how film producers should approach social media

49
fans for films

Upload: ben-johnson

Post on 25-Jan-2015

248 views

Category:

Entertainment & Humor


1 download

DESCRIPTION

Presentation from the Utrecht Film Festival Producers Workshop. Made by Ben Johnson.

TRANSCRIPT

Page 1: How Film Producers Should Approach Social Media

fans for films

Page 2: How Film Producers Should Approach Social Media

ENTREPRENEURS & PRODUCERS

Page 3: How Film Producers Should Approach Social Media
Page 4: How Film Producers Should Approach Social Media
Page 5: How Film Producers Should Approach Social Media

Why is Social Media Becoming so Important for

Film???

Page 6: How Film Producers Should Approach Social Media
Page 7: How Film Producers Should Approach Social Media

TV Shows and Films most liked pages on

Facebook

Page 8: How Film Producers Should Approach Social Media
Page 9: How Film Producers Should Approach Social Media

... it requires a totally different set of skills & technology to make a campaign a success.

But using Social Media

CausesAnxiety!

(For most entertainmentmarketing teams)

Page 10: How Film Producers Should Approach Social Media

WHAT TECHNOLOGY CAN HELP ME?

Page 11: How Film Producers Should Approach Social Media
Page 12: How Film Producers Should Approach Social Media
Page 13: How Film Producers Should Approach Social Media
Page 14: How Film Producers Should Approach Social Media

SCANDINAVIA MADE MONEY

Page 15: How Film Producers Should Approach Social Media

FACEBOOK IS FOR INDIES TOO!

Page 16: How Film Producers Should Approach Social Media
Page 17: How Film Producers Should Approach Social Media
Page 18: How Film Producers Should Approach Social Media
Page 19: How Film Producers Should Approach Social Media
Page 20: How Film Producers Should Approach Social Media
Page 21: How Film Producers Should Approach Social Media
Page 22: How Film Producers Should Approach Social Media
Page 23: How Film Producers Should Approach Social Media
Page 24: How Film Producers Should Approach Social Media

KEY POINTS

There are differences between buying fans and engaging fans!

Tools like Facebook and Twitter are great for locating potential audiences for your film!

You need to explore and test continuously and incorporate what works!

Page 25: How Film Producers Should Approach Social Media

FAIR GAME CASE STUDY

What are the targeting options?How do you find you markets?

Page 26: How Film Producers Should Approach Social Media

HOW CAN YOU MEASUREOnce you have purchased your fans

Page 27: How Film Producers Should Approach Social Media

Jon Nguyen

Producer and Crowd Source Funding Manager

[email protected]

“We had set our goal at $30,000 but ended up raising $179,000 plus another $100,000+ outside of Kickstarter” - Jon Nguyen on the David Lynch 3 Project

Page 28: How Film Producers Should Approach Social Media

WHAT DID JON USE?

• Facebook advertising

• Email marketing

• Facebook page and Twitter

•Website with a shopping cart

• Kickstarter

Page 29: How Film Producers Should Approach Social Media

Every day I had a specific Outreach Task. Our campaign ran for 35 days, so I used a calendar to organize. - Jon Nguyen

Page 30: How Film Producers Should Approach Social Media

“We asked for songs to be submitted for possible use in the film, we had people submit artwork to our site, posted audio and photo content to drive engagement etc. asked questions.” - Jon Nyugen

Page 31: How Film Producers Should Approach Social Media

THE END DESTINATION

Page 32: How Film Producers Should Approach Social Media

4 TAKEAWAYS• Have a great pitch with rewards that people want.

• Have a clear outreach plan to manage your communication, promotions and advertising

• Maintain continuous and engaging conversation with your fans and investors throughout the process

• Have a clear and well explained end point where the person knows what he has to do

Page 33: How Film Producers Should Approach Social Media
Page 34: How Film Producers Should Approach Social Media

DISTRIFY

• http://www.theguardian.com/film/interactive/2012/jan/11/terry-gilliam-wholly-family-on-demand

Page 35: How Film Producers Should Approach Social Media

SO WHAT DOES GRUVI DO?

Page 36: How Film Producers Should Approach Social Media

FAN PAGE TABS

Page 37: How Film Producers Should Approach Social Media
Page 38: How Film Producers Should Approach Social Media

THAT WORK IN ALL AREAS OF FACEBOOK

Click Image for Video

Page 39: How Film Producers Should Approach Social Media

AND WITHIN FACEBOOK ADS

Click Image for Video

Page 40: How Film Producers Should Approach Social Media

OUR GLOBAL LINKING SYSTEMShowtimes with Deep Linking & Booking territories

Showtimes

WE’RE GOOD @ BIG DATA

GLOBAL SHOWTIMES DATA

Page 41: How Film Producers Should Approach Social Media

CROSS PLATFORM

HTTPS://THECONJURING.MOBI/MOVIES/654

Page 42: How Film Producers Should Approach Social Media

TRACKING IN REALTIME

• Heat Map of Region

• # Views of player

• % KPI’s

• % Shares and social actions

Click Image for Video

Page 43: How Film Producers Should Approach Social Media

•IDENTIFY YOUR AUDIENCE

•ENGAGE YOUR AUDIENCE

•BUILD AWARENESS

•TEST IDEAS

•RAISE MONEY

•SELL CONCESSIONS

Page 44: How Film Producers Should Approach Social Media

JOIN US ONFACEBOOK.COM/FANFORFILMS

Page 45: How Film Producers Should Approach Social Media

TIPS TO ADVERTISING SUCCESS

1. Create a landing page experience that ties into the advertising and encourages the user to click ‘like’.

2. Longer advertising window - its 100% more effective to advertise with a smaller daily budget over a long timeframe

3. Good bright images of the actors faces - these adverts consistently performed better than generic pictures or poster images

4. Large Image stock - image fatigue requires that we regularly swap images on ads to prevent the from becoming stale

5. Manage your communication plan - talk to the fans you buy - look at their demographics, interests and what they react or ignore on your page, continually adjust your advertising based on this data

Page 46: How Film Producers Should Approach Social Media

Facebook PagesSummary: Pages are for organizations, businesses, or bands to broadcast information in a more official manner to anyone that wishes to connect with them

• Features: Photos, Events, Links, Likes, RSS Updates

• Privacy: Any interactions with Pages are accessible by anyone on Facebook. Anyone can LIKE and join Pages.

• Pages are very flexible in nature - applications and widgets can be added to enhance the user experience.

Page 47: How Film Producers Should Approach Social Media

Facebook GroupsSummary: Groups are for people with shared interest to communicate. Anyone can create a group.

• Features: Photos, Chat, Events, Docs

• Privacy: Interactions with Groups are limited to the current settings of the group. Members must be added to the Group by other members.

• Great for smaller organization wherein privacy of the content is at focus

Page 48: How Film Producers Should Approach Social Media

Facebook EventsSummary: Events are great for organizing upcoming gatherings making it easy for people to make up their minds

• Features: Photos, Videos, Links, Timezones, simplicity, quick to setup, easy to invite friends, can be used to engage people on Pages, posts on the wall are ranked after activity not chronologically

• Privacy: admin can change whether everyone can join the event or if they need to be added

• Events are great for gatherings and people can upload images/videos from the event to spark up a discussion.

Page 49: How Film Producers Should Approach Social Media

Golden Rule for Page Management

“You don’t want people to spend too much time on the Page, as opposed to sharing it. They should look at Timeline as a distribution point, as opposed to a destination.”