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v LINDA CARUSO HAVILAND v Dance Program November, 2016 Bryn Mawr College 101 North Merion Avenue Bryn Mawr, PA 19010 610-526-5601 lcarusoh@brynmawr.edu EDUCATION 1995 Ed.D. Department of Dance, Temple University, Philadelphia

Dissertation: "Dancing at the Juncture of Being and Knowing: Sartrean Ontology, Embodiment, Gender and Dance." [Readers: Ferdun(Dance), Beardsley (Philosophy), Margolis (Philosophy) Immerwahr (Philosophy), Hilsendager (Dance)] • Recipient: Teaching Associate award

1972 M.Ed. Department of Dance, Temple University, Philadelphia

Thesis Choreographic Project: Landscape with the Fall of Icarus • Recipient: Graduate Assistantship award

1971 B.A. Department of Dance, Adelphi University, Garden City

• Magna cum laude, Dean's List, Departmental Honors Related Dance Study 1972 -1975 Aesthetics—(New School for Social Research) Dance Aesthetics--Selma Jean Cohen (six week intensive in NYC) Dance Criticism--Deborah Jowitt, Marcia Siegel (eight week intensive in NYC) Dance Criticism-- Jack Anderson, Robert Pierce, Kathy Duncan (New School for Social Research) ADMINISTRATIVE APPOINTMENTS Bryn Mawr College Bryn Mawr, PA Present-1984 Founder and Director of Dance Program - Full range of administrative

responsibilities associated with creation, development, maintenance and enhancement of Dance Program including curriculum development, budget preparation and oversight, hiring and managing instructional and support personnel, grant consultation and writing, admissions/recruitment, alumnae networking, etc.

2011-15, 2006-09, Chair of the Arts Program –The Arts Chair maintains the following: 2005, 2000-02 General coordination of three independent constituent programs—

Creative Writing, Dance, Theater; communication and coordination with Haverford

instrumental and vocal music faculty and general oversight of pianos, practice rooms, etc.; liaison with Arts Office Coordinator and general oversight of Performing Arts Series; liaison with other College offices and

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departments; chairs Arts faculty and special meetings; oversees search committees, requested reports and other standard Program administrative tasks

2002-04 Co-Director College Seminar Program – Oversight with co-director of both

CSEM I (first year) and CSEM II (first and second year) programs including budget; co-directed CSEM faculty committee; conducted interviews with faculty from every college department and program to identify and implement strategies to increase faculty involvement in the Program; co-interviewed and hired outside instructors; co-directed faculty development workshops; worked with committee members to place all incoming students into preferred CSEM I sections and 2nd semester frosh and 1st semester sophomores into preferred CSEM II sections (pre-computer); program advocacy with faculty and provost.

Temple University Philadelphia, PA 1976-78 Administrative Assistant to Chairperson SUNY/Westchester Community College Valhalla, NY 1973-75 Founder and Director of Dance Program - Full range of administrative

responsibilities associated with creation, development, maintenance and enhancement of Dance Program including curriculum development, budget preparation, hiring and managing instructional personnel, arts liaison with physical education department, arts liaison with regional community, development and organization of regional dance festival, etc.

Adelphi University Garden City, NY 1971-74 Board of Trustees (Academic Affairs sub-committee; Personnel sub-committee) TEACHING APPOINTMENTS Bryn Mawr College Bryn Mawr PA Present-1984 Full time appointment: Full range of Dance lecture, composition, and technique

courses; directing independent work and senior thesis/projects; curriculum development; choreography for student ensembles; advising majors and minors (see appended list of courses)

1979-84 Half time appointment: Ballet, Modern Dance, Composition, Ensemble, choreography for student ensembles, lecture course: Approaches to Dance: Themes and Perspectives

Present-1999 College Seminars/Emily Balch Seminars (1st year critical thinking/writing courses)

University of the Arts Philadelphia PA 1990-1993 Lecture course --Dance in America (in affiliation with Winter Pillow/Jacob's Pillow) 1982-1989 Lecture courses --Dance History; Dance and Culture Temple University Philadelphia PA 1978-81 Ballet, Modern Dance, Dance for Physical Education Majors

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1975-78 Ballet, Modern Dance 1971-72 Ballet, Modern Dance, Principles of Children's Dance (undergraduate and

graduate levels) SUNY/Westchester Community College Valhalla, NY 1973-75 Full range of Dance technique, Composition, and academic courses;

choreography for student ensembles and for Theater Program University of Bridgeport Bridgeport ,CT: 1973 Modern Dance OTHER INSTRUCTIONAL POSITIONS have included creative movement workshops and modern dance classes for adults; courses in movement and games for the classroom for k-12 school teachers; independent consulting for pre-school and nursery school teacher organizations; movement for actors; advising high school level independent projects; and numerous children's and adolescent programs including: nursery school, drug prevention, suburban and inner city day camps, as well as the WISE program at BMC from 1985 to 1991. DISSERTATION/THESIS DIRECTOR OR READER; SENIOR CHOREOGRAPHIC THESIS/PROJECT DIRECTOR IN THE MAJOR OR MINOR(#with Madeline Cantor) 2016 Sarah Cunningham (choreographic thesis project with viol and media) 2015 Amancay Candal Tribe (choreographic thesis project HC) 2013 Christopher Flores (choreographic thesis project HC) Sarah Jordan (choreographic

thesis project BMC) 2012 Miranda Liu (choreographic thesis project BMC) 2009 Caitlin Romasco (choreographic thesis project BMC) 2008 Adaobi Kanu (BMC) Ellen Gaintner # (choreographic thesis project BMC) 2007 Marcelina Chivara (choreographic thesis project BMC)# 2007 Laura Katz Rizzo, Temple University (2nd reader, Ph.D) 2006 Kate Patchett (choreographic thesis project BMC) Natalie Bishar(choreographic thesis

project BMC)# 2005 Laura Vriend (choreographic thesis project BMC)# Courtney Childs (choreographic

thesis project HC)# 2003 External Examiner Swarthmore College Honors Program (examination in Dance Research) 2002 Rachel Zanders Haverford College (co-reader, BA departmental thesis, Comparative

