july 28, 2015 super booster

2015 Big Valley Jamboree Super Booster

JULY 28, 2015 32 PAGES

A special edition outlining services and specials available during Big Valley Jamboree in Camrose, Alberta

The BIG VALLEY JAMBOREE SUPER BOOSTER, July 28, 2015 –

There’ll be plenty of opportu-nities to kick up your heels at Big Valley Jamboree.

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Stars willbe out atBVJ

The July 30 to Aug. 2 Big Valley Jam-boree will feature some of the biggest names in the country music business.

The kickoff party on Thursday will fea-ture The Orchard, The Dead South, Mark Chesnutt, Dal-las Smith and Kory Wlos.

Friday’s perform-ers will include The Washboard Union, Hey Romeo, Ian Tyson, Chris Young, The Band Perry and Reba on the main stage, and Mickey Pye, Boom Chucka Boys and Dan David-son in the Molson Canadian Saloon.

Saturday’s per-formers will include The Lovelocks, Tebey, Charlie Worsham, The Mavericks, Jus-tin Moore and Brad Paisley on the main stage, and JJ Voss, Aaron Pritchett and Cory Marquardt in the Molson Canadian Saloon.

Sunday’s per-formers will include Blake Reid, Bever-ley Mahood, the Del McCoury Band, Corb Lund and the Hur-tin’ Albertans, Lee Brice and Lady Ante-bellum on the main stage and Leah Dan-iels, Charlie Major and Craig Moritz in the Molson Canadian Saloon.

The gates to the concert bowl open at 9 a.m., with shows starting at 1 p.m.

To have best view of the stars, take your lawn chairs along with you to the main per-formance area (unless you have purchased VIP or reserved seat-ing). Remember to take your chairs with you at the end of the day. You may return to the concert area and place your chairs for the next day once the nightly cleanup has been com-pleted.

Entrance to the concert area is per-mitted by appropriate wristband only.

An access area is available for the physi-cally challenged who may be accompanied by a maximum of two guests. Chairs must be removed from this area at the end of the day, but may be returned once cleanup has been completed.

By Dan JensenWhile the Big Valley

Jamboree is known through-out North America primar-ily for its first class country music, there are many other activities that will keep visi-tors entertained.

Everyone loves a paradeJamboree weekend

starts off at 10:30 a.m. Thursday with the Camrose Chamber of Commerce BVJ Parade. Pull up a curb in downtown Cam-rose and watch the floats roll by. Don’t forget to prac-tice your waving technique as there will be plenty of parade participants to greet as they move along the parade route.

Collect memoriesYou never know who

will stop by at the Chevrolet Autograph Tent located just left of the main stage. Lis-ten for the announcements to find out when your favou-rite country idols will be there.

Bulls for BreakfastSome people like eggs

for breakfast; Big Valley Jamboree serves bulls. Big, rugged, four legged brutes that thrive on making cow-boys toast. Its packed with 200 per cent of your daily recommended adrenaline rush and is fortified with thrills, wows and two scoops of raisin’ cane. Action gets underway just south of the Marketplace Trade Show building at 2 p.m. on Thurs-

day, and 10 a.m. Friday, Sat-urday and Sunday.

MotorcrossEnjoy the experiences

and thrill of motorcross with radical stuns and sweet jumps that will take your breath away. Watch riders put on a show of treacherous tricks when their wheels get sky high. Show times on the south side of the Market-place Tradeshow are 4, 5:45 and 6 p.m. Thursday, and 2, 4 and 6 p.m. Friday, Satur-day and Sunday.

Backroom barNeed a cold beverage

during the show? The Jim Beam Backroom Bar has you covered. Head over to the back of the main stage concert bowl, have a seat and whet your whistle while enjoying the sights and sounds of the main stage on the big screen.

Marketplace Trade ShowBrowse a multitude of

vendors sbowcasing the lat-est merchandise and one-of-a-kind crafts that are ready for you to take back home at the Marketplace Trade Show. The trade show is also home to the ATB Financial Homegrown Talent Stage. Watch Canada’s youth as they compete for the oppor-tunity to perform on the BVJ main stage. After every daily competition, stay and watch, or participate, as the exceptionally talented hyp-notist, Terrance B., takes the stage. The Marketplace

Trade Show is open from noon to 8:30 p.m. on Thurs-day, 10 a.m. to 8:30 p.m. on Friday and Saturday, and 10 a.m. to 7 p.m. on Sunday.

Songwriters’ WorkshopGo behind the scenes

and learn what’s behind the meaning of today’s favourite songs and tomor-row’s future hits with some of the most prolific song-writers in the business at the 2015 Production World Songwriters’ Work-shop. The Dead South, T. Buckley Trio, The Orchard, Mandy McMil-lan and Kory Wlos will be there Thursday at 3 p.m. Tenille, Mickey Pye, Scott Cook and Dan Davidson will be there at 1:30 on Friday, followed at 3:30 p.m. by Hey Romeo, The Washington Union, The Boom Chucka Boys and Tenille.

Saturday’s entertainers will include Shane Chisholm, Chris Henderson, JJ Shiplett and Maddison Krebs at 1:30, and The Lovelocks, Shane Chisholm, Craig Moreau and JJ Voss at 3:30 p.m. Sunday’s entertainers will include The Dungarees, Sykamore, Mickey Pye and Angus Wilson at 1:30 and Beverly Mahood, Blake Reid, Amy Metcalfe and The Dungarees at 3:30 p.m.

Free MealWho doesn’t like get-

ting something for nothing. Big Valley Jamboree will be

serving a free meal to the first 1,500 fans who pass through the gates for the kickoff party into the Molson Canadian Saloon at 6 p.m. Thursday.

Traditional gospelJoin your BVJ friends

and neighbours in the Pro-duction World Songwriters’ Tent at 9 a.m. Sunday for a traditional gospel service featuring musical guests The Amundruds and The Blue Mix Boys. The Cam-rose Ministerial Association will be serving complemen-tary coffee and donuts.

Karaoke contestThink you have what it

takes to be a country music star? The Road to the Main Stage Karaoke Contest in the Watering Hole Saloon across from the Market-place Trade Show building will run with preliminary rounds Thursday, Friday and Saturday from 2:30 to 6:30 p.m. and finals from 2 to 3 and 4 to 6 p.m. on Sunday. The top two singers will be featured on the Mon-son Canadian Saloon stage Sunday night.

DancingIf you enjoy dancing the

Watering Hole Saloon across from the Marketplace Trade Show building is the place to be. Doors open at noon daily.

A video dance cabaret will be held Friday, Saturday and Sunday from 6 p.m. to 2 a.m.

More than great music at Jamboree

Alannah Albach, of Rimbey, does her bestto stay on a mechanical bull for eight seconds.

Motorcross riders provide thrills and stunts.

Trick riders thrilled last year’s BVJ fans during theintermission of the popular Bulls for Breakfast.


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Camrose Busing Schedule for

Big Valley Jamboree

Shuttle busing service is available from the CRE grounds (in front of the main building) to and from the following locations within the City of Camrose

during Big Valley Jamboree, Thursday, July 30 to Sunday, August 2.

Non-stop Express Service• Recreation Centre

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Special Parade ShuttleStarting at 9:00 a.m. Thursday

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Beverley Mahood will be performing on the Big Valley Jamboree main stage at 2 p.m. Sunday, Aug. 2.

A successful singer, songwriter, actress, model, and television host, Beverley Mahood is truly a dynamic entertainer who first joined Tom Jackson’s, Huron Carole, and it’s mission to eliminate hunger, in 1998. Mahood recently released new music and video with Hope and Gasoline, her first CD of original music in four years.

“This CD is about returning and starting fresh to my first love, music,” said Mahood. “I have hope and I definitely have the gasoline.”

Though in many respects a seasoned veteran of the entertainment indus-try, Mahood’s career is set for a new beginning. Her past includes several albums, Girl Out of the Ordinary (1998), Moody Blue (2004), Unmis-takable (2009) and a part-nership with David Foster on the female trio, Lace (1999), each album as diverse and acclaimed as the entertainer herself.

Mahood’s audience broadened in 2004 when she began hosting TV shows, the latest being the runaway hit Pick A Puppy, a family-ori-ented series on CMT (Can-ada) and GAC (USA). Add to this a lead role in the TV-movie, Changing Seasons (2014); songwriting credits which include Celine Dion; exclusive performances for the G8 Summit (world lead-ers) and the royal couple; multiple trips overseas to perform for our Canadian military and the unique character of Mahood’s career shines through.

If there’s anything that rivals Mahood’s passion for entertaining, it’s her dedica-tion to community. Closest to her heart are initiatives for children.

“The Food Banks, The Huron Carole, Corus Feeds Kids are personal for me,” she said. “Children need our voice and our hand.”

In March, 2014, Mahood co-hosted for the seventeenth year, the Kinsmen Telemira-cle, supporting those in need within Saskatchewan.

Born in Belfast, Mahood lives between Ontario and Nashville.

“I am a proud Canadian, can’t wink, can’t whistle … love my hockey.”

Mahoodset for newbeginning

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Alberta singer Lund not hurting anymore at BVJ music festival

of the soundtrack to the 2008 documentary, Holler Back: (Not) Voting in an American Town. They have also provided accompani-ment for an NBC special in 2006, on which former world figure skating cham-pion and fellow Albertan, Kurt Browning, performed a routine to “Expectation and the Blues.” Their music can also be heard in the ski film Nine Winters Old.

Lund signed a two-album deal with New West Records (home of Dwight Yoakam, Steve Earle, Kris Kristofferson and other major artists) in 2009. His first record on New West, Losin’ Lately Gambler, was released in September 2009.

Corb Lund and the Hur-tin Albertans played their 2009 single “Long Gone to Saskatchewan” in Ottawa for the 2011 Canada Day

ceremonies in the presence of the newlywed Duke and Dutchess of Cambridge on their royal visit to Canada.

Corb Lund and the Hurtin Albertans released their seventh studio album, Cabin Fever, on August 14, 2012. It debuted at num-ber one on the Billboard Canadian Albums Chart. In June 2013, the album was long listed for the 2013 Polaris Music Prize.

Corb Lund and the Hurtin’ Albertans will be performing on the Big Val-ley Jamboree main stage at 5 p.m. Sunday, Aug. 2.

Corb Lund, the lead singer, grew up in South-ern Alberta living on his family’s farm and ranches near Taber, Cardston and Rosemary. He is proud of being an Albertan. Lund left his hometown of Taber and moved to Edmonton, where he enrolled in the Grant MacEwan College to study jazz guitar and bass.

Lund was a founding member of The Smalls, who sold over 35,000 albums over a twelve-year span, all released independent-ly. Lund and the Smalls toured extensively in Can-ada, the United States and Europe, including a stint in Bosnia, Slovenia and the Czech Republic. The band retired in the fall of 2001, but reunited in 2014 for

a string of shows, the so-called “Slight Return” tour.

Hurtin’ Albertans is Lund’s touring band. They have released seven albums to critical acclaim. The band tours regular-ly in Canada, the United States and Australia. Much of their time is spent in the Canadian Prairies and the American southwest.

The band’s members are: Kurt Ciesla, bass; Grant “Demon” Siemens, guitar; and other strings; Brady Valgardson, drums.

Siemens is the only member who is not Alber-tan, hailing from Winni-peg. Farmer/drummer Val-gardson and Lund are from Taber.

The band has toured Europe, where they played the UK Glastonbury Festi-val, and Australia several times. The group was fea-tured in the movie Slith-er (2006) and were part

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Local fans have waited for Lady AntebellumLady Antebellum will be

performing on the Big Valley Jamboree main stage at 9 p.m. Sunday, Aug. 2.

Planes, trains and auto-mobiles. Lady Antebellum has spent plenty of time in all three. Driven by the need to continually evolve, the coun-try trio always seems to be in transit, pushing toward a newer, bolder sound one min-ute and hitting the road for a worldwide tour the next. Sometimes, those two things happen at once.

With 747, Lady Antebel-lum’s fifth album, the band captures the speed and spirit of its critically-acclaimed live show in 11 new songs. Band-mates Charles Kelley, Hill-ary Scott and Dave Haywood may have formed the group in Nashville, with all three singers harmonizing for the first time around Haywood’s piano, but they earned their stripes on the road. That’s where Lady Antebellum truly came alive, mixing the rootsy stomp of forward-thinking country music with the swooning, sweeping sound of three voices that were born to mesh.

As the shows got big-ger, so did the band’s ambi-tion. Written during the 2014 Take Me Downtown Tour, 747 – whose title rustles up the image of a fast-moving plane bound for bigger, bet-ter places – doubles as a metaphor for the group itself. After spending years at the top of the country charts, Lady Antebellum is ready to

biggest groups need to reach outside their comfort zone.

“It’s different when you walk into a different studio and talk to a different pro-ducer,” Kelley says of the band’s transition. “Some-thing different comes out, naturally. One thing with Nathan is he works really fast, and he works all hours.”

As a result, Lady Ante-bellum finished an entire record in a short, inspired period of time. Chapman pushed the three singers to deliver their best per-formances up front, often recording a song’s vocal tracks in just four or five takes. He also stretched the boundaries of Lady A’s sound by introducing some subtle digital touches, like loops and computer pro-gramming. When the group considered scrapping one song, “Sounded Good at the Time,” after falling out of love with its opening guitar riff, Chapman broke the riff into smaller segments and reversed them, creating a new hook that pushed the song forward without aban-doning its organic roots.

“Bartender,” 747’s first single, is another game-changer. Driven forward by banjo, percussion and an insatiable chorus, the song finds Scott thinking back to her days as a single woman, when a double shot of whis-key could wash away the memory of a no-good ex.

pull up the wheels and climb even higher.

“We started discov-ering more of an ‘in your face’ sound that we’d never explored before, so we began writing towards that mental-ity,” says Kelley, who remem-bers walking into a dance bar after a Lady Antebellum concert and feeling the need to compose faster, fiercer songs that could live in that environment.

