PRODUCED BY 10 days of Performances, Showcases, Masterclasses, Discussion, and Developmenttouchstonetheatre.com/productions/in-tune-2015June 1221Granville Island, VancouverFacebook.com/InTuneCanadianMusicals Twitter.com/InTuneCanadaTHE ART OFCANADIANMUSICALSIN TUNE 2015 1KEYNOTERenowned Canadian composer, actor, and educator Marek Norman speaks on The Future of Canadian Musical Theatre.Marek Norman is considered one of Canadas most versatile theatre artists. A multi-award-winning composer/actor/producer, hisperformance credits include Canadian premieres of CLOSER THAN EVER and FALSETTOS, world premieres of AMELIA (by John Gray)and THE DEATH OF VON RICHTHOFEN (by Des McAnuf). Marek has created over 40 original scores for theatre productions. His musicals include DRACULA, EMILY, LARRYS PARTY, THE GREAT ADVENTURE, and most recently, WANDERLUST (in collaboration with Morris Panych), which received its world premiere atthe Stratford Festival. Other works include THE TIN SOLDIER and OLIVER SUTTON IS A SISSY for the National Tap Dance Co., THE LOVER (a flm-ballet), and opening/closing ceremonies for The Canada Games, Bridgefest (PEI), and Special Olympics for which hisanthem, Along The Way, has become the organizations main theme.Mr. Norman co-produced (with his wife, Barbara Barsky) the Canadian premiere of Stephen Sondheims ASSASSINS, which garnered fve Dora Mavor Moore Awards, including Best Production and Musical Direction. Their company, Reprise Concerts, produced classic works in concert format including COMPANY, ANYTHING GOES, ROAR OF THE GREASEPAINT/SMELL OF THE CROWD, and GUYS AND DOLLS. As an educator, Marek continues to work with many of Canadasyoung writers of musical theatre.In 2010 we had an idea to do something that would help fll a noticeable gap in the culture of theatrical development work in this country. In Tune was conceived as a way to support a grassroots renaissance for Canadian musical theatre, and to start a discussion about what more could be done for original creation in the genre. Just fve years from that idea moment, so much has already changed. Like-minded colleagues have launched new programs across the country, and the range of opportunities for musical theatre creators has greatly expanded. Were proud to be one player in this new movement, which is intent on giving Canadian musicals their place in the sun.In Tune is a Vancouver-based biennial event that develops and showcases new Canadian musicals, and supports the artists engaged in creating and performing them. Produced by Touchstone Theatre and the Arts Club Theatre Company, it features 10 days of performances, showcases, masterclasses, discussion, and development. This is the third time weve produced the event, and every time it changes. We are always looking to fnd structures and activities that both respond to, and stimulate, the creative community around us. 2015 marks the frst time we have presented a fnished work. We are pleased to welcome Theatre Passe Murailles production of Rob Kempsons The Way Back To Thursday. This beautifully original work not only found its way to production, but also found success when it premiered in Toronto in 2013. As our Lead Presentation we hope it will seed some national alliances, and inspire more movement of new work around the country.However you engage with In Tune as an audience member, a creator, a producer, or a performer we welcome you. There is a lot here to enjoy. Whether its the insight of a master teacher, the spark of greatness glimpsed in a showcase, or the power of community problem-solving at a discussion event, we encourage you to take it all in. Thanks so much for your support!Katrina Dunn (Artistic Director of Touchstone Theatre) &Rachel Ditor (Literary Manager of the Arts Club Theatre Company)In Tune Co-Producers and Co-CuratorsCABARETIn Tune has asked a handful of the countrys leading musical theatre movers and shakers to select a single song from a Canadian musical that they think deserves more stage time and notoriety. See our guest curators introduce their choices, and then hear them performed by some of the citys fnest musical theatre interpreters. Directed by Peter Jorgensen and emceed by Katrina Dunn and Rachel DitorIN TUNE TEAMLaurie-Ann GoodwinPRODUCERRae SteinbergPRODUCER AND ASSOCIATE CURATORAnnie JangMARKETING AND MASTERCLASS ADMINISTRATIONJodi SmithPUBLICITYKristen JohnsonGRAPHIC DESIGNAdrian MuirPRODUCTION MANAGERScott ZechnerASSISTANT PRODUCTION MANAGERLisa Goebel, Jamie King, Naomi Vogt & Veronique West ASSOCIATE PRODUCERSWith the support of the staf of Touchstone Theatre and the Arts Club Theatre CompanyCover: Photo by Michael CooperFRIDAY, JUNE 12, 8pmWELCOMEWaterfront TheatreKEYNOTECABARETQuestions about any of our events?Go to www.touchstonetheatre.com/productions/in-tune-2015 for answers and contact information.In Tune kicks of with a fantastic mash-up of an inspiring keynote speech and a buoyant cabaret featuring hidden treasures from the Canadian songbook.By DonationIN TUNE 2015 IN TUNE 2015 2 3 IN TUNE 2015 3CMTWC was founded by Vancouvers own Landon Braverman and Joseph TreferBLAME CANADA!A Concert of the Canadian Musical Theatre Writers CollectiveAfter sold-out concerts in New York and Toronto, BLAME CANADA! makes its West