Literature) honors 2002 Ariel Weiss, Wesleyan University (director, Master’s Thesis) 2002 Gillian Nicoletti (choreographic thesis project BMC) 2001 Emily McNeil (choreographic thesis project BMC)# Jessica Honig (choreographic thesis

project BMC)# 1999 Emily Harney (choreographic thesis project BMC) 1999 Emily Harney Bryn Mawr College (co-reader, BA departmental thesis, Philosophy) honors 1997 Kent DeSpain, Temple University (committee and reader, Ed.D.) 1996 Anaya Chatterjea, Temple University (2nd reader, Ed.D.) 1996 Sarah Miller Haverford College (co-reader, BA departmental thesis, Philosophy)

Philosophy prize 1996 Sarah Miller (choreographic thesis project HC); Nuria Bowart (choreographic thesis

project BMC)

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1994 Rachel Siegel (choreographic thesis project HC); Jessica Berson (choreographic thesis project HC)

ACADEMIC AND PROFESSIONAL SERVICE TO THE FIELD Conference, Symposium or Lecture Coordination: 2015 Invited to plan, coordinate, and moderate panel for the Pennsylvania Ballet –William

Forsythe: What now? What next? Participants: William Forsythe, Stephanie Arndt, Arts Bank, Philadelphia

2013 Invited to plan, coordinate, and moderate an international panel for the Pennsylvania Ballet –Fold, Collapse and Shift: Ballet and Beyond in the Choreography of William Forsythe. Participants: William Forsythe, Dr. Freya Vass-Rhee, and Jennifer Homans, Arts Bank, Philadelphia

2012 Planned, coordinated and moderated panel for the Bryn Mawr Performing Arts series' John Jasperse residency and world premier of Fort Blossom Revisited (2000-2012)- The Contemporary Performance of Sex, Gender and Embodiment. Participants: Dr. Ann Cooper Albright, Dr. Mark Broomfield, Gregory Holt, John Jasperse, RoseAnne Spradlin

2012 Panel moderator- Philadelphia Live Arts Festival. " Body Politics in Arts and Culture Today"

2003 Panel coordinator/moderator/commentator – "The Art of Creating Primary Resources in Dance" Temple University

2000 Planning Committee, Speaker: Philadelphia Dance Archive Project Forum, Temple University, Philadelphia

1999 Lecture Organizational Committee, Research Topics Consultant, Panel Coordinator –“The Philadelphia Papers, part 1” 2000 Feet: Celebration of World Dance Conference, Philadelphia

1999 Panel coordinator and moderator “The Philadelphia Papers, part 2” 2000 Feet: Celebration of World Dance Conference, Philadelphia

1999 Panel coordinator and moderator – “The Philadelphia Story: Examining One City’s Dance Culture” Dance Critics Association Conference, Philadelphia

1998 Co-Coordinator (with Swarthmore College) tri-college faculty seminar and workshops led by Dr. Ann Cooper Albright - "Engaging bodies: The politics and poetics of corporeality”

1996 Conceived and Coordinated Lecture and workshop series - "Women Writing Dancing" Invited speakers and performers: critic and historian, Sally Banes; critic and historian, Ann Cooper Albright; choreographer, Melanie Stewart; Poet and MacArthur fellow, Eleanor Wilner

1993 Conceived and Co-coordinated (with Swarthmore College) series of lectures and performances -1994 “Sites of Gender: Women Embodied in Dance and Culture” Invited speakers and performers: (Swarthmore) Dr. Sue Ellen Case, Dr. Susan Foster, (Bryn Mawr)Dr. Kariamu Welsh-Asante, and Dr. Ananya Chatterjee

1980 Conference Planning Committee Assistant Coordinator -Modes of Meaning in Western Theatre Dance, Temple University Departments of Dance and Philosophy [Dr. Maxine Sheets-Johnstone]

1979 Conference Planning Committee Assistant Coordinator, brochure design - Illuminating Dance: Congress on Research in Dance (CORD) [Dr. Maxine Sheets-Johnstone]

Panel Presentations, Lectures, or Commentary

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2015 Presenter- “Ballet and the Visual Arts.” Pennsylvania Ballet, Locks Gallery, Philadelphia. 2012 Presenter- Society of Dance History Scholars Conference. “'. . .good looks good health

and a knowledge of dancing': Training the stage dancer in Philadelphia early 1900s" 2012 Presenter- Temple University Dance Reflection: Response series - "What's to Archive . .

