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A Wagner Matinéeby Willa Cather

For pages 159–170, 313

In studying this text, you will focus on the following objectives:

Literary Study: Analyzing point of view.

Reading: Identifying sequence.

Learning Objectives

A Wagner Matinée 159

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Before You Read

Connect to the StoryImagine living on an isolated farm in Nebraska one hundred years ago. You have no radio, no TV, no CDs, and no computer. Write your responses on the lines below.

How do you spend your days?

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What do you do for entertainment?

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What would you enjoy most about a trip to a big city?

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How would you feel if you could hear live music in the city?

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Build BackgroundAs you read this list, circle the most important words and phrases.

• The word Wagner in the title refers to the German composer Wilhelm Richard Wagner (1813–1883). He wrote dramatic and passionate operas.

• A matinée is a daytime performance.

• Willa Cather based her story on the experience of her Aunt Franc and Uncle George. They had taken advantage of the Homestead Act of 1862.

• The Homestead Act allowed settlers and immigrants to claim 160 acres of public land. If they improved the land and lived on it for five years, they would own it.

Set Purposes for ReadingRead to find out how a woman responds when she hears music that she loves and is reminded of the beauty she has been missing for many years.

A Wagner Matinée

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Literary Element Point of View

The point of view is the standpoint from which a story is told. A story in the first-person point of view is told by one of the characters, referred to as “I.” The reader sees everything through that character’s eyes. In third-person limited point of view, the narrator tells events as seen by a single character. All characters and things are referred to as “he,” “she,” or “it.” With the omniscient point of view, the narrator reveals the thoughts, feelings, and actions of all the characters. Get together with a partner and tell about a typical event in your everyday life. Describe it from these three points of view.

Reading Strategy Identify Sequence

When you identify sequence, you find the order in which events happen. Often, authors follow the time order of events when telling a story. Sometimes, however, they use flashbacks to tell about past events. As you read, it is important to track what happened first, next, and last. To practice how to identify sequence, complete a chart on a separate piece of paper like the one below to tell about three events in your life. Put the events in the order in which they happened.

▲ ▲

Vocabulary Analogies

Analogies are comparisons based on relationships between words. For example:

hat : head :: shoe : foot

In this example, the words in each pair show association or usage. Now look at this analogy:

butterfly : insect :: dog : mammal

What is the relationship between the words in this analogy? Circle your answer.

object/characteristic

part/whole

example/class

Read the vocabulary words and definitions in the side column out loud. As you encounter these words in the selection, think of analogies that you might make using them.

legacy (legʼ ə sē ) n. something inherited, as money or property

reproach (ri prō chʼ) n. blame for some wrong

doggedly (doʼ gid lō ) adv. keeping on stubbornly despite difficulties

trepidation (trepʼ ə dā ̓ shən) n. fear; dread; a feeling of being anxious

obliquely (ō b lē kʼ lē ) adv. in a slanting direction

Vocabulary




legacy (legʼ ə sē ) n. something inherited, as money or property

Vocabulary

Identify Sequence How does the narration shift in this paragraph? Write your answer on the lines below. Underline the phrases that provide clues to this shift.

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Reading Strategy

I received one morning a letter, written in pale ink on glassy, blue-lined note-paper, and bearing the postmark of a little Nebraska village. This communication, worn and rubbed, looking as if it has been carried for some days in a coat pocket that was none too clean, was from my uncle Howard, and informed me that his wife had been left a small legacy by a bachelor relative, and that it would be necessary for her to go to Boston to attend to the settling of the estate. He requested me to meet her at the station and render1 her whatever services might be necessary. On examining the date indicated as that of her arrival, I found it to be no later than tomorrow. He had characteristically delayed writing until, had I been away from home for a day, I must have missed my aunt altogether.

The name of my Aunt Georgiana opened before me a gulf of recollection so wide and deep that, as the letter dropped from my hand, I felt suddenly a stranger to all the present conditions of my existence, wholly ill at ease and out of place amid the familiar surroundings of my study. I became, in short, the gangling farmer-boy my aunt had known, scourged2 with chilblains3 and bashfulness, my hands cracked and sore from the corn husking. I sat again before her parlour organ, fumbling the scales with my stiff, red fingers, while she, beside me, made canvas mittens for the huskers.

The next morning, after preparing my landlady for a visitor, I set out for the station. When the train arrived I had some difficulty in finding my aunt. She was the last of the passengers to alight, and it was not until I got her into the carriage that she seemed really to recognize me. She had come all the way in a day coach; her linen duster4 had become black with soot and her black bonnet grey with dust during the journey. When we arrived at my boarding-house the landlady put her to bed at once and I did not see her again until the next morning.

A Wagner Matinée

1. Render means “to make available” or “to provide.”2. Scourged means “afflicted.”3. Chilblains are red, swollen sores on the skin. They are caused by exposure to

the cold.4. A duster is a long, lightweight coat. It is worn to protect one’s clothing from dust.

