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Page 1: Mathias Broniatowski - Portfolio -  Architecture and urban design

Mathias Broniatowski . Portfolio

Page 2: Mathias Broniatowski - Portfolio -  Architecture and urban design
Page 3: Mathias Broniatowski - Portfolio -  Architecture and urban design

Mathias BroniatowskiSelected works

ArchitectureUrbanismResearch

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References

Pieter Bruegel the ElderVillage scenecirca 1568

Vailly farmTracy-sur-Mer, Normandy19th century

Jules VerneTwenty Thousand Leagues Under the Sea1871

K. F. SchinkelFeilnerhaus, Berlin1828

Diane ArbusA Jewish giant at home with his parents in the Bronx1970

p. 6

p. 12

p. 16

p. 22

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Academic works

Rural avant-gardeRevitalization of a city centerSainte - Ménehould

Reinventing SénartEvolution of an economical areaSénart

Acquario di MilanoOceanographic museumMilan

Palazzo GoldoniHousingMilan

Brooklyn BoogieMusic centerNew York City

Professional works

RestaurantNP2F ArchitectesParis

Two housesNE ArquiteturaRio de Janeiro

Towers refurbishmentDominique Perrault ArchitectureParis

Mixed use buildingDominique Perrault ArchitectureLille

Personal works

Bellastock

Totem

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Education

2014 - 2015 PostGraduate program, urban design: DSA architecte - urbaniste.ENSAVT, Marne la Vallée, Paris, France. Professors: Frédéric Bonnet, Eric Alonzo. Projects: revitalization of a city center, Sainte - Ménehould ; evolution of an economical area, Sénart. Published and exposed projects.

July 2014 Graduate architect, with honors: Architecte Diplômé d’Etat (ADE).Master Theory & Project, ENSAVT, Marne la Vallée, Paris, France.Professor: Jacques Lucan.Diploma project: oceanographic museum in Milan.

2012 - 2014 Master degree, architecture: Master Theory & Project.ENSAVT, Marne la Vallée, Paris, France.Professors: Jacques Lucan, Odile Seyler, Eric Lapierre.Dissertation: Exploring micro worlds, tales from autonomous architectures.

2010 - 2011 Exchange program, 3rd year of bachelor degree.Bezalel Academy of Arts and Design, Jerusalem, Israel.Professors: Moti Bodek, Sharon Rotbard.

2008 - 2011 Bachelor degree, architecture.ENSAVT, Marne la Vallée, Paris.Dissertation: Building within it’s own time and place, Mansfeld’s example in Jerusalem.

Nationality: French - ItalianDate of birth: 25 - 12 - 1989

16 rue de l’Aubrac - 75012 Paris - Francewww.cargocollective.com/mbroniatowski

[email protected]+33695266862

Mathias BroniatowskiArchitecte Diplômé d’Etat - Equivalent RIBA Part II Architect

Jan. 2015 Ministry of Housing and Territories, Paris, France. - Team work: proposals for the reform of the regulatory body of local urban planning (Plan Local d’Urbanisme).

Atelier International du Grand Paris, Paris, France.- Participation to a seminary on the evolution of economical urban forms. Presentation of a project for the evolution of an economical area in Sénart.

Consulting

May 2015

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Experiences

June - Sept. 2013 NP2F Architectes, Paris, France. Internship.- Project team: restaurant in Paris. Preliminary design, filling building permit.- Competition team: urban planning of the Grand Stade in Ris Orangis. Preliminary phase. Competition 1st prize.

Jan. - Aug. 2012 NE Arquitetura, Rio de Janeiro, Brazil. Internship.- Project team: two houses in Rio. Design phase.- Project team: exhibition in Paris. Preliminary phase.

Sept. - Dec. 2011 Dominique Perrault Architecture, Paris, France. Internship.- Project team: Citylights, refurbishment of office towers in Boulogne. Design phase (APS / APD).- Project team: Vérose, housing and office building in Lille. Survey on construction site.

