michal florczak / portfolio

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michal@michalflorczak.com www.michalflorczak.com 077 5673 4049 michal.florczak email: web: phone: skype:

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Portfolio of my work as a graphic designer and illustrator.

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Page 1: Michal Florczak / portfolio

[email protected]

www.michalflorczak.com

077 5673 4049

michal.florczak

email:web:phone:skype:

Page 2: Michal Florczak / portfolio

A critically acclaimed album artwork for Quidam’s lush 1DVD + 2CD audio-

visual set documenting a truly outstanding performance of the band’s already

well established material. In ties with the title taken from Quidam’s 2007 studio

effort, the artwork itself is also a visual sequel to the previous album cover

- the rather unhappy predicament of its trapped mysterious figures. Here,

having found their strength in unity, they finally manage to break away. This is

their small revolution. The storming of their own personal Bastille, so to speak.

Strong togetherQuidam DVD + 2CD box

year:2010

category:illustration / graphic design / packaging

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Quidam’s 2007 album speaks of different kinds of loneliness and

estrangement, about being ‘alone together’ in various sorts of relationships.

Quidam is also a Latin word for “someone” - perhaps a stranger to

you and me, an everyman. And so, here they are, high above, very

close to one another and yet completely abandoned. Unable to move,

imprisoned by their misery and quietly contemplating the crumbling world

within them. The whole package has been enthusiastically received by

audiences and critics in Europe, USA, Argentina, Brazil, Chile and Japan.

aLone togetherQuidam Album artwork and packaging

year:2007

category:illustration / graphic design / packaging

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The ideas and themes underlying the Darkest Dreaming project evolved into

a much more structured and coherent visual narrative on memory and loss.

Told through a series of over 30 images, the narrative became my final Masters

Degree work. I was extremely happy to find out that the band Quidam would like

to give it a new lease of life after my graduation exhibition and project it during

their live performances. Should you wish to watch the full narrative (both non-

edited and live versions) as featured on their “Strong Together” DVD, please see:

vimeo.com/michalflorczak

SharDSMasters Degree project Graphic narrative ( selected images )

year:2008

category:illustration / stage projection

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“Shards” used as stage projection during live performances by Quidam. For full narrative please visit: vimeo.com/michalflorczak

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This particular piece - a front cover illustration for the book which would

offer insight into some of the most groundbreaking records in the history

of Polish rock, began with a very clear intention: To create an image which

the Polish audience would not only recognize instantly as an amalgam

of motifs taken from classic album imagery (see the three original album

covers on the next page), but also one which would become a striking

image in its own right. An iconic cover out of iconic covers, no less!

the UnForgeTTaBLe PoLISh rocK aLBUMSRock-Serwis Publishing Book cover illustration

year:2010

category:illustration

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Contrary to what the above image suggests here, my PG Diploma

project completed back in 2007 was not really that much of struggle. I

recall it being quite an exciting challenge with the brief focused around

visual exploration of themes of loss, grief and introspection. A very

early elaboration on motifs that would run through my final work while

studying at Birmingham Institute of Art and Design (a graphic narrative

entitled “Shards”). The whole series of these photographic collages was

exhibited later that year at the Curzon Street Gallery in Birmingham, UK.

DarKeSt DreaMIngPG Diploma Project Illustration series ( selected images )

year:2007

category:illustration

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With the identity for ICEGOV (International Conference on Theory and

Practice of Electronic Governance) it was crucial that this global event

be always graphically linked with the country hosting it. The design had

to be allowed to evolve, yet retain the uniformity of the series. With that

in mind, ICEGOV identity relies purely on the fixed logotype, layouts and

typography. The colour scheme and central motif are allowed to change

on condition that the set of red connecting circles present in previous

editions (a symbol of unity of specialists coming together into the rapidly

developing field of electronic governance) is woven into the design. The

2009 edition sports lively, contrasting Colombian colours with the circles

focused both on the country and the globe, spanning it with network of ideas.

www.icegov2009.icegov.org

ICEGOV 2009United Nations University / IIST Conference identity

YEAR:2009

CATEGORY:graphic design / webdesign

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Conference poster1.

