museum op modern art y&- ever mssembled outside of ......museum op modern art 730 5th ave., new york...

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MUSEUM OP MODERN ART 730 5th Ave., New York Oity for release Friday,Maroh 1 3 / ^ i With the cooperation of many of the principal museums of Germany and of private collectors in Germany, New York, Detroit, and Hollywood the Museum of Modern Art has "been ena'bled to "bring together the most important collection of modern German^ y&- ever mssembled outside of Germany for its eleventh loan exhlMtlon^autWWMg'Iff •WBWP^WWWj imil nfflmiiipiNWD which opens to the public at the Museum of Friday morning at 10 o'clock* The exhibition will include major works in oil and watercolor "by twenty painters who have been leaders in one of the most remarkable national develop- ments of jpgc twentieth century art, and important sculpture in stone, brass, bron?.e, and silver by six outstanding sculptors of modern Geraany. While some of the artists have been previously shown in New York, many of them are prac- tically unknown, and it is expected that the exhibition will arouse surprise and controversy by presenting a representative survey of an important aspect of European art which has been unduly obscured in America by the emphasis on French art during and since the war. Of the seventy works w^a yfyleninfr from Germany for the exhibition twenty-three eeme from the great publiCcollections sweated by museums, which, Germany, are so notably sympathetic in their reoeption of modern art. The National Gallery in Berlin and the Folkwang Museum in Essen established a pre- cedent for German museums by lending two of their most valued paintings, both by Daumier, to the Museum of Modern Art for its exh bition of Oorot and Daumier l a s t autumn. These museums are again lending important pictures for the German exhibition, and the high quality of the collections of modern painting in Ger- man museums will be further evidenced by loans from the iEanothalle, Hamburg,

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  • MUSEUM OP MODERN ART 730 5th Ave., New York Oity

    for release Friday,Maroh 1 3 / ^ i

    With the cooperation of many of the principal museums of Germany and of

    private col lectors in Germany, New York, Detroit, and Hollywood the Museum of

    Modern Art has "been ena'bled to "bring together the most important col lect ion of

    modern German^ y&- ever mssembled outside of Germany for i t s eleventh loan

    exhlMtlon^autWWMg'Iff •WBWP^WWWj imil nfflmiiipiNWD which opens to the public

    at the Museum of Friday morning at 10 o'clock*

    The exhibition wi l l include major works in o i l and watercolor "by twenty

    painters who have been leaders in one of the most remarkable national develop-

    ments of jpgc twentieth century art , and important sculpture in stone, brass,

    bron?.e, and silver by six outstanding sculptors of modern Geraany. While some

    of the a r t i s t s have been previously shown in New York, many of them are prac-

    t i c a l l y unknown, and i t i s expected that the exhibition wi l l arouse surprise

    and controversy by presenting a representative survey of an important aspect

    of European art which has been unduly obscured in America by the emphasis on

    French art during and since the war.

    Of the seventy works w^a y fy len infr from Germany for the exhibition

    twenty-three eeme from the great publiCcollections sweated by museums, which,

    Germany, are so notably sympathetic in their reoeption of modern ar t . The

    National Gallery in Berlin and the Folkwang Museum in Essen established a pre-

    cedent for German museums by lending two of their most valued paintings, both

    by Daumier, to the Museum of Modern Art for i t s exh bit ion of Oorot and Daumier

    last autumn. These museums are again lending important pictures for the German

    exhibition, and the high quality of the col lect ions of modern painting in Ger-

    man museums will be further evidenced by loans from the iEanothalle, Hamburg,

  • the Wallraf-Richartz Museum, Cologne, the Municipal Museum, Munich, the Silesian

    Museum of Pictorial Arts, Breslau, and the Art Museum, Mannheim,

    Auong the other notable pictures coming from Germany is a painting, "Cats",

    by Franz Marc from the collection of Princess Mechtilde Lichnowsky in Berlin,

    Marc, who was one of the founders of the famous "Blue Rider" group in Munich in

    1911, created a sensation in New York when a few examples of his work were shown at

    the Armory Exhibition in 1913. The Princess Lichnowsky is the wife of the former

    German Ambassador to London at the outbreak of theWar, In addition to the painting

    from the Princess Lichnowsky' s collection, Marc will be represented by five impor-

    tant canvases, from public and private c. llections in Germany, which will do Liuch to

    sufetain the popular German opinion that Mac's death in the War deprived Europe of

    one of its most premising painters.

    Two other members of the "Blue Rider" group, Paul Klee and Heinrich Campendonk,

    will be shown in important works. The earlier Dresden group of expressionists, kncwn

    as the "Bruecke", will be presented more completely than lias been possible before in

    New York. Max Beckmann, one of the most powerful of the matern German painters, will

    be represented by eight pictures including twto important canvases from New York

    collections, those of Dr. F, H. Hirschland and Mrs, John D, Rockefeller,Jr. OtheS

    outstanding painters who will ba included are Otto Dix, George Grosz, Carl Hofer

    and Gskar Kokoschka.