.Or Are All Dances Disposable?" 2012 Presenter- Choreography/research charrette #2. Dance Advance. Pew Center for Arts

& Heritage "Theoretical and applied perspectives on retrieving dances. . .or not" 2012 "The Dancing Body as Archive: re-membering the past." History and Dance Working

Group [artists, archivists, librarians, historians, Pew program directors]/Pew Center for Arts and Heritage, Rosenbach Museum, Philadelphia

2011 Presenter- Choreography/Research charrette #1. Dance Advance. Pew Center for Arts & Heritage "Reconstituting Dance. . .Weaver, Foster, Forsythe"

2008 Panelist- "Politics and Ambiguity in the works of Jose Limon" Philadelphia Dance Conference – Limon Centennial Celebration, Drexel University

2007 Forum panelist – “Space in Art” forum for Public Space/Public Life course Annenberg School for Communication University of Pennsylvania

2006 Presenter- "Digging Up the Past: Some Thoughts On Preserving or Reconstructing Dance Works" Conference – "Age and Passion: the Reconstruction of Mary Anthony's Women of Troy" DanceFusion/Drexel University

1997 Roundtable member/doctoral graduates from Temple University Department of Dance 1992 Respondent- “Chaos Theory and the Body-in-Movement” NYU Performance Studies

Colloquium Series 1989 Panelist-“Women as Artistic Directors and Administrators” American Dance Guild

conference Philadelphia 1988 Panelist – “Dance Education: Issues and concerns for the Year 2000” Philadelphia

Dance Alliance 1979 Panelist – “Research Problems in Aesthetics and Dance History” Western Dance History

Conference Barnard 1976 Panelist – “Dance at the College and University Level” Northeastern Association of

Regional Ballet Manuscript Review: 2013 Peer Reviewer, essay Dance Chronicle 2011 Peer Reviewer, essay Dance Chronicle 2010 Manuscript review at the invitation of University Press of Florida 2008 Peer Reviewer, essay Dance Chronicle 2007 Peer Reviewer, essay Journal of Research Practice (Web) 1998 Manuscript review, Tools for Thinking, R & M Root Bernstein (at authors’ request) 1997 Manuscript review at the invitation of Wesleyan Press Artist or Program Review: 2015 Tenure Review, Dance Department, Franklin and Marshall University 2012 Visiting team member, Review, Dance Department, DeSales University 2011 Outside Peer performance reviewer for tenure/dance faculty member, Franklin &

Marshall 2007 Selection panelist, CEC/New Edge Residency and the New Edge Mix programs 2004 Outside Peer performance reviewer for work of two dance faculty at Bucknell University

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2003 Dance Education-Evaluator, pilot project in establishing Evaluation guidelines for Dance Accreditation, Temple University College of Education

1998 Guest Artist (choreographic reviewer and respondent) FIELD/work choreography workshop

1999 Guest Artist (choreographic reviewer and respondent) FIELD/work choreography workshop

Board/Committee Member: 2015 Dance/UP committee member (Philadelphia dance support and advocacy

group) 2008-2014 Regional University Dance Chairs 2005-2008 Dance USA/Philadelphia (Philadelphia dance support and advocacy group)

Board member; search committee for Director 2004-2005 Dance Coalition of Philadelphia Organizational committee 2003-2005 Philadelphia Dance Collection at Temple University organizational committee 2003-2004 Philadelphia Dance Heritage Consortium exploratory committee 2000-2003 Philadelphia Dance Archives Project organizational committee 1990-1993 Independent Choreographers Exchange (ICE) Artistic Review committee

publicity 1973-1975 NY State Dance Association founding organizational member

Consultant: (sample) 2014 Dance USA/Philadelphia – Taskforce: status of Philadelphia Dance Collection -2008 at Temple University 2013 NEH grant application: Philadelphia Dance Projects’ Local Dance History

Project 2012 Grant application and symposium coordination for the Pennsylvania Ballet’s

reconstruction of the William Forsythe work Artifact Suite 2011 MIRO Dance Theatre. T(hink) T(ank) G(roup) advising on the development

of a summer cross platform training program in Berlin 2011 Dance Advance- initial investigation into potential for an edited collection

of essays on the Dancing Body as Archive 2010 Grant application: SCRAPpapers Digital Archive 2010 Grant application: Amanda Miller/Miro Dance Theatre 2006 Headlong Performance Institute planning group 2002 Oral History Project: workshop with Jeff Friedman, founder

and director of San Francisco’s LEGACY Project 1999 Life and Work of José Limón Film Project directed by Ann Vachon -1995 Additional Service the Field: 2015 Interview, “Put It Into Words: Programs with strong dance-writing courses,” Dance

Magazine, June, 2015, p 56-57 2014 “Tribute: Hellmut Fricke-Gottschild” Dance with the Bride Anniversary Celebration,

Painted Bride 2013 Talk-back deviser and moderator, “The whole time in the meanwhile” Choreographer,

Meg Foley, Christ Church Neighborhood House Theater, Philadelphia

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2012 Discussion deviser and moderator Mascher's INFLUX Choreographers Series with two Philadelphia choreographers (Megan Bridge, Lora Allen) and two NYC choreographers from Center for Performance Research (Jenn McGinn, Elisabeth Motley), Fidget Space, Philadelphia

2012 Pre-performance talk, Pennsylvania Ballet premier of Peter Pan, "Peter Pan – McIntyre Barrie and Elgar" Philadelphia

2011 Dramaturgy for MIRO Dance Theatre’s production of Punch, Philadelphia Fringe Festival of the Arts, Philadelphia

2011 Contextualization and introduction delivered prior to each of three Performed Lectures by Dr. Susan Leigh Foster Philadelphia Live Arts and Pew Center for Arts & Heritage, Philadelphia

