jody yang. history- luigi russolo intonarumori the art of noise (1913)
TRANSCRIPT
Jody Yang
History- Luigi Russolo
Intonarumori The Art of Noise (1913)
History- Luigi Russolo
The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination.
History
Christian Marclay: mutilated vinyl records Yasunao Tone: damaged CDs Movement in Gernamy
Oval: Systemisch, Wohnton
Techniques
CD skipping Vinyl record hiss or scratches Electric hum Digital or analog distortion Bit rate reduction Hardware noise, computer bugs,
crashes and system errors
Subgenres
ConceptualYasunao: Solo for Wounded CD
OceanicOval: Wohnton
MinimalAlva Noto
Alva Noto Carsten Nicolai Aleph-1, Noto Karl-Marx-Stadt,
Germany Sound artist, visual
artist
Audio Work Rhythmic patterns Gradual process of sound Rarely recognized Noto’s solo:
Unitxt: U_07 Xerrox: Haliod 4�
With Ryuichi Sakamoto: Insen: �Logic moon Insen: Berlin Revep: Siisx Revep: Mur Vrioon: UoonI
http://www.xiami.com/search?key=alva+noto&pos=1
Questions
Bibliography
http://cus.sagepub.com/content/2/3/301.full.pdf
http://www.ccapitalia.net/reso/articulos/cascone/aesthetics_failure.htm
Sangild, Torben: "Glitch — The Beauty of Malfunction"