m.o.a.t. as a supreme fiction
TRANSCRIPT
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M.O.A.T. as a Supreme Fiction
by
Billy McBride
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Copyright 2013, by William McBride
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1.
They are excluding others from the space around by not
being open to them, by making them feel uncomfortable
just to be there.
- Kathleen
2.
Men like to boast with prophesies.
- Amy
3.
Remember how you made friends and were in Geology
class.
- Teresa
4.
Geology class was a time of special patience and ultimatetrust.
- Teresa
5.
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You acted that way just with people, not with Angels.
- Teresa
6.
Owl-Pussycat.
- Billy McBride
7.
For openness and liberty people need to be more consistent
with their openness.
- Billy M.
8.
It's worth the fight, liberty and equality.
- Elaine
9.
That's where the consequences must be; competitions for
equality.
- Elaine
10.
Hamlet-talking, not listening but overhearing, like in
Hawaii with our beautiful Merkabah sayings. (This is the
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opposite side of liberty and equality).
- Libby
11.
Answer them with sayings.
- Jennifer
12.
Compare our 44 Shakespearian characters with the realm of
liberty and equality.
- Marion
13.
Start with Edgar, he sings; I sing...conceptually.
- Amy
14.
How does Edgar sing? Ironically-Clinamen.
Ariel's singing (as liberty and equality) is bold. Hyperbole-
Daemonization.
- Marilyn
15.
Bottom's singing is geological and open. Kenosis-
Metonymical.
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Iago's singing is codified in secrecy and as password-
modified. Symbolically-Tessera.
- Arielle
16.
Having friends is a comedy, but there can be life in tragedy
also.
- Thrikbot
17.
Measure for Measure.
- Honey
18.
Listen to Tob Shbeeb when you're feeling blue.
- Arielle
19.
Pain-free.
- Kelly
20.
Sing louder, happier, and geologically.
- Kelly
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21.
Guitars and keyboards.
- Elaine
22.
Ha-sherivath.
- Bertha
23.
That is how you feel, like a blockhead because you make
no money.
- Arielle
24.
Charge batteries for QY100.- Grouchy
25.
Big Bird is B'nayvoovah.
- Kabbalah
26.
Rest your diaphram, it is in pain.
- Kabbalah
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27.
We want to play!- Ora
28.
Where is my pain?
- B'nayvoovah
29.
That is a great question!
- Jennifer
30.
Remember what happened in the day with your short-termmemory too.
- Jennifer
31.
We always talk about him.
- Loretta
32.
You're happiest when the hopeful (party) short-term
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38.
Influence and Jealousy, the opposite book from Influence
and Ohhh, by Libby McBride (Green).- Marion
39.
Time for a shampoo.
- Arielle
40.
Time for a shave.
- Elaine
41.
Memory is good and interpretation is dependant upon itand will follow.
- Amy
42.
Labyrinth of the day's memory.
- Arielle
43.
The oldest and best memories of the memories individual
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you had during the day make not just for a great discovery,
but are difficult to wrestle with poetically, yielding the best
results if you conquer them.
- Kabbalah
44.
We remember everything.
- Bertha
45.
Everything that was ever said, we remember.
- Bertha
46.
Recycled memories are always benign-feeling, and the
greatest, best, and oldest of them are the most delightful.- Libby
47.
Look at your computer; now make memories!
- Libby
48.
Jewish people don't believe in hell because we are all
learning in our lives here and on and on forever.
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- Libby
49.
Desdemona sang too.
- Bertha
50.
My teachers are my always smiling Angel wives.
- B'nayvoovah
51.
The oldest memories and Winslow Homer. The wrestling
and substituting with them. Every Homeric time was based
upon the old memories changed.
- Diana
52.
Arielle's hiding places.
- Diana
53.
Remember that talking with Tob Shbeeb will help you
learn to think better.
- Elaine
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54.
Conversionary literature is not readable literature, at least
in the deep, and being so, spiritually valuable sense.- Thrikbot
55.
How do we work on M.O.A.T.? Pre-M.O.A.T.?
- Teresa
56.
Lavina's Tower is a M.O.A.T. version.
- Elaine
57.
What is in the room, but Shakespearian crystal people.- Amy
58.
Underground characters.
- Amy
59.
I am not an Atobot, but I am not a blockhead either.
- B'nayvoovah
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60.
Supply and demand for M.O.A.T., the idea to build it andthey will come can work.
- Donna
61.