2010 - 2013 Bellastock experimental architecture, Paris, France. Associative.- Member of the organisation committee of Bellastock student workshop and festival (2010, 2011 and 2013 editions).

Skills

AutoCAD, Photoshop, Illustrator, InDesign, SketchUp, Rhinoceros, Revit, QGIS, Microsoft Office.

IT

Cardboard, wood, plaster, paper, styro, plastics, metals, laser cutting...Model making

Languages

Feb. 2009 Société Cinq Etoiles, Paris, France. Internship.- Work on a construction site, assisting conductor site, participated to meetings with suppliers and clients.

Feb. - Sept. 2015 City of Sainte-Ménehould, Marne department, France. Urban project. - Team work: project for the revitalization of the city of Sainte-Ménehould, Marne department. Strategic accompanying of a municipal project. Presentation of the operational project to the municipal and departmental bodies.

French, Italian.Mother tongues

English (TOEIC 905/990), Portuguese.Fluent, work proficiency

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Date: February - July 2015Program: Revitalization of a city centerPosition: Project with C-E. Delprat, N. Paulot C. Fauvel

Location: Sainte - Ménehould, Champagne, FranceProfessors: Frédéric Bonnet, Eric Alonzo, ENSAVTClients: Sainte-Ménehould, Département de la Marne

Rural avant-garde

The mayor of a declining small town launched a bet for renewing the city’s attractiveness, and dreams of becoming the « capital of colours ». Instead of giving a graphic packaging to this project, this counselling approach tends to articulate the project with Sainte-Ménehould’s reality, it’s patrimony and to elaborate a coherent chronology of actions. A phased operational process proposes several actions, not only architectural. They generate the necessary stimulations for the awakening of the city. Some of these actions are already operational, for example the organization of an art festival, the opening of an artists residence in an abandoned historical building, or the elaboration of regulatory and negotiation tools. This strategy aims to articulate moments of intensity with quotidian life in this city in the countryside: Sainte-Ménehould will be both rural and d’avant garde.

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Geographical structure of the city. Hand drawing + Photoshop (above), QGIS + AutoCAD + Illustrator (below), model picture (right)

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Rural avant-garde 7

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Rural avant-garde8

Transformation of public spaces. Hand drawing (above), QGIS + AutoCAD + Illustrator (below)

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Rural avant-garde 9

Transformation of public spaces. Hand drawing

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Rural avant-garde10

Recommandation of housing implantation. Hand drawing (above), QGIS + AutoCAD + Illustrator (below)

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Rural avant-garde 11

Transformation of public spaces. Model pictures (cardboard, paper)

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Project plan. QGIS + AutoCAD + Illustrator

Date: October 2014 - February 2015Program: Evolution of an economical areaPosition: Project with S. Pelloquin C. Rives F. Diodato

Location: Lieusaint - Sénart, Paris metropolitan areaProfessors: Frédéric Bonnet, Eric Alonzo, ENSAVTClients: Lieusaint, EPA Sénart, Ministery of Housing

Reinventing Sénart

This project – presented to a ministerial consultation and to the Atelier International du Grand Paris – accompanies the growth of an economical area in Sénart. Thinking the future evolutions of this sector at the city’s boundaries is an opportunity to interrogate the economical programs, which are too often unthought-of the urban fabric. Thanks to a structure redefining the project’s area, the analysis of the programmatic typologies, the elaboration of a regulatory tool and the drawing of three case studies, this work seeks a new way to council economical activities with the contextualised making of cities. This project defines a new regulatory and spatial dispositive named section. It is comparable to a farm’s courtyard: buildings and programs come and go, but the typological form persists.

Site view.

