music 2009 (uk)

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COMPLETE CATALOGUEThis catalogue only includes a selection of our titles in Music. Our online catalogue gives you the powerto search for any book currently in print bytitle, ISBN or full text. All the entries havea description of the book’s content.


THE EASY WAY TO ORDEROrdering online is fast and efficient,simply follow the on-screen instructionsand your order will be sent to ourdistributors for immediate dispatch.

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INSPECTION COPIESTextbooks marked ‘Available as anInspection Copy’ can be sent to lecturersconsidering adopting them for relevantcourses. See the order form at the backof the catalogue for more information.

CONTENTSEthnomusicology . . . . . . . . . . . . . . . . . . . . . . . .1

Rock and Popular Music . . . . . . . . . . . . . . . . . .6

Jazz and Blues . . . . . . . . . . . . . . . . . . . . . . . . . .9

Music History and Literature . . . . . . . . . . . . . .10

Music Technology and Business . . . . . . . . . . . .13

Music Theory . . . . . . . . . . . . . . . . . . . . . . . . . .15

Music Education and Training . . . . . . . . . . . . .16

Voice/Opera/Musical Theatre . . . . . . . . . . . . . .18

Interdisciplinary Topics . . . . . . . . . . . . . . . . . . .19

Routledge Music Bibliographies . . . . . . . . . . . .21

Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Order Form . . . . . . . . . . . . . . .Back of Catalogue

CONTACTSMARKETING ENQUIRIESFor all territories excluding the Americas:Tom ChurchSenior Marketing ExecutiveEmail: [email protected]

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EDITORIAL ENQUIRIESConstance DitzelMusic Acquisitions EditorEmail: [email protected]

Welcome to the Routledge

Music CatalogueNew Titles & Key Backlist 2009

Page 1 Page 4 Page 4 Page 13 Page 15 Page 16 Page 19


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ETHNOMUSICOLOGY 1

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NEW2ND EDITION

World MusicA Global JourneyTerry E. Miller and Andrew Shahriari, both at Kent State University, USA

Praise for the first edition:

‘This concise publication is a true gift to launch inquisitive music students on theirpersonal journeys to other lands and people, and to help answer the host of studentquestions that arise in connection with our world’s music.’ – American Music Teacher

Designed for World Music courses, the second edition of World Music: A Global Journeyintroduces students to the diversity of musical expression around the world. It takes the readeracross the globe to experience cultural traditions that challenge the ear, the mind, and the spirit. It presents a systematic study of varied traditions in a non-technical language accessible toany enthusiast of world music and culture. The second edition continues with its geographicalorientation to each locale, and visits each of the seventy musical ‘sites’ with a three-fold listeningreview that begins with an experiential first impression of the music. This is followed by an aural analysis of the musical organization and a closer look at the instruments that create theexotic sounds heard. Finally, the authors consider the cultural connections that give the music its meaning.

The second edition of World Music enhances its pedagogical efforts with Listening Guides, anenhanced website, and improved interior design. With more than 300 colour photos ofinstruments and cultural settings, over two hours of music on the accompanying audio CDs, andonline resources, World Music: A Global Journey provides a fundamental resource for teachers,students, researchers, musicians, and any enthusiast beginning their exploration of world musicand culture.

PowerPoint Slides

Companion Website: www.routledge.com/textbooks/worldmusic

• Over 300 colour maps and photos

• Two audio CDs including more than two hours of musical examples

• Listening Guides for each musical example

• ‘Questions to Consider’ with each chapter

November 2008: 246x174: 584ppPb: 978-0-415-98878-0: £35.00eBook: 978-0-203-89216-9• AVAILABLE AS AN INSPECTION COPY

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ETHNOMUSICOLOGY2

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NEW2-VOLUME SET

The Concise Garland Encyclopedia ofWorld MusicThe Concise Garland Encyclopedia of World Music is a two-volume adaptation of the Dartmouth Medal-winning Garland Encyclopedia of World Music. This richly illustrated, accessible edition will appeal toa more general audience, including public libraries or the personal collections of world music enthusiasts.The articles have been summarized and updated along with new photos, maps, and a glossary. The setadopts the geographical approach of the original ten-volume set. Each section begins with an introductionthat covers the region’s broad culture and music. The unifying aspects of the region’s music are described,including its instruments, genre, and theories, followed by several essays devoted to a region’s individualmusical cultures. Two audio CDs offer musical examples from regions around the world.

Whether you are new to the study of world music, an avid concert-goer, a musician, or already versed inethnomusicology, you will want to consult The Concise Garland Encyclopedia of World Music for quick,reliable, and enjoyable reference.

November 2008: 276x219: 1472ppHb: 978-0-415-97293-2: £195.00 $350.00

Photo by N. Scott Robinson Photo by Don Niles Photo by Wayne Vitale

2ND EDITION

The Garland Handbook ofAfrican MusicEdited by Ruth M. Stone, Indiana University, USA

Series: Garland Handbooks of World Music

The Garland Handbook of African Music comprises essaysfrom The Garland Encyclopedia of World Music: Volume1, Africa (1997). Revised and updated, the essays offerdetailed regional studies of the different musical culturesof Africa and examine the ways in which music helps todefine the identity of this particular area.

Part one provides an in-depth introduction to Africa. Parttwo focuses on issues and processes, such as notationand oral tradition, dance in communal life, andintellectual property. Part three focuses on the differentregions, countries, and cultures of Africa, with selectedregional case studies.

The second edition has been expanded to include exciting new scholarship thathas been conducted since the first edition was published. Questions for CriticalThinking at the end of each major section guide and focus attention on theissues, musical and cultural, that arise when one studies the music of Africa –issues that might not occur in the study of other musics of the world. Anaccompanying audio CD offers musical examples of some of the music of Africa. 2008: 246x174: 528ppPb: 978-0-415-96102-8: £25.99 • AVAILABLE AS AN INSPECTION COPY$49.95

Companion Website at www.routledge.com/textbooks/garlandhandbooks

2ND EDITION

The Garland Handbook of LatinAmerican MusicEdited by Dale A. Olsen, Florida State University, USA and Daniel E. Sheehy, Smithsonian Folkways, USA


The Garland Handbook of Latin American Musiccomprises essays from The Garland Encyclopedia ofWorld Music: Volume 2, South America, Mexico, CentralAmerica, and the Caribbean (1998). Revised andupdated, the essays offer detailed regional studies of thedifferent musical cultures of Latin America and examinethe ways in which music helps to define the identity ofthis particular area.

Part one provides an in-depth introduction to the area ofLatin America and describes the history, geography,demography, and cultural settings of the regions thatcomprise Latin America. Part two focuses on issues and

processes, such as history, politics, geography, and immigration. Part threefocuses on the different regions, countries, and cultures of Caribbean LatinAmerica, Middle Latin America, and South America, with selected regional case studies.

The second edition has been expanded to cover Haiti, Panama, several moreAmerindian musical cultures, and Afro-Peru. Questions for Critical Thinking atthe end of each major section guide and focus attention on the issues, musicaland cultural, that arise when one studies the music of Latin America – issuesthat might not occur in the study of other musics of the world. Two audio CDsoffer musical examples of some of the music of Latin America.2007: 246x174: 592ppPb: 978-0-415-96101-1: £27.99 $49.95

• AVAILABLE AS AN INSPECTION COPY$49.95

Companion Website at www.routledge.com/textbooks/garlandhandbooks

CD CD

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See page 23 for individual volumes of The Garland Encyclopedia ofWorld Music and the complete 10 volume set.







http://www.routledge.com/music

The GarlandHandbook ofSoutheast AsianMusicEdited by Terry E. Miller, Kent State University, USAand Sean Williams, Evergreen State College, USA


The Garland Handbook ofSoutheast Asian Musiccomprises essays from TheGarland Encyclopedia ofWorld Music: Volume 4,Southeast Asia (1998).Largely revised and updated,the essays offer detailedregional studies of thedifferent musical cultures ofSoutheast Asia and examinethe ways in which music

helps to define the identity of this particular area.

Part one provides an in-depth introduction to thearea of Southeast Asia and explores a series ofissues and processes, such as colonialism, massmedia, spirituality, and war. The articles in thissection are important in gaining historical, political,and social perspective. Part two focuses onmainland Southeast Asia, with essays representingCambodia, Thailand, Laos, Burma, PeninsularMalaysia, Vietnam, Singapore, and the minoritypeoples of mainland Southeast Asia. Part threefocuses on island Southeast Asia, dividing the areainto three sections: Indonesia, the Philippines, andBorneo. In addition to offering a detailed study ofthe music of each area, it also offers recentperspectives on the gamelan and theatre traditionsof Indonesia.

Questions for Critical Thinking at the end of eachmajor section guide and focus attention on theissues, musical and cultural, that arise when onestudies the music of Southeast Asia – issues thatmight not occur in the study of other musics of theworld. An accompanying CD offers musicalexamples from Southeast Asia. 2008: 246x174: 520ppPb: 978-0-415-96075-5: £29.99• AVAILABLE AS AN INSPECTION COPY$49.95

$49.9

Companion Website atwww.routledge.com/textbooks/garlandhandbooks

EthnomusicologyA Contemporary Reader

Edited by Jennifer C. PostEthnomusicology: AContemporary Reader isdesigned as a supplement foran introductory course inethnomusicology, offering across-section of the best newwriting in the field from thelast twenty years.

2005: 246x174: 464ppHb: 978-0-415-97203-1: £65.00Pb: 978-0-415-97204-8: £23.99 • AVAILABLE AS AN INSPECTION COPY$49.95

ETHNOMUSICOLOGY 3



Focus on World Music Series

Series Editor: Michael B. Bakan, Florida State University, USA

The Focus on World Music Series is aimed at courses in world music, ethnomusicology, and interdisciplinaryprogrammes with a strong music component. They are written in a lively and engaging style by leadingethnomusicologists and educators, bringing wide interdisciplinary scope and relevance to contemporary issues.

2ND EDITION

Focus: Gamelan Music ofIndonesiaHenry Spiller, University of California, Davis, USA

Focus: Gamelan Music ofIndonesia is an introductionto the familiar music fromSoutheast Asia’s largestcountry – both as a soundand cultural phenomenon.An archipelago of over17,000 islands, Indonesia is amelting pot of Hindu,Buddhist, Islamic,Portuguese, Dutch, andBritish influences. Despite this

diversity, it has forged a national culture, one inwhich music plays a significant role. Gamelan music,in particular, teaches us much about Indonesianvalues and modern-day life. Focus: Gamelan Musicof Indonesia provides an introduction to present-dayJavanese, Balinese, Cirebonese, and Sundanesegamelan music through ethnic, social, cultural, andglobal perspectives.

Part one, Music and Southeast Asian History,provides introductory materials for the study ofSoutheast Asian music. Part two, Gamelan Music inJava and Bali, moves to a more focused overview ofgamelan music in Indonesia. Part three, Focusing In,takes an in-depth look at Sundanese gamelantraditions, as well modern developments inSundanese music and dance. The accompanying CDoffers vivid examples of traditional Indonesiangamelan music.

2008: 234x156: 320ppHb: 978-0-415-96067-0: £70.00 $105.00

Pb: 978-0-415-96068-7: £21.99 $44.95

eBook: 978-0-203-93099-1• AVAILABLE AS AN INSPECTION COPY$49.95

2ND EDITION

Focus: Music of South AfricaCarol A. Muller, University ofPennsylvania, USA

Focus: Music of South Africaprovides an in-depth look atthe full spectrum of SouthAfrican music, a musicalculture that epitomizes theenormous ethnic, religious,linguistic, class, and genderdiversity of the nation itself.Drawing on extensive fieldand archival research, as wellas her own personalexperiences, noted

ethnomusicologist and South African native Carol A.Muller looks at how South Africans have used musicto express a sense of place in South Africa, on theAfrican continent, and around the world.

Part one, Creating Connections, providesintroductory materials for the study of South Africanmusic. Part two, Musical Migrations, moves to amore focused overview of significant musical stylesin twentieth century South Africa, particularly thoseknown through world circuits. Part three, FocusingIn, takes the reader into the heart of two musicalcultures with case studies on South African jazz andthe music of the Zulu-language followers of IsaiahShembe. The accompanying CD offers vividexamples of traditional, popular, and classical SouthAfrican musical styles. 2008: 234x156: 360ppHb: 978-0-415-96069-4: £90.00 $105.00

Pb: 978-0-415-96071-7: £21.99 $44.95

eBook: 978-0-203-93063-2• AVAILABLE AS AN INSPECTION COPY$49.95

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Companion Websites for the Focus on World Music Series can be found at

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Focus on World Music Series (continued)

ETHNOMUSICOLOGY4



African American MusicAn Introduction

Edited by Mellonee V. Burnim and Portia K. Maultsby, both at Indiana University, USA

Widely used in courses onAfrican American music, thiscollection of thirty essays byleading scholars surveysmajor African Americanmusical genres, both sacredand secular, from slavery tothe present day.

