modern decorative art design - bonhams modern decorative art + ... renÉ lalique (1860-1945) pair of...

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ew York Ӏ Thursday June 7, 2018

MODERN DECORATIVE ART + DESIGNThursday June 7, 2018

Lot 114

Lot 101

Lot 112

MODERN DECORATIVE ART + DESIGNThursday June 7, 2018 at 2pmNew York

© 2018 Bonhams & Butterfields Auctioneers Corp.All rights reserved.Principal Auctioneer: Matthew Girling,NYC License No. 1236798-DCA

BONHAMS580 Madison AvenueNew York, New York 10022bonhams.com

PREVIEWNew YorkFriday June 1, 10am to 5pmSaturday June 2, 12pm to 5pmSunday June 3, 12pm to 5pmMonday June 4, 10am to 5pmTuesday June 5, 10am to 5pmWednesday June 6, 10am to 5pm

SALE NUMBER: 24846Lots 1 - 139

CATALOG: $35

LOT SYMBOLSW - Oversized lotsY - CITES

BIDS+1 (212) 644 9001+1 (212) 644 9009 fax

To bid via the internet please visitwww.bonhams.com/24846

Please note that telephone bids must be submitted no later than 4pm on the day prior to the auction. New bidders must also provide proof of identity and address when submitting bids. Telephone bidding is only available for lots with a low estimate in excess of $1000.

Please contact client services with any bidding inquiries.

Please see pages 142 to 145 for bidder information including Conditions of Sale, after-sale collection and shipment.

INQUIRIESNew YorkBenjamin WalkerHead of Department+1 (212) 710 [email protected]

Dan TolsonDirector+1 (917) 206 [email protected]

Misha SylverAdministrator+1 (917) 206 [email protected]

Los AngelesJason SteinDirector+1 (323) 436 [email protected]

Angela PastSenior Specialist+1 (323) 436 [email protected]

Katherine MillerAdministrator+1 (323) 436 [email protected]

ILLUSTRATIONSFront cover: Lot 46Inside front cover: Lot 114Entry page: Lot 101Back exit page: Lot 46Inside back cover: Lot 113Back Cover: Lot 62

1CHARLES R. ASHBEE (1863-1942)Large Soup Tureen and Cover circa 1905 electro-plated nickel on cast base, decorated with a band of chased leaves and the cover surmounted by a chalcedony cabochon set in a silver flower Literature C.R. Ashbee ‘Modern English Silverwork’, B. Weinreb, 1974, pl.55(see detail)

$12,000 - 18,000

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2TIFFANY STUDIOS (1899-1919)Counter Balance Desk Lamp circa 1910 patinated bronze, cased and iridescent glass damascene shade, stamped ‘Tiffany Studios New York’ height 18in (45cm); width 24 1/2in (62cm)

$8,000 - 12,000

MODERN DECORATIVE ART + DESIGN | 5

3EUGÈNE-FRANÇOIS ROUSSEAU (1827-1890) AND ERNEST-BAPTISTE LEVEILLÉ (1841-1913)Vase circa 1885 for Appert Frères, internally decorated glass, with metallic sprays of color and crackled internal decoration height 6 1/2in (16.5cm); width 5 1/4in (13.5cm); depth width 3in (8cm)

$3,000 - 5,000

Provenance ‘20th Century Decorative Arts’, Christie’s King Street, London, 27 October, 1998 Private Collection, New York

4EUGÈNE-FRANÇOIS ROUSSEAU (1827-1890) AND ERNEST-BAPTISTE LEVEILLÉ (1841-1913)Vase circa 1885 for Appert Frères, internally decorated glass, with metallic sprays of colour and crackled internal decoration, intaglio wheel-engraved decoration height 6 1/2in (16.5cm); width 5 1/4in (13.5cm); depth width 3in (8cm)

$3,000 - 5,000

Provenance ‘20th Century Decorative Arts’, Christie’s King Street, London, 27 October, 1998 Private Collection, New York

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5DAUM FRÈRES (FOUNDED 1825)Chêne Inkwell circa 1905 blown, vitrified, acid-etched, applied and wheel carved glass, with brass liner, engraved ‘DAUM NANCY’ with the Cross of Lorraine height 4 1/4in (10.5cm); wide 4 1/2in (11.5cm)

$3,000 - 5,000

6DAUM FRÈRES (FOUNDED 1825)Vide Poche circa 1905 vitrified, acid etched, applied and wheel carved, glass with elements of silver foil underlay, engraved ‘DAUM NANCY’ and with the Cross of Lorraine height 2 1/2in (6cm); width 5 3/4in (14.5cm)

$2,000 - 3,000


7ALPHONSE-GEORGE REYEN (1844-1910)Rare Vase 1893 glass, overlaid, acid-etched and wheel carved, engraved ‘A Reyen 1893’ height 12 3/4in (32cm); width 7 3/4in (19.5cm); depth 6 1/2in (16.5cm)

$12,000 - 18,000

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8MULLER FRÈRESVase circa 1910 mold blown, cased and wheel carved glass, engraved ‘h Muller Croismare’ height 6 3/4in (17cm)

$5,000 - 7,000

9EUGÈNE MICHEL (FL. 1867-1910)Vase circa 1905 cased and wheel carved glass, engraved ‘E Michel’ height 8 3/4in (22.5cm)

$7,000 - 9,000


10ÉMILE GALLÉ (1846-1904)Intercalaire Marine Vase circa 1900 dense internally decorated and wheel carved glass with surface craquelure, carved ‘Gallé’ height 8 3/4in (22cm); width 4 3/4in (12cm); depth 4in (10cm)

$8,000 - 12,000

Provenance Estate of Jeffrey Kaufman, Coral Gables, Florida

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11TIFFANY STUDIOS (1899-1919)Jack-in-the-Pulpit Vase circa 1919 model number 1966, blown iridescent glass, engraved ‘L.C. Tiffany Favrile 1966’ height 11 1/4in (28.5cm); width 6 1/4in (16cm); depth 4 1/4in (11cm)

$6,000 - 9,000

Literature Alastair Duncan, ‘Tiffany at Auction’, Rizzoli, 1981, p. 19


12CHARLES KORSCHANN (1872-1943) AND PAUL FRANÇOIS LOUCHET (1854-1936)Table Lamp circa 1900 for Louchet, gilt bronze, leaded glass, signed in the maquette ‘CH Korschann’, and with foundry seal ‘PARIS LOUCHET CISELEUR’ height 32 1/2in (82.5cm); diameter 21in (53cm)

$7,000 - 9,000

Provenance Private Collection, Chicago, Illinois

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13TIFFANY STUDIOS (1899-1919)Curtain Border Shade circa 1910 mounted as a chandelier, leaded glass, patinated bronze, stamped ‘TIFFANY STUDIOS NEW YORK’ height 18 1/2in (47cm); 24 1/2in (62cm)

$20,000 - 30,000


14THOROLF HOLMBOE (1866-1935)Rare Centerpiece circa 1907 for David-Andersen plique-à-jour enamel, silver mounted, engraved ‘Til Gustav Jebsen og Frue Fra Elektrokemisk, 29 Juni 1917’, stamped ‘David Andersen Christiana 830S’ height 6 1/2in (16.5cm); width 6in (15.3cm) Literature Cooper-Hewitt Museum,’Scandinavian Modern Design 1880-1980’, David Revere McFadden, 1982, p. 61, pl.23 Jan Lauritz Opstad, ‘Norsk Emalje’, C. Huitfeldt Forlag A.S, 1994, p. 75

$50,000 - 70,000

This centerpiece is thought to be one of two versions that were made by the firm of David-Andersen around 1907. One was exhibited in Oslo in 1914 and again later at the centenary exhbition of David Andersen’s work at the Oslo Museum of Applied Art in 1976, after which it was acquired by the museum. This version is thought to be a second version that was presented to the Norwegian Industrialist Gustav Jebsen in 1917 by the board of Elektrokemisk, of which Jebsen was the chief executive officer. Jebsen left Elektrokemisk to become chairman of Titan Co., that was later bought by the American corporation, National Lead in 1927. Thorolf Holmboe, along with Gustav Gaudernack, were leading designers for David Andersen during the firm’s high Art Nouveau period. They produced some the most intricate and highly skilled plique-à-jour enamel works to have ever been produce. Bonhams would like to thank Jan Lauritz Opstad for his help in cataloguing this piece.

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15MASRIERA Y CARRERAS (FOUNDED 1915)Set of Six Wine Goblets circa 1950 plique-à-jour enamel, silver gilt, each depicting various birds including a bird of paradise, a parrot, a cockerel, a dove, a duck and a pheasant, stamped ‘Masriera y Carreras’, Spanish hallmarks height 5 5/8in (14.3cm); diameter 4 1/8in (10.5cm)

$20,000 - 25,000


16CLAIRE-JEANNE-ROBERT COLINET (1880-1950)Theban Dancer circa 1915 silvered and gilt-bronze, marble, marble carved ‘CJR COLINET’, bronze stamped ‘26’ height 10 1/2in (27cm); width 13in (33cm); depth 4in (10cm)

$7,000 - 9,000

Provenance Private Collection, New York Literature Alberto Shayo, ‘Statuettes of the Art Deco Period’, ACC Art Books, 2016, p. 76

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17DEMETRE CHIPARUS (1886-1947)Dancer of Kapurthala circa 1925 for Les Neveux de J. Lehmann, gilt and cold painted bronze, onyx engraved ‘Chiparus’ and ‘Made in France 49’, foundry seal ‘L.N.J.L.’ and Sotheby’s Elton John auction paper label height 22in (56cm); width 12 3/4in (32cm); depth 3 1/2in (9cm)

$20,000 - 30,000

Provenance ‘Elton John’, Sotheby’s, New York, 1988 Literature Alberto Shayo, ‘Chiparus: Master of Art Deco’, ACC Art Books, 2016, p. 138


18RENÉ LALIQUE (1860-1945)Pair of Trois Branches Roitelets circa 1931 Marcilhac no. 2110, frosted and clear molded glass, nickel-plated metal, each with acid stamp ‘R. LALIQUE FRANCE’ height 11in (28cm); width 6 1/2in (16.5cm); depth 4 1/2in (11.5cm)

$12,000 - 18,000

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19SIMON GATE (1883-1945)Centerpiece and Underplate designed 1920, engraved 1925 for Orrefors, engraved, frosted and polished glass; underplate engraved ‘Orrefors.Gate 147.25 W.E.’ height 4 1/2in (11.5cm); width 15in (38cm); depth 9in (23cm)

$4,000 - 6,000

Provenance Private Collection, New York Literature Helmut Ricke and Lars Thor, ‘Swedish Glass Factories Production Catalogues 1915-1960’, Prestel-Verlag, p. 27 (original design drawing illustrated)


20 WSAMUEL YELLIN (1884-1940)J. Walter Thompson Building Gate circa 1927 wrought iron height 83 1/2in (212cm); width 36 3/4in (93.5cm)

$15,000 - 20,000

James Walter Thompson (1847-1928) was an advertising pioneer and founder of the J. Walter Thompson Company. In 1927 the New York office moved from 244 Madison Avenue to the Graybar Building at 420 Lexington Avenue. One of the company’s advertising executives, Helen Lansdowne Resor, commissioned a number of designers, including Samuel Yellin, to decorate the new corporate headquarters. Yellin’s work on the JWT headquarters is recorded on job card #2660.

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SAMUEL YELLIN (1884-1940)J. Walter Thompson Building Gate circa 1927 wrought iron height 83 1/2in (212cm); width 36 3/4in (93.5cm)

$15,000 - 20,000


22REUBEN HALEY (1920-2017)Two Ruba Rombic Vases circa 1928 for Consolidated Lamp and Glass Company, blown glass large vase height 9 1/4in (23.5cm)l width 8 1/4in (21cm); small vase height 6 1/4in (16cm); width 4 1/4in (11cm)

$4,000 - 6,000

Literature Anne Bony, ‘Les Année 30’, Editions du Regard, 1987, p. 1031

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23GEORGE SAKIER (1897-1988)Group of Ten Vases circa 1930 for Fostoria Glass Company, mold blown glass height of smallest example 4 1/2in (11.5cm); height of largest 13in (33cm)

$4,000 - 6,000

Provenance ‘The Estate of Robert Mappelthorpe’, Christie’s, New York, October 30, 1989 (several works in the group) Private Collection, NY (acquired from the above)


24DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 deep acid-etched glass, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraine height 12in (30.5cm); diameter 8 3/4in (22cm)

$2,000 - 3,000

Provenance Private Collection, New York

25DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 vitrified and acid-etched, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraine height 7 3/4in (19.5cm); diameter 12in (30cm)

$3,000 - 5,000


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26DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 deep acid-etched glass, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraine height 8 1/2in (22cm); diameter 9in (23cm)

$1,500 - 2,000


27DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 deep acid-etched glass, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraine height 15in (38cm); diameter 6 1/2in (16.5cm)

$3,000 - 5,000



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28DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 deep acid-etched glass, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraineheight 8 1/4in (21cm); diameter 8 1/2in (21.5cm)

$2,000 - 3,000


29DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 deep acid-etched, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraine height 10 1/2in (26.5cm); diameter 6 1/4in (16cm)

$2,000 - 3,000


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30DAUM FRÈRES (FOUNDED 1825)Vase circa 1925 deep acid-etched glass, engraved ‘DAUM NANCY FRANCE’ with the Cross of Lorraine height 9 3/4in (25cm); diameter 11in (28cm)

$2,500 - 3,500



31MAURICE ALVOTwo Panel Screen circa 1950 for Galerie Jean Royère, oil on canvas, silk covered wood frame, each canvas signed ‘M. Alvo’, ink stamp to frame ‘GALERIE JEAN ROYERE’ each panel height 67 1/4in (171cm); width 24in (61cm)

$5,000 - 7,000

Maurice Alvo was prolific throughout the 1950s, producing lacquer panels depicting still lifes and abstract figures. The present lot presents a rare example of his work on canvas. Alvo is best known for his collaborations with Jean Royère, who promoted the work of Alvo, selecting works to be included in numerous interior schemes throughout the 1950s.

