Juilliard Music Advancement Program

Wind Ensembleand Orchestra Concert

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The Juilliard Schoolpresents

Music Advancement Program (MAP)Wind Ensemble and Orchestra Concert

Murray Colosimo and Terry Szor, Conductors

Saturday, January 25, 2020, 6pmPeter Jay Sharp Theater

MAP Wind EnsembleTerry Szor, Conductor

JOHANN PEZEL Sarabande (1685; arr. Tom Szor)(1639-94) Lucija Budinski, Flute

ANTONÍN DVOR� ÁK Slavonic Dance No. 8, Op. 46, No. 8 (1878; arr. Robert Longfield)(1841-1904)

ROBERT SHELDON Danzas Cubanas (2010)(b. 1954) Anya Sen, Clave Grace Ng, Trombone Lucija Budinski, Flute Siddharth Chalasani, Trumpet

ASTOR PIAZZOLLA Oblivion (1984)(1921-92) Yuto Sasao, Trombone Diego Ruiz, Flute

LOUIS PRIMA “Sing, Sing, Sing (With a Swing)” (1936; arr. Douglas Marriner)(1910-78) Ehloany Negron and Gilberto Moretti-Hamilton, Drums Leonardo Vargas, Clarinet Siddharth Chalasani, Trumpet Ethan McIntosh, Saxophone

Intermission

MAP is generously supported through an endowed gift in memory of Carl K. Heyman.

Additional support is provided by the Condon Family Fund, Sidney E. Frank Foundation, Committee of Janet M. Grace, the Katzenberger Foundation, Keller-Shatanoff Foundation, and the Pamela & Richard Rubinstein Foundation.

Additional support for this performance was provided, in part, by the Muriel GluckProduction Fund.

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MAP OrchestraMurray Colosimo, Conductor

ARCANGELO CORELLI From Concerto Grosso, Op. 6, No. 8 (1690)(1653-1713) Vivace—Grave Allegro Concertino group: Sidney Wong and Ashleigh Conner, Violin Alexandra Ebanks, Cello

WILLIAM GRANT STILL From Danzas de Panama (1948)(1895-1978) Tamborito Sidney Wong, Violin

FRANZ SCHUBERT Rosamunde Overture, Op. 26 (1823; arr. Vernon Leidig)(1797-1828)

LÉO DELIBES From Coppélia (1870)(1836-91) Prelude et Mazurka

Approximate performance time: 1 hour and 30 minutes, including an intermission

Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium.

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About This Program

SarabandeJOHANN PEZEL A sarabande is a piece of music that originated in Central America around the 16th century. At first well-known in the Spanish colonies, it was soon assimilated into Europe. As a dance considered inappropriate at the time, the sarabande was banned in Spain. Nonetheless, Handel and other Baroque composers took the sarabande into their own hands and made it one of their suite movements, taking a greatly controversial dance and making it into a very popular Baroque era piece. —Kenya Perez, age 14

Slavonic Dance No. 8ANTONÍN DVOR� ÁKSlavonic Dance No. 8 is part of a collection of 16 orchestral works composed by Dvorák between 1878 and 1886. Publisher Fritz Simrock asked Dvorák to publish something with a dance-like quality after the composer's spike in popularity with his first collaboration, the Moravian Duets. The composer decided to use Johannes Brahms’ Hungarian Melodies as inspiration; however, unlike Brahms, Dvorák did not use actual folk melodies. Instead, he played with characteristic Slavic rhythms while still utilizing his own unique tunes. The pieces were originally composed for piano with four hands, but Simrock was so delighted by them he asked for an orchestral version as well. Opus 46 was first published and was met with widespread success. Later, Dvorák composed the Opus 72 dances in 1886, with the same enthusiastic reaction. —Estelle Balsirow, age 14

Danzas CubanasROBERT SHELDONDanzas Cubanas, which was written by Sheldon between 2009 and 2010, is a set of three dances that celebrates the joy and energy of Afro-Cuban music. The piece starts and ends fast, with a slower salsa part in the middle. —Natassia Rodriguez, age 15

OblivionASTOR PIAZZOLLAPiazzolla was born in Argentina on March 11, 1911. He learned to play music in New York. He learned about many music genres and particularly loved jazz. In 1937, when he was 26, he moved back to Argentina, where tango was played everywhere. Inspired, Piazzolla went back to New York and started performing tango music. In 1982, he wrote Oblivion, one of his most famous tango pieces. Oblivion shows the emotions of love and sadness. The melody starts off sad and gentle, then changes throughout the piece, but remaining emotional. Piazzolla died in 1992; he has inspired many musicians and influenced many tango composers.—Itzel Uranga, age 12

