 0.72% 1 0.51%

Total 57 100.00% 139 100.00% 196 100.00%

Fashion Quotient CoreCore

%Non-Core

Non-Core

Total

Total%

Basic 49 85.96% 84 60.43% 133 67.86%Basic+ 8 14.04% 28 20.14% 36 18.37%Fashion 0 0.00% 27 19.42% 27 13.78%

Total 57 100.00% 139 100.00% 196 100.00%

Colour CoreCore

%Non-Core

Non-Core

Total

Total%

Blue 28 49.12% 55 39.57% 83 42.35%Navy 18 31.58% 52 37.41% 70 35.71%Black 11 19.30% 20 14.39% 31 15.82%Grey 0 0.00% 6 4.32% 6 3.06%White 0 0.00% 5 3.60% 5 2.55%Khakhi/Brown 0 0.00% 1 0.72% 1 0.51%

Total 57 100.00% 139 100.00% 196 100.00%

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1.2. Pepe Jeans

1.3. Spykar

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Fit Original Name Core Core% Non-Core Non-Core Total Total%Comfort Mid / Regular 11 12.79% 0 0.00% 11 8.94%Holborne Low / Regular Tapered 22 25.58% 3 8.11% 25 20.33%Kingston Mid / Regular Straight 13 15.12% 0 0.00% 13 10.57%London Low / Slim Straight 9 10.47% 0 0.00% 9 7.32%Soho Low / Skinny 11 12.79% 3 8.11% 14 11.38%Vapour Low / Slim 20 23.26% 31 83.78% 51 41.46%Total 86 100.00% 37 100.00% 123 100.00%Fabric Price Range Core Core% Non-Core Non-Core Total Total%Cotton 2699-3999 1 1.16% 1 2.70% 2 1.63%Cotton Lycra 1799-4999 85 98.84% 34 91.89% 119 96.75%Cotton Poly L 2999 0 0.00% 2 5.41% 2 1.63%Total 86 100.00% 37 100.00% 123 100.00%

Fashion Quotient Core Core% Non-Core Non-Core Total Total%Basic 52 60.47% 1 2.70% 53 43.09%Basic+ 28 32.56% 13 35.14% 41 33.33%Fashion 6 6.98% 23 62.16% 29 23.58%

Total 86 100.00% 37 100.00% 123 100.00%Colour Core Core% Non-Core Non-Core Total Total%Blue 44 51.16% 26 70.27% 70 56.91%Navy 26 30.23% 7 18.92% 33 26.83%Black 14 16.28% 1 2.70% 15 12.20%Grey 2 2.33% 2 5.41% 4 3.25%White 0 0.00% 0 0.00% 0 0.00%Khakhi/Brown 0 0.00% 1 2.70% 1 0.81%

Total 86 100.00% 37 100.00% 123 100.00%

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ContributionFit Original Name Core Core% Non-Core Non-CoreTotal Total%Renegade Low Rise / Slim Fit 2 5.00% 0 0.00% 2 2.70%Rico Low Rise / Narrow Fit 16 40.00% 12 35.29% 28 37.84%Skinny Low Rise / Skinny 21 52.50% 22 64.71% 43 58.11%Vito Mid Rise / Slim Fit 1 2.50% 0 0.00% 1 1.35%Total 40 100.00% 34 100.00% 74 100.00%Fabric Price Range Core Core% Non-Core Non-CoreTotal Total%Cotton 2199-2399 3 7.50% 0 0.00% 3 4.05%Cotton Elastane 2399-2599 5 12.50% 0 0.00% 5 6.76%Cotton Poly Lycra 2799 3 7.50% 0 0.00% 3 4.05%Cotton Poly Spandex 2799 0 0.00% 1 2.94% 1 1.35%Cotton Spandex 1999-3599 29 72.50% 33 97.06% 62 83.78%Total 40 100.00% 34 100.00% 74 100.00%

Fashion Quotient Core Core% Non-Core Non-CoreTotal Total%Basic 22 55.00% 2 5.88% 24 32.43%Basic+ 12 30.00% 12 35.29% 24 32.43%Fashion 6 15.00% 20 58.82% 26 35.14%

Total 40 100.00% 34 100.00% 74 100.00%Colour Core Core% Non-Core Non-CoreTotal Total%Blue 21 52.50% 23 67.65% 44 59.46%Navy 15 37.50% 5 14.71% 20 27.03%Black 4 10.00% 4 11.76% 8 10.81%Grey 0 0.00% 2 5.88% 2 2.70%White 0 0.00% 0 0.00% 0 0.00%Khakhi/Brown 0 0.00% 0 0.00% 0 0.00%