The first step toward making that transformation was relying less on the band’s history with mid-tempo bal-lads – although two softer songs, “One Great Mystery” and the nostalgic, noctur-

nal “Damn You Seventeen,” did make the final track-list for 747 – and focusing on more explosive material. Kelley, Scott and Haywood invited some of their favorite songwriters to join them on the road, too, resulting in a series of late-night writing sessions on the band’s tour bus, with everyone traveling together from one sold-out show to the next.

“Being on the road and writing new songs, we found ourselves wanting more of that high energy material,” Haywood remembers. “We came up with songs like ‘Bar-tender’ and ‘Long Stretch of Love,’ with that big feeling

that really hits you hard in an arena.”

During gaps in the band’s busy touring sched-ule, Lady Antebellum returned to Nashville and recorded the new songs with Grammy-winning producer Nathan Chapman. It was one of the group’s first times working with anyone besides Paul Worley, who’d played a monumental role in Lady Antebellum’s career by co-producing multi-platinum hits like “Need You Now,” “Just a Kiss” and “I Run to You.” The band became a chart-topping, Grammy-winning juggernaut under Worley’s wing, but even the

Brice makes first stop at BVJ music festival Lee Brice will be perform-

ing on the Big Valley Jambo-ree main stage at 7:30 p.m. Sunday, Aug. 2.

Lee Brice is a craftsman, the kind whose boundless desire to hone his skills and relentless pursuit of perfec-tion are matched only by his humility about the entire process. His new album, I Don’t Dance, is a showcase for his painstaking approach to writing and recording, with his distinctive fingerprints clearly emblazoned on every element of the album. While Brice is now known as reli-able chart- topping Nashville hit-maker whose 2014 per-formance on the Academy of Country Music telecast – where he picked up the tro-phy for “Song of the Year” – “stole the show” (USA Today), there was a time when he was only recognized for his work behind the scenes.

“I had success as a writer before I had success as an artist,” says Brice, “so there’s a misconception that I was a songwriter first and then started to sing my own songs later. But all along, I’ve real-ly always been writing for myself. When I started writ-ing songs at ten years old, it was because I wanted to sing them, and when I came to Nashville, I came to be a

in the history of the Billboard Hot Country Songs Chart to debut at number one. Lee’s stock skyrocketed in Nash-ville, and that same year, he signed with Curb Records and began laying the ground-work for his inexorable rise as a solo artist.

He released his debut album, Love Like Crazy, in 2009. The title track reached number three on the Bill-board Country chart and set a record as the longest-chart-ing song in that chart’s histo-ry. In 2012, he topped his own success with Hard 2 Love, an album that went gold and featured three number one country singles, including “I Drive Your Truck,” which won Song of the Year at both the CMA and ACM Awards. The record earned raves from NPR to Country Weekly and found the New York Times hailing him as “a sensitive macho man,” a compliment that perfectly encapsulates both sides of Brice’s persona. Hard 2 Love also garnered Lee his late-night debut, a stirring performance of “I Drive Your Truck” on NBC’s The Tonight Show.

“On my first record, I had all these ideas and sounds I didn’t know how to get out of me,” Brice remembers, cred-iting frequent collaborator

Doug Johnson with helping him learn some of the early ropes of recording. “On Hard 2 Love, I figured out that I could really step out and try things in the studio, and if they don’t work they don’t work, but sometimes those ideas become the basis of how you record some tracks.”

Brice took it a step fur-ther on I Don’t Dance, relish-ing the role of producer with a flair for experimentation as yet another way to mold and shape his songs to match the sounds he’d been chasing in his head.

“I wanted to have con-trol over every drumbeat, every lick of the bass part,” he explains of his meticu-lous approach in the studio. “It was a lot of really sitting down and thinking about every little piece that goes into it.”

Rather than approach the record as a whole entity, Brice listened to what each song called for and played to its strengths, allowing the warmth and presence of his personality to form the cohe-sive thread that binds them all together. On the light-hearted summer anthem “Girls In Bikinis,” he built the track entirely from the ground up.

songwriter and a singer. It’s all one thing to me.”

After relocating from his native South Carolina to Music City, the former Clemson lineman dove head-first into his craft, writing on his own and with a slew of talented musicians he fell in with. He found early suc-cess, with songs picked up by established artists like Jason Aldean and Keith Gattis. Though they may have been

sung by other artists, those songs were stories from deep within Lee’s own heart.

“’More Than A Memory’ was a very personal song for me,” he says of his breakout 2007 track. “I was thinking about keeping it for myself when Garth Brooks called, and that changed the whole dynamic.”

It changed a whole lot of things. Brooks’ recording of the track was the first single

Lee Brice

Lady Antebellum


My definition of country music isreally pretty simple. It’s whensomeone sings about their life

and what they know, froman authentic place. – Taylor Swift


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1994 Ford L9000Water Truck

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We do.

SAVING І BORROWING І INVESTING І KNOW-HOW

True blue talent under Alberta’s blue skies.ATB Homegrown Talent Stage July 30 – August 2, 2015

We’re thrilled to showcase Canada’s future country stars—come watch as these young guns compete for the opportunity to perform on the BVJ Main Stage and win some great prizes.

Remember to drop by the ATB booth to sign up for a MyPic MasterCard® and get up to $50 on your card.*

Sydney Mae2014 ATB Homegrown Talent Stage Winner

* Conditions apply. Talk to an ATB team member for more information.® MasterCard is a registered trademark of MasterCard international Inc. ATB Financial is a licensed user.

163347 Big Valley Jamboree - NewspaperAd Talent v4.indd 1 2015-06-24 8:50 AM



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Camrose and DistrictFarmers’ Market

For information or to booka table, call 780-781-5501

Big Valley Jamboree Patrons...

Our Saturday morning market has lots of fresh fruits

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more. Hope to see you there!

Saturdays, 9:00 a.m. to 2:00 p.m. Duggan Mall, Camrose

Done — Murray


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Kory Wlos will be per-forming at the Big Valley Jamboree Kick-Off Party Thursday, July 30.

Born in Athabasca but raised on a farm two kilo-meters away from Boyle, Kory grew up in a musi-cal family. Mom was an elementary music teacher while Dad had an ear for music which enabled him to play almost any instru-ment. Kory sang in the church choir and learned to read music after joining the school band.

Kory had a typical rural Alberta childhood which included playing such sports as basketball, hockey, volleyball and baseball. Like the majority of Canadian youth, he had aspirations of becoming a professional hockey player but after winning a provin-cial championship with the Athabasca Winter Hawks, Kory instead got a vol-leyball scholarship to Red Deer College where he com-pleted two years of the Arts program before receiving his Education degree from the University of Alberta.

Kory’s first guitar, black with a little white bird on the pick guard, was a hand-me-down acous-tic guitar his brother had purchased from a Sears catalogue. As Kory recalls, “It wasn’t the best guitar but it helped me learn the basic chords and introduc-tory songs.” Although Kory played a little guitar in high school it wasn’t until he took a lesson at college that he began his journey as a country singer and performer.

Kory joined a home-town band called The Rainbow Riders and start-ed writing songs after he became inspired by such singer-songwriters as Con-way Twitty, Garth Brooks and Paul Brandt. After the death of his father, Kory’s passion for music increased and he wrote ballads/songs relating to his father. Kory Wlos eventually took over

the band The Rainbow Rid-ers, now calling themselves Kory Wlos and the Riders.

Kory’s first CD, High-way Love, was released in 1999 with Country Wave magazine’s Marc Steven-son writing, “Kory Wlos seems to have a ton of tal-

ent, a great attitude and a bright future ahead of him.” Kory has opened for Jason Aldean, Johnny Reid, Tra-cy Lawrence, Montgomery Gentry, David Lee Mur-phy, Chely Wright, Lorie Morgan, Gord Bamford, Charlie Major and Jason

Blaine. Kory’s “Hockey Song” (Don’t Bug Me While the Hockey Game’s On) was popular because its tongue-in-cheek lyr-ics truly resonate with the Canadian mentality. On stage Kory is known for his boundless energy

and enthusiasm combined with an appealing voice and natural charisma.

Kory currently resides in Sherwood Park and balances his music career with teaching and being a great husband and father.

Wlosgrew upin musicalfamily

Done — Murray


Reba a member of country music hall of fameReba will be performing

on the Big Valley Jamboree main stage at 9 p.m. Friday, July 31.

On Mar. 28, 1955, Reba Nell McEntire was born in McAlester, Okla., to Clark Vincent and Jacque-line Smith McEntire. The third of four children, she was raised on her family’s 8,000-acre family ranch in Chockie, Okla., and trav-elled frequently to watch her father compete at rodeos. Her father was the World Champion Steer Roper in 1957, 1958, and 1961, an honour her grandfather John McEntire also won in 1934. She would later follow in the family tradition by participating in barrel rac-ing competitions from the time she was 11-years-old until she was 21.

While in high school, Reba joined her older brother Pake (who later had his own Country Music career) and younger sister Susie (who would grow up to become a gospel singer) as members of the Kiowa High School Cowboy Band, and recorded a single, “The Ballad of John McEntire,” for Boss Records in 1971.

Reba sang the Nation-al Anthem at the National Rodeo Finals in Oklahoma City on Dec. 10, 1974. Her performance so impressed Red Steagall, who was also performing at the event, that he invited her to Nash-ville to record demos for his music publishing company. After recording Reba during her spring break in March 1975, Steagall shopped her tapes around Nashville and secured her deal with Poly-gram Mercury Records in November.

Although her first recordings were not that

successful, Reba worked steadily to build her career. Despite the lack of initial chart success, she was invit-ed to debut on the Grand Ole Opry on Sept. 17, 1977, which happened to be 30 years to the day when her father won the All-around at the Pendleton, Oregon rodeo. Although her next two albums still would not chart, Reba began build-ing momentum when she cracked the Top 20 with songs such as “Three Sheets in the Wind” (with Jacky Ward) and her cover of Patsy Cline’s “Sweet Dreams.” She achieved her first Top 10 hit when “(You Lift Me) Up to Heaven” reached number eight in 1980, and she fol-lowed it with the top five “Today All Over Again.” Showing career growth, her fourth album, Heart to Heart, became her first charting album, peaking at No. 42 on the Billboard Country Albums Chart. Her fifth album, Unlimited, eventually rose to No. 22 on the charts and featured her number three hit “I’m Not That Lonely Yet,” as well as her first two num-ber one hits: “Can’t Even Get the Blues” and “You’re The First Time I’ve Thought About Leaving.”

Reba moved to MCA Records in 1983, and released the album Just A Little Love one year later, featuring the top five title cut. She released My Kind of Country in 1984 and hit No. 1 with its first single, “How Blue.” The album, which fea-tured both new material and covers of songs originally recorded by Ray Price, Carl Smith, Connie Smith, and Faron Young, helped propel Reba to the forefront of the “New Traditionalists” along-

Ian Tyson will be per-forming on the Big Valley Jamboree main stage at 3:30 p.m. Friday, July 31.

Ian Tyson is 81 now. And he’s still going strong. Still touring. Still running the Tyson ranch south of Cal-gary. Still watching the West as he’s seen it change – and not always for the better. Still writing about love, hors-es, and the country and sky he loves. And he’s still facing the future with a mixture of optimism and resignation.

You can hear all of that in Carnero Vaquero, his 13th album for Edmonton-based roots music label Stony Plain. These are 10 songs that ring as true as the west-ern sky and the foothills of the Rockies.

The title? Carnero is the Spanish word for ram, and Vaquero is Spanish for cow-boy, and, indeed, the cowboy tradition, particularly in the southwestern United States.

Recorded in the Stone House, just down the gravel

road from his ranch house, there’s an intimacy and warmth that draws you into his life. It’s the place where Tyson writes his songs, prac-tices guitar, and reads his library of western histories and the early books of Will James.

Your eighties, Tyson

tells people, is not a time for sissies. Age is one thing, but the changing West is anoth-er, and since Tyson moved to Alberta 40 years ago he’s seen way more changes than he’s comfortable with. But the sky and the moun-tains keep him there, and his alternating regrets and

optimism spark his song-writing.

Carnero Vaquero is a spe-cial Ian Tyson record. There are half a dozen new songs – as good and better as dozens crafted in the Stone House. There are also two co-writes with a younger, alter-native songwriter out of Cal-gary, Kris Demeanor, and another collaboration with Tom Russell (they co-wrote “Navajo Rug,” one of Tyson’s biggest hits). The opening song, “Doney Gal,” is a tra-ditional song that probably goes back to the earliest days of discovering the West, and he reprises “Darcy Farrow” from one of his earliest Ian & Sylvia records.

Tyson’s smooth relaxed voice has been part of the musical landscape since the early 60s, when – with his then-wife Sylvia Tyson – he conquered the folk boom of the day. Hits kept coming – “Four Strong Winds,” “Some-day Soon,” “Summer Wages” and more. A move to Alberta,

a hiatus from the music busi-ness, and a reluctant return that earned his first plati-num record for Cowboyogra-phy led to a storied career as North America’s preeminent western singer.

Tyson doesn’t like look-ing backwards at five decades of a career that’s earned him countless awards, the Order of Canada, and a devoted fol-lowing. He rarely talks about what he calls “the Ian and Sylvia days,” pointing to a four-decade “solo” career.

Now recovered from a torn and damaged voice that drastically changed his vocal sound in 2008, he’s singing with the strength and range of his earlier years.

He has concerts booked well into next year, and he continues to supervise his working ranch; this is a man for whom “the cowboy life” is an ever-present reality.

And Ian Tyson stares at the future with clear eyes and a weather-worn face. Bring it on, he seems to say.

Canadian legend still going strong at age of 81

IanTyson

side artists such as Ricky Skaggs, George Strait, and Randy Travis. The album also featured her No. 1 hit “Somebody Should Leave.” Her success was rewarded in 1984, when she won the CMA Female Vocalist of the Year Award for the first time. She would go on to win this award for four consecu-tive years (1984-1987), and currently is tied with Mar-tina McBride for the most wins in this category.