2005: 246x174: 736ppHb: 978-0-415-94137-2: £75.00Pb: 978-0-415-94138-9: £29.00• AVAILABLE AS AN INSPECTION COPY$49.95

World Music: The BasicsRichard O. NidelSeries: The Basics

2004: 198x129: 424ppHb: 978-0-415-96800-3: £60.00Pb: 978-0-415-96801-0: £11.99 $17.95

eBook: 978-0-203-99771-0 • AVAILABLE AS AN INSPECTION COPY$49.95

Global MinstrelsVoices of World Music

Elijah Wald

’World Music has madeethnomusicologists of usall, attempting tounderstand where musiccomes from and what itmeans. Elijah Wald,musician, author, andformer world music criticfrom the Boston Globe,offers some answers of hisown through the voices ofover 75 musicians profiled

in this new collection.’ – Dirty Linen2006: 234x156: 336ppHb: 978-0-415-97929-0: £60.00Pb: 978-0-415-97930-6: £15.99 $28.95

NEW2ND EDITION

Focus: Music of NortheastBrazilLarry Crook, University of Florida, USA

Focus: Music of NortheastBrazil examines the historicaland contemporarymanifestations of the musicof Brazil, a country with amusical landscape that islayered with complexity anddiversity. Based on theauthor’s field research duringthe past twenty years, thebook describes and analyzesthe social/historical contexts

and contemporary musical practices of Afro-Brazilianreligion, selected Carnival traditions, Bahia’s blackcultural renaissance, the traditions of rural migrants,and currents in new popular music.April 2009: 234x156: 320ppHb: 978-0-415-96066-3: £60.00 $105.00

Pb: 978-0-415-96065-6: £21.99 $44.95


NEW

Focus: Irish Traditional MusicSean Williams, Evergreen State College,USA

Focus: Irish Traditional Musicis an introduction to theinstrumental and vocaltraditions of the Republic ofIreland and Northern Ireland,as well as Irish music in thecontext of the Irish diaspora.Ireland’s size relative toBritain or to the mainland ofEurope is relatively small, yetits impact on musicaltraditions beyond its shores

has been significant, from the performance of jigsand reels in pub sessions as far-flung as Japan andCape Town, to the worldwide phenomenon ofRiverdance.

Focus: Irish Traditional Music interweaves dance,film, language, history, and other interdisciplinaryfeatures of Ireland and its diaspora. Theaccompanying CD presents both traditional andcontemporary sounds of Irish music at home andabroad.October 2009: 234x156: 304ppHb: 978-0-415-99146-9: £70.00 $95.00

Pb: 978-0-415-99147-6: £21.99 $44.95


NEW

Focus: Afro-Caribbean MusicKatherine J. Hagedorn, Pomona College,USA

Focus: Afro-Caribbean Music spotlights the religiousperformance practices that influence many popularand folk music traditions throughout the Caribbeanand the Americas, as well as globally. Myriad stylesof music – including rumba, salsa, latin jazz, andhip-hop – have their roots in the religiousperformance traditions of the African diaspora. It isthe first book of its kind to focus specifically onmusico-religious performance in a comparativeCaribbean context within an engaging andaccessible work designed as a core text for courseson musical traditions of the Caribbean. Beyond thebook’s specific musico-religious emphasis, it providesstudents and their professors with a useful andthought-provoking way to understand the roots ofCaribbean popular and folk musics, as well as acontext for discussions about religion, race,language, gender, embodied performance, andpolitical dynamics.December 2009: 234x156: 256ppHb: 978-0-415-99148-3: £70.00 $95.00

Pb: 978-0-415-99149-0: £21.99 $44.95


NEW2ND EDITION

Focus: Music, Nationalism,and the Making of a New EuropePhilip V. Bohlman, University of Chicago, USA

Focus: Music, Nationalism, and the Making of aNew Europe surveys the intersection of music andnationalism by tracing its historical development anddocumenting its persistence today. Contrastingdifferent types of music reveals how music expressescore ideas of nationalism, for example, folk music inthe nineteenth century and popular music in thetwenty-first.October 2009: 234x156: 325ppHb: 978-0-415-96063-2: £70.00 $95.00

Pb: 978-0-415-96064-9: £21.99 $44.95


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The Ethnomusicologists’ CookbookComplete Meals from Around the World

Sean Williams, Evergreen State College, USA

’The most important thingto remember about TheEthnomusicologists’Cookbook is that you mustunder no circumstancesread it while hungry ... Inits practical and idealogicalapproach, the book staystrue to an idea that isarguably more vital andobvious in cultures otherthan our own: both meals

and music are a social affair that binds families,friends and nations together.’ – The VancouverVoice

‘To savour better its fascinating essays onculinary rituals across the globe, this cookbookis one to pore over in the living room insteadof the kitchen. Recipes are attached, but arenot the primary pleasure; instead, it is learningabout the ceremonial drinking songs ofNamibia, or the meals that celebrate the returnof the swallows in Korea. However, the recipesserve as worthy accompaniments to theaccomplished essays: Dates Stuffed withAlmond Paste, from Judeo-Spanish Morocco,are sweetly irresistible, and Bolivia’s addictiveAvocado with Uncooked Salsa begs to bedowned with a bucketful of chips.’ – PublishersWeekly

‘This is a book that should make your kitchensing.’ – Gastronomica: The Journal of Food andCulture

Named one of New York Times’ Top-20 Cookbooksof 2006.

The Ethnomusicologists’ Cookbook combinesscholarship with a unique and fun approach to thestudy of the world’s foods, musics, and cultures.More than just a cookbook, it is an excellentcompanion for anyone embarking on a cultural-culinary journey.2006: 246x174: 320ppHb: 978-0-415-97818-7: £60.00Pb: 978-0-415-97819-4: £19.99 $28.95

Music Cultures in the United StatesAn Introduction

Edited by Ellen Koskoff, Eastman School of Music,USA2004: 246x174: 448ppHb: 978-0-415-96588-0: £60.00Pb: 978-0-415-96589-7: £29.99• AVAILABLE AS AN INSPECTION COPY$49.95

Global PopWorld Music, World Markets

Timothy D. Taylor1997: 304ppHb: 978-0-415-91871-8: £70.00Pb: 978-0-415-91872-5: £19.99

The Cultural Study of MusicA Critical Introduction

Edited by Martin Clayton, Trevor Herbert andRichard Middleton

The Cultural Study of Music isan anthology of writings thatserves as a textbook on musicand culture. Increasingly,music is being studied as itrelates to specific cultures –not only byethnomusicologists, but bytraditional musicologists aswell. Drawing on writersfrom music, anthropology,sociology, and related fields,

the book defines the field – i.e., ‘What is therelation between music and culture?’ – and thenpresents case studies of particular issues in worldmusics. 2003: 234x156: 376ppHb: 978-0-415-93844-0: £70.00Pb: 978-0-415-93845-7: £19.99 $37.95

• AVAILABLE AS AN INSPECTION COPY

Master Musicians of IndiaHereditary Sarangi Players Speak

Regula Burckhardt Qureshi, University of Alberta,Canada

Master Musicians of Indiareveals the rich world ofIndian art music throughprofiles and interviews of keymusicians from this traditionwhich is renownedinternationally for itsimprovized ragaperformance.

2007: 234x156: 360ppHb: 978-0-415-97201-7: £60.00 $100.00

Pb: 978-0-415-97202-4: £24.99 $34.95


Hindi Poetry in a Musical GenreThumri Lyrics

Lalita du Perron, School of Oriental and AfricanStudies, University of London, UK

Series: Royal Asiatic Society Books

Indian classical music has long been fascinating toWestern audiences, most prominently since theBeatles’ sessions with Ravi Shankar in the 1960s.This fascination with the musical genre still prevailsin the twenty-first century.

Hindi Poetry in a Musical Genre examines ThumriLyrics, a major genre of Hindustani music, from aprimarily linguistic perspective. On a cultural level, itdiscusses the interface between devotional andsecular poetry. Furthermore, it explains the impact ofsocial and political change on the musical life ofNorth India.2007: 234x156: 256ppHb: 978-0-415-39446-8: £85.00 $160.00

eBook: 978-0-203-96806-2

NEW

The Horse-head Fiddle and theCosmopolitan Reimagination ofTradition in MongoliaPeter K. Marsh, California State University, USA

Series: Current Research in Ethnomusicology:Outstanding Dissertations

This study seeks to understand the effects thatWestern-inspired modernity has had on the natureof cultural tradition in the country, focusing inparticular on development of the morin khuur or‘horse-head fiddle,’ a two-stringed bowed folk lutethat features a horse’s head carved into its crown.As well as being one of the most popularinstruments in the contemporary national musicalculture, it has also become an icon of Mongoliannational identity and a symbol of the nation’sancient cultural heritage. December 2008: 234x156: 144ppHb: 978-0-415-97156-0: £60.00 $95.00

eBook: 978-0-203-00551-4

NEW

Making Music in Japan’sUndergroundThe Tokyo Hardcore Scene

Jennifer Milioto Matsue, Union College, USA

Series: East Asia: History, Politics, Sociology and Culture

This book explores the underground Tokyo hardcorescene, ultimately asking what play as resistancethrough performance of the scene tells us aboutJapanese society in general. Jennifer Milioto Matsuehighlights the complicated positioning of youngadult Japanese in contemporary Japan as theynegotiate both increasing social demands andincreasing problems in society at large. The bookoffers a highly interdisciplinary look at theimportance of musical scenes for expressingresistance at the turn of the twenty-first century.Within the underground Tokyo hardcore scene thisresistance is expressed through play with individualand collective identity, in intimate and potentiallyillicit spaces, with an arguably challenging soundand performance style.September 2008: 234x156: 188ppHb: 978-0-415-96152-3: £60.00 $95.00

eBook: 978-0-203-89242-8

Popular Music of VietnamThe Politics of Remembering, the Economics ofForgetting

Dale A. Olsen, Florida State University, USA

Series: Routledge Studies in Ethnomusicology

Based on the author’s research in Ho Chi Minh City,Hanoi, and other urban areas in Vietnam, this study ofcontemporary Vietnamese popular music explores theways globalization and free market economics haveinfluenced the music and subcultures of Vietnameseyouth. It focuses on the conflict between the politics ofremembering, nurtured by the Vietnamese Communistgovernment, and the politics of forgetting, driven bythe capitalist interests of the music industry.2008: 234x156: 306ppHb: 978-0-415-98886-5: £60.00 $95.00

eBook: 978-0-203-89279-4

ETHNOMUSICOLOGY 5















ETHNOMUSICOLOGY ROCK AND POPULAR MUSIC6



Representing African MusicPostcolonial Notes, Queries, Positions

Kofi Agawu2003: 234x156: 288ppHb: 978-0-415-94389-5: £60.00Pb: 978-0-415-94390-1: £16.99 $32.95

• AVAILABLE AS AN INSPECTION COPY$

Singing For LifeHIV/AIDS and Music in Uganda

Gregory Barz2005: 234x156: 280ppHb: 978-0-415-97289-5: £60.00Pb: 978-0-415-97290-1: £24.99 $38.95


The African DiasporaA Musical Perspective

Edited by Ingrid Monson

Series: Critical and Cultural Musicology

2003: 234x156: 384ppHb: 978-0-8153-2382-2: £65.00Pb: 978-0-415-96769-3: £24.99 $35.95

eBook: 978-0-203-49305-2• AVAILABLE AS AN INSPECTION COPY$

Brazilian Popular Music andGlobalizationEdited by Charles A. Perrone and Christopher Dunn2001: 234x156: 272ppPb: 978-0-415-93695-8: £17.99 $32.95


From Tejano to TangoLatin American Popular Music

Edited by Walter Aaron Clark2002: 234x156: 320ppHb: 978-0-8153-3639-6:£70.00Pb: 978-0-8153-3640-2: £22.99 $39.95


Situating SalsaGlobal Markets and Local Meanings in LatinPopular Music

Lise Waxer2002: 234x156: 336ppHb: 978-0-8153-4019-5: £70.00Pb: 978-0-8153-4020-1: £24.99 $35.95


Alan LomaxSelected Writings, 1934–1997

Edited by Ronald Cohen2005: 234x156: 376ppPb: 978-0-415-93855-6: £16.99 $21.95


The Rock History ReaderEdited by Theo Cateforis, Syracuse University, USA

The Rock History Reader is acollection of primary sourcematerial that brings to lifethe often contentious issues,arguments, conflicts andcreative tensions that havedefined rock’s momentousrise and spread. The readingsrange from vividautobiographical accounts ofsuch rock icons as ChuckBerry, Ronnie Spector, and

David Lee Roth, and the writings of noted rockcritics like Lester Bangs and Simon Reynolds, to avariety of selections from media critics,musicologists, fanzine writers, legal experts,sociologists and prominent political figures.

With numerous readings that delve into the oftenexplosive issues surrounding censorship, copyright,race relations, feminism, youth subcultures and themeaning of musical value, The Rock History Readertells the history of rock as it has been received andexplained as a social and musical practice throughits five-decade history.2006: 246x174: 384ppHb: 978-0-415-97500-1: £60.00 $100.00

Pb: 978-0-415-97501-8: £17.99 $29.95


2ND EDITION

Expression in Pop-Rock MusicCritical and Analytical Essays

Edited by Walter Everett, University of Michigan,USA

Expression in Pop-Rock Musicis a collection of critical andanalytical essays written bytoday’s top scholars on popand rock music. Applying awide variety of analyticaltechniques and criticalapproaches in the study ofsongs by artists such as ToriAmos, David Bowie, JamesBrown, the Cure, Genesis,Radiohead, and Frank Zappa,

these essays tackle the musical text itself in comingto terms with political, social, cultural, and stylisticissues expressed in the most popular music of thepast half-century.

It has been expanded in its second edition to includethree new essays and other additions accounting forthe changes to the popular music landscape since itsfirst edition, with particular attention paid to the riseof hip-hop and country music.2007: 234x156: 408ppHb: 978-0-415-97958-0: £60.00 $95.00

Pb: 978-0-415-97959-7: £17.99 $30.00


A Brief History of Rock, Off the RecordWayne Robins

‘Robins presents his [work]with enthusiasm andbreezy good humour, yetmanages unpretentiouslyto hammer home hishistorical points andmusical opinions ... Histone is ideal for the topicand format, a welcomerelief from thedisproportionate numberof self-important academic

treatises on modern popular music.’ – KirkusReviews

The birth of rock ‘n’ roll signalled the blossoming ofa new teenage culture, dividing generations andintroducing a new attitude of rebellion andindependence. From Chuck Berry to the Beatles,from punk rock to hip hop, rock ‘n’ roll hascontinuously transformed alongside or in reaction tosocial, cultural, and political changes.