I say we just build it anyway, just the way we wanted it to
be. (Macbeth)
- Donna
62.
And, Flower M.O.A.T. too!
- Kelly
63.
Let's say we get it ready for the second generation after my
death, how do we do that; I'll be an Angel and can help
them below too.
- B'nayvoovah
64.
It's just not ready for your lifetime.
- Kelly
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65.
M.O.A.T. is like Sesame Street.
- Arielle
66.
Start over.
- Arielle
67.
Think closely about the ambitions of Macbeth and the
M.O.A.T. 36.
- Arielle
68.
M.O.A.T is made from I-Beams, stainless steel polished I-Beams.
- Arielle
69.
There are 120 I-Beam sculptures the size of a small house
each in a great spiral.- Arielle
70.
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The Macbeths hoped for immortality by killing Duncan.
- Arielle
71.
People want this M.O.A.T. like they do sayings from Big
Bird, or our music.
- Arielle
72.
They want to be awesome charitable ambitious beings, but
not conversionary beings deep down.
- Bertha
73.
Models, were going to have. A place to store them. Maybe
a gallery or more. We need a Band-like group so that it'snot revolutionary.
- Kelly
74.
Remember the M.O.A.T. digital art collages. Not the
combos, the collages.- Elaine
75.
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Who is the Band-like group who you will know and
correspond with over your remaining years?
- Libby
76.
Magnetic music. Part of M.O.A.T.'s promotions.
- Bertha
77.
Originally and still M.O.A.T. is meant to aid the recovery
from spiritual diseases, to help victims thus.
- Shnoonah
78.
I know what you're thinking B'nayvoovah. You think we're
just playing along with your desires and fantasies. But, weare not.
- Shnoonah
79.
Now how do we find listeners? (For pre-M.O.A.T. music)
They will grow from music listeners to readers to activistsfor M.O.A.T..
- Bertha
80.
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Conversionary literature is not activated literature or
activism.
- Thrikbot
81.
M.O.A.T. may spread as an idea from secular activists
even.
- Kabbalah
82.
Study light.
- Honey
83.
Defense trial.- Honey
84.
M.O.A.T. is somewhere between art, music, and literature.
- Kelly
85.
Shakespeare was successful. Byron was successful. Frost,
Robert Fitzerald, Poe (unfortunately), Whitman, Emerson,
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Lincoln, were successful.
- Arielle
86.
"Conceptual," the word, has a divine meaning.
- Arielle
87.
Sign a petition.
- Arielle
88.
Ultimately, it must pass poetically though it is not political,
it's touristic, but the charitable aspect which is Lucretian is
public.
- Arielle
89.
Keep track of the latest technology for M.O.A.T..
- Bertha
90.
Now, for fame, life, and creativity, being change, being
pleasurable, and being abstract, we need to take them
serious, which means that we need to wait on them.
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who are also booksellers of B'nayvoovah's books are
helping him live.)
- Elaine
96.
M.O.A.T., though financially successful, is Anti-
Mammonian.
- Amy
97.
No Angel or person of the 36 in the Wonder and Love of
M.O.A.T. are blockheads.
- Amy
98.
"Inevitable" in some sense means "destined," it is thereason we read and will always read the Universal Torah.
- Penelope
99.
The best definitions (and definitions change geometrically)
are acts of divine revelation passed on traditionally byhuman teachers.
- Elaine
100.
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M.O.A.T.
BarkleyBert
Big Bird
Cookie Monster
Count von Count
Dr. Nobel Price
Elmo
Ernie
Grover
Guy Smiley
Kermit the Frog
Meryl Sheep
Oscar the Grouch
Slimy the Worm
Aloysius Snuffelupagus
Sonny FriendlyTelly Monster
Mr. Hooper
Bob
Gordon
Susan
Gonzo
BeakerMiss Piggy
Janice
Sam the Eagle
Stratler
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Waldorf
Animal
Camilla the Chicken
ScooterNigel
JP Grosse
Rowlf the Dog
Dr. Teeth and the Electric Mayhem
Fozzie Bear
These are a possible M.O.A.T. 36.
- Bertha
101.
Richard Rorty says that we should look forward to a better
future where everything is different in a better way.
- Bertha
102.
Read Till I End My Song.
- Arielle
103.
Bloom's book gives me a special blessing.
- Arielle
104.
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The rest is silence.
- Hamlet
105.
Varieties of Silent Experience.