By this time, Reba was a bonafide country music superstar. Her 1986 album, Whoever’s in New England, was her first to be certi-fied gold by the RIAA, and both the title cut and “Little Rock” became number one hits. One year later, her Greatest Hits album became her first platinum-certified album (continuing to sell

more than four million cop-ies through the years).

In 2001, Reba tri-umphed when she took over the role of Annie Oakley in the Broadway play “Annie Get Your Gun,” previously played in this revival by Bernadette Peters, Susan Lucci, and Cheryl Ladd. Reba brought new life to the production, and with it came rave reviews, sold out performances, a Drama Desk Award, and an Outer Critics Circle Award.

In 2007, she released Reba Duets, an album that paired her with artists including Kenny Chesney (on “Every Other Week-end”), and Kelly Clarkson (on “Because of You”), as well as Ronnie Dunn, Vince Gill, Faith Hill, Don Henley, Carole King, Rascal Flatts, LeAnn Rimes, Justin Tim-

berlake, and Trisha Year-wood. This became her first album to debut at number one on the Billboard Top 200 album chart.

After releasing a three-disc 50 Greatest Hits album in 2008, Reba left her long-time home at MCA and moved to the Valory Music Label, reuniting her with label president Scott Bor-chetta. Her first album for her new label, Keep on Lov-ing You, became her second album to debut at number one on the Billboard Top 200 album chart when it was released in 2009. Reba’s life and career were recent-ly featured in the Reba All the Women I Am exhibit at the Country Music Hall of Fame and Museum in Nashville, TN. The exhibit contained more than two dozen costumes, personal possessions, vintage pho-tographs and career-span-ning audio and video.

One of the most suc-cessful female recording artists in history, Reba has sold over 56 million albums worldwide and is a mem-ber of the Country Music Hall of Fame and Holly-wood Bowl Hall of Fame. She has won 15 American Music Awards; 13 ACM Awards; nine People’s Choice Awards; seven CMA Awards; two GRAMMY Awards; an ACM Career Achievement Honor; and is one of only four entertain-ers in history to receive the National Artistic Achieve-ment Award from the U.S. Congress.

Reba’s reign of #1 hits spans four decades and Bill-board, Country Aircheck and Mediabase recognized her as the biggest female hitmaker in Country music history.

Reba



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Dead South joins the Big Valley Jamboree Kick-Off party stage

The Dead South will be performing at the Big Val-ley Jamboree Kick-Off Party Thursday, July 30.

The Dead South is a four-piece acoustic ensemble based in Regina, Saskatch-ewan. With Nate Hilts’ gritty vocals and aggressive guitar strumming, Scott Pringle’s soaring harmo-nies and mandolin chops, Colton Crawford’s blazing banjo licks and steady kick drum, and Danny Kenyon’s prominent cello melodies, The Dead South blends ele-ments of folk, bluegrass, classical, and rock which results in a unique, mod-ern, and authentic blend of boot-stompin’ acoustic music.

The Dead South has been hard at work since they formed as a band, hav-ing played several nota-ble shows, some of which include: showcasing at Reeperbahn Festival 2014, Canadian Music Week 2014, Regina Folk Festival, Ness Creek Music Festival, Gateway Music Festival, Juno Fest 2013 - 2014, Grey Cup Festival 2013 where they opened for Serena Ryder, Saskatchewan Par-ty Premier’s Dinner, The Works Art and Design Fes-tival, All Folk’d Up Festi-val, Frontier Days Festival, Long Days Night Festival, Picker’s Cup Festival and the Cathedral Village Arts Festival.

On top of playing shows, The Dead South released an EP in June 2013 titled The Ocean Went Mad and We Were to Blame. Follow-ing the success of their debut release, The Dead South returned to the stu-dio and recorded their first full-length album, titled Good Company, which was released in April 2014 to a capacity crowd at local venue, The Owl.

Shortly after the release of Good Company, The Dead South showcased at Canadian Music Week in Toronto where they caught the attention of Jörg Tresp

of Devil Duck Records (based out of Hamburg, Germany). He immediately signed the band, released the album in Europe, and has booked the band for numerous overseas tours.

Earlier in 2014, The Dead South entered the 104.9 FM The Wolf Queen City Rocks battle of the bands competition where they won, coming out ahead of 24 other bands. Soon afterwards, they were selected to represent Sas-katchewan in the nation-wide CBC Searchlight competition for Canada’s best new artist. They sub-sequently received local and national recognition along with airplay on 104.9 FM The Wolf , CBC Radio 2 and several other radio stations, some of which include CJTR Regina Community Radio, CFCR Saskatoon Commu-nity Radio, and CBC Radio 1 in Saskatchewan.

The Dead South has been interviewed and fea-tured in many newspapers, some of which include the Leader Post, The Verb, Metro, Bridges, and QC. They have been on Global TV and CTV several times promoting their music and shows. The band was also on the cover of City Slicker, a Regina magazine, which featured a band profile after having won Queen City Rocks.

Since the inception of the band, The Dead South has continually pushed the energy of their live shows, as well as pushed what is possible between four ordi-nary acoustic instruments. The unique abilities and viewpoints of each band member make The Dead South an impossible band to duplicate, and a fixture of the Regina music scene that will not soon be leav-ing.

The Dead South is: Nate Hilts, Scott Pringle, Colton Crawford, Danny Kenyon.

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Blake Reid will be per-forming on the Big Valley Jamboree main stage at 1 p.m. Sunday, Aug. 2.

I remember one summer as a kid racing my brother through the pasture. I was on a ‘85 Honda and he was in the old blue farm truck, and we both had it pinned. I looked over when he hit the washout – guns flew out of the gun rack, calf meds, .22 shells and old cassette tapes exploded off the dash of that ‘72 Chevy. I was laughing so hard until I saw the butt of that old slow Angus cow walk in front of the bike…

Every farm has a hun-dred of stories like that. My story goes like this:

I’m not a GQ guy in designer threads. I come from a five generation farm family who staked their claim in 1902, broke the land and made a life. I’ve been up to my elbows in grease, guts and chaff since before I was in grade school.

I grew up with country music. On the farm, my mom would sing along with all the country radio leg-ends that echoed in the old farmhouse and Dad would tune into the daily grain prices. I spent thousands of hours listening to the evolution of country music through the AM radios of tractors, trucks, and com-bines. Even before I played guitar I would find a beat and write a song around the pulse of a square baler when we spent the sum-mers in the hay fields.

I’ve always been proud of my farm roots as well as my passion for music. Since starting the band while studying Agriculture at U of A, I have put count-less miles across the prai-ries chasing music. But my greatest satisfaction was

always to pick up my guitar and pen a new song in that old farmhouse.

My music is about my life and home. I’m drawn to the intimacy of farm life,

found down every gravel road outside the city limits. Some people are from the farm, others have memories with family and friends at the farm. There’s some that

don’t have a rural back-ground but can still relate to that life. These people will get my music.

Whether the dirt field beside your road is red,

brown, or sandy, I believe we all turn our ear toward something real and genu-ine. I sincerely believe you will find that in my music, my shows and in me.

Reiddrawn tointimacyof ruralfarm life

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35th Annual Pre-Harvest Machinery Consignment SaleFriday, August 14, 2014 – 9:00 a.m.

Rimbey, AlbertaLocation: Just East of Rimbey, off of Hwy 20

Parking: Only in designated areas. Shuttle bus service will be available from the south parking lot. Please no parking in the ditches or on the railway right of way.

• Miscellaneous 9:00 a.m. • Machinery 9:30 a.m.

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• SchulteGroundDrivenRockPicker• SchultzS/AManureSpreader• Bushhog7’3-pt.hitchRoughCutMower• Bushhog5’3-pt.hitchRoughCutMower• 72”RoughCutMower• Howse50060”3-pt.hitchRoughCutMower• Farmking5’3-pt.hitchRoughCutMower• Kubota5’FinishingMower• Swisher44”RoughCutMowerc/w11HPGas

Motor,WorksExcellent• NEWMontana5345FELc/wJoystick• Dual210FELc/wBucket,Grapple&Mtdsfor

CaseIH5140• Vers150Gal30’PTOSprayer• New Unused Spray Tech 150 Gal Slide in

SprayerTank• 2600GalPolyTank• 250GalPolyTank• RennTrailTypePostPounder• ShopbuiltTrailTypePostPounder• TwoNewHD82”Rototillersc/wGearDrive,

3-pt.hitch,PTO&OverRunningClutch• TwoNewHD84”BoxScrapers• Degelman9’Bladec/wMtdsforCaseIH5140

TRUCKS AND TRAILERS• 1991Mack300S/AGrainTruckc/w20’Steel

Box&Hoist,Diesel,Auto,Grain&SilageEndGates,GoodRunningCondition

• 1984KenworthT/ATruckc/w20’SilageBox• 1980 Western Star T/A Truck c/w 8V92

Engine,15Spd&3000GalTank• 1980 Chev T/A Truck c/w 20’ Wooden Box,

7 LGasEngine,13SpdTrans,Only24,480OriginalKm

• 1972IHC3TonLoadstarS/ATruckc/w345Gas,5&2Trans,16’SteelBox&Hoist

• 1972FordS/AGrainTruckc/w14’SteelBoxw/WoodFloor,Hoist,GrainEndGate,V8Gas&5Spd

• 1972 Ford F350 1 Ton 2WD Truck c/w GinPoles, Welding Deck, 42,000 Original Miles,360Motor&4SpdTrans

• 2001 Exciss 3 Horse T/A Gooseneck Trailerc/w 13’ Plus Living Quarters, PlumbingRedone, Winterized, Holding Tanks, WaterHeater&NewElectricJacks

• 1998 Real Industries 20’ T/A GooseneckStockTrailer

• Bergen14’T/ABumperPullStockTrailer• Danko20’T/AFlatDeckTrailerc/w7,000Lb.

Axles&New10,000Lb.Ramps• 20’ SteelGrainBox on aGravel Pup Frame

c/wSilageSides,Hyd.Gate&TelescopicHoist

Sale Conducted by:

Allen B. Olson Auction Service Ltd. – Rimbey, AlbertaLicense No. 165690 • Sale Site: 403-843-2747 • Toll Free 1-855-783-0556 • Email: [email protected] • Home Page: allenolsonauction.com

The Washboard Union will be performing on the Big Valley Jamboree main stage at 1 p.m. Friday, July 31.

“A three car pileup of Steve Earle, Old Crow Medicine Show, and the Avett Bros.” At least that’s what they say about Can-

ada’s only six piece outlaw band. Not one, not two, but three singers in sweet har-mony and an undeniable live show. It’s no surprise The Washboard Union has received multiple “Best of the Fest” nods from the many festivals. This is a band that lives to play live

and was recently invited to play with the Zac Brown Band at Prairie Jam 2014 in Winnipeg, MB.

The Washboard Union was nominated for 2014 Roots Artist of the year by the BC Country Music Association and is the brand new signing

by Ron and Shawn Saka-moto to Sakamoto Enter-tainment.

“We have always wanted to work with the best team in country music,” states the band, “and are thrilled to now be part of the Sakamoto family.”

The band is expected to release its sophomore album this fall.

You may see a lot of bands this year but you’ll tell every sin-gle one of your friends about that t ime you saw The Washboard Union.

Washboard Union Canada’s only six-piece outlaw band


35th Annual Pre-Harvest Machinery Consignment SaleFriday, August 14, 2014 – 9:00 a.m.

Rimbey, AlbertaLocation: Just East of Rimbey, off of Hwy 20

Parking: Only in designated areas. Shuttle bus service will be available from the south parking lot. Please no parking in the ditches or on the railway right of way.

• Listings are Subject to Additions and Deletions

• FCC Financing is Available

• Lunch Will Be AvailableMISCELLANEOUS

Two New 10’ 20 Drawer HD Work Bench w/40” Hanging Wall & Stainless Steel Drawers, two New HD Tire Changers, New HD Wheel Balancer, six New HD Warehouse Steel 72’ Shelving Racks, 27 Rolls of New Barbed Wire, two New 14” Metal Cut Off Saws, two New 5500 Lb. Pallet Jacks, New Ratchet Binder & Chain Pallet, two New 1” Air Impact Wrench Kits, Gardner Denver 185 Air Compressor, Complete Dispersal of Shop & Yard Tools, Kohler 16 HP Motor, 5th Wheel Hitch for Hi-Way Tractor, Hyd. Pump c/w 2 Cyl Motor, 100 Gal. Slip Tank c/w 15 Gal/Min. Fill Rate Pump & No Leaks, 45 2-Year-Old Hog Feeders, Assortment of New Tin, 100’ of 16’10” White Tin, 96’ of Assorted Colored Tin, six Crates of 18”x18” Floor Slate & Tile for a Back Splash, Assortment of Manufactured Stone, two 4”x11.5’ Insulated Pipes and two 6”x12.6” Insulated Pipes, Assorted Tote Tanks & Barrels, Honda 3” Gas Water Pump, Stihl Chain Saw, Stihl Gas Weed Eater, Binkley 5th Wheel, WinPower PTO Driven Alternator, KeHo 3 HP Aeration Fan, Fencing Supplies, Electric Fencers, high Tensile wire, Assorted Posts, Assortment of Plastic Tote Tanks, 3000 Gal Steel Water Tank, Stock Waterer and two Electric Fencers, three Rotoshears, Aeration Fan, Stainless Tank, Packer, Chain Hoist, Miller 250 Welder, Bin Sweep, Lincoln Welder, Grain Grinder, Packer Wheels, Mig Welder, Rolls of Electric Wire, Rd Baler Gathering Wheels, Sidewalk Blocks, Power Fist Pressure Washer, Sub Pump c/w Pitless Adaptor, Cattle Oiler, Cattle Squeeze, Western Truck Alum Headache Rack, Quantity of 2-7/8” and 2-3/8” Pipe and Items too numerous to mention!

CARS AND TRUCKSSelling at 1:00 p.m.