A Brief History of Rock, Off the Record is a conciseintroduction to rock history and the impact it hashad on American culture. It is an easy-to-read, vividaccount written by one of rock’s leading critics.Pulling from personal interviews over the years,Wayne Robins interweaves the developments in rockmusic with his commentary on the political andsocial events and movements that defined theirdecades. 2007: 234x156: 328ppHb: 978-0-415-97472-1: £60.00 $95.00

Pb: 978-0-415-97473-8: £13.99 • AVAILABLE AS AN INSPECTION COPY

The Popular Music Studies ReaderEdited by Andy Bennett, Barry Shank and Jason Toynbee

The Popular Music StudiesReader maps the changingnature of popular music overthe last decade and considershow popular music studieshas expanded and developedto deal with these changes.

2005: 246x174: 432ppHb: 978-0-415-30709-3: £75.00Pb: 978-0-415-30710-9: £22.99 $43.95
















3RD EDITION

Understanding Popular MusicCultureRoy Shuker, Victoria University of Wellington, New Zealand

This introductory textbookexplores the history andmeaning of rock and popularmusic. Roy Shuker’s studyprovides an accessible andcomprehensive introductionto the production,distribution, consumptionand meaning of popularmusic and examines thedifficulties and debates whichsurround the analysis of

popular culture and popular music.

With chapter-related guides to further reading,listening and viewing, a glossary, and a timeline, thistextbook is the ideal introduction for students.2007: 234x156: 328ppHb: 978-0-415-41905-5: £70.00 $125.00

Pb: 978-0-415-41906-2: £19.99 $31.95


2ND EDITION

Popular Music: The Key ConceptsRoy Shuker

Series: Routledge Key Guides

2005: 216x138: 344ppHb: 978-0-415-34770-9: £60.00Pb: 978-0-415-34769-3: £14.99 $26.95


NEW

Understanding Societythrough Popular MusicJoe Kotarba, University of Houston, USA andPhillip Vannini

Using a sociological framework, this book usesmusic as a tool to help students understand thestructure and process of social life. Music isimportant because it simultaneously contains andreflects a people’s language, values, feelings,concerns, and goals. The material in this innovative,compact supplement is current and relevant to themusical experiences of today’s college and universitystudents and includes a companion website thatfeatures an instructor’s guide, test bank, discussionquestions, and links to relevant internet sites.September 2008: 234x156: 192ppHb: 978-0-415-95408-2: £65.00 $125.00

Pb: 978-0-415-95409-9: £17.00 $29.95


Music in the Post-9/11 WorldEdited by Jonathan Ritter, University of California,Riverside, USA and J. Martin Daughtry, New YorkUniversity, USA

Interdisciplinary in approach,international in scope, andcritical in orientation, thetwelve essays in this volumeexamine the altered social,economic, and politicalenvironment of ‘post-9/11’music production andconsumption.

2007: 234x156: 360ppHb: 978-0-415-97806-4: £60.00Pb: 978-0-415-97807-1: £16.99 • AVAILABLE AS AN INSPECTION COPY

Girl Groups, Girl CulturePopular Music and Identity in the 1960s

Jacqueline Warwick, Dalhousie University, Canada

Jacqueline Warwick is thefirst writer to address 1960sgirl group music from theperspective of its mostsignificant audience –teenage girls. Drawing oncurrent research inpsychology and sociology toexplore the important placeof this repertoire, this bookstands as a landmark study ofthis important pop music and cultural phenomenon.

2007: 234x156: 288ppHb: 978-0-415-97112-6: £60.00 $99.00

Pb: 978-0-415-97113-3: £19.99• AVAILABLE AS AN INSPECTION COPY$

$28.95Oh Boy!Masculinities and Popular Music

Edited by Freya Jarman-Ivens, University ofLiverpool, UK

Oh Boy! is the first seriousstudy of how forms ofmasculinity are negotiated,constructed, represented andaddressed in popular musictexts and practices.

2007: 234x156: 288ppHb: 978-0-415-97820-0: £60.00 $99.00

Pb: 978-0-415-97821-7: £19.99 $36.95

Queering the Popular PitchEdited by Sheila Whiteley and Jennifer Rycenga

Queering the Popular Pitch isa collection of nineteenessays that situate queeringwithin the discourse of sexand sexuality in relation topopular music. Thisinvestigation addresses thechanging debates within gay,lesbian and queer discoursein relation to thedissemination of musical texts– performance, cultural

production and sexual meaning – situating musicwithin the broader patterns of culture that it bothmirrors and actively reproduces.2006: 234x156: 328ppHb: 978-0-415-97804-0: £60.00 $100.00

Pb: 978-0-415-97805-7: £18.99 $31.95

Ray DaviesNot Like Everybody Else

Thomas M. Kitts, St. John’s University, USA

’Thomas Kitts has done agreat job ... [his] book ishighly recommended forKinks and Ray Davies Fans,and everybody else!’– New York Waste

Ray Davies: Not LikeEverybody Else is a criticalbiography of Ray Davies, witha focus on his music and histimes. The book studiesDavies’ work from the Kinks’

first singles through his 2006 solo album, from hisrock musicals in the early 1970s to his one-manstage show in the 1990s, and from his films to hisautobiography. Based on interviews with his closestassociates, as well as studies of the recordingsthemselves, this book creates the most thoroughpicture of Davies’ work to date. Thomas M. Kittssituates Davies’ work in the context of the BritishInvasion and the growth of rock in the 1960s and1970s, and in the larger context of English culturalhistory. For fans of rock music and the music of theKinks, this book is a must have.2007: 234x156: 320ppHb: 978-0-415-97768-5: £60.00 $95.00

Pb: 978-0-415-97769-2: £12.99 $23.95


Bruce SpringsteenTwo Hearts, the Story

Dave Marsh2003: 234x156: 688ppPb: 978-0-415-96928-4: £17.99eBook: 978-0-203-49470-7

ROCK AND POPULAR MUSIC 7



Companion Website at

www.routledge.com/textbooks/9780415954099.













2ND EDITION

The Day John Met PaulAn Hour-by-Hour Account of How the BeatlesBegan

Jim O’Donnell

With many new photos andan updated introduction, TheDay John Met Paul, acritically-acclaimed Beatlesbook, re-appears in a visuallystunning second edition. Thebook is an hour-by-houraccount of the fateful daythe two founding Beatlesmet in July 1957. But it ismuch more than that: it’s aspellbinding story of how

fate brought together two men who would radicallychange the face of popular music, from its look andfeel to its sound.

The Day John Met Paul chronicles the first ‘Day inthe Life’ of the Beatles – a day that changed themusical world.2006: 246x174: 192ppPb: 978-0-415-97933-7: £11.99 $1


.95Damage IncorporatedMetallica and the Production of Musical Identity

Glenn Pillsbury2006: 234x156: 272ppHb: 978-0-415-97373-1: £60.00Pb: 978-0-415-97374-8: £21.99 $29.95

Ray CharlesMan and Music, Updated CommemorativeEdition

Michael Lydon2004: 234x156: 472ppPb: 978-0-415-97043-3: £16.99 $22.

eBook: 978-0-203-49832-3• AVAILABLE AS AN INSPECTION COPY $

Exploring the Networked Worlds ofPopular MusicMilieux Cultures

Edited by Peter Webb, University of Birmingham,UK

Series: Routledge Advances in Sociology

This book assessessociological and culturalattempts to theorize theworlds of popular musicproduction. It offers anddevelops a new theoreticalmatrix that can illuminatethese trends in a morecomplex and instructive way.

2007: 234x156: 288ppHb: 978-0-415-95658-1: £60.00 $95.00

eBook: 978-0-203-93238-4

Voicing the PopularOn the Subjects of Popular Music

Richard Middleton, University of Newcastle, UK

’Voicing the Popularalready marks one of themost paradigmaticmoments in popular musicstudies in the twenty-firstcentury.’ – Philip V.Bohlman, Author of TheStudy of Folk Music in theModern World and WorldMusic: A Very ShortIntroduction

‘Richard Middleton’sVoicing the Popular cannot but inspireprofound admiration ... From Mozart’s MagicFlute to the Spice Girls his magisterial voiceleads us through the multi-faceted network ofmodernity’s popular underside.’ – Mladen Dolar,Author of A Voice and Nothing More2006: 234x156: 352ppHb: 978-0-415-97589-6: £60.00 $100.00

Pb: 978-0-415-97590-2: £17.99 $29.95


Folk Music: The BasicsRonald D. Cohen, Indiana University Northwest,USA

Series: The Basics

Folk Music: The Basics gives abrief introduction to Britishand American folk music.Drawing upon the mostrecent and relevantscholarship, it focuses oncomparing and contrastingthe historical nature of thethree aspects ofunderstanding folk music:traditional, local performers;professional collectors; and

the advent of professional performers in thetwentieth century during the so-called ‘folk revival.’Folk Music: The Basics serves as an excellentintroduction to the players, the music, and the stylesthat make folk music an enduring and well-lovedmusical style. Throughout, sidebars offer studies ofkey folk performers, record labels, and related issuesto place the general discussion in context.2006: 148x129: 264ppHb: 978-0-415-97159-1: £55.00 $100.00

Pb: 978-0-415-97160-7: £9.99 $18.95

95• AVAILABLE AS AN INSPECTION COPY$

Bad MusicThe Music we Love to Hate

Edited by Christopher J. Washburne and Maiken Derno2004: 234x156: 288ppHb: 978-0-415-94365-9: £60.00Pb: 978-0-415-94366-6: £19.99 $28.95


Is Rock Dead?Kevin J.H. Dettmar, Southern Illinois University,Carbondale, USA

2005: 234x156: 208ppHb: 978-0-415-97033-4: £60.00Pb: 978-0-415-97034-1: £16.99 95• AVAILABLE AS AN INSPECTION COPY$

$24.95That’s the Joint!The Hip-Hop Studies Reader

Edited by Murray Forman, Northeastern University,USA and Mark Anthony Neal, Duke University,USA

’That’s The Joint!, editedby Murray Forman andMark Anthony Neal, is aready-made cornerstonefor any multidisciplinaryhip-hop course.’– Houston Chronicle

2004: 246x174: 648ppHb: 978-0-415-96918-5: £65.00Pb: 978-0-415-96919-2: £24.99 $39.95


Yodel-Ay-Ee-OoooThe Secret History of Yodeling Around the World

Bart Plantenga2003: 234x156: 320ppHb: 978-0-415-93989-8: £60.00Pb: 978-0-415-93990-4: £18.99 $27.95


ROCK AND POPULAR MUSIC8















Miles, Ornette, CecilJazz Beyond Jazz

Howard Mandel

’I learned so much fromMiles, Ornette, Cecil: JazzBeyond Jazz. It’s reallyreporting, as well aslistening. This is jazz fromthe inside – an essentialbook, not only for newlisteners but for historiansof jazz now, and in thefuture. We hear themusicians speak, informingthe author – and us –

thereby adding to how much more of the musicwe come to hear.’ – Nat Hentoff, Writer, JazzTimes, Village Voice, The Wall Street Journal

‘The most impressive aspect of the book is[Mandel’s] writing: honest and evocative,flavourful and generous, enthusiastic andthought-provoking.’ – Art Lange, Jazz Notes

Miles Davis, Ornette Coleman, and Cecil Taylorrevolutionized music from the end of the twentiethcentury into the twenty-first, expanding on jazztraditions with distinctly new concepts ofcomposition, improvization, instrumentation, andperformance. Howard Mandel offers fresh insightsinto their careers from interviews with all threeartists and many of their significant collaborators, aswell as a thorough overview of earlierinterpretations of their work. 2007: 234x156: 304ppHb: 978-0-415-96714-3: £18.99 $30.00

For more information, or a full table ofcontents for any titles in this catalogue,

please visit www.routledge.com/music

Luck’s In My CornerThe Life and Music of Hot Lips Page

Todd Bryant Weeks

’On his soulful trumpetand as a riveting singer ofthe blues, Oran “Hot Lips”Page was and remains apermanent jazz master. Atlast, there is a book thatbrings the man and hismusic fully back to life.Luck’s In My Corner: TheLife and Music of Hot LipsPage by Todd BryantWeeks is essential for any

jazz library.’ – Nat Hentoff, The Wall Street Journal

Luck’s in My Corner examines the life and music of aforgotten figure of the Swing Era and returns him tohis rightful place as a leading light in the world ofjazz. Todd Bryant Weeks has combined genealogical,musicological, discographical and historical research,resulting in a revealing and entertaining examinationof a life that spanned major changes in Americanpopular music. This book includes a new andcomplete discography by the author and dozens ofunpublished photos. 2008: 234x156: 352ppHb: 978-0-415-96218-6: £60.00 $95.00

Pb: 978-0-415-99077-6: £24.99 $34.95

eBook: 978-0-203-93146-2

The John Coltrane ReferenceChris DeVito, Yasuhiro Fujioka, Wolf Schmalerand David Wild

Editied by Lewis Porter

’The intensity and accuracyof the scholarship in thismonumental effort cannotbe praised enough ... Togive Coltrane his due inbook form is to be aspainstaking in researchingas Coltrane was inpracticing. This bookhonours its subjectthrough such exercise ofcare.’ – AllAboutJazz.com

‘This opus is clearly the culmination of decadesof dedicated and diligent resesarch and iswholly worthy of its illustrious subject. Noserious collector of jazz literature can afford tobe without it.’ – Bob Weir, Names & Numbers

The John Coltrane Reference features a completechronology detailing Coltrane’s early years and everylive performance given by Coltrane as either asideman or leader. It also includes a discographyoffering full session information from the first yearof recordings, 1946, to the last, 1967. Richlyillustrated with over 250 photos, this reference workis an indispensable guide to the life and music ofJohn Coltrane.2007: 276x219: 848ppHb: 978-0-415-97755-5: £95.00 $150.00

Interaction, Improvisation, andInterplay in JazzRobert Hodson, Hope College, USA

Interaction, Improvisation,and Interplay in Jazz offers anew and exciting way tolisten to and understand jazz.The book explores theprocess of player interactionin jazz, and the role thisinteraction plays in creatingimprovized music.