12 Presented to the Atelier International du Grand Paris

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Reinventing Sénart

Section 1: industries, offices, stores, housing, public facilities. Hand drawing + Photoshop (above), Rhino + Illustrator (below)

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Reinventing Sénart

Section 2: industries, offices, agriculture. Hand drawing + Photoshop (above), Rhino + Illustrator (below)

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Reinventing Sénart

Section 3: industries, offices, stores, housing, public facilities. Hand drawing + Photoshop (above), Rhino + Illustrator (below)

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Acquario di Milano

Date: February - July 2014Program: Oceanographic museumPosition: Personal project, diploma

Location: Giardini di Porta Venezia, MilanProfessor: Jacques Lucan, ENSAVT

This aquarium is a pavilion in the Indro Montanelli park. The façade is a screen made of a double glass wall and curtains: it shows through the reflections the internal landscape from the park. The main element is a single double curved surface built in on-site concrete, which serves the research of an «emergent grid». This shell determines the structure, the program’s organization, paths and spatiality. On one side water, on the other side air. The concave and convex shape two levels opened one towards the other. Within each of those levels the properties of the two entities are inverted: each of them is insular on one level and then continuous on the other one. By conditioning the paths, this organization creates the visit’s scenario: the access level is continuous and proposes a promenade, while the underground level is made of rooms connected to each other by tunnels, determining pedagogic itineraries.

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Facade composition. SketchUp + Photoshop + Model picture

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Acquario di Milano 17

Urban situation. Model picture (painted wood, plaster, cardboard, sand)

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Acquario di Milano

Longitudinal section. AutoCAD + Photoshop

Project plans: lower level (above) upper level (below). AutoCAD + Photoshop

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Acquario di Milano

Internal system. Model picture (plaster, cardboard, metal)

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Acquario di Milano

A visitor’s views. Model picture (plaster, cardboard, metal) + Photoshop

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Acquario di Milano 21

A fish’s view. Model picture (plaster, cardboard, metal) + Photoshop

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Palazzo Goldoni

Date: October 2013 - January 2014Program: HousingPostion: Project with D. Chambrin J. Aubert

Location: Via Goldoni, MilanProfessor: Eric Lapierre, Jacques Lucan, ENSAVT

The city centre of Milan is remarkable by its large-scale housing and office buildings that often evoke a medieval imaginary. This project is feed by those references. It is a unitary building, a folded volume creating two voids in its surroundings: a courtyard and a garden. The two facades are covered by dressed stone, the Milanese ceppo. The panel’s display shows their thickness and their constructive process. The complexity of the apartments plans produces a gap between the perceptive experience and the mental reconstitution of their organization. The dispositive provokes a changing experience of the apartment: different circulation systems coexist, as well as two geometrical systems. The multiplicity of the possible paths generates a domestic inhabitation always slightly different: the apartment seems larger than what it actually is.

Ground floor plan

Floor plan

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Palazzo Goldoni

Urban views. Model picture (cardboard, paper)

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Palazzo Goldoni

Situation plan. AutoCAD + Photoshop

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Palazzo Goldoni

Detailed elevation. AutoCAD + Photoshop

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Detailed section

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Palazzo Goldoni

Apartment plans

View of an apartment. Model picture (cardboard, paper, wood)

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Palazzo Goldoni

View of an apartment. Model picture (cardboard, paper, wood)

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Brooklyn Boogie

Date: October 2012 - January 2013Program: Concert hallPosition: Project with C. Munari T. Renié

Location: Greenpoint, Brooklyn, New York CityProfessor: Eric Lapierre, Jacques Lucan, ENSAVT

This music centre is located in Greenpoint, Brooklyn. This neighbourhood facing the East River is remarkable for the proximity of typical early 20th century new-yorker housing buildings built in bricks and of often-abandoned large-scale industrial buildings, which use to be home for the merchandises arriving from trade ships. This project integrates this context, with its large bricks facades. It Is an ordinary monument. Each volume corresponds to a program, so to a typology: plan libre for the museum, a vertical centred hall, a horizontal directional hall… A central atrium assures the general circulation. Thanks to this complex volumetry the project appears as an assemblage of different buildings, reinforced by the equivalent treatment of the interior and exterior facades.