Coast debut! Hosted by local theatre legend Jay Brazeau and featuring an array of Vancouvers top musical theatre performers, BLAME CANADA! is an evening featuring work by the members of the Canadian Musical Theatre Writers Collective (CMTWC). Staged in concert style, this show is an amazing and rare opportunity to hear exciting new work from Canadian musical theatre creators in other regions and those living outside the country. Featuring Musical Direction by Kevin Michael Cripps.ABOUT CMTWCThe objective of the Canadian Musical Theatre Writers Collective (CMTWC) is to build a vibrant, interconnected community of musical theatre composers, lyricists, and librettists from across Canada. By showcasing Canadian talent and bringing the work of Canadian writers to a national audience, the CMTWC fosters the exchange of artistic expression between musical theatre writers from across the country and helps develop a uniquely Canadian voice for musical theatre.CMTWC is the largest organization devoted to supporting and promoting the work of Canadian musical theatre writers. The Collective includes more than 100 Canadian composers, lyricists, and librettists, with members located all across Canada and in major centres globally. CMTWCs projects include regular meetings for sharing work, masterclasses with experts working in the feld, and a series of concerts featuring the work of their members. To learn more, visit www.cmtwc.comLandon Braverman is a NewYork City-based composer, originally hailing fromVancouver, BC. His musicalsinclude QUEEN OF THE WEST (winner Best Score and Best Musical Manhattan Theatre Mission) and CHOICES (award winner at WVMTF, Top 10 Finalist Ken Davenport Short Play Competition). His music has beenfeatured at Lincoln Centre, 54 Below, NYMF, and across North America. He is an alumnus of Mount AllisonUniversity and the Graduate Musical Theatre Writing Programat NYU-Tisch.Joseph Trefer is a NewYork-based composer-lyricist, originally fromToronto, Ontario. He has written anumber of musicals, including UNDERGROUND, LADY LATE NIGHT, A LADYLIKE MURDER and most recentlyMEN WITH MONEY with bookwriter-lyricist Bill Nelson. He composed the scores for HONEY IMHOME!, aninteractive flmexhibit (Scotiabank Nuit Blanche), and THE MUSIC BOX, a short dance-flm. Joseph received his Bachelor of Music fromthe University of Toronto and an MFA fromthe Graduate Musical Theatre Writing Programat NYU-Tisch. SUNDAY, JUNE 14, 7pmJay BrazeauLandon Bravermanand Joseph TreferPITCH SESSION CMTWC CONCERTBy DonationThe Waterfront TheatreIN TUNE 2015 2Pitch Your Musical at In Tune!Avail yourself of a great opportunity to jumpstart the next stage of your musical theatre project. Participants can raise awareness about their in-development or tour-ready work, by presenting it to an audience of producers and presenters. There are ten confrmed local producers and presenters, including Katrina Dunn, Cory Philley, Donna Spencer, and Jovanni Sy, and several from outside the region, including Torontos Mitchell Marcus and Barries Arkady Spivak. Pitches can be a launchpad for forging partnerships, obtaining commissions or residencies, and booking tours.MONDAY, JUNE 15, 4pmThe Post at 750HOW TO APPLYApplications are open to all Canadian musical theatre projects.Application Criteria:Each pitch must be no longer than 10 minutes. It is suggested that you leave 2 minutes for a Q&A session at the end of your presentation.A maximum of 2 people may present each pitch. It is recommended that these presenters be artistically involved with the project.Pitches may include audio/visual aids. An acoustic or electric piano will also be available if there is a desire to include the live performance of a song. Successful applicants must participate in a mandatory pitch session day-of rehearsal on June 15 from 12pm 3pm at The Post at 750.Successful applicants, if they are not Vancouver-based, must be able to provide their own travel and accommodation.A maximum of 8 projects will be selected by a jury comprised of the In Tune curation team.Go to touchstonetheatre.com/productions/in-tune-2015 for further information and the application form.Application Deadline: May 30, 2015 at 5pmP.S.T.IN TUNE RAFFLESupport In Tune by purchasing a rafe ticket at any event from someone with an In Tune badge. The winning ticket captures a prize package worth over $1000 full of bling, services, and coaching sessions for the musical theatre professional!IN TUNE 2015 IN TUNE 2015 4 5& &Book by Vern ThiessenMusic and Lyrics by Benjamin Elliottand Anton LipovetskyBased on the novel by Terry FallisDirected by Peter JorgensenA Project of Touchstone Theatre andPatrick Street ProductionsA burned-out political strategists plan to get out of politics by managing an unelectable candidate in a federal election is thrown into turmoil when the plan backfres.ROUTE 66: THE MUSICALA COUPLE. A ROAD. AMERICA.By Rick Antonson and Shawn MacdonaldDirected by Robert McQueenA 30-something couple travel down Americas legendary highway and are pulled into a world America almost forgot.LOVE BOMBBook and Lyrics by Meghan GardinerMusic and Additional Lyrics by Steve CharlesDirected by Renee IaciA Project of shameless hussy productionsA concert of emotion rips through Justines frst performance in years. Because of one uninvited guest, her music takes on a life of its own. Vern Thiessen, Benjamin Elliott, Anton Lipovetsky, and Peter JorgensenRick Antonson, Shawn Macdonald,and Robert McQueenMeghan Gardiner, Steve Charles, and Renee IaciTHE BEST LAID PLANS: A MUSICALRevue StageMONDAY, JUNE 15, 8pm TUESDAY, JUNE 16, 8pmAmiel Gladstone and Veda HilleBy Amiel Gladstone and Veda HilleInspired by the Poemby Pushkin and the Opera by TchaikovskyDirected by Amiel GladstoneAn Arts Club Theatre Company Silver CommissionThe sweeping 19th century epic about passion, duels, and bad timing, reimagined for the modern stage by two of the creators of Do You Want What I Have Got?: A Craigslist Cantata. 