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Read and Discuss

A Wagner Matinée

reproach (ri prō ̄chʼ) n. blame for some wrong

doggedly (dôʼ gid lē ) adv. keeping on stubbornly despite difficulties

Vocabulary

Vocabulary Skill

Analogies The word reproaches has almost the same meaning as another word in this sentence. Circle that word. Then circle the item below that describes their relationship.

object/characteristic

antonyms

part/whole

synonyms

example/class

Read the last paragraph out loud with a partner. As you read, underline details that show Aunt Georgiana’s influence on Clark as he was growing up. Then discuss with your partner what these details tell about Aunt Georgiana’s personality. Write your response on the lines below.

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Whatever shock Mrs. Springer experienced at my aunt’s appearance, she considerately concealed. As for myself, I saw my aunt’s battered figure with that feeling of awe and respect with which we behold explorers who have left their ears and fingers north of Franz-Joseph-Land,5 or their health somewhere along the Upper Congo.6 My Aunt Georgiana had been a music teacher at the Boston Conservatory, somewhere back in the latter sixties. One summer, while visiting in the little village among the Green Mountains7 where her ancestors had dwelt for generations, she had kindled the callow8 fancy of my uncle, Howard Carpenter, then an idle, shiftless boy of twenty-one. When she returned to her duties in Boston, Howard followed her, and the upshot of this infatuation was that she eloped with him, eluding the reproaches of her family and the criticism of her friends by going with him to the Nebraska frontier. Carpenter, who, of course, had no money, took up a homestead in Red Willow County, fifty miles from the railroad. There they had measured off their land themselves, driving across the prairie in a wagon, to the wheel of which they had tied a red cotton handkerchief, and counting its revolutions. They built a dug-out in the red hillside, one of those cave dwellings whose inmates so often reverted to primitive conditions. Their water they got from the lagoons where the buffalo drank, and their slender stock of provisions was always at the mercy of bands of roving Indians. For thirty years my aunt had not been farther than fifty miles from the homestead.

I owed to this woman most of the good that ever came my way in my boyhood, and had a reverential9 affection for her. During the years when I was riding herd for my uncle, my aunt, after cooking the three meals—the first of which was ready at six o’clock in the morning—and putting the six children to bed, would often stand until midnight at her ironing-board, with me at the kitchen table beside her, hearing me recite Latin declensions and conjugations,10 gently shaking me when my drowsy head sank down over a page of irregular verbs. It was to her, at her ironing or mending, that I read my first Shakespeare, and her old textbook on mythology was the first that ever came into my empty hands. She taught me my scales and exercises on the little parlor organ which her husband had bought her after fifteen years, during which she had not so much as seen a musical instrument. She would sit beside me by the hour, darning and counting, while I struggled with the “Joyous Farmer.”11 She seldom talked to me about music, and I understood why. Once when I had been doggedly beating out some easy passages from an old score of Euryanthe12 I had found among her music books, she came up to me and, putting her hands over my eyes, gently drew my head back upon her shoulder, saying tremulously,13 “Don’t love it so well, Clark, or it may be taken from you.” 5. Franz-Joseph-Land is a group of islands in the Arctic Ocean. 6. The Congo River is in central Africa. It is also called the Zaire River. 7. The Green Mountains go from western Massachusetts through Vermont and into

Canada. 8. Callow means “inexperienced” or “immature.” 9. Reverential means “with a feeling of deep respect and awe.”10. Declensions are different forms of nouns, pronouns, and adjectives.

Conjugations are different forms of verbs. Students often memorize these forms when learning a new language.

11. Joyous Farmer is one of a series of compositions for children by Robert Shumann (1810–1856).

12. Euryanthe (ā Û r i ä n tā ) is an opera by the German composer Carl Maria von Weber (1786–1826).

13. Tremulously means “in a trembling or shaking manner.”




A Wagner Matinée

trepidation (trepˊ ə dā ́ shən) n. fear; dread; a feeling of being anxious

Vocabulary

Literary Element

Point of View If the point of view had been Aunt Georgiana’s instead of Clark’s, what might she have said about this moment? Complete the following sentence.

Aunt Georgiana might have said

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Identify Sequence Underline the phrases in this passage that show time order. Briefly describe the day that the narrator has planned for his aunt. Write your answer on the lines below.

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Reading Strategy When my aunt appeared on the morning after her arrival in Boston, she was still in a semi-somnambulant14 state. She seemed not to realize that she was in the city where she had spent her youth, the place longed for hungrily half a lifetime. She had been so wretchedly train-sick throughout the journey that she had no recollection of anything but her discomfort, and, to all intents and purposes, there were but a few hours of nightmare between the farm in Red Willow County and my study on Newbury Street. I had planned a little pleasure for her that afternoon, to repay her for some of the glorious moments she had given me when we used to milk together in the straw-thatched cowshed and she, because I was more than usually tired, or because her husband had spoken sharply to me, would tell me of the splendid performance of the Huguenots15 she had seen in Paris, in her youth.