• 1926 Buick 2 Tudor, 3 Spd• 1946 Cadillac 4dr Car, Flat Head V8• 1998 Corvette Pace Car Convertible, Only

46,000 Km• 2005 GMC 3/4 Ton 4x4 Ext Cab Truck c/w 5.3

L Vortec Engine• 2004 Chev 3/4 Ton 4x4 Ext Cab Short Box

Truck, Duramax Diesel, Allison Auto, Air, Tilt & Cruise & Factory High Idle

• 2003 Chev 1/2 Ton 2WD Truck c/w 5.3 L Vortec Engine

• 2002 GMC Envoy 4x4 SUV c/w 4.2 L Motor & Auto

• 1996 Chev 1/2 Ton 2WD Truck, Runs Good, V8 Gas, Auto & Canopy

• 1995 GMC 1 Ton 4x4 Truck c/w Flat Deck, Gas

Engine & Auto• 1994 GMC 1/2 Ton 4x4 Truck• 2003 Buick Regal 4dr Car c/w V6 Motor &

Auto• 2001 Dodge Dakota Quad Cab Truck c/w V6

Motor• 2007 Chrysler 4dr Car c/w 2.7 L V6 Motor• Ford Explorer Sport Trac Truck c/w Tonneau

Cover• 1999 Ford F250 2WD Super Duty XLT Ext Cab

Truck, Only 121,000 Kms, Spent Last 10 Years Running in the Summer Only w/a Camper, V10, Auto & Fully Loaded

• 1994 Dodge Ram Pleasure Way Excel RL Camperized Van c/w Raised Roof, Sleeps 2, Bathroom, Microwave, TV, Stove, Sink, Furnace & Hot Water

• Traveler Saturn 17’ Inboard Boat c/w Chev 120 HP Dual Carb Motor & T/A Trailer

• Glascon Tri-Hull Boat c/w Ez-Loader Boat Trailer

• JD 2653A Fairway Mower• Roger SP 5520 80 Gal. Golf Course Sprayer

c/w Shrouds & Slide In Unit• JD 935 Diesel Riding Lawn Mower• Cub Cadet 1042 Riding Lawn Mower c/w 19

HP, Hydrostatic & 42” Mower Deck• New 10’x14’ Garden Shed• New Insulated Doghouse• Nomad 3-Wheel Scooter• 2007 Lianfei UV650 Side By Side ATV c/w

Winch• 2004 Zhong Yongang 50cc Quad, Not Running • 1995 Polaris 400 4x4 Explorer Quad• S/A Quad Trailer• Maxon Car Hoist

LUMBERSelling at 9:30 a.m.

• 2x4, 2x6, 2x8, 2x10, 2x12 – 8’ to 20’ Lengths of Spruce & Fir, All grades Including Construction. Approx. 250,000 FBM

• Assortment of 8’, 7’ & 6’ Posts

TREESSelling at 12:00 Noon

• Sixty 3’ to 4’ White Spruce Trees

BUILDINGS• New 30’x85’x15’ High Ceiling Double Door

Storage Building c/w 13’ Drive Through Doors• New 20’x30’x12’ Peak Ceiling Storage Shelter

c/w Roll Up Door• New 20’x40’ Fully Enclosed 800 Sq Ft Party

Tent c/w Doors, Windows & Walls• Two New 16’x22’ Marquee 320 Sq Ft Event

Tents c/w 7 Windows & 1 Zipper Door• Three New 10’x20’ Commercial Pop Up Tents• New 20’ HD Bi-Parting Wrought Iron

Driveway Gates• Three 40’ Seacans

Machinery Terms and ConditionsCash and cheque, GST will apply on some items, all items must be paid for on Sale Day.

All items must be in the Sales Yard by Wednesday, August 12, 2015 at 5:00 p.m.!

3 Rings Will Sell Simultaneously

REAL ESTATESelling at 12:00 Noon

Unreserved Acreage Auction for Don MattilaLand Located South of Eckville 4.3 km to Hwy 11, 1 km East to Rge Rd 3-2, 1.6 km South and 1.1 km East on the South side. County Sign: 38425 Rge Rd Ext 32. Sale conducted just East of Rimbey at our Sale Site

Friday, August 14, 2015 – 12:00 Noon

Selling in conjunction with the 35th Annual Pre-Harvest Machinery Consignment Sale

Legal Description: Part of the NW 26-38-3 W5M• Selling 4 acres M/L of a well landscaped

acreage with a 16’x76’ mobile home w/a 3 bdrm., 2 baths, a 10’x12’ addition w/a wood burning stove and covered deck. Fridge, stove, dishwasher, washer, dryer and mostly furnished. Acreage has many mature trees, fruit trees and a new septic system, plus a drilled well with a sub. pump, Garden shed and greenhouse, propane tank w/natural gas at the property line.

Open Houses: August 1 and 2 from 1 p.m. to 4 p.m. or by appointment by phoning Don at 403-746-2213 or cell at 403-318-1055

All measurements are approximate and need to be verified by the purchaser.

Real Estate Transactions are being handled by Morrison Realty – 403-783-0556

Real Estate Terms and Conditions• 10% down on Sale Day. Balance and

possession on or before September 14, 2015. If balance is NOT RECEIVED by September 14, 2015 the Deposit will be forfeited as liquidation damages.

Sale Conducted by:

Allen B. Olson Auction Service Ltd. – Rimbey, AlbertaLicense No. 165690 • Sale Site: 403-843-2747 • Toll Free 1-855-783-0556 • Email: [email protected] • Home Page: allenolsonauction.com


TRACTORS

• JD 4450 tractor, 1983, 7,980 original hours, powershift, 540/1000 pto, 140 hp CAHR, 20.8 x 38 duals, 3 hyds., 1 owner, shedded, exc. cond.

• JD 4020 tractor, 1965, 5,812 orig. hours, cab, powershift, 540/1000 pto, 95 hp, diesel, 18.4 x 34 tires, 2 hyds, 1 owner, shedded, vg cond.

• Deutz DX-6.50 tractor, 122 hp, 3,950 hours, 2 hyds, 20.8 x 38 new rears, 540/1000 pto

• International W9 tractor w/Farmhand loader, 16.9 x 34 tires, 540 pto, 1 owner

VEHICLES• 1970 International 1600

Loadstar winch truck w/gin poles, 8.25 x 20 tires, HI/LO axle

• 1968 Ford F 700 grain truck w/16’ wood box and hoist, 59,386 miles showing, 10F/2R, HI/LO range, 10.00 x 20 tires, 366 motor, roll tarp

• 1965 Chevrolet 30 grain truck w/12’ wood box and hoist, 31,251 miles showing, 4F/1R

QUAD and LAWN TRACTOR• 2004 Arctic Cat 650 V twin

quad, 2,562 km, 4x4, hand warmers, 2500 lb. winch, vg cond.

• JD 212 lawn tractor w/32” tiller, deck and front mount snowblower w/Kohler motor

SWATHING and HARVEST

• JD 9600 SP combine w/JD 914 14’ PU, 2,406 sep. hr., 3,245 eng. hr., 1994, hydro, fi ne cut chopper, big top hopper ext., chaff spreader, air foil sieve, shedded, exc. cond.

• JD 930D draper header, 30’, factory trans., multi and single point adapters, PU reel

• John Deere 930 fl ex header, 30 ft., PU reel

• Elmers 30 ft. combine header transport

• Versatile 400 SP swather w/18’ UII PU reel

• Swather mover• 16 ft. unused bat reel

BINS, AUGERS and TANKS

• Nine Westeel Rosco 1800 bushel hopper bottom grain bins w/aeration ducting and skids

• Butler 2000 bu. hopper bottom grain bin

• Westeel Rosco 1450 and 1800 bu. hopper bottom grain bins w/aeration ducting and skids

• Sakundiak 10”x60’ hyd. swing grain auger

• Brandt 8”x50’ SP grain auger• 8”x33’ SP grain auger w/20

hp Kohler• Three Keho “Super Flow” bin

aeration fans• Flaman 3 hp aeration fan• 1250 Gal. tank• 500 Gal. galvanized water

tank on wheels• 300 Gal. galvanized water

tank• 250 Gal. poly water tank on

wheels• 25 Gal. poly water tank on

s/a quad trailer• 100 and 135 Gal. slip tanks

w/12V pumps

TILLAGE and SEEDING• Morris CP-725 cultivator, 25’• JD 24’ cultivator, 4-bar

harrows, 6” spacing• Homemade 24’ harrow

packer• 36’ 3-bar drag harrows• Graham Hoeme 10’ cultivator• Homemade 12’ heavy duty

land leveller• Two Morris 36’ rodweeders

TRAILERS

• 2011 Bluesky 20’ t/a fl atdeck trailer, spray-on rubber coating, front winch, beavertails, 7,000 lb. axles, 8 bolt rims, 16” tires, like new

• 2009 Charmac 14’ t/a enclosed cargo trailer, checkerplate fl oor, side door, barn doors, 15” tires, 3,500 lb. axles, used twice, like new

• 3’ wide x 5’ long s/a trail type quad dump trailer

• 4’ wide x 8’ long s/a trailer• 8’ wide x 18’ long pipe

framed hay rack• Four 18’ long wagons set up

to hold pipe or wood

MISCELLANEOUS• IH 25 horse-drawn restored

potato planter.• Lincoln Electric 300 Amp PTO

driven welder w/cables on s/a trailer

• Snowco grain cleaner• Miller 225 Thunderbolt DC

welder w/cables on portable cart

• Heavy duty 220 V grinder• 4’x8’ heavy duty welding

table w/2 vices• Engine hoist w/2000 lb.

electric winch• 60 Gal. 5 hp air compressor,

220 Volt• Air compressor hose reels w/

hose • Jackall jacks• 9’ (W) x 17’ (L) metal framed

skid • 8’ x 8’ wooden shed• 7” Metal bandsaw• ±200 2x4 and ±forty 2x6

Non treated boards• Mac Tools upright metal tool

chest • Craftsman wheeled weedeater • Drill press

• Milwaukee cut-off saw• Extension ladders• Assorted air tools and

wrenches • Battery charger• Cultivator shovels and spikes• Heavy duty ramps• Antique kid’s sleigh• Wood splitter • Tablesaw• Portable air tank• Ammunition boxes • Router

AUCTIONEER’S NOTEDue to health reasons Larry has sold the land and is retiring. Some items are consigned by the purchaser of the land, JD Johnson. Please note the 4:00 p.m. start time! For further information call JD or Larry at 403-740-5992 or 403-741-5401.

ALL MAJOR ITEMS WILL START SELLING AT 6:00 PM

FOLLOWED BY THE GRAIN BINS

TRACTORS

• Steiger Cougar KR-1225 4WD tractor, 1985, 7,158 hr., 225 hp, L10 Cummins motor, 18.4 x 38 duals, big 1000 pto, 4 hyd. outlets, 2 speed powershift w/20F/4R, HI/LO range, very good cond.

• Case 1070 tractor w/Ezee-on 120 FEL and 6’ bucket, 1974, 6,356 original hr. w/1000 hr. on rebuilt motor, 108 hp, powershift, A/C, cab, heater, 18.4 x 38 duals, 2 hyd. outlets, 540/1000 pto, 1 owner

• Case 830 tractor w/8’ front blade, 2,851 original hr., 18.4 x 30 rear tires, wheel weights, 2 hyd. outlets, 540 pto

• MF 50 tractor, 1957, 38 hp, gas, 3-pt. hitch.

• McCormick Deering 1530 steel wheeled tractor, not running, not seized

SPRAYING, AUGERS, TANKS• Flexi-coil 65 PT sprayer, 80’,

1000 gal. poly tank, monitors, 1000 pto, chemical handler

• Westfi eld 10”x51’ hyd. swing grain auger

• Westfi eld W70-46, 7”x46’ grain auger w/Kohler 16 hp electric start motor

• Sakundiak HD7-1200, 7”x40’ grain auger w/Honda 18 hp electric start motor, E-Kay bin sweep, new battery

• 1250 Gal. poly water tank• 150 Gal. slip tank w/hand

pump• 400 Gal. aluminum tank on t/a

trailer• Westeel Rosco 300 gal. unused

fuel tank

LAWN, GARDEN, RECREATION• 1993 Arctic Cat Puma 340

snowmobile, 1,522 km, electric start, hand warmers

• 1972 Moto-Ski Capri 340 snowmobile, 837 original mi.

• 1986 Suzuki 250 quad, 2WD• JD 316 ride-on lawn tractor,

48” deck, 665 hr.• Husqvarna 1100 lawn sweep• Fimco quad type 7’ sprayer w/

hand wand• Land Pride 5’ rough cut 3-pt.

hitch mower• Westward 7’ 3-pt. hitch spring

tooth cultivator

TILLAGE and SEEDING

• Flexi-coil 5000 33’ air drill w/Flexi-coil 1720 air cart, 170 bu. tank, 9” spacing, single shoot, rubber capped packers, extra roller for canola

• Diamond harrows• Friggstad 37’ cultivator w/

Degelman 4-bar mtd. harrows• Graham 12’ cultivator• Morris 21’ cultivator w/3-bar

mtd. harrows• Ezee-on 1300 double offset

18’ tandem wing-up disc w/4 new tires

• 10’ Double disc• Allied 40’ diamond harrow bar

SWATHING and HARVEST

• Case IH 1660 SP rotary combine w/Case 1015 header w/Super 8 12’ PU, 1989, Cummins 8.3 motor, 2,504 engine hr., grain loss monitors, rock trap, hydro, straw spreader, chopper, newer PU belts, shedded, 1 owner, exc. cond.

• Case IH 1660 SP rotary combine w/Case 1015 header w/Melroe 12’ PU, 1986, 466 IH motor, 2,739 engine hr., grain loss monitors, rock trap, hydro, straw spreader, chopper, shedded, exc. cond.

• Case 1010 straight cut header w/20’ PU reel

• Case 8820 SP swather w/25’ UII PU reel, 1,429 hr., gauge wheels, double swath, shifting table, double knife drive, A/C

• Blanchard 8’ canola roller

VEHICLES

• 1991 IH 4900 t/a grain truck w/20’ steel box and hoist, recently rebuilt 466 motor, 522,218 km, 8,032 hr., 13 speed manual transmission, 11Rx22.5 tires, diesel, Harsh dual hoist, spring suspension, box divider, new roll tarp, very good cond.

