introduction to midi - copy.ppt

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    INTRODUCTION TO MIDIMIDI, the Musical Instrument Digital

    Interface, began as a serial interface busdesigned to connect electronic musical

    instruments with each other and to

    computers.Now the term MIDI also refers to a file format

    (usually with the .MID extension) that can be

    used to store MIDI command codes as might

    be found on a MIDI bus. These files can be

    used to control a MIDIcompatible system

    with synthesi!ers, samplers, and other MIDI

    de"ices.

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    MIDI FILES

    MIDI files support onlyinstrumental music

    ,not "ocals or nonmusical audio. MIDI pro"ides

    a powerful way to create and distribute

    instrumental music on the Internet. MIDI

    compatible hardware and software are widely

    a"ailable for creating music and MIDI files.

    # ma$or strength of MIDI files is their compact

    si!e. # %&minute of MIDI instrumental musicre'uires only &&* of data compared to a +.

    minute of -D'uality audio that re'uires & M*

    of dis/ space.

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    MIDI FILESThe secret of a MIDI file0s compactness is that

    it contains no audio. Instead, it is a se'uence ofcommands containing instructions on how to

    generate music. The commands in a midi file must

    be interpreted by hardware or software that can

    translate those commands into audio.

    1hen you thin/ of MIDI thin/ of sheet electronic

    music. 2or the music to be heard, the sheetmusic0s directi"es must be played on one or more

    musical instruments. The sheet music itself is not a

    sound, $ust as a MIDI fileis not audio.

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    PATCH

    A patch is a setup that creates the characteristic

    sounds of a musical instrument such as a piano or

    guitar.

    MIDI has 12 patch num!ers or programs" #hichare codes that identif$ musical instruments. A

    patch map is a ta!le used !$ a MIDI de%ice to

    determine #hich instrument sound is assigned to#hich patch num!er. A patch map ma$ assign

    program &1 to a %iolin" for e'ample" program (( to

    acoustic !ass" and program 2( to a harmonica

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    )*N*RA+ MIDI

    A recommended specification for consumer

    electronic MIDI instruments that includes a

    uniform numbering of instrumental and drumsounds

    One of the main pro!lems that had caused

    headaches for MIDI users" #as the inconsistent#a$

    that %arious instrument sounds #ere numericall$

    arranged !et#een different !rands of MIDI

    s$nthesi,ers. -ecause of this inconsistenc$" it #as

    difficult to share MIDI song files #ith one another.

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    )*N*RA+ MIDI

    #bout twenty years ago, 3oland -orporation

    and 4assport Designs spearheaded an effort

    to establish a new minimum of 5industrystandard6 for MIDI instruments. The basic idea

    was to create a uni"ersal, specific preset

    instrument and drum setting that anymanufacturer could easily include within their

    synthesi!ers. This new specification became

    /nown as 57eneral MIDI.6

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    *ATUR*/ O )*N*RA+ MIDI0ere are the important minimum features that a )eneral MIDIcompati!le instrument #ill offer.

    A standard set of 12 sounds to choose from #hen

    composing musical soundtrac3s. The sounds are al#a$s

    arranged in a specific numerical order from !rand4to !rand.The capa!ilit$ of simultaneous pla$!ac3 of up to 15

    separate instrument parts. The technical term is

    multitim!ral 6 a )M instrument is" therefore" 15 part

    Multitim!ral.

    A minimum of 5&4%oice pla$!ac3. The technical term forthis is pol$phon$ 6 a )M instrument has at least 5& 7oice

    8ol$phon$.At least one /tandard Drum /et or 9it. )M supports ten

    drum sets or 3its. The percussion sounds al#a$s ha%e thesame note assi nments from !rand4to4!rand.

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    FEAT!"ES #F $E%E"AL MIDI

    Ho& do 'ou tell if 'our instrument is $eneral

    MIDI compatible(

    +oo3 for one :or more; of the follo#ing logos"either stamped or painted on the instruments itself.

    $E%E"AL

    MIDI $S )$

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    S*%THESI+E"S

    # synthesi!er is a piece of electronic

    hardware (or e'ui"alent software running on a

    computer) that can combine and manipulate

    multiple tones in complex ways to create

    musical notes.

    8ome sound cards, such as some of the

    8ound*laster series from -reati"e 9abs, ha"ebasic builtin synthesis capability.

    The terms multitimbral and polyphonic are

    used to describe synthesi!ers.

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    SAMPLE"S

    A de%ice that records short" sound

    samples originall$ from real musical

    instruments" singer

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    MIDI SE,!E%CE"S

    The se'uencer is what plays the music. It

    generates the commands sent to the

    synthesi!er and samplers to generate themusic (and the synthesi!ers and samplers

    generate the audio).