At two o’clock the Symphony Orchestra was to give a Wagner program, and I intended to take my aunt; though, as I conversed with her, I grew doubtful about her enjoyment of it. I suggested our visiting the Conservatory and the Common16 before lunch, but she seemed altogether too timid to wish to venture out. She questioned me absently about various changes in the city, but she was chiefly concerned that she had forgotten to leave instructions about feeding half-skimmed milk to a certain weakling calf, “old Maggie’s calf, you know, Clark,” she explained, evidently having forgotten how long I had been away. She was further troubled because she had neglected to tell her daughter about the freshly-opened kit of mackerel in the cellar, which would spoil if it were not used directly.

I asked her whether she had ever heard any of the Wagnerian operas, and found that she had not, though she was perfectly familiar with their respective situations, and had once possessed the piano score of The Flying Dutchman. I began to think it would be best to get her back to Red Willow County without waking her, and regretted having suggested the concert.

From the time we entered the concert hall, however, she was a trifle less passive and inert, and for the first time seemed to perceive her surroundings. I had felt some trepidation lest she might become aware of her queer, country clothes, or might experience some painful embarrassment at stepping suddenly into the world to which she had been dead for a quarter of a century. But, again, I found how superficially I had judged her. She sat looking about her with eyes as impersonal, almost as stony, as those with which the granite Rameses17 in a museum watches the froth and fret that ebbs and flows18 about his pedestal. I have seen this same aloofness in old miners who drift into the Brown hotel at Denver, their pockets full of bullion,19 their linen soiled, their haggard faces unshaven; standing in the thronged corridors as solitary as though they were still in a frozen camp on the Yukon.20

14. Semi-somnambulant (semʼ ē som namʼ byə lənt) means “bewildered or dazed, as if sleepwalking.”

15. Huguenots (hū ̓ gə notsʼ) is a French opera by the German composer Giacomo Meyerbeer (1791–1864).

16. Common refers to Boston Common, a public park.17. Rameses (ramʼ ə sē z) is the name shared by several kings of ancient Egypt.18. [froth and fret . . . flows] This phrase refers to the general busy activity that

would come and go past a museum statue.19. Here, bullion (boolʼ yən) is gold.20. Yukon refers to the Yukon River, a major route to the Klondike gold fields in Canada.

164



A Wagner Matinée

PredictBased on what you already know about Aunt Georgiana, how do you think she will react to the music? Write your answer on the lines below.

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R E A D I N G C H E C K

Literary Element

Point of View The reader sees Aunt Georgiana’s reaction through Clark’s eyes. How might Aunt Georgiana have described this same scene? Write your answer on the lines below.

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The matinée audience was made up chiefly of women. One lost the contour of faces and figures, indeed any effect of line whatever, and there was only the color of bodices past counting, the shimmer of fabrics soft and firm, silky and sheer; red, mauve, pink, blue, lilac, purple, écru,21 rose, yellow, cream, and white, all the colors that an impressionist22 finds in a sunlit landscape, with here and there the dead shadow of a frock coat. My Aunt Georgiana regarded them as though they had been so many daubs of tube-paint on a palette.

When the musicians came out and took their places, she gave a little stir of anticipation, and looked with quickening interest down over the rail at that invariable grouping, perhaps the first wholly familiar thing that had greeted her eye since she had left old Maggie and her weakling calf. I could feel how all those details sank into her soul, for I had not forgotten how they had sunk into mine when I came fresh from ploughing forever and forever between green aisles of corn, where, as in a treadmill, one might walk from daybreak to dusk without perceiving a shadow of change. The clean profiles of the musicians, the gloss of their linen, the dull black of their coats, the beloved shapes of the instruments, the patches of yellow light on the smooth, varnished bellies of the ’cellos and the bass viols in the rear, the restless, wind-tossed forest of fiddle necks and bows—I recalled how, in the first orchestra I ever heard, those long bow-strokes seemed to draw the heart out of me, as a conjurer’s stick reels out yards of paper ribbon from a hat.

21. Écru (ā ̓ kroo) is beige, a very light tan color.22. An impressionist is a member of a movement in French painting. Impressionists

emphasized the play of light and color.




Read and Discuss

A Wagner Matinée

obliquely (ō b lē kˊ lē ) adv. in a slanting direction

Vocabulary

Identify Sequence What does Clark realize here? Write your answer on the lines below.

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Reading Strategy

With a partner, read this paragraph aloud, paying special attention to the period at the end of each sentence. Be sure that your voice has the correct intonation and shows the end of each sentence. After reading, discuss with your partner how you think Aunt Georgiana felt as she listened to the concert. Write your response on the lines below.

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The first number was the Tannhauser overture. When the horns drew out the first strain of the Pilgrim’s chorus, Aunt Georgiana clutched my coat sleeve. Then it was I first realized that for her this broke a silence of thirty years. I saw again the tall, naked house on the prairie, black and grim as a wooden fortress; the black pond where I had learned to swim, its margin pitted with sun-dried cattle tracks; the rain gullied clay banks about the naked house, the four dwarf ash seedlings where the dishcloths were always hung to dry before the kitchen door. The world there was the flat world of the ancients;23 to the east, a cornfield that stretched to daybreak; to the west, a corral that reached to sunset; between, the conquests of peace, dearer-bought than those of war.

