keary jared march 2015portfolio

PORTFOLIOARCHTITECTUREJARED J. KEARy M.ARCH CANDIDATE FOR 2015 UNIVERSITY OF CALGARY FACULTY OF Environmental design

B.F.A. VISUAL STUDIES 2014 Calgary

contentsJARED J. KEARy M.ARCH CANDIDATE FOR 2015 UNIVERSITY OF CALGARY FACULTY OF Environmental design

To the esteemed committee of admitance, my name is Jared Keary. This portfolio contains a select body of works that I believe illustrates the requirements for acceptance into the M.Arch program in EVDS.

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conceptualexploration

EVDS ARST Minor techtonic exploration

1. Divide program into discreet modules 2. Compose modules in

space according to their programatic importance 3. Create

ridgid facade system by folding the facade to fit program modules

4.Crease and fold facade to create visual definition of the modules

Inspired by spacial requirements, the plan is broken up into individual modules of space. The modules are manipulated vertically according to their hierarchal importance and relationship to each other.

The facade design is established through a process driven, generative approach. By form fitting the facade over the program it provides a unified design to a set of complex modules. By wrapping a complicated subsystem with a simple visual interface, it allows users to easily understand the program. This interaction between the user and the subsystems/modules makes them easy to use because the user understands their place within the program.

1. 2. 3. 4.

CRACKING 1. choose a shape; find its centroid 2. create subsidiary shapes by connecting the centroid to each vertex

3. repeat steps 1 and 2 for each new shape 4. repeat with subsidiary shapes

until the limit is reached TILING 1. take the set of points 2.

construct connections between points 3. refine shape 4. begin tiling

1. 2. 3. 4.

1. 2. 3. 4.

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lightshadow

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307.

from.left 1. preprocess image; inspiration 2. live trace pattern 3. wrap

4. extrude 5. subtract 6. duplicate 7. scale 8. rotate

1. 2. 3. 4. 5. 6.

7. 8.

bedroommodernfaculty of art art 433 conceptual renderings

plan interior

This 350 sq. ft. master bedroom design is a project of design competence and 3D modeling. The intent is to prove skills in modeling and rendering by creating a scene that is transfomed through the lighting requirements between daytime and nighttime.

JARED J. KEARy elevations 0 1 2 3 4 5 6 7 8 9 10jared j. keary | 1 - 2 jared j. keary | 7/8

matrixofSPACEevds arst minor Riley Park Calgary, AB

This architecture aims to capture lightness and immediacy. Striving ot articulate lightness and immediacy within Riley Plak, the cubes of space appear to float above the ground plane, dancing. The proportions of these geometries create an understanding of lightness as thin lines modulate empty spaces along the site. Allowing the viewer visual access to the park creates a subtle notion of peripery. Without any walls this architecture allows the viewer to connect with the park’s surroundings.

fourteen feet

ten feet

six feet

from.left.elevation.plan.section.perspective


JARED J. KEARy 0 1 2 3 4 5 6 7 8 9 10jared j. keary | 1 - 2 jared j. keary | 11/12

This project began as an exploration of the iterative process. Simple manipulations; push, pull, extrude, add, subtract, twist, were used to advance the notion of periphery. After the production of several boxes, computer modeling was used to advance the design process. Based on past boxes, a methodology was followed; slice, twist, rotate, repeat. From these iterations, ideas and moments were extracted to form boxes that were then physically modeled using laser processes. Equally as unique to the boxes are the shadows that display their own version of the manipulations. Further shadow studies will influence another set of form manipulations.

formmorphologyevds arst minor

Section A-ASection A-A 0 1 2 3 4 5 6 7 8 9 10jared j. keary | 1 - 2 jared j. keary | 13/14

This architecture aims to capture lightness and immediacy. Striving ot articu-late lightness and immediacy within Riley Plak, the cubes of space appear to float above the ground plane, dancing. The proportions of these geome-tries create an understanding of lightness as thin lines modulate empty spaces along the site. Allowing the viewer visual access to the park creates a subtle notion of peripery. Without any walls this architecture allows the viewer to connect with the park’s surroundings.

The design for this feature wall was inspired by masonry. Masonry is not practical for this application because the wall cannot support the load required. The pattern was kept and birch was substituted for brick and mortar.

