metaphysical conceits mingling the obscure and the concrete

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Metaphysical conceits Metaphysical conceits Mingling the Obscure and the Concrete

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Page 1: Metaphysical conceits Mingling the Obscure and the Concrete

Metaphysical conceitsMetaphysical conceitsMingling the Obscure and the Concrete

Page 2: Metaphysical conceits Mingling the Obscure and the Concrete

What is a Metaphysical What is a Metaphysical Conceit?Conceit?The Encyclopaedia Britannica states:

-The metaphysical conceit [...] is a more intricate and intellectual device. It usually sets up an analogy between one entity’s spiritual qualities and an object in the physical world and sometimes controls the whole structure of the poem.

Mostly meaning that an obscure idea (Life, Death, Love, etc.) is compared to something concrete, many times these ideas and things are dissimilar.

"a conceit is a comparison whose ingenuity is more striking than its justness" and that "a comparison becomes a conceit when we are made to concede likeness while being strongly conscious of unlikeness."

Page 3: Metaphysical conceits Mingling the Obscure and the Concrete

Background of Background of Metaphysical Metaphysical

ConceitsConceitsA group of poets using the same style and wit were lumped together as the ‘metaphysical poets’ (including Donne) during the 17th century.

To the best of my knowledge, the metaphysical conceit stemmed from the styles and poems of these writers.

Page 4: Metaphysical conceits Mingling the Obscure and the Concrete

GAME TIMEGAME TIME

Page 5: Metaphysical conceits Mingling the Obscure and the Concrete

John Donne’s John Donne’s The Broken The Broken

HeartHeart

Page 6: Metaphysical conceits Mingling the Obscure and the Concrete

A Bit About His LifeA Bit About His Life"The typical Elizabethan with his love of

eloquence, with his longing for brave new words, tended to enlarge and generalise....Donne's genius was precisely the opposite of this. He diminished; he particularised....It is this desire for nakedness in an age that was florid, this determination to record not the likenesses which go to compose a rounded and seemly whole, but the inconsistencies that break up semblances, the power to make us feel the different emotions of love and hate and laughter at the same time, that separate Donne from his contemporaries."

-Virginia Woolf

Page 7: Metaphysical conceits Mingling the Obscure and the Concrete

A Bit About His Life: A Bit About His Life: RelationshipsRelationships

Little seems to be known about his relationships with women before his marriage, though there are some who speculated him to be a womanizer.

Donne seemed to love his wife very much (Example: - A Valediction: Forbidding Mourning). After 16 years of marriage she died, Donne never remarried.

Page 8: Metaphysical conceits Mingling the Obscure and the Concrete

On to the Poem: TitleOn to the Poem: TitleNote the title. “Broken Heart’ can be seen as the

emotional state, or a more literal situation later in the poem.

The title gives the reader an idea of what the poem is about.

Page 9: Metaphysical conceits Mingling the Obscure and the Concrete

On to the Poem: Stanza 1On to the Poem: Stanza 1Mostly an introduction to the poem.Sets the theme and mood of the

poem.Sickness and fire imagery.Two metaphysical conceits:

- Love compared to the plague-Love compared to gunpowder

Page 10: Metaphysical conceits Mingling the Obscure and the Concrete

On to the Poem: Stanza 2On to the Poem: Stanza 2Donne develops this idea of love, an

all consuming and fatal monster. Note capitalization of Love. (personification)

Imagery of death and being devoured.Metaphors and similes referencing the

chained shot, the pike, and the fry. Perhaps another metaphysical conceit:

- Love compared to the pike The comparison of hearts to fry

indicates vulnerability.

Page 11: Metaphysical conceits Mingling the Obscure and the Concrete

On to the Poem: Stanza 3On to the Poem: Stanza 3Goes from speaking generally of

to almost speaking to a lover.Again Love is portrayed more like

a being, and the destroyer.Simile comparing hearts and

glass. (depicts hearts as fragile)

Page 12: Metaphysical conceits Mingling the Obscure and the Concrete

On to the Poem: Stanza 4On to the Poem: Stanza 4Winding down; conclusion of

poem.Comparison of a broken heart to

a broken mirror and to rags.Themes of destruction and death

throughout the poem indicate the metaphysical conceit:

- Love as compared to war

Page 13: Metaphysical conceits Mingling the Obscure and the Concrete

BibliographyBibliographyhttp://www.britannica.com/EBchecked/topic/

377902/metaphysical-conceit http://www.sparknotes.com/poetry/donne/

section1.rhtml http://www.luminarium.org/sevenlit/

metaintro.htm http://en.wikipedia.org/wiki/Conceit http://www.luminarium.org/sevenlit/donne/

donnebio.htm http://www.notablebiographies.com/De-Du/

Donne-John.html Donne, John. The Complete Poetry & Selected

Prose of John Donne. Toronto: Random House, 1994.