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About This Program (Continued)

“Sing, Sing, Sing (With a Swing)”LOUIS PRIMAOne of the classic big band tunes, “Sing, Sing, Sing” beautifully perpetrates the joy and creativity of the 1930s artists’ world. Originally recorded by Prima in 1936, “Sing, Sing, Sing” gained more attention from Benny Goodman’s arrangement. However, that’s not to say that Prima wasn’t as good a musician as Goodman. A talented trumpeter, bandleader, composer, and arranger, Prima was in high demand throughout the ‘20s, ‘30s, and ‘40s. Over time, he gained the moniker of the King of Swing and helped popularize the swing sound in an era where people struggled with the horrors of war and grinding poverty. He also voiced King Louie in the Disney animated film The Jungle Book. Goodman also had a giant pull in the jazz world. He was renowned for being a hard taskmaster; as a result, his musicians were the best of the best. He himself was an extremely talented clarinetist, often soloing in his arrangements. The inner workings of “Sing, Sing, Sing” showcase the talents of each musician in the group.—Siddharth Chalasani, age 15

Concerto Grosso, Op. 6, No. 8ARCANGELO CORELLI Corelli was born February 17, 1653, and died January 8, 1713. He was born in a small town, Romagna, in the Papal States of Italy. A famous violinist and composer, he popularized the Concerto Grosso, a unique form of Baroque music where the material is passed among a small group of soloists and full orchestra. This work’s composition date is uncertain, but there is a record of Corelli having performed a Christmas concerto in 1690 for the enjoyment of his new patron; we assume this work was written around that time. It features two solo violinists and a cellist. The orchestra’s accompaniment creates a beautiful counterpoint. The piece is commonly known as the “Christmas Concerto,” as the title is “Fatto per la Notte di Natale,” which in Italian means “made for the night of Christmas.”—Ashleigh Conner, age 15

Danzas de PanamaWILLIAM GRANT STILLStill, an astonishing musician, is celebrated as a great African American composer and teacher. A favorite of Still’s compositions is his Danzas de Panama. Composed in 1948, it is based on a collection of Panamanian folk tunes collected by Elizabeth Waldo in the 1920s. There are four dance movements. Each dance has two or three separate dances within each movement. The opening movement, Tamborito (which means “little drum”), immediately captures the listener’s attention when the players tap the bottom and sides of their instruments. This creates a specific rhythm for this highly chromatic introduction and leads to a sadder and slower dance that has a blooming full sound.—Carlos Santamaria, age 13

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Rosamunde Overture, Op. 26FRANZ SCHUBERTBorn on January 31, 1797, Schubert was a brilliant Austrian composer of the late classical and early romantic period. The Rosamunde Overture was originally composed as part of an earlier set of incidental music for Georg Ernst von Hofmann’s play Die Zauberharfe (“The Magic Harp”) and it was first played in that context on August 19, 1820. The overture starts with a really intense and mysterious section and ends with a surprising fast section of chords and scales.—Alma Antonella Esser, age 11

Prelude et Mazurka from CoppéliaLÉO DELIBESDelibes was a French composer who was born on February 21, 1836, in La Fleche, France, and died on January 16, 1891, in Paris. His Romantic-era music mainly comprises ballet, opera, and other stage works. Among his best-known works is Coppélia, a comic ballet originally choreographed by Arthur Saint-Léon. The Prelude et Mazurka starts off softly with a French horn solo, leading into a wonderful string section and climaxing with a dance played by the full orchestra. Coppélia was first performed on May 25, 1870, at the Théâtre Impérial de l´Opéra in Paris and has since been performed all over the world.—Dequon Dolly, age 17

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Meet the Artists

Murray Colosimo

Canadian conductor, concert clarinetist, and music educator Murray Colosimo received his formal musical training at Manhattan School of Music and New York University. Currently music director of the Bergen Sinfonia, he has conducted some of the world’s greatest artists at Alice Tully Hall and NJPAC, and he has served as music director of the Wayne Chamber Orchestra and Ridgewood Symphony and director of orchestras at the Hartwick College Music Festival. As a concert clarinetist, he performed a series of solo and chamber music recitals in New York City and has commissioned and recorded new works for solo clarinet. Colosimo has held faculty positions at Seton Hall University, William Paterson University, and Montclair State University and served as music supervisor/director of orchestras in Ridgewood, N.J., where a newly built campus center, Colosimo Center, was dedicated in his honor. His career as a dedicated music educator spans virtually every area of music and age level.