Literature ‘Mobilier Décoration Arts, Jardins, Maisons’, No. 34, 1954 (four panel screen illustrated) ‘Mobilier Décoration Arts, Le Salon des Artistes Décorateurs’, No. 35, 1955, p. 16 (lacquer panel illustrated) ‘Décor d’Aujourd’hui, Revue Pratique de l’Habitation’, No. 106, 1956, front cover (lacquer panel within Jean Royère interior illustrated)

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MICHEL ZADOUNAISKY (1903-1983)Pair of Cocktail Tables circa 1925 patinated iron, marble, one table stamped ‘ZADOUNAISKY’ height 14 3/4in (37.5cm); width 33 1/2in (85cm); depth 17in (43cm)

$5,000 - 7,000

33ALEXANDRE NOLL (1890-1970)Rare Box circa 1950 sycamore, with articulated cover, sold together with a letter of Authenticity from Odile Noll, carved signature ‘A.NOLL’ height 2in (5cm); width 8 1/2in (22cm); depth 4 1/2in (11.5cm)

$4,000 - 6,000

Provenance Alexandre Noll Odile Noll (acquired from the above, 1970) Christine Conourd, Paris (acquired from the above, 1988) Private Collection, California (acquired from the above, 2008)

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34CARLO SCARPA (1906-1978)Latticino Desk Clock circa 1940 model 44E, for Venini, with Tavannes movement, glass with internal decoration, leather, brass, dial stamped ‘venini murano TAVANNES’ height 8 1/2in (21.5cm); width 9 1/4in (23.5cm)

$6,000 - 8,000

Provenance Private Collection, New York Literature Anna Venini Diaz di Santillana, ‘Venini Catalogue Raisonné 1921-1986’, Skira, 2000, p. 243


35MAISON DOMINIQUETable Lamp circa 1930 parchment, gilt bronze, paper height 28 1/4in (71.5cm); diameter 45 3/4in (40cm)

$7,000 - 9,000

Provenance Anne-Sophie Duval, Paris Private Collection, New York (acquired from the above, 2006)

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36JACQUES ADNET (1901-1984)Pair of Table Lamps circa 1940 model 7706, for Baccarat, glass, nickel-plated brass, paper height including shade 12in (30.5cm); diameter of shade 8in (20cm)

$7,000 - 9,000


37MARC DU PLANTIER (1901-1975)Papyrus Floor Lamp circa 1939 executed circa 1961, gilt-steel, stamped ‘ARTE DECOR MEXICO’ height 57in (145cm); diameter 16 1/4in (41cm)

$25,000 - 35,000

The present model was first presented at the Salon des Artistes Décorateurs, Paris, 1939. Between 1961 and 1965 Du Plantier worked extensively on commissions and exhibitions in the United States and Mexico, opening a showroom, Arté Decor, in Mexico City in 1963. Provenance Anne-Sophie Duval, Paris Private Collection, New York (acquired from the above, 2006) Literature Yves Badetz, ‘Marc du Plantier’, Norma Éditions, 2010, p. 195

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MARC DU PLANTIER (1901-1975)Coffee Table 1955 gilt bronze, glass height 16in (41cm); width 57in (145cm); depth 23 1/2in (60cm)

$50,000 - 70,000

Provenance ‘Arts Décoratifs du XXème Siècle et Design’, Christie’s, Paris, November 27, 2007 Galerie Patrick Fourtin, Paris

LiteratureG. M. Perrin, `La Ferronerie Française Contemporaine, Ouvrage Collectif Éditions, 1961, p. 118


39JEAN-MICHEL FRANK (1895-1941)Gueridon circa 1925 gilt patinated wrought iron, parchment height 22 1/2in (57cm); diameter 14 1/4in (36cm)

$30,000 - 50,000

Provenance Galerie L’Arc en Seine, Paris, 2005 Galerie Alain Elcabas, Paris


40DIEGO GIACOMETTI (1902-1985)Crapaud circa 1970 patinated bronze, stamped ‘DIEGO DG’ height 2 1/4in (5.5cm); width 4in (10cm); depth 3 3/4in (9.5cm)

$20,000 - 30,000

Provenance ‘Arts Décoratifs du XXème Siècle et Design’, Christie’s, Paris, November 27, 2007 Literature Christian Boutonnet and Rafael Ortiz, ‘Diego Giacometti’, Les Éditions de L’Amateur, 2003, p. 125 Daniel Marchesseau, ‘Diego Giacometti’, Hermann, 2005, p. 132

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41GIO PONTI (1891-1979)Venatoria Table Lamp circa 1928 for Richard Ginori, majolica, painted mark ‘Ginori 1151-371 Gio Ponti Made in Italy’ height including armature 26 (66cm); diameter of shade 20in (51cm)

$10,000 - 15,000

Provenance Niles M. McMahan (1914-1987) Private Collection, Texas (inherited from the above, 1987) Literature ‘Ceramiche Moderne d’Arte, Richard Ginori’, Capizzano, 1933, p. 16 (model illustrated) Dario Matteoni, ‘Gio Ponti: Il Fascino della Ceramica’, Silvana Editoriale, 2011, p. 119 (model variant illustrated)


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The eclectic collection of Bertoia sculptures offered in this auction spans the spectrum of Bertoia’s career from the 1950s to the 1970s. The owner, Michael Hall, was a family friend through my maternal German grandfather, Wilhelm Valentiner. Valentiner was renowned as a Rembrandt expert in Berlin, and later grew to be the main impetus for the Detroit Institute of Arts (DIA) purchasing numerous Modernist paintings by the likes of Paul Klee, Wassily Kandisky, and Joan Miro’. Michael Hall was the handsome, even exotic, student of and companion to Valentiner when I met him as a child.

Valentiner was an important mentor to Harry Bertoia during Harry’s days at Cranbrook Academy while Valentiner was directing the DIA. Valentiner passed in 1958, but by that time Michael Hall had become a friend to the Bertoia’s is his own right. Hall later moved from California to New York where he built up an art dealership. Being just a 3-hour drive from Harry’s shop in Bally, Pennsylvania, Michael visited regularly. Harry was continually curious about other contemporary artists, modern art, and especially Italian sculpture, so Michael usually had something that piqued Harry’s interest. The bushes were the result of exchanges of Michael’s offerings for Harry’s sculptures.

It was Harry’s habit to reward those he liked, who appreciated his work or who had treated him well in some capacity by offering them his art as thanks. Michael Hall was honored to receive numerous such gifts over the years for birthdays and other occasions; the petite bronzes were likely of this genre. During the 1950s, Harry made many “fantasy scapes,” as he referred to them, although sometimes they appeared more like a family of creatures. The family is a recurring theme in his work, indicating that

even though Harry did not spend much time with us, we were important to him.

The larger bush is a magnificent full-bodied piece, inspired by the foliage around our home in rural Pennsylvania. These sizable dense bushes came late in Harry’s life, mostly in the 1970s. One of Harry’s assistants, Ed Flanagan, explained that he could weld many of the tedious repetitive parts of a sculpture, but that only Harry was able to complete certain tasks such as finishing off a concentrated bush form. Harry’s bushes, as well as his career, truly blossomed in his last decade. We might almost expect the bush buds to open as we view them. His life was rich with friends, success and family and he spread his joy to whoever came in contact with him or his work.

The vase offered in this group is quite unusual as there were only a handful of other Bertoia vases created. Harry made a limited number of functional items, this being one. Harry loved to construct the huge public pieces, but he was just as happy making the little bundles of gladness we find in this grouping. While he was an amazing artist, he also served as a generous friend and a heartfelt father. His death from lung cancer (induced in part by the toxic fumes of welding) in 1978, 40 years now, came all too soon, but we may remember him by his work.

Biography: Celia Bertoia is the founder and President of the Harry Bertoia Foundation and Harry’s youngest daughter. She authored The Life and Work of Harry Bertoia, 2015, and is also an accredited Fine Art Appraiser with the Appraisal Society of America. Her mission is to further the legacy of her father.

HARRY BERTOIA’S BROAD SPAN OF WORK

By Celia BertoiaApril 19, 2018

42HARRY BERTOIA (1915-1978)Untitled (Fantasy Landscape) circa 1958 welded bronze, with applied patina height 4 1/4in (11cm); width 5 3/4in (14.5cm); depth 3in (7.5cm)

$3,000 - 5,000

Sold together with a certificate of authenticity from the Harry Bertoia Foundation Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot. Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (gifted by the above, circa 1958)

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43HARRY BERTOIA (1915-1978)Untitled (Welded Form) circa 1958 welded bronze, with applied patina height 7 3/4in (19.5cm); width 5 3/4in (14.5cm); depth 3in (7.5cm)

$10,000 - 15,000

Sold together with a certificate of authenticity from the Harry Bertoia Foundation Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot. Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (gifted from the above, circa 1958)


44HARRY BERTOIA (1915-1978)Untitled (Multiplane Construction) circa 1966 bronze and copper with applied patina height 4in (10cm); width 3 1/2in (9cm); depth 4in (10cm)

$6,000 - 8,000

Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot.

Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (gifted from the above, circa 1966) Literature Celia Bertoia, ‘The Life and Work of Harry Bertoia: The Man, The Artist, The Visionary’, Schiffer Publishing Ltd, 2015, p. 149

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45HARRY BERTOIA (1915-1978)Untitled (Rare Vase Form) circa 1960 welded bronze height 14 1/4in (36cm); width 5in (12.5cm); depth 5in (12.5cm)

$15,000 - 20,000

Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot.

Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (gifted from the above, circa 1960)


46HARRY BERTOIA (1915-1978)Untitled (Bush Form) circa 1970 welded copper and bronze, with applied patina height 24 1/2in (62cm); width 22 1/2in (57cm); depth 21in (53.5cm)

$80,000 - 120,000

Sold with a Certificate of Authenticity from the Harry Bertoia Foundation Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (acquired from the above, circa 1970)

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47HARRY BERTOIA (1915-1978)Untitled (Bush Form) circa 1970 welded copper and bronze with applied patina diameter 9in (23cm)

$20,000 - 30,000

Provenance William Mills, New York Michael Hall, New York (gifted from the above, circa 1970)


48HARRY BERTOIA (1915-1978)Untitled (Gymnast) circa 1965 together with another small Spill Cast Form; welded bronze, with applied patina height 4 1/4in (11cm); width 2in (5cm); depth 2in (5cm); height 2 1/2in (6.5cm); width 1 1/2in (4cm); depth 1/4in (3cm)

$1,500 - 2,000

Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot. Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (gifted from the above, circa 1965)

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49HARRY BERTOIA (1915-1978)Untitled (Spill Cast) circa 1965 bronze, with applied patina height 3 1/2in (9cm); width 6 3/4in (17cm); depth 4 1/2in (11cm)

$3,000 - 5,000

Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot. Provenance Harry Bertoia, Barto, Pennsylvania Michael Hall, New York (gifted from the above, circa 1965)


50HARRY BERTOIA (1915-1978)(Untitled) Sonambient circa 1970 beryllium copper rods silvered to brass base, one in a circle, one in a semi-circle configuration, seventy-six rods in total, on teak sound box height including sound box 34in (86.5cm); width including box 10in (25cm); depth including box 6 1/2in (16.5cm)

$40,000 - 60,000

Sold together with a Certificate of Authenticity from the Harry Bertoia Foundation The present lot was gifted by Harry Bertoia to Richard Farrell in 1975. Farrell was Vice President and General Council for the Amoco Corporation, and was in charge of the construction of the Standard Oil building in Chicago. In 1974, Harry Bertoia was commissioned by the Standard Oil Company to create a series of sculptures for the building’s plaza. The commission became a seminal moment in Bertoia’s stellar career. A letter exists in the Harry Bertoia Foundation archive that attests to their friendship long before the Standard Oil commission. In a letter to Bertoia dated December 22, 1970, Farrell states that he is ‘...thoroughly delighted with the two tonal pieces which we selected during our visit last month.’ Provenance Harry Bertoia, Barto, Pennsylvania Richard Farrell, Chigaco, Illinois (gifted from the above, circa 1975)

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51HARRY BERTOIA (1915-1978)Folio of Twelve Monoprints from the Synchromy Series circa 1943 ink on rice paper, within original card box, stamped in gold leaf ‘BERTOIA MONO PRINTS’, six prints with ink stamp ‘HARRY BERTOIA MONOPRINT’ size range 7 1/2in x 5 1/2in (19cm x 14cm) to 8in x 5 1/2in (20cm x 14cm)

$6,000 - 10,000

Bonhams would like to thank the Harry Bertoia Foundation for their kind assistance in the cataloguing of this lot. Harry Bertoia fist began his lifelong passion for creating monoprints during his studies at Cranbrook Academy of Art in 1937. These unique, spontaneous works, created both with tools and his fingers became an important lightening rod for ideas during his search for new forms in both jewelry and sculpture. In 1943 Bertoia sent a folio of 100 monoprints for the attention of the co-founder of the Museum of Non-Objective Painting (Guggenheim), Hilla Rebay, in the hope of receiving her opinion of his work. On receiving the folio, Rebay offered to acquire the entire folio, some for her personal collection, and others for the permanent collection of the museum. Following the death of Soloman Guggenheim in 1949, the family removed Rebay from the museum’s board, and thereafter a number of Bertoia’s monoprints were de-accessioned from the museum. Examples retained by the museum were notated SRFG, standing for Soloman Robert Guggenheim Foundation, and an inventory number, whereas the examples retained by Rebay were unmarked. Rebay exhibited nineteen examples from the folio in an exhibition at the museum in 1943. That same year, as well later in 1945 and 1947, a number of Bertoia’s monoprints were exhibited alongside his commercially successful jewelry designs at the Nierendorf Gallery, New York. The present lot comprises a series of twelve monoprints, contained within a period folio case marked in gold leaf ‘Bertoia Monoprints’. Outside this major early commission, Harry Bertoia was not known to present his monoprints in a presentation folio. While not confirmed, it is possible that the present lot was part of the orginal cache of monoprints acquired by Hilla Rebay in 1943. Provenance Private Collection, New York

Literature Nancy N. Schiffer, ‘Harry Bertoia Monoprints’, Schiffer Publishing Ltd, 2011, pp. 32-35 (for related examples)

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52ISAMU NOGUCHI (1904-1988); ATTRIBUTED TOBowl circa 1950 for Ooi Kojo/Bonniers, cast iron, cast mark ‘Bonniers Japan’ height 1 4/8in (3.5cm); width 7 3/4in (19.5cm); depth 7 3/8in (18.5cm)

$7,000 - 9,000

Provenance Private Collection, New York (acquired circa 1960) Thence by descent to the present owner Literature Deborah A. Goldberg, ‘Isamu Noguchi Patent Holder: Designing the World of Tomorrow’, Saint John’s University, 2015, p. 41 (period photograph of plaster models illustrated)