- Ora Ora Tiferetot
106.
Silence may have nothing to do with not hearing sayings.
- Yafah
107.
A silent life underground.
- Yafah
108.
Could the pattern of How to Fly a Spacecraft make
M.O.A.T. more of a possibility?
- Amy
109.
M.O.A.T. and a full life go together.
- Marilyn
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110.
M.O.A.T. and Learning (being taught).
- Arielle
111.
Geometry is okay, once you learn the vocabulary terms.
- Tob Shbeeb
112.
We need a video camera for the $100 creative moves in the
Gnostic Underworld.
- Libby
113.
A video would last the length of a song. Divide the songlength by 44 or so and you have a film with separate
scenes.
- Bertha
114.
Like a silent acrobatic film with music.- Elaine
115.
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Where Stay Friends: A Play takes on the spiritual diseases
of schizophrenia, cancer, AIDs and rape as well as the
spiritual poverty of illiteracy, The Band: A Play is
concerned with destroying the building of death camps andthe spiritual disease of anti-Semitism.
- Elaine
116.
A cinemagraphic combo experience, actual M.O.A.T..
- Libby
117.
We will do Basic M.O.A.T. after presenting it in our special
combo way.
- Bertha
118.
Television and trends.
- Bertha
119.
Zoa Architects, the only four groups in and of Eternity.- Arielle
120.
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When reading aloud in a din, the usual trouble will result
unless you care for some of those listeners who are paying
attention.
- Teresa
121.
M.O.A.T. 36: Wonder and Love of M.O.A.T..
- Zoa Architects
122.
Adam Kadmon and those other three Eternal Groups.
- Amy
123.
Name the M.O.A.T. 36 often? You kind of are!
- Marilyn
124.
Mishnah: Oral sayings and Hasidism.
- Arielle
125.
Is it life or is it death?
- Christina Rossetti
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126.
Bamboo M.O.A.T. like the Tabernacle Ark.
Flower M.O.A.T. and M.O.A.T., Monuments of Abrahamand Sarai.
The Geography of the State of Texas.
- Kelly
127.
M.O.A.T. 36 and COTE 44.
- Elaine
128.
For Those Who Need To Know About M.O.A.T..
- Kelly
129.
S and C for our M.O.A.T. works, etc...
- Lizbeph
130.
How to do M.O.A.T. without grandiosity?- Bertha
131.
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Muppet M.O.A.T.
- Arielle
132.
The divine vocabulary of M.O.A.T..
- Arielle
133.
Lucretius and M.O.A.T.: Light.
Ruskin and M.O.A.T.: Shimmer.
- Elaine
134.
Christina Rossetti and Wallace Stevens.
- Elaine
135.
"I-Beam" "Monument" "Art" "Sculpture" "Spiral" "Tourist
Attraction" "Charity" "COTE" "SCAR"...
- Lizbeph
136.
Who is closest to the M.O.A.T. project in Shakespeare?
a. who helps?
b. who is creative?
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c. who is successful?
It is Henry the Fifth.
- Honey
137.
How does Henry the Fifth feel? He is the most attacked
character in Shakespeare who is concerned the most about
his reputation (fame).
- Donna
138.
The person most attacked is the one who is concerned most
about his fame.
- Donna
139.
Fame is change and contingency.
Peoplehood is solidarity and life.
Irony is art and creativity.
These are Wallace Stevens's criteria for a Supreme Fiction.
- Donna
140.
World Peace is the Falstaffiad.
- Diana
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141.
M.O.A.T. is a Shakespearian's DEFENSIVE and works
best that way (unfortunately).- Diana
142.
Hal, or Henry the Fifth and M.O.A.T. 36 are both supreme
fictions (and COTE 44).
- Amy
143.
People will naturally be impressed and attracted to
M.O.A.T. by its defensiveness which will in theory make
M.O.A.T., COTE, M.O.A.T. 36, and COTE 44 successful.
- Thrikbot
144.
Measure for Measure is the play which is the most
defensive though.
- Bertha
145.
Start off an introduction to M.O.A.T. with a Who's Who of
M.O.A.T., the M.O.A.T. 36.
- Shnoonah
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146.
Next explain the only way it works: Defensively. ButShylock was defensive in one way
- Shnoonah
147.
France fought England in Henry's battles.
- Donna
148.
Henry V. (or M.O.A.T. 36), Measure for Measure
(M.O.A.T.), The Winter's Tale (COTE?) and The Merchant
of Venice (COTE 44?).