The overture closed, my aunt released my coat sleeve, but she said nothing. She sat staring dully at the orchestra. What, I wondered, did she get from it? She had been a good pianist in her day, I knew, and her musical education had been broader than that of most music teachers of a quarter of a century ago. She had often told me of Mozart’s operas and Meyerbeer’s, and I could remember hearing her sing, years ago, certain melodies of Verdi.24 When I had fallen ill with a fever in her house she used to sit by my cot in the evening—when the cool, night wind blew in through the faded mosquito netting tacked over the window and I lay watching a certain bright star that burned red above the cornfield—and sing “Home to our mountains, O, let us return!” in a way fit to break the heart of a Vermont boy near dead of homesickness already.

I watched her closely through the prelude to Tristan and Isolde, trying vainly to conjecture what that seething turmoil of strings and winds might mean to her, but she sat mutely staring at the violin bows that drove obliquely downward, like the pelting streaks of rain in a summer shower. Had this music any message for her? Had she enough left to at all comprehend this power which had kindled the world since she had left it? I was in a fever of curiosity, but Aunt Georgiana sat silent upon her peak in Darien.25 She preserved this utter immobility throughout the number from The Flying Dutchman, though her fingers worked mechanically upon her black dress, as if, of themselves, they were recalling the piano score they had once played. Poor hands! They had been stretched and twisted into mere tentacles to hold and lift and knead with; on one of them a thin, worn band that had once been a wedding ring. As I pressed and gently quieted one of those groping hands, I remembered with quivering eyelids their services for me in other days.

23. The ancients refers to those who lived in classical Greece and Rome.24. Wolfgang Amadeus Mozart (woolfʼ gangʼ ä ̓ mə dā ̓ əs mō tʼ sä rt) (1756–1791) was

an Austrian composer. Giuseppe Verdi (joo zepʼ pe verʼ dē ) (1813–1901) was an Italian composer of opera.

25. The phrase “peak in Darien” (dā rʼ ē enʼ) alludes to the poem “On First Looking into Chapman’s Homer” by John Keats. The poem describes Spanish explorers on a mountain in Darien, now Panama, who stand silently and in awe, as the first Europeans to view the Pacific Ocean.

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A Wagner Matinée

Reading Strategy

Identify Sequence What past experience related to the “Prize Song” has affected Aunt Georgiana’s reaction to hearing the song now? Write your answer on the lines below.

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Soon after the tenor began the “Prize Song,” I heard a quick drawn breath and turned to my aunt. Her eyes were closed, but the tears were glistening on her cheeks, and I think, in a moment more, they were in my eyes as well. It never really died, then—the soul which can suffer so excruciatingly and so interminably; it withers to the outward eye only; like that strange moss which can lie on a dusty shelf half a century and yet, if placed in water, grows green again. She wept so throughout the development and elaboration of the melody.

During the intermission before the second half, I questioned my aunt and found that the “Prize Song” was not new to her. Some years before there had drifted to the farm in Red Willow County a young German, a tramp cowpuncher,26 who had sung in the chorus at Bayreuth27 when he was a boy, along with the other peasant boys and girls. Of a Sunday morning he used to sit on his gingham-sheeted bed in the hands’ bedroom which opened off the kitchen, cleaning the leather of his boots and saddle, singing the “Prize Song,” while my aunt went about her work in the kitchen. She had hovered over him until she had prevailed upon him to join the country church, though his sole fitness for this step, in so far as I could gather, lay in his boyish face and his possession of this divine melody. Shortly afterward, he had gone to town on the Fourth of July, been drunk for several days, lost his money at a faro28 table, ridden a saddled Texas steer on a bet, and disappeared with a fractured collar-bone. All this my aunt told me huskily, wanderingly, as though she were talking in the weak lapses of illness.

“Well, we have come to better things than the old Trovatore29 at any rate, Aunt Georgie?” I queried, with a well meant effort at jocularity.30

Her lip quivered and she hastily put her handkerchief up to her mouth. From behind it she murmured, “And you have been hearing this ever since you left me, Clark?” Her question was the gentlest and saddest of reproaches.

The second half of the program consisted of four numbers from the Ring, and closed with Siegfried’s funeral march. My aunt wept quietly, but almost continuously, as a shallow vessel overflows in a rain-storm. From time to time her dim eyes looked up at the lights, burning softly under their dull glass globes.

The deluge of sound poured on and on; I never knew what she found in the shining current of it; I never knew how far it bore her, or past what happy islands. From the trembling of her face I could well believe that before the last number she had been carried out where the myriad31 graves are, into the grey, nameless burying grounds of the sea; or into some world of death vaster yet, where, from the beginning of the world, hope has lain down with hope and dream with dream and, renouncing,32 slept.

26. Cowpuncher means “cowboy.”27. Bayreuth (bı̄ roitʼ) is a German city famous for its annual Wagnerian music festival.28. Faro (fā rʼ ō ) is a gambling game played with a deck of cards.29. Trovatore (tro və tō rʼe) refers to Il Trovatore, an opera by Giuseppe Verdi.30. Jocularity means “joking” or “humor.”31. Myriad means “countless” or “innumerable.”32. Renouncing means “giving up.”