• 1975 Ford F-500 s/a grain truck w/14’ wood box and hoist, 58,490 miles, HI/LO, 8F/2R, 9.00 x 20 tires

• 1974 Ford F-500 s/a grain truck w/13’ steel box and hoist, 42,958 miles, 9.00 x 20 tires, gas

• 1969 Chev C/30 s/a grain truck w/12’ box and hoist

• 1978 Ford F150 truck, auto., cracked manifold

• 1941 Fargo truck w/9’ box, not running

ANTIQUES• 4-Drawer dresser w/beveled

glass mirror• 3 and 4-Drawer dressers w/

mirrors• Oak table w/3 leaves• Maple table w/6 leaves• Four Matching oak chairs• RCA Victor radio• Medalta 20 gal. crock• Two Wooden benches• Sideboard • Butter churn• Wrenches • Leg vice• Horseshoes • Drill press• Washstands • Hutch• 1-Bottom breaking plow on

steel • 3-Bottom plow• Horse drawn 6’ discer• Two Dump rakes• Walk behind potato digger and

cultivator • Forge

MISCELLANEOUS• Buhler Farm King grain cleaner• GT grain dryer• 5-Wheel side delivery hay rake• Hydraulic rams• Crown fork type rock picker• Battery charger• Nodet Gougis t/a trefl an

applicator • Elec. motors• Two 39’ grain rings w/tarps• Clay pigeon thrower• Case 1660 or 80 new rub bars

and auger extension• Canadiana snowblower w/5 hp

B & S motor.• Honda 3500 Watt generator• 2 Ton shop crane• 110 Volt air compressor• Makita cut-off saw• Rockwell Beaver 9” tablesaw

w/1 hp motor• Canwood dust collector• Delta 12½” planer• Craftsman jointer• Metal toolboxes • Sandblaster• 10 Ton portapower• Logging chain • PLUS MORE!

AUCTIONEER’S NOTEGerald and Muriel have discontinued their farming operation. This is a well maintained line of equipment and there is something here for everyone. For further information contact Gerald at 780-336-1123 or 780-336-2444.

UNRESERVED FARM SALE UNRESERVED FARM SALEGERALD and MURIEL WALKER

of VIKING, ABLocation: From Highways 36 and 14 intersection at Viking, go 6 km north

on Highway 36. Gate Sign: 48302 RR 131 – SE 23-48-18-W4

SAT., AUGUST 15, 2015 – 11:00 a.m.

LARRY BAUMAN of BOTHA, ABLocation: From Botha go 4 miles east on Highway 12 to Range Road 180

and then go 1.5 miles north; OR from Gadsby go 3 miles west on Highway 12 to Range Road 180 and then go 1.5 miles north.

Gate Sign: 38550 RR 18-0 – NE 36-38-18-W4

THUR., AUGUST 20, 2015 – 4:00 p.m.Pictures on Website • Terms: Cash, Cheque, Debit, Visa, M/C • Lunch Available

GST will be charged where applicable These lists subject to additions and deletions

Carol FreimarkLeigha NealPam Dunkle

Done — Murray


Ron Pollock of Devon, ABDirections: Being north of Devon on Highway 60 to Woodbend Road, then 3½ miles west,

then turn south at Cannor Nurseries for ¼ mile – 1-26515-TWP RD 514

SATURDAY, AUGUST 8, 2015 – 10:00 a.m.Watch For Signs • GST will be charged where applicable • Lunch Available

UNRESERVED ACREAGE AUCTION SALE

TRACTORS

• Ford Golden Jubilee, 3-pt. hitch, PTO, good rubber, 21 hr. since complete overhaul

• Ford 8N, 3-pt. hitch, PTO, good rubber, completely overhauled

• JD “D” Tractor c/w PTO, pulley, S/N 18257

3-PT. HITCH EQUIPMENT

• 3-pt. hitch JD 665 HD Rototiller, 5 ft., like new

• 3-pt. hitch Buhler Farm King Tandem Disc, 6 ft., like new

• Farm King 510 3-pt. hitch Brush Mower

• Ford 3-pt. hitch 8 ft. Cultivator

• Allied 3-pt. hitch 7 ft. Blade

• Ford 3-pt. hitch Dirt Bucket

• Three Ford 3-pt. hitch 2-Bottom Plows

• Front Mount or 3-pt. hitch 5 ft. Snowblower c/w 12V chute turner

• Home Built 3-pt. hitch Fresno

MISCELLANEOUS• 300 gal. Plastic Water Tank

c/w skid, Honda 2” pump and hose reel

• 2W Trailer c/w 4’x8’ box• Roll Pond Liner

• Fifteen 4” x 4” x 8 ft. Landscape Ties

• Honda 3000 Generator, like new

• Honda 3’x2’ Water Pumps• 25 gal. Trailer Estate

Sprayer c/w 12V pump• Sandblaster c/w sand• Fifteen 25’x1½” and 2”

Water Line c/w Sprinklers• Delta Wood Lathe• Bench Drill Press• Battery Charger• Husqvarna Chainsaw• Drills • Bits• Assort. Hand Tools• 10-Drawer Toolbox• Compound Bow c/w

arrows, like new• Chains and Boomers• Wheelbarrow• 2T Hyd. Hoist• 90’ of 12’ Chainlink Fence

c/w Posts and Bars• Two 5’x12’ Chainlink Gates• 15’x54’ Hay Tarp• Fishing Equipment• Assort. Antique Tools• Many More Items

TREES• Twenty-four Northwest

Poplar Trees in baskets• 3”-4” calipers

TRUCK

• 1989 Dodge Dakota, V6 engine, auto, 4x4, c/w 6’x7’ deck

BOAT and ATV

• 1983 Glastron 16’ Open Bow Boat, seats 6, OMC Leg, needs 3.8 V6 Eng., c/w Ezee Loader Boat Trailer, Boat S/N LAC 0588M83B, Trailer, S/N unknown

• Honda Big Red Trike, c/w electric start, reverse, front and back racks

AUCTIONEER NOTEThe Pollacks have sold their acreage therefore this sale. Tractors are like new. Plan on attending. For more information call Ron Pollock at 780-910-6540 or Miller’s Auction Service at 780-789-2226 or 780-920-6738.

Terms: Cash or valid cheques only, certifi ed cheque, bank draft or bank letter of credit. No purchases to be removed until settlement has been made. List is subject to additions and/or deletions. Neither the owner, the auctioneer nor staff of the auctioneer shall be held responsible for any loss or accident on or off the auction site.

Look for pictures on our website: www.millersauctionservice.com

Thorsby Horse SaleThorsby, AB

Thursday, August 6, 20156:00 p.m.

PLEASE NOTE: The sale location has

been moved to the Thorsby Haymaker Centre

Thorsby, AB

• Tack sells at 6:00 p.m.• Horses sell at 8:00 p.m.

For more info call Alvin Miller 780-920-6738Trevor Miller 780-722-2705

NO BUYER’S PREMIUM

www.millersauctionservice.com

46TH ANNUAL HARVEST

MACHINERYCONSIGNMENT AUCTION

Saturday, AUGUST 15, 2015AT LINDSTRAND AUCTION MACHINERY SALE SITE

9:00 a.m. Selling 3 Rings

Ph: 780.672.8478 Fax: 780.672.2474 “Your leaders in on-site farm auctions”

Check out our website at: www.lindstrandauctions.com or email us at: [email protected]

Jody Cell: 780.679.8101 Laurie Cell: 780.679.7363

AB License #312728

Listings are now being accepted to be included in our newspaper, radio, web page and extensive mailing campaign. Take advantage of our 46 years in the auction business. We conduct Alberta’s Largest 1-day Farm Machinery Consignment Auction 4 times a year. Selling shop equipment, cars and trucks, lawn and garden, recreation vehicles and major farm equipment. Whether you have one piece or a complete line of machinery, we have the facility and the experience to bring you top dollar for your equipment.

To Consign Call: 780-672-8478 or 1-800-251-1441

Accepting ConsignmentsTuesday, August 4 to Friday, August 14.

At Lindstrand auctions sale site, 2 miles north of Camrose – 47321 Secondary Highway 833

CALL THE AUCTION PROFESSIONALS TODAY...

These Rings Will Start Sharp!Ring 1 – Starts at 9:00 a.m. – Shop Equipment

and Miscellaneous

Ring 2 – Starts at 9:30 a.m. – Cars & Trucks, Lawn & Garden Equipment, Recreational Equipment

Ring 3 – Starts at 10:00 a.m. – MAJOR FARM EQUIPMENT

Come early to register to avoid lineups!Pre-register all day Friday!

Subject to additions and deletions. Lunch available.

We expect this to be a very large sale with four farm dispersals.

For a current full listing and pictures visit our website at: www.lindstrandauctions.com

Hay Lakes’ Roper leads Hey Romeo

Hey Romeo will be performing on the Big Valley Jamboree main stage at 2 p.m. Friday, July 31.

Since they formed in 2002, Hey Romeo’s insistence on stay-ing on the road as much as pos-sible has garnered the Alberta-based country band a reputation as one of the hardest working acts in Canada. That reputation has been enhanced following the release of their six-song, 2014 EP, I Got This – a seamless blend of Country, pop and rock that reminds listeners that it’s often life’s simplest moments that are the most important.

Over time Hey Romeo have shared the stage with artists including Sugarland, Darius Rucker, Gord Bamford and Johnny Reid and will wrap up 2014 touring with Alan Jack-son, Terri Clark and The Nitty Gritty Dirt Band for multiple dates in Western Canada.

In 2008, Hey Romeo’s self-titled debut garnered a Cana-

dian Country Music Award for Top New Talent of the Year. Their follow up, That’s What I Am (2010), cemented their repu-tation for fans and industry alike with the top 20 hits “Searchin’ For You” and title track, “That’s What I Am.” Additionally, both “That’s What I Am” and 2012’s “Twist Of Fate” landed the band CCMA awards for Group or Duo of the Year in 2011 and 2012, respec-tively.

With I Got This, Hey Romeo has released a record that, as lead vocalist Stacie Roper sings on the title track, will literally “turn your day around.” Featur-ing good time, party tunes like “Hello Patio,” and introspective offerings such as “Won’t Be Over You,” I Got This is as refreshing as a cold drink on a blazing hot day. When it comes to spreading sunshine, as Roper, keyboard-ist Rob Shapiro and guitarist Darren Gusnowsky put it them-selves, “I Got This.”

Hey Romeo

Done — Murray


Chesnutt a classic country singer of the first orderMark Chesnutt will be

performing at the Big Val-ley Jamboree Kick-Off Party Thursday, July 30.

Mark Chesnutt is one of Country’s true musi-cal treasures. Critics have hailed him as a classic Coun-try singer of the first order and some of Country music’s most elite entertainers, from George Jones to George Strait, echo the sentiment.

Mark Chesnutt’s stature is easily gauged. He has 14 No. 1 hits, 23 top 10 singles, four platinum albums and five gold records to his credit; he maintains a front-and-center presence with a hefty tour schedule year after year.

Country music critics and fans alike need look no further when it comes to Country music basics. If you ask Chesnutt, he’ll tell you, “It’s the music and the fans that have kept me around this long.”

In a creative forum that sometimes confuses style with substance, Mark Chesnutt possesses both. Remaining true to himself as a traditional country art-ist, while keeping the pace with the ever-changing country recording landscape, Mark Chesnutt has a knack for picking great songs, deliv-ering them with world-class style and a heart-felt emotion that’s lived-in.

With a trademarked voice, Chesnutt has set the bar for his generation and those that follow in his foot-steps shaping the music of today’s country music new-comers and the new country music format.

“Mark Chesnutt gave honky-tonk music back its soul,” noted music critic Robert K. Oermann. “When Chesnutt appeared on an arid musical landscape back in 1990, I dubbed him the hillbilly messiah.” Oermann stated. “I still feel that way today and I’ll feel that way decades from now.”

Now, some 20-odd years later, Mark Chesnutt marches on to preserve and honor the splendid works of the sculpturing forefathers, George Jones and Waylon

Jennings, to bring music from the honky tonks right back to where country music began.

Dubbed as one of the “most reliable country art-ists” (Craig Shelburne/CMT.com), Chesnutt does not dis-appoint. He is masterful in his natural ability to let his voice shape the words to cre-ate a moving musical motion picture (reminiscent of tra-ditional country music stan-dards such as Charlie Rich’s “Behind Closed Doors” and Vern Gosdin’s “Is It Rain-ing At Your House”) and his current single, entitled “When The Lights Go Out (Tracie’s Song)” is the very essence of Chesnutt’s musi-cal fibre as an autobiograph-ical reflection of his life and loves – country music and his wife, Tracie.

Chesnutt got his start in the honky-tonks of Beau-mont, Texas, learning from his father, Bob Chesnutt, a singer, record collector and major fan of classic coun-try music. Playing alongside his dad, Mark embraced his father’s influence one set at a time and to begin making a name for himself. Mark sang covers by Lefty, Merle, George and Waylon to develop his unmatched crowd-pleasing rapport and his authentic country style.

Bob Chesnutt often traveled to Nashville to record and to broaden his exposure. He began taking Mark along to record when he was just 17. After near-ly a decade of recording on regional labels, word got out about this young country vocalist. Music Row execu-tives came to hear Mark on his own Texas turf and recognized the depth of Mark Chesnutt’s raw talent. In 1989, he was signed to MCA Nashville and his list of accolades tells the rest of his story. With the release of his first single “Too Cold At Home,” Mark established himself as one of country’s most authentic and talented vocalists. He won the CMA Horizon Award attracting the attention of country leg-end (and Mark’s greatest

mentor) George Jones who introduced him as “A boy from Beaumont, Texas who is the real deal.”

That recognition and ini-tial success opened the door to offer Mark his chance of a lifetime, to do what he loved most – sing country music for country fans; this time, on a national level.

