lecture 7: “representation”. “cave paintings,” lascaux, france, 15,000 bc

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LECTURE 7: “REPRESENTATION”

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Page 1: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

LECTURE 7: “REPRESENTATION”

Page 2: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

“Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Page 3: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

R E P R E S E N T A T I O N

“re” (again) + “present” (to show)

Page 4: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Rene Magritte, “The Treason of Images,” 1927

Page 5: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Nigari,“Selim II Practising Archery,” c. 1570

Page 6: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

“Nefertari and the Goddess Isis,” Ancient Egypt, 1400 BC

Page 7: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Inuit (Eskimo) Dance Masks, c. 1880

Page 8: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

“St. Denis CommissionsHis Biography,”

from The Life of St. Denis, 1317

Page 9: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Fra Angelico, “The Annunciation,” 1440-50

Page 10: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Giovanni Bellini,“San Giobbe Altarpiece,” 1480s

Page 11: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Peter Paul Rubens, “Mars and Rhea Silvia,” 1616

Page 12: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Gustave Courbet, “The Stone Breakers,” 1849

Page 13: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Étienne Carjat, “Portrait of Charles Baudelaire,” 1863

Page 14: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Constantin Brancusi, “The Kiss,” 1908Auguste Rodin, “The Kiss,” 1901-04

Page 15: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

A B S T R A C T I O N (noun)

a process that involves reducing the level of visual realism

Page 16: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Theo van Doesburg, studies for “Composition VIII (The Cow),” 1916-17

Page 17: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Paul Cezanne, “Mont Sainte-Victoire,” 1904-06

Page 18: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Georges Braque, “Violin and Candlestick,” 1910

Page 19: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Ikko Tanaka,“Nihon Buyo Poster,” 1981

Page 20: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Traditional kilim (Turkish carpet)from İçel Province, TURKEY, 19th century

Page 21: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Adnan Çoker, Mor dörtgen, 1995

Page 22: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Alberto Giacometti, “Man and Woman,” 1927

Page 23: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Wassily Kandinksy, “Composition VII,” 1913

Page 24: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

A B S T R A C T (adjective)

non-representational(NOT referring to something seen)

Page 25: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Kasimir Malevich, “The Black Square,” 1920s

Page 26: LECTURE 7: “REPRESENTATION”. “Cave Paintings,” Lascaux, FRANCE, 15,000 BC

Anish Kapoor, works, 2009