2014 Winner of the StageWest Pechet Family Musical AwardONEGINSee and hear substantial excerpts of some of the hottest new musicals currently in development, two per night in staged reading form. When will the devil come for you? Youll never truly understand America until you drive Route 66. Old Route 66. All of it. I write speeches for the Liberal Party, remember? Fiction is my specialty. Whats the next song, that angry electric one? SHOWCASESRevue StageBy Donation By DonationIN TUNE 2015 IN TUNE 2015 6 7LEAD PRESENTATIONStarring Rob Kempson and Valerie Hawkins Piano: Chris Tsujiuchi, Cello: Samuel BissonOrchestrations by Scott ChristianDirected by Briana BrownMusical Direction by Chris TsujiuchiOriginal Production Design by Beth KatesAssociate Lighting Designer: Sandra MarcroftDramaturgy by Samantha SerlesDEVELOPMENT STORYAfter performing songs from the piece around Toronto and at Theatre Passe Murailles Crapshoot series, Rob frst pitched this piece in development to Artistic Director Andy McKim as part of their Pitch Andy program. The piece was then presented twice in excerpt at the Buzz Festival, and then Rob produced two independent workshops (with support from Theatre Passe Muraille). Throughout the process, the team was the most important part with Scott Christian, Astrid Van Wieren, Briana Brown, and Beth Kates making signifcant contributions to the creation and development of the piece.Hollywood flms and Rock Hudson inspire the musical relationship between a grandmother and her gay grandson as they struggle to connect through his coming of age.THE WAY BACK TO THURSDAYBook, Music, and Lyrics by Rob KempsonTHEATRE PASSE MURAILLES HIT PRODUCTION OF A FINISHED WORK RUNNING JUNE 1821, 8pm THURSSAT, 2pm SUNRevue StageTickets: vancouvertix.com or call 604.629.8849 ~ $30/$25Theatre Passe Muraille Canadas First Theatre for New Work Founded in 1968, Toronto-based Theatre Passe Muraille is Canadas frst theatre company for developing and producing new Canadian work. They operate out of a designated historical building, the former Nasmith Bakery and Stables. True to name, productions also take place beyond walls at site-specifc locations across Toronto. Theatre Passe Muraille is known for developing innovative and daring Canadian theatre, but they also exist to support their community. From encouraging independent and emerging artists and multicultural work, to inspiring their staf and artists to work collaboratively, Theatre Passe Muraille works to ensure all voices are represented on their stage.Thank yous: Astrid Van Wieren, Scott Christian, Andy McKimand Theatre Passe Muraille, Ashlie Corcoran, the Thousand Islands Playhouse, and Katrina Dunnand Touchstone Theatre. Our wonderful Donors: Philip Akin, Chrstine Baker, Linda Bakker, Joan Belford, Marnie Bradshaw, WilliamCahoon, Peter Chemens, AshlieCorcoran, Ron Crago, Judith Dallimore, Evelyn & Carman Fischer, Blair Francey, Mary Fraser, Agnieszka Gagne, Karen Gilodo, Gail Hamblin, Susan Hillery, Roy Hood, Lynn Manning, Anne Marriott, Sally Jo Martin, Donna McCorquodale, Scott Milligan, Wendy Oliver, Allan Orr, Gail Packwood, Elizabeth Shefeld,Judy Smith,Deoborah Turnbull, Andrew Usher, Carolyn Whiteside, Lorraine & Robert Winger, and Rhonda Zwingerman.endearing and complex Mooney on Theatrea promising debut Toronto Star NNNN Now MagazineSamuel Bisson CellistA versatile soloist, chamber musicianand orchestral player, Samuel hasperformed with the Gryphon Trioand performs regularly as partof the Passport Duo. He is the principal cellist with the Sneak Peek Orchestra (Toronto) and the ScarboroughPhilharmonic Orchestra. Samuel is an active studio sessionmusician and performer/arranger in a variety of music genres, and has collaborated with artists such as Drake, Sarah Brightman, and members of Barenaked Ladies and Our Lady Peace. He composed the score to the award-winning short flmNUIT BLANCHE, aswell as the soundtrack to the Mandarin-language feature flmLOVESICK.Briana Brown DirectorBriana is a playwright and director. Selected directing credits include: THE WAY BACK TO THURSDAY (Theatre Passe Muraille), PITCH BLONDE (NextStage Festival), and assistant directing the Canadian premiere of TRUE LOVE LIES with Brad Fraser. Selected writing credits include: THE CONCESSIONS (Touchstone Theatres Flying Start Programin association with Playwrights Theatre Centre and Firehall Arts Centre), ALMOST, AGAIN (Best of Fringe, Toronto), and CASSANDRA (Canadian fringe tour, Winnipegs FemFest, and published in One for the Road anthology). Briana completed her MFA in