Terry Szor

Trumpeter Terry Szor has served on the brass faculty of the Music Advancement Program since 1997 and currently conducts the MAP Wind Ensemble. As a freelance musician, he has appeared with the New York Philharmonic, Boston Pops Esplanade Orchestra, Brooklyn Philharmonic, and Bronx Arts Ensemble, among others. He has performed for several Broadway shows, at Radio City Music Hall, and on numerous television and radio commercials and soundtracks for video games. As a member of the award-winning (Walter W. Naumburg Chamber Music Award, Fischoff, etc.) Saturday Brass Quintet, he has performed recitals and led educational programs at the Kennedy Center, Lincoln Center, and Carnegie Hall. He is principal trumpet with Opera Saratoga, Hudson Valley Philharmonic, and New York Gilbert and Sullivan Players. As a freelance educator he has taught and performed extensively in the New York City area through the Center for Arts Education, New York Young Audiences, Midori and Friends, and Queens Symphony Orchestra, among others, and serves on the faculty of Luzerne Music Center in the summers. He is a graduate of the New England Conservatory of Music.

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Music Advancement Program

FluteLucija BudinskiKenya PerezNaamia RiveraDiego RuizDevin MendezKwanasia Cole-BrownMei Stone

ClarinetAdrian GutierrezLeonardo VargasRyan WangDamaris GuamanNatassia RodriguezNiara AdebankeKyra HodgesPhillip Solomon *

OboeAdedayo PerkovichEstelle BalsirowKevin KimEmi Ostrom *

BassoonAhonesty NisbettSophia MarkevichCatalina Guevara Viquez *

SaxophoneEthan McIntoshDevin LewisLaw WatfordWillie Morris *Nathan See

TrumpetSiddharth ChalasaniAustin BenedictAjay CullenZahir BocioLillian PolineRobert Garrison *

French HornItayetzy UrangaAlexandra VitalinItzel UrangaJackson SimonelliAgastya BatchuAngelique BrewingtonAlana Yee *

TromboneGrace NgYuto SasaoElise Montenora, Bass tromboneAlba Pujals-Roigé *

TubaZander GrierDavid Freeman *

PercussionEhloany NegronGilberto Moretti-HamiltonAnya SenAyesha SenMiles WinleyChristopher Choi

PianoLiang Dai

BassCorentin Le Hir de Fallois

MAP Wind EnsembleTerry Szor, Conductor

* MAP MentorItalics indicate a Juilliard College Division student.

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Music Advancement Program

ViolinSidney Wong, ConcertmasterAshleigh ConnerArav AminLeo OiwaKako Miura*Zeynep Alpan ‡Trinity Williamson, Principal secondDream Champell-AldrichCarlos SantamariaTade AdeyeriAbigail Hong *

ViolaHaile Onikura- SouthwardSebastian LennoxArianelle ArroyoGary HanAlma EsserJames Jobson-LarkinJoshua Kail ‡‡

CelloAlexandra EbanksChristian ConnerStorm AllenRoss JohnsonSanae Kodaira *

Double BassEnrique PerezDequon DollyVeronica NeroneDavion PryceParis Myers *

FluteLucija BudinskiKenya PerezMei Stone

OboeAdedayo PerkovichEstelle BalsirowEmi Ostrom*

ClarinetAdrian GutierrezLeonardo VargasPhillip Solomon *

BassoonAhonesty NisbettSophia MarkevichCatalina Guevara Viquez *

French HornItayetzy UrangaAlexandra VitalinItzel UrangaJackson SimonelliAlana Yee *

TrumpetSiddharth ChalasaniAustin BenedictRobert Garrison *

TromboneGrace NgYuto SasaoElise Montenora, Bass tromboneAlba Pujals-Roigé *

TubaZander GrierDavid Freeman *

PercussionEhloany NegronGilberto Moretti-HamiltonAnya SenAyesha SenMiles WinleyChristopher Choi

PianoLinda Ruan *

MAP OrchestraMurray Colosimo, Conductor

* MAP Mentor‡ Juilliard College Division alum‡‡ MAP alumItalics indicate a Juilliard College Division student.