Point of View What does the first-person point of view reveal in the last paragraph on page 166? Circle the letter of the best answer below.

a. Clark can’t hear the music.

b. Clark can’t grasp what his aunt feels.

c. Clark doesn’t enjoy Tristan and Isolde.

d. Clark fears his aunt isn’t having a good time.

Literary Element




A Wagner Matinée

QuestionWhy does Aunt Georgiana say, “I don’t want to go, Clark. I don’t want to go!”? Write your answer on the lines below.

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R E A D I N G C H E C K

Literary Element

Point of View Complete the sentence frame below to explain how Clark knows what his aunt is feeling.

Clark has experienced both city

life and __________ , so he can

understand ____________________

______________________________ .

The concert was over; the people filed out of the hall chattering and laughing, glad to relax and find the living level again, but my kinswoman made no effort to rise. The harpist slipped the green felt cover over his instrument; the flute-players shook the water from their mouthpieces; the men of the orchestra went out one by one, leaving the stage to the chairs and music stands, empty as a winter cornfield.

I spoke to my aunt. She burst into tears and sobbed pleadingly. “I don’t want to go, Clark, I don’t want to go!”

I understood. For her, just outside the concert hall, lay the black pond with the cattle-tracked bluffs; the tall, unpainted house, with weather-curled boards, naked as a tower; the crook-backed ash seedlings where the dish-cloths hung to dry; the gaunt,33 moulting turkeys picking up refuse about the kitchen door.

33. Gaunt means “extremely thin.”

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After You Read

Connect to the StoryLook back at the questions on page 160. Now that you have read the story, would you change your answers to any of the questions? If so, write your new answers on the lines below. Explain your reasons.

How do you spend your days?

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What do you do for fun?

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What would you enjoy most about a trip to a big city?

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How would you feel if you could hear live music in the city?

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Literary Element Point of View

Review the definitions of both first-person and third-person limited point of view on page 161. Select an event in Aunt Georgiana’s or Clark’s life. On the lines below, write a one-sentence description of the event from both a first-person and third-person limited point of view.

First-person point of view:

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Third-person limited point of view:

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Reading Strategy Identify Sequence

Look back over the Reading Strategy chart you completed on page 161. Now, complete a similar chart to describe a sequence of three major events in Aunt Georgiana’s life. Put them in the order in which they happened.

A Wagner Matinée




After You Read

Vocabulary

legacy reproach doggedly trepidation obliquely

A. Word Meaning Circle the answer that best fits the meaning of the boldfaced vocabulary word in each sentence.

1. Aunt Georgiana’s uncle had left her a small legacy, so she had to travel to Boston to settle the estate.

a car b house c inheritance d allowance

2. Aunt Georgiana experienced reproach from her family after she married a young man who had no job.

a respect b disapproval c kindness d pity

3. Even though Clark doggedly practiced playing the piano, he was never very good at it.

a rarely b skillfully c passionately d stubbornly

4. Clark felt some trepidation about how Aunt Georgiana would react to the well-dressed crowd.

a dread b excitement c curiosity d wonder

5. The orchestra leader gestured obliquely with his baton.

a straight b to the right c diagonally d quickly

B. Analogies For each item below, determine the relationship between the first pair of words. Then apply that relationship to the second pair and circle your answer. In each expression, : means “is to” and :: means “as.” The first one has been done for you.

1. lawyer : attorney :: legacy : inheritance

a money b furniture c property d inheritance

Relationship: synonyms

2. success : failure :: reproach : ______________

a applause b approval c praise d admiration

Relationship: _____________________________________________________________________________

3. quickly : fast :: doggedly : ______________

a stubbornly b proudly c obediently d docile

Relationship: _____________________________________________________________________________

A Wagner Matinée

For more practice, see page 313. ➡

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Template First Proof Second Proof Third Proof


