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Impressionism - Art History 101 Basics1869 to the Present

ByBeth Gersh-Nesic

Impressionism is about the nature of fugitive light falling on surfaces. This play of moving light, as opposed to stationary

light, expresses the ephemeral quality of modernity. Impressionism is about the temporary, the here and now, and not about

the timeless, the forever.

Impressionism is about life lived in bursts of brief encounters in the city. It's about faster speeds, quickly moving clouds,

sunshine reflected on water, and the shimmer of satin ribbons dangling from a baby's cradle.

Above all, Impressionism is about modernity: its faster pace and various improvements in the quality of daily life. It is about

middle class activities: shopping, vacationing, rushing, strolling, lingering, waiting, working and taking time off to flirt in a

Montmartre dance hall or a restaurant on the Seine.

The artists who seemed to quickly jot down these instances of modern life were playfully dubbed "Impressionists" and their

paintings became known as "Impressionism."

However, the critics' nickname was not a compliment, for at this time "serious" artists blended their colors and minimized

the appearance of brushstrokes to produce the "licked" surface preferred by the academic masters. Impressionism featured

short, visible strokes - dots, commas, smears and blobs - that the arbiters of taste considered pathetically inept. To say

"Impressionist" in 1874 meant the painter had no skill and lacked the common sense tofinisha painting before selling it.

In 1874, a group of artists who dedicated themselves to this "messy" style pooled their resources to promote themselves in

their own exhibition. The idea was radical. In those days the French art world revolved around the annual Salon, an official

exhibition sponsored by the French government through its Acadmie des Beaux-Arts.

The group called themselves the Anonymous Society of Painters, Sculptors, Engravers, etc., and rented the photographer

Nadar's studio in a new building, which was on its own a rather modern edifice. Their effort caused a brief sensation. For the

average art-audience, the art looked strange, the exhibition space looked unconventional and the decision to show their art

outside of the Salon or the Academy's orbit (and even sell directly off the walls) seemed close to madness. Indeed, they

pushed the limits of art in the 1870s far beyond the range of "acceptable" practice.

The best known artists in the group were Claude Monet, Pierre-August Renoir, Edgar Degas, Camille Pissarro, Alfred Sisley,

Eugene Boudin, and Berthe Morisot. One of Claude Monet's entries for the show,Impression: Sunrise(1873) inspired the

critical nickname "Impressionism" in the earliest reviews (Louis Leroy,Le Charivari, 25 April 1874).

Even in 1879, during the fourth Impressionist Exhibition, the French critic Henry Havard wrote: "I confess humbly I do not

see nature as they do, never having seen these skies fluffy with pink cotton, these opaque and moir waters, this multi-

colored foliage. Maybe they do exist. I do not know them." ("L'exposition des artistes indpendants," Le Sicle, 27 April

1879.)

Impressionism created a new visuality, a new way of seeing the world. It was a way of seeing the city, the suburbs and the

countryside as mirrors of the modernization that each of these artists perceived and wanted to record from his or her point of

view. Modernity, as they knew it, became their subject matter. It replaced mythology, biblical scenes and historical events

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that dominated the revered "history" painting of their era. In a sense, the spectacle of the street, cabaret or seaside resort

became "history" painting for these stalwart Independents (also known as the Intransigents - the stubborn ones).

The Impressionists mounted eight shows from 1874 to 1886, although very few of the core artists exhibited in every show.

After 1886, the gallery dealers organized solo exhibition or small group shows, and each artist concentrated on his or her

own career.

Nevertheless, they remained friends (except for Degas, who stopped talking to Pissarro because he was an anti-Dreyfessard

and Pissarro was Jewish). They stayed in touch and protected each other well into old age. Among the original group of 1874,

Claude Monet survived the longest. He died in 1926.

Still, we can say that Impressionism as a style continues in the work of some artists to this very day. Some artists who

exhibited with the Impressionists in the 1870s and 1880s pushed their art into different directions. They became known as

Post-Impressionists: Paul Czanne, Paul Gauguin, and Georges Seurat, among others.

How Long Has Impressionism Been a Movement?

The Impressionists' technique developed during the late 1860s. They acquired their name in 1874.Impressionist technques and criteria are still practiced today.

What Are the Key Characteristics of Impressionism?

Light and its reflection. Quickly painted surfaces (or the appearance of quickly painted surfaces). Dots, dashes, commas and other short brushstrokes. Separating colors and letting the eye's perception mix them. Modern life as the subject matter.Who Are the Best Known Impressionists?

Claude Monet Edgar Degas Pierre-August Renoir Camille Pissarro Berthe Morisot Mary Cassatt Alfred Sisley Gustave Caillebotte

Armand Guillaumin(We also have alonger list of Impressionists.)

Suggested Reading:

Brettell, Richard R.Impressionism: Painting Quickly in France, 1860-1890.

New Haven and Williamstown: Yale University Press and Sterling and Francine Clark Art Institute, 2000.

Denvir, Bernard. The Chronicle of Impressionism.

New York: Bulfinch Press, 1993.

Herbert, Robert.Impressionism: Art, Leisure and Parisian Society.

New Haven: Yale University Press, 1988.

King, Ross.Judgment of Paris: The Revolutionary Decade that Gave the World Impressionism.

New York: Walker and Company, 2006.

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Moffett, Charles et. al. The New Painting: Impressionism, 1874-1886.

San Francisco: The Fine Arts Museum of San Francisco, 1986.

Rewald, John.Impressionism, 4th revised edition.

New York: Museum of Modern Art, 1973.

Smith, Paul.Impressionism: Beneath the Surface.

New York: Abrams, 1995.Thomson, Belinda.Impressionism: Origins, Practice and Reception.

London: Thames and Hudson, 2000.

Impressionism: It's Still All the Rage

A List of the French Impressionists and Their Circle Test Your Knowledge: A Quiz on the French Impressionists The Eight "Impressionist" Exhibitions, 1874-1886Especially for Art History Students

Essential French Impressionism Books Before You Write an Essay on ImpressionismImpressionist Image Galleries

Impressionism: Painting Light Impressionists by the Sea Landscapes from the Age of ImpressionismRelated Articles

Impressionism - What Is Impressionism? Video Eighth Impressionist Exhibition 1886 - Artists in the Eighth Impressionist ... Fifth Impressionist Exhibition 1880 - Artists in the Fifth Impressionist Ex... Second Impressionist Exhibition 1876 - List of Artists in the Second Impres... Broken Color Painting Techniques of the Impressionists

Claude Monet (French, 1840-1926). Impression, Sunrise, 1873. Oil on canvas. 48 x 63 cm (18 7/8 x 24 13/16 in.).

Muse Marmottan, Paris

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