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About Juilliard's Preparatory Division

The cornerstones of Juilliard’s Preparatory Division are two Saturday music programs, Juilliard Pre-College and the Music Advancement Program.

Juilliard Pre-College

One of the foremost music preparatory programs in the world, Juilliard Pre-College, which celebrated its centennial last season, offers a comprehensive conservatory-style music program for students ages 8 to 18 who exhibit the talent, potential, and ambition to pursue music study at the college level. The selective program includes instruction in a chosen major, academic study of music, and solo and ensemble performances. Recognizing the importance of early development and discipline in the music field, the program provides a caring, collaborative, and challenging atmosphere where artistic gifts and technical skills can flourish. Approximately 300 students are enrolled in Pre-College, which is led by Artistic Director Yoheved Kaplinsky.

Music Advancement Program (MAP)

MAP is a Saturday program for intermediate and advanced music students from New York City’s five boroughs and the tristate area who demonstrate a commitment to artistic excellence. The program actively seeks students from diverse backgrounds underrepresented in the classical music field and is committed to enrolling the most talented and deserving students regardless of their financial background. Through a rigorous curriculum, performance opportunities, and guidance from an accomplished faculty, MAP students gain the necessary skills to pursue advanced music studies while developing their talents as artists, leaders, and global citizens. Approximately 70 students are enrolled in MAP, which is led by Artistic Director Anthony McGill. MAP is generously supported through an endowed gift in memory of Carl K. Heyman. Additional support is provided by the Condon Family Fund, Sidney E. Frank Foundation, Committee of Janet M. Grace, the Katzenberger Foundation, Keller-Shatanoff Foundation, and the Pamela & Richard Rubinstein Foundation.

Music Advancement Program Administration

Weston Sprott, Dean of Preparatory DivisionAnthony McGill, Artistic DirectorRebecca Reuter, Administrative DirectorMason Kinkead, Administrative Coordinator

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Over $1 millionBruce and Suzie KovnerStephanie and Carter McClelland/

The Stephanie and Carter McClelland Foundation

Katheryn C. Patterson and Thomas L. Kempner Jr.

Anonymous

$500,000–$999,999Jody and John ArnholdInternational Foundation

for Arts and CultureEllen MarcusMichael E. Marks

Family Foundation

$250,000–$499,999Susan and Elihu Rose FoundationFord FoundationMax H. Gluck FoundationLincoln Center Corporate FundDeborah J. SimonThe Virginia B. Toulmin Foundation

$100,000–$249,999Julie Choi and Claudio CornaliMary L. GrahamJerome L. Greene FoundationJoan W. Harris/The Irving Harris

FoundationMatt Jacobson and

Kristopher L. DukesBeth and Christopher KojimaMarjorie and Michael LoebVincent and Anne MaiYoshiko and Greg MargoliesChristina McInerneyStephen NovickJeffrey Seller and Joshua LehrerSarah Billinghurst Solomon and

Howard SolomonYael Taqqu and Jeremy LevineAnonymous

$50,000–$99,999Herbert A. AllenThe Augustine FoundationNorman S. BenzaquenDan J. Epstein

and the Dan J. Epstein Family Foundation

The Fan Fox and Leslie R. Samuels Foundation

Edythe GladsteinKeith and Barbara GollustConstance Goulandris FoundationJudith McDonough KaminskiKaren and Paul LevyMr. and Mrs. Robert D. LindsayPrincess Grace Foundation–USA

Nancy A. MarksJoyce F. MenschelPhyllis RosenthalAnna E. Schoen-René Fund at

The New York Community TrustThe Shubert Foundation, Inc.Bruce B. Solnick, Ph.D.Steinway & SonsHelen V. Vera and Kent A. ClarkAnonymous (2)

$25,000–$49,999Akin, Gump, Strauss,

Hauer & Feld; LLPArnhold Foundation, Inc.Irving Berlin Charitable FundMary L. BiancoHeidi Castleman KleinCrankstart FoundationSusanne D. EllisJoan and Peter FaberBarbara G. FleischmanThe Horace W. Goldsmith

