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MASSING CONCEPT DIAGRAMS

• Universal massing extrusion. Setback from Smith Street and Easey Street in respect to heritage fabric, together

with new street wall to the eastern alignment of Easey Street, to reinforce the boundary wall street context.

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Corner site with street frontages to Smith Street and Easey Street, located in a Maintain and uphold heritage fabric. Major Activity Centre.

Conscientiously studied setbacks - simultaneously reduce the primacy of the Recessed upper levels added. new form and meritoriously frame the heritage fabric, to be viewed in-the-round as the significant element of the built composition.

Carefully composed response, which devoted design ingenuity to enhance the heritage fabric. This commemoration, by design, orders the new addition III as secondary to the heritage place- framing the heritage view. Whilst not a traditional methodology, it was realised this unique corner property warranted a studious response, to elevate the region through the next periods of change. MN

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Context-derived, scaled fenestration breaks up the mass into a proportionate and complimentary 'clean' element. A uniform condition, latent to the heritage building. The facade materiality disperses the overall massing of the building, distinguishing between different forms.

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13 FORM AND ARTICULATION STRATEGIES

01 HERITAGE-SCALE

HERITAGE FENESTRATION SCALE RELATIONSHIP

02 CORNICE MOTIF

The framing of the heritage facade also provides and opportunity to tie in the form in a reference to the cornice detail used on historic buildings, this is a conceptual relationship that links the cantilever form to the form-making of the historic precinct of Collingwood.

The grid facade is conceived as a contemporary reinterpretation of the surrounding heritage context, drawing on the delicate fenestration to add a level of fine-grain, pleasantly-scaled detail. Choosing not to imitate nor compete with the heritage facade, the proposal wraps the existing building sensitively picking up on the rhythms and proportions of the existing windows and relief to the

heritage facade.

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HERITAGE BUILD NG SCALE RELATIONSHIP

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The massing works such that bookend mass aligns to Kerr st while the eroded fames the heritage building to 378 Smith st aligns with the paths and pedestrian

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mass that. routes.

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FORM AND ARTICULATION STRATEGIES

03 KERR ST ALIGNMENT ■

■ The massing of the building addressed the unique urban context it sits in by creating an urban bookend to Kerr St, reinforcing the established street wall and directing traffic along the main thoroughfare of Smith St. In doing this, the heritage building is also framed by a 'negative' form of recessive, fine warehouse style fenestration. The deep setback is experienced by pedestrians on the footpath, while vehicles experience it as a bookend to the road.

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COPYRIGHT 378-380 SMITH ST COLLINGWOOD Jackson Clements Burrows Pty Ltd Architects ZEN NINE

One Harwood Place Melbourne Vic 3000 T .613 9654 6227 I .CY 'E_1 1;3 jcba.com.au

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Current street level conditions. West end of Easey Street.

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Proposed street level activation. West end of Easey Street. to.

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STREET INTERFACE

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■ A further key design consideration related to the relationship

111 between the existing corner heritage building and the new form. These strategies and urban design principles below

5 informed the new street level experience.

▪ - Articulated separation between the street front mass (shown diagrammatically with blue arrow) and the existing building.

a - The porosity of the lower levels for street activation and

111 passive surveillance

a Positioning balconies to the edges of the new mass allowing the edge of the new facade to be 'eroded'

Framing the heritage building through further setbacks to 5 the new mass in the area immediately surrounding 378 Smith

Street allows the existing heritage building to maintain a 3 II dimensional quality and an integrity of form.

a The above strategies and urban design principles are employed to:

1111 - Reclaim street level activity

111 - Increase vitality 6 security - Improve livability and promote positive social change

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• COPYRIGHT 378-380 SMITH ST COLLINGWOOD

ZERO NINE

■One Harwood Place Melbourne Vic 3000 TP SUBMISSION Jackson Clements Burrows Pty Ltd Architects

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PRECEDENT IMAGERY

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HISTORIC/CONTEMPORARY INTERACTION

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105 Johnson St, Collingwood.

A local example of new addition hovering recessively over existing fabric ShoP Architects, New York-United States

An international example of contemporary architecture interacting with

the historic fabric in an innovative way.

Peter Elliot Architecture + Urban Design, Victoria University, Melbourne

A strong formal and material relationship between the new addition and the existing heritage building.

Fender Katsalidis, Hero Apartments, Melbourne Australia

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Jackson Clements Burrows

Architects Z1 ENO HIKE

COPYRIGHT Jackson Clements Burrows Pty Ltd Architects One Harwood Place Melbourne Vic 3000 T +613 9654 6227 jcba.corn.au

Duggan Morris Architects, R7 Multi-use, London- England Breathe Architects, Nightingale, Melbourne- Australia Aluminum fins as facade tieutrnerit Historic S contemporary relationship

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CORNER SMITH ST & EASEY ST LOOKING NORTH-EAST

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VIEW 2

SMITH ST LOOKING SOUTH

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