2009 College/Institutional representative – Pew/Dance Advance sponsored trip to research archival and presenter practices and to view work: Victoria and Albert Museum London; Dansmuseet and Dansens Hus Stockholm; Hellerau Dresden

2006 College/Institutional representative – Dance Advance sponsored trip to research educational/presenter organizations and to view work: Dance City National Dance Agency for North of England, Newcastle, England

2003 Co-coordinator and organizational committee for the Philadelphia Regional Dance -2006 Heritage Network Philadelphia 2003 Interview for article “Ladies of the Dance” for Main Line Today 2002 Organizing committee and adjudicator - “GENDER PROJECT: PHILADELPHIA” and

accompanying performance project “Women Hitting the Wall” CEC, Philadelphia 1998 “Creative Leadership: Women in the Arts.” Women’s Institute for Leadership

Conference Bryn Mawr 1988 College Program Representative – Philadelphia Dance Alliance Foundation for the

Extension and Development of the American Professional Theater (FEDAPT) project Philadelphia

WRITING 2016 Co-editor and contributing writer to a collection of essays on archive, body and dance, -2012 working title – Body as Archive. Under Contract, target publication date 2017

Body as Archive bridges the work of academic and non-academic writers, bringing scholars and practitioners from dance and other fields such as architecture, cognitive science and heritage studies into conversations about what and how the body knows and remembers. The twenty-eight contributions range from informal memoirs to rich and challenging essays meant to engage both experienced as well as the broader, non-expert but interested reader.

2013 Essays commissioned as part of The Pew Center for Arts & Heritage research on the

topic of restaging: • "Every Copy an Original: William Forsythe on Restaging His Ballet"

(http://www.pcah.us/posts/4_every_copy_an_original_william_forsythe_on_restaging_his_ballets)

• "Re-Substantiating the Dance: William Forsythe’s Synchronous Objects" (http://www.pcah.us/posts/11_re_substantiating_the_dance_william_forsythes_synchronous_objects)and

• "Repetition Island” http://www.pcah.us/posts/46_repetition_island

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2013 “A Perfect Fit: William Forsythe and the Pennsylvania Ballet" essay for Pennsylvania Ballet Playbill distributed at the Academy of Music performances, Philadelphia (five performances)

2012 ‘”’Good looks, good health and a knowledge of dancing’: Training the stage dancer in

Philadelphia in the early 1900s”, Society of Dance History Scholars, Dance and the Social City, conference proceedings, https://sdhs.org/proceedings-2012#131

2012 "Dancing Forsythe's Dances: from outside in and inside out" analysis commentary and

interviews focusing on the Pennsylvania Ballet's restaging of William Forsythe's work Artifact Suite http://www.paballet.org/dancing-forsythes-dances-outside-and-inside-out

2012 Overview, conclusion, and three long form essays commissioned as part of "Susan

Foster! Susan! Foster! Three Performed Lectures: Danceworkbook" (a series produced by The Pew Center for Arts & Heritage that documents the creative practice of living and working with dance) http://danceworkbook.pcah.us/susan-foster/

2011 “Making Sense with Jens Hoffman” invited short essay for the Philadelphia Exhibitions

initiative (http://www.pcah.us/exhibitions/blog/archive/2011/03/)

2011 Contextualizing essay and “fact sheet” for MIRO Dance Theatre’s production of Punch Philadelphia Festival of the Arts

2008 "Politics and Ambiguity in the Works of José Limón " The Limon Centennial Collection.

José Limón Dance Foundation, 2008

2006 "Digging up the past: Some thoughts about preserving or reconstructing dance works" Pew Center for Arts & Heritage (http://www.pcah.us/media/files/9e6c5e129709912ce 6f3315c69bacef4.pdf)

2000 “Jean Williams: Memorial and Tribute” Philadelphia Dance Alliance Newsletter Working Papers: 2016 (working title) "A Foot in Each Century: Training the Dancer in Philadelphia—late 1880s

through the 1930s" (draft stage) 2016 (working title) “Technologies of Memory in the Work of John Weaver, Susan Foster and

William Forsythe” (in process)

Earlier Writing: 1999 Report: Congress on Research and Dance/Keynote panel Dance Research Journal

331/2, Fall “Profiles: Dance at Bryn Mawr College” Philadelphia Dance Alliance Newsletter 1997 "Women in Dance in Higher Education" chapter, Dancing Female: Lives and Issues of

Women in Contemporary Dance eds. Sharon Friedler Susan Glazer Gordon and Breach ltd. London

1992 "Turning the Corners: a history of Dance at Bryn Mawr" Bryn Mawr Alumnae Bulletin

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1990 Program for & Description of the performance piece Chaotic Metamorphosis- published in Measures of Complexity and Chaos eds. Abraham N.B. Albano A.M. Passamanto T. Rapp P.E.Plenum: New York

INSTITUTIONAL GRANTS AND AWARDS 2015 Schusterman Family Foundation/Israel Institute – for semester-long guest artist residency

[with lead institution Swarthmore College] ($4400)

2012 Mellon Tri-College Creative Residencies- “SCIENCE PER FORMS: The Collaborative Phase” – to introduce students and public audiences to collaborations between performance artists and computer/engineering/robotics specialists: invited speaker panel: Marcel Williams Foster, Meredith Rainey, Jonah Bokaer, Dr. Mariana Ibanez, Georgia Guthrie; computer class demonstration; movement workshop: Rainey and Kate Watson-Wallace; Performance artist (Foster in drag Jane Goodall persona) visit to an ESEM; supported student trip to final performances ($3000)