View of the main hall. Model picture (painted carboard, painted wood, fabric, paper)

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Brooklyn Boogie 29

ÉLÉVATION 1:200

MATÉRIALITÉ - DÉTAIL (façade) 1:50

Detailed elevation. AutoCAD + Photoshop

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New York, ville de contrastes, ville de confrontations, ville de paradoxes, ville systématique et chaotique, ville où le titanesque côtoie le dérisoire, où le décrépi peut devenir symbolique. Son identité, son histoire, son peuplement, sa culture, sa musique, découlent de ces confrontations: dans l’expression à la fois différenciée et uniforme de ses composantes, dans le référentiel qui renforce l’identité des entités.

Combinaison de genres Chiara Munari - Théo Renié - Mathias Broniatowski

Le petit devient petit en se confrontant à plus grand que lui, l’introversion n’existe pas sans son contexte, la diagonale ne devient telle que lorsqu’introduite dans un système orthonormé ; autant de pensées suggérant la juxtaposition et la superposition de contradictions et de complémentarités s’inscrivant dans un tout reconnaissable. Ce projet est donc pensé selon le principe du référentiel : une composition où l’identité, le caractère reconnaissable et caractéristique d’un lieu s’inscrit en relation avec un autre.

Centre de musique Brooklyn - New York 10. 2012 - 1. 2013

New York, ville de contrastes, ville de confrontations, ville de paradoxes, ville systématique et chaotique, ville où le titanesque côtoie le dérisoire, où le décrépi peut devenir symbolique. Son identité, son histoire, son peuplement, sa culture, sa musique, découlent de ces confrontations: dans l’expression à la fois différenciée et uniforme de ses composantes, dans le référentiel qui renforce l’identité des entités.

Combinaison de genres Chiara Munari - Théo Renié - Mathias Broniatowski

Le petit devient petit en se confrontant à plus grand que lui, l’introversion n’existe pas sans son contexte, la diagonale ne devient telle que lorsqu’introduite dans un système orthonormé ; autant de pensées suggérant la juxtaposition et la superposition de contradictions et de complémentarités s’inscrivant dans un tout reconnaissable. Ce projet est donc pensé selon le principe du référentiel : une composition où l’identité, le caractère reconnaissable et caractéristique d’un lieu s’inscrit en relation avec un autre.

Centre de musique Brooklyn - New York 10. 2012 - 1. 2013

Urban view. Model picture (cardboard, paper)

Ground floor plan

Longitudinal section

Brooklyn Boogie30

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New York, ville de contrastes, ville de confrontations, ville de paradoxes, ville systématique et chaotique, ville où le titanesque côtoie le dérisoire, où le décrépi peut devenir symbolique. Son identité, son histoire, son peuplement, sa culture, sa musique, découlent de ces confrontations: dans l’expression à la fois différenciée et uniforme de ses composantes, dans le référentiel qui renforce l’identité des entités.

Combinaison de genres Chiara Munari - Théo Renié - Mathias Broniatowski

Le petit devient petit en se confrontant à plus grand que lui, l’introversion n’existe pas sans son contexte, la diagonale ne devient telle que lorsqu’introduite dans un système orthonormé ; autant de pensées suggérant la juxtaposition et la superposition de contradictions et de complémentarités s’inscrivant dans un tout reconnaissable. Ce projet est donc pensé selon le principe du référentiel : une composition où l’identité, le caractère reconnaissable et caractéristique d’un lieu s’inscrit en relation avec un autre.

Centre de musique Brooklyn - New York 10. 2012 - 1. 2013

New York, ville de contrastes, ville de confrontations, ville de paradoxes, ville systématique et chaotique, ville où le titanesque côtoie le dérisoire, où le décrépi peut devenir symbolique. Son identité, son histoire, son peuplement, sa culture, sa musique, découlent de ces confrontations: dans l’expression à la fois différenciée et uniforme de ses composantes, dans le référentiel qui renforce l’identité des entités.