Creative Writing at UBC, and will be directing her short playWAIT, for Theatre SKAM.Valerie Hawkins PerformerVal has a long history of performing in professional theatre. Highlightsinclude 3 years on Broadway in the mega musical RAGTIME, the 2013 season at the Stratford Festival, as wellas touring North America and Hawaiiin LES MISRABLES for Mirvish. Originally fromNewfoundland, Val has also enjoyed many a wonderful summer in beautiful PEI performing for the Charlottetown Festival. Val trained operaticallyin NYC for more than 6 years with Shari Anderson (known for masterclasses at Juilliard and universities across NorthAmerica). In between gigs Val teaches voice and acting inNYC and across Canada.Check the lobby for biographies of ScottChristian, Beth Kates, Sandra Marcroftand Samantha Serles.Rob Kempson Performer and CreatorRob is a theatre artist and educator. Agraduate of Queens University, Robwas most recently seen starring in hisDora-nominated musical THE WAY BACK TO THURSDAY (Theatre Passe Muraille). Creator/Director: #LEGACY (Harbourfront Centre), IN MY OWN SKIN(YRDSB), THE HV PROJECT (Community), INTERSECTIONS (TDSB Arts Co-Op), EXPLICIT (Rhubarb Festival). Director: SONGS FOR A NEWWORLD (Claude Watson). Assistant Director: SHE LOVES ME (Thousand Islands Playhouse). He was a member of the 2014 Stratford Festival Playwrights Retreat and is currently the Associate Artistic Director at the Thousand Islands Playhouse. More info at www.robkempson.comor @rob_kempson on Twitter. Chris Tsujiuchi Musical Director/PianistA graduate of Sheridan CollegesMusical Theatre Performance program, Chris musical directioncredits include A MISFORTUNE (NextStage Festival), HAIR (FirstAct Productions), ONE SONG GLORY 10 11 & 12 (ActingUp Stage), A JOYFUL NOISE (co-composer/lyricist, Smile Theatre), MICKEY & JUDY (Toronto Fringe), and BARE: THE CANADIAN PREMIERE (WatersEdge Productions).Chris has worked as an accompanist and teacher at SheridanCollege, Randolph Academy, and George Brown College. He hastoured extensively with the Nathaniel Dett Chorale as a singer, and withSharron Matthews as anaccompanist/arranger. He can be seen inhis biannual CHRIS-TERICAL cabaretsat Buddies in Bad Times Theatre.IN TUNE 2015 IN TUNE 2015 8 9SCHEDULE & VENUESFRI, JUNE 12 SAT, JUNE 13 SUN, JUNE 14 MON, JUNE 15 TUE, JUNE 16 WED, JUNE 17 THU, JUNE 18 FRI, JUNE 19 SAT, JUNE 20 SUN, JUNE 21Hein and Sankof Masterclass FROM PAGE TO PREMIERE Creators & Producers Studio 1398 9:30am 5pmCaroline Humphris Masterclass THE MUSICAL DIRECTORS ROLE IN NEW WORK Musical DirectorsStudio 1398 9:30am 5pmRobert McQueen Masterclass AT THE HELM OF A MUSICAL Directors Studio 1398 9:30am 5pmRobert McQueen Masterclass SOMETHING OLD AND SOMETHING NEW Performers The Post at 7509:30am 5pmDaniel Mat Masterclass TELLING OUR LIVES IN SONG YouthStudio 1398 9:30am 5pmArnold Mungioli Masterclass IN THE AUDITION ROOM PerformersThe Post at 750 9:30am 5pmWorking Group on Story and ScoreCarousel Theatre 10amMusical Directors RoundtableThe Post at 750 12pmSongwriters Salon with Veda HilleStudio 139812pmThe Way Back To Thursday ClosingRevue Stage 2pmPitch Session The Post at 750 4pmJukebox Musicals Panel DiscussionRevue Stage 5:30pmMusicals for Young Audiences Panel DiscussionRevue Stage 5:30pmBLAME CANADA! CMTWC ConcertWaterfront Theatre7pmKeynote/ Cabaret Waterfront Theatre8pmOnegin/The Best Laid Plans ShowcaseRevue Stage8pmRoute 66/ Love Bomb ShowcaseRevue Stage 8pmThe Way Back To Thursday OpeningRevue Stage 8pmThe Way Back To ThursdayPost-Show Talkback Revue Stage 8pm The Way Back To ThursdayRevue Stage8pm9:30am10:00am12:00pm2:00pm4:00pm5:00pm7:00pm8:00pmAndersonJohnstonOld BridgeCartwrightDuranlauW. 2nd 1234PacifcPacifcSeymourRichardsHomerMainlandHamiltonCambieBeattyExpoDavieNelsonGeorgiaRobsonSmitheCambie Br.5The Arts Club Revue Stage1601 Johnston StreetCarousel Theatre1411 Cartwright StreetThe Waterfront Theatre1412 Cartwright StreetStudio 13981398 Cartwright StreetThe Post at 750110750 Hamilton StreetDowntownGranville Island VENUES PARKINGThere is meter parking on the street at The Post at 750, and a reasonably priced lotunder the library across the street.There is a mix of paid and free parking on Granville Island. Free parking stalls areavailable and vehicles are limited to occupy one stall, once per day, and subject to themaximumposted time limit, after which vehicles must be parked in a pay parking stall.Free Parking restrictions are enforced from7amto 7pm, 7 days a week.THE POST AT 750This is Touchstones newpermanent home, shared with the PuSh Festival, Music onMain, and DOXA. It is an innovative creative hub for the community in the heart of thedowntown core, and has two rehearsal halls as well as ofces for the four groups.750 Hamilton is set back fromthe sidewalk in the 700 block of the street. Just southof the JJ Bean kiosk you will see a set of stairs going up towards a red sign that says750. Followthis path until you are at the door, then call 110 on the entry phone. 