greek ceramics show

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Greek Ceramics Expository Writing Practice Hello, class. Today we’ll be looking at Greek ceramics, and at expository writing.

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Here's a short writing exercise slideshow, designed to teach about expository writing

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Page 1: Greek Ceramics Show

Greek CeramicsExpository Writing Practice

Hello, class. Today we’ll be looking at Greek ceramics, and at expository writing.

Page 2: Greek Ceramics Show

What is pottery?

Ceramics: clay fired in a kiln

Most Greek pottery is terra-cotta

high iron oxide content = red color

dinner plates to religious objects

numerous traditional shapes

First, what is pottery? Well, it’s clay — a kind of earth — fired in a kiln at high temperature, usually starting around 600° F. Greece had excellent clay, and shaped it into beautiful objects; these objects for a historical record for ancient Greece.

Page 3: Greek Ceramics Show

Expository Writing

Expository writing “explains”

it offers discussions, reasons, assessment, purpose and backstory.

It often uses phrases like “because”, “in order to”, and “so that”.

It offers commentary on WHY.

The second thing we’ll do is learn to write expository sentences. Exposition means “explanation”. We write to EXPLAIN, or to answer WHY something is the way it is. For each image in the slides, try to write a sentence that answers a WHY question.

Page 4: Greek Ceramics Show

In-Class Practice

For each image...

Write 2 expository sentences, or...

1 expository and 1 narrative, or...

1 expository and 1 descriptive, or...

1 descriptive and 1 narrative sentence.

You should do this by writing two expository sentences for each image, or some combination of the expository and descriptive sentences we’ve already learned to write.

Page 5: Greek Ceramics Show

In-Class Practice

For expository writing,

think about underlying causes

Toyota Example: Five Whys...

asking why 5 times gets you a better, more detailed answer.

Write that one.

Try using Toyota’s FIVE WHYs process to write. Instead of writing down the first BECAUSE that comes into your head, try working from the third or fourth.

Page 6: Greek Ceramics Show

Late Minoan Pottery

1600 BCE

Island of Crete

Minoan Society

Storage Jars, 1.2m tall, Palace of Knossos; note holes for carrying-harness

This is a Pithos, or storage jar from Crete. It’s Minoan and dates from around 1600 BC. It’s big enough to put me inside. Notice the lugs on the side, with holes for holding ropes in place around the jar, for carrying it around.

Page 7: Greek Ceramics Show

Cretan Design Sense

Even storage jars can get pretty fancy

1.3 m tall, painted with double axes (religious symbol) and vines

c. 1550 BCE

This is another pithos, large enough to hold me. It’s painted with double axes, a religious symbol, BECAUSE it’s probably a storage jar for a temple or a priestly family.

Page 8: Greek Ceramics Show

Octopus Jar, Crete

c. 1600 BCE

Two wheel-made bowls

sealed together to form globe shape

tentacles writhe all over the jar.

We’ve seen this Minoan octopus jar before. Maybe you notice the lug or disk on the side of the jar? It’s just around the eyes. The disk is there BECAUSE the jar is actually two bowl-shapes from a wheel fitted together.

Page 9: Greek Ceramics Show

Mycenaean Pottery

The Enkomi Painter

c. 1600 BCE

from Enkomi on mainland Greece

bird cleaning a bull’s horns and neck-ruff

This a bowl by the Enkomi painter. It came from a town in Greece. Notice how few basic patterns make up the design of the bull and the bird. The painter has used a minimum of design patterns BECAUSE he was in a rush to finish.

Page 10: Greek Ceramics Show

Kemares Ware

about 1400 BCE

Mainland Greece

“Mycenaean”

Olive leaf pattern

This is a wine jar, but it has patterns of olive leaves on it. Why olive leaves? BECAUSE olives and olive oil were an important source of wealth for the Mycenaean Greeks.

Page 11: Greek Ceramics Show

Beautiful, but...

somewhat less sophisticated.

This octopus isn’t quite as exciting or naturalistic as the other

c. 1400 BCE

Yes, here’s the Mycenaean Octopus jar. Why is this one so much more frightening or scary than the playful Minoan one? BECAUSE the eyes are smaller, BECAUSE the tentacles don’t writhe so much, and BECAUSE the body is vertical on the jar, rather than at an angle.

Page 12: Greek Ceramics Show

Military Themes, too

Minoan pottery doesn’t have soldiers

Mycenaean pottery has lots of warriors

usually marching

c. 1250 BCE

The Minoans didn’t have warriors on their pottery, but the Mycenaeans did. In fact, most Mycenaean pottery has warriors on it BECAUSE the Mycenaeans were more warlike, and had a society that glorified military prowess.