Total 40 100.00% 34 100.00% 74 100.00%

1.4. Mufti

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ContributionFit Original Name Core Core% Non-Core Non-Core Total Total%Narrow Narrow 0 66 49.62%Slim Slim 0 27 20.30%Super Slim Super Slim 0 40 30.08%Total 0 0.00% 133 100.00% 0 0.00%Fabric Price Range Core Core% Non-Core Non-Core Total Total%Cotton 2299-2899 0 8 6.02%Cotton Poly Elastane 2099-3299 0 33 24.81%CPVE 2499-3299 0 15 11.28%Cotton Elastane 2099-3299 0 77 57.89%Total 0 0.00% 133 100.00% 0 0.00%

Fashion Quotient Core Core% Non-Core Non-Core Total Total%Basic 0 14 10.53%Basic+ 0 58 43.61%Fashion 0 61 45.86%

Total 0 0.00% 133 100.00% 0 0.00%Colour Core Core% Non- Core Non-Core Total Total%Blue 0 64 48.12%Navy 0 50 37.59%Black 0 14 10.53%Grey 0 5 3.76%White 0 0 0.00%Khakhi/Brown 0 0 0.00%

Total 0 0.00% 133 100.00% 0 0.00%

1.5. U.S. Polo Assn

Contribution

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Fit Original Name Core Core% Non-CoreNon-Core Total Total%

BadgerMid Rise / Regular 5 14.29% 8 15.09% 13 14.77%

Delta Slim Tapered 10 28.57% 24 45.28% 34 38.64%Regalo Skinny 15 42.86% 20 37.74% 35 39.77%Woody Slim Straight 5 14.29% 1 1.89% 6 6.82%Total 35 100.00% 53 100.00% 88 100.00%Fabric Price Range Core Core% Non-CoreNon-Core Total Total%Cotton 1799-3299 18 51.43% 9 16.98% 27 30.68%Cotton Lycra 1999-3599 17 48.57% 44 83.02% 61 69.32%Total 35 100.00% 53 100.00% 88 100.00%

Fashion Quotient Core Core% Non-CoreNon-Core Total Total%Basic 27 77.14% 15 28.30% 42 47.73%Basic+ 8 22.86% 22 41.51% 30 34.09%Fashion 0 0.00% 16 30.19% 16 18.18%

Total 35 100.00% 53 100.00% 88 100.00%Colour Core Core% Non-CoreNon-Core Total Total%Blue 12 34.29% 30 56.60% 42 47.73%Navy 16 45.71% 14 26.42% 30 34.09%Black 3 8.57% 4 7.55% 7 7.95%Grey 2 5.71% 5 9.43% 7 7.95%White 2 5.71% 0 0.00% 2 2.27%Khakhi/Brown 0 0.00% 0 0.00% 0 0.00%

Total 35 100.00% 53 100.00% 88 100.00%

1.6. Flying Machine

Fit Original Name Core Core% Non-Core Non-Core Total Total%Jackson Low Rise / Skinny 12 37.50% 34 36.56% 46 36.80%Michael Mid Rise / Slim Tapered 6 18.75% 41 44.09% 47 37.60%Prince Mid Rise / Slim 14 43.75% 18 19.35% 32 25.60%Total 32 100.00% 93 100.00% 125 100.00%Fabric Price Range Core Core% Non-Core Non-Core Total Total%Cotton 1699-2499 8 25.00% 6 6.45% 14 11.20%

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Cotton Elastane 1799-2699 2 6.25% 23 24.73% 25 20.00%Cotton Lycra 2099-2699 0 0.00% 14 15.05% 14 11.20%Cotton Poly Elastane 1799-1699 8 25.00% 14 15.05% 22 17.60%Cotton Poly Spandex 1699-2299 4 12.50% 2 2.15% 6 4.80%Cotton Spandex 1799-1699 10 31.25% 34 36.56% 44 35.20%Total 32 100.00% 93 100.00% 125 100.00%

Fashion Quotient Core Core% Non-Core Non-Core Total Total%Basic 20 62.50% 36 38.71% 56 44.80%Basic+ 12 37.50% 33 35.48% 45 36.00%Fashion 0 0.00% 24 25.81% 24 19.20%

Total 32 100.00% 93 100.00% 125 100.00%Colour Core Core% N n-Core Non-Core Total Total%Blue 15 46.88% 75 80.65% 90 72.00%Navy 9 28.13% 5 5.38% 14 11.20%Black 7 21.88% 6 6.45% 13 10.40%Grey 1 3.13% 6 6.45% 7 5.60%White 0 0.00% 1 1.08% 1 0.80%Khakhi/Brown 0 0.00% 0 0.00% 0 0.00%

Total 32 100.00% 93 100.00% 125 100.00%

1.7. Killer

Fit Original Name Core Core% Non-Core Non-Core Total Total%Comfort Regular Straight 6 40.00% 0 0.00% 6 13.04%Justin Slim Fit 8 53.33% 19 61.29% 27 58.70%Skinny Skinny Fit 1 6.67% 5 16.13% 6 13.04%Super Skinny Super Skinny Fit 0 0.00% 7 22.58% 7 15.22%Total 15 100.00% 31 100.00% 46 100.00%Fabric Price Range Core Core% Non-Core Non-Core Total Total%