Interaction, Improvisation,and Interplay in Jazz willappeal to students of jazz

history, composition, and performance, as well as tothe general jazz audience.2007: 234x156: 208ppHb: 978-0-415-97680-0: £60.00 $100.00

Pb: 978-0-415-97681-7: £24.99 $36.


Jazz: The BasicsChristopher Meeder

Series: The Basics

Jazz: The Basics gives a briefintroduction to a century ofjazz, ideal for students andinterested listeners who wantto learn more about thisimportant musical style. Theheart of the book tracesjazz’s growth from its folkorigins through earlyrecordings and New Orleansstars; the big-band and swingera; bebop; cool jazz and

third stream; avant-garde; jazz-rock; and the neo-conservative movement of the 1980s and1990s.

Key figures from each era, including LouisArmstrong, Benny Goodman, Charlie Parker, MilesDavis, and Wynton Marsalis, are highlighted alongwith classic works. The book concludes with a list ofthe 100 essential recordings to own, along with atimeline and glossary. Jazz: The Basics serves as anexcellent introduction to the players, the music, andthe styles that make jazz ‘America’s classical music.’2007: 216x138; 294ppHb: 978-0-415-96693-1: £60.00 $100.00

Pb: 978-0-415-96694-8: £11.99 $18.95


JAZZ AND BLUES 9









Blues: The BasicsDick Weissman

Series: The Basics

2004: 148x129: 224ppHb: 978-0-415-97067-9: £60.00 $100.00

Pb: 978-0-415-97068-6: £11.99955• AVAILABLE AS AN INSPECTION COPY$

Broadcasting the BluesBlack Blues in the Segregation Era

Paul Oliver2005: 234x156: 216ppHb: 978-0-415-97176-8: £60.00Pb: 978-0-415-97177-5: £16.99 $23.


Ella FitzgeraldA Biography of the First Lady of Jazz, Updated Edition

Stuart Nicholson2004: 234x156: 352ppPb: 978-0-415-97119-5: £19.95 $21.95

Is Jazz Dead?Or Has It Moved to a New Address

Stuart Nicholson

’A serious and passionatediscussion about jazz’sfuture ... An art formwhich ought to constantlyinvestigate the new needsvoices like Nicholson’s toremind us of its purpose.’– The Independent

2005: 234x156: 288ppHb: 978-0-415-96708-2: £60.00Pb: 978-0-415-97583-4: £12.99 $24.95

Get Your Ass in the Waterand Swim Like MeAfrican-American Narrative Poetryfrom the Oral Tradition

Edited by Bruce Jackson2004: 234x156: 264ppHb: 978-0-415-96996-3: £60.00Pb: 978-0-415-96997-0: £16.99eBook: 978-0-203-32331-1955• AVAILABLE AS AN INSPECTION COPY$

$23.95

Spreadin’ Rhythm AroundBlack Popular Songwriters, 1880–1930

David A. Jasen and Gene Jones

Hailed by Publishers Weeklyas ‘thoroughly researchedand entertainingly written,’this work documents thecareers of songwriters likeJames A. Bland, BertWilliams, W.C. Handy, NobleSissle, Eubie Blake, and manymore. Spreadin’ RhythmAround offers acomprehensive picture of thecontributions of black

musicians to American popular song.2005: 234x156: 464ppPb: 978-0-415-97704-3: £21.99 $29.95

The Blues Lyric FormulaMichael Taft, American Folklife Center,Washington, USA

This book is the firstrigourous and detailedexploration of exactly howblues singers use formulas tocreate songs, and gives astep-by-step description ofthe rules implicit in thisformulaic structure whichinspires new discussion oflyric structures.

2006: 234x156: 256ppHb: 978-0-415-97498-1: £55.00Pb: 978-0-415-97499-8: £21.99 $32.95

Talkin’ to MyselfBlues Lyrics, 1921–1942

Michael Taft, American Folklife Center,Washington, USA2005: 234x156: 744ppHb: 978-0-415-97377-9: £70.00Pb: 978-0-415-97378-6: £18.99 $25.95

The Voice of the BluesClassic Interviews from Living Blues Magazine

Jim O’Neal and Amy van Singel

Introduction by Peter Guralnick2001: 234x156: 368ppHb: 978-0-415-93653-8: £65.00Pb: 978-0-415-93654-5: £21.99 $31.95


JAZZ AND BLUES MUSIC HISTORY AND LITERATURE10



Routledge Studies in Musical Genres

Series Editor: R. Larry Todd, DukeUniversity, USARoutledge Studies in Musical Genres presentsintroductory guides to key musical genres in theWestern classical canon. Designed for the avidlistener or the student of music history, each volumefeatures essays by eminent music scholars andfocuses on the key composers in a key style,providing a brief history, analysis and musicalexamples.

NEW2ND EDITION

German Lieder in the NineteenthCenturyEdited by Rufus Hallmark

German Lieder in theNineteenth Century providesa detailed introduction to theGerman lied. Beginning withits origin in the literary andmusical culture of Germanyin the nineteenth century,the book covers individualcomposers, includingShubert, Schumann, Brahms,Strauss, Mahler and Wolf,the literary sources of lieder,

the historical and conceptual issues of song cycles,and issues of musical technique and style inperformance practice. Written by eminent musicscholars in the field, each chapter includes detailedmusical examples and analysis. The second editionhas been revised and updated to include the mostrecent research of each composer and additionalmusical examples.September 2009: 234x156: 400ppHb: 978-0-415-99037-0: £75.00 $95.00

Pb: 978-0-415-99038-7: £24.99 $43.95


CD














2ND EDITION

Eighteenth-Century Keyboard MusicEdited by Robert Marshall2003: 234x156: 448ppPb: 978-0-415-96642-9: £27.99 $39.95


2ND EDITION

Nineteenth-Century Piano MusicR. Larry Todd2004: 234x156: 460ppPb: 978-0-415-96890-4: £27.99 $


9.95

2ND EDITION

Keyboard Music Before 1700Edited by Alexander Silbiger2003: 234x156: 400ppPb: 978-0-415-96891-1: £27.99 $39.9


2ND EDITION

Nineteenth-Century Chamber MusicStephen Hefling2003: 234x156: 392ppPb: 978-0-415-96650-4: £27.99 $39.95


2ND EDITION

Twentieth-Century Chamber MusicJames McCalla2003: 234x156: 320ppPb: 978-0-415-96695-5: £22.99 $39.95


MUSIC HISTORY AND LITERATURE 11



Mendelssohn EssaysR. Larry Todd, Duke University, USA

When R. Larry Todd’sbiography, Mendelssohn: ALife in Music, appeared in2003, it won acclaim fromseveral critics as a definitivebiography. In researchingMendelssohn’s life over thelast two and a half decades,Todd uncovered much newinformation about thecomposer and his music, hisfamily and his peers, and his

complex reception history. Now, for the 2009bicentenary of Mendelssohn’s birth, the author haschosen and compiled fifteen essays written between1980 and 2005, including five previouslyunpublished, that examine several aspects of thecomposer whom Goethe and Heine likened to asecond Mozart.

Mendelssohn Essays explores Mendelssohn’sprecocity, his musical impressions of British culture,the role of the visual in his music, his compositionalresponse to Bach’s St. Matthew Passion, andincomplete drafts from his musical estate of threeinstrumental works. In addition, a group of threeessays focuses on the music of Mendelssohn’s sisterFanny Hensel, perhaps the most gifted womancomposer of the century, and a significant, complexfigure in the formation of the Mendelssohnian style. 2007: 234x156: 336ppHb: 978-0-415-97814-9: £60.00 $95.00

Pb: 978-0-415-97815-6: £24.99 $39.95

2ND EDITION

Interpreting MozartThe Performance of His Piano Piecesand Other Compositions

Eva Badura-Skoda and Paul Badura-Skoda

’One of the mostsignificant texts to treatthe broad range ofstylistic and practicalperformance issues thatunderlie idiomatic Mozartplaying ... Everyone whoseeks expert insight intothe content, expressionand execution of Mozart’smusic will find this bookinspirational and

indispensable.’ – Robert Levin, Harvard University,USA

Originally published in German as InterpretingMozart on the Keyboard in 1957, this definitivework on the performance of Mozart’s works hasgreatly influenced students and scholars of keyboardliterature and of Mozart. Now, in a completelyupdated and revised edition, this book includes thelast half-century of scholarship on Mozart’s music,addressing the elements of performance andproblems that may occur in performing Mozart’sworks on modern instruments. 2008: 246x174: 496ppHb: 978-0-415-97750-0: £65.00 $95.00

The Crisis of Music in Early ModernEurope, 1470–1530Rob C. Wegman, Princeton University, USA

Now in paperback, The Crisisof Music in Early ModernEurope, 1470–1530 tells thestory of this culturalupheaval, drawing on a widerange of little-known textsand documents, and weavingthem together in a narrativethat takes the reader on aneventful musical journeythrough early-modernEurope.

2007: 234x156: 280ppHb: 978-0-415-97512-4: £60.00Pb: 978-0-415-96474-6: £24.99 $39.95

2ND EDITION

The Keyboard Music of J.S. BachDavid Schulenberg, Wagner College, USA

’The indispensable vademecum that has so longbeen lacking [in Bachscholarship] ... belongs inthe library of everyserious performer andstudents of Bach'skeyboard music.’ – Howard Schott, The Musical Times2006: 234x156: 544ppHb: 978-0-415-97399-1: £60.00Pb: 978-0-415-97400-4: £24.99 $42.95

NEW IN PAPERBACK

John CageMusic, Philosophy, and Intention, 1933–1950

Edited by David W. Patterson

John Cage: Music,Philosophy, and Intention,1933–1950 explores the earlypart of John Cage’s life andcareer, concentrating on the‘pre-chance’ period. Theseessays consider influences onCage’s work, his evolvingaesthetic, and his movementtoward an ideology thatwould later shape his ownwork.

December 2008: 234x156: 288ppHb: 978-0-8153-2995-4: £70.00Pb: 978-0-415-99667-9: £19.99 $37.95

2ND EDITION

Conversing with CageRichard Kostelanetz2002: 234x156: 344ppHb: 978-0-415-93791-7: £70.00Pb: 978-0-415-93792-4: £21.99 $34.95


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The New York Schools of Music andthe Visual ArtsEdited by Steven Johnson

Series: Studies in Contemporary Music and Culture

2001: 234x156: 224ppHb: 978-0-8153-3364-7: £70.00Pb: 978-0-415-93694-1: £17.99 $32.95


Sounding Out: Pauline Oliveros andLesbian MusicalityMartha Mockus, Hamilton College, USA

Crafting a dynamicrelationship betweenfeminism and music-making,this book offers an originalanalysis of Oliveros’ work asa musical form of feministactivism and argues for theproductive role ofexperimental music in lesbianfeminist theory.

2007: 234x156: 224ppHb: 978-0-415-97375-5: £60.00 $95.00

Pb: 978-0-415-97376-2: £21.99 $29.95

eBook: 978-0-203-93559-0

2ND EDITION

Queering the PitchThe New Gay and Lesbian Musicology

Edited by Philip Brett, Elizabeth Wood and Gary C. Thomas, University of Minnesota, USA2006: 234x156: 424ppHb: 978-0-415-97883-5: £60.00 $100.00

Pb: 978-0-415-97884-2: £19.99 $36.95

Liturgy and Contemplation inByrd’s GradualiaKerry McCarthy, Duke University, USA

Combining both the culturalhistory of the dangers facedby Catholics who practicedtheir religion at this time witha very close reading of howByrd created this work, KerryMcCarthy creates a book thatwill interest musicologists,religious historians, andstudents of ElizabethanEnglish culture.