2010 Lead partner grant writer co-coordinator community outreach oversight for a Pew

Foundation Dance Advance funded Project “Khmer Arts” at Bryn Mawr College” -- half-week residency and performance by Cambodian-based Khmer Arts Ensemble and the conception organization and oversight of over a dozen related workshops lectures classes etc. in Philadelphia and at Bryn Mawr to co-engage campus and regional communities to educate all communities about the emergence of cultural forms after the Cambodian genocide to cultivate a cultural receptivity for Khmer classical arts including the work of regional Cambodian artists. ($64000)

2005 Lead partner (Bryn Mawr College) grant writer and co-coordinator for Project of

Common Interest (PCI) grant from Dance Advance to Bryn Mawr College "Placing Dance in New Communities" – to revive the legacy of pioneer African-American choreographer Talley Beatty through the reconstruction and performance by Philadanco of his masterwork Southern Landscape and through additional interviews, lectures, and workshops at Bryn Mawr, Temple University, and Philadanco studios [Media filed in Special Collections; Philadelphia Dance Collection at Temple University] ($51,000)

2004 Institutional lead (Bryn Mawr College) Consultant co-coordinator oral historian for a Pew

Foundation funded PCI grant "The Reconstruction of Artistic Memory and Vision in Dance” -to develop archival resources on significant Philadelphia Dance artists through recordings of oral histories and reconstructed performances [Media filed in Special Collections; Philadelphia Dance Collection at Temple University] ($37,800)

2003 Institutional lead (Bryn Mawr College) Consultant co-coordinator oral historian for a

Pew Foundation funded PCI "The Art of Creating Primary Resources in Dance”- to develop archival resources on significant Philadelphia Dance events and artists through recordings of oral histories and related performances or lecture-demonstrations [Media filed in Special Collections; Philadelphia Dance Collection at Temple University] ($77,000)

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2000 Mellon post-doctoral grant (with Feminist and Gender Studies) to bring a post-doc -2002 fellow in Asian-American dance and performance (Dr. Yutian Wong) 1988 Assisted with writing of grants or grant project administration for dance events for the -2010 Performing Arts Series artists 1997 Awarded Tri-college Mellon grant for development and coordination (with Sharon

Friedler Swarthmore College) of a tri-college faculty seminar entitled “Engaging Bodies: The Politics and Poetics of Corporeality”

1989 Awarded PA Council on the Arts/Artist in Education Grant (with Swarthmore) for Guest

artist choreographer, Karen Bamonte. COLLEGE LECTURE GRANTS (1902 FUNDING, ETC.) SELECTED: 2009 Joan Frosch Film Director, Movement (R)evolution Africa; A story of an art form in four

acts (with additional funding from Center for Visual Culture 2005 Dr. Timothy Scholl (with Russian) "Waking Sleeping Beauty: Reviving a Pre-Revolutionary

Ballet in Post-Soviet St. Petersburg" 2000 Anna Kisselgoff "Dance: Is the Heroic Era Past? 1997 Dr. Ninotchka Bennahum "Passion Politics and the Art of the Flamenco." 1996 Dr. Brenda Dixon-Gottschild - "Stripping the Emperor: the Africanist Presence in US

Performance 1991 Women Moving: Forces At Play in Dance and Sport. Dr. Edrie Ferdun and Dr. Jan

Felshin Pre- 1990:

Dr. William Mullen Classics professor and choreographer Laura Donnelly (with Classics); Dr. Adrienne Kaeppler Chair of Anthropology at the Smithsonian Tongan Dance (with Anthropology); Charles Garth President of the Historical Dance Foundation; Dr. Kariamu Welsh (Asante); Dr. Kenneth Laws (with Physics)

INDIVIDUAL GRANTS AND AWARDS 2004 Bryn Mawr College Faculty Support Grant Bryn Mawr College to research dance

materials chronicling 1930s-1970s presently archived at Bryn Mawr to further document extent and significance of dance activity at the college

2000 Bryn Mawr College Faculty Support Grant to work with a choreographer to develop a solo work for performance

1996 Bryn Mawr College Rosalyn R. Schwartz Teaching Award 1992 Bryn Mawr College Faculty Support Grant choreographic project 1989 Bryn Mawr College Faculty Support Grant choreographic project 1989 Performance in an Intimate Space -Performance Grant CEC Philadelphia PROFESSIONAL AFFILIATIONS Congress on Research in Dance Society of Dance History Scholars

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COLLEGE SERVICE AND ACTIVITIES Committees, Task Force and Working Groups: 2016 Search committee Creative Writing tenure line 2015-16 Provost’s Themed Programming Group 2015 Search committee (chair) Creative Writing tenure line 2014 Chief Enrollment Officer search committee 2014 Search committee Theater tenure line 2012 Search committee Theater tenure line 2008-2011 Curricular Renewal Faculty Work Group 2010-2011 Work Group on Advising, Mentorship and Career Guidance 2010 Working Group on Master’s Programs at Bryn Mawr 2009 Diversity Liaison, Classics search committee 2008 Civic Matters Focus Group 2005-2008 President’s Diversity Council 2005-2008 Katharine Houghton Hepburn Center Steering Committee, Planning Committee 2000-2008 Body Image Council 2007 Advisory Group to Chair of the General Faculty 2004-2007 Committee on the Undergraduate Curriculum 2004-2007 Taskforce on Writing at Bryn Mawr at Bryn Mawr 2006 Diversity Liaison English search committee 2006 Diversity Liaison Geology search committee 1998 – 2006 College Seminars Steering Committee 2005-2006 Committee on Appointments 1986-2006 Faculty Committee on Feminism and Gender Studies 2001-2004 Committee on Faculty Welfare 2000-2002 Student Retention Committee (Mellon) 2000-2002 Gallery Committee 1997-2000 Committee on Undergraduate Admissions 1998-2000 Committee on Libraries Information Services and Computing 1995-1996 Search committee Director of Computing 1993-1994 Task force on 'Bryn Mawr as a Community' Additional Arts Directors and Arts Faculty members, Physical Education Faculty --assorted