12345Dont forget to purchase a ticket for the In Tune Rafe! Prize Package with lots of bling worth over $1000!IN TUNE 2015 IN TUNE 2015 10 11Canadian wunderkinds Sankof and Hein come to In Tune fresh of the world premiere of their second musical at the prestigious La Jolla Playhouse, and on their way to New York to workshop their third. A married writing team, Irene and David will share lessons theyve learned, and things they wish theyd known. From idea to page to stage, they discuss ways to survive and thrive as creators in an extremely competitive feld. Topics include creating authentic work that is marketable, the power of true stories, showcasing work on both sides of the border, self-producing without blowing your bank account and your nerves, successful collaboration with other artists, creating demos, pitching shows, the importance of guilds, grants, lawyers, and agents . . . and why it never hurts to ask. Participants will share and discuss their own material anything from a pitch or synopsis to selections of an in-progress work.David Hein and Irene Sankof wrote, produced and starred in MY MOTHERS LESBIAN JEWISH WICCAN WEDDING which waspicked up by Mirvish Productions, extended fve times, and has nowearned rave reviews and multiple Best Musical awards at the NewYork Musical Theatre Festival and across North America. Their second musical, COME FROMAWAY, tells the true story of when 38 planes fromaround the world were diverted to Gander, Newfoundland on 9/11. Developed at Goodspeed Musicals and The Canadian Music Theatre Project, it was the hit of the NAMT Festival of NewMusicals in NewYork City and will receive a world-premiere at the La Jolla Playhouse in San Diego. Their newest musical, MITZVAH, tells the story of a family whose son has autism, and a mother who fghts to give hima Bar Mitzvah. It will be workshopped in NewYork and Toronto this summer.In this fast-paced overview of the unique challenges of directing for musical theatre, Robert leads you through creating a new production, from frst contact with the libretto and score through to opening night. He begins with general skills: production concept, pre-production collaboration with the creative team, and casting. He then moves to skills unique to the genre: sharing the rehearsal room with the music director and choreographer, working with actor/singers, running technical rehearsals, and growing through previews. Robert will share his vast knowledge through the lens of one example. The musical Caroline, or Change will be the class focal point for discussion, and participants will be asked to familiarize themselves with the book and score in advance. An ideal class for musical theatre performers wanting to move into directing, emerging directors wanting to learn more about the genre, and for old dogs who just want to learn some new tricks. Musical direction is a neglected area of musical theatre training. Caroline Humphris, one of the UKs most prominent musical directors, has mentored many young MDs and believes that working with composers on developing new material ofers invaluable instruction. It involves taking part in the process of assembling a musical, learning how varied and complex that can be, and how much adaptation and fexibility is required from the MD, both as a musician and often as a mediator between composer, performer and director. Carolines masterclass will start with a practical session on the MD skill set, focussing on conducting from the keyboard and coaching songs with actors. Participants will then be paired with one of three local composers to work an unfnished song under Carolines supervision, culminating in a group workshop. This class is a rare opportunity for local musical directors to learn new approaches and get feedback from a true master.Caroline Humphris is a renowned Music Director, Supervisor, Orchestrator, and Arranger based in the United Kingdom. For the Menier Chocolate Factory, she conducted and/or supervised over six major productions, most notably the Olivier Award-winning, Tony-nominated SUNDAY INTHE PARK WITHGEORGE (West End/Broadway), Trevor Nunns productions of A LITTLE NIGHT MUSIC (West End/Broadway/Budapest) and ASPECTS OF LOVE, and LITTLE SHOP OF HORRORS (West End/UK Tour). Caroline worked with Richard Maltby and David Shire in developing their musical TAKE FLIGHT, and she also created the Menier Musical Theatre Courses programme. West End conducting credits include PASSION, WHISTLE DOWNTHE WIND, and MADDIE. Her most recent work includes the newmusical THIS IS MY FAMILY by TimFirth (Shefeld Theatres/UK Tour 2014), as Arranger, Orchestrator and Music Director, RAGS (Gala, Lyric Theatre), WINDINTHE WILLOWS (Royal &Derngate), and DADDY LONGLEGS (St. James Theatre).Roberts latest take on his much-loved song performance class allows you to tackle two styles side by side. A small group of participants will work on two songs each, one drawn from the classic musical theatre repertoire, and one from contemporary composers. You choose one song from the work of composer/lyricists Lorenz Hart and Richard Rodgers, Richard Rodgers and Oscar Hammerstein, or Betty Comden and Adolph Green. The second song must come from the work of composer/lyricists Adam Guettel, Michael John LaChiusa, or William Finn. Robert will use his characteristic mix of insight, support, and challenge to help you tackle the technical hurdles of the songs, and master the performance styles the pieces demand. Reinvigorate your song binder and stretch your range with this new twist on the teaching