lenny bruce

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COMEDY/REBEL Let the Beware (6 CDs) (SHOUT! FACTORY) , Here's an idea of just howquickly "the '60s" took place: I n 1 9 6 6 comedian Lenny Bruce died at age 40 in L o s Angeles, driven from performing in N ew York City after a n obscenit y convict ion. Only t hree years later, th e hi t stage plays in N ew York were Hair and Oh, Calcutta!, Midnight Cowboy was the top movie a nd even people in t he hinterlands were devouringPorfrwy's Complaint. Th e patron saint of every misu nderstood comic a nd every comedi an wh o simply thinks they're being misunderstood Lenny Bruce made standup com- e d y safe fo r blunt talk about hot-button issues. He not only skewere d America 's sacred cows ("Eleanor Roosevelt had the nicest tits"), he was willing to affront his audi- ence (often beginning a performance by asking , "Are there any niggers here tonight?") and, at his best, he skewered his own preconcept ions. He u sed four-letter words n ot to shock but to cut past euphemism a nd dishonesty. "The truth," he once said, "can never be offensive." L e t the B uyer Beware is a . welcome addition to the LennyBruce canon. Authorized b y hi s dau ghter, Kitty, the six CDs span B race 's entire career from his James Cagney a n d Peter Loire impressions on a 1948 Arthur Godfrey's Talent Scouts radio broadcast through hi s frightening tape-recorded ramblings t he night before hi s fatal morphine overdose. Th e collection includes almost a ll ofhis essent ial routines, from"The Palladium" a n d "Thank Y o u Masked Man" t o "Religions, Inc." an d "How t o Relax Your Colored Friends a t Parties" (where Bruce's bigot sound s eerily like Archie Bunker, a decade before All in the Family), plus over 6 0 previously un released tracks. F orty years later, Bruce 's more controversia l routines ('To Is a Preposition; Come Is a Verb," or Jackie Kennedy's "hau l(ing ) ass to save he r ass" when JFK was assassi- nated) have mellowed, and hi s scat ological language n o longer offends; t he only word that might put of f modern listeners is Bruce's incessant u se of "dig." Bu t hi s observa- tions ("Marijuana will be legal in five years ," he tells one 1 9 6 2 audience before getting busted onsta ge, "because most of yo u in la w schoo l smoke marijuana a n d will become senators a n d legalize it to protect yourselve s") still provoke. Mos t ofhis monologues, though dated, remain hilariou s. And Bru ce's fascination with all things showbiz — from Ca rnegie Hall (where he triumphantly performed in 1961) andPlayboy (there's audio from a 1 95 9 Bruce TV appearance with Nat King Cole a nd a nerdy-sounding Hef) t o a Tim es Square flea circus and the lyrics to "Sp anish Harlem"—shines through all six di scs. Andrew Milner

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8/3/2019 Lenny Bruce

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COMEDY/REBEL

Let the Buyer Beware (6 CDs)

( S H O U T ! F A C T O R Y )

, Here's anideaof justhow quickly"the '60s"tookplace:

In 1966 comedian Lenny Bruce died at age 40 inLos

Angeles,drivenfromperforming inNew York City afteranobscenity conviction. Only three years later, the hit

stageplays inNew York wereHair and Oh,Calcutta!,Midnight Cowboy was the top movieand even people

inthehinterlands weredevouringPorfrwy's Complaint.

The patron saint ofevery misunderstood comic —

and every comedianwhosimply thinksthey're being

misunderstood —Lenny Bruce made standup com-

edy safe for blunt talk about hot-button issues. He not only skewered America's sacredcows ("Eleanor Roosevelthad the nicest tits"), he was willing to affront his audi-

ence (often beginning aperformance by asking, "Are there any niggershere tonight?")

and, at his best, he skewered his own preconceptions. He used four-letter words not

to shockbut to cut past euphemism and dishonesty. "The truth,"he once said, "can

never be offensive."

Let the B uyer Beware is a . welcomeaddition to the Lenny Brucecanon.Authorizedbyhis daughter, Kitty,thesix CDs span Brace's entire career from hisJames Cagneyand

Peter Loire impressions on a 1948Arthur Godfrey's Talent Scouts radio broadcast

through his frightening tape-recorded ramblings the night before his fatal morphine

overdose.Thecollection includes almostallofhis essential routines,from "ThePalladium"

and "Thank You Masked Man"to "Religions, Inc."and "How to Relax Your Colored

Friends at Parties"(where Bruce's bigot sounds eerily like Archie Bunker, a decade

before All in theFamily), plusover60previously unreleased tracks.

Forty years later, Bruce's more controversial routines ('To Is aPreposition; Come Is

aVerb,"orJackie Kennedy's"haul(ing) ass to save her ass" when JFK was assassi-

nated) have mellowed, andhis scatological languageno longer offends; the onlyword

that might put off modern listeners isBruce's incessant useof "dig."Buthis observa-tions ("Marijuana will be legal infive years," he tellsone 1962 audience before getting

busted onstage, "becausemost of yo u inlaw school smoke marijuana and willbecomesenators and legalize it toprotect yourselves")still provoke. Mostofhis monologues,

though dated, remain hilarious. And Bruce's fascination with all things showbiz —

from Carnegie Hall (where he triumphantly performed in 1961) andPlayboy (there's

audio from a 1959 Bruce TV appearance with Nat King Cole and a nerdy-sounding

Hef) toa Times Square flea circus and the lyrics to "Spanish Harlem"—shinesthrough

all six discs. —AndrewMilner