“The first couple years it was non-stop.” Mark says. “I can remember one time during a tour, I didn’t step foot on the front porch for ten months, with exception of a day or a day-and-a-half, then, it was right back out again.”

Mark’s dedication paid off. He developed a true blue fan base. Fans, he con-fides, “are the reason for my success.” His fans helped his records to climb the charts one right after the other making him one of Billboard’s 10 Most-Played Radio Artists of the ‘90s. Mark’s singles were some

the decade’s most memo-rable; from the fun tempo “Bubba Shot The Juke-box” to emotional ballad “I’ll Think Of Something.” Mark is easily identified for his string of hits including “Brother Jukebox,” “Blame It On Texas,” “Old Flames Have New Names,” “Old Country,” “It Sure Is Mon-day,” “Almost Goodbye,” “I Just Wanted You To Know,” “Going Through The Big D,” “It’s A Little Too Late,” “Gonna Get A Life,” and one of his biggest, “I Don’t Want To Miss A Thing;” a song that held its position at the top of the charts for four consecutive weeks.

Of all the recorded high-lights Chesnutt has enjoyed, they take a back seat to his first love; Mark Chesnutt lives to perform on stage.

“I just make records because I want people to come see my show,” he says with a grin. “Recording music for folks to just listen

to music is great,” he says, “but I’ve got to be out there on stage making it.”

Fans who have seen him perform agree.

Known as one of the industry’s hardest-working concert performers, main-taining a hefty tour sched-ule and steady presence in front of his fans, Mark’s ded-ication to deliver live music is unsurpassed. Mark has been on the road since 1990.

Whether you hear Mark Chesnutt with a new release on the radio, or see his face on the cover of a new CD, folks can always find Mark doing what he was born to do playing.

“The clubs and honky tonks are home for me; it’s comfortable and I’m always with friends,” says Ches-nutt.

Married since 1992, Mark and Tracie Chesnutt are the loving parents of three boys, Waylon, Casey and Cameron.

Dallas Smith will be performing at the Big Val-ley Jamboree Kick-Off Party Thursday, July 30.

Hailing from British Columbia, Dallas Smith is skyrocketing to the very top of the Country music scene. His 2012 debut album Jumped Right In generated five singles in the Canadian Hot 100, including the gold selling title-track, garnered five CCMA Award nomina-tions and was nominated for Country Album of the Year at the 2013 JUNO Awards.

Following a slew of sold out tour dates with

Florida Georgia Line and Bob Seger, Smith

released 2013’s Tippin’ Point EP, making his debut in the U.S. and set-ting the bar high while representing Canadian Country music’s cutting edge sound. Co-written by Florida Georgia Line’s Brian Kelley and Tyler Hubbard along with The Cadillac Three’s Jaren Johnston, Tippin’ Point set the record as the fast-est Canadian country single to go gold in his-tory. Additionally, Smith topped SiriusXM’s The Highway Hot 45 Count-down and most recently added the title of ‘plati-num-selling country art-

ist’ to his repertoire with the announcement that Tippin’ Point had been certified platinum.

Amassing national appeal, Smith netted three 2014 CCMA Award nominations including Single, Album and Male Artist of the Year and is the first Canadian coun-try artist to have eight singles reach the top ten in radio in Canada. Following a summer of notable festival dates, including an outstanding headline performance in front of 25,000 fans at the Boots And Hearts Music Festival, and a record

breaking performance at the Craven Country Jam-boree where he drew over 12,000 fans and shat-tered attendance records, Smith announced the release of his second full-length country album, Lifted, on Nov. 25.

Smith has appeared on Canada AM, Breakfast Television, CMT Canada, CTV Morning Live, Glob-al Morning, CBC, TSN, SiriusXM and more. Lift-ed reunites Smith with prized producer Joey Moi (Florida Georgia Line, Jake Owen) and is fol-lowed by the 2015 head-line Tippin’ Point Tour.

Dallas Smith on Canadian country music’s cutting edge

Dallas Smith

Mark Chesnutt

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Aaron Pritchett will be per-forming at the Big Valley Jam-boree Molson Canadian Saloon Saturday, Aug. 1.

Acclaimed for bringing “rock energy” to “country audi-ences”, Aaron Pritchett contin-ues to hold the title of one of the most sought after artists in the business. His passion and intensity for his art over-

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Mavericks have a tune for every music fan

The Mavericks will be performing on the Big Val-ley Jamboree main stage at 5 p.m. Saturday, Aug. 1.

“The world has too much strife, racial and social divides being fed 24/7; it’s non-stop. It turns normal, loving people into brainwashed zombies who can’t come together. May-be it’s the hopeless romantic in me, but I’d like to make a place where all people can come together.” – Raul Malo

It sounds like lofty “hippie speak,” something the Gram-my winner jokes about, but Raul Malo, the son of Cuban immigrants, and his musical comrades believe in bringing people together – often in the name of good times and great music – which is the most universal language of all.

“One of the things we love about our shows is we get all walks of life, all ages, all colors, all politics, all genders, all religions,” front man Malo states.

From their earliest shows as a garage band playing the punk clubs on Miami Beach, The Mavericks have had a skill for getting people to groove. Drawing on a mix of classic country, cow-punk and standards, Malo and compa-ny left South Florida, bring-ing their rhythmic fervor and Latin machismo, along with Malo’s lush baritone, to the world.

In 2013, after numerous years as a band, multiple gold and platinum albums, world tours, breakups and reforma-tions, The Mavericks record-ed their critically-acclaimed album In Time and re-intro-duced music lovers to the band’s genre-defying melting pot of pop music.

With the release of Mono, The Mavericks find them-selves making the most rel-evant music of their career.

“The experience of mak-ing this record was quite unique. We had the luxury of a very finely tuned band and the energy from the last two years of touring under our belts. We all believed that it was going to be special and I think we would all agree that, our record Mono best represents what our band does live,” expresses guitarist Eddie Perez.

While in the studio to record the new album, the band realized that their songs required a different approach. They felt drawn toward the idea of creating an album that shines through its song writing and instrumentation in a singular mindset with-out relying on stereo tricks of modern recording – so the idea of recording in mono was born. Drummer Paul Deakin explains, “As is often the case with The Mavericks’ plans, the idea to mix the record in mono came about spontane-ously. During the recording process we would go into the studio around noon and lis-ten to vinyl records for some extra inspiration. At some point, someone noted that almost all of the recordings we were listening to were mixed in mono. Our producer Niko Bolas said, off-the-cuff, ‘we should mix this record in mono.’ And we thought, we can’t get away with that – so of course we had to.”

Longtime keyboardist Jerry Dale McFadden adds, “Most of these songs were recorded live in the studio with very little overdubbing. Some people might even be surprised to know that the tracking vocal is the vocal you hear on the record. Raul didn’t go back in and re-sing anything.”

With Mono, the band embraces cultural and musi-cal diversity. Malo’s song-writing builds on the com-positional craftsmanship of early-twentieth-century musical elegance yet demon-strates his skill for writing music that is progressive and timeless. From the thrusting opener “All Night Long” to the pensively sheer “Fascinate Me” and the chaotic thrill of “(Waiting for) The World To End,” the band seamlessly shifts gears.

Elements of ska play a prominent role in songs like “Summertime (When I’m With You)” and one of the most rockin’ tracks, “What You Do To Me,” which Perez believes “has all the energy and style that best represents what it’s like to be at a Mav-ericks show.

The Orchard will be performing at the Big Val-ley Jamboree Kick-Off Party Thursday, July 30.

Royalty Records/Sony Music Entertainment record-ing artists The Orchard is a Canadian country duo made up of singer/songwrit-ers Kasha Anne and Mitch Smith. Their sound can be defined as smooth alterna-

tive country, heavy southern blues, folk influences, guitar driven with powerful vocals.

The Orchards’ recent acco-lades include opening for some of Canada’s biggest names in Country Music: Dean Brody, George Canyon, Chad Brown-lee and many more.

The Association of Country Music in Alberta (ACMA) has recognized The

Orchards by nominating them for several awards this year including Group of The Year, Album of the Year, and Fan’s Choice.

Currently, The Orchard has been playing shows across Canada. Music and art always come first and The Orchard are constantly writing and creating new sounds.

The Orchard making waves in Canada

Done — Murray


Paisley headlines Friday eveningconcert bowl

Brad Paisley will be performing on the Big Val-ley Jamboree main stage at 9 p.m. Saturday, Aug. 1.

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Moore ready to perform on the main stage Justin Moore will be per-

forming on the Big Valley Jamboree main stage at 7:30 p.m. Saturday, Aug. 1.

Justin Moore’s always had a thing about doing it his way. Call it stubborn redneck mettle, a well-developed case of “who I am” or just the fierce commitment to blaze a trail inherent to people from his home of Poyen, Arkansas. It doesn’t matter why, just that the blazing sense of off the beaten path drives his album of the same name.

Again teaming with fel-low writer/producer Jeremy Stover, the pair turn up the guitars, lean into the swag-ger and refine the powerful good ole boy perspective that allows for all the bravado. There’s a strong vein of ten-derness and decency hold-ing Moore’s kind of country together. Look no further than Rhett Atkins/Ben Hay-slip/Ross Copperman-written “Point At You,” the lead single, that acknowledges every wild hair Moore has, but hits the bottom line of his goodness via the woman who became his bride.

Those dualities are the truest thing about most red-blooded American males. Get loud, get rowdy, but get home and emerge solid fam-ily men dedicated to some basic ideals that have defined this country. One need look no further than The War-ren Brothers/Lance Miller/Austin Cunningham-penned

opener “Old Back In The New School” to understand Moore is all about the things that last, the wild times and the enduring values making for a way of life worth living.

When he hits that chorus “Just ‘cause something’s hip don’t make it cool/ Let’s put a little old back in the new school...” with his hard twang tenor, Moore’s authority is as real as the bite in his voice. It is that willingness to be “country” that gives Moore’s kind of country its edge.

It’s that kind of edge that draws a singer like Miranda Lambert to duet on the som-ber heartbreaker “Old Hab-its.” Being too proud to figure it out and too set in one’s ways to let go, it mines the classic country motifs with a wide-open throb that is every bit of regret honkytonk jukeboxes are made of.

Moore has always had an interesting way of negotiat-ing the good ole boy/redneck reality that’s defined today’s hardcore country fan. A little bit rowdy, a little bit senti-mental, a whole lotta rough-neck, Moore has dented the country radio charts with three number ones in the anything but big city “Small Town USA,” the sentimental family embracing “If Heaven Weren’t So Far Away” and the fidelity pledge “Til My Last Day,” in addition to the top 10 mission declaration “Backwoods.”

But the hits don’t really

Take a certain amount of swagger, add some hard-rocking guitars and add “Country Radio,” a howler that celebrates the ultimate lube for escaping the boredom and expectations. There’s the same kind of bulked up, bear-ing down picture of pride of “Lettin’ the Night Roll,” pure freedom and the will to be alive.

That will be live life to its fullest, no fear, no looking back, marks Moore’s intensi-ty. Two strong hands, a back that can shoulder anything, this is working man’s post-modern American – and that respect is what binds him to his woman in “That’s How I Know You Love Me.” Ulti-mately, she refuses to make him change, and takes what’s there for what it is, loving him for all its busted glory.

To believe in values that last, to embrace what is enough and know it’s more than plenty, that is the great-est truth for a man like Moore, who sees no reason to leave the place he grew up. Beyond the hits, the gold-certified albums and the momentum of a career hitting its stride, Off the Beaten Path is a collec-tion of classic postcards that make up the ascending “This Kind of Town” and the driv-ing chugger “One Dirt Road.”

tell the whole story. This is the man whose first single – a digital only release – was “I Could Kick Your Ass,” who flexed his sense of humor with the new guy mocking “Bait A Hook” and unapologeti-cally throw down “How I Got To Be This Way.” And long before booty country became a touchstone, Moore dropped the swaggering “Back That Thing Up.”

Indeed, booty country is full force on Off the Beaten Path. He has the Kim Kar-dashian and J-Lo invoking “I’d Want It To Be Yours” – co-written with Stover and Brandon Kinney – and

the slip into the night gui-tar grinder “Off The Beaten Path” that slithers through the moonlight. Good ole boys doing what they’re good at.

Moore has built a career eschewing the path most taken, building a fan base of people just like him. Cars, trucks, creeks, cut-offs, dirt roads, water towers, a slower pace and harder way to hit it: those are the ties that bind the proud, the rebel yelling, the good timing kids who don’t give a damn about the media, the above the line, the hardcore hipsters or the white collar noose of office work.

Lovelocks excited to share Camrose stageBy Murray Green

An appearance on the Big Valley Jamboree main stage at 1 p.m. this Satur-day is yet another high-light for The Lovelocks in a career that has already resulted in a chart-topping debut album and recogni-tion from the Canadian Country Music Associa-tion.

“This is probably our biggest performance opportunity to date, as a relatively new band,” said Zoe Neuman. “We are just starting in the festival cir-cuit this year and real-ly excited to play in well established community festivals.”

The Lovelocks’ sound is commonly described as a mixture of The Dixie Chicks and Mumford and Sons-ian alt-coun-try. Their roots-inspired approach is filled with soaring vocals, sweet har-monies and sultry strings.

In Camrose, they are opening for headliner Brad Paisley.

“I don’t think we could have every imagined sharing the same stage as Brad Paisley. He is one of the king’s of country. We are very honoured to be ‘opening’ for him. We can’t

Ben Glover. Kerry Doole in newcanadianmusic.ca (2014) described the EP as “money well-spent,” not-ing it has a radio-friendly sheen while retaining a rootsy feel, thanks to fid-dle, mandolin and acoustic guitar.

The Lovelocks have just finished recording a new album with the same team.

“Our new album will be coming out next year, but Camrose will be treat-ed to some of the new songs in a sneak peak,” said Zoe. “We may even throw in some covers to get the crowd going.”