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53SERGE MOUILLE (1922-1988)Agrafée Simple Lamp circa 1960 designed 1956, for Ateliers Serge Mouille, enameled steel, enameled aluminum, brass height 31in (79cm); width 11in (28cm); depth 4 5/8in (11.8cm)

$3,000 - 5,000

Provenance Private Collection, Europe Literature Christine and Alan Conourd, ‘Serge Mouille Luminaires’, Le Regard d’Alan Editions, Paris, 1993, unpaginated

54 W

PIERRE JEANNERET (1896-1967)Set of Four Stools circa 1965 teak, steel, each stool with various hand applied and painted stenciled marks ‘WS 213/W.St./19; W.S.205-209/W.St./18’ and ‘CET/DR/105’; ‘W.S.-213/W.St./11’ and ‘CET/WS/5-109’; ‘W.S.-204/W.St./11’ height 23 3/4in (60cm); diameter 12 1/2in (32cm)

$5,000 - 7,000

Provenance Punjab University, Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 560

62 | BONHAMS

55 W

PIERRE JEANNERET (1896-1967)Pair of Office Armchairs circa 1955-56 teak, cane, together with later upholstered cushions, painted stencil to each ‘S.LM.B.C.170’ and ‘S.LM.B.C.188’ height 30 1/4in (77cm); width 21 (53cm); depth 19 1/2in (49.5cm)

$5,000 - 7,000

Provenance Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 563 Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret, Chandigarh, India, 1951-66’, Galerie Patrick Seguin, 2014, p. 283


56SERGE MOUILLE (1922-1988)Single-Arm Pivoting Wall Light circa 1955 designed 1953, for Ateliers Serge Mouille, enameled steel, enameled aluminum, brass height 12 1/4in (31cm); width 25 5/8in (65cm); depth 7 1/2in (19cm)

$5,000 - 7,000

Provenance Private Collection, Europe Literature Christine and Alan Conourd, ‘Serge Mouille Luminaires’, Le Regard d’Alan Editions, Paris, 1993, Unpaginated

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57SERGE MOUILLE (1922-1988)Trépied Table Lamp circa 1955 designed 1953, for Ateliers Serge Mouille, enameled steel, enameled aluminum, brass height 17 1/2in (44.5cm); width 13 1/2in (24.5cm); depth 11 6/8in (30cm)

$6,000 - 8,000

Provenance Private Collection, Europe Literature Christine and Alan Conourd, ‘Serge Mouille Luminaires’, Le Regard d’Alan Editions, 1993, unpaginated

58 W

PIERRE JEANNERET (1896-1967)Pair of Committee Armchairs circa 1953 teak, green coloured leather upholstery, brass, painted marks ‘786’ and ‘75’ each height 34 1/2in (87.5cm); width 24in (61cm); depth 23 1/2in (60cm)

$15,000 - 20,000

Provenance Punjab Legislative Assembly, Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, pp. 232-233, 563-564 Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret, Chandigarh, India, 1951-66’, Galerie Patrick Seguin, 2014, p. 158-159, 283 Shaun Flynn, ‘Chandigarh Revealed: Le Corbusier’s City Today’, Princeton Architectural Press, 2017, p. 25, 28

66 | BONHAMS

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PIERRE JEANNERET (1896-1967)Pair of Committee Armchairs circa 1953 teak, green coloured leather upholstery, brass, painted number ‘881’ to one, and ‘923’ the other height 33in (84cm); width 24in (61cm); depth 23 1/4in (59cm); height 32 1/2in (85cm); width 24in (61cm); depth 23in (58.5cm)

$15,000 - 20,000



60 W

PIERRE JEANNERET (1896-1967)Pair of Committee Armchairs circa 1953 teak, mustard coloured leather upholstery, brass, painted mark to one chair ‘371’ height 31 1/2in (77.5cm); width 25in (63.5cm); 22in (56cm) depth; height 31 1/2in (80cm); width 23in (58.5cm); depth 22 1/2in (57cm)

$15,000 - 20,000


68 | BONHAMS

61 WPIERRE JEANNERET (1896-1967)Pair of Committee Armchairs circa 1953 teak, mustard coloured leather upholstery, brass height 34 1/2in (87.5cm); width 24 1/2in (62cm); depth 23in (58cm); height 31 1/4in (79.5cm); width 23 1/2in (60cm); depth 22in (56cm)

$15,000 - 20,000



62GINO SARFATTI (1912-1985); ATTRIBUTED TORare Wall Light circa 1950 probably for Arteluce, enameled aluminum, brass height 8 1/4in (21cm); width 47in (119cm); depth 12 1/2in (32cm)

$5,000 - 7,000

Provenance Private Collection, Europe Literature Charlotte and Peter Fiell, ‘1000 Lights: 1879 to 1959’, Taschen, 2005, p. 460

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63 W

PIERRE JEANNERET (1896-1967)Rare Writing Table with Light circa 1960 together with an Office Armchair, teak, cane, enameled steel, painted marks to chair ‘I.B.H.O.P6.79/2K’ desk height 44 3/4in (113.5cm); width 46 1/2in (118cm); depth 29in (74cm); chair height 29 3/4in (75.5cm); width 20in (51cm); depth 20 (51cm)

$8,000 - 10,000

Conceived for use in the M.L.A. Hostels and Flats.

Provenance Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 575 (design drawing illustrated)

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64 W

PIERRE JEANNERET (1896-1967)Demountable Daybed circa 1955-56 teak, cane, cotton webbing, together with later upholstered cushion height 30 1/2in (77cm); width 79in (201cm); depth 41 3/4in (106cm)

$7,000 - 9,000

Provenance Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 590

65SERGE MOUILLE (1922-1988)Simple Floor Lamp circa 1955 designed 1953, for Ateliers Serge Mouille, enameled steel, enameled aluminum, brass height 62 1/4in (158cm); width 29in (73.5cm); depth 14 3/8in (36.5cm)

$10,000 - 15,000

Provenance Private Collection, Europe Literature Christine and Alan Conourd, ‘Serge Mouille Luminaires’, Le Regard d’Alan Editions, Paris, 1993, unpaginated

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PIERRE JEANNERET (1896-1967)Two Easy Armchairs circa 1955-56 teak, cane, upholstered cushions height 30in (76cm); width 25 1/2in (65cm); depth 20 1/2in (52cm) and height 27in (69cm); width 25 1/2in (65cm); depth 20in (51cm)

$8,000 - 12,000

Provenance Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 563 Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret, Chandigarh, India, 1951-66’, Galerie Patrick Seguin, 2014, p. 283

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67FRENCH MODERNPair of Floor Lamps circa 1960 leather, brass, steel, paper height 69 1/2in (176.5cm); diameter 12in (30.5cm)

$6,000 - 8,000


68 W

GEORGE NAKASHIMA (1905-1990)Rare Daybed designed 1939, executed 2004 for the Golconde Collection, with articulated handles, teak, cane, brass label ‘Golconde Collection: Bcd No.1-Date 08/2004 Designed by George Nakashima’ height 33 3/4in (85cm); width 85in (216cm); depth 34in (86cm)

$12,000 - 18,000

The present lot is a recreation of an early lost design by George Nakashima that was conceived during his time working as project manager and architect on the design and construction of the Golconde Dormitory with Antonin Raymond for the Sri Aurobindo Ashram in Pondicherry, India, 1937-39. This avant-garde modernist structure was the first reinforced concrete structure to be built on the Indian subcontinent, pre-dating the work of Le Corbusier and Pierre Jeanneret in Chandigarh, India, by almost twenty years. Nakashima’s experience in India played a huge role in formulating his design philosophy. The original design for the daybed was conceived by George Nakashima and executed with assistance from Udar Pinto in 1939. This example of the daybed was executed in India in 2004 by Madhavi Ravela, with the permission of the Sri Aurobindo Ashram and in association with George Nakashima Woodworker. Provenance Private Collection, Midwest

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69FRANK LLOYD WRIGHT (1867-1959)Taliesin I Table Lamp circa 1940 Tidewater Cypress, rice paper, brass, brass and Bakelite Perkins paddle socket, rayon woven electrical cord height 22in (56cm); width 14in (35.5cm); width 14in (35.5cm)

$8,000 - 12,000

The original design was conceived by Frank Lloyd Wright in 1925 for use in his home Taliesin, in Spring Green, Wisconsin. The design became widely popular, and versions were ordered for use in many of Wright’s later architectural commissions, including the Lloyd Lewis House, 1939, Zimmerman House, 1950, and the Robert Llewellyn Wright House, 1953. Later versions of the design would feature a shade constructed from either rice paper or grass cloth, or in some cases cloth. The examples commissioned for the Lloyd Lewis House in Libertyville, Illinois, also differed in having the electric flex emanating from the inside of the stem, rather than outside. Provenance Private Collection, Seattle, Washington Literature Thomas A. Heinz, ‘Frank Lloyd Wright Interiors and Furniture’, Academy Editions Ernst & Sohn, 1994, p. 147, 178, 201, 211


70 W

PIERRE JEANNERET (1896-1967)Pair of Stools circa 1965-66 teak, cane height 26 3/4in (68cm); diameter 14in (35.5cm)

$4,000 - 6,000

Provenance Science Department, Punjab University, Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 560 Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret, Chandigarh, India, 1951-66’, Galerie Patrick Seguin, 2014, p. 285

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71 W

PIERRE JEANNERET (1896-1967)Cane Seat Cane Back Office Chair circa 1960 teak, cane, painted stencil mark ‘FCH/C340’ height 30 3/4in (78cm); width 20in (50.5cm); depth 20 1/2in (52cm)

$4,000 - 6,000

Provenance Chandigarh, India Private Collection, New York Literature Eric Touchaleaume, Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret, The Indian Adventure, Design-Art-Architecture’, Editions Eric Touchaleaume / Galerie 54, 2010, p. 570

72 W

GEORGE NAKASHIMA (1905-1990)Wohl Table 1980 American black walnut, with a free edge, ink to underside ‘Pitel’ height 21in (53cm); width 23in (58cm); depth 22 1/2in (57cm)

$3,000 - 5,000

Bonhams would like to thank George Nakashima Woodworker for assistance that was provided in the cataloguing of this lot Provenance Private Collection, California (commissioned directly from the designer, 1980)


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GEORGE NAKASHIMA (1905-1990)Minguren II Coffee Table 1981 American black walnut with fissure and free edges; together with the original design drawing and order card dated October 17, 1981, ink mark to underside ‘Pitel’ height 15 1/4in (39cm); width 63 1/4in (161cm); depth 19 1/4in (49cm)

$25,000 - 35,000

Provenance Private Collection, California (commissioned directly from the designer, 1981) Literature Mira Nakashima, ‘Nature Form & Spirit: The Life and Legacy of George Nakashima’, Abrams, 2003, p. 214 (model illustrated in the home of Nelson Rockefeller, Pocantico Hills, New York, 1974)


74GEORGE NAKASHIMA (1905-1990)Burl Plaque 1980 burl oak height 10 1/2in (27cm); width 17 1/4in (44cm); depth 2 1/2in (6cm)

$2,500 - 3,500

Bonhams would like to thank George Nakashima Woodworker for assistance that was provided in the cataloguing of this lot Provenance Private Collection, California (commissioned directly from the designer, 1980)

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75LUCIE RIE (1902-1995)Vase circa 1955 porcelain, manganese with incised decoration, impressed with artist’s seal ‘LR’ height 8in (20cm); diameter 5in (13cm)

$5,000 - 7,000

Provenance Private Collection, California


76JEAN BESNARD (1889-1958)Vase circa 1940 glazed ceramic, incised ‘Jean Besnard’ height 18in (46cm); diameter 11 1/2in (29cm)

$6,000 - 8,000

Provenance Vallois, Paris Private Collection, Florida

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77ED MOULTHROP (1916-2003)Monumental Vase circa 1980 turned leopard maple and acer rubrum, incised ‘Ed Moulthrop Leopard Maple Acer Rubrum 013903’ and ‘M’ height 15 1/2in (39cm); diameter 21in (53cm)

$8,000 - 12,000



78 W

HANS WEGNER (1914-2007)Set of Six The Chairs circa 1971 model JH501, Johannes Hansen for Knoll International, oak, upholstery, each branded ‘JOHANNES HANSEN COPENHAGEN DENMARK JH’ and Knoll International paper labels height 30 3/8in (77cm); width 24 3/4in (63cm); depth 18 1/2in (47cm)

$4,000 - 6,000

The designer Charles Pfister contracted Knoll International to design a new office system for the Weyerhaeuser Headquarters in 1971. The present lot formed part of Pfister’s original interior scheme. Provenance Weyerhauser Company Collection Literature Christian Holmstedt Olesen, ‘Hans J. Wegner: Just One Good Chair’, Hatje Cantz, 2014, p. 135

86 | BONHAMS

79 W

HANS WEGNER (1914-2007)Pair of Lounge Chairs circa 1952 model GE233, for Getama, beech, upholstery height 22 1/2in (57cm); width 34in (86cm); depth 28 1/2in (72cm)

$3,000 - 5,000

Provenance Svend Aage Kruse Poulsen Bro (1922-2010), Denmark Thence by Descent to the Present Owner

80PIERRE GUARICHE (1926-1995)Equilibrium Floor Lamp circa 1951 for Disderot, brass, paper height adjustable; as shown 63 1/2in (161cm); width 60in (152.5cm); depth 20in (51cm)

$4,000 - 6,000 Literature Charlotte & Peter Fiell, ‘1000 Lights 1879 to 1959’, Taschen, 2005, p. 453


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81GIO PONTI (1891-1979)Diamond Pattern Silver Service designed 1958 for Reed and Barton, comprising of flatware for 12 place settings, including 12 table knives, 12 table forks, 12 cream soup spoons, 24 salad forks, 12 tea spoons, 12 coffee spoons, 12 butter spreaders and 11 serving pieces, 107 pieces total, together with two pairs of silver salt and pepper shakers, plus companion three-piece silver coffee service on tray, designed by John Prip, each piece stamped ‘Reed & Barton Sterling 440’ and ‘The Diamond’ height of coffee pot 11 2/3in (30cm); width of tray 14 1/2in (37cm)

$7,000 - 9,000

Literature Jewel Stern, ‘Modernism in American Silver: 20th Century Design’, Dallas Museum of Art, 2006, p. 242-45


82FRANZ HAGENAUER (1906-1986)Tazza circa 1960 for Werkstätte Hagenauer, chased nickel-plated brass, stamped ‘FRANZ HAGENAUER WIEN WHW MADE IN AUSTRIA’ height 15 1/8in (38.5cm); width 21in (53cm); depth 7 3/4in (19.5cm)