work of one of Canadas most sought after directors and singing coaches. Both songs will be worked and presented during the class. Robert McQueen has worked across the US, Canada, and internationally as a director, dramaturg, and teacher. OnBroadway, Robert was the Associate Director of MAMMA MIA and directed the US National, Las Vegas, MexicoCity, San Paulo, and Buenos Aires companies of the show. He was also the Resident Director on the NationalTour of the Hal Prince and Susan Stroman production of SHOWBOAT. Recent Canadian credits include Acting Up Stages productions of THE WILD PARTY, FALSETTOS, THE LIGHT IN THE PIAZZA, CAROLINE, OR CHANGE (Dora nomination), and THE MAN OF LA MANCHA for the Stratford Festival. Interesting international projectsinclude CAROUSEL in Tokyo, and WHERE ELEPHANTS WEEP in Cambodia. Robert has worked as a dramaturg on newmusicals and operas in both Canada and the US, and currently leads Acting Up Stages NoteWorthy program. He has been invited to teach his masterclasses all over the world.FROM PAGE TO PREMIERE ~ SANKOFF AND HEINFor Creators and ProducersAT THE HELM OF A MUSICAL ~ ROBERT MCQUEENFor DirectorsTHE MUSICAL DIRECTORS ROLE IN NEW WORK ~ CAROLINE HUMPHRIS For Musical DirectorsSOMETHING OLD AND SOMETHING NEW ~ ROBERT MCQUEENFor Performers$145+GST$145+GST$145+GST$145+GSTSATURDAY, JUNE 13, 9:30am 5pmFRIDAY, JUNE 19, 9:30am 5pmTHURSDAY, JUNE 18, 9:30am 5pmSATURDAY, JUNE 20, 9:30am 5pmSpend a day with a master teacher and infuse your work with new skills and inspiration.To register, contact Annie at admin@touchstonetheatre.com or 604.709.9973 MASTERCLASSESStudio 1398Studio 1398Studio 1398The Post at 750IN TUNE 2015 12Musical theatre allows us to bring characters to life and share them with audiences in a thrilling way. Meanwhile, each of us is a character. We all have highs and lows, loves and hates, hopes and fears, and plenty of quirks. Our lives are great material for musical storytelling. Daniels workshop will explore the basics of writing a great musical theatre song, through the lens of our own lived experience. In a fun and dynamic session, Daniel will draw on his years of experience working with youth to teach collaboration, how music and lyrics work together, and mining our own lives to create vivid, authentic characters an audience will really relate to. Participants will learn about rhyme schemes, song structures, and the main types of theatre songs, from the I-Want song to the grand fnale. The day concludes with a mini-presentation of the song(s) the group has created.Daniel Mat is a composer-lyricist whose work has been honoured with the Edward Kleban Prize, the ASCAP Foundation Cole Porter Award, and a Jonathan Larson Grant. He wrote music and lyrics for the song cycle THE LONGING AND THE SHORT OF IT (5 Carbonellnominations), MIDDLE SCHOOL MYSTERIES, and THE STORY OF JO-BETH, and recently began work on a newmusical entitled YOUDONT KNOWME, FROMADAM. He wrote lyrics and book for THE TROUBLE WITH DOUG and is the lyricist of HANSEL AND GRETLAND HEIDI AND GNTER, a current commission for Chicago Shakespeare Theater. He has presented his work in a solo concert at the Kennedy Center (DC) and numerous NYC venues. He holds an MFA fromNYU/Tisch in musical theatre writing. After ten years in NewYork, Daniel recently moved back to his hometown of Vancouver, where he nowlives with his fance Tanya.Tired of second-guessing what is wanted from you in the audition room? In a fulsome exploration of the performance of song for audition purposes, Broadway Casting Director Arnold Mungioli clarifes those expectations in a visceral and tangible way. His renowned coaching will help you up your game, and give you a way of tackling any material with signifcantly enhanced methods, attitude, and style. This class builds on what you already know, respecting the talent you possess, while working with you to create more positive results. The focus is on helping you to book more of the roles you want, as Arnold works one-on-one with each participant on their audition material. His perspective demystifes show business in general and musical theatre in particular, as the days triumphs and epiphanies identify a new path for your day-to-day audition life. Participants must come to the class with a fully-prepared song. Arnold J. Mungioli is a Broadway Casting Director, Audition Coach, and Teacher, with over thirty years of experience in the professional theatre and entertainment industries. As a Casting Director, Arnold is currently represented by A WALK ON THE MOON, a newmusical directed by Michael Greif, Bill T. Jones upcoming SUPER FLY THE MUSICAL and FELA! (Broadway and internationaltours), JIMHENSONS DINOSAUR TRAIN (Canadian/American tour), Robert Wilsons ZINNIAS: THE LIFE OF CLEMENTINE HUNTER, and two large-scale musicals in development in Toronto. Arnold has served as Executive Director of Casting for Disney TheatricalProductions, and Senior Vice President of Casting and Creative Development for Livent. He is on faculty at NYUs Tisch School of the Arts, and has taught masterclasses in North America and abroad. Arnold has received two Artios Awards fromthe Casting Society of America, and is currently working on an audition book and video blog for actors.TELLING OUR LIVES