FoundationLCU Fund for Women’s EducationEdward F. Limato FoundationLaura Linney and Marc SchauerThe Moca FoundationThe Ambrose Monell FoundationEnid and Lester MorseRaymond-Cryder Designated Fund

of the Lehigh Valley Community Foundation

Eun Jung Roh and Keun-Chang Yoon

Thomas Schumacher and Matthew White

Mark ShumanBarbara J. SlifkaThe George L. Shields FoundationSydney WeinbergAnonymous (5)

$15,000–$24,999Edwin L. ArtztLaurel and Clifford AsnessBarbara and Gary BrandtAllen R. and Judy Brick FreedmanNancy and Bruce HallBrian and Darlene HeidtkeDr. Elliot Gross and

Dr. Alice HelpernGordon D. HendersonThe Katzenberger Foundation, Inc.Dominique Lahaussois and

David LowMr. and Mrs. Jean-Hugues

J. MonierEvelyn and John PoppDr. Gary PortadinMrs. Susan L. Robinson

Schuld Family FundJeremy SmithBradley WhitfordCecil M. Yarbrough and

Ronald S. CsuhaAnonymous (4)

$10,000–$14,999American Turkish SocietyMichelle and Jonathan AuerbachElaine S. BernsteinMs. Diana BersohnFlorence and Paul DeRosa

Memorial FundDr. Lee MacCormick Edwards

Charitable FoundationMr. and Mrs. Jonathan FileSidney E. Frank FoundationCandice and John FrawleyJennifer and Bud GruenbergYounghee Michelle Kim-WaitMitzi KooDominique and Frédéric LaffontYaru LiuAlan and Laura MantellHarold W. McGraw Jr.

Family FoundationTerry Morgenthaler and

Patrick KerinsLeslie and Mitchell NelsonOmomuki FoundationAndres Mata OsorioHoward S. Paley ‡Michael A. PetersonJohn R. PhilpitJoseph S. Piropato and

Paul MichaudPre-College Parents’ Association

of The Juilliard SchoolThe Presser FoundationGrace RichardsonHartley Rogers and Amy FallsYukari SaegusaRoger SantAlexander I. TachmesMarjorie Tallman Educational

FoundationRobert and Jane TollLoRaine Kent Vichey

Memorial TrustAnita and Thomas VolpeSedgwick A. WardJohn J. YarmickLucille and Jack Yellen FoundationJudy Francis ZankelAnonymous (5)

$7,500–$9,999Arlene ‡ and Edmund GrossmanBernard HoltzmanMcKinsey & Company, Inc.

The Juilliard School is deeply grateful to the following individuals, foundations, and corporations for their annual gifts in support of Juilliard’s multifaceted performances, educational activities, and scholarships.

Juilliard Annual Supporters

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Elizabeth J. MisekGillian SorensenBarbara and Donald ToberKara UnterbergAnonymous

$5,000–$7,499Lorraine A. AbrahamWalter and Marsha ArnheimJanet E. BaumgartnerCasey Bayles and William JeffreyMarshall S. Berland and

John E. JohnsonAnne Louise and Matthew BostockLichung ChenSuzanne CoganBetsy L. CohnDana FoundationDudley and Michael Del BalsoBarbaralee Diamonstein-SpielvogelJ. Christopher and Violet EaganEdythe FishbachJocelyn and W. E. GallinekThe Harkness Foundation

for DanceDr. Daniel E. HaspertKatherine L. HufnagelJapanese Chamber of Commerce

and Industry of New YorkFrances KazanMrs. William M. LeseHelen LittleThe Frederick Loewe FoundationNancy Long, Ph.D. and

Marc WaldorMr. Jerome N. LowenthalMr. and Mrs. Peter L. MalkinMr. Edward J. MaloneyLane MerrifieldJohn MichalskiMichael R. OsverThe Laura Pels International

Foundation for TheaterJudy and Jim PohlmanEdith Polvay-KallasSabine RenardMary G. Roebling Musical

Scholarship Fund, Inc.Ida & William Rosenthal

FoundationPamela and Richard Rubinstein

Susan Seo and Dennis FriedmanAnnaliese SorosMichael and Claudia SpiesAlec P. Stais and Elissa BurkeKristine Jarvi TylerGeorgeann Delli VenneriNathaniel Wertheimer and

Taya SchmidAndrew P. WilloughbyStanley P. WilsonAnonymous (4)