FM01_NA_G11_APP_SE.pdfFM02_NA_G11_APP_SE.pdfFM03_G11_APP_SE.pdfFM04_G11_APP_SE.pdfFM05_G11_APP_SE.pdfFM06_APP_SE.pdfFM07_APP_SE.pdfFM08_APP_SE.pdfFM09_APP_SE.pdfFM10_APP_SE.pdf0001_NA_G11_APP_TheSkyTree.pdf0002_G11_APP_TheSkyTree.pdf0003_G11_APP_TheSkyTree.pdf0004_G11_APP_TheSkyTree.pdf0005_G11_APP_TheSkyTree.pdf0006_G11_APP_TheSkyTree.pdf0007_G11_APP_TheSkyTree.pdf0008_G11_APP_TheSkyTree.pdf0009_G11_APP_TheSkyTree.pdf0010_G11_APP_TheSkyTree.pdf0011_G11_APP_TheSkyTree.pdf0012_G11_APP_TheSkyTree.pdf0013_G11_APP_TheSkyTree.pdf0014_G11_APP_TheSkyTree.pdf0015_G11_APP_TheSkyTree.pdf0016_G11_APP_TheSkyTree.pdf0017_NA_G11_APP_UpontheBurning.pdf0018_G11_APP_UpontheBurning.pdf0019_G11_APP_UpontheBurning.pdf0020_G11_APP_UpontheBurning.pdf0021_G11_APP_UpontheBurning.pdf0022_G11_APP_UpontheBurning.pdf0023_G11_APP_UpontheBurning.pdf0024_G11_APP_UpontheBurning.pdf0025_NA_G11_APP_TimeHowTheyChose.pdf0026_G11_APP_TimeHowTheyChose.pdf0027_G11_APP_TimeHowTheyChose.pdf0028_G11_APP_TimeHowTheyChose.pdf0029_G11_APP_TimeHowTheyChose.pdf0030_G11_APP_TimeHowTheyChose.pdf0031_G11_APP_TimeHowTheyChose.pdf0032_G11_APP_TimeHowTheyChose.pdf0033_G11_APP_TimeHowTheyChose.pdf0034_G11_APP_TimeHowTheyChose.pdf0035_G11_APP_TimeHowTheyChose.pdf0036_G11_APP_TimeHowTheyChose.pdf0037_NA_G11_APP_LettertoJohn.pdf0038_G11_APP_LettertoJohn.pdf0039_G11_APP_LettertoJohn.pdf0040_G11_APP_LettertoJohn.pdf0041_G11_APP_LettertoJohn.pdf0042_G11_APP_LettertoJohn.pdf0043_G11_APP_LettertoJohn.pdf0044_G11_APP_LettertoJohn.pdf0045_NA_G11_APP_Civil Disobedience.pdf0046_G11_APP_Civil Disobedience.pdf0047_G11_APP_Civil Disobedience.pdf0048_G11_APP_Civil Disobedience.pdf0049_G11_APP_Civil Disobedience.pdf0050_G11_APP_Civil Disobedience.pdf0051_G11_APP_Civil Disobedience.pdf0052_G11_APP_Civil Disobedience.pdf0053_G11_APP_Civil Disobedience.pdf0054_G11_APP_Civil Disobedience.pdf0055_G11_APP_Civil Disobedience.pdf0056_G11_APP_Civil Disobedience.pdf0057_G11_APP_Civil Disobedience.pdf0058_G11_APP_Civil Disobedience.pdf0059_G11_APP_Civil Disobedience.pdf0060_G11_APP_Civil Disobedience.pdf0061_G11_APP_Civil Disobedience.pdf0062_G11_APP_Civil Disobedience.pdf0063_G11_APP_Civil Disobedience.pdf0064_G11_APP_Civil Disobedience.pdf0065_G11_APP_Civil Disobedience.pdf0066_G11_APP_Civil Disobedience.pdf0067_G11_APP_Civil Disobedience.pdf0068_G11_APP_Civil Disobedience.pdf0069_G11_APP_Civil Disobedience.pdf0070_G11_APP_Civil Disobedience.pdf0071_G11_APP_Civil Disobedience.pdf0072_G11_APP_Civil Disobedience.pdf0073_G11_APP_Civil Disobedience.pdf0074_G11_APP_Civil Disobedience.pdf0075_G11_APP_Civil Disobedience.pdf0076_G11_APP_Civil Disobedience.pdf0077_G11_APP_Civil Disobedience.pdf0078_G11_APP_Civil Disobedience.pdf0079_NA_G11_APP_Pendulum.pdf0080_G11_APP_Pendulum.pdf0081_G11_APP_Pendulum.pdf0082_G11_APP_Pendulum.pdf0083_G11_APP_Pendulum.pdf0084_G11_APP_Pendulum.pdf0085_G11_APP_Pendulum.pdf0086_G11_APP_Pendulum.pdf0087_G11_APP_Pendulum.pdf0088_G11_APP_Pendulum.pdf0089_G11_APP_Pendulum.pdf0090_G11_APP_Pendulum.pdf0091_G11_APP_Pendulum.pdf0092_G11_APP_Pendulum.pdf0093_G11_APP_Pendulum.pdf0094_G11_APP_Pendulum.pdf0095_G11_APP_Pendulum.pdf0096_G11_APP_Pendulum.pdf0097_G11_APP_Pendulum