2007: 234x156: 208ppHb: 978-0-415-97861-3: £60.00eBook: 978-0-203-94297-0

Musicology: The Key ConceptsDavid Beard and Kenneth Gloag

Series: Routledge Key Guides

2005: 216x138: 256ppHb: 978-0-415-31693-4: £60.00Pb: 978-0-415-31692-7: £14.99 $27.95


Roger SessionsA Biography

Andrea Olmstead

Recognized as the primaryAmerican symphonist of thetwentieth century, RogerSessions (1896–1985) is one ofthe leading representatives ofhigh modernism. His statureamong American composersrivals Charles Ives, AaronCopland, and Elliott Carter.Sessions was awarded twoPulitzer prizes, election to theAmerican Academy of Arts and

Letters, winning the Brandeis Creative Arts Award, theGold Medal of the American Academy, and aMacDowell Medal, in addition to fourteen honorarydoctorates.2007: 246x174: 464ppHb: 978-0-415-97713-5: £75.00 $110.00

Pb: 978-0-415-97714-2: £29.99 $44.95

Deems TaylorSelected Writings

James Pegolotti2007: 234x156: 248ppHb: 978-0-415-97957-3: £60.00 $95.00

Classical Music, Why Bother?Hearing the World of Contemporary CultureThrough a Composer’s Ears

Joshua Fineberg, Harvard University, USA2006: 234x156: 184ppHb: 978-0-415-97173-7: £60.00Pb: 978-0-415-97174-4: £13.99 955• AVAILABLE AS AN INSPECTION COPY$

$23.95

Masterworks of 20th-Century MusicThe Modern Repertory of the Symphony Orchestra

Douglas Lee2002: 234x156: 528ppHb; 978-0-415-93846-4: £70.00Pb: 978-0-415-93847-1: £24.99 955• AVAILABLE AS AN INSPECTION COPY$

6.95

2ND EDITION

Mind ModelsRoger Reynolds2005: 234x156: 208ppHb: 978-0-415-97428-8: £60.00Pb: 978-0-415-97429-5: £22.99 $31.95

Postmodern Music/PostmodernThoughtEdited by Judy Lochhead and Joseph Auner

Series: Studies in Contemporary Music and Culture


$34.95

Nicolas Slonimsky: Writings on Music

VOLUME 1

Nicolas Slonimsky: Writings on MusicEarly Writings

Nicolas Slonimsky

Edited by Electra Yourke2003: 234x156: 208ppHb: 978-0-415-96865-2: £70.00 $115.00

VOLUME 2

Nicolas Slonimsky: Writings on MusicRussian and Soviet Music and Composers

Nicolas Slonimsky2003: 234x156: 248ppHb: 978-0-415-96866-9: £70.00 $115.00

VOLUME 3

Nicolas Slonimsky: Writings on MusicMusic of the Modern Era

Nicolas Slonimsky2004: 234x156: 368ppHb: 978-0-415-96867-6: £60.00 $100.00

VOLUME 4

Nicolas Slonimsky: Writings on MusicSlonimskyana

Nicolas Slonimsky2004: 234x156: 400ppHb: 978-0-415-96868-3: £65.00

4-VOLUME SET

Nicolas Slonimsky: Writings on MusicNicolas Slonimsky

Edited by Electra Yourke2003: 234x156: 1408ppHb: 978-0-415-94220-1: £280.00 $450.00

eBook: 978-0-203-64399-0 $105.00

Slonimsky’s Book of MusicalAnecdotesNicolas Slonimsky2002: 234x156: 320ppPb: 978-0-415-93938-6: £16.99 $27.95


MUSIC HISTORY AND LITERATURE12































NEW2ND EDITION

Handmade Electronic MusicThe Art of Hardware Hacking

Nicolas Collins, The School of the Art Institute ofChicago, Illinois, USA

’Nicolas Collins wants totear apart your CD player.’– Wired Magazine

‘Here we have, at last, anelectronics book thatcaters to people who haveideas first, and electronicssecond. A formertechnician to some of thelast century’s mostimaginative experimentalcomposers, Collins offers a

splendidly integrative look into the history of“sound art,” basic electronics, and junkrevisioning.’ – Make Magazine

‘A brilliant, hands-on guide to electronic musicmaking ... [Collins] never ceases to amaze mewith his latest bit of music or techno-logicalinnovation.’ – TapeOp Magazine

Handmade Electronic Music: The Art of HardwareHacking provides a long-needed, practical, andengaging introduction for students of electronicmusic, installation and sound-art to the craft ofmaking – as well as creatively cannibalizing –electronic circuits for artistic purposes. Designed forpractioners and students of electronic art, it providesa guided tour through the world of electronics,encouraging artists to get to know the innerworkings of basic electronic devices so they cancreatively use them for their own ends.

Handmade Electronic Music introduces the basics ofpractical circuitry while instructing the student inbasic electronic principles, always from the practicalpoint of view of an artist. It teaches a style ofintuitive and sensual experimentation that has beenlost in this day of prefabricated electronic musicalinstruments whose inner workings are not open toexperimentation. It encourages artists to transcendtheir fear of electronic technology to launchthemselves into the pleasure of working creativelywith all kinds of analogue circuitry.

The second edition includes additional photos,breadboard diagrams, four new chapters, and aDVD with video demostrations.June 2009: 246x174: 336ppHb: 978-0-415-99609-9: £60.00 $115.00

Pb: 978-0-415-99873-4: £17.99 $36.95

eBook: 978-0-203-87962-7

3RD EDITION

Electronic and ExperimentalMusicTechnology, Music, and Culture

Thom Holmes

’The book is a superlativeintersection of history andpractice. With its charts,pictures, historicalantecedents, and well-explained concepts,Electronic andExperimental Music is anessential resource foranyone interested inextraordinary sound.’– Chris DeLaurenti, The Stranger

Electronic and Experimental Music: Technology,Music, and Culture is a revised and expandededition of this classic work, providing a thoroughtreatment of the relevant history behind themarriage of technology and music that has led tothe state of electronic music today. Beginning withan early history of electronic music before 1945, thebook outlines key composers, inventions, andconcepts, ranging from Edgard Varèse to Brian Eno;musique concrète to turntablism; and compositionaltechniques used in both analogue and digitalsynthesis.

The third edition’s reader-friendly writing style,logical organization, and features provide easyaccess to key ideas, milestones, and concepts.

Features include:

• readers’ guides and summaries at the beginning and end of each chapter

• innovations boxes providing a unique profile of an influential individual in the field of electronic music

• playlists recommending key recordings in each musical genre mentioned in each chapter

• milestone timelines summarizing the major technological and musical innovations discussed in each chapter.

2008: 246x174: 480ppHb: 978-0-415-95781-6: £70.00 $115.00

Pb: 978-0-415-95782-3: £23.99 $44.95


Companion Website atwww.routledge.com/textbooks/9780415957823

See Also:Computers in Music EducationAmplifying MusicalityAndrew R. BrownSee page 17

The Digital MusicianAndrew Hugill, De Montfort University, UK

The Digital Musicianexamines cultural awareness,artistic identity and musicalskill through the prism ofrecent technologicalinnovations. Newtechnologies, and especiallythe new digital technologies,mean that anyone can createmusic without any musicaltraining. How do we knowwhat is good? This involves

developing a personal aesthetic, an awareness ofthe context for one’s work, specific musical andtechnical abilities and an individual identity.2007: 234x156: 312ppHb: 978-0-415-96215-5: £60.00 $95.00

Pb: 978-0-415-96216-2: £19.99 $33.95


Sound MediaFrom Live Journalism to Music Recording

Lars Nyre, University of Bergen, Norway

Sound Media considers howmusic recording, radiobroadcasting and muzakinfluence people’s daily livesand introduces the many andvaried creative techniquesthat have developed in musicand journalism throughoutthe twentieth century. LarsNyre starts with thecontemporary cultures ofsound media, and works

back to the archaic soundscapes of the 1870s.

The first part of the book devotes five chapters tocontemporary digital media, and presents theinternet, the personal computer, digital radio (newsand talk) and various types of loudspeaker media(muzak, DJ-ing, clubbing and PA systems). Thesecond part examines the historical accumulation oftechniques and sounds in sound media, andpresents multitrack music in the 1960s, the goldenage of radio in the 1950s and back to the 1930s,microphone recording of music in the 1930s, theexperimental phase of wireless radio in the 1910sand 1900s, and the invention of the gramophoneand phonograph in the late nineteenth century.

Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and musicrecording in Europe and the USA, from Edith Piaf toSarah Cox, and is richly illustrated with figures,timelines and technical drawings.2008: 234x156: 240ppHb: 978-0-415-39113-9: £65.00 $130.00

Pb: 978-0-415-39114-6: £18.99 $37.95


MUSIC TECHNOLOGY AND BUSINESS 13



DVD

CD







Sound MovesiPod Culture and Urban Experience

Michael Bull, University of Sussex, UK

Series: International Library of Sociology

This innovative study opensup a new area in sociologicaland urban studies: the auralexperience of the social,mediated through mobiletechnologies ofcommunication.

This book, in using theexample of the Apple iPod,investigates the way in whichwe use sound to constructkey areas of our daily lives.

The author argues that the Apple iPod acts as anurban Sherpa for many of its users and in doing sojoins the mobile army of technologies that many ofus habitually use to accompany our daily lives.

Through our use of such mobile and largely soundbased devices, the book demonstrates how and whythe spaces of the city are being transformed right infront of our ears.2007: 234x156: 192ppHb: 978-0-415-25751-0: £75.00 $110.00

Pb: 978-0-415-25752-7: £26.99 $51.95

eBook: 978-0-203-49622-0

Strange SoundsMusic, Technology and Culture

Timothy D. Taylor2001: 234x156: 224ppHb: 978-0-415-93683-5: £65.00Pb: 978-0-415-93684-2: £16.99 $29.


Virtual MusicHow the Web Got Wired for Sound

William Duckworth2005: 234x156: 232ppHb; 978-0-415-96674-0: £60.00Pb: 978-0-415-96675-7: £15.99 $28.95


The Routledge Guide to MusicTechnologyThom Holmes2006: 246x174: 384ppHb: 978-0-415-97323-6: £60.00Pb: 978-0-415-97324-3: £12.99 $22.95


Music PublishingThe Roadmap to Royalties

Ron Sobel and Dick Weissman

Music Publishing covers thebasics of how a compositionis copyrighted, published,and promoted. Taking apractical approach, theauthors – one a successfulmusic publisher and attorney,the other a songwriter andmusic business professor –explain in simple terms thebasic concept of copyrightlaw as it pertains to

compositions. They examine the sources of income,the typical music publishing agreements, andexplore some ‘myths’ about music publishing.Throughout, they give practical examples from ‘realworld’ situations that illuminate both potentialpitfalls and possible upsides for the workingcomposers.

Music Publishing is a must-read for anyone whocomposes music and wants to reach a broaderaudience, as well as for students taking courses inthe music business.2008: 234x156: 200ppHb: 978-0-415-97620-6: £60.00 $95.00

Pb: 978-0-415-97621-3: £21.99 $29.9


The Global Music IndustryThree Perspectives

Arthur Bernstein, Liverpool Institute for thePerforming Arts, UK, Naoki Sekine and Dick Weissman, University of Denver, USA

’This readable book will beespecially useful for thosewho are looking for aquick overview of theglobal music industry ... itprovides a guide to theissues involved andsuggestions for furtherreading.’ – CHOICE

For everyone in the musicindustry – record labels,managers, music publishers

and the performers themselves – it is important tounderstand the world music marketplace and how itfunctions. Three leading music experts analyzeglobal issues by region, including:

• bootlegging

• copyright

• censorship

• government support.

The Global Music Industry gives a concise overviewof the issues facing everyone in the music industry;a resource for students, professionals and musicians. 2007: 234x156: 250ppHb: 978-0-415-97579-7: £60.00Pb: 978-0-415-97580-3: £20.99 $37.95


2ND EDITION

The Recording IndustryGeoffrey Hull2004: 234x156: 352ppHb: 978-0-415-96802-7: £60.00Pb: 978-0-415-96803-4: £22.99 $29.95


2ND EDITION

Music and CopyrightEdited by Lee Marshall and Simon Frith2004: 234x156: 256ppHb: 978-0-415-97252-9: £60.00Pb: 978-0-415-97253-6: £19.99 $27.95

Promoting Your MusicThe Lovin’ of the Game

Tom May and Dick Weissman, University ofDenver, USA

The authors draw on years ofexperience as songwritersand performers to highlightpractical tips and real-lifestories to help illuminatecommon issues faced by allperformers/songwriters.

2007: 234x156: 216ppHb: 978-0-415-97756-2: £60.00 $100.00

Pb: 978-0-415-97757-9: £23.99 $37.95

Songwriting SuccessHow to Write Songs for Fun and (Maybe) Profit

Michael Lydon2004: 246x174: 208ppPb: 978-0-415-96929-1: £14.99 $22.95


MUSIC TECHNOLOGY AND BUSINESS14















NEW

Music Theory ThroughImprovisationA New Approach to Musicianship Training

Ed Sarath, University of Michigan, USA

Music Theory ThroughImprovisation presents a newapproach to basic theory andmusicianship training that isgeared towards the diverseinterests and abilities oftoday’s student. The bookfollows the same generalprogression of diatonic tonon-diatonic harmony inconventional approaches, butintegrates improvization,

composition, keyboard harmony, analysis, andrhythm. The result is a broader, integrative, andhands-on context.

Conventional approaches to basic musicianship(beyond the realm of performance training) havelargely been oriented toward the study of commonpractice harmony from the Euroclassical tradition,with a heavy emphasis on four-part chorale writing.The author’s entirely new pathway places the studyof harmony within improvization and composition instylistically diverse formats. Jazz and popular musicserve as important stylistic sources. Keyboardrealization, geared toward students with little or nokeyboard training prior to the course, is the primarymode of assimilation of harmonic materials, withsubsequent written work largely based on keyboardapplication. This hands-on approach allows anentirely new level of assimilation to take place thatcan be applied across genres. Secondary dominantchords, modal mixture, modulation, altered andextended chords are essentially the same structureswhether they appear in the music of Parker,Ellington, and the Beatles, or Mozart, Beethoven,and Schubert. By gaining command of thesematerials through the creative, active, andintegrative approaches suggested in the book,students can then delve deeply into whatever stylesthey choose to pursue.

Acknowledging the importance of rhythmic skills intoday’s multi-ethnic musical mosaic, Music TheoryThrough Improvisation presents an approach torhythmic training that derives from Indian, African,African-American, and other traditions.Supplemental materials include an audio CD andwebsite.

Companion Website atwww.routledge.com/textbooks/9780415997256.October 2009: 276x219: 480ppHb: 978-0-415-80453-0: £70.00Pb: 978-0-415-99725-6:$67.95 £35.00

2-VOLUME SET

NEW

The Principles and Practice ofCounterpointVolume 1

Douglass Green and Evan Jones, Florida StateUniversity, USA

The Principles and Practice of Counterpoint is acomprehensive counterpoint textbook in twovolumes, Modal and Tonal. It combines practical,‘how-to’ practice in species, sixteenth andeighteenth century counterpoint with extensivehistorical examination of contrapuntal works.