- Donna
149.
Solidarity is life.
- Donna
150.
Fame is what changes (from destiny to slight caprice)
(Wallace Stevens).
- Donna
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151.
Maybe I don't want Angels, they might say. We say, too
bad, its inevitable.- Kabbalah
152.
HEB, the sky, the landscape, signs, billboards, artistic
dreams, hospitals, desire, strong wishes, fear: these things
remind me of what it might be like with M.O.A.T. in an
already place as a system, as events that occur, and as a
glorious transcendence bridging this world with the divine.
Yet, M.O.A.T. is closer to death in this way, and where is
literature, the gift of literature? It is the reward or the
investment for M.O.A.T.. Post-M.O.A.T. is a life of
learning, even being so, as Jacob's ladder was, since
M.O.A.T. is a supreme fiction of strangeness.
- Shay
153.
I felt afraid.
- Wallace Stevens
154.
M.O.A.T. as supreme strangeness of experience, it is not
Mammon-riddled, but a prelude to individual contingency.
- Kabbalah
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155.
I got on medicine for the first time. I wandered in deadlyfear. I believed people's thoughts could be changed by my
negative thinking, how they struggled and were scornful of
me as I talked with them throughout our conversations,
how this made me quiet. I feared greatly what they could
do to me, especially as a result of my creative designs, how
I loved to desire, how I felt like a Ruler, and yet I knew I
was responsible. The responsibilities I felt I had were so
much a burden.
- Billy M.
156.
Iago is the character in Shakespeare's works who is the one
who is most going in the wrong direction, and he is the
most aggressive of all of the Bard's characters.- Bertha
157.
I know that they are part of M.O.A.T. 36, and I wish that
they would discuss M.O.A.T. more.
- Arielle
158.
Star, Star the city, puns, Texas the State, M.A.T., no
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spacecraft flying though, weed, cigarettes, distrust, fear,
Roundrock, maps big and small, symphony music, classical
music, QY 10 and synthesizer music, Steve, David and
Mike, Dad, living at parents's, Derrida, places in fields toput M.A.T. projects and public art, architectural models,
KTFM, sitting in the hot sun listening to music. Richard
Rorty's Truth and Progress.
- Elaine
159.
Arielle, Gabby, Women, Bloom's The Ringers in the Tower,
Derrida's The Politics of Friendship, Gilbert and Deluze's
Anti-Oedipus: or Capitalism, Mousie, the donations to
leave for Big Brother coming, charities and forms and
brochures, (this was before the SCAR charities), the
Masons, Bookstop, rides in the car, I sold my car,
cigarettes, pipe tobacco and expensive cigarettes, I wore
vintage clothes, friends Anson and Robert and Andrew,Marilyn, Joy, two wives, Arielle's charity and secret help,
the bathtub, the Wife of Bath from Bloom's The Western
Canon, Y2K, Art Bell, the English religious guy, drawing
lines between cities, God, and the lone responsibility for
the Universe good and bad.
- Billy M.
160.
Music for 18 Musicians.
- Steve Reich
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161.
What was life in that strange time?
- Billy M.
162.
Southwest Research Institute.
- Bertha
163.
Leah.
- Bertha
164.
Gone with the Wind and Pi.
- Elaine
165.
Michelle.
- Elaine
166.
S/Z.
- Roland Barthes
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167.
J. Hillis Miller's Topographies.
- Arielle
168.
I meant to come back to San Antonio from Hilo all along,
my trip was other-worldly.
- B'nayvoovah
169.
Shapes: Hovering and on the ground as Monuments.
- Bertha
170.
I-Beams: Bertha, a Wall. Private space, forbidding entry.- Elaine
171.
Adam Kadmon and Monuments, Life and Death.
- Libby
172.
Sarai and Abraham, Jacob and Moses - those Monument
and Altar makers.
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- Bertha
173.
On Fame and Everyone's Desire for It.
- Bertha
174.
An altar isn't a tomb in Ha-Torah.
- Amy
175.
Perhaps fame is unnaturally unnatural.
- Marilyn
176.
Euclid.
- Amy
177.
One man trying to start up a grand project, this is a
difficulty.- Marilyn
178.
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Don Juan by Byron would have gone on indefinitely.
- Amy
179.
Big Bird, the safe risk-taking wanderer.
- Arielle
180.
I was Grover in High School and am Big Bird now.
- Billy M.
FINIS