.pdf0098_G11_APP_Pendulum.pdf0099_NA_G11_APP_Bondage.pdf0100_G11_APP_Bondage.pdf0101_G11_APP_Bondage.pdf0102_G11_APP_Bondage.pdf0103_G11_APP_Bondage.pdf0104_G11_APP_Bondage.pdf0105_G11_APP_Bondage.pdf0106_G11_APP_Bondage.pdf0107_G11_APP_Bondage.pdf0108_G11_APP_Bondage.pdf0109_G11_APP_Bondage.pdf0110_G11_APP_Bondage.pdf0111_G11_APP_Bondage.pdf0112_G11_APP_Bondage.pdf0113_G11_APP_Bondage.pdf0114_G11_APP_Bondage.pdf0115_NA_G11_APP_AintIAWoman.pdf0116_G11_APP_AintIAWoman.pdf0117_G11_APP_AintIAWoman.pdf0118_G11_APP_AintIAWoman.pdf0119_G11_APP_AintIAWoman.pdf0120_G11_APP_AintIAWoman.pdf0121_G11_APP_AintIAWoman.pdf0122_G11_APP_AintIAWoman.pdf0123_NA_G11_APP_Mary Chesnut's Civil War.pdf0124_G11_APP_Mary Chesnut's Civil War.pdf0125_G11_APP_Mary Chesnut's Civil War.pdf0126_G11_APP_Mary Chesnut's Civil War.pdf0127_G11_APP_Mary Chesnut's Civil War.pdf0128_G11_APP_Mary Chesnut's Civil War.pdf0129_G11_APP_Mary Chesnut's Civil War.pdf0130_G11_APP_Mary Chesnut's Civil War.pdf0131_G11_APP_Mary Chesnut's Civil War.pdf0132_G11_APP_Mary Chesnut's Civil War.pdf0133_NA_G11_APP_IHearAmerica.pdf0134_G11_APP_IHearAmerica.pdf0135_G11_APP_IHearAmerica.pdf0136_G11_APP_IHearAmerica.pdf0137_G11_APP_IHearAmerica.pdf0138_G11_APP_IHearAmerica.pdf0139_NA_G11_APP_if you were.pdf0140_G11_APP_if you were.pdf0141_G11_APP_if you were.pdf0142_G11_APP_if you were.pdf0143_G11_APP_if you were.pdf0144_G11_APP_if you were.pdf0145_G11_APP_if you were.pdf0146_G11_APP_if you were.pdf0147_NA_G11_APP_CalaverasCounty.pdf0148_G11_APP_CalaverasCounty.pdf0149_G11_APP_CalaverasCounty.pdf0150_G11_APP_CalaverasCounty.pdf0151_G11_APP_CalaverasCounty.pdf0152_G11_APP_CalaverasCounty.pdf0153_G11_APP_CalaverasCounty.pdf0154_G11_APP_CalaverasCounty.pdf0155_G11_APP_CalaverasCounty.pdf0156_G11_APP_CalaverasCounty.pdf0157_G11_APP_CalaverasCounty.pdf0158_G11_APP_CalaverasCounty.pdf0159_NA_G11_APP_WagnerMatinee.pdf0160_G11_APP_WagnerMatinee.pdf0161_G11_APP_WagnerMatinee.pdf0162_G11_APP_WagnerMatinee.pdf0163_G11_APP_WagnerMatinee.pdf0164_G11_APP_WagnerMatinee.pdf0165_G11_APP_WagnerMatinee.pdf0166_G11_APP_WagnerMatinee.pdf0167_G11_APP_WagnerMatinee.pdf0168_G11_APP_WagnerMatinee.pdf0169_G11_APP_WagnerMatinee.pdf0170_G11_APP_WagnerMatinee.pdf0171_NA_G11_APP_Douglass.pdf0172_G11_APP_Douglass.pdf0173_G11_APP_Douglass.pdf0174_G11_APP_Douglass.pdf0175_G11_APP_Douglass.pdf0176_G11_APP_Douglass.pdf0177_G11_APP_Douglass.pdf0178_G11_APP_Douglass.pdf0179_NA_G11_APP_Prufrock.pdf0180_G11_APP_Prufrock.pdf0181_G11_APP_Prufrock.pdf0182_G11_APP_Prufrock.pdf0183_G11_APP_Prufrock.pdf0184_G11_APP_Prufrock.pdf0185_G11_APP_Prufrock.pdf0186_G11_APP_Prufrock.pdf0187_G11_APP_Prufrock.pdf0188_G11_APP_Prufrock.pdf0189_NA_G11_APP_TheJilting.pdf0190_G11_APP_TheJilting.pdf0191_G11_APP_TheJilting.pdf0192_G11_APP_TheJilting.pdf0193_G11_APP_TheJilting.pdf0194_G11_APP_TheJilting.pdf0195_G11_APP_TheJilting.pdf0196_G11_APP_TheJilting.pdf0197_G11_APP_TheJilting.pdf0198_G11_APP_TheJilting.pdf0199_G11_APP_TheJilting.pdf0200_G11_APP_TheJilting.pdf0201_G11_APP_TheJilting.pdf0202_G11_APP_TheJilting.pdf0203_NA_NegroinVogue.pdf0204_G11_APP_NegroinVogue.pdf0205_G11_APP_NegroinVogue.pdf0206_G11_APP_NegroinVogue.pdf0207