Page 13: Greek Ceramics Show

The Greek Dark Ages

c. 1200 BCE, Greece hits a rough time.

Trade collapses

Plague destroys towns and nations

knowledge of written language vanishes

lasts until about 880 BCE

There’s a gap in the historical record of ancient Greece, running from about 1200 BC until a little after 880 BC. There isn’t any pottery or any writing, BECAUSE the Dorian Invasion seems to have killed off most of the craftsmen and most of the scribes.

Page 14: Greek Ceramics Show

Geometric Pottery

New pottery style appears with recovery

called “Geometric”

principles - 1) cover the whole pot; 2) use minimal ‘natural’ designs or decoration

The new pottery that appears is called Geometric, BECAUSE it consists entirely of lines and angles. Where animal shapes appear, they are merely geometric sketches of real birds, bulls, etc.

Page 15: Greek Ceramics Show

Water Jars (Olpé)

c. 875 BCE

Meander: wandering line pattern, like rivers

human figures, but...

crude triangles

not really real

When people do appear on Geometric pottery, they are only sketches of people — stick figures, really. Humans are secondary, BECAUSE the geometry is still more important than the people.

Page 16: Greek Ceramics Show

Geometric Style

c. 850 BCE

1 meter tall

Funeral Urn for making offerings to the dead

appearance of animals and chariots

Yet people finally do make an appearance in Greek ceramics, BECAUSE people are becoming important in Greek society again. The largest ceramics are funerary urns, which function like headstones in a modern graveyard. THey use pottery jars BECAUSE the Greeks fill them with wine or oil as offerings to their dead relatives.

Page 17: Greek Ceramics Show

Sophisticated but Unreal

Most of the pottery is still pretty geometrical. It’s very sophisticated, BECAUSE the potters and painters are very good at what they do. However, they’re not good artists yet, BECAUSE a lot of knowledge has been lost.

Page 18: Greek Ceramics Show

Sailor saying FarewellThe potters are starting to be asked to tell stories, though. By 780 BC, painted pots are starting to tell stories from the Greek myths, BECAUSE the Iliad and the Odyssey are so popular. Here’s Odysseus leaving Penelope to sail for the Trojan War.

Page 19: Greek Ceramics Show

Flat Image from Bowl

Page 20: Greek Ceramics Show

Mythology in Pottery

Painters use myths as source for paintings

Odysseus blinding the Cyclops Polyphemus

c. 690 BCE

still can’t give up filling all space,

Certain stories, like Odysseus putting out the eye of the Cyclops, appear again and again, BECAUSE they are so popular.

Page 21: Greek Ceramics Show

Orientalizing Style

c. 750 BCE: Greeks have money...

start traveling...

see the world (Egypt)

Orientalizing Style appears, inspired by Egypt and Mesopotamia

Then the Greeks, newly wealthy and recovering from their 200-year decline, started traveling again. Pottery starts appearing with animal heads, BECAUSE Greeks are seeing statues of Egyptian gods and goddesses, and replicating the animal heads on their own work.

Page 22: Greek Ceramics Show

Black-Figure Ware

c. 600 BCE

Late Archaic Style

Black figures on orange/red ground

detail scratched into base of black paint

The Geometric style remains the norm from about 900 BC until about 600 BC, when there is a sudden shift. Greeks begin making a new style of pottery called Black Figure Ware, BECAUSE of new artists’ techniques discovered in Athens.

Page 23: Greek Ceramics Show

Artemis slays ActaeonA lot of the old Geometric designs vanish, BECAUSE the figures emerge from the darkness like images of fire. The red clay of Greece makes the figures luminous against a black background.

Page 24: Greek Ceramics Show

Red-Figure Ware

Black paint forms detailed lines on red background

Possible to make highly detailed pictures

Actaeon slain by his own hounds, c. 500 BCE

About 100 years later, still another style emerges, in which the whole piece is painted black, except for red figures with black detail lines. Because of this, Greek art takes a decided turn toward realistic pictures on pottery.

Page 25: Greek Ceramics Show

Hermes guides the Dead

Geometric and floral designs remain popular, BECAUSE they repeat and a beginning potter or ceramics painter can learn the craft this way. But the master potters are gradually producing elaborate pieces of art as trophies and home adornments.

Page 26: Greek Ceramics Show

Detail of ArtemisSome stories are known in shorthand only from the pottery, because we have no complete written sources for them.

Page 27: Greek Ceramics Show

Pythia & Theseus

Because so many pieces of pottery are needed (plates, bowls, mixing dishes, drinking cups, perfume boxes, wine jars, storage jars and more), many stories from Greek myths get told this way.