$4,000 - 6,000

Literature Monika Wenzl-Bachmeyer, ‘Hagenauer Wiener Moderne und Neue Sachlichkeit’, Hagner: Werk Museum Postparkasse, 2011, p. 43

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83JAIS NIELSEN (1885-1961)St. George and the Dragon circa 1940 for Royal Copenhagen, stoneware with oxblood glaze, incised ‘Jais’, stamped ‘Royal Copenhagen’ and three painted wavy lines and ‘97/20098’ height 26 1/2in (67cm); width 17in (43cm); depth 13 1/2in (34cm)

$4,000 - 6,000


84GUNNAR NYLUND (1904-1997)Group of Seven Vases circa 1955 for Rörstrand, stoneware with haresfur glaze, ‘incised ‘R’ three crowns, and ‘SWEDEN GN’, and variously ‘AXZ’, ‘AXI’, ‘AXO’, ‘ASK’ and ‘ARH’ height of smallest 5in (13cm); height of largest 10 1/2in (17cm)

$3,000 - 5,000

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85CARL-HARRY STÅLHANE (1920-1990)Group of Seven Vases circa 1955 for Rörstrand, matte crystalline and haresfur glazed stoneware, incised ‘R’ with three crowns ‘SWEDEN CHS’ height of smallest 2 1/2in (6.5cm); height of largest 12in (30.5cm)

$3,000 - 5,000

86WILHELM KÅGE (1889-1960)Group of Five Farsta Vessels circa 1955 for Gustavsberg, matte glazed stoneware, four examples impressed ‘FARSTA’, all examples incised ‘GUSTAVSBERG STUDIO G (hand) KAGE’ height of smallest 3 1/4in (8cm); diameter 4 3/4in (12cm); height of largest 5in (13cm); diameter 7 1/2in (19cm)

$4,000 - 6,000

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87KAJ FRANCK (1911-1989)Three Prisma Vases 1959-64 model KF215, for Nuutajärvi Notsjö, blown, cased and flashed glass, each engraved ‘K Franck Nuutajärvi Notsjö’, small example dated ‘59’, medium example dated ‘64’, large example dated ‘62’, medium examples with manufacturer’s label heights 5 1/2in (14cm); 7in (18cm); 8 3/4in (22cm)

$3,000 - 5,000

Literature Marianne Aav, ‘Kaj Franck: Universal Forms’, Designmuseo, 2011, p. 244


88VICKE LINDSTRAND (1904-1983)Three Primitive Vessels circa 1955 for Kosta Boda, wheel carved surface texture, small vase engraved ‘KOSTA LS504’, large vase engraved ‘KOSTA 22503’, bowl engraved ‘KOSTA LS562’ small vase height 6 3/4in (7cm); large vase height 8 1/2in (22cm); bowl height 4 1/8in (10.5cm); diameter 10 1/2in (26.5cm)

$2,000 - 3,000

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89TAPIO WIRKKALA (1915-1985)Two Iceberg Vessels 1952-69 models 3825 and 3847, for Iittala, still-mold blown crystal, cut, small dish engraved ‘TAPIO WIRKKALA 3847’, large vase engraved ‘TAPIO WIRKKALA 3825’ smallest height 3 1/4in (8cm); width 9in (23cm); large example height 7 7/8in (20cm); width 8in (21cm)

$4,000 - 6,000

Literature Marianne Aav, ‘Tapio Wirkkala: Eye, Hand and Thought’, Museum of Art and Design Helsinki/Werner Söderström Corporation, 2000, p. 300-301 Bruno and Christina Bischofberger, ‘Glass from Finland in the Bischofberger Collection’, Skira, 2015, p. 211


90TYRA LUNDGREN (1897-1979)Untitled circa 1960 unique plaque for Gustavsberg, stoneware with matte and gloss glazes height 21in (53.5cm); width 17 3/4in (45cm); depth 3in (7.5cm)

$3,000 - 5,000

91TYRA LUNDGREN (1897-1979)Dove Abstraction circa 1970 unique plaque for Gustavsberg, stoneware with matte and gloss glazes, impressed twice ‘GUSTAVSBERG’ height 26in (66cm); width 19 1/4in (49cm); depth 4in (10cm)

$3,000 - 5,000

The present work was commissioned from Tyra Lundgren as part of the seventeen panel wall installation titled ‘As the Crow Flies’ for Swedbank, Kalmar, Sweden. The bank opened in 1970. Provenance Swedbank Collection, Kalmar, Sweden Galerie Blanche, Stockholm

98 | BONHAMS

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92TYRA LUNDGREN (1897-1979)The Rooster circa 1970 unique plaque for Gustavsberg, stoneware with matte and gloss glazes, impressed ‘GUSTAVSBERG’ and with museum acquisition labels height 18 1/4in (46.5cm); width 18 1/4in (46.5cm); depth 3in (7.5cm)

$3,000 - 5,000


93TYRA LUNDGREN (1897-1979)Resting Peacock Dove 1970 unique plaque for Gustavsberg, stoneware with matte and gloss glazes, impressed twice ‘GUSTAVSBERG’ height 21in (53.5cm); width 28in (71cm); depth 4in (10cm)

$3,000 - 5,000



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94STIG LINDBERG (1916-1982)Monumental Vase 1968 for Gustavsberg, glazed stoneware, incised ‘G (hand) Stig L’ height 19 1/2in (49.5cm); diameter 11in (18cm)

$3,000 - 5,000

95AXEL SALTO (1889-1961)Budding Vase circa 1950 for Royal Copenhagen, stoneware with burnt orange matte glaze, incised ‘20708 SALTO’ and painted with three wavy blue lines height 7 1/4in (18.5cm); diameter 5in (13cm)

$3,000 - 5,000

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96AXEL SALTO (1889-1961)Living Stones Vase 1969-74 for Royal Copenhagen, stoneware with Sung glaze N7703, incised ‘SALTO 192’, painted ‘20561 and three wavy lines, impressed ‘Royal Copenhagen’ height 8 1/2in (21.5cm); diameter 8 1/4in (21cm)

$4,000 - 6,000

97AXEL SALTO (1889-1961)Vase circa 1940 for Royal Copenhagen, glazed stoneware, incised ‘20738 SALTO’ and painted with three wavy blue lines height 6in (15cm); diameter 7in (18cm)

$3,000 - 5,000


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98VICKE LINDSTRAND (1904-1983)Trees in Mist Vase 1955 for Kosta Boda, blown and internally decorated glass, acid stamp ‘LINDSTRAND KOSTA’ and engraved ‘LU 2005’ height 12 3/4in (32.5cm)

$2,000 - 3,000

99EDVIN ÖHRSTRÖM (1902-1994)Ariel Vase 1949 for Orrefors, cased glass with controlled air bubbles, engraved ‘Orrefors Sweden ARIEL Nr.839 E. Öhrström’ height 7in (18cm); diameter 4 3/4in (12cm)

$3,000 - 5,000

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9899

100SVEN PALMQVIST (1906-1984)Two Ravenna Bowls 1961-73 for Orrefors, internally decorated glass, each engraved ‘Sven Palmqvist Orrefors Ravenna’, the large example numbered ‘Nr.1864 19 14/6 63”’, the smaller ‘Nr.5713’ small bowl height 4in (10cm); width 8in (20cm); large bowl 4in (10cm); width 10 1/4in (26cm)

$2,000 - 3,000


101CARLO SCARPA (1906-1978)Rare Monumental Battuto Vase circa 1942 model 3990, for Venini, pale amethyst tinted glass, with deep wheel carved surface texture, acid stamp ‘venini murano’ height 18 1/4in (45.5cm); diameter 9 1/2in (24cm)

$30,000 - 50,000

Provenance Private Collection, Turin Private Collection, Milan Literature Marino Barovier, ‘Carlo Scarpa: Venini 1932-1947’, Skira, 2012, p. 379 Exhibited ‘Carlo Scarpa: Venini 1932-1947’, Le Stanze del Vetro, Fondazione Giorgio Cini, August 29 - January 6, 2013 ‘Venetian Glass by Carlo Scarpa: The Venini Company, 1932-1947’, Metropolitan Museum of Art, November 5 - March 2, 2014

104 | BONHAMS

102PABLO PICASSO (1881-1973)Diable 1962 for Fucina Angeli Venezia, executed by Egidio Costantini, blown glass, with iridescent surface, engraved ‘P. Picasso E. Costantini 1962 Fucina Angeli Venezia’ height 16 1/2in (42cm); width 9in (23cm); depth 8 1/2in (22cm)

$8,000 - 12,000

The Venetian glass maker and entrepreneur Egidio Costantini conceived the idea of inviting the worlds’ greatest artists of the time to design works that could be realized in glass. Costantini’s vision was to elevate the craft of glass blowing to that of sculpture and painting. Costantini founded the firm, Centro Studi Pittori nell’Arte del Vetro in 1951, later rechristened by artist collaborator Jean Cocteau in 1954 as Fucina degli Angeli (The Foundry of Angels). The logo for the collective was designed by Jean Arp. The first show was held in Murano on April 18, 1953, featuring works designed by the modern masters Alexander Calder, Henry Moore, Le Corbusier and Oskar Kokoschka. In the preceding years, further exhibitions followed in Basel, Paris and New York, with works designed by the likes of Hans Arp, Georges Braque, Marc Chagall, Max Ernst, Lucio Fontana, Jean Cocteau and Pablo Picasso. During the early 1960s, Peggy Guggenheim became an enthusiastic advocate for the collective, owning a number of works by Funcina degli Angeli, and exhibiting many other examples from the collective in her museum at Pallazzo del Leoni in Venice. This support and patronage culminated in the Museum of Modern Art in New York, holding a major exhibition in 1965 titled Sculptures in Glass, featuring a selection of 33 of the collectives’ greatest works. Provenance Fucina Degli Angeli, Venice Private Collection, New York (acquired from the above, 1978)

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103ERMANNO NASON (1928-2013)(Untitled) Monumental Figure 1964-72 for Cenedese, uranium glass with internal decoration height 22 3/4in (58cm); diameter 5 1/2in (14cm)

$5,000 - 7,000

Provenance Private Collection, California

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104JEAN COCTEAU (1883-1963)Trinita 1962 for Fucina Angeli Venezia, executed by Egidio Costantini, blown glass with applied decoration, engraved ‘J Cocteau E. Costantini 1962’ height 17 1/2in (44.5cm); diameter 10 1/2in (27cm)

$4,000 - 6,000

Provenance Fucina Degli Angeli, Venice Private Collection, New York (acquired from the above, 1978)


105FULVIO BIANCONI (1915-1996)Fasce Orizzontali Bottle circa 1950 model 4315, for Venini, green tinted glass, applied with opaque red glass, partial acid stamp ‘venini murano.....’ and manufacturer’s paper label ‘VENINI MURANO VENEZIA MADE IN ITALY’ height 13 1/2in (34.5cm)

$3,000 - 5,000

The present lot was one of the very first designs to be conceived by Fulvio Bianconi for Venini. The model was first presented at the XIV Triennial, Milan, 1951.

Provenance Private Collection, New York Literature Marino Barovier, ‘Fulvio Bianconi at Venini’, Skira, 2015, p. 200 Marc Heiremans, ‘Art Glass from Murano 1910-1970’, Arnoldsche, 1993, p. 268

106ERCOLE BAROVIER (1889-1974)Intarsio Vase circa 1964 model 23964, for Barovier & Toso, fused glass tesserae height 12 5/8in (32.1cm)

$5,000 - 7,000

Literature Attilia Dorigato, ‘Ercole Barovier 1889-1974: Vetraio Muranese’, Marsilio Editori, 1989, p. 114 (model variant illustrated)

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107FULVIO BIANCONI (1915-1996)Spicchi Vase circa 1950 mold blown glass with applied tesserae, acid stamp ‘venini murano ITALIA’ height 8 3/4in (22cm)

$8,000 - 12,000

The present lot was one of the very first designs to be conceived by Fulvio Bianconi for Venini. The model was first presented at the XIV Triennial, Milan, 1951. Provenance Private Collection, California Literature Marino Barovier, ‘Fulvio Bianconi at Venini’, Skira, 2015, p. 178 Marc Heiremans, ‘Art Glass from Murano 1910-1970’, Arnoldsche, 1993, p. 268

108GINO POLI (BORN 1919)Rare Vincenza Vase circa 1966 for Aureliano Toso, internally decorated glass with white lattimo threads, remnants of paper label ‘15’ and ‘Mur....’ height 11in (28cm); diameter 6 1/4in (16cm)

$7,000 - 10,000


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109RICCARDO LICATA (1929-2014)Doppio Incalmo Vase circa 1956 model 3517, for Venini, opaque white glass, with murrine band, acid stamp ‘venini murano ITALIA’ height 7 1/4in (18cm); diameter 6in (15cm)

$3,000 - 5,000

Provenance Private Collection, California Literature Marino Barovier, ‘Paolo Venini and his Furnace’, Skira, 2016, p. 439

110VENINI (FOUNDED 1921)Rare Vase circa 1960 for Venini, blown glass, decorated with internal air bubbles, ghost mark of Venini S.A. paper label height 6in (15cm); diameter 6 3/4in (17cm)

$2,500 - 3,500

Provenance ‘20th Century Decorative Arts’, Christie’s, New York, March 22, 1986

Literature Marc Heiremans, ‘20th Century Muraco Glass: From Craft to Design’, Arnoldsche, 1996, p. 157

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111CARLO SCARPA (1906-1978)Four Corrosi Vessels circa 1936 models 4102, 4110, 4113, 4109, for Venini, ruby tinted glass, with acid treated surface texture, acid stamp to smallest example ‘venini murano MADE IN ITALY’, remaining examples with acid stamp ‘venini murano’ height of smallest 2 1/4in; diameter 4in (10cm); height of largest 4 1/8in (11cm); diameter 5in (13cm)

$6,000 - 8,000

Provenance Private Collection, New York Literature Marino Barovier, ‘Carlo Scarpa: Venini 1932-1947’, Skira, 2012, pp. 212-215


112 W

KAM TINCloud Table 2012 polished bronze, stamped ‘KAM TIN 6/25’ height 14 1/2in (37cm); width 26 1/2in (67cm); depth 20in (51cm)

$8,000 - 10,000

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113 W

KAM TINPair of Bedside Cabinets 2017 turquoise, brass, lacquered wood, cast metal label to each ‘K’ height 29 1/4in (74cm); width 18 1/4in (46cm); depth 17in (43cm)

$30,000 - 50,000

Limited edition of two.


