impressionism&beyond
DESCRIPTION
late 19th century art & architecture, including impressionism, post impressionism, symbolism, and skeletal architectureTRANSCRIPT
French ConnectionFrench Connection““That looks like an impression of a painting…”That looks like an impression of a painting…” sneered the criticsneered the critic
Impressionism
Post-Impressionism
Impressionism Forerunner… Manet Manet (1832-83)
born into ranks of Parisian bourgeoisie
credo: “Painter of modern life”
believed that success as an artist only obtained through recognition at the Salon
After rejection by salon, set up his own exhibitions
Early work was before Impressionists
fully supported their aims worked closely w/ Monet
influence of Zola: “Japonisme”
Luncheon on the Grass, Edouard Manet… 7’ x 8’8”, oil on canvas
Napoleon III authorized Exhibition of refused artists from the Salon, such as Manet and MonetManet’s Le Dejeuner sur l’herbe was found scandalous… modern version of the Pastoral Concert by Titian(or Giorgione?)Figures are not modelled.. Very flat, not relating with each other.
Compare Manet & Giorgione…
Olympia, Manet, 1863, oil on canvas, 4’3” x 6’2” (Louvre)…
courtesan stares out at us, not modeled figure. Play by Alexandre Dumas (les Miserables, 3 Musketeers) about social climbing prostitute with same name…Olympia confronts the viewer, she is powerful.. NOT an accommodating female nude .. Manet began to gather with other rejects (refuses) in
Montmartre…
Compare Manet & Titian…
Olympia, Manet, 1868 Venus of Urbino, Titian, 1538
Bar at the Folies-Bergere, Manet, oil on canvas, 1882
Barmaid stares out at us
What is the mirror reflecting?
Trapeze in upper far left corner
Composition pushes goods for sale up to the counter
Modern sales technique of products next to a pretty sales girl
More impressionistic than Manet’s early works
Mystery of the Mirror in Manet’s painting…
French Connection
Impressionism
ImpressionismThe movement's name was derived from Monet's early work, Impression: Sunrise, which was singled out for criticism by Louis Leroy upon its exhibition. The hallmark of the style is the attempt to capture the subjective impression of light in a scene.
The Impressionist style was probably the single most successful and
identifiable "movement" ever, and is still widely practiced today.
Impressionism Context: style
Role of artist: To capture the subjective impression of light
in a scene. Naturalistic and down-to-earth treatment of its
subject matter.
Technology: photography Impressionists felt the need to alter their style
and compositional techniques because they perceived photography as a threat.
Subject matter: turned away from
Renaissance tradition
uninterested in religion, mythology & history
instead, looked to contemporary life
leisure transportation down-and-outs
Impressionism
Claude Monet Impressionism: Sunrise 1872
Leader of the Impressionists
Aesthetic aim: fleeting effects of light, shadow and atmosphere.
Application of paint: thick, heavy layers or strokes (impasto).
Influenced by: Baroque “painterliness” (ex: Rubens)
Distinguished from Renaissance ideal that used flat, smooth paint
surface
MONET, Claude
Impression, Sunrise (1873)
Oil on canvas, 19 x 24 3/8"
Musee
Marmottan, Paris.
Monet’s Rouen Cathedral in sun, 1894, oil on canvas, 40” x 26” (and in sunset…)
QuickTime™ and a decompressor
are needed to see this picture.
Monet’s Water Lilies (c. 1900)
Monet did a series of large canvases on water lilies.
He frequently painted his house at Giverny with the gardens and Japanese bridge.
His friend Renoir painted him, painting in his garden.
The Luncheon of the Boating Party 1881
Renoir
Narrative: photographic effect and aura of spontaneity.
Light and shadow: fleeting effects of sunlight falls in patches, dappling the surface
Handling of paint: loose and rapid thick “impasto”
Subjects: outdoor scenes leisure time & gaiety of middle-class Parisians
RENOIR.
The Luncheon of the Boating Party (1881)
Oil on canvas,
51 x 68 in.