through 1985-2000

Advising and Working with Students: 2006-present First year student advising Fall [2013-14, 3 semester pilot advising program] 1993-2000 OWLS(1st year student mentoring) 1992-2007 Pluralism/Diversity/Prejudice Reduction workshops for incoming students 1995 NCBI workshops for campus community

Marshal

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2011-2012, Grand Marshal (commencement) 2007-2009, 2005 2006,2002 Assistant Grand Marshal (commencement) -2004, 2011, 2010 Marshal (College functions) 2004 Interdisciplinary Tri-College departmental • Bryn Mawr Theatre Program:

2002 Voice over for Student Theatre Festival 1993 Incidental choreography for The Green Bird 1991 Children's dance in Buster Keaton’s Trip [Mark Lord, Director] 1989 Dramaturg for and incidental choreography for Listen to Me [Mark Lord, Director] 1987 Choreography for Three Penny Opera [Mark Lord, Director] 1985 Choreography for Three Penny Opera [Susan Malouf Director] • CSEM orientations - performance sessions in orientation workshops • Anthropology of Dance – invited speaker • Feminist and Gender studies core course – invited speaker and “bodiedness” workshops • Mathematic Department summer seminars for teachers – invited speaker • Haverford Physics Department Course – invited speaker

On Campus Co-curricular Performances Coordinator: 1996 May Day dances: Leah Stein and Toshi Makihara (in-site improvisation); Nia Eubanks 2012 Dixon; Jeannine Osayande (African dance participatory performance with drummers); 2002 Arts Coffee Houses, Arts ‘Soirees’, One Night Stands -free standing and for Parent’s -2008 Weekend 2—3 per year Talks for Bryn Mawr College 2007 “Dance at Bryn Mawr: Finding spaces” (Alumnae Office, Berkshires) 2004 “The Arts as Balance within the Intellectual Life: A talk delivered while standing on one foot” (Alumnae Office, Berkshires) 2001 “Dance of the Spheres: Art and Science and the CSEMs” (Parents Day) 2001 “Dance at Bryn Mawr” (Board of Trustees) 1999 “Dance at Bryn Mawr” (Parents Day) 1991 "Truth and Beauty: The Junction of Art and Science" (Co-presentation for Campaign for

Bryn Mawr) 1990 “The Early History of Dance at Bryn Mawr” (Dedication of the Petts Studio Bryn Mawr

College) 1984 Numerous other events or presentations for Admissions, Alumnae, Conference -2015 and Events, Board of Trustees, Resources, Provost's and the Deans' Offices Miscellaneous:

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2015 Mentorship panel – Community Day of Learning 2006 Chairs Initiative workshop session leader 1985-1990 Instructor - WISE (Windows into Science Enrichment) William Penn Foundation

funded program for regional high school students 1986-1989 Faculty Seminars on Culture and Technology

CHOREOGRAPHIC AND PERFORMANCE RESUMÉ (1995-2015) (SEE BELOW) DANCE TRAINING (SEE BELOW)

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v LINDA CARUSO HAVILAND v

CHOREOGRAPHY AND PERFORMANCE RESUMÉ (WORKS 1995-2015)

PERFORMANCE: FOR/WITH PROFESSIONAL CHOREOGRAPHERS: 2014 ROSAS REMIX PROJECT Choreography: from Rosas danst Rosas by Anne De Keersmaker: restaged by Anna Drozdowski -Rocky Dance Awards, Philadelphia Fringe Arts Theatre, September http://www.brynmawr.edu/dance/Rockys.html 2010 REHEARSAL DANCE Choreography: Renee Banson Music: Bach -Fringe Festival DIRTY DOZEN-The Field / Phila.(co-directors Renee Banson Kali Lela Colton) September 2007 BEAUTYFOOLISH Choreography: Renee Banson Music: Annie Lenox -Faculty Concert Bryn Mawr College February 2002 LUNCH WITH TWO CHAIRS Choreographer: Renee Banson Music: popular songs Performers: Renee Banson Linda Caruso Haviland -Bryn Mawr College February 2001 DANCES FROM THE HILLS Choreographer: Karen Bamonte Music and Sound Collage: Rodney Wittenberg Performer: Linda Caruso Haviland -Bryn Mawr College February 1988- RENEE BANSON/THE CAST (guest artist) 1996 Artistic Director: Renee Banson Performances in multiple Philadelphia venues: The Painted Bride, Conwell theatre at Temple University, Spiel Uhr Series, etc. EARLIER PERFORMANCE 1988 SYBIL DANCE COMPANY (guest artist) [Artistic Director, Eva Gholson]