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Cotton 1399-1599 6 40.00% 0 0.00% 6 13.04%Stretch 1899-2799 9 60.00% 31 100.00% 40 86.96%Total 15 100.00% 31 100.00% 46 100.00%

Fashion Quotient Core Core% Non-Core Non-Core Total Total%Basic 10 66.67% 11 35.48% 21 45.65%Basic+ 5 33.33% 13 41.94% 18 39.13%Fashion 0 0.00% 7 22.58% 7 15.22%

Total 15 100.00% 31 100.00% 46 100.00%Colour Core Core% Non-Core Non-Core Total Total%Blue 4 26.67% 11 35.48% 15 32.61%Navy 1 6.67% 12 38.71% 13 28.26%Black 8 53.33% 6 19.35% 14 30.43%Grey 2 13.33% 2 6.45% 4 8.70%White 0 0.00% 0 0.00% 0 0.00%Khakhi/Brown 0 0.00% 0 0.00% 0 0.00%

Total 15 100.00% 31 100.00% 46 100.00%

1.8. Lee Cooper

Contribution

Fit Original Name Core Core%Non-Core

Non-Core%

Total Total%

ArthurMid Rise / Regular Fit 7 23.33% 11 9.73% 18 12.59%

FrankLow Rise / Skinny Fit 4 13.33% 20 17.70% 24 16.78%

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HarryMid Rise/ Straight Fit 8 26.67% 25 22.12% 33 23.08%

Norris Mid Rise/ Slim Fit 11 36.67% 57 50.44% 68 47.55%Total 30 100.00% 113 100.00% 143 100.00%

Fabric Price Range Core Core%Non-Core

Non-Core%

Total Total%

Cotton 1899-2499 15 50.00% 5 4.42% 20 13.99%

Cotton Elastane1899 1 3.33% 0 0.00% 1 0.70%

Cotton Lycra2399 0 0.00% 2 1.77% 2 1.40%

Cotton Poly Elastane 1999-2499 1 3.33% 7 6.19% 8 5.59%Cotton Spandex 1899-2499 13 43.33% 99 87.61% 112 78.32%Total 30 100.00% 113 100.00% 143 100.00%

Fashion Quotient Core Core%Non-Core

Non-Core%

Total Total%

Basic 18 60.00% 12 10.62% 30 20.98%Basic+ 12 40.00% 65 57.52% 77 53.85%Fashion 0 0.00% 36 31.86% 36 25.17%

Total 30 100.00% 113 100.00% 143 100.00%

Colour Core Core%Non-Core

Non-Core%

Total Total%

Blue 15 50.00% 49 43.36% 64 44.76%Navy 7 23.33% 47 41.59% 54 37.76%Black 8 26.67% 15 13.27% 23 16.08%Grey 0 0.00% 2 1.77% 2 1.40%White 0 0.00% 0 0.00% 0 0.00%Khakhi/Brown 0 0.00% 0 0.00% 0 0.00%

Total 30 100.00% 113 100.00% 143 100.00%

1.9. John Players

ContributionFit Original Name Core Core% Non-Core Non-Core% Total Total%Skinny Skinny 14 46.67% 43 53.75% 57 51.82%Slim Slim 7 23.33% 15 18.75% 22 20.00%Super Skinny Super Skinny 9 30.00% 22 27.50% 31 28.18%Total 30 100.00% 80 100.00% 110 100.00%Fabric Price Range Core Core% Non-Core Non-Core% Total Total%Stretch 1599-2499 27 90.00% 72 90.00% 99 90.00%

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Non-Stretch 1599-2199 3 10.00% 8 10.00% 11 10.00%Total 30 100.00% 80 100.00% 110 100.00%

Fashion Quotient Core Core% Non-Core Non-Core% Total Total%Basic 16 53.33% 20 25.00% 36 32.73%Basic+ 10 33.33% 32 40.00% 42 38.18%Fashion 4 13.33% 28 35.00% 32 29.09%

Total 30 100.00% 80 100.00% 110 100.00%Colour Core Core% Non-Core Non-Core% Total Total%Blue 23 76.67% 49 61.25% 72 65.45%Navy 5 16.67% 22 27.50% 27 24.55%Black 1 3.33% 9 11.25% 10 9.09%Grey 1 3.33% 0 0.00% 1 0.91%White 0 0.00% 0 0.00% 0 0.00%Khakhi/Brown 0 0.00% 0 0.00% 0 0.00%

Total 30 100.00% 80 100.00% 110 100.00%Price Range Core Core% Non-Core Non-Core% Total Total%

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