114 W

ROBERT GOOSSENS (1927-2016)Water Lilies Chandelier circa 1970 hand hammered ormolu and brass, with rock crystal drop 48in (122cm); diameter 47 1/2in (121cm)

$60,000 - 80,000

Robert Goossens began his career in Paris during the late 1940s, serving an apprenticeship as a jeweler, where he learnt and honed his exceptional skill in the casting and working of metals into a perfect union with precious and semi-precious stones.

Throughout his formative years, Goossens devoted time to studying the sumptuous jewelry and metalwork designs of Byzantine and Renaissance artisans. His designs offer a modern reinterpretation of these historicist styles, blending them into a spirit of luxury and bohemian spirituality that would anticipate the zeitgeist.

His precocious talent, and innate sense of originality brought his work to the attention of the leading fashion designer’s of the period, most notably Coco Chanel and Cristóbal Balenciaga. Chanel commissioned many personal pieces from Goossens from the 1950s, and right up until her death in 1971. Similarly, Goossens friendship, and professional relationship with Balenciaga culminated in him commissioning the present lot in 1970.

ProvenanceMonsieur and Madame Robert Goossens, ParisCristóbal Balenciaga and Madame Grès, 1970

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115ROBERT GOOSSENS (1927-2016)Mirror with a Crown of Wheat 1973 ormolu, glass, engraved ‘Robert Goossens 1973’ diameter 21 1/2in (55cm); depth 3 1/4in (8cm)

$20,000 - 30,000

The proceeding two lots were created by Robert Goossens in 1973. The theme of stalks of wheat were selected in homage to his close friend and collaborator, Coco Chanel, who had passed away just two years previously. Throughout their years of friendship, Goossens returned repeatedly to the theme of stalks of wheat for numerous designs for Chanel, of which the wheat sheaf coffee table is perhaps the best known. Chanel selected the wheat sheaf motif as a potent symbol of good fortune and prosperity.

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116ROBERT GOOSSENS (1927-2016)Mirror with a Crown of Wheat 1973 ormolu, glass, engraved ‘Robert Goossens 1973’ diameter 29in (74cm); depth 4 1/2in (11.5cm)

$30,000 - 50,000


117CLAUDE LALANNE (BORN 1924)Early Pomme Bouchecirca 1968 artist’s proof, patinated bronze, stamped three times ‘Lalanne’, top of leaf stamped ‘EA’height 2 1/2in (6.5cm); width 2 3/4in (7cm); depth 2 3/4in (7cm)

$15,000 - 20,000

Provenance Claude Lalanne Thence by descent Literature Daniel Abadie, `Lalanne(s)’, Flammarion, 2008, p. 64Paul Kasmin, ‘Claude & François-Xavier Lalanne: Art, Work, Life’, Skira/Rizzoli, 2012, unpaginated

118CLAUDE LALANNE (BORN 1924)Early Escargot Pouce circa 1961 patinated bronze, copper, the thumb applied with red patina height 1 1/2in (4cm); width 2 1/4in (6cm); depth 1 3/4in (4.5cm)

$2,000 - 3,000

Provenance Claude Lalanne Thence by descent Literature Daniel Abadie, `Lalanne(s)’, Flammarion, 2008, p. 71Paul Kasmin, ‘Claude & François-Xavier Lalanne: Art, Work, Life’, Skira/Rizzoli, 2012, unpaginated

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119CLAUDE LALANNE (BORN 1927)Escargot 1961 snail shell, coated in bronze and applied with brown patina height 1/2in (4cm); width 1 1/2in (4cm); depth 1 1/4in (3cm)

$1,000 - 1,500

Provenance Claude Lalanne Thence by descent Literature Paul Kasmin, ‘Claude & François-Xavier Lalanne: Art, Work, Life’, Skira/Rizzoli, 2012, unpaginated

120CLAUDE LALANNE (BORN 1924)Ail circa 1968 patinated bronze height 1 3/4in (4.5cm); width 1 3/4in (4.5cm); depth 1 1/2in (4cm)

US$2,000 - 3,000



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121CLAUDE LALANNE (BORN 1924)Necklace circa 1961 cast bronze, applied with red brown patina length 15 1/2in (39.5cm); width 1 1/4in (3cm)

$8,000 - 12,000



122CLAUDE LALANNE (BORN 1924)Two Hortensia Brooch Pins circa 1961 patinated and gilt bronze, applied with a red patina one earring 1/4in (3cm); 1/4in (3cm); one earring 1 1/8in (2.8cm); 1in (2.5cm)

$2,000 - 3,000

Provenance Claude Lalanne Thence by descent

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123CLAUDE LALANNE (BORN 1924)Bracelet circa 1961 cast bronze, pink, red brown patina length 7in (18cm); width 3/4in (2cm)

$7,000 - 9,000

Provenance Claude Lalanne Thence by descent

124LOUISE NEVELSON (1899-1988)Unique Pendant/Sculpture circa 1985 painted wood scraps and mouldings, silver, cord, paper label with Pace-Wildenstein reference ‘28406’ height 5 1/2in (13cm); width 3in (7.5cm); depth 1 1/4in (3cm)

$20,000 - 25,000

Friedman Benda stock number 16101

ProvenanceEstate of Louise NevelsonFriedman Benda

Louise Nevelson is perhaps America’s foremost conceptual sculptor of the 20th century. She is best known for her monumental monochromatic sculptural collage works in wood and found objects. The following two lots are rare examples of jewelry works produced by the artist, a collection of which she had built up over a ten-year period from around 1975. She fully intended to exhibit these works as a group but passed away before this could be achieved. The collection was distributed by the estate between the Pace-Wildenstein and Friedman Benda Gallery, New York, as well as the Farnsworth Art Museum, Rockland, Maryland.

126 | BONHAMS

125LOUISE NEVELSON (1899-1988)Unique Pendant/sculpture circa 1985 painted wood scraps and mouldings, applied with brass cutouts, leather cord, paper label with Pace-Wildenstein reference ‘28411’ height 3in (7.5cm); width 3 1/2in (9cm); depth 1 3/4in (4.5cm)

$25,000 - 30,000

Louise Nevelson Estate number 50045 Friedman Benda stock number 16111

ProvenanceEstate of Louise NevelsonFriedman Benda


126ROBERT LEE MORRIS (BORN 1947)Egg Necklace Belt 1982 hand hammered brass, engraved ‘Robert Lee Morris 1982 Mom’ length 30 3/4in (75.5cm); width 1 1/2in (4cm)

$4,000 - 6,000

Robert Lee Morris, the New York based jewelry designer, began his career in the late 1970s working with Joan Sonnabend from her famed Sculpture To Wear Gallery in the Plaza Hotel. He found his own fame in 1976 after featuring on the cover of Vogue Magazine and set up his own Artwear Gallery in Soho in 1977. Inspired by world cultures, ancient history and mythology and surrounded by world famous contemporary art galleries and fashion designers, Morris was able to break new ground in the field of fashion jewelry. He developed successful collaborations with leading fashion names such as Geoffrey Beene, Kansai Yamamoto, Michael Kors, Karl Lagerfeld, Calvin Kline and Donna Karen.

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127ROBERT LEE MORRIS (BORN 1947)Burnt Copper Necklace and Earring Set 1979 patinated, hand hammered copper, engraved ‘Robert Lee Morris 79’ necklace length 27 1/2in (70cm); width 1 1/4in (3cm); each earring height 3/4in (2cm); width 3/4in (2cm)

$4,000 - 6,000

From Calvin Klein’s 1981 Fall Collection, which led to Morris being awarded the Coty Award, 1981


128 W

ALBERT PALEY (BORN 1944)Plant Stand 1988 for Paley Studio Ltd, forged steel, stamped ‘PALEY STUDIO LTD.1988’ height 58 1/2in (149cm); width 19 1/2in (49.5cm); depth 19in (48cm)

$12,000 - 18,000


129ALBERT PALEY (BORN 1944)Pair of Candlesticks 1992 forged and fabricated steel with brass bobeches, each stamped ‘Albert Paley 1992’ and numbered on underside ‘31/40’ heights 16 1/4in and 18in (41cm and 45cm); widths 5 1/2in (13cm)

$4,000 - 6,000

Provenance Collection of Drs. John and Karen Woodward

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130DAN DAILEY (BORN 1947)Pair of Wall Lights circa 1990 steel, blown and applied glass height 20in (51cm); diameter 6in (15cm); height 19 1/2in (49.5cm); diameter 6in (15cm)

$20,000 - 30,000


131WILLIAM MORRIS (BORN 1957)Animal Pin 2001 p701.01.02, blown glass, steel stand, engraved ‘William Morris 01’ height 14 1/2in (36cm)

$4,000 - 6,000

134 | BONHAMS

132WILLIAM MORRIS (BORN 1957)Fish Trap (Oval with Amber Hook) 2007 blown and lamp worked glass, enameled steel stand, glass engraved ‘William Morris 07’ height 17 3/4in (45cm); width 12in (30.5cm); depth 4in (10cm)

$30,000 - 40,000

Provenance Imago Galleries, Palm Desert, California Prominent Private Collection


133WILLIAM MORRIS (BORN 1957)Shard Vase 1980 blown and applied glass, engraved ‘William Morris 1980 300’ height 13 1/2in (34cm)

$2,000 - 3,000

134WILLIAM MORRIS (BORN 1957)Shard Vase 1981 blown and applied glass, engraved ‘William Morris 1981 PT.21’ height 11 1/4in (28.5cm)

$2,000 - 3,000

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135WILLIAM MORRIS (BORN 1957)Stonehenge Series Vase 1984 blown glass height 11 1/2in (29cm); width 11 1/4in (28cm); depth 4in (10cm)

$4,000 - 6,000


136 W

BERTIL VALLIEN (BORN 1938)Monumental Boat circa 2000 unique work for Kosta Boda, sand cast glass, internally decorated with polychrome glass and metal foils, the underside decorated with powdered oxides, enameled steel frame, engraved ‘B VALLIEN KOSTA BODA UNIQUE 1363990313’ height of glass suspended 24in (61cm); width 108in (274.5cm); depth 7in (18cm)

$25,000 - 35,000


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137 W

ALESSANDRO DIAZ DE SANTILLANA (BORN 1959)Sky 1997 pulegoso glass, copper, steel height 108in (274.5cm); diameter 10in (25.5cm)

$10,000 - 15,000

Provenance Imago Galleries, Palm Desert, California Prominent Collection, Rancho Mirage, California


138DALE CHIHULY (BORN 1941)Six-Piece Persian 2000 blown glass, engraved ‘Chihuly 00’ overall height 18in (46cm); 17in (43cm); 9 3/4in (25cm)

$7,000 - 10,000

Provenance Donna Schneier Fine Arts, Palm Beach

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139DALE CHIHULY (BORN 1941)Macchia with Red Lip Wrap 1992 together with stand, blown and applied glass, engraved ‘Chihuly 92’, glass, enameled steel height 20 1/2in (52cm); width 41 1/2in (105cm); depth 31in (79cm); height of stand 54 1/4in (135cm); width 16in (41cm); depth 16in (41cm)

$18,000 - 25,000

Provenance Maurice Tuchman, New York


The following Conditions of Sale, as amended by any published or posted notices or verbal announcements during the sale, constitute the entire terms and conditions on which property listed in the catalog shall be offered for sale or sold by Bonhams & Butterfields Auctioneers Corp. and any consignor of such property for whom we act as agent. If live online bidding is available for the subject auction, additional terms and conditions of sale relating to online bidding will apply; see www.bonhams.com/WebTerms for the supplemental terms. As used herein, “Bonhams,” “we” and “us” refer to Bonhams & Butterfields Auctioneers Corp.

1. As used herein, the term “bid price” means the price at which a lot is successfully knocked down to the purchaser. The term “purchase price” means the aggregate of (a) the bid price, (b) a PREMIUM retained by us and payable by the purchaser EQUAL TO 25% OF THE FIRST $250,000 OF THE BID PRICE, 20% OF THE AMOUNT OF THE BID PRICE ABOVE $250,001 UP TO AND INCLUDING $4,000,000, AND 12.5% OF THE AMOUNT OF THE BID PRICE OVER $4,000,000, and (c) unless the purchaser is exempt by law from the payment thereof, any Arizona, California, Colorado, Connecticut, Florida, Georgia, Illinois, Massachusetts, Nevada, New Jersey, New York, Pennsylvania, Texas, Virginia, Washington, D.C., Washington state, or other state or local sales tax (or compensating use tax) and other applicable taxes. With regard to New York sales tax, please refer to the “Sales and Use Tax” section of these Conditions of Sale.

2. On the fall of the auctioneer’s hammer, the highest bidder shall have purchased the offered lot in accordance and subject to compliance with all of the conditions set forth herein and (a) assumes full risk and responsibility therefor, (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full or such part as we may require for all lots purchased. No lot may be transferred. Any person placing a bid as agent on behalf of another (whether or not such person has disclosed that fact or the identity of the principal) may be jointly and severally liable with the principal under any contract resulting from the acceptance of a bid.

Unless otherwise agreed, payment in good funds is due and payable within five (5) business days following the auction sale. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected good funds for all amounts due.

Payment for purchases may be made in or by (a) cash, (b) cashier’s check or money order, (c) personal check with approved credit drawn on a U.S. bank, (d) wire transfer or other immediate bank transfer, or (e) Visa, MasterCard, American Express or Discover credit, charge or debit card. A processing fee will be assessed on any returned checks. Please note that the amount of cash notes and cash equivalents that can be accepted from a given purchaser may be limited.

To the fullest extent permitted by applicable law: The purchaser grants us a security interest in the property, and we may retain as collateral security for the purchaser’s obligations to us, any property and all monies held or received by us for the account of the purchaser, in our possession. We also retain all rights of a secured party under the California Commercial Code. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to all other remedies available to us and the consignor by law, we may at our election: (a) hold the purchaser liable for the full purchase price and any late charges, collection costs, attorneys’ fees and costs, expenses and incidental damages incurred by us or the consignor arising out of the purchaser’s breach; (b) cancel the sale, retaining as liquidated damages all payments made by the purchaser; and/or (c) cancel the sale and/or resell the purchased property, at public auction and/or by private

sale, and in such event the purchaser shall be liable for the payment of all consequential damages, including any deficiencies or monetary losses, and all costs and expenses of such sale or sales, our commissions at our standard rates, all other charges due hereunder, all late charges, collection costs, attorneys’ fees and costs, expenses and incidental damages. In addition, where two or more amounts are owed in respect of different transactions by the purchaser to us, to Bonhams 1793 Limited and/or to any of our other affiliates, subsidiaries or parent companies worldwide within the Bonhams Group, we reserve the right to apply any monies paid in respect of a transaction to discharge any amount owed by the purchaser. If all fees, commissions, premiums, bid prices and other sums due to us from the purchaser are not paid promptly as provided in these Conditions of Sale, we reserve the right to impose a finance charge equal to 1.5% per month (or, if lower, the maximum nonusurious rate of interest permitted by applicable law), on all amounts due to us beginning on the 31st day following the sale until payment is received, in addition to other remedies available to us by law.