Philadelphia 1975-76 & ZERO MOVING DANCE COMPANY (company dancer) [Artistic Directors, Hellmut 1977-85 Fricke-Gottschild, Karen Bamonte] Philadelphia PA

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1976-77 GREAT CHAZY DANCE COMPANY (company dancer) Artistic Director, Les Ditson] Philadelphia

1974-75 ALICE TEIRSTEIN AND DANCERS (guest artist) [Artistic Director, Alice Teirstein] NYC 1973-74 VANAVER CARAVAN (company dancer) [Artistic Directors, Billy Vanaver, Livia

Drapkin] NYC and NY state 1971-72 TEMPLE UNIVERSITY REPERTORY COMPANY 1967-71 ADELPHI UNIVERSITY DANCE WORKS 1960-67 GERMANTOWN DANCE THEATRE (Jean Williams) 1965-67 MUSIC THEATRE Philadelphia PA (professional summer stock) ADDITIONAL PERFORMANCE 2000 BIG HOUSE PLAYS AND SPECTACLES (Mark Lord), "Across” Philadelphia Fringe Festival SOLO CHOREOGRAPHY AND CHOREOGRAPHY FOR PROFESSIONAL DANCERS 2013 UNTITLED Improvisation with guitarist Jiyoen Kim Producer: Thirdbird Spring Trilogy -Christ Church Neighborhood House, Philadelphia May 2006 PARSONS ETUDE Choreography: Based on dances by David Parsons Repertory Etudes Collection Staged and Performed BY Madeline Cantor Linda Caruso Haviland Music: Tony Powell -Faculty Concert Bryn Mawr College February 2005 BUFFALO 1942 Music: K. D. Laing Choreographed and Performed by Linda Caruso Haviland -Faculty Concert Bryn Mawr College February Earlier performances: -Faculty Concert Bryn Mawr College February 2000 -'First Picks from the Field' series, Philadelphia March 2000 2004 TWO PLUMS…IN TWO SHORT ACTS Music: Charles Ives Thomas Oboe Lee Choreographed and Performed by Linda Caruso Haviland - Faculty Concert Bryn Mawr College February 2003 FROM THE HORSE’S MOUTH Performed by a variety of Philadelphia Dance artists four at a time in rotating sequences of narrated story, two solo dances, improvisational group sequence Performance Structure: Tina Croll James Cunningham Solo and narrative sequences Linda Caruso Haviland -The Painted Bride Arts Center, Philadelphia November

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2002 AN OLD SONG Choreographic contributions from Renee Banson, David Brick, Mady Cantor, Jess Honig ,Yutian Wong Music: Weill Performer: Linda Caruso Haviland -Faculty Concert Bryn Mawr College February 1999 REMNANT OF AN OLDER MEDITATION ON LOST AND FOUND. . . Music: Jane Wilkinson Choreographed and Performed by Linda Caruso Haviland -Group Motion’s Spiel Uhr Series Selected Artists for the Miami/Atlanta/Philadelphia FIELD exchange, Philadelphia, October Earlier performances: -Faculty Concert Bryn Mawr College February 1998 1999 PATHWAYS MEET (one section) Music: Leos Janácek Choreography: Linda Caruso Haviland Performers: Linda Caruso Haviland, Madeline Cantor, Sharon Friedler -Faculty Concert Bryn Mawr College February 1997 DIGGING OUT Music: J.S. Bach Costume Design: Linda Caruso Haviland (pages from “Dancing at the Juncture of Being and Knowing: Sartrean Ontology Embodiment Gender and Dance. . .1st draft”) Choreographed and Performed by Linda Caruso Haviland -Faculty Concert Bryn Mawr College February SELECTED SOLO CHOREOGRAPHY AND CHOREOGRAPHY FOR/WITH PROFESSIONAL DANCERS prior to 1995: PATHWAYS MEET 1994 (Bryn Mawr College) TRIO CROSSING 1992 (Faculty Concert Bryn Mawr College; Independent Choreographer’s Exchange Philadelphia; Independent Choreographer’s Exchange/Five at Bryn Mawr; Cold Feet...Hot Tracks series at the CEC Philadelphia) CHAOTIC METAMORPHOSES 1988-91 Choreography: Linda Caruso Haviland; Performers: Linda Caruso Haviland, Renee Banson, Karen Anderson; Consultant: Dr. Paul Rapp 1988 Premiere: NATO International Conference on Non-Linear dynamics and Chaos, Bryn Mawr College Additional Performances: Faculty Concert Dance Concert, Bryn Mawr College (excerpt) 1991; Dance and Technology Colloquium, Swarthmore College 1991; Independent Choreographers Exchange Out on a Limb series, CEC 1991; Smithsonian Institution Frontiers of Science and Art series 1990; Performance in an Intimate Space series, CEC Philadelphia 1990; Dickinson