2. - 3. Conference banner

4. Venue entrance banner

5. Conference brochure cover

6. - 9. Conference brochure spreads

10. Signage

11. Conference bag

12. Stationery

13. Conference CD + sleeve

14. Proceedings cover (back & front)

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Similarly to previous ICEGOV edition, the 2010 International Conference

on Theory and Practice of Electronic Governance in Beijing, China again

taps into the cultural pool of its host-country. The typically Chinese motif

of blossoming branches has been adopted here not only to achieve that

aim but also convey associations so close to ICEGOV foundations: growth,

development, projects and ideas coming to life and evolving into full blossoms,

connections and networks, reaching out and, last but not least, branches of

expertise stemming from this highly acclaimed international sharing platform.

year:2010

category:graphic design

IcegoV 2010United Nations University / IIST Conference identity

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Conference poster1.

2. , 5. , 7. Conference banner

3. Conference CD

4. Conference bag

6. Signage

8. - 9. Sponsorship brochure spreads

10. - 12. Conference brochure spreads

13. Proceedings cover (back & front)

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One of the principles of electronic governance is avoiding over-reliance

on information technology within governments while promoting simplicity,

openness and transparency in interaction between citizens and decision-

makers. The logotype for the Center for Electronic Governance needed

to reflect that fact. Hence the very simple and direct approach of

positioning two letterforms in complementary fashion to emphasize unity

and balance. Their simplified form, on the other hand, conveys clean,

undisguised and yet not overly technological look. This aesthetic has

been carried over onto the Center’s portal and its numerous deliverables.

www.egov.iist.unu.edu

center For eLectronIc goVernanceUnited Nations University / IIST Identity

year:2008

category:graphic design / webdesign

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E-Business, E-Services, E-Society. The three “E”s of the modern web-enabled

world coming together for a three day IFIP conference in Buenos Aires,

Argentina. The three “E”s and yet not a single one can be explored outside

the context of the other two. The links and ties and connections between them

are so strong that they practically become one. The accepted logo ties together

the conferences acronym equally strongly. The unused idea (in grey) pushes

the concept a little further etching the three “E”s into an electronic circuit board.

I3e 2010IFIP Conference Identity

year:2010

category:graphic design / webdesign

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Jornadas Argentinas De Servicios Electronicos was an event taking place

simultaneously with the I3E conference and, being added to the event not

long before the conference itself, it was in quick need of a promotional

poster and a giveaway CD design. JASE did not have any identity to

base the design on but the organizers requested something modest and

not too formulaic. Consequently, I ventured slightly off the cold, technical

territory and into the rather warm, slightly organic tone of the poster, much

in the spirit of what I imagine Argentinian “jornadas” (or days) must feel

like in springtime with all the fresh electronic services budding all around.

JaSe 2010SADIO Event identity

year:2010

category:graphic design

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A Flash-navigation-driven website intended to popularize David Sylvian’s

work and yet so much more than just biography, reviews and lyrics!

From the beginning the site was meant to carry across the unmistakable

atmosphere of the artist’s musical work, capture its essence and

translate it into visual experience. Very much a website equivalent of

what a successful album artwork is often to the music hidden within.

www.davidsylvian.pl

DaVID SyLVIan: WeatherBoXPersonal work Website

year:2006

category:webdesign / flash / coding

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Fani Filmu Polskiego (Polish Cinema Fans) has been structurally created

around the popular phpBB forum software, but tailored in the process to

suit its needs (both in terms of functionality and design) and move away

as further as possible from the standardized templates commonly offered

by the phpBB platform. Design-wise simplicity was the key. Along with

the desire to allude to the rich cinematic tradition by utilizing traditional

washed-out colours of classic Polish cinema posters, I also felt the

need to retain a modern look which would appeal to Polish cinema

buffs of any age. The result is, hopefully, a successful mixture of both.

www.fanifilmupolskiego.pl

FanI FILMU PoLSKIegoPersonal work Web forum

year:2010

category:webdesign / coding

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