The Dixie Chicks are a clear reference point in the debut album’s “Teardrop Tattoo” and “Dance.” The latter is an uplifting tune featuring signature har-monies and melodies led by Raney’s fiddle.

The Lovelocks received their first Country Music Association of Ontario (CMAO) Rising Star nomi-nation in 2014.

They continued to feel the love when they won the Canadian Country Music Association’s 2014 Discovery program.

“We were selected out of 180 applicants, so it was pretty special for us to

be part of the program,” added Zoe.

They were the proud recipients of a presti-gious 2014 nomination for CCMA Roots Artists of the Year.

“That has been a won-derful gift during this journey. Ali and I didn’t foresee any of this happen-ing. Three years ago when we decided to become a band, we did it because of the love of it,” said Zoe. “Things have happened quickly for us. The turn-ing point for us was being involved in the Discovery program.”

The Lovelocks’ begin-nings go back to church.

“Zoe and I met sing-ing in church and we became friends because we both love music, sang and played instruments,” recalled Ali. “It led to a natural progression of writing songs together. Never did we start on this path other than to be friends and share music. To look back 10 years ago, we never imagined in a million that this (shar-ing a stage with Paisley) would happen.”

wait to catch his show,” said Ali Raney.

The Lovelocks’ self-titled debut album, released on Feb. 11, 2014, hit number two on the iTunes country charts on the first day. As “crowd-

funding pioneers in the world of country music in Canada” (Rockethub), they were able to raise $30,000 to make the recording with producers JUNO award winner Mitch Merrett and Grammy award winner

Justin Moore

The Lovelocks, Ali Raney and Zoe Neuman


Brad Paisley is the headliner on Friday, July 31. He hits the stage at 9 p.m.


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Battle RiverCommunity Foundation

Scholarship forMedical School

Students in an accredited Canadian medical school who have graduated from a high school in the Battle River Regional Division are invited to apply for a scholarship from the Rudy and Flora Baker Scholarship Fund. Application deadline is August 15, 2015.

Up to $5,000 is available to be awarded.An application form is available on theBattle River Community Foundation website (www.brcf.ca) and clicking on the grants link, by contacting the Battle River Community Foundation at Box 1122, Camrose, Alberta,T4V 4E7. Telephone 780-679-0449.

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Country music is the people’s

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Fans at the 2014 Big Valley Jamboree kick-off party wait for the ping pong balls to drop.


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Chris Young will be per-forming on the Big Valley Jamboree main stage at 5 p.m. Friday, July 31.

Chris Young has accom-plished more by 29 than some artists do in a lifetime. Already a Grammy-nominat-ed recording artist, he’s also a dynamic live performer consistently in demand, an international ambassador for his genre, a talented song-writer with six Number Ones to his name – by the way, he wrote four of them – and a handsome charmer to boot. Now, with the release of his fourth album, A.M., the man known for his classic baritone and melt-your-heart ballads knows how to have a good time, too.

Still, when all is said and done, it only takes two words to sum up the career of Chris Young: Definitely country.

“I’ve always loved coun-try music, and I really liked singing it as a kid,” Young remembers. “So I was like, ‘That’s what I want to do.’ I just kind of always knew.” His first record purchase was Keith Whitley’s L.A. to Miami, followed by the likes of Randy Travis, Tracy Lawrence and Brooks & Dunn. He sang so much around the house that he jokes his parents “blocked him out.” But as puberty approached, the young tenor found himself facing adversity for the first time. “I was sing-ing all of Vince Gill’s stuff, and then my voice changed,” Young laughs. “For about a year there, I thought, ‘Oh my God, I’m ruined. It’s the end of the world!’ And then I real-ized I could sing Randy Travis songs. It worked out well.”

That’s something of an understatement for the Mur-freesboro, TN native. Blessed with parents who encouraged his art, Young soon found his

way into musical theater, jazz training, and six years of clas-sical voice, which honed his emerging baritone into some-thing truly special. In his early teens, Young convinced his mom to drive him into Nashville so he could sit in with bands and work with local songwriters; by 16, he’d formed a band with some older guys from Middle Ten-nessee State University, and they started playing George Strait and Garth Brooks cov-ers in whatever clubs would have them.

He cut his first indepen-dent record after high school, using his own money to fund 500 or so CDs and take him-self on a short tour of Florida, where he played mostly Bor-ders bookstores.

“One day, I played to three people,” Young remembers. “Two were playing chess, and the other person was reading a book. When I said, ‘Well, this will be my last song,’ the lady reading the book clapped.”

He soon returned to Ten-nessee and landed a recording contract with RCA Nashville.

“I loved that label,” Young says. “It was a heritage label that some of my favorite art-ists had been on. Keith Whit-ley. John Anderson. I think it’s where I was supposed to be.”

Four albums and several years later, Young looks back with some amazement.

“It’s wild to think that I’ve been around that long,” he says. “People always told me, ‘Hey, the record deal isn’t the finish line.’ It’s the beginning of the work,” he says. “I probably did four full radio tours starting out, just going around saying, ‘Hey, still here… not going away.’ I think RCA saw my work ethic. They kept me around.”

Ask Young today how it felt as the momentum began to turn, and he’ll say, with typi-cal humility, “After the first hit “Gettin’ You Home” it was like, ‘Okay, thank God I made enough money that I can buy a really small place to live.’ After the second hit, “The Man I Want To Be,” it was a mix-ture of validation and just relief. ‘Okay, I’m not a one hit wonder.’”

Far from it: He would chart five consecutive number one singles, co-writing four of them, and receiving plenty of Gram-my, ACM, and CMA nomina-tions along the way. With A.M., this self-professed “studio nerd” is ready to launch phase two of a plan he cooked up years ago with longtime producer James Stroud.

“When we started making ‘The Man I Want To Be,’ we talked it out,” Young says. “He told me, ‘Man, I had this vision that we would do this record and the next to really establish what your sound is. After that, you get to grow and stretch and play.’ That’s what we did with A.M. I could kind of do what-ever I wanted.”

Combined with the album’s equally raucous title track, one might expect A.M. to be some-thing of a concept album about things getting crazy after mid-

night. Instead, “It’s things that you wouldn’t necessarily expect,” says Young, citing tracks like the albums second single, “Who I Am With You,” which reached the top of the singles charts and sold more than 500,000 copies. The tender, traditional love song called “Goodbye” is further evi-dence that there’s something deeper going on in the hours before the dawn. “’Lighters in the Air’ is about meeting some-one and falling in love at a concert, losing yourself in that night with the band playing in the background,” he says. “And ‘Goodbye’ – when you look at the title, you might assume it’s a breakup song. But it’s about a relationship worth fighting for, showing up at somebody’s house in the middle of the night and trying to work it out.”

More than anything, A.M. is defiantly, definitely country.

“Everybody’s got a defini-tion of what country music is,” Young says. “Never before has it been so broad as to what can be on a country radio station, and what country music can be. It really just has to be what you feel as an artist.”

With its double guitars and occasional moments of arena-rock glory, A.M. sounds unlike any album Young has ever made – but that doesn’t change

what he calls the “core principle” of his music.

“I’m never going to lose the acoustic guitar and the steel and the story in the song,” he says. “When I open my mouth, I sound country. No one’s going to confuse my records with being outside of the genre. Will I push some boundaries for some peo-ple? Hopefully. But I’m a country singer.”

And for anyone who knows the real Chris Young, the party anthems on A.M. won’t come as that much of a surprise. Though he’s made his name on mature, sensitive, heartfelt hits like “Tomorrow,” “You,” and “Voices,” he is, at heart, just like any other 29-year-old guy.

“If I wanted my friends to describe me any way possible,” Young says, “it would be ‘He’s fun to hang out with.’”

On his rare days off from the road or the studio, you’ll find him fishing with his dad, geek-ing out on music from old-school Nashville to early ‘90s New Jack Swing, sitting in with a band at a hole-in-the-wall club, or simply closing down the bars on Lower Broadway with his buddies, ordering pizza and playing song wars on the jukebox until dawn.

“I’m a normal dude,” says Young. “I just happen to have a really freakin’ cool job.”

Chris Young a countrymusic ambassador

Crafts and Kids’ ActivitiesOutdoor Yoga Geocaching

New Research Station visitsWiener Roast & Saskatoon Pies

Watershed FestivalSaturday August 22nd, 2015Miquelon Lake Provincial Park

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ChrisYoung

Done — Murray


The Band Perry will be performing on the Big Valley Jamboree main stage at 7:30 p.m. Friday, July 31.

One of the most dynamic acts in music today, The Band Perry has both achieved massive mainstream suc-cess and gained major critical acclaim since delivering their platinum self-titled debut. Introducing the sibling trio as a powerful new force on the country scene, 2010’s The Band Perry offered up five hit singles, including the quintu-ple-platinum chart-topper “If I Die Young” and other plati-num hits – the number one “All Your Life” and “You Lie” – as well as “Hip to My Heart” and “Postcard from Paris.”

For the band’s gold-cer-tified second album, Pioneer, front woman Kimberly Perry and her younger brothers Reid and Neil delved deeper into an edgy, rock-and-roll-inspired sound while staying true to their Southern roots. Featur-ing the platinum number one

single “Better Dig Two” and the gold number one “DONE,” Pioneer found The Band Perry widening its appeal and con-tinuing to showcase its breath-taking three-part harmonies.

In recent years, The Band Perry has earned multiple awards from the likes of The Academy of Country Music, The Country Music Asso-ciation, CMT Music Awards, and The American Country Awards. The band has also received nominations from The American Music Awards, The Billboard Music Awards, and the Grammy Awards.

Named Vocal Group of the Year by the ACM in 2014, the group also kicked off the We are Pioneers world tour in late 2013 and quickly established itself as a glob-al powerhouse. Their latest single, a spirited rendition of Glen Campbell’s “Gentle on My Mind” also appears on the soundtrack for I’ll Be Me, a documentary about the country music legend.

The Band Perry was ACM’s Vocal Group of the Year

The Band Perry has achieved mainstream success.

Tebey will be performing on the Big Valley Jamboree main stage at 2 p.m. Satur-day, Aug. 1.

Rather than measure the success of a song in terms of chart positions or sales, Tebey Ottoh tends to focus on how deeply the sentiments it expresses resonate with lis-teners and how easily they can find their own lives, loves and struggles reflected in the story it tells. While that’s impor-tant in any genre, nowhere is it more so than in country music.

“If you can see the story as it happens, and see your-self in it, I think that’s what makes a good country song,” he said.

That being the case, Tebey’s debut record – The Wait was a resounding suc-cess the moment he stepped out of the studio with songs like “Resurrected Heart” and lead single, “All About Us” in hand; songs that don’t just tell stories, but draw listeners right into the thick of them from the very first line. They are songs he’s written spe-cifically with his own voice in mind over the past four years, many of which dwell heavily on the importance never los-ing sight of your dreams for an instant and on renewing your passion for life every chance you get – and with good rea-son.

It’s fair to say the 29-year-old Nashville based singer/songwriter has told some fine stories over his career – in a variety of genres and with art-ists including country super-stars Big and Rich, Canadian pop star Shawn Desman, and international boy band phenom One Direction. But with this record, he very much wanted to showcase his own signature sound, an ener-getic brand of cutting edge, contemporary country with deep overtones of rhythm and

blues, soul and rock and roll that proves, without a doubt, his talents as a performer are just as highly developed as his songwriting chops.

While his ample talents as a multi-genre songwriter make him well-suited to do so, more than anything, his desire to is rooted a love of per-formance he’s nurtured since first taking the stage at the Burlington, Ontario, church he attended with his family as a child.

“That was the first place I actually got up the courage to get up and sing, but I never had any doubts about working in music,” he said. “I always felt it’s what I was meant to do.”

Soon enough, he proved he had both the courage and the vocal chops to do so, win-ning the Canadian Open Country Singing Contest – the same competition that helped launch the careers of The Wilkinson’s (now known as The Small Town Pistols), CMT Canada personal-ity Beverly Mahood and Gill Grand – four times as a teen-ager. By age 15, Tebey had signed a development deal

with MCA Records and moved to Nashville with his father to hone his craft as a country singer and songwriter. Less than a year later, he landed a publishing deal with Warner/Chappell Music, a record deal with RCA Nashville, high-powered management in the person of Canadian industry heavyweight Bruce Allen, and soon found himself living his dream to the fullest, working on what was intended to be his debut record with producer Bob Rock.

On the strength of his 2002 single, “We Shook Hands (Man to Man),” Tebey’s obvi-ous potential was recognized domestically with a Canadian Radio Music Award nomina-tion for Best New Male Coun-try Artist, a CMT special documenting his development as an artist and a segment on CBC Radio’s Sounds Like Canada. But while that first single broke the Top 40 US Billboard Country Singles Chart and peaked at num-ber three in Canada, it just wasn’t enough for RCA.

At that point, many fledgling artists might have packed it in. Instead, Tebey

picked himself up, moved back to Toronto and did whatever he could to stay in business, turning what some might have considered an irreversible loss into a prom-ising career as a songwriter. He soon found success with number songs like “Run,” recorded by 2006 Canadian Idol runner up, Rex Goudie, for his certified platinum-selling Sony debut Under The Lights, and ‘Let’s Go’, co-writ-ten with Shawn Desman, but it was actually a call from one of his former, Nashville based co-writers that enabled Tebey, once again, to extend his reach internationally.

“It literally came out of nowhere. John Rich of Big & Rich just called me up and said, ‘Hey man, we just cut a song you and I wrote.”’ The track, entitled “Radio” set the stage for both a world-wide co-publishing deal with Ole Media Management and Tebey’s return to Nashville, for good, in 2007.

Since, his songs have been recorded by the likes of Canadian country artists Emerson Drive, Doc Walker, Jason Blaine, Chad Brown-

lee, and Aaron Pritchett among others.

As grateful as he is for his songwriting success, Tebey never abandoned his original dream of stepping out and taking centre stage himself.

“In order to be a success-ful songwriter you really have to focus on it, so I literally put my recording career on the back burner.”