Phillips Collection,
Washington, D.C.
Renoir’s Moulin de la Galette, oil on canvas, 4 ft x 6’ approximately
Dappling effect of fleeting light
People not posed, enjoying meals and dancing
Photographic randomness of clipped figures
The Dance Class 1881
Degas
Pastels and Oil Paintings
Subjects: ballet dancers, the opera
Rehearsal on Stage, Edgar Degas, Pastel drawing
Worked mostly indoors (not plein aire0
Asymetrical compositions
Feathery brushstrokes showing the dancers’ costumes
Japanese print influence in composition
Rehearsal on Stage, Degas, 1874, pastel drawing
Degas’ The Absinthe Drinkers (c. 1875)
Young Mother1891
Mary Cassatt
Friend of Degas & Renoir
Naturalism, innocence of children
Influenced by Japanese prints. Pastel & Oil.
Subjects: Mothers and children, her sister
Breakfast in Bed, Mary Cassatt
Cassatt did a series of paintings and pastel drawings on the theme of mother and child.
Tenderness foreign to other Impressionists
American expatriate
Influential in bringing Impressionist paintings to US where they were a huge hit
Natural charm
Japanese influence
Everyday life of women, independent, living their lives
Maternal Caress, woodblock print,
Mary Cassatt was influenced by Japanese prints tilted style, outlining, pattern, and treatment of space.
She did a series of woodblock prints inspired by ukiyo-e.
Oil on canvas, 32” x 23”
Shows her sister at the opera
Again, women going about their daily activities
Dazzling colors and brushwork
Lydia in a Loge, Mary Cassatt, 1879
Summer’s Day, Berthe Morisot, oil on canvas, 1879
Sister in law of Manet and grandaughter of Fragonard
Sketchy, painterly brushwork
Middle class women
Asymmetrical composition
Another female Impressionist
James Whistler’s Nocturne in Black and Gold: The Falling Rocket, 1875
•Subtle harmonies of painting comparable to music
•Japanese influence-Japanese signature
•Atmospheric effect of fireworks, study in harmony of color, shape, light
•Whistler successfully sued a critic over negative comments
Impressionism Questions:
1. What was the name of Monet’s painting that started the Impressionism movement?
2. What is the role of a Impressionist artist?
3. Why did the impressionists felt the need to alter their style and compositional techniques?
4. Who paints the subjects of outdoor scenes leisure time & gaiety of middle-class Parisians?
French Connection
Post-Impressionism
Post-Impressionism
Post-Impressionism artists were dissatisfied with limitations of Impressionist style.
They were influenced by Impressionism but took their art in other directions, it is less idyllic and more emotionally charged than Impressionist work.
Analyzed structure, and solidity of forms.
Still strong influence of Japanese prints…
Post-Impressionism 1885-1905
Characteristics: bright color and visible, distinctive brushwork
Trends: more emphasis on composition and form and greater psychological depth.
Impact: set the stage for major directions of early 20th century art
Very different from Impressionism’s informal, seemingly accidental quality
intellectual & scientific methodical application of
uniformly sized dots strongly based on system of
rules mathematical precision color theory
Sunday Afternoon at the Park 1885
Seurat
Style: Pointillism
SEURAT, Georges.
A Sunday Afternoon on
the Island of la Grande Jatte
(1884-86)
Oil on canvas, 6’10” x 10’1 1/4”
Art Institute of Chicago.
Statuesque figures not interacting… anonymity of modern society? Scientific analysis of color relationshiops (pointilism)
The Bather1885
Cezanne
Figure: non-formulaic
Composition: tight, construction of upright & horizontal forms
Figure coincides with the lines of landscape:Upper body the sky
Lower body the earth.
Landscape: conceptual, not ‘plein air.’
CEZANNE
The Bather (c. 1885)
Oil on canvas, 50 x 38 1/8 in
The Museum of Modern Art (MoMA), New York.