The author, the late Douglass Green was committedto the ‘species approach’ rather than the ‘directapproach. ’The study of counterpoint wascompellingly codified (as a dialogue betweenteacher and pupil) in Fux’s eighteenth centurytreatise Gradus ad Parnassum, which established the‘species’ approach as the dominant instructionalparadigm for over two hundred years. Most of thetextbooks gaining prominence over the last severaldecades however, have modified or abandoned theprogressive organization of the species approach,aiming instead to extract and introduce stylistic ruleswith reference directly to the music of the time. ThePrinciples and Practice of Counterpoint provides thecombination of qualities of the books presentlyoffered for teaching Counterpoint. The volumes areaccompanied by a companion website.

Companion Website atwww.routledge.com/textbooks/9780415988650.October 2009: 276x219: 272ppPb: 978-0-415-98865-0: £31.00 $54.95

FORTHCOMINGVolume 2: 2010: 276x219: 224ppPb: 978-0-415-98866-7: £28.00 $49.95

Companion Website atwww.routledge.com/textbooks/9780415988667.

2ND EDITION

The Craft of Modal CounterpointThomas Benjamin2004: 276x219: 208ppHb: 978-0-415-97171-3: £60.00Pb: 978-0-415-97172-0: £19.99 $39.95


The Craft of Tonal CounterpointThomas Benjamin2003: 276x219: 432ppPb: 978-0-415-94391-8: £38.99 $61.95


Counterpoint, Composition andMusica FictaMargaret Bent

Series: Criticism and Analysis of Early Music

2002: 234x156: 348ppHb: 978-0-8153-3497-2: £70.00 $115.00

SchenkerGUIDEA Brief Handbook and Website forSchenkerian Analysis

Tom Pankhurst, Liverpool Hope University College,UK

SchenkerGUIDE is anaccessible overview ofHeinrich Schenker’s complexbut fascinating approach tothe analysis of tonal music.The book has emerged outof the widely used website,www.SchenkerGUIDE.com,which has been offeringstraightforward explanationsof Schenkerian analysis toundergraduate students since2001.

Divided into four parts, SchenkerGUIDE offers astep-by-step method to tackling this often difficultsystem of analysis.

• Part one is an introduction to Schenkerian analysis,outlining the concepts involved.

• Part two outlines a unique and detailed working method to help students get started on the process of analysis.

• Part three puts some of these ideas into practiceby exploring the basics of a Schenkerian approachto form, register, motives and dramatic structure.

• Part four provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.

2008: 234x156: 272ppHb: 978-0-415-97397-7: £60.00 $95.00

Pb: 978-0-415-97398-4: £19.99 $34.95


MUSIC THEORY 15



CD











Revisiting Music TheoryA Guide to the Practice

Alfred Blatter, Curtis Institute, USA

Revisiting Music Theory: AGuide to the Practicecontains the basics of musictheory with the vocabularyused in harmonic and formalanalysis. The book assumesfew music reading skills, andprogresses to include thebasic materials of music fromJ.S. Bach to the twentiethcentury. Based on AlfredBlatter’s own three decades

of teaching music theory, this book is aimed at aone or two year introductory course in music theory,and can serve for individual study, or as a review forgraduate students returning to school. Drawingexamples from well-known classical works, as wellas folk and popular music, the book shows howtheory is applied to practice.

The book is divided into five parts. The first partintroduces music notation, reviewing the basics ofpitch, time, and dynamics as represented in writtenmusic. Part two introduces the concept of melody,covering modes, scales, scale degrees, and melodicform. Part three introduces harmony, dealing withharmonic progression, rhythm, and chord types. Partfour addresses part writing and harmonic analysis.Finally, part five addresses musical form, and howform is used to structure a composition.

Revisiting Music Theory will be a valuable textbookfor students, professors, and professionals.2007: 246x174: 352ppHb: 978-0-415-97439-4: £80.00 $135.00

Pb: 978-0-415-97440-0: £21.99 $40.95


Creative Music CompositionThe Young Composer’s Voice

Margaret Lucy Wilkins, University of Huddersfield,UK2006: 234x156: 240ppHb: 978-0-415-97466-0: £60.00Pb: 978-0-415-97467-7: £16.99955• AVAILABLE AS AN INSPECTION COPY$

$28.Choral ConductingPhilosophy and Practice

Colin Durrant2003: 234x156: 208ppHb: 978-0-415-94356-7: £60.00 $100.00

Pb: 978-0-415-94357-4: £19.99 $37.95


OrchestrationAn Anthology of Writings

Edited by Paul Mathews, Johns Hopkins University,USA

’Orchestration: AnAnthology of Writings is arefreshing joy to read asit’s filled with many treatsworking professionals willappreciate.’ – Film Music

Orchestration: An Anthologyof Writings is designed to bea primary or ancillary text forcollege-level music majors.Although there are several‘how to’ textbooks aimed at

this market, there is little available that traces thehistory of orchestration through the writings ofcomposers themselves. By collecting writings fromthe ninenteenth century to today, Paul Mathewsilluminates how orchestration has grown anddeveloped, as well as presenting a wide variety oftheories that have been embraced by the leadingpractitioners in the field.

The collection then traces the history oforchestration, beginning with Beethoven’s Orchestra(with writings by Berlioz, Wagner, Gounod, Mahler,and others), the nineteenth century (Mahler,Gevaert, Strauss) the fin de siècle (on the edge ofmusical modernism; writings by Berlioz, Jadassohn,Delius, and Rimsky Korsakov), early modern (Busoni,Schoenberg, Stravinsky, Grainger, and others), andhigh modern (Carter, Feldman, Reich, Brant). Manyof these pieces have never been translated intoEnglish before; some only appeared in small journalsor the popular press and have never appeared in abook; and none have ever been collected in oneplace.

The study of orchestration is key for all students ofmusic theory and composition. Orchestrationprovides a much needed resource for thesestudents, filling a gap in the literature.2006: 234x156: 248ppHb: 978-0-415-97682-4: £60.00 $100.00

Pb: 978-0-415-97683-1: £21.99 $3


6.95

Form and Method: ComposingMusicThe Rothschild Essays

Roger Reynolds

Edited by Stephen McAdams

Series: Contemporary Music Studies

2007: 234x156: 236ppHb: 978-90-5755-136-9: £85.00Pb: 978-90-5755-158-1: $44.95£44.95

NEW

Teaching Music in AmericanSocietyA Social and Cultural Understanding of Music Education

Steven N. Kelly, Florida State University, USATeaching Music in AmericanSociety is a comprehensivetextbook designed forstudents who seek to becertified in music educationto teach K-12 music inAmerican public and privateschools. It covers the issuesfacing music education,including the functional roleof music within schoolenvironments and communitysettings, the role andfunction of a music teacher

within the music profession and the generaleducation profession, the role of music within theoverall school curriculum and the school musicprogramme, and local, state, and nationalissues/policies.January 2009: 246x174: 208ppHb: 978-0-415-99208-4: £60.00 $95.00

Pb: 978-0-415-99209-1: £20.99 $38.95


Companion Website atwww.routledge.com/textbooks/9780415992091.

2ND EDITION

Learning to Teach Music in theSecondary SchoolA Companion to School Experience

Edited by Christopher Philpott, University ofGreenwich, UK and Gary Spruce, The OpenUniversity, UK

Series: Learning to Teach in the SecondarySchool Series2006: 246x174: 304ppPb: 978-0-415-35105-8: £22.99 $42.95


Music with the Under-FoursSusan Young

This lively book provides practitioners, students andother professionals with practical guidance on howto include musical activity in the care and educationof children from birth up to five years of age.2003: 216x138: 152ppPb: 978-0-415-28706-7: £21.99 $37.95

eBook: 978-0-203-42572-5

MUSIC THEORY MUSIC EDUCATION AND TRAINING16















MUSIC EDUCATION AND TRAINING 17



Creative Music MakingWilliam L. Cahn2005: 246x174: 128ppHb: 978-0-415-97281-9: £60.00 $100.00

Pb: 978-0-415-97282-6: £16.99 $22.95


3RD EDITION

Music EducationSource Readings from Ancient Greece to Today

Edited by Michael L. Mark, Towson State University,USA

’An indispensable sourceof insights for professionalmusic educators.’– Bennet Reimer,Northwestern University, USA

‘Music educators willwelcome the book as avaluable contribution tothe greater understandingof music education as aworld-wide phenomenon.’– Gordon Cox, University of Reading, UK

Music Education: Source Readings from AncientGreece to Today is an anthology of thematicallyorganized essays that illustrate why music educationhas been valued by cultures and societies fromancient times to the present. Writings by societalleaders – civic, political, royal, religious, education,intellectual – present views from many historical andcurrent points of view. The third edition has beenexpanded to include such topics as feminism,diversity, cognitive psychology and the No Child LeftBehind Act. The new edition also includes writingsabout music education in countries on everycontinent. The global view of music educationmakes this book timely in a world of cultural fusion.2007: 234x156: 512ppHb: 978-0-415-95778-6: £60.00 $95.00

Pb: 978-0-415-95779-3: £24.95 $39.95


Playing the ViolinMark Rush, University of Arizona, USA2006: 234x156: 176ppHb: 978-0-415-97885-9: £60.00 $100.00

Pb: 978-0-415-97886-6: £18.99 $26.95

The Percussionists’ Guide to InjuryTreatment and PreventionThe Answer Guide for Drummers in Pain

Darin ‘Dutch’ Workman

For all percussion studentsand professionals, ThePercussionists’ Guide to InjuryTreatment and Prevention willbe an indispensablecompanion.2006: 246x174: 328ppHb: 978-0-415-97684-8: £60.00Pb: 978-0-415-97685-5: £27.99 $39.95

Computers in Music EducationAmplifying Musicality

Andrew R. Brown, Queensland University ofTechnology, Australia

’Computers in MusicEducation is a welcomeaddition to the literatureon music and technology.The book is admirable inits clarity and extensivecoverage of a domain thatextends beyond theexperience and expertiseof many music educators.’– Music Forum

Computers in Music Education addresses thequestion of how computer technologies might bestassist music education. For current and preservicemusic teachers and designed as a development tool,reference resource, and basic teaching text, itaddresses pedagogical issues and the use ofcomputers to aid production and presentation ofstudents’ musical works.

Written by a music educator and digital mediaspecialist, it cuts through the jargon to present aconcise, easy-to-digest overview of the field,covering:

• notation software

• MIDI sound creation

• downloading music

• posting personal MP3s for mass distribution.

While there are many more technical books, fewoffer a comprehensive, understandable overview ofthe field. Computers in Music Education is animportant text for the growing number of courses inthis area.2007: 246x174: 360ppHb: 978-0-415-97850-7: £60.00Pb: 978-0-415-97851-4: £21.99 $36.95


Guitar Instruction

How to Play Classic JazzGuitarSix Swinging Strings

Michael Lydon

How to Play Classic JazzGuitar is an instruction bookdesigned for the guitaristwho already knows thefundamentals but wishes toexplore the ‘classic’ style ofswing-era guitar. It offers aclear, concise introduction tothe basics of jazz guitar, builton the student’s basicknowledge of forming chordsand basic picking patterns.

2007: 276x219: 192ppPb: 978-0-415-97908-5: £16.99 $24.95

Acoustic Blues Guitar StylesLarry Sandberg, University of Colorado,USA

This book introduces readers to the basics of finger-style acoustic blues guitar and will go a long way todeveloping students’ abilities to take the basics andapply them to their own personal musical growth.2006: 276x219: 128ppPb: 978-0-415-97175-1: £18.99 $29.95


Guitar TuningsA Comprehensive Guide

Dick Weissman, University of Denver,USA

Guitar Tunings: AComprehensive Guide is thefirst book to offer practicaladvice on how to use themost common special tuningsfor the greatest creative andmusical effect. Illustratedthroughout with examples instandard notation and guitartablature, the authorintroduces different musicalstyles through the use ofappropriate tunings.

2006: 234x156: 144ppPb: 978-0-415-97441-7: £18.99 $26.95

Acoustic Guitar StylesLarry Sandberg, University of Colorado, USA2002: 276x219: 128ppPb: 978-0-415-93727-6: £18.99 $28.95


CD

CD

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Acting in Musical TheatreA Comprehensive Course

Joe Deer, Wright State University, USA and Rocco Dal Vera, University of Cincinnati, USA

’Though I attended ahighly respected dramadepartment for six years(two degrees), there wasnever a single courseoffered having anythingto do with musicaltheatre. Therefore, I am allthe more impressed byActing in Musical Theatre,which gives acomprehensive and

thought-provoking guideline to the study ofperforming on the musical stage. I found itfascinating and functional, and I am sure youwill, as well.’ – Tom Jones, Tony Award-WinningAuthor/Lyricist of The Fantasticks, 110 In the Shadeand I Do, I Do!

‘At last a book that assists us in guiding ourstudents to inhabit characters in musicalsorganically! A major milestone in musicaltheatre pedagogy.’ – Robert Barton, Author ofActing: Onstage and Off

Acting in Musical Theatre is the only completecourse in approaching a role in a musical. It is thefirst to combine acting, singing and dancing into acomprehensive guide, combining what havepreviously been treated as three separate disciplines.

This book contains fundamental skills for noviceactors, practical insights for professionals, and eventips to help veteran musical performers refine their craft.

Drawing on decades of experience in both actingand teaching, the authors provide crucial advice onall elements of the profession, including:

• fundamentals of acting applied to musical theatre

• script, score and character analysis

• personalizing your performance

• turning rehearsal into performance

• acting styles in the musical theatre

• practical steps to a career.

Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing relatedgroup and solo exercises, making it the definitivetextbook for students and practitioners alike.2008: 246x174: 480ppHb: 978-0-415-77318-8: £60.00 $105.00

Pb: 978-0-415-77319-5: £18.99 $30.95


Companion Website atwww.routledge.com/textbooks/9780415773195

The Making of the Sound of MusicMax Wilk

The Sound of Music was thelast – and most successful –collaboration of two giants ofthe musical theatre, RichardRodgers and OscarHammerstein. This book tellsthe full story of the makingof the show, from the firstrough ideas through thetryouts, fine tuning, andeventual triumph – all froman eyewitness to the events

themselves. Max Wilk brings a musical theatrehistorian’s eye to the work, along with hispassionate involvement as a witness to this history.For anyone and everyone who has ever been thrilledby The Sound of Music, this book will be a must.2007: 234x156: 115ppHb: 978-0-415-97934-4: £60.00 $100.00

Pb: 978-0-415-97935-1: £11.99 $17.95

NEW IN PAPERBACK

America’s SongsThe Stories Behind the Songs of Broadway,Hollywood, and Tin Pan Alley

Philip Furia and Michael Lasser

America’s Songs tells the‘stories behind’ the mostbeloved popular songs of thelast century. We all havesongs that have a specialmeaning in our lives; hearingthem evokes a special time orplace. Little wonder thatthese special songs havebecome enduring classics.Nothing brings the roaring1920s to life like ‘Tea for

Two’ or ‘I’m Just Wild About Harry’; the GreatDepression is evoked in all of its pain and misery insongs like ‘Brother Can You Spare a Dime?; ‘GodBless America’ revives the powerful hope thatAmerican democracy promised to the world duringthe dark days of World War II; ‘Young at Heart’evokes the postwar optimism of the 1950s. Andthen there are the countless songs of love, newromance, and heartbreak: ‘As Time Goes By,’‘Always,’ ‘Am I Blue’... the list is endless.

Along with telling the stories behind these songs,America’s Songs suggests, simply and succinctly,what makes a song great. The book illuminates theway each great song melds words and music –sentiment and melody – into a seamless whole.America’s Songs also traces the fascinating butmysterious process of collaboration, the give-and-take between two craftsmen, a composer and alyricist, as they combined their talents to create a song.

For anyone interested in the history of the songsthat America loves, America’s Songs will make forfascinating reading.2008: 234x156: 360ppHb: 978-0-415-97246-8: £60.00Pb: 978-0-415-99052-3: £11.99 $19.95

Classic American Popular SongThe Second Half-Century, 1950–2000

David Jenness and Donald Velsey2005: 234x156: 408ppHb: 978-0-415-97056-3: £24.99 955• AVAILABLE AS AN INSPECTION COPY$

The Routledge Guide to BroadwayKen Bloom

Broadway is the centre ofAmerican theatre, where allthe great plays and musicalsmake their mark. Studentsacross the country in theatrehistory, performance, anddirection/production look toBroadway for theirinspiration. Yet there are fewbooks that offer acomprehensive look at thekey figures and productions

of the last two centuries. The Routledge Guide toBroadway brings together this information in aninexpensive, A–Z format that will appeal to students,professors, and theatrical professionals.2006: 246x174: 304ppHb: 978-0-415-97379-3: £60.00 $100.00

Pb: 978-0-415-97380-9: £18.99 $22.95


2ND EDITION

BroadwayAn Encyclopedia

Ken Bloom2003: 276x219: 656ppHb: 978-0-415-93704-7: £100.00 $160.00`

eBook: 978-0-203-64435-5

Opera: The BasicsDenise Gallo, The Library of Congress, USASeries: The Basics

This introduction exploresopera’s origins, terminologyand genres over the past fourcenturies.

2005: 234x156: 224ppHb: 978-0-415-97071-6: £60.00Pb: 978-0-415-97072-3: £11.99 $18.95


OperettaA Theatrical History

Richard Traubner2003: 234x156: 496ppPb: 978-0-415-96641-2: £24.99 $38.95


VOICE/OPERA/MUSICAL THEATRE18












The Singing and Acting HandbookGames and Exercises for the Performer

Thomas De Mallet Burgess and NicholasSkilbeck

This book is an uniqueresource which directlyaddresses all performers whosing and act, whether inopera or musical. It providesa innovative resource forperformers, directors,workshop leaders andteachers.

1999: 246x174: 224ppHb: 978-0-415-16657-7: £60.00Pb: 978-0-415-16658-4: £20.99 $


The Singer’s CompanionSharon Stohrer

’Stohrer addresses allserious voice studentswith practical, plainlywritten counsel ... on abevy of topics in aneminently accessible style.’– Debra Greschner, Journalof Singing

2006: 234x156: 136ppHb: 978-0-415-97697-8: £60.00Pb: 978-0-415-97698-5: £18.99 $26.95

Singing With Your Own VoiceOrlanda Cook2004: 234x156: 288ppPb: 978-0-87830-182-9: £19.95 $19.95


2ND EDITION

Singing and the ActorGillyanne Kayes

This practical handbook takesthe reader through a step-by-step trainingprogram relevant to themodern singing actor anddancer. A variety ofcontemporary voice qualitiesincluding belting and twangare explained, with exercisesfor each topic.

2004: 234x156; 208ppPb: 978-0-87830-198-0: £24.95955• AVAILABLE AS AN INSPECTION COPY$

Composing for VoiceA Guide for Composers, Singers, and Teachers

Paul Barker2003: 234x156: 208ppHb: 978-0-415-94186-0: £60.00Pb: 978-0-415-94187-7: £21.99 $29.95


Opera CoachingProfessional Techniques and Considerations

Alan Montgomery, Oberlin College, USA

Opera Coaching is the firstpractical guide for pianists,singers, and opera producersto this important – and oftenneglected – career. It is anideal resource for anyoneinterested in this fascinatingcareer.

2006: 234x156: 224ppHb: 978-0-415-97600-8: £60.00Pb: 978-0-415-97601-5: £19.99 $26.95

VOICE/OPERA/MUSICAL THEATRE INTERDISCIPLINARY TOPICS 19



Vocal Training NEW

Film Music: A HistoryJames Wierzbicki, University of Michigan, USA

Film Music: A History studiesmusic by discussing large-scale aesthetic trendsand structural developments.It covers the history anddevelopment of film musicfrom the Silent period to thePost-Classical.

January 2009: 246x174: 288ppHb: 978-0-415-99198-8: £60.00 $110.00

Pb: 978-0-415-99199-5: £18.99 $38.95


Movie Music, The Film ReaderEdited by Kay Dickinson

Series: In Focus: Routledge Film Readers

2002: 234x156: 224ppHb: 978-0-415-28159-1: £70.00Pb: 978-0-415-28160-7: £20.99 $39.95


Between Opera and CinemaEdited by Jeongwon Joe and Rose Theresa

Series: Critical and Cultural Musicology

2002: 216x138: 260ppHb: 978-0-8153-3450-7: £70.00 $115.00

2ND EDITION

On the TrackA Guide to Contemporary Film Scoring

Fred Karlin and Rayburn Wright

Foreword by John Williams2004: 276x219: 560ppHb: 978-0-415-94135-8: £70.00Pb: 978-0-415-94136-5: £39.99 eBook: 978-0-203-64390-7• AVAILABLE AS AN INSPECTION COPY$

$70.00

View any

product online

by clicking on

the title listing











Music and Urban GeographyAdam Krims, University of Nottingham, UK

This is the first serious, wide-ranging study of howchanges in urban life overthe last thirty years haveaffected the way music isperformed, sold, andexperienced. Adam Krimsaddresses a wide range ofmusic in defining this new‘urban ethos.’

2007: 234x156: 248ppHb: 978-0-415-97011-2: £60.00Pb: 978-0-415-97012-9: £16.99 $29.95


Sounding Off: Theorizing Disabilityin MusicEdited by Neil Lerner, City University of New York,USA and Joseph N. Straus, Davidson College, USA

Sounding Off: TheorizingDisability in Music is the firstbook-length work to focus onthe historical and theoreticalissues of music as it relates todisability. It shows that music,like literature and the otherarts, simultaneously reflectsand constructs culturalattitudes toward disability.

2006: 234x156: 304ppHb: 978-0-415-97906-1: £60.00 $100.00

Pb: 978-0-415-97907-8: £23.99 $33.95

2ND EDITION

LivenessPerformance in a Mediatized Culture

Philip Auslander, Georgia Institute of Technology,USA

Liveness: Performance in aMediatized Culture addresseswhat may be the single mostimportant question facing allkinds of performance today.What is the status of liveperformance in a culturedominated by mass media?

Since its first appearance, PhilipAuslander’s ground-breakingbook has helped to reconfigurea new area of study. Looking at

specific instances of live performance such as theatre,rock music, sport, and courtroom testimony, Livenessoffers penetrating insights into media culture, suggestingthat media technology has encroached on live events tothe point where many are hardly live at all. In thissecond edition, the author thoroughly updates hisprovocative argument to take into account new digitaland media technologies, and cultural, social and legaldevelopments. 2008: 216x138: 224ppHb: 978-0-415-77352-2: £60.00 $120.00

Pb: 978-0-415-77353-9: £19.99 $35.95


INTERDISCIPLINARY TOPICS20



Theodor AdornoRoss Wilson, Emmanuel College, University ofCambridge, UK

Series: Routledge Critical Thinkers

As one of the main philosophers of the FrankfurtSchool of Critical Theory, Adorno’s influence onliterary theory, cultural studies, and philosophicalaesthetics has been immense. His wide-rangingauthorship is significant also to continentalphilosophy, political theory, art criticism, andmusicology. 2007: 198x129: 160ppHb: 978-0-415-41818-8: £50.00 $100.00

Pb: 978-0-415-41819-5: £12.99 $19.95


Deleuze on Music, Painting and the ArtsRonald Bogue

Series: Deleuze and the Arts


Jesus DubTheology, Music and Social Change

Robert Beckford, University of Birmingham, UK

Robert Beckford explores thedialogue between twocentral institutions in AfricanCaribbean life: the churchand the dancehall. Hehighlights how Dub – one ofthe central features ofdancehall culture – can bemobilized as a framework forre-evaluating theology, takingapart doctrine andreconstructing it under the

influence of a guiding theme.2006: 216x138: 192ppHb: 978-0-415-31018-5: £70.00Pb: 978-0-415-31019-2: £19.99 $35.95


NEW

Sporting SoundsRelationships Between Sport and Music

Edited by Anthony Bateman, Keele University, UKand John Bale, Aarhus University, Denmark

Music and sport are both highly significant culturalforms, yet the substantial and longstandingconnections between the two have largely beenoverlooked. Sporting Sounds addresses this oversightin an intriguing and innovative collection of essays.

With contributions from leading internationalpsychologists, sociologists, historians, musicologistsand specialists in sports and cultural studies, the bookilluminates our understanding of the vital part musichas played in the performance, reception andcommodification of sport. October 2008: 234x156: 288ppHb: 978-0-415-44367-8: £85.00 $149.00

eBook: 978-0-203-88797-4

NEW

Club CulturesBoundaries, Identities and Otherness

Silvia Rief, University of Innsbruck, Austria

Series: Routledge Advances in Sociology

This book explores contemporary club and dancecultures as a manifestation of aesthetic andprosthetic forms of life. Silvia Rief addresses thequestions of how practices of clubbing helpcultivate particular forms of reflexivity and modes ofexperience, and how these shape new devices forreconfiguring the boundaries around youth culturaland other social identities. She contributes empiricalanalyses of how such forms of experience aremediated by the particular structures of night-clubbing economies, the organizationalregulation and the local organization of experiencein club spaces, the media discourses and imageries,the technologies intervening into the sense systemof the body (eg. music, visuals, drugs) and theacademic discourses on dance culture.May 2009: 234x156: 224ppHb: 978-0-415-95853-0: £60.00

Rhythm, Music, and the BrainScientific Foundations and Clinical Applications

Michael H. Thaut, Colorado State University, USA

Series: Studies on New Music Research

With the advent of moderncognitive neuroscience andnew tools of studying thehuman brain ‘live,’ music asa highly complex, temporallyordered and rule-basedsensory language quicklybecame a fascinating topic ofstudy. The question of ‘how’music moves us, stimulatesour thoughts, feelings, andkinesthetic sense, and how it

can reach the human experience in profound waysis now measured with the advent of moderncognitive neuroscience. The goal of Rhythm, Music,and the Brain is an attempt to bring the knowledgeof the arts and the sciences and review our currentstate of study about the brain and music, specificallyrhythm.

The author provides a thorough examination of thecurrent state of research, including the biomedicalapplications of neurological music therapy insensorimotor speech and cognitive rehabilitation.This book will be of interest for the lay andprofessional reader in the sciences and arts as wellas the professionals in the fields of neuroscientificresearch, medicine, and rehabilitation.2007: 234x156: 272ppHb: 978-0-415-97370-0: £75.00Pb: 978-0-415-96475-3: £21.99 $39.95













NEW

Charles François GounodA Research and Information Guide

Timothy FlynnFebruary 2009: 234x156: 272ppHb: 978-0-415-97351-9: £90.00 $140.00

NEW

Piano PedagogyA Research and Information Guide

Gilles Comeau, University of Ottawa, CanadaJune 2009: 234x156: 352ppHb: 978-0-415-95575-1: £90.00 $140.00

NEW3RD EDITION

Franz LisztA Research and Information Guide

Michael SaffleJuly 2009: 234x156: 592ppHb: 978-0-415-99839-0: £90.00 $140.00

NEW2ND EDITION

Paul HindemithA Guide to Research

Stephen LuttmannJuly 2009: 234x156: 528ppHb: 978-0-415-99416-3: £90.00 $140.00

NEW2ND EDITION

Alban BergBryan Simms, University of Southern California,USAJuly 2009: 234x156: 352ppHb: 978-0-415-99462-0: £90.00 $140.00

ROUTLEDGE MUSIC BIBLIOGRAPHIES 21



Routledge Music Bibliographies combine two series that were previously published under the Garlandimprint, one focusing on individual composers (The Composer Resource Manuals) and one focusing onmusical genres (The Reference and Information Guides). Each of the volumes is a selective, annotatedbibliography of citations of writings about a composer, genre, topic or geographic region.