_G11_APP_NegroinVogue.pdf0208_G11_APP_NegroinVogue.pdf0209_G11_APP_NegroinVogue.pdf0210_G11_APP_NegroinVogue.pdf0211_G11_APP_NegroinVogue.pdf0212_G11_APP_NegroinVogue.pdf0213_NA_G11_APP_TheRockpile.pdf0214_G11_APP_TheRockpile.pdf0215_G11_APP_TheRockpile.pdf0216_G11_APP_TheRockpile.pdf0217_G11_APP_TheRockpile.pdf0218_G11_APP_TheRockpile.pdf0219_G11_APP_TheRockpile.pdf0220_G11_APP_TheRockpile.pdf0221_G11_APP_TheRockpile.pdf0222_G11_APP_TheRockpile.pdf0223_G11_APP_TheRockpile.pdf0224_G11_APP_TheRockpile.pdf0225_G11_APP_TheRockpile.pdf0226_G11_APP_TheRockpile.pdf0227_NA_G11_APP_Crucible.pdf0228_G11_APP_Crucible.pdf0229_G11_APP_Crucible.pdf0230_G11_APP_Crucible.pdf0231_G11_APP_Crucible.pdf0232_G11_APP_Crucible.pdf0233_G11_APP_Crucible.pdf0234_G11_APP_Crucible.pdf0235_G11_APP_Crucible.pdf0236_G11_APP_Crucible.pdf0237_G11_APP_Crucible.pdf0238_G11_APP_Crucible.pdf0239_G11_APP_Crucible.pdf0240_G11_APP_Crucible.pdf0241_G11_APP_Crucible.pdf0242_G11_APP_Crucible.pdf0243_G11_APP_Crucible.pdf0244_G11_APP_Crucible.pdf0245_G11_APP_Crucible.pdf0246_G11_APP_Crucible.pdf0247_G11_APP_Crucible.pdf0248_G11_APP_Crucible.pdf0249_G11_APP_Crucible.pdf0250_G11_APP_Crucible.pdf0251_G11_APP_Crucible.pdf0252_G11_APP_Crucible.pdf0253_G11_APP_Crucible.pdf0254_G11_APP_Crucible.pdf0255_NA_G11_APP_Ambush.pdf0256_G11_APP_Ambush.pdf0257_G11_APP_Ambush.pdf0258_G11_APP_Ambush.pdf0259_G11_APP_Ambush.pdf0260_G11_APP_Ambush.pdf0261_G11_APP_Ambush.pdf0262_G11_APP_Ambush.pdf0263_G11_APP_Ambush.pdf0264_G11_APP_Ambush.pdf0265_G11_APP_Ambush.pdf0266_G11_APP_Ambush.pdf0267_G11_APP_Ambush.pdf0268_G11_APP_Ambush.pdf0269_NA_G11_APP_Snow.pdf0270_G11_APP_Snow.pdf0271_G11_APP_Snow.pdf0272_G11_APP_Snow.pdf0273_G11_APP_Snow.pdf0274_G11_APP_Snow.pdf0275_G11_APP_Snow.pdf0276_G11_APP_Snow.pdf0277_NA_G11_APP_Salvador.pdf0278_G11_APP_Salvador.pdf0279_G11_APP_Salvador.pdf0280_G11_APP_Salvador.pdf0281_G11_APP_Salvador.pdf0282_G11_APP_Salvador.pdf0283_NAG11_APP_ThoughtsNovel.pdf0284_G11_APP_ThoughtsNovel.pdf0285_G11_APP_ThoughtsNovel.pdf0286_G11_APP_ThoughtsNovel.pdf0287_G11_APP_ThoughtsNovel.pdf0288_G11_APP_ThoughtsNovel.pdf0289_G11_APP_ThoughtsNovel.pdf0290_G11_APP_ThoughtsNovel.pdf0291_G11_APP_ThoughtsNovel.pdf0292_G11_APP_ThoughtsNovel.pdf0293_G11_APP_ThoughtsNovel.pdf0294_G11_APP_ThoughtsNovel.pdf0295_NA_G11_APP_FunDoc.pdf0296_G11_APP_FunDoc.pdf0297_G11_APP_FunDoc.pdf0298_G11_APP_FunDoc.pdf0299_G11_APP_FunDoc.pdf0300_G11_APP_FunDoc.pdf0301_G11_APP_FunDoc.pdf0302_G11_APP_FunDoc.pdf0303_G11_APP_FunDoc.pdf0304_G11_APP_FunDoc.pdf0305_G11_APP_FunDoc.pdf0306_NA_G11_APP_Activities.pdf0307_G11_APP_Activities.pdf0308_G11_APP_Activities.pdf0309_G11_APP_Activities.pdf0310_G11_APP_Activities.pdf0311_G11_APP_Activities.pdf0312_G11_APP_Activities.pdf0313_G11_APP_Activities.pdf0314_G11_APP_Activities.pdf0315_G11_APP_Activities.pdf0316_G11_APP_Activities.pdf0317_G11_APP_Activities.pdf0318_G11_APP_Activities.pdf0319_G11_APP_Activities.pdf0320_G11_APP_Activities.pdf0321_G11_APP_Activities.pdf0322_G11_APP_SE_ProunKey.pdf0323_G11_APP_SE_MyNotes.pdf0324_G11_APP_SE_MyNotes.pdf0325_G11_APP_SE_MyNotes.pdf0326_G11_APP_SE_MyNotes.pdf

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