Tebey’s debut album, and aptly titled The Wait, was released in December of 2012. It spurned three singles, including the hit runaway hit “Somewhere In The Country,” which peaked at number 11 on the Canadian Country Airplay Charts. In March of 2013, Tebey released “Till It’s Gone,” the first single from his sophomore album Two.

In the spring of 2013, Tebey embarked on the CMT Hitlist Tour as the opening act for Emerson Drive and Doc Walker.

“It was an amazing expe-rience. Both Doc (Walker) and Emerson Drive have recorded my songs in the past,” he said. “So it was very nice of them to return the favor and let me open a bunch of shows for them on this tour. We even got to play a couple arenas.”

Although it’s been some time coming, for those who like their country with a fuse of pop rock and a little soul for good measure, Tebey’s music is definitely for them.

“These are songs I just felt were right for what I wanted to do, and when I realized that, it brought me back to the studio. I have this strong hankering to get up and play, and this is just the beginning. My job going forward is to show people I’m here to stay as an artist as well as a songwriter. I see no reason why I can’t be fully committed to both. I’m in this for the long haul.”

Tebey proves himself as both an artist and songwriter

Tebey never had any doubts about working in music.

Done — Murray


Call forGrant Applications

The Battle River Community Foundation is now receiving applications for grants from the Community Fund and the Field of Interest Funds.

Grants are made to organizations operating in east-central Alberta that are recognized as qualifi ed donees by the Canada Revenue Agency. This includes registered charitable organizations and municipalities.

Organizations seeking funds must demonstrate a strong and committed volunteer board of directors, fi scal responsibility, and effective management of resources. Projects that impact the greatest number of individuals possible with a modest investment of funds are preferred. Grants are made for defi nite purposes and for projects covering a specifi c time period. In general, grants are approved for projects not met by other funding sources.

In addition to unrestricted grants available from the Community Fund, Field of Interest Funds provide grants targeted to projects refl ecting donors’ interests. They include Arts, Youth Athletics, Brain Injury Prevention, Care and Shelter of Animals, Education, the Humanities, Health and Wellness, Music, Nutritional Programs for Children, Outdoor Education, Environment, Palliative Care, Sustainable Agriculture, and Youth. There are also Funds targeted to support projects in Alliance, Camrose, Flagstaff County, Forestburg, Galahad, Hardisty, Irma, Killam, Lougheed, Merna, Rosalind, Sedgewick, Strome and Wetaskiwin.

The deadline for 2015 applications is Saturday, August 15, 2015. Grants will be announced in December.

For further information and/or an application form, please check our website at www.brcf.ca, email to [email protected], call our offi ce at 780-679-0449 or write Battle River Community Foundation, Box 1122, Camrose, Alberta, T4V 4E7

Battle River Community FoundationBox 1122 Camrose, AB T4V 4E7

Bat

tle

Riv

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Helping YOU make good things happen for 2

0 years1995 2015

WELCOME BVJ VISITORS!Rose City Farmers’ Market

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Allison Robinson looks as pretty as a picture, whiletrying on a new hat at Big Valley Jamboree.

Cassy Lavigne gives Madison Bruneau a set of cool wings as a temporary tattoo.

Ryan McCallum, as Kermit the Frog found a few female friends at Big Valley Jamboree’s 2014 kick-off party.

Done — Murray


For more information, call 780-672-4217

Rides on the Mirror Lake Express Train

will be available followingthe parade at Mirror Lake,

from 5:30 to 8:00 p.m.

Photo byS & LPhotography

2015

Kick’n Country BVJ Parade

Thursday, July 30Starting at 10:30 a.m.Downtown Camrose

Come out and enjoy the community spirit of Camrose!

Help us honour our2015 Parade Marshalls –

the 2014 Small Business Week Award Winners!

Featuring colourful fl oats, marching bands, horse entries and

Willie the Bull, who will beridden by the winner of the 2015

“Take No Bull” contest.

Get a photo with Ole Uffda!(On Main Street, pre-parade)

Treat yourself to lunch at one of the community BBQs following the parade.

CAMROSE & DISTRICT

CHAMBER OFCOMMERCE

The Del McCoury Band will be performing on the Big Valley Jamboree main stage at 3:30 p.m. Sunday, Aug. 2.

The Del McCoury Band is a bluegrass band. Origi-nally Del McCoury and the Dixie Pals with Del on gui-tar and his brother Jerry on bass, the band went through a number of changes until the 1980s when the band solidified its line-up, add-ing McCoury’s sons, Ronnie and Rob on mandolin and banjo, respectively. In 1988, the “Dixie Pals” name was dropped in favor of the cur-rent name. The band became a national touring act. In 2004 they were nominated for the Grammy Award for Best Bluegrass Album for It’s Just the Night, and in 2006 they won that category for The Company We Keep.

The band recorded with Steve Earle on his 1999 album The Mountain. The band has also often per-formed in recent years with The Lee Boys, with setlists mixing bluegrass, funk and gospel with extended jams on many songs.

More about the band members:

Del McCouryVince Gill says it simply,

and maybe best: “I’d rath-er hear Del McCoury sing

‘Are You Teasing Me’ than just about anything.” For fifty years, Del’s music has defined authenticity for hard core bluegrass fans – count Gill among them – as well as a growing number of fans among those only vaguely familiar with the genre. And while the box set Celebrat-ing 50 Years of Del McCoury, like its distilled companion, By Request – provides an opportunity to look back on a unique legacy, it’s also one that Del McCoury’s rolling past with a wave and a grin and some of the best music he’s ever made.

Ronnie McCouryAlong with his award

winning mandolin play-ing, Ronnie is also a singer/songwriter and producer He has recorded or performed with such diverse acts as Bill Monroe, Earl Scruggs, Phish, Charlie Daniels, John Hartford, Vince Gill, Loretta Lynn, Alison Krauss, David Grisman, Dierks Bentley, Garth Brooks, the Allman Brothers, John Paul Jones and countless others!

When Ron isn’t on stage with the Del McCoury Band or The Travelin’ McCoury’s, singing and playing mando-

lin, you will probably find him at home with his family. He enjoys cooking, garden-ing and reading. He loves to play golf, remodel and do construction work. He also enjoys picking up the guitar or maybe even the fiddle for a little musical change.

Rob McCouryRob “caught the pickin’

bug” when he was just eight years old, after seeing the Osborne Brothers at Sunset Park in West Grove, PA. He then realized how fortunate he was to have a great teach-er in the house. Although he feels at times he was trying on his dad’s patience he remembers that his dad would always take the time to show him the right way to pick, never forcing the music on him. Rob recalls “picking first thing in the morning and the last thing I did at night,” and it was what he wanted to do.

Alan BartramAlan Bartram is a bass-

ist, vocalist, and closet gui-tarist. His mother taught him to sing and he learned to play the bass by listening to and watching other bass-ists. If Alan wasn’t a full-time musician, he would be a horticulturist. But, after graduating from college, he decided on a career in music

and moved from Pennsylva-nia to Nashville, TN. While playing with The Kenny and Amanda Smith Band, he also became an in-demand freelance musician both for touring and recording. Since 2005 Alan has been the bass-ist for the Del McCoury band and is now also a member of The Travelin’ McCourys. The rest is the future…

Jason CarterThe summer of 1991

brought a close to his high school years and it was also the year he landed his first professional job. He worked six months for The Goins Brothers playing fiddle and traveling mostly on the East Coast. In February of 1992 The Goins Brothers played in Nashville, TN with Del McCoury; Jason asked him for a job. Two weeks later he was back in Nashville trying out. They played in Nashville, West Memphis and Garland, TX and when they got home they told him that he had the job. He’s been with the band ever since. Since then Jason has relocated to Nashville and it’s been more than a dream come true for him. He feels very fortunate to be able to play with some of his musical heros and to travel the world playing bluegrass music.

Del McCoury Band specializes in bluegrass music

Members of the Del McCoury band.

Cory Marquardt will be performing at the Big Valley Jam-boree Molson Canadian Saloon Saturday, Aug. 1.

See Cory Marquardt’s 6 foot 1 inch 220 pound frame and it’s easy to believe he played three years of major junior hockey in Ontario and Quebec. Hear Cory’s passion for flying and you’ll understand his pursuit of becoming a fighter pilot in the Royal Canadian Air Force. See Cory perform and hear him sing, and you’ll agree he was destined to be a country music star!

As one of the most dynamic and interesting new country music talents, Marquardt possesses a singing voice that is second to none, a songwriting talent as big as his size, and a swagger on stage of a seasoned rock star. These formidable qualities are also the reason why he has quickly amassed a support team of leading industry players, including Invictus Entertainment Group and Big Star recordings.

Like many North Bay, Ontario boys, Marquardt started playing hockey when he was just three years old. At age 10, he took a shine to the drums, and began playing along to Rush, Deep Purple, and Shania Twain records on a drum set he built out of paint cans in the basement. When he hit sixth grade, and was showing incredible promise on his paint cans, the investment was made to get Cory on a real drum kit. As time went by, his skills continued to develop on the drums and the rink. When it came time for Cory to choose a vocation, he decided to put his knowledge and in-flight expe-rience to use at Royal Military College where he enrolled as a fighter pilot and played for the university hockey team. But fate would intervene.

One winter night in Kingston, Marquardt’s hockey teammates and college buddies went out for a couple of pints at a local bar, where a local musician was playing an acoustic show. One of Cory’s teammates knew that musician, and sug-gested he call Cory up at the end of one of his sets. He did, and a reluctant Cory Marquardt succumbed to the cheers of hockey players and airmen. He played songs by some of his musical heroes, Vince Gill, Merle Haggard and Zac Brown. The packed bar fell in love with him, and he with the stage. Cory had caught the bug.

With fresh enthusiasm, Marquardt decided to pursue the musical path with the same commitment and passion as all his other exploits. He began to write songs, put a band together, and perform wherever possible, developing a reputation for a crowd pleasing show. He has since made several trips to Nashville and released his debut album May 26 under the Big Star Recordings umbrella. His first single, “21,” hit radio April 21.

Marquardt was destinedto be a country music star


Boom Chucka Boys will be performing at the Big Valley Jamboree Molson Canadian Saloon Friday, July 31.

Recent ACMA Award winners for Group of the Year and Rising Star and 2014 Canadian Country Music Associations Group/Duo Of The Year nominees, The Boom Chucka Boys aren’t typical in any way. They walk the fine line between many musical stylings. But make no mistake. They are first, and foremost a country band!

Influenced by artists like Dierks Bentley, Zac Brown Band, Dwight Yoakam, CCR, Bruce Springsteen, and John-ny Cash, the band’s original music leaves its mark on audi-ences with a unique sound. Energetic and meaningful, their lyrics hit like a four on the floor kick drum.

Front man Ryan Langlois stomps and moves like a clas-sic performer, throwing himself into the music. His stage presence is no antic, it’s the spill over of incredible, contagious passion, and throttling vocals. The band members match his energy with every chord and create an enormous sound.

With Joel Rathjen on lead guitar, Teddy Roy Michaylow on bass, and Ben Shillabeer on the drums you can imagine them playing stadiums, even as you relish seeing them up close in an intimate venue. The band commands the stage, and their look matches their sound. Layered, nuanced and diverse.

The Boom Chucka Boys don’t play to the crowd, but for it. Whether you sit, watch, and take it all in, or get up and dance, their energy is hard to ignore. They leave everything on the stage, each and every night. Audiences across Canada are taking note and falling in love with the songs and the show.

This year they joined forces with Royalty Records, Cache Entertainment, and Sony Music Canada for a new album. Guitar driven and with soaring vocals, it will resonate with The Boom Chucka Boys’ loyal followers and win over new fans.

Take note. The Boom Chucka Boys are making their mark!

Craig Moritz will be performing at the Molson Canadian Saloon Sunday, Aug. 2.

Craig Moritz is a rarity these days. He is a country boy at heart, a what you see is what you get kind of a guy who happens to write and sing some pretty good country music.

Moritz is a native of Medicine Hat, but also has spent the better part of his life in Fort McMurray and now hails from the Calgary area.

Moritz is Alberta through and through. After grow-ing up and working jobs from retail to oilfield, he knew he had yet to find his true path. Moritz got hooked on the idea of becoming a country music artist after meeting Toby Keith and having a down to earth, “real” conver-sation about the music industry with him. Since then Moritz has been inspired and motivated, working on a steady path towards his career as a country music artist and songwriter.

After cutting his teeth and gaining invaluable expe-rience owning the road on the honky tonk circuit from the hard scrabble town of Fort McMurray in Canada’s tough and vast northern oil sands, to racking up the miles in every direction through western Canada and beyond, Moritz has become a bona fide national star.

An avid animal lover and advocate, Moritz is the celebrity spokesperson for Cats and Dogs International (CANDi), has three dogs (Gizmo, Stella and Kramer), and recently added a horse to his pet family (Kruze).

Chad Moritz is acountry boy at heart

Enjoy our beautiful summer while listening to great music at Big Valley Jamboree.

Boom Chucka Boysare making their mark

The Boom Chucka Boys McClellan Wheaton GM is pleased

to welcomeMeagan Carroll to our team of sales

professionals.

mwchevrolet.com • 3850-48 Avenue, Camrose • 780.672.2355 • Toll Free 1.866.332.2355Camrose • 780 672 2355 • Toll Free 1 866 332 23

Licensed by AMVIC

Born in raised in the rural communities of Hay Lakes and New Sarepta, Meagan moved to Camrose with her mom, Janine, in 2007. After fi nishinghigh school, Meagan attended the University of Calgary, where she earned aBA in English, with the intent of becoming a teacher. While pondering if a career in education was right for her, Meagan assumed the role of manager at the Eastside Co-op Gas Bar, where she learned the importance and value of great customer service.

“One of the best things about my new career is that I have a chance to make a personal connection with customers,” says Meagan. “Learning about clients’ individual needs, and helping them to navigate through the process of fi nding the right vehicle is a very rewarding experience on a personal level.”

When beginning the search for your next vehicle, drop in to McClellan Wheaton and put Meagan to work for you!


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