IN SONG ~ DANIEL MATFor Aspiring Theatre Songwriters Aged 1317IN THE AUDITION ROOM: WHAT YOU NEED TO KNOW ~ ARNOLD J. MUNGIOLI For PerformersSATURDAY, JUNE 20, 9:30am 5pmSUNDAY, JUNE 21, 9:30am 5pmMASTERCLASSES DISCUSSION$80+GST Studio 1398$145+GST The Post at 750IN TUNE 2015 13Immerse yourself in the creative process of one of our regions most reveredand distinctive songwriters. Vedas recording career stretches back to 1992,with songs exploring the natural world, the trickiness of love, and the constantthreat of tragedy. A regular collaborator with theatre and dance artists, Vedasunique sound took the musical theatre world by stormwith Do You WantWhat I Have Got?: A Craigslist Cantata, created with Bill Richardson and Amiel Gladstone. Craigslist premiered at the Arts Club in 2012, and since then hasmet with rave reviews across Canada. Currently, Veda is creating Onegin withAmiel Gladstone, which is set to premiere in the Arts Clubs 2015/16 season.In this intimate Salon, Veda takes you through the creation stages of some ofher eclectic projects, and then felds your questions about any aspect of her or your songwriting technique.Musicals for Young Audiences have a growing market and are increasingly innovative and musically sophisticated. Moderated by In Tune Co-Curator Katrina Dunn, this panel is populated by a broadselection of producers and creators with experience in youth-based programming. It discusses theunique characteristics of writing and composing for young audiences. We look at what TYA producersare seeking and how can you ft your project into their creation cycles. Animated by some great casestudies fromthe careers of the panelists, expect a lively discussion exposing the creative potential inthis streamof musical theatre.Jukebox musicals combine the draw of familiar songs with the surprise of original story or conceptual elements. They are both popular and tricky to create. Trickiest of all can be the legal and artistic relationship with the creators or rights holders of the songs used as the musical score. In this panel moderated by In Tune Co-Curator Rachel Ditor, panelists share the experience they gained as they navigated these issues on their own projects. Learn about the challenges of creating in the jukebox worldand get inspired by some fantastic success stories. The panel also features a playwrights agent, and anintellectual property lawyer for a legal perspective.photo of Veda HilleSONGWRITERS SALON WITH VEDA HILLEMUSICALS FOR YOUNG AUDIENCES PANEL DISCUSSIONJUKEBOX MUSICALS PANEL DISCUSSIONSUNDAY, JUNE 21, 12pmSATURDAY, JUNE 20, 5:30pmFRIDAY, JUNE 19, 5:30pmStudio 1398 Revue StageRevue StageBy DonationIN TUNE 2015 IN TUNE 2015 14 15 IN TUNE 2015 15Dramaturgs in musical theatre can be an excellent resource for book writers and composers, as they help to move a new work through a series of drafts and iterations. But often the music and the book develop in radically diferent ways and on diferent timelines. How then does the dramaturg keep one element in step with the other as the two languages develop towards the common goal of a fnished work? A group of seasoned creators, led by the Arts Clubs Rachel Ditor, will grapple with this question through the lens of their individual experiences, and create a set of best practices for sharing and further consideration. Email outreach@touchstonetheatre.com for admission information.In the spring of 2015 the producers of In Tune solicited ideas from the community for an original 10-minute YouTube musical, to be promoted and disseminated as part of In Tunes ofcial programming. We asked for a new, original musical written and composed specifcally for YouTube, making use of the elements that defne video, as opposed to live performance. The fnished work had to contain 50% musical material, all of which must be original.The winning selection, Finding Face Time, is a musical about connecting in a world that is not always grounded in reality. Its the story of two people whose relationship has evolved solely through video dating, and it is told entirely through a Skype conversation. The creative team consists of Deborah Vogt, Nick Preston, Sarah Harrison, Kerry ODonovan, Andrew Wade, Natasha Zacher, Erin Palm, and Terry Marriot. The team received a $1000 prize to be used for writing, composing, rehearsing, flming, and editing.WEDNESDAY, JUNE 17, 10amWORKING GROUP ON STORY AND SCOREYOUTUBE MUSICALDEVELOPMENT OTHER STUFFFive fantastic local projects are getting development support through In Tune with no public showing.ELBOW ROOM CAF: THE MUSICALBook & Lyrics by Dave DeveauMusic & Lyrics by Anton LipovetskyWorkshop Directed by Peter JorgensenFresh of a sold-out workshop production at Studio 58, the creators of Elbow Room Caf: The Musical are reworking the piece towards a professional premiere. A musical celebration of one of Vancouvers iconic eateries, we follow the whimsy and heart of caf owners Patrice and Bryan as they manage the hectic world of their restaurant and its patrons.THE CHARIOT CITIESBy Harrison Mooney with Original Music by Bryan BinnemaDramaturgy by Rae SteinbergEver since Jack Stackhouse and Wendy Brownlee met thirty years ago, theyve been better at being a band than a family. Now their kids are grown with music careers