$2,500–$4,999Nadine Asin and

Thomas van StraatenEmanuel and Yoko AxPhilip A. BiondoLucienne and Claude Bloch, M.D.BMW of North America, LLCMr. Robert BrennerTrudy and Julius BrownElaine J. BudinSteven C. Calicchio FoundationCaptiva FoundationKathryn G. CharlesBeverly and Herbert ChaseMr. Kenneth H. ChaseNancy CohnTheodore CohnAnne and Stephen CunninghamIsabel CunninghamJohn R. DossRobert & Mercedes Eichholz

FoundationMarilyn and Steven EmanuelMichael J. Fabrikant ‡ and

C. DallosEric J. FriedmanJeffrey and Helen FriedmanKenneth GreensteinLynda and Paul GuntherBarbara HendricksHighBrook InvestorsDavid B. Hunt and

Patricia Heaton-HuntJudy and Lindley HoffmanJuilliard Alumni Association

of JapanElma and Howard ‡ KanefieldRobert O. KenetBarbara and Paul Krieger

Peter LaneJay H. Lefkowitch, M.D.Mrs. John M. LewisChristopher and Beth LyonRobert and Bridget LyonsWynton MarsalisRodney McDanielStephen A. Meyers and Marsha

Hymowitz-MeyersPaula Paster MichtomTim B. Nelson and

Lisa M. Benavides-NelsonStanley Newman and

Dr. Brian RosenthalStuart OwensDr. Steve and Rochelle PrystowskyLinda RayCatherine G. RobertsJanet and Howard RoseDiane Kelly RyanNancy SchlossMiriam K. SchneiderGeraldine L. Sedlar and

Richard MinersSandra SemelThe Maurice Sendak FoundationBrandon SherrDouglas SillsDr. Steven P. Singer and

Dr. Alan SalzmanJudith and F. Randall SmithDr. Karen P. SmithJeffrey R. SolomonMark SnowMarjorie and Michael SternMr. and Mrs. John StravinskyElise C. TepperDr. Daniel M. Thys and

Dr. Susan Thys-JacobsAnthony and Elaine ViolaRui WangMs. Johanna WeberMichael WeinsteinSusan M. WhelanRebecca Wui and Raymond KoAnonymous (4)

‡ = In MemoriamAs of August 19, 2019

Please consider making an investment in the future of dance, drama, and music today and helpThe Juilliard School remain at the forefront of performing arts education. For more informationor to make a gift, please contact the Development Office at (212) 799-5000, ext. 278,or development@juilliard.edu.

Juilliard Annual Supporters (Continued)

Juilliard Board of Trustees and Administration

EXECUTIVE OFFICERS AND SENIOR ADMINISTRATION

Damian Woetzel, President

Office of the PresidentJacqueline Schmidt, Vice President and Chief of StaffCiaran Escoffery, Deputy Chief of StaffKathryn Kozlark, Artistic Producer and Director for Creative

EnterpriseChristina Salgado, Director for Equity, Diversity, Inclusion,

and Belonging Initiatives

Office of the Provost and DeanAra Guzelimian, Provost and DeanJosé García-León, Dean of Academic Affairs and AssessmentJohn-Morgan Bush, Director of Lifelong Learning

Dance DivisionAlicia Graf Mack, DirectorKatie Friis, Administrative DirectorMario Zambrano, Associate Director

Drama DivisionEvan Yionoulis, Richard Rodgers DirectorRichard Feldman, Associate DirectorKatherine Hood, Managing Director

Music DivisionAdam Meyer, Director, Music Division, and

Deputy Dean of the CollegeBärli Nugent, Assistant Dean, Director of Chamber MusicJoseph Soucy, Assistant Dean for Orchestral StudiesMario Igrec, Chief Piano TechnicianJoanna K. Trebelhorn, Director of Orchestral and Ensemble

Operations

Historical PerformanceRobert Mealy, DirectorBenjamin D. Sosland, Administrative Director; Assistant Dean

for the Kovner Fellowships

JazzWynton Marsalis, Director of Juilliard JazzAaron Flagg, Chair and Associate Director

Ellen and James S. Marcus Institute for Vocal ArtsBrian Zeger, Artistic DirectorKirstin Ek, Director of Curriculum and Schedules

Lila Acheson Wallace Library and Doctoral Fellows ProgramJane Gottlieb, Vice President for Library and Information Resources;

Director of the C.V. Starr Doctoral Fellows ProgramJeni Dahmus Farah, Director, Archives Alan Klein, Director of Library Technical Services