Combinaison de genres Chiara Munari - Théo Renié - Mathias Broniatowski

Le petit devient petit en se confrontant à plus grand que lui, l’introversion n’existe pas sans son contexte, la diagonale ne devient telle que lorsqu’introduite dans un système orthonormé ; autant de pensées suggérant la juxtaposition et la superposition de contradictions et de complémentarités s’inscrivant dans un tout reconnaissable. Ce projet est donc pensé selon le principe du référentiel : une composition où l’identité, le caractère reconnaissable et caractéristique d’un lieu s’inscrit en relation avec un autre.

Centre de musique Brooklyn - New York 10. 2012 - 1. 2013

Urban view. Model picture (cardboard, paper)

Floor plan

Brooklyn Boogie 31

New York, ville de contrastes, ville de confrontations, ville de paradoxes, ville systématique et chaotique, ville où le titanesque côtoie le dérisoire, où le décrépi peut devenir symbolique. Son identité, son histoire, son peuplement, sa culture, sa musique, découlent de ces confrontations: dans l’expression à la fois différenciée et uniforme de ses composantes, dans le référentiel qui renforce l’identité des entités.

Combinaison de genres Chiara Munari - Théo Renié - Mathias Broniatowski

Le petit devient petit en se confrontant à plus grand que lui, l’introversion n’existe pas sans son contexte, la diagonale ne devient telle que lorsqu’introduite dans un système orthonormé ; autant de pensées suggérant la juxtaposition et la superposition de contradictions et de complémentarités s’inscrivant dans un tout reconnaissable. Ce projet est donc pensé selon le principe du référentiel : une composition où l’identité, le caractère reconnaissable et caractéristique d’un lieu s’inscrit en relation avec un autre.

Centre de musique Brooklyn - New York 10. 2012 - 1. 2013

New York, ville de contrastes, ville de confrontations, ville de paradoxes, ville systématique et chaotique, ville où le titanesque côtoie le dérisoire, où le décrépi peut devenir symbolique. Son identité, son histoire, son peuplement, sa culture, sa musique, découlent de ces confrontations: dans l’expression à la fois différenciée et uniforme de ses composantes, dans le référentiel qui renforce l’identité des entités.

Combinaison de genres Chiara Munari - Théo Renié - Mathias Broniatowski

Le petit devient petit en se confrontant à plus grand que lui, l’introversion n’existe pas sans son contexte, la diagonale ne devient telle que lorsqu’introduite dans un système orthonormé ; autant de pensées suggérant la juxtaposition et la superposition de contradictions et de complémentarités s’inscrivant dans un tout reconnaissable. Ce projet est donc pensé selon le principe du référentiel : une composition où l’identité, le caractère reconnaissable et caractéristique d’un lieu s’inscrit en relation avec un autre.

Centre de musique Brooklyn - New York 10. 2012 - 1. 2013

Transversal section

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NP2F Architectes

Date: June - September 2013Program: RestaurantPosition: Project team - Intern

Location: Avenue de France, ParisStage: Design phase - Construction permitImage credits: NP2F Architectes

This project concerns the interior design of a restaurant in the Massena neighbourhood in Paris. My task lasted from the design phase until the construction permit, and was done in collaboration with the client. This work included surveys on site, sketches of the general organization, drawing of plans, sections, axonometries, perspectives, making of organization and atmosphere models, and meetings with the clients. A decorator realized the execution phase. The general organization is composed by two major elements: a concrete bar, and a glass and steel volume containing the kitchen and services.