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College 1990; NATURE CBC PUBLIC TELEVISION “Chaos and Art” (excerpt) 1990; Faculty Dance Concert, Bryn Mawr College (excerpt) 1988 IN THE PUBLIC GARDENS 1989 (Bryn Mawr College) LACKING SUBTLETY 1988 (Bryn Mawr College; Conwell Dance Theatre/Temple U) . . .FIVE SMALL WET LEAVES GOLD IN AUTUMN SUNLIGHT STILL POINTS ON THE RED BRICK PATH . . 1987,1979 (Conwell Dance Theatre, Bryn Mawr College) LITTLE MAGGIE 1986,1979 (Bryn Mawr College; Conwell Dance Theatre) ASPARAGUS FERN 1978-79 (Conwell Dance Theatre & Tomlinson Theatres, Temple University; Painted Bride, Philadelphia; Fordham University; Bryn Mawr College) DANCES/Repertory (with Martha Hansen and Louey Sanders) 1976-79 (Philadelphia venues) Choreography for Students: PATHWAYS MEET (reconstruction/new choreography) Choreography: Linda Caruso Haviland Music: Leos Janácek Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 2016 not through the slightest partition shut out. . . Choreography: Linda Caruso Haviland Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 2012 LIMINAL STATES Choreography: Linda Caruso Haviland Music: Gordon Jacob Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 2010 AT THE EDGE OF TIME Choreography: Linda Caruso Haviland Music: Meyer Hindemith Britten Bach Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 2007 PARSONS ETUDE Staging: Based on dances by David Parsons Repertory Etudes Collection staged by Linda Caruso Haviland Music: Tony Powell Performers: Students from Bryn Mawr and Haverford Colleges

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-Bryn Mawr College April 2006 LANDSCAPE WITH THE FALL OF ICARUS Choreography: Linda Caruso Haviland Music: Cage Foss Hindemith Janacek Reich Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College February 2005 TRAVELOGUE Choreography: Linda Caruso Haviland Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 2000 PATHWAYS MEET (reconstruction/new choreography) Choreography: Linda Caruso Haviland Music: Leos Janácek Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 1999 DAY IS DONE Choreography: Linda Caruso Haviland Music: John Cage Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 1997 LITTLE MAGGIE (new choreography) Choreography: Linda Caruso Haviland Music: traditional/arranged and performed by Sandy Bull Performers: Students from Bryn Mawr and Haverford Colleges -Bryn Mawr College April 1996 ALL IN A DAY’S WORK Choreography: Linda Caruso Haviland Music: sound collage Gorecki, Part Performers: Students from Bryn Mawr and Haverford Colleges Bryn Mawr College April 1995 PATHWAYS MEET Choreography: Linda Caruso Haviland Music: Janacek Performers: Students from Bryn Mawr and Haverford Colleges Bryn Mawr College April 1994; DISPATCH Music: Sound Collage (Caruso-Haviland) Performers: Students from Bryn Mawr and Haverford Colleges Bryn Mawr College April 1993

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LACKING SUBTLETY II Choreography: Linda Caruso Haviland Music: metronome and dancers’ vocalizations Performers: Students from Bryn Mawr and Haverford Colleges Bryn Mawr College April 1992 SELECTED CHOREOGRAPHY prior to 1990: For students at Bryn Mawr College: AN ESSAY/IN PRAISE OF WOMEN’S BODIES1988; LANDSCAPE WITH THE FALL OF ICARUS(1987); JOURNEYS(1986); IRLANDAISE; TONE PATHS(1985); GLOBULAR CLUSTERS(1984); ..BY ANY OTHER NAME(1983); COMPLECT(1982) PROLEGOMENA TO A NEW THEORY OF CHAIRS OR THIS IS THE WAY THE WORLD..(1981); WORKING DANCE; STOLEN FROM MYSELF (1979) For students at Westchester Community College: BALLOONMAN(1972) WALKING DANCE (1972) CHILDREN’S GAMES (1973) JEAN’S DANCE (1973) Additional: Choreography for Theatre Department musicals. Community Groups: First Congregational Church of Stamford CT, Youth Group 1975-76 Swarthmore Adult Softball Team 1990 DANCE TRAINING 1975-78, 1971-72 Temple University [Technique: Modern- Hellmut Gottschild, Eva Gholson, Les Ditson, Ann Vachon; Contact Improvisation-John Gamble; Ballet-Roy Tobias] plus full range of standard and dance-related academic courses and degree requirement courses 1967-71 Adelphi University [Technique and Ensembles: Dan Wagoner, Phyllis Lamhut, Don Redlich, Jean Cesbron, Sharon Kinney, Clive Thompson, Gene MacDonald, Jack Moore, Nancy Topf, Natanya Neumann, Sophie Maslow, Annaliese Widman, Harry Bernstein as well as Ballet, Pointe, Variations, Repertory, Afro-American (Eva Anderson) and Character (Yurek Lazowski)] plus full range of standard and dance-related academic courses and degree requirement courses 1959-67 Germantown Dance Theatre (ballet) Philadelphia Jean Williams; Guest instructors: Fiona Fuerstner, Dane LaFontsee, Cherie Noble Additional: 2010-2015 Gaga with Idan Porges, Modern Dance with Becky Malcolm-Naib, Eun Jung

Choi, K.C. Chun Manning, Scott McPheeters, Rhonda Moore and ongoing master classes/workshops with visiting artists

2009 & prior Hellmut Gottschild, Karen Bamonte, Eva Gholson, Pat Thomas, Joanne Jansen, Ruth Andrien, Cunningham studio (2 years, including weekly classes with Merce Cunningham), Alvin Ailey Studio, Dan Wagoner, Sandra Neels, Debora Chase, Charles Weidman, Carolyn Adams, Bertram Ross, Jeanette Lauret (former dancer with Ballets Russes)

2003 Liz Lerman/Critical Response training, Dance Exchange, Takoma Park, MD 1998, 1999 Yoga: Sally Hess

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1988-1989 Pilates: Adam Battlestein, Karen Carlson 2005- present Pilates and Yogalate: various instructors 1977-1980 Alexander Technique: Martha Hansen