The process required 1300 pieces of individually cut birch laminated to mill board. The birch was chosen and milled to varying depths. A jig was set up to allow 18 pieces of wood to be pressed to the backboard according to the design. This ensured the finger joints would fit uniformly together when assembled on the wall.

The consideration for lighting was important to create shadow play and enhance the depth of the wood. Sustainable, high efficiency LED strips were chosen for their colour (6500 Kelvins), brightness, and size.

The birch panels were stained brown to enrich the texture of the wood grain and bring warmth into the space. The combination of light and shadow and linear elements makes for a highly sensuous experience. The informal layout of the brick like pattern creates chaos while the horizontal lines maintain a rational logic and force perspective. Overall the aesthetic provides warmth and brightness while providing a unique architectural experience.

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With an understanding of digital techniques this project provides a unique space inside the Kasian Gallery in the Environmental Design Faculty. The surface manipulation used logorithms inside Grasshopper by which a black and white gradient image was analyzed to create an undulating surface on the wall. A pattern was then applied to the to the resulting surface. This project was complete with a colleague Jason Under. Both are equally responsible for all the work.

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Planar Surface

Apply Gradiant

Divide Surface

Apply Pattern

JARED J. KEARy JARED J. KEARy

1'-8

1/2

"1'

-5"

1'-8

1/2

"1'

-8 1

/2"

1'-8

1/2

"1'

-8 1

/2"

4"7'-3"1'-6"6'-0"8'-9"5"7'-10"2'-0"

3'-8" 8'-8" 4"4"

1'-8

1/2

"1'

-8 1

/2"

1'-8

1/2

"1'

-8 1

/2"

1'-8

1/2

"

4'-8 1/2"4"2'-0 1/2"

2'-0 1/2"2'-0 1/2"

2'-0 1/2"2'-0 1/2"

2'-0 1/2"2'-0 1/2"

2'-0 1/2"2'-0 1/2"

2'-0 1/2"

4"

14'-9

"2'

-0"

7'-1

0"1'

-6"

5"13

'-2 1

/2"

8'-8" 3'-8"2'-0 1/2"

2'-0 1/2"

2'-0 1/2"

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2'-0 1/2"4'-8 1/2"


The script editor, Grasshopper, was used to create the generative model. The editor provided options for both precise control or complete randomness while rendering quick representative forms.

This surface is constructed of panels that can be 3D printed or machined. The pansls allow for more managable fabrication, transportation, and assembly.

SCALE: 1/2” = 1’0”

performativeskinarst minor

Set within the confines of an urban escape, this intervention is a radically experiential composition; a complex and a beautiful study of nature, geometry and layering that communicates the rich diversity of life.The inspiration for this project came from asite analysis of Riley Park. Using geometries, colour, and images found in the context of Riley Park this project became about combining the elements to bring nature into the urban environment.


FACADE DETAIL : L1SCALE 1:10

Detail view of the facade layer ‘CLADDING 01’; laser cut from stainless steel

CLADDING 01

STRUCTURECLADDING 02

PRIMARY SUPPORT

BASE BUILDING SUPPORT

P 11 P 12 P 13

Set within the confines of an urban escape, this intervention is a radically experiential composition; a complex and a beautiful study of nature, geometry and layering that communicates the rich diversity of life. The inspiration for this project came from asite analysis of Riley Park. Using geometries, colour, and images found in the context of Riley Park this project became about combining the elements to bring nature into the urban environment. The techtonic skin creates layers of nature that surround the building and act as windows that let nature permeate the building while diffusing the harsh urban environement.

The structure of the centre is minimal and does not interact with the natural beauty of the skin. It remains offset from the exterior envelope. The floor plan is raised from the ground to appear floating and allows the skin to drape unhindered over the building.

P 11 P 12 P 13 P 11 P 12 P 13


Detail view of facade layer ‘CLADDING 02;’ cut from composite material in colours indicated


Detail view of facade layer ‘STRUCTURE’; welded from steel pipe and powder coated white

from.left.facade detail L1. facade detail L2. facade

detail L3. techtonic detail. axonometric. exploded

axonometric


keary jared march 2015portfolio

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