    Among the sculptors Rudolf Belling is conspicuous because of the striking

    modernity of his abstractions, and his use of polished metals. Three highly in-

    teresting examples of Belling's work have been loaned to the exhibition by Josef

    von Sternberg of Hollywood, director of "The Blue An^el", "Morocco" and "Dishonored", \

    One is s. partially abstract portrait h£ad of von Sternberg plated in silver. Another a

    is a grotesque head in mahogany, and the third is/highly interesting portrait of

    Alfred Elechtheim, the Berlin art dealer, treated schematically in bronze.

  • TIGHT BINDING

    A * M M M i sculpture portrait of Marlene Dietrich, the star of the last three

    von Sternberg films,has just "been completed "by Brnetto de Fiori in time for the

    exhibition. The rewritable likeness of the portrait is enfnanced "by a hold use of

    color, particularly striking "because of the infrequency with which contempaary

    artists resort to this method so much in favor among the Greeks. A bust of Jack

    Dempsey by de Fiori is also shown.

    In addition to Belling and de Fiori the exhibition includes eight works by Kolbe,

    the most famous of living German sculptors, several of the deeply emotional figures hv

    "Srnest Ba^lach, charming aniroal figurines by Renee Sintenis and rugged wood sculpture

    by Gerhard Marcks.

    In addition to the Museums aire dy mentioned, the ermany lenders are: Frau

    Matlife Beckmann, Frankfort, the Flechtheim Gallery, Berlin, Herr Claus Gebhardt,

    Elberfeld, the Kestner Gesellschaft, Elberfeld, Herr Bernai'd Koehler, Berlin, Princess \/

    Lichnowsky, Berlin, !Teue Kunst Fides, Dresden, Neunmnn-Hierendorjr&allery, Berlin, A

    ITeumann-Franke Gallery, Munich,

    The American lenders, in addition to r. F.H. Hircschland, and Mrs. John D.

    Rockefeller, Jr., and Von Sternberg, are: Mr. Ralph Booth, Detroit, Mr. and Mrs.

    XriehxSxBin^ 3rich Colin, New York, the Detroit Institute of Arts, Miss Katherine

    Dreier, ITew York, Dr. and Mrs. Eugene Klein, Hew Y rk, Mr. J»B. Neumann, New York,

    Dr. Hermann Post, ITew York, the Reinhardt Galleries, Hew Y:rk, Dr. W,R. Valentiner, Detroit, Mr. E.M.M. Warburg, New York, and the Weyhe Gallery, Hew York.

    A private viewing for members of the nnseuni was held on Thursday, March 12.C*tW"**lrf remain on view through Sunday, April 26th.

    During the four we.̂ ks of the exhibition of Toulouse-Aautrec and Odilon Redon which recently closed at the museum more than 20,000 visistors were recorded.

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  • /

    Among the sculptors Hudolf Belling 1« conspicuous because of the •tricking Modernity of hie abstractions« n d his nee of pollened metals* Three highly Interesting examples of 3ell ing ,s work have been loaned to the exhibition by Josef Ton Sternberg of Hollywood, director of "The Bine Angel", "Morocco" end •Dishonored". One Is a partially abstract portrait head of Von Sternberg plated In silver* Another Is a grotesque head In mahogany* and the third Is a highly Interesting protralt of Alfred fllssatsmlm, the Berlin art dealer, treated schematically In bronae. Hccfcrne im

    A sculpture portrait of Marlene Dietrich, the star of the last three ?om Sternberg films, has Just been completed by Ernesto de Fieri In tine for the exhibition. The remarkable llkenees of the portrait i s enhanced by a bold uee of color, particularly 8tricking becauee of the Infrequenoy with *hieh oontem* porary artiste resort to this method so much in favor among the Greeks/ A bust ef Jack Bempsey by de Fieri Is also shown*

    In addition to Belling and de Flori tiie exhibition includes eight works by Xolbe, the most famous of living fterman sculptors, several of the deeply emotional figures by Srnest B rlach, charming animal figurines by aemme Sintenls and rugged wood sculpture by Gerhard. Heroics • Rtnee

    In addition to the Museums already mentioned, the Germany lenders arei Pram Matilda Beekmann* Frankfort, the Fleehtheim Gallery, Berlin, lS*rr Clans aebhardt, Klberfeld, the Kestner Gesellachaft, ivlberfeld, Herr Bernard Kotfiler, Berlin, rrlnoees I»lchnowsfcy, Berlin, Beue JslssSt fides, Dresden* Heumanne Hlerendor 'Gallery, Berlia, Keumairm-franges Gallery, Klnloh*

    The American lenders, in addition to «>• I • H* Ilrsehland, and Mrs* John £• Boekefeller, Jr . , mad Ton Sternberg, arcs Mr* Balph Booth, Detroit, Mr* and lire* Irlch Cohn, Hew York, the Detroit Institute of Arts, Miss Katharine Breler, Bew York, Br* and Mrs* JBugene Klein, Hew York, Mr* J* B* leumann, Bew York, Br* Herman Post, Sew York, the Belahavdt Galleries, lew York, Dr* W* £U Valentin-«r, Detroit, Mr* Is K* M* $arbui S York, and the Weyhe Gallery, Be* York.

    A private viewing for members of the museum was held on Thursday, March 12th* The Exhibition will remain on view through Sunday, April 26th*

    loMloosm* Poring the four weeks of the exhibition of gweumimsi Lautrec and Odilon

    ledon which recently closed •& the museum more than 20,000 visitors were recorded*