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harness ing the tw itter olymp ics : from #van2010 to #london2012 jenn ifer m . jones

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Presentation at the 18th International Olympic Academy Postgraduate Session. Full paper here: http://www.slideshare.net/caffeinebomb/harnessing-the-twitter-olympics-from-van2010-to-london2012-full-paper

TRANSCRIPT

Page 1: Harnessing the "twitter" olympics: From #van2010 to #london2012: International Olympic Academy

harnessing the twitter olympics: from #van2010 to #london2012 jennifer m. jones

Page 2: Harnessing the "twitter" olympics: From #van2010 to #london2012: International Olympic Academy

www.jennifermjones.net #media2012 #van2010 #ldn2012

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So why the Olympics?

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Sport

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The Olympics is not a sporting event...

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olympism, symbols & ideology governed by the IOC

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sacred symbols brand identity

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ritual & spectacle

disruptive, locally interpreted but globally understood.

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sponsorship: the corporatisation of an institutionalised ideology

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transformative infrastructures - the invasion and the privatisation of public space

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CODE (cultural olympiad 2010)cultural programming

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media visibility - one of the most watched events in the world

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the games do not exist in a vacuum

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everything is political

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security & surveillance

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budget cuts

...and funds that will not renew once the games are over.

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destruction of existing communities

• displacement and gentrification of areas- artificially inflating housing prices to price out existing residents.

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local resistance DTES Olympic Tent Village

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olympic resistance network photo credit: @kk

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protest, resistance and the games go hand in hand since the first games in athens, 1896.

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The olympic games is not a sporting event...

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...it is a stand-alone, complex (and often conflicting) multi-narrative phenomena...

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...that produces globally shared histories and memories of a nation’s collective identity...

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...that we share together through the media.

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athens 1896 the first modern games

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how do we remember?

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the first olympic media was a citizen journalist

the IOC shaped their recent history on the images and archives provided by audience members

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but now...

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accredited media

media corporations that have paid the most for the exclusive rights and access to the games

one representative from each country

full rights to the sport and olympic brand

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access to sport

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non-accredited media

visiting journalists who may or may not have accreditation for the ‘official’ media centres.

facilities provided from the host city government to support media production

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media access to people people get access to media

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but what about everybody else?

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access to technology: faster, smaller, cheaper

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samsung athens 2004 leading the way in innovation

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this presentation is breaking copyright law!

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IOC congress, oct 2009 Martin Sorrell

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‘audience as co-conspirators’

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launched half-way through vancouver 2010 flickr.com/olympics

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the olympic review acknowledged after the games

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but what about the rest of us?

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amplifying alternative narratives

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truenorthmediahouse.comself-accredited media

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what does it mean to be media?

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www.creativetechnology.org

w2 arts and media house

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media space for independent journalists

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workspace & facilities

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produced their own media content

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TNMH had no physical space, social media only.

W2 was a community space, transforming when required.

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how can this change the games experience towards london 2012?

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london as a ‘national games’ 13 regions of the UK

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social media already part of games experience

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resistance to the games

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national unease

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#media2012 - national citizen media network for london 2012

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reclaiming the olympic games

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from media event to media festival

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http://www.media2012.org.ukhttp://www.jennifermjones.net#media2012

see you in london!see you in london!see you in london!see you in london!see you in london!