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pdfcrowd.com open in browser PRO version Are you a developer? Try out the HTML to PDF API TURNER COLOUR WORKS LTD CREATE TOMORROW'S COLOUR! Search search HOME » PRODUCTS » ACRYL GOUACHE Category Archives: Acryl Gouache Munsell color system DECEMBER 20, 2012 12:17 PM / LEAVE A COMMENT *Color Specification and Color Mixing* Since color specifications by the Munsell Notation System are printed on Acryl Gouache, you can mix colors or arrange color schemes logically and effectively without depending on experience or intuition. All the colors of Acryl Gouache can be mixed each other. In order to maintain brilliance of colors, colors near in hue should be mixed: for example, when you want yellowish red, you should mix red with orange instead of mixing red with yellow. On the other hand, when you want dull colors, colors far in hue or achromatic colors, i.e., white, black or gray are appropriate to decrease brilliance of colors. Burnt Sienna is sometimes used as a basic color for color mixing but as Burnt Sienna of Acryl Gouache has a high tinting strength, you should mix it with other colors gradually and carefully in order to obtain the color you need. MUNSELL COLOR SYSTEM Acryl Gouache Announce Event Neo Colour Introduction Turner Colour Works Ltd

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    TURNER COLOUR WORKS LTDCREATE TOMORROW'S COLOUR!

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    HOME » PRODUCTS » ACRYL GOUACHE

    Category Archives: Acryl GouacheMunsell color systemDECEMBER 20, 2012 12:17 PM / LEAVE A COMMENT

    *Color Specification and Color Mixing*

    Since color specifications by the Munsell Notation System are printed on Acryl Gouache, you can mix colors or arrange color schemes logically and effectively without dependingon experience or intuition. All the colors of Acryl Gouache can be mixed each other.

    In order to maintain brilliance of colors, colors near in hue should be mixed: for example, when you want yellowish red, you should mix red with orange instead of mixing red withyellow. On the other hand, when you want dull colors, colors far in hue or achromatic colors, i.e., white, black or gray are appropriate to decrease brilliance of colors. BurntSienna is sometimes used as a basic color for color mixing but as Burnt Sienna of Acryl Gouache has a high tinting strength, you should mix it with other colors gradually andcarefully in order to obtain the color you need.

    MUNSELL COLOR SYSTEM

    Acryl Gouache Announce Event Neo Colour Introduction Turner Colour Works Ltd

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    LongevityDECEMBER 19, 2012 12:14 PM / LEAVE A COMMENT

    *Durability*

    Cracking or Peeling would rarely occur even when the works in Acryl Gouache are rolled up, but cracking may occur if they are folded back. Films of Acryl Gouache are not soflexible as acrylic colors. Rubbing or scratching resistance is not high as well. Extremely thick paintings or built up textures should be avoided.

    In order to increase film strength, mix Acryl Gouache with acryl gloss varnish or gloss medium. When Acryl Gouache is mixed with those mediums, the color could change alittle in its tone or could become a little transparent.

    Example of tests occured with Mixing Violet color

    upper part->weather meter (xenon light) 50 hours

    center->standard

    lower part->outside 50 hours

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    LightfastnessDECEMBER 18, 2012 12:05 PM / LEAVE A COMMENT

    *Lightfastness*

    Acryl Gouache is intended for indoor design works and is not applicable to long term outdoor usage such as mural paintings. In order to attain brilliance of color, some colors ofAcryl Gouache contain pigments which are not lightfast enough. Although those pigments are especially weak against ultra-violet light, they do not fade out so rapidly undernormal indoor conditions. However, for the works which are intended to be kept over a long-term period, those colors that are not lightfast enough must be avoided.

    -Colors that are not lightfast enough;

    aubergine

    blue violet

    deep purple

    magenta

    opera red

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    red violet

    rose

    violet

    AdhesivenessDECEMBER 17, 2012 12:05 PM / LEAVE A COMMENT

    *Adhesive Properties*

    Those substrates that are suitable for acrylic colors are also good for Acryl Gouache. However, because of pigment-rich formulations, the adhesive power of Acryl Gouache isnot quite that high as is in acrylic colors. Acryl Gouache as well as acrylic colors do not adhere completely on those plastics such as polyethylene, polypropylene or nylon.