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33NP2F Architectes

Preliminary hypotheses

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Date: January - August 2012Program: Two housesPosition: Project team - Intern

Location: Santa Teresa, Rio de JaneiroStage: Preliminary designImage credits: NE Arquitetura

This project is a refurbishment and extension of a villa and the construction of a new twin house. They are located on a terraced site comprising two villas from the 18th and 19th centuries, and have an exceptional view on the Guanabara Bay. This work included surveys on site, clarification of construction rules, sketches of the general organization as well as plans, sections, facades and models in collaboration with the client. The client’s requirement of environmental performance largely conditioned the project. We preserved the walls of the lower house, and we added an upper storey. The new house on the upper terrace is a beam-column structure in which clay volumes are displayed. The project insists on controlled permeability between the inside and the outside.

34 NE Arquitetura

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NE Arquitetura 35

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Dominique Perrault Architecture

Date: September - December 2011Program: Refurbishment of office towersPosition: Team project - Internship

Location: Boulogne - Billancourt, Paris area Stage: Design phase (APS / APD)Image credits: Dominique Perrault Architecture

This project involves the refurbishment of the Pont de Sèvres towers, a 1970s complex built around an elevated esplanade. The structure and the volumes are preserved, while the programs, facades, accesses, distributions and gardens are renewed. This project is combining the metabolist architecture of the original project by Badani and Roux-Dorlut with Perrault’s minimalism. My task involved the production of documents facilitating the conception of the project during stages 2 and 3 (APS / APD), which were divulgated to the client and technical partners. Those tasks included the making of models of the façade modules, of accesses and of the global volumes, as well as CAD drawings of façade details and plans of the technical areas.

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Dominique Perrault Architecture

Date: September - December 2011Program: Housing / offices / storesPosition: Team work - Internship

Location: Euralille 2, LilleStage - Mission: Survey on construction siteImage credits: Dominique Perrault Architecture

This building is located in Lille, in the Euralille area. It is a mix-used program, including dwellings, offices and stores. The programs were delivered on different dates, so the site included several different phases. My task comported the survey on site of defects in construction (OPR / Réserves): structure, facades, windows and occultations, finishes, utility shafts, luninaires, landscaping, signage…

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Bellastock

Date: May 2010Event: Student workshop and festivalPosition: Member of the organization committee

Location: Ile-de-FranceAttendance: 650 participants Construction theme: Sand bags

The participants start on an empty site with a project. Each team is equipped with the same stock of materials and builds its own shelter for the festival. The participants dismantle their construction on the last day, and restore the site in its primary condition. Bellastock creates a urban micro situation in which ephemeral architecture, construction experimentation and alternative urbanism are combined. I had the opportunity to integrate the 2010, 2011 and 2013 organization committees.

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Bellastock

Date: May 2011Event: Student workshop and festivalPosition: Member of the organization committee

Location: Ile-de-FranceAttendance: 1300 participantsConstruction theme: Inflatable structures

During the 2010 edition the main material was the sand extracted on site, and the containers were industrial synthetic bags. During the 2011 edition air was the construction theme: hundreds of inflatable structures were separately realised and then connected to each other and to a blower, creating a labyrinth of transparent and ventilated bubbles.

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Totem

Date: October 2015Event: PartyRole: Design - construction of a wooden tower

Location: Cerisé, NormandyAttendance: 370 participantsMaterials: pine tassels - wooden pegs

Fire has a magical power, it is federating and inspiring. During this party with friends everyone comes with an idea, and proposes a special skill : so comes the project of a totem, a sculpture that is a gathering point. Together with a few friends we designed and built it. While burning, the totem became a foyer, an emblematic and welcoming spot. We faced the constraint of fire by designing a wooden tower made of three nested modules, each composed by four braced gantries and cladding elements. This structure is made of pine tassels of three different sections, and all the assemblies are made of wooden pegs, so that everything is combustible.

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44x44mmx12 x52 x76 x256

32x32mm 13x38mm 8x40mm

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Totem 41

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16 rue de l’Aubrac 75012 Paris France +33695266862 [email protected]