Preparatory DivisionWeston Sprott, DeanYoheved Kaplinsky, Artistic Director, Pre-CollegeAnthony McGill, Artistic Director, Music Advancement ProgramRebecca Reuter, Administrative Director, Music Advancement

ProgramEkaterina Lawson, Director of Admissions and Academic Affairs,

Pre-CollegeAnna Royzman, Director of Performance Activities, Pre-College

Enrollment Management and Student DevelopmentJoan D. Warren, Vice PresidentBarrett Hipes, Dean of Student DevelopmentCory Owen, Associate Dean of Student DevelopmentKathleen Tesar, Associate Dean for Enrollment ManagementSabrina Tanbara, Assistant Dean of Student AffairsWilliam Buse, Director of Counseling ServicesRachel Christensen, Administrative Director, Alan D. Marks Center for

Career Services and EntrepreneurshipKatherine Gertson, RegistrarTina Gonzalez, Director of Financial AidTeresa McKinney, Director of Community EngagementCamille Pajor, Title IX CoordinatorTodd Porter, Director of Residence LifeHoward Rosenberg MD, Medical DirectorDan Stokes, Director of Academic Support and Disability Services Beth Techow, Administrative Director of Health and Counseling

Services

DevelopmentAlexandra Wheeler, Vice President and Chief Advancement OfficerKatie Murtha, Director of Major GiftsLori Padua, Director of Planned GivingRebecca Vaccarelli, Director of Alumni RelationsKim Furano, Director of Foundation and Corporate RelationsRobyn Calmann, Director of Special EventsToniya Katsarov, Director of Development Operations

Public AffairsRosalie Contreras, Vice President of Public AffairsMaggie Berndt, Communications DirectorBenedict Campbell, Website DirectorJessica Epps, Marketing DirectorSusan Jackson, Editorial Director

Office of the Chief Operating Officer and Corporate SecretaryLesley Rosenthal, Chief Operating Officer and Corporate SecretaryChristine Todd, Vice President and CFOCameron Christensen, Associate Vice President, Facilities

ManagementKent McKay, Associate Vice President for ProductionRichard Mannoia, Interim Managing Director of Global K-12 ProgramsMichael Kerstan, ControllerIrina Shteyn, Director of Financial Planning and AnalysisNicholas Mazzurco, Director of Student Accounts/BursarNicholas Saunders, Director of Concert OperationsTina Matin, Director of MerchandisingKevin Boutote, Director of Recording and Classroom Technology

Administration and LawMaurice F. Edelson, Vice President for Administration and

General CounselCarl Young, Chief Information OfficerSteve Doty, Chief Technology OfficerDmitriy Aminov, Director of IT EngineeringClara Perdiz, Director of Client Services, ITJeremy Pinquist, Director of Enterprise ApplicationsKatie Germana, Director of Human ResourcesAdam Gagan, Director of SecurityJennifer Wilcox, Director of Apprentice Program

BOARD OF TRUSTEES

Bruce Kovner, ChairJ. Christopher Kojima, Vice ChairKatheryn C. Patterson, Vice Chair

Julie Anne ChoiKent A. ClarkBarbara G. FleischmanMary GrahamJoan W. HarrisMatt JacobsonEdward E. Johnson Jr.Philippe Khuong-HuuNancy Walton LaurieKaren M. LevyTeresa E. LindsayLaura LinneyMichael LoebVincent A. MaiEllen Marcus

Greg MargoliesNancy A. MarksStephanie Palmer McClellandChristina McInerneyLester S. Morse Jr.Stephen A. NovickSusan W. RoseJeffrey SellerDeborah SimonSarah Billinghurst SolomonWilliam E. "Wes" Stricker, MDYael TaqquReginald Van LeeDamian WoetzelCamille Zamora

JUILLIARD COUNCIL

Mitchell Nelson, Chair

Michelle Demus AuerbachBarbara BrandtBrian J. HeidtkeGordon D. HendersonPeter L. KendYounghee Kim-WaitSophie Laffont

Jean-Hughes MonierTerry MorgenthalerJohn G. PoppGrace E. RichardsonJeremy T. SmithAlexander I. TachmesAnita Volpe

TRUSTEES EMERITI

June Noble Larkin, Chair Emerita

Mary Ellin BarrettKenneth S. DavidsonKeith R. Gollust

Sidney R. KnafelElizabeth McCormack

Joseph W. Polisi, President Emeritus

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