    WOOD

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    STONE

    PAPER

    METAL

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    CLOTH

    CLAY

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    ACRYL BOARD

    PaintabilityDECEMBER 16, 2012 12:04 PM / LEAVE A COMMENT

    *Paintability of Acryl Gouache*

    Acryl Gouache can be painted smoothly and uniformly without brush strokes. Finished surfaces are as uniform as those of gouache paints or even more. The amount of water tobe added is similar to that of gouache paints, about half part water to one part paint. When you wish to paint very uniformly, more water should be added (until about the samequantity as that of the paint). In this case, some colors would be a little transparent but the second coat will attain complete opacity.

    Water-resistanceDECEMBER 15, 2012 12:03 PM / LEAVE A COMMENT

    *Water-Resistance*

    Just like acrylic colors, Acryl Gouache is water-resistant after drying and you can paint over it easily. However, as the binder

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    (acrylic emulsion) content is less than in acrylic colors, some colors would lose water-resistance if they are extremely thinnedwith water such as with a ratio of more than 2 parts water to one part paint. Care must be taken when you paint the color on non-water-permeable substrates. It is also unavoidable that if you rub the surface such as with “wet fingers”, some colors would besomewhat removed or the surface would be damaged. When you wish to thin more than usual and to obtain a waterproofsurface at the same time, mix Acryl Gouache with a small amount of acrylic gloss varnish or gloss medium when you thin thepaint with water.

    Quick dryingDECEMBER 14, 2012 10:33 AM / LEAVE A COMMENT

    Basically, the components of Acryl Gouache are the same as acrylic colors, pigments, acrylic emulsion and water as a thinner. But to achieve matte and opaque effects, the ratioof pigments to emulsion is higher than acrylic colors, which also enables them to produce brilliant color.In addition, the main purpose of Acryl Gouache is for design works, coating rather than painting, so thickening agents are at a lower level than in acrylic colors and those agentsthat have good flow properties are used.

    Since Acryl Gouache contains more pigments than acrylic colors, some of the properties are different.

    *Quick Drying*

    Since Acryl Gouache is a pigment-rich-formulated paint, it dries quicker than acrylic colors and also dries to a hard film which is sometimes more difficult to remove than acryliccolors.Accordingly, brushes and palettes must be kept wet.

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    A brief introduction to Acryl GouacheDECEMBER 11, 2012 1:15 AM / LEAVE A COMMENT

    More than 60 years have passed since acrylic artists’ colors were developed in the 1950′s in the United States.

    During those days, acrylic colors influenced artists’ materials in such a way that they distinguished periods as the “pre-acrylics” and “post-acrylics”. “Acryl Gouache”, which wasdeveloped in a new period of acrylics, is a new type of matte and opaque acrylic paint with enhanced flow properties and brilliance of color.

    Although acrylic colors are so versatile that they have been employed in a far broader range than any other mediums, they are still not perfect. Despite their versatilities, acryliccolors essentially don’t have matte or opaque properties that are very common for gouache paints.

    When you want opacity or to make underpaintings in your works by acrylic colors, you have to apply many layers again and again. After you paint so many layers, the surfacewould become so slippery that overpainting would be quite difficult. Or when a matte effect is desired, you would have to thin acrylic colors with “matte medium” or coat your workwith a layer of “matte varnish”.

    However, the effect of those mediums are obtained by “flatting agents” such as silica, and their effects are essentially different from the matteness of gouache paints, which isobtained by pigments.

    On the other hand, for gouache paints, since they are not waterproof after drying, they are difficult to paint over on gouache paintings.

    Gouache paints stick onto only porous substrates such as papers since their adhesive properties are poor compared with other materials such as acrylic colors or oil colors.

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    In addition, you have to be careful when carrying or preserving gouache paintings since they are weak against abrasion or scratching.

    Under these limited circumstances, it might be acceptable to have an idea such as “Gouache which can be used as easily as acrylic colors” or “Gouache which can be easilycombined with acrylic colors”.

    That’s how Turner Colour Works Ltd created acryl gouache in Japan in 1982!

    Acryl Gouache Announce Event Neo Colour Introduction Turner Colour Works Ltd

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