Bringing the series to an online environment answers the need for updated information to be reflectedas new research is introduced. This online database of information will be a ‘live’ resource, fullysearchable, and with active links. Users will have unlimited access, annual revisions will be made and alimited number of pages can be downloaded for printing. Complete print volumes will also be availableat a discount for libraries requiring both print and online versions.

Routledge Music Bibliographies constitutes a well-revered series, comprised of nearly fifty volumesdevoted to individual composers (eg. Handel, Bernstein, Puccini) and twenty on the subject of a specificgenre or instrument (eg. the Concerto, Sacred Music, the Violin). Each volume has a comprehensivelisting of sources. Top scholars were contracted to collect the research in their fields.

The individual volumes are available for sales to libraries via subscription, sold in clusters of five or more,and discounted accordingly.

AVAILABLE IN MAY 2009

Alberto Ginastera

Wolfgang Amadeus Mozart

Vincenzo Bellini, Second Edition

Frederick Delius, Second Edition

Gaetano Donizetti, Second Edition

Giovanni Pierluigi da Palestrina,Second Edition

Gioachino Rossini, Second Edition

ALSO NEW IN 2009

Please inquire for Online Editions:[email protected]






ROUTLEDGE MUSIC BIBLIOGRAPHIES REFERENCE22



2ND EDITION

Gustav and Alma MahlerA Research and Information Guide

Susan M. Filler

Series: Routledge Music Bibliographies

This revised edition ofGarland’s 1989 publicationupdates the core bibliographyon Gustav Mahler (as well ashis spouse and fellowcomposer Alma Mahler) byincorporating new researchgathered over the past dozenyears on his life andprofessional works. GustavMahler, renowned conductorand composer of symphonies

and song cycles, is one of the foremost musicalfigures of the late nineteenth and early twentiethcenturies. His symphonies continue to be widelyperformed and studied through the twenty-firstcentury.

Organized in sections according to subject matter,references are arranged alphabetically by the namesof authors or editors. Susan M. Filler’s research hasproduced sources for musicologists and students innineteen languages, offering a resource thatexpands traditional English-language musicscholarship.2007: 234x156: 408ppHb: 978-0-415-94388-8: £60.00 $95.00

Olivier MessiaenA Research and Information Guide

Vincent P. Benitez, Pennsylvania State University,USA

Series: Routledge Music Bibliographies

Olivier Messiaen: A Researchand Information Guide is aunique bibliographicalresource that presents thereader with the mostsignificant and helpfulresources on OlivierMessiaen, one of thetwentieth century’s greatestcomposers. An introductorychapter offers a shortbiography of Messiaen, a

consideration of his musical style and works, and adiscussion of Messiaen studies. Chapters two andthree concentrate on the primary literature,organized around manuscript collections, articlesand reviews, pedagogical works, lectures andlibrettos, prefaces, interviews, correspondence, anddocumentaries and filmed performances. Chaptersfour through nine focus on the secondary literature,namely, biographical and stylistic studies, topicalexaminations, discussions of particular works,accounts of Messiaen in works devoted to othertopics, reviews of books and significantperformances of Messiaen’s music, andexaminations of source materials on the internet. Alist of works and a selected discography concludethe book.2007: 234x156: 352ppHb: 978-0-415-97372-4: £60.00 $95.00

NEW25TH EDITION

International Who’s Who inClassical Music 2009‘An essential working tool for all those whoseliving and life are in the wonderful world ofmusic.’ – Musical Opinion

‘So good as to be indispensable.’ – Opera

This unparalleled source of biographical informationon singers, instrumentalists, composers, conductorsand managers:

• contains over 8,000 detailed biographical entries• covers the classical and light classical fields• includes up-and-coming musicians as well as

well-established names.Each biographical entry comprises personalinformation, principal career details, repertoire,recordings and compositions, and full contact detailswhere available. The directory gives contact detailsfor orchestras, opera companies, festivals, musiclibraries, major competitions and awards, and othermusic organizations in classical music.

Entries include individuals involved in all aspects ofthe world of classical music: composers,instrumentalists, singers, arrangers, writers,musicologists, conductors, directors and managers. May 2009: 279x211: 968ppHb: 978-1-85743-513-9: £250.00 $460.00

NEW11TH EDITION

International Who’s Who in PopularMusic 2009‘Covering pop, rock, folk, jazz, dance, worldand country artists, it’s about as comprehensiveas you can get.’ – Making Music

The International Who’s Who in Popular Music 2009provides biographical details on some of the mosttalented and influential artists and individuals fromthe world of popular music. Now in its eleventhedition, it includes over 7,000 biographies chartingthe careers and achievements of pop, rock, folk,jazz, dance, world and country artists throughoutthe world.

Key features include:• each entry includes full biographical information:

principal career details, recordings and compositions, honours and contact information

• information on established names as well as up-and-coming artists

• a directory section provides details of music festivals, awards, organizations within the industry,and digital music sources

• for ease of reference, the book includes an index of music group members.

In one accessible volume the International Who’sWho in Popular Music 2009 provides the mostcomprehensive collection of information on themost famous and influential people in the popularmusic industry.May 2009: 279x211: 640ppHb: 978-1-85743-514-6: £225.00 $420.00

NEW

International Who’s Who inClassical/Popular Music Set 2009May 2009: 279x211: 1,960ppHb: 978-1-85743-515-3: £400.00 $750.00

Chronology of American PopularMusic, 1900–2000Frank Hoffmann, Sam Houston State University,USA2007: 276x219: 552ppHb: 978-0-415-97715-9: £100.00 $175.00

A Century of American Popular MusicDavid A. Jasen2002: 276x219: 464ppHb: 978-0-415-93700-9: £95.00 $160.00

2-VOLUME SET

Chronology of Western ClassicalMusic, 1751–2000Charles John Hall2002: 234x156: 800ppHb: 978-0-415-93878-5: £175.00 $290.00

2ND EDITION

A Blues BibliographyRobert Ford, University of Exeter, UK

This revised and updateddefinitive blues bibliographynow includes 6,000–7,000entries to cover the lastdecade’s writings and newfigures to have emerged onthe Country and modernblues to the R&B scene.2007: 276x219: 1400ppHb: 978-0-415-97887-3: £105.00 $200.0

eBook: 978-0-203-94212-3

















VOLUME 1

The Garland Encyclopedia of World MusicAfrica

Edited by Ruth M. Stone1997: 276x219: 872ppHb: 978-0-8240-6035-0: £245.00 $440.00

VOLUME 2

The Garland Encyclopedia of World MusicSouth America, Mexico, Central America, and theCaribbean

Edited by Dale A. Olsen and Daniel E. Sheehy1998: 276x219: 1104ppHb: 978-0-8240-4947-8: £240.00 $450.00

VOLUME 3

The Garland Encyclopedia of World MusicThe United States and Canada

Edited by Ellen Koskoff2000: 276x219: 1410ppHb: 978-0-8240-4944-7: £240.00 $450.00

VOLUME 4

The Garland Encyclopedia of World MusicSoutheast Asia

Edited by Terry E. Miller and Sean Williams1998: 276x219: 1050ppHb: 978-0-8240-6040-4: £245.00 $450.00

VOLUME 5

The Garland Encyclopedia of World MusicSouth Asia: The Indian Subcontinent

Edited by Alison Arnold1999: 276x219: 1104ppHb: 978-0-8240-4946-1: £240.00 $450.00

VOLUME 6

The Garland Encyclopedia of World MusicThe Middle East

Edited by Virginia Danielson, Dwight Reynoldsand Scott Marcus2001: 276x219: 1200ppHb: 978-0-8240-6042-8: £245.00 $450.00

REFERENCE 23



VOLUME 7

The Garland Encyclopedia of World MusicEast Asia: China, Japan, and Korea

Edited by Robert C. Provine, Yosihiko Tokumaruand J. Lawrence Witzleben2001: 276x219: 1192ppHb: 978-0-8240-6041-1: £245.00 $450.00

VOLUME 8

The Garland Encyclopedia of World MusicEurope

Edited by Timothy Rice, James Porter and Chris Goertzen1999: 276x219: 1176ppHb: 978-0-8240-6034-3: £245.00 $450.00

VOLUME 9

The Garland Encyclopedia of World MusicAustralia and the Pacific Islands

Edited by J.W. Love and Adrienne Kaeppler1998: 276x219: 1116ppHb: 978-0-8240-6038-1: £245.00 $450.00

VOLUME 10

The Garland Encyclopedia of World MusicThe World’s Music: General Perspectives andReference Tools

Edited by Ruth M. Stone2002: 276x219: 800ppHb: 978-0-8153-1084-6: £240.00 $450.00

10-VOLUME SET

The Garland Encyclopedia of WorldMusic Set Edited by Bruno Nettl, Ruth M. Stone, JamesPorter and Timothy Rice1999 276x219: 11024ppHb: 978-0-8153-1865-1: £2260.00 $4300.00

See pages 2–3 for the new The Concise Garland Encyclopedia of World Music and Garland Handbooks of World Music Series

Garland Encyclopedia of World Music Encyclopedia of American Gospel MusicEdited by W.K. McNeil2005: 276x219: 512ppHb: 978-0-415-94179-2: £95.00 $150.00

RagtimeAn Encyclopedia, Discography, andSheetography

David A. Jasen

2007: 276x219: 576ppHb: 978-0-415-97862-0: £75.00 $135.00

Tin Pan AlleyAn Encyclopedia of the Golden Age of AmericanSong

David A. Jasen2003: 276x219: 384ppHb: 978-0-415-93877-8: £80.00 $130.00

eBook: 978-0-203-50246-4

See Also:The John Coltrane ReferenceChris DeVito, Yasuhiro Fujioka, Wolf Schmalerand David Wild

Editied by Lewis Porter

See page 9

2ND EDITION

BroadwayAn Encyclopedia

Ken Bloom

See page 18



























2-VOLUME SET

Vaudeville, Old and NewAn Encyclopedia of Variety Performers

Frank Cullen

2006: 276x219: 1368ppHb: 978-0-415-93853-2: £295.00

2ND EDITION

Encyclopedia of PercussionEdited by John H. Beck

2007: 276x219: 472ppHb: 978-0-415-97123-2: £114.00

2-VOLUME SET

Encyclopedia of Recorded SoundEdited by Frank Hoffmann2004: 276x219: 1320ppHb: 978-0-415-93835-8: £195.00 $325.00

2-VOLUME SET

Encyclopedia of the Blues Edited by Edward Komara

This comprehensive two-volume set bringstogether all aspects of theblues from performers andmusical styles to record labelsand cultural issues, includingregional evolution andhistory. Organized in anaccessible A-to-Z format, theEncyclopedia of the Blues isan essential referenceresource for information on

this unique American music genre.2005: 276x219: 1440ppHb: 978-0-415-92699-7: £205.00 $325.00

2ND EDITION

Rock Song IndexThe 7500 Most Important Songs for the Rockand Roll Era: 1944–2000

Bruce Pollock2005: 276x219: 704ppHb: 978-0-415-97073-0: £85.00 $135.00

2ND EDITION

Vocal Chamber MusicA Performer’s Guide

Barbara Winchester, New England Conservatory ofMusic, USA and Kay Dunlap

This invaluable resource is arevised edition of an essentialindex to vocal workscomposed for chamberchoirs.

2007: 234x156: 256ppHb: 978-0-415-97858-3: £60.00 $95.00

eBook: 978-0-203-94192-8

Performance PracticeA Dictionary-Guide for Musicians

Roland Jackson2005: 276x219: 544ppHb: 978-0-415-94139-6: £109.00 $155.00

Encyclopedia of Keyboard Instruments

2ND EDITION

The PianoAn Encyclopedia

Edited by Robert Palmieri2003: 276x219: 576ppHb: 978-0-415-93796-2: £125.00 $195.00

eBook: 978-0-203-42702-6

The OrganAn Encyclopedia

Edited by Douglas Bush and Richard Kassel2006: 276x219: 696ppHb: 978-0-415-94174-7: £125.00 $205.00

The Harpsichord and ClavichordAn Encyclopedia

Edited by Igor Kipnis, Claremont GraduateUniversity, USA2006: 276x219: 576ppHb: 978-0-415-93765-8: £134.00 $185.00

www.informaworld.com/music

Contemporary Music ReviewEditors: Peter Nelson, University of Edinburgh, UKand Joshua Fineberg, Harvard University, USA

Contemporary Music Reviewprovides a forum where newtendencies in compositioncan be discussed in bothbreadth and depth. Eachissue focuses on a specifictopic. The main concern ofthe journal is compositiontoday in all its aspects—itstechniques, aesthetics andtechnology and its

relationship with other disciplines and currents ofthought.6 issues per yearPrint ISSN: 0749-4467Online ISSN: 1477-2256www.informaworld.com/gcmr

Ethnomusicology ForumJournal of the British Forum for Ethnomusicology

Editors: Andrew Killick, University of Sheffield, UKand Laudan Nooshin, City University, UK

Ethnomusicology Forumseeks to provide a dynamicforum for the presentation ofnew thinking in the field ofethnomusicology, definedbroadly as the study of‘people making music’, andencompasses the study of allmusic, including Western artmusic and popular music.

2 issues per yearPrint ISSN: 1741-1912Online ISSN: 1741-1920www.informaworld.com/remf

Jazz PerspectivesEditor: John Howland, Rutgers University, Newark,USA

Jazz Perspectives bridges thejazz-as-music and jazz-as-culture divide ofcontemporary jazz studies,and promotes broaderinternational perspectives onthe jazz tradition and itslegacy