7/25/2019 Jazz Program

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1. Using Ionian & Lydian Arpeggios to Generate Dorian & Aeolian Sounds2. Using Ionian & Lydian Arpeggios To Generate Phrygian & Locrian Sounds3. Mixing the Minor Modes4. Application of Minor Modes in ii-V-I Progressions5. Melodic Minor Scale6. Harmonic Minor Scale7. Major Arpeggios over Dominant Chords8. V to I Resolutions9. Melodic Minor Substitutions Over Altered Dominant Chords10. Melodic Minor Over Altered Dominant 7th Chords11. Reharmonizations with Implied V712. Melodic Minor over Diminished13. Diminished Moving Down Chromatically14. Melodic Minor over Whole Tone Scale15. Melodic Minor Over Half Diminished16. Relative Melodic Minor Over Major17. Putting it Together Over a Minor Blues18. Harmonic Minor Scale Over Dominant Part I19. Harmonic Minor Scale Over Dominant Part II20. Harmonic Minor Over Dominant Reharmonizations21. Melodic Minor Over Substitutions for vi-ii-V-I22. Harmonic Minor Over Diminished23. Diminished Chords as Altered Dominant Voicings24. Harmonic Minor Over Major

25. Melodic & Harmonic Minor: Chord Substitutions26. Summary of Harmonic Minor: Substitutions & Practice Tips27. Putting it Together Over a Tune28. Major Triads Over Major Chords29. Minor Triads Over Major Chords30. Augmented & Diminished Triads over Major Chords31. Major Triads Over Major Chords32. Minor Triads Over Minor Chords33. Augmented Triads Over Minor Chords34. Diminished Triads Over Minor Chords35. Major Triads Over Dominant Chords I36. Major Triads Over Dominant Chords II37. Minor Triads Over Dominant Chords

38. Augmented & Diminished Triads over Dominant Chords39. Extended Chord Sounds40. Open String Voicings Chord: Inner Voice Movement41. Playing Examples: Ballad & Bossa