3. We reserve the right to withdraw any property and to divide and combine lots at any time before such property’s auction. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalog and no lots shall be divided or combined for sale.

4. We reserve the right to reject a bid from any bidder, to split any bidding increment, and to advance the bidding in any manner the auctioneer may decide. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

5. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser or a sale otherwise cannot be completed, our liability shall be limited to the sum actually paid therefor by the purchaser and shall in no event include any compensatory, incidental or consequential damages.

6. If a lot is offered subject to a reserve, we may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If we have an interest in an offered lot and the proceeds therefrom other than our commissions, we may bid therefor to protect such interest. CONSIGNORS ARE NOT ALLOWED TO BID ON THEIR OWN ITEMS.

7. All statements contained in the catalog or in any bill of sale, condition report, invoice or elsewhere as to authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition and literature of historical relevance, or physical condition ARE QUALIFIED STATEMENTS OF OPINION AND NOT REPRESENTATIONS OR WARRANTIES. No employee or agent of Bonhams is authorized to make on our behalf or on that of the consignor any representation or warranty, oral or written, with respect to any property.

8. All purchased property shall be removed from the premises at which the sale is conducted by the date(s) and time(s) set forth in the “Buyer’s Guide” portion of the catalog. If not so removed, daily storage fees will be payable to us by the purchaser as set forth therein. We reserve the right to transfer property not so removed to an offsite warehouse at the purchaser’s risk and expense, as set forth in more detail in the “Buyer’s Guide.” Accounts must be settled in full before property will be released. Packing and handling of purchased lots are the responsibility of the purchaser. Bonhams can provide packing and shipping services for certain items as noted in the “Buyer’s Guide” section of the catalog.

9. The copyright in the text of the catalog and the photographs, digital images and illustrations of lots in the catalog belong to Bonhams or its licensors. You will not reproduce or permit anyone else to reproduce such text, photographs, digital images or illustrations without our prior written consent.

10. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing and signed by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable.

11. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by the laws of the State of California. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy or claim arising out of or relating to this agreement, or the breach, termination or validity thereof, brought by or against Bonhams (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the procedures set forth below.

SALES AND USE TAX

New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property collected or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Purchasers who make direct arrangements for collection by a shipper who is considered a “private” or “contract” carrier by the New York Department of Taxation and Finance will be charged New York sales tax, regardless of the destination of the property. Property collected for delivery to a destination outside of New York by a shipper who is considered a “common carrier” by the New York Department of Taxation and Finance (e.g. United States Postal Service, United Parcel Service, and FedEx) is not subject to New York sales tax, but if it is delivered into any state in which Bonhams is registered or otherwise conducts business sufficient to establish a nexus, Bonhams may be required by law to collect and remit the appropriate sales tax in effect in such state. Property collected for delivery outside of the United States by a freight-forwarder who is registered with the Transportation Security Administration (“TSA”) is not subject to New York sales tax.

MEDIATION AND ARBITRATION PROCEDURES

(a) Within 30 days of written notice that there is a dispute, the parties or their authorized and empowered representatives shall meet by telephone and/or in person to mediate their differences. If the parties agree, a mutually acceptable mediator shall be selected and the parties will equally share such mediator’s fees. The mediator shall be a retired judge or an attorney familiar with commercial law and trained in or qualified by experience in handling mediations. Any communications made during the mediation process shall not be admissible in any subsequent arbitration, mediation or judicial proceeding. All proceedings and any resolutions thereof shall be confidential, and the terms governing arbitration set forth in paragraph (c) below shall govern.

(b) If mediation does not resolve all disputes between the parties, or in any event no longer than 60 days after receipt of the written notice of dispute referred to above, the parties shall submit the dispute for binding arbitration before a single neutral arbitrator. Such arbitrator shall be a retired judge or an attorney familiar with commercial law and trained in or qualified by experience in handling arbitrations. Such arbitrator shall make all appropriate disclosures required by law. The arbitrator shall be drawn from a panel of a national arbitration service agreed to by the parties, and shall be selected as follows: (i) If the national arbitration service has specific rules or procedures, those rules or procedures shall be followed; (ii) If the national arbitration service does not

CONDITIONS OF SALE

NY/MAIN/V2/10.2017

CONDITIONS OF SALE - CONTINUED

have rules or procedures for the selection of an arbitrator, the arbitrator shall be an individual jointly agreed to by the parties. If the parties cannot agree on a national arbitration service, the arbitration shall be conducted by the American Arbitration Association, and the arbitrator shall be selected in accordance with the Rules of the American Arbitration Association. The arbitrator’s award shall be in writing and shall set forth findings of fact and legal conclusions.

(c) Unless otherwise agreed to by the parties or provided by the published rules of the national arbitration service:

(i) the arbitration shall occur within 60 days following the selection of the arbitrator;

(ii) the arbitration shall be conducted in the designated location, as follows: (A) in any case in which the subject auction by Bonhams took place or was scheduled to take place in the State of New York or Connecticut or the Commonwealth of Massachusetts, the arbitration shall take place in New York City, New York; (B) in all other cases, the arbitration shall take place in the city of San Francisco, California; and

(iii) discovery and the procedure for the arbitration shall be as follows:

(A) All arbitration proceedings shall be confidential;

(B) The parties shall submit written briefs to the arbitrator no later than 15 days before the arbitration commences;

(C) Discovery, if any, shall be limited as follows: (I) Requests for no more than 10 categories of documents, to be provided to the requesting party within 14 days of written request therefor; (II) No more than two (2) depositions per party, provided however, the deposition(s) are to be completed within one (1) day; (III) Compliance with the above shall be enforced by the arbitrator in accordance with California law;

(D) Each party shall have no longer than eight (8) hours to present its position. The entire hearing before the arbitrator shall not take longer than three (3) consecutive days;

(E) The award shall be made in writing no more than 30 days following the end of the proceeding. Judgment upon the award rendered by the arbitrator may be entered by any court having jurisdiction thereof.

To the fullest extent permitted by law, and except as

required by applicable arbitration rules, each party shall bear its own attorneys’ fees and costs in connection with the proceedings and shall share equally the fees and expenses of the arbitrator.

LIMITED RIGHT OF RESCISSION

If within one (1) year from the date of sale, the original purchaser (a) gives written notice to us alleging that the identification of Authorship (as defined below) of such lot as set forth in the BOLD TYPE heading of the catalog description of such lot (as amended by any saleroom notices or verbal announcements during the sale) is not substantially correct based on a fair reading of the catalog (including the terms of any glossary contained therein), and (b) within 10 days after such notice returns the lot to us in the same condition as at the time of sale, and (c) establishes the allegation in the notice to our satisfaction (including by providing one or more written opinions by recognized experts in the field, as we may reasonably require), then the sale of such lot will be rescinded and, unless we have already paid to the consignor monies owed him in connection with the sale, the original purchase price will be refunded.

If, prior to receiving such notice from the original purchaser alleging such defect, we have paid the consignor monies owed him in connection with the sale, we shall pay the original purchaser the amount of our commissions, any other sale proceeds to which we are entitled and applicable taxes received from the purchaser on the sale and make demand on the consignor to pay the balance of the original purchase price to the original purchaser. Should the consignor fail to pay such amount promptly, we may disclose the identity of the consignor and assign to the original purchaser our rights against the consignor with respect to the lot the sale of which is sought to be rescinded. Upon such disclosure and assignment, any liability of Bonhams as consignor’s agent with respect to said lot shall automatically terminate.

The foregoing limited right of rescission is available to the original purchaser only and may not be assigned to or relied upon by any subsequent transferee of the property sold. The purchaser hereby accepts the benefit of the consignor’s warranty of title and other representations and warranties made by the consignor for the purchaser’s benefit. Nothing in this section shall be construed as an admission by us of any representation of fact, express or implied, obligation or responsibility with respect to any lot. THE PURCHASER’S SOLE AND

EXCLUSIVE REMEDY AGAINST BONHAMS FOR ANY REASON WHATSOEVER IS THE LIMITED RIGHT OF RESCISSION DESCRIBED IN THIS SECTION.

“Authorship” means only the identity of the creator, the period, culture and source or origin of the lot, as the case may be, as set forth in the BOLD TYPE heading of the print catalog entry. The right of rescission does not extend to: (a) works of art executed before 1870 (unless these works are determined to be counterfeits created since 1870), as this is a matter of current scholarly opinion which can change; (b) titles, descriptions, or other identification of offered lots, which information normally appears in lower case type below the BOLD TYPE heading identifying the Authorship; (c) Authorship of any lot where it was specifically mentioned that there exists a conflict of specialist or scholarly opinion regarding the Authorship of the lot at the time of sale; (d) Authorship of any lot which as of the date of sale was in accordance with the then generally-accepted opinion of scholars and specialists regarding the same; or (e) the identification of periods or dates of creation in catalog descriptions which may be proven inaccurate by means of scientific processes that are not generally accepted for use until after publication of the catalog in which the property is offered or that were unreasonably expensive or impractical to use at the time of such publication.

LIMITATION OF LIABILITY

EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS IS.” NEITHER BONHAMS NOR THE CONSIGNOR MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIED, AS TO THE MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL BONHAMS BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES.

as “photo auction estimate”. Alternatively, you can submit your request using our online form at www.bonhams.com/us. Digital images may be attached to the form. Please limit your images to no more than five (5) per item.

CONSIGNING YOUR PROPERTY

After you receive an estimate, you may consign your property to us for sale in the next appropriate auction. Our staff assists you throughout the process, arranging transportation of your items to our galleries (at the consignor’s expense), providing a detailed inventory of your consignment, and reporting the prices realized for each lot. We provide secure storage for your property in our warehouses and all items are insured throughout the auction process. You will receive payment for your property approximately 35 days after completion of sale.

Sales commissions vary with the potential auction value of the property and the particular auction in which the property is offered. Please call us for commission rates.

PROFESSIONAL APPRAISAL SERVICES

Bonhams’ specialists conduct insurance and fair market value appraisals for private collectors, corporations, museums, fiduciaries and government entities on a daily basis. Insurance appraisals, used for insurance purposes, reflect the cost of replacing property in today’s retail market. Fair market value appraisals are used for estate,

tax and family division purposes and reflect prices paid by a willing buyer to a willing seller.

When we conduct a private appraisal, our specialists will prepare a thorough inventory listing of all your appraised property by category. Valuations, complete descriptions and locations of items are included in the documentation.

Appraisal fees vary according to the nature of the collection, the amount of work involved, the travel distance, and whether the property is subsequently consigned for auction.

Our appraisers are available to help you anywhere and at any time. Please call our Client Services Department to schedule an appraisal.

ESTATE SERVICES

Since 1865, Bonhams has been serving the needs of fiduciaries – lawyers, trust officers, accountants and executors – in the disposition of large and small estates. Our services are specially designed to aid in the efficient appraisal and disposition of fine art, antiques, jewelry, and collectibles. We offer a full range of estate services, ranging from flexible financial terms to tailored accounting for heirs and their agents to world-class marketing and sales support.

For more information or to obtain a detailed Trust and Estates package, please visit our website at www.bonhams.com/us or contact our Client Services Department.

SELLING AT AUCTION

Bonhams can help you every step of the way when you are ready to sell art, antiques and collectible items at auction. Our regional offices and representatives throughout the US are available to service all of your needs. Should you have any further questions, please visit our website at www.bonhams.com/us for more information or call our Client Services Department at +1 (212) 644 9001.

AUCTION ESTIMATES

The first step in the auction process is to determine the auction value of your property. Bonhams’ world-renowned specialists will evaluate your special items at no charge and in complete confidence. You can obtain an auction estimate in many ways:

• Attend one of our Auction Appraisal Events held regularly at our galleries and in other major metropolitan areas. The updated schedule for Bonhams Auction Appraisal Events is available at www.bonhams.com/us.

• Call our Client Services Department to schedule a private appointment at one of our galleries. If you have a large collection, our specialists can travel, by appointment, to evaluate your property on site.

• Send clear photographs to us of each individual item, including item dimensions and other pertinent information with each picture. Photos should be sent to Bonhams’ address in envelopes marked

SELLER’S GUIDE

NY/MAIN/V2/10.2017

NY/MAIN/V2/10.2017

BIDDING & BUYING AT AUCTIONWhether you are an experienced bidder or an enthusiastic novice, auctions provide a stimulating atmosphere unlike any other. Bonhams previews and sales are free and open to the public. As you will find in these directions, bidding and buying at auction is easy and exciting. Should you have any further questions, please visit our website at www.bonhams.com or call our Client Services Department at +1 (212) 644 9001.

CatalogsBefore each auction we publish illustrated catalogs. Our catalogs provide descriptions and estimated values for each “lot.” A lot may refer to a single item or to a group of items auctioned together. The catalogs also include the dates and the times for the previews and auctions. We offer our catalogs by subscription or by single copy. For information on subscribing to our catalogs, you may refer to the subscription form in this catalog, call our Client Services Department, or visit our website at www.bonhams.com/us.

PreviewsAuction previews are your chance to inspect each lot prior to the auction. We encourage you to look closely and examine each object on which you may want to bid so that you will know as much as possible about it. Except as expressly set forth in the Conditions of Sale, items are sold “as is” and with all faults; illustrations in our catalogs, website and other materials are provided for identification only. At the previews, our staff is always available to answer your questions and guide you through the auction process. Condition reports may be available upon request.

EstimatesBonhams catalogs include low and high value estimates for each lot, exclusive of the buyer’s premium and tax. The estimates are provided as an approximate guide to current market value based primarily on previous auction results for comparable pieces, and should not be interpreted as a representation or prediction of actual selling prices. They are determined well in advance of a sale and are subject to revision. Please contact us should you have any questions about value estimates.

ReservesUnless indicated by the ¤ symbol next to the lot number, which denotes no reserve, all lots in the catalog are subject to a reserve. The reserve is the minimum auction price that the consignor is willing to accept for a lot. This amount is confidential and does not exceed the low estimate value.