of their own and they all need to fgure out how to be more than just a band. After a successful run at the 2014 Vancouver Fringe, the book of The Chariot Cities is getting dramaturgical support for its newest draft.CARRY ONBy Sarah Harrison, Kerry ODonovan, Nick Preston,Clara Rose, Deborah Vogt, and Andrew WadeWorkshop Directed by Andy TothProduced by Awkward Stage ProductionsIn Tune is congratulating the winners of Awkward Stages SMACKDOWN! The 24 Hour Musical Contest, with support for their next stage of development. Set at the YVR baggage claim, Carry On examines the convergent lives of weary wanderers and the baggage they carry. Sometimes all you can do is hurry up and wait.POLLY AND THE PENTHOUSEBook and Lyrics by Sally StubbsDramaturgy by Katrina DunnPart local history, part coming-of-age story, Polly and the Penthouse follows a young woman in her journey through the world of Vancouvers iconic Penthouse Nightclub. Full of fascinating true tidbits and encompassing a wide range of musical styles, Pollys early book draft is getting dramaturgical support designed to solidify its structure. CHORDS OF FAMEWritten and Performed by Zachary Stevenson Direction and Dramaturgy by TJ DaweZachary and TJ are working on a one-man show exploring the life and music of Phil Ochs protest singer, social activist, and friend and contemporary of Bob Dylan. His ability to write brilliant topical songs ran neck and neck with his relentless inner demons. Dave Deveauand Anton LipovetskyHarrison Mooneyand Bryan BinnemaSally StubbsZachary StevensonSee it at www.youtube.com/user/touchstonetheatrevan after June 5screening at the opening Keynote/Cabaret on June 12Carousel TheatreFollowing up on an exciting and fulsome session at In Tune 2013, this roundtable is an exclusive session for local and visiting musical directors to discuss the unique aspects of their role in the process of creating and producing musicals. Open to both new and accomplished MDs, topics explored at the roundtable include the musical directors skill set, instrumentation and reductions, and the development of stronger infrastructures and networks for the profession.SATURDAY, JUNE 20, 12pmMUSICAL DIRECTORS ROUNDTABLEThe Post at 750IN TUNE 2015 16Howard Family StageSeason SponsorJune 4to September 26bardonthebeach.org 604-739-0559TICKETS FROM$26Media SponsorsJohn Murphy as the Earl of Essex. Shakespeare image National Portrait Gallery, LondonLuisa Jojic as Rosaline & Josh Epstein as BerowneBenedict Campbell as King Lear Photo Courtesy Theatre CalgaryBen Elliott as Antipholus & Dawn Petten as Dromio 2015 Photo & Image Design: David Cooper & Emily CooperBard AdSUPPORTERSThe GoodwinFamily FoundationINDIVIDUALSBonnie Mah Lead DonorIn Tune Inner CircleOur Inner Circle is a cherished group of individuals who share our aspirations for the future of Canadian musical theatre, and want to play a role in making it happen. Each Inner Circle member donates a minimum of $500 and is welcomed into select readings, development sessions, and meetings with artists. As our event is biennial, donations made at In Tune 2015 will continue to be recognized for two years, right into In Tune 2017. Heres a profle of an Inner Circle member:Forward-thinking Susan Dickson taught high school for years, including the respected drama programat Magee Secondary. In 2013 she did something rare and wonderful she co-produced a newCanadian musical at her highschool, helping it to growthrough a rehearsal process, and through feedback fromthe audience. CourtenayEnnis and Roger Hasketts FRANKLIN FALLS, which was workshopped at In Tune 2011, features a number of interesting high school-aged characters. It was a fantastic match for her students and allowed themthe amazing experience of contributing creatively to a newwork.If youd like to join In Tunes Inner Circle, or support us with a donation of any size, email Laurie-Ann at gm@touchstonetheatre.com, call 604.709.9973, or talk to anyone wearing an In Tune badge during the 10 days of events. Donations of $20 or more will be recognized with a tax-deductible receipt.GOVERNMENTFOUNDATIONS VENUE SPONSORHOTEL SPONSORS PRINT SPONSORS EQUIPMENT SPONSORIn Tune thanks our many supporters. We couldnt do it with out you!Susan DicksonseasonsponsorsSTARTS JUNE 18! UNBRIDLED JOY Hollywood ReporterGET $5 OFF PREMIUM SEATS!Valid for performances June 18July 1. Use promo code 8304. Ofer expires June 30TOUCHSTONE THEATRES 40TH ANNIVERSARY SEASONCelebrating Four Decades of Essential Canadian Plays2015/16SEPTEMBER 17OCTOBER 3 THE BEST LAID PLANS:A MUSICALBased on the novel by Terry FallisBook by Vern ThiessenMusic and lyrics by Benjamin Elliott and Anton LipovetskyThe World Premiere of a new musical with a cure for Canadas political malaise, at the York Theatre Produced with Patrick Street ProductionsMARCH 29APRIL 10LATE COMPANY by Jordan TannahillA remount of last seasons hit at the Evergreen Cultural Centre and the Vancity Culture LabJUNE 211HOW TO SURVIVE AN APOCALYPSEby Jordan HallA World Premiere from our Flying Start program at the Firehall Arts CentreProduced in association with the Playwrights Theatre Centre and the Firehall Arts CentreWatch for more details at www.touchstonetheatre.comPhoto of Kerry Sandomirsky and Michael Kopsa by Tim Matheson