Mont Sainte-Victoire, Cezanne, 1887
Part of a series from mature period
Wanted to make objects geometric constructions with splashes of pure color
Solid and firmly constructed, not dappled momentary glimpse like the Impressionists did (Post Impressionism)
Look at apace, but not enter
Used perspective by juxtaposing warm colors and receding cool colors
Still Life with Basket of Apples, Cezanne, 1894
Tilted perspective
Contrast of solid forms with flat surfaces
Painterly brushstrokes
Van Gogh
Aim: to filter emotions through his “temperament”
Color: vibrant
Forms: simplified and outlined in black contours.
Self-Portrait with Bandaged Ear
1889
Brushwork: impasto
Starry Night, Vincent Van Gogh, 28” x 36”, 1889
Thick short brushstrokes, impasto paint
View from hospital room in St-Remy
At one with forces of nature
Left to right wave impulse in his work, tree looks like green flames reaching to the sky exploding with stars
Plum Orchard, Hiroshige, Ukiyo-e print, 1857 Japonisme Flowering Plum Tree, Van Gogh, oil, 1887
Japanese Influence on Post Impressionists: Van Gogh
Manaha No Atua, (Day of the God), Paul Gauguin, oil on canvas. Symbolism (post impressionism), 1894.
Gauguin traveled to Tahiti in search of paradise
Painted native peoples in geomatric bright colors
Exotic primitivism
Symbolic, mysterios
Color to express emotion
1893, Art Nouveau style
Noted graphic designer (not called that then.. Poster designer)
Physically handicapped, short man
Influence of Degas
Influence of Japanese prints ukiyo-e
Emphasis on curving lines, text integrated with the forms in the picture…
Toulouse-Lautrec frequented the Moulin Rouge (check out the movie with Nicole Kidman!)
Jane Avril, Henri de Toulouse-Lautrec, lithograph
Other Connections
Art Nouveau
Architecture, Sculpture
Eiffel Tower, 1887-1889
Gustave Eiffel
19th Century more skeletal architecture.. Many buildings (remember Crystal Palace?) had skeleton holding up a exterior curtain of glass or steel.
Land values soared, so buildings went UP (skyscrapers, etc.)
Eiffel specialized in railway bridges
Centerpiece of 1889 Paris Universal Exposition
Interlocking members of a democratic society.. Innovative elevator swings up diagonally
Also helped with Statue of Liberty and Panama Canal!
Marshall Field Wholesale Store, 1885, Chicago, Henry Hobson Richardson
•Influence of Medici palaces from Renaissance
•Heavy Romanesque arches
•Iron columns for interior supports (Skeletal construction)
•Interior arranged around a central court
•Feminine department store + masculine warehouse look
•Few historical illusions
•Chicago School of architecture formed after Great Fire
•Otis invented elevator, which allowed high buildings
•Prototype of modern office building
•Accent on horizontal thrust
•Exterior: decorative terra cotta tiles
•Same architect built Guaranty Building in NY, and Carson Pirie Scott in Chicago…
•“Form follows function” was his motto, now very famous in architecture
Wainwright Building, 1890
Louis Sullivan, Chicago School
The Arts and Crafts movement was popular in the late 19th century, LED BY WILLIAM MORRIS.
The idea was for everyday items to be made by trained craftspeople, not high priced artists, but to have beauty in everyday objects.
The Kiss, Gustav Klimt, 1907
Art Nouveau (art deco) style
Golden painting
Part of the Viennese secession movement
Decorative patterns, gold more important than realistic modeling of forms
Lovers are close to the edge of a cliff
Art Deco style
The Waltz, Camille Claudel
Originally cast with both figures nude, she had to modify it.
1892-1905 … Art deco or Art Nouveau style
Burghers of Calais, Auguste Rodin, bronze, 1889
Six burghers offer their lives to English king in return for saving their besieged city during Hundred Years war
Parallels between Paris in 1870 war and war in 1347
Each figure has different emotion
Sculpted individually, shown worn and hungry
Central figure is ready for his execution