Auction House’s Interest in Property Offered at AuctionOn occasion, Bonhams may offer property in which it has an ownership interest in whole or in part or otherwise has an economic interest. Such property, if any, is identified in the catalog with a symbol next to the lot number(s).

Bonhams may also offer property for a consignor that has been guaranteed a minimum price for its property by Bonhams or jointly by Bonhams and a third party. Bonhams and any third parties providing a guarantee may benefit financially if the guaranteed property is sold successfully and may incur a financial loss if its sale is not successful. Such property, if any, is identified in the catalog with a symbol next to the lot number(s).

Bidding at AuctionAt Bonhams, you can bid in many ways: in person, via absentee bid, over the phone, or via Bonhams’ live online bidding facility. Absentee bids can be submitted in person, online, via fax or via email.

Valid Bonhams client accounts are required to participate in bidding activity. You can obtain registration information online, at the reception desk or by calling our Client Services Department.

By bidding at auction, whether in person or by agent, by absentee bid, telephone, online or other means, the buyer or bidder agrees to be bound by the Conditions of Sale.

Lots are auctioned in consecutive numerical order as they appear in the catalog. Bidding normally begins below the low estimate. The auctioneer will accept bids from interested parties present in the saleroom, from telephone bidders, and

from absentee bidders who have left written bids in advance of the sale. The auctioneer may also execute bids on behalf of the consignor by placing responsive or consecutive bids for a lot up to the amount of the reserve, but never above it.

We assume no responsibility for failure to execute bids for any reason whatsoever.

In PersonIf you are planning to bid at auction for the first time, you will need to register at the reception desk in order to receive a numbered bid card. To place a bid, hold up your card so that the auctioneer can clearly see it. Decide on the maximum auction price that you wish to pay, exclusive of buyer’s premium and tax, and continue bidding until your bid prevails or you reach your limit. If you are the successful bidder on a lot, the auctioneer will acknowledge your paddle number and bid amount.

Absentee BidsAs a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of auction online or in writing on bidding forms available from us. “Buy” bids will not be accepted; all bids must state the highest bid price the bidder is willing to pay. Our auction staff will try to bid just as you would, with the goal of obtaining the item at the lowest bid price possible. In the event identical bids are submitted, the earliest bid submitted will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve, and bids from other auction participants. A friend or agent may place bids on your behalf, provided that we have received your written authorization prior to the sale. Absentee bid forms are available in our catalogs, online at www.bonhams.com/us, at offsite auction locations, and at our San Francisco, Los Angeles and New York galleries.

By Telephone Under special circumstances, we can arrange for you to bid by telephone. To arrange for a telephone bid, please contact our Client Services Department a minimum of 24 hours prior to the sale.

OnlineWe offer live online bidding for most auctions and accept absentee bids online for all our auctions. Please visit www.bonhams.com/us for details.

Bid IncrementsBonhams generally uses the following increment multiples as bidding progresses:$50-200 .............................................by $10s $200-500 ...........................................by $20/50/80s $500-1,000 ........................................by $50s $1,000-2,000.....................................by $100s $2,000-5,000.....................................by $200/500/800s $5,000-10,000… ...............................by $500s $10,000-20,000 ................................by $1,000s $20,000-50,000 ................................by $2,000/5,000/8,000s $50,000-100,000 ..............................by $5,000s $100,000-200,000 ............................by $10,000s above $200,000 ................................at auctioneer’s discretion

The auctioneer may split or reject any bid at any time at his or her discretion as outlined in the Conditions of Sale.

Currency Converter Solely for the convenience of bidders, a currency converter may be provided at Bonhams’ auctions. The rates quoted for conversion of other currencies to U.S. Dollars are indications only and should not be relied upon by a bidder, and neither Bonhams nor its agents shall be responsible for any errors or omissions in the operation or accuracy of the currency converter.

Buyer’s Premium A buyer’s premium is added to the winning bid price of each individual lot purchased, at the rates set forth in the Conditions of Sale. The winning bid price plus the premium constitute the purchase price for the lot. Applicable sales taxes are computed based on this figure, and the total becomes your final purchase price.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment.

All sales are final and subject to the Conditions of Sale found in our catalogs, on our website, and available at the reception desk.

Payment All buyers are asked to pay and pick up by 3pm on the business day following the auction. Payment may be made to Bonhams by cash, checks drawn on a U.S. bank, money order, wire transfer, or by Visa, MasterCard, American Express or Discover credit or charge card or debit card. All items must be paid for within 5 business days of the sale. Please note that payment by personal or business check may result in property not being released until purchase funds clear our bank. For payments sent by mail, please remit to Cashier Department, 220 San Bruno Avenue, San Francisco, CA 94103.

Sales TaxResidents of states listed in Paragraph 1 of the Conditions of Sale must pay applicable sales tax. Other state or local taxes (or compensation use taxes) may apply. Sales tax will be automatically added to the invoice unless a valid resale number has been furnished or the property is shipped via common carrier to destinations outside the states listed in the Conditions of Sale. If you wish to use your resale license please contact Cashiers for our form.

Shipping & RemovalBonhams can accommodate shipping for certain items. Please contact our Cashiers Department for more information or to obtain a quote. Carriers are not permitted to deliver to PO boxes. International buyers are responsible for all import/export customs duties and taxes. An invoice stating the actual purchase price will accompany all international purchases.

Collection of PurchasesPlease arrange for the packing and transport of your purchases prior to collection at our office. If you are sending a third party shipper, please request a release form from us and return it to +1 (212) 644 9009 prior to your scheduled pickup. To schedule collection of purchases, please call +1 (212) 644 9001.

Handling and Storage ChargesPlease note that our office has requirement for freight elevator usage. Please contact us to schedule an elevator appointment for pickup of any large or awkward items. On Thursday 7th June oversized lots (noted as W next to the lot number and/or listed on page 145) will be sent to Door to Door Services where transfer and full value protection fees will be immediately applicable. Storage charges will begin accruing for any lots not collected within 5 business days of the date of auction. All other sold lot will be retained in Bonhams Gallery until Thursday 21st June. Collection of lots will be by appointment only. Please call +1 (212) 644 9001 at least 24 hours in advance to make an appointment.

Storage charges of $5 per lot, per day will begin accruing for any lots not collected within 14 calendar days. Bonhams Reserve the right to remove uncollected sold lots to the warehouse of our choice at the buyer’s risk and expense.Further transfer, handling, storage and full value protection fees will apply if move to a warehouse of our choice.

Auction ResultsAll you need is a touch-tone telephone and the lot number. Auction results are usually available on the next business day following the sale or online at www.bonhams.com/us.

BUYER’S GUIDE

NY/MAIN/V2/10.2017

20 21 32 38 54 55 58 59 60 61 63 64 66 68

OVERSIZED LOTS

70 71 72 73 78 79 83 112 113 114 128 136 137

IMPORTANT NOTICE TO BUYERS COLLECTION & STORAGE AFTER SALE

Please note that all oversized lots listed below and marked with a W in the catalogue will be removed to the warehouse of Door to Door Services herein referred to as Door To Door on Thursday 7th June. Lots not so listed will remain at Bonhams.

W LOTS WILL BE AVAILABLE FOR COLLECTION FROM DOOR TO DOOR BEGINNING AT 9AM ET ON FRIDAY 8TH JUNE.

AddressDoor To Door Services 50 Tannery Rd #8ASomerville, NJ 08876

Lots will be available for collection 24hrs following transfer to Door to Door every business day from 9am to 5pm ET.

Collections appointments must be booked 24 hours in advance (subject to full payment of all outstanding amounts due to Bonhams and Door To Door) by contacting Door To Door at1-908-707-0077 ext 2070

HANDLING & STORAGE CHARGES

Please note: For sold lots removed to Door To Door there will be transfer and Full value protection charges but no storage charge due for lots collected by Friday 15th June. For sold lots that remain at Bonhams, there will be no storage charge for lots collected within 21 days of the sale date.

The per-lot charges levied by Door To Door Services are as follows (plus any applicable sales tax):

FURNITURE/LARGE OBJECTSTransfer .................. $75Daily storage........... $10Insurance (on Hammer + Premium + tax) 0.3%

SMALL OBJECTSTransfer ................. $37.50Daily storage........... $5Insurance (on Hammer + Premium + tax) 0.3%

Please contact Michael Van Dyke at Door To Door +1 908 707 0077 ext 2070+1 908 707 0011 (fax)[email protected]

For more information and estimates on domestic and International shipping Please contact Michael Van Dyke at Door To Door +1 908 707 0077 ext 2070+1 908 707 0011 (fax)[email protected]

PAYMENT

All amounts due to Bonhams and all charges due to Door To Door Services must be paid by the time of collection of the property from their warehouse.

TO MAKE PAYMENT IN ADVANCETelephone +1 (908) 707 0077 ext 2070 to ascertain the amount due, payable by cash, check, or credit card.

PAYMENT AT TIME OF COLLECTIONMay be made by cash, check, or credit card.

Lots will only be released from Door To Door’s warehouse upon production of the “Collection Slip” obtained from the Cashier’s office at Bonhams.

The removal and/or storage by Door To Door of any lots will be subject to their standard Conditions of Business, copies of which are available at Bonhams.

PLEASE NOTE Door To Door does not accept liability for damage or loss, due to negligence or otherwise, exceeding the sale price of such goods, or at their option the cost of repairing or replacing the damaged or missing goods.

Door To Door reserves a lien over all goods in their possession for payment of storage and all other charges due them.

OFFICERSMalcolm Barber Co-Chairman

Matthew Girling Chief Executive Officer

Laura King Pfaff • Chairman Emeritus

Leslie Wright Vice President, Trusts and Estates

Vice Presidents, Specialists Rupert Banner Mark Fisher Dessa Goddard Jakob Greisen Bruce MacLaren Scot Levitt Mark Osborne Brooke Sivo Catherine Williamson

REPRESENTATIVES Arizona Terri Adrian-Hardy, (602) 859 1843

California David Daniel (916) 364 1645, Central Valley

California Brooke Sivo (760) 350 4255, Palm Springs (760) 567 1744, San Diego

ColoradoLance Vigil(720) 355 3737, Denver

Florida April Matteini(305) 978 2459

Georgia Mary Moore Bethea, (404) 842 1500 •

Illinois Ricki Harris (773) 267 3300, (773) 680 2881

Massachusetts/New England Amy Corcoran, (617) 742 0909

Nevada David Daniel, (775) 831 0330

New Mexico Terri Adrian-Hardy, (602) 859 1843

Oregon and Idaho Sheryl Acheson, (971) 727 7797

Texas, Oklahoma and Louisiana Amy Lawch, (713) 621 5988 •

Virginia and Washington DC Mid-Atlantic Region Gertraud Hechl, (202) 422 2733 •

Washington Heather O’Mahony, (206) 566 3913

Canada, Toronto, Ontario Kristin Kearney, (416) 462 9004 •

Montreal, Quebec David Kelsey, (514) 894 1138 •

BONHAMS *LOS ANGELES DEPARTMENTS7601 W. Sunset BoulevardLos Angeles California 90046(323) 850 7500

20th Century Decorative Arts Angela Past, (323) 436 5422Jason Stein, (323) 436 5466

20th Century Fine Art Alexis Chompaisal, (323) 436 5469

African, Oceanic & Pre-Columbian Art Fredric W. Backlar, (323) 436 5416 •

Books & Manuscripts Catherine Williamson, (323) 436 5442

Coins & Banknotes Paul Song, (323) 436 5455

Contemporary Art Dane Jensen, (323) 436 5451

Entertainment Memorabilia Catherine Williamson, (323) 436 5442 Dana Hawkes, (978) 283 1518

Furniture, Decorative Arts & Ceramics Andrew Jones, (323) 436 5432Jennifer Kurtz, (323) 436 5478

Jewelry & Watches Dana Ehrman, (323) 436 5407Alexis Vourvoulis, (323) 436 5483

Collectors’ Motorcars & Motorcycles Andrew Barrett, (323) 436 5450

Photographs & Prints Morisa Rosenberg, (323) 436 5435

Natural History Thomas E. Lindgren, (310) 469 8567 •Claudia Florian, G.J.G., (323) 436 5437 •

California & Western Paintings & Sculpture Scot Levitt, (323) 436 5425Kathy Wong, (323) 436 5415

European Paintings Mark Fisher, (323) 436 5488

Silver Aileen Ward, (323) 436 5463

Trusts & Estates Leslie Wright, (323) 436 5408 Joseph Francaviglia, (323) 436 5443

CONTACTSBONHAMS *SAN FRANCISCO DEPARTMENTS220 San Bruno AvenueSan Francisco California 94103(415) 861 7500

20th Century Fine ArtDane Jensen, (415) 503 3311

Arms & ArmorPaul Carella, (415) 503 3360

Asian Works of ArtDessa Goddard, (415) 503 3333

Books & ManuscriptsAdam Stackhouse, (415) 503 3266

Chinese Works of ArtDaniel Herskee, (415) 503 3271

Jewelry & WatchesShannon Beck, (415) 503 3306

Collectors’ Motorcars & MotorcyclesMark Osborne, (415) 503 3353Jakob Greisen, (415) 503 3284

Museum ServicesLaura King Pfaff, (415) 503 3210

Native American ArtIngmars Lindbergs, (415) 503 3393

California & Western Paintings & Sculpture Aaron Bastian, (415) 503 3241Christine Skinner, (415) 503 3400

Photographs & PrintsMorisa Rosenberg, (415) 503 3259

Space HistoryAdam Stackhouse, (415) 503 3266

Trusts & EstatesVictoria Richardson, (415) 503 3207Celeste Smith, (415) 503 3214

WineErin McGrath, (415) 503 3319

BONHAMS *NEW YORK DEPARTMENTS 580 Madison Avenue New York, New York 10022 (212) 644 9001

Books & Manuscripts Ian Ehling, (212) 644 9094Darren Sutherland, (212) 461 6531

Chinese Works of Art & Paintings Bruce MacLaren, (917) 206 1677 Ming Hua, (646) 837 8132

Collectors’ Motorcars & Motorcycles Rupert Banner, (212) 461 6515 Eric Minoff, (917) 206 1630Evan Ide, (917) 340 4657Michael Caimano, (917) 206 1615

Fine Art

American Jennifer Jacobsen, (917) 206 1699 Elizabeth Goodridge, (917) 206 1621

Contemporary Jeremy Goldsmith, (917) 206 1656 Megan Murphy, (212) 644 9020 European Paintings Madalina Lazen, (212) 644 9108

Impressionist & Modern Caitlyn Pickens, (212) 644 9135

Himalayan Art Mark Rasmussen, (917) 206 1688

Japanese Works of Art Jeff Olson, (212) 461 6516

Jewelry Caroline Morrissey, (212) 644 9046Camille Barbier, (212) 644 9035

Modern Decorative Arts & Design Benjamin Walker, (212) 710 1306Dan Tolson, (917) 206 1611

Photographs & PrintsDeborah Ripley, (212) 644 9059Laura Paterson, (917) 206 1653

Russian Fine & Decorative Arts Yelena Harbick, (212) 644 9136

Trusts & Estates Sherri Cohen, (917) 206 1671

Watches & Clocks Jonathan Snellenburg, (212) 461 6530

CLIENT SERVICES DEPARTMENTSan Francisco (415) 861 7500 (415) 861 8951 faxMonday - Friday, 9am to 5pm Los Angeles (323) 850 7500 (323) 850 6090 faxMonday - Friday, 9am to 5pm

New York (212) 644 9001 (212) 644 9009 faxMonday - Friday, 9am to 5pmToll Free (800) 223 2854

The following information is recorded and available 24 hours a day, 7 days a week, through our telephone system: - Auction and Preview Information - Directions to Bonhams’s salesrooms - Automated Auction Results

* Indicates saleroom • Indicates independent contractor

CON/04/18_V3

General Notice: This sale will be conducted in accordance with Bonhams Conditions of Sale, and your bidding and buying at the sale will be governed by such terms and conditions. Please read the Conditions of Sale in conjunction with the Buyer’s Guide relating to this sale and other published notices and terms relating to bidding.Payment by personal or business check may result in your property not being released until purchase funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: In the table below, please provide details of the lots on which you wish to place bids at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Buyer’s Guide in the catalog for further information relating to instructions to Bonhams to execute absentee bids on your behalf. Bonhams will endeavor to execute bids on your behalf but will not be liable for any errors or non-executed bids.

Notice to First Time Bidders: New clients are requested to provide photographic proof of ID - passport, driving license, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorizing the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bankers reference.

Notice to online bidders; If you have forgotten your username and password for www.bonhams.com, please contact Client Services.

If successfulI will collect the purchases myselfPlease contact me with a shipping quote (if applicable)I will arrange a third party to collect my purchase(s)

Please email or fax the completed Registration Form and requested information to:Bonhams Client Services Department580 Madison AvenueNew York, New York 10022Tel +1 (212) 644 9001Fax +1 (212) 644 [email protected]

Auction Registration Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

Type of bid(A-Absentee, T-Telephone) Lot no.

Brief description(In the event of any discrepancy, lot number and not lot description will govern.)If you are bidding online there is no need to complete this section.

MAX bid in US$ (excluding premium and applicable tax)Emergency bid for telephone bidders only*

* Emergency Bid: A maximum bid (exclusive of Buyer’s Premium and tax) to be executed by Bonhams only if we are unable to contact you by telephone or should the connection be lost during bidding.

You instruct us to execute each absentee bid up to the corresponding bid amount indicated above.

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND SHALL BE LEGALLY BOUND BY THEM, AND YOU AGREE TO PAY THE BUYER’S PREMIUM, ANY APPLICABLE TAXES, AND ANY OTHER CHARGES MENTIONED IN THE BUYER’S GUIDE OR CONDITIONS OF SALE. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Shipping Address (if different than above):

Address: _____________________________________

City: _________________________________________

Country: _____________________________________

Post/ZIP code: _________________________________

Please note that all telephone calls are recorded.

SHIPPING

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Telephone bidders: indicate primary and secondary contact numbers by writing 1 or 2 next to the telephone number.E-mail (in capitals) By providing your email address above, you authorize Bonhams to send you marketing materials and news concerning Bonhams and partner organizations. Bonhams does not sell or trade email addresses.

I am registering to bid as a private client I am registering to bid as a trade client

Resale: please enter your resale license number here We may contact you for additional information.

General Bid Increments:$10 - 200 .....................by 10s$200 - 500 ...................by 20 / 50 / 80s$500 - 1,000 ................by 50s$1,000 - 2,000 .............by 100s$2,000 - 5,000 .............by 200 / 500 / 800s$5,000 - 10,000 ...........by 500s

$10,000 - 20,000 .........by 1,000s$20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s$50,000 - 100,000 .......by 5,000s$100,000 - 200,000 .....by 10,000sabove $200,000 ...........at the auctioneer’s discretionThe auctioneer has discretion to split any bid at any time.

NY/MAIN/07.17

OFFICERSMalcolm Barber Co-Chairman

Matthew Girling Chief Executive Officer

Laura King Pfaff • Chairman Emeritus

Leslie Wright Vice President, Trusts and Estates

Vice Presidents, Specialists Rupert Banner Mark Fisher Dessa Goddard Jakob Greisen Bruce MacLaren Scot Levitt Mark Osborne Brooke Sivo Catherine Williamson

REPRESENTATIVES Arizona Terri Adrian-Hardy, (602) 859 1843

California David Daniel (916) 364 1645, Central Valley

California Brooke Sivo (760) 350 4255, Palm Springs (760) 567 1744, San Diego

ColoradoLance Vigil(720) 355 3737, Denver

Florida April Matteini(305) 978 2459

Georgia Mary Moore Bethea, (404) 842 1500 •

Illinois Ricki Harris (773) 267 3300, (773) 680 2881

Massachusetts/New England Amy Corcoran, (617) 742 0909

Nevada David Daniel, (775) 831 0330

New Mexico Terri Adrian-Hardy, (602) 859 1843

Oregon and Idaho Sheryl Acheson, (971) 727 7797

Texas, Oklahoma and Louisiana Amy Lawch, (713) 621 5988 •

Virginia and Washington DC Mid-Atlantic Region Gertraud Hechl, (202) 422 2733 •

Washington Heather O’Mahony, (206) 566 3913

Canada, Toronto, Ontario Kristin Kearney, (416) 462 9004 •

Montreal, Quebec David Kelsey, (514) 894 1138 •

BONHAMS *LOS ANGELES DEPARTMENTS7601 W. Sunset BoulevardLos Angeles California 90046(323) 850 7500

20th Century Decorative Arts Angela Past, (323) 436 5422Jason Stein, (323) 436 5466

20th Century Fine Art Alexis Chompaisal, (323) 436 5469

African, Oceanic & Pre-Columbian Art Fredric W. Backlar, (323) 436 5416 •

Books & Manuscripts Catherine Williamson, (323) 436 5442

Coins & Banknotes Paul Song, (323) 436 5455

Contemporary Art Dane Jensen, (323) 436 5451

Entertainment Memorabilia Catherine Williamson, (323) 436 5442 Dana Hawkes, (978) 283 1518

Furniture, Decorative Arts & Ceramics Andrew Jones, (323) 436 5432Jennifer Kurtz, (323) 436 5478

Jewelry & Watches Dana Ehrman, (323) 436 5407Alexis Vourvoulis, (323) 436 5483

Collectors’ Motorcars & Motorcycles Andrew Barrett, (323) 436 5450

Photographs & Prints Morisa Rosenberg, (323) 436 5435

Natural History Thomas E. Lindgren, (310) 469 8567 •Claudia Florian, G.J.G., (323) 436 5437 •

California & Western Paintings & Sculpture Scot Levitt, (323) 436 5425Kathy Wong, (323) 436 5415

European Paintings Mark Fisher, (323) 436 5488

Silver Aileen Ward, (323) 436 5463

Trusts & Estates Leslie Wright, (323) 436 5408 Joseph Francaviglia, (323) 436 5443

CONTACTSBONHAMS *SAN FRANCISCO DEPARTMENTS220 San Bruno AvenueSan Francisco California 94103(415) 861 7500

20th Century Fine ArtDane Jensen, (415) 503 3311

Arms & ArmorPaul Carella, (415) 503 3360

Asian Works of ArtDessa Goddard, (415) 503 3333

Books & ManuscriptsAdam Stackhouse, (415) 503 3266

Chinese Works of ArtDaniel Herskee, (415) 503 3271

Jewelry & WatchesShannon Beck, (415) 503 3306

Collectors’ Motorcars & MotorcyclesMark Osborne, (415) 503 3353Jakob Greisen, (415) 503 3284

Museum ServicesLaura King Pfaff, (415) 503 3210

Native American ArtIngmars Lindbergs, (415) 503 3393

California & Western Paintings & Sculpture Aaron Bastian, (415) 503 3241Christine Skinner, (415) 503 3400

Photographs & PrintsMorisa Rosenberg, (415) 503 3259

Space HistoryAdam Stackhouse, (415) 503 3266

Trusts & EstatesVictoria Richardson, (415) 503 3207Celeste Smith, (415) 503 3214

WineErin McGrath, (415) 503 3319

BONHAMS *NEW YORK DEPARTMENTS 580 Madison Avenue New York, New York 10022 (212) 644 9001

Books & Manuscripts Ian Ehling, (212) 644 9094Darren Sutherland, (212) 461 6531

Chinese Works of Art & Paintings Bruce MacLaren, (917) 206 1677 Ming Hua, (646) 837 8132

Collectors’ Motorcars & Motorcycles Rupert Banner, (212) 461 6515 Eric Minoff, (917) 206 1630Evan Ide, (917) 340 4657Michael Caimano, (917) 206 1615

Fine Art

American Jennifer Jacobsen, (917) 206 1699 Elizabeth Goodridge, (917) 206 1621

Contemporary Jeremy Goldsmith, (917) 206 1656 Megan Murphy, (212) 644 9020 European Paintings Madalina Lazen, (212) 644 9108

Impressionist & Modern Caitlyn Pickens, (212) 644 9135

Himalayan Art Mark Rasmussen, (917) 206 1688

Japanese Works of Art Jeff Olson, (212) 461 6516

Jewelry Caroline Morrissey, (212) 644 9046Camille Barbier, (212) 644 9035

Modern Decorative Arts & Design Benjamin Walker, (212) 710 1306Dan Tolson, (917) 206 1611

Photographs & PrintsDeborah Ripley, (212) 644 9059Laura Paterson, (917) 206 1653

Russian Fine & Decorative Arts Yelena Harbick, (212) 644 9136

Trusts & Estates Sherri Cohen, (917) 206 1671

Watches & Clocks Jonathan Snellenburg, (212) 461 6530

CLIENT SERVICES DEPARTMENTSan Francisco (415) 861 7500 (415) 861 8951 faxMonday - Friday, 9am to 5pm Los Angeles (323) 850 7500 (323) 850 6090 faxMonday - Friday, 9am to 5pm

New York (212) 644 9001 (212) 644 9009 faxMonday - Friday, 9am to 5pmToll Free (800) 223 2854

The following information is recorded and available 24 hours a day, 7 days a week, through our telephone system: - Auction and Preview Information - Directions to Bonhams’s salesrooms - Automated Auction Results

* Indicates saleroom • Indicates independent contractor

CON/04/18_V3

General Notice: This sale will be conducted in accordance with Bonhams Conditions of Sale, and your bidding and buying at the sale will be governed by such terms and conditions. Please read the Conditions of Sale in conjunction with the Buyer’s Guide relating to this sale and other published notices and terms relating to bidding.Payment by personal or business check may result in your property not being released until purchase funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: In the table below, please provide details of the lots on which you wish to place bids at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Buyer’s Guide in the catalog for further information relating to instructions to Bonhams to execute absentee bids on your behalf. Bonhams will endeavor to execute bids on your behalf but will not be liable for any errors or non-executed bids.

Notice to First Time Bidders: New clients are requested to provide photographic proof of ID - passport, driving license, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorizing the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bankers reference.

Notice to online bidders; If you have forgotten your username and password for www.bonhams.com, please contact Client Services.

If successfulI will collect the purchases myselfPlease contact me with a shipping quote (if applicable)I will arrange a third party to collect my purchase(s)

Please email or fax the completed Registration Form and requested information to:Bonhams Client Services Department580 Madison AvenueNew York, New York 10022Tel +1 (212) 644 9001Fax +1 (212) 644 [email protected]

Auction Registration Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

Type of bid(A-Absentee, T-Telephone) Lot no.

Brief description(In the event of any discrepancy, lot number and not lot description will govern.)If you are bidding online there is no need to complete this section.

MAX bid in US$ (excluding premium and applicable tax)Emergency bid for telephone bidders only*

* Emergency Bid: A maximum bid (exclusive of Buyer’s Premium and tax) to be executed by Bonhams only if we are unable to contact you by telephone or should the connection be lost during bidding.

You instruct us to execute each absentee bid up to the corresponding bid amount indicated above.

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND SHALL BE LEGALLY BOUND BY THEM, AND YOU AGREE TO PAY THE BUYER’S PREMIUM, ANY APPLICABLE TAXES, AND ANY OTHER CHARGES MENTIONED IN THE BUYER’S GUIDE OR CONDITIONS OF SALE. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Shipping Address (if different than above):

Address: _____________________________________

City: _________________________________________

Country: _____________________________________

Post/ZIP code: _________________________________

Please note that all telephone calls are recorded.

SHIPPING

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Telephone bidders: indicate primary and secondary contact numbers by writing 1 or 2 next to the telephone number.E-mail (in capitals) By providing your email address above, you authorize Bonhams to send you marketing materials and news concerning Bonhams and partner organizations. Bonhams does not sell or trade email addresses.

I am registering to bid as a private client I am registering to bid as a trade client

Resale: please enter your resale license number here We may contact you for additional information.

General Bid Increments:$10 - 200 .....................by 10s$200 - 500 ...................by 20 / 50 / 80s$500 - 1,000 ................by 50s$1,000 - 2,000 .............by 100s$2,000 - 5,000 .............by 200 / 500 / 800s$5,000 - 10,000 ...........by 500s

$10,000 - 20,000 .........by 1,000s$20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s$50,000 - 100,000 .......by 5,000s$100,000 - 200,000 .....by 10,000sabove $200,000 ...........at the auctioneer’s discretionThe auctioneer has discretion to split any bid at any time.

NY/MAIN/07.17

Thursday June 7, 2018

New York

Modern Decorative Art + Design

24846

Lot 46

Lot 113

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ew York Ӏ Thursday June 7, 2018

International Auctioneers and Valuers – bonhams.com

Bonhams580 Madison AvenueNew York, New York 10022 +1 (212) 644 9001+1 (212) 644 9009 fax

modern decorative art design - bonhams modern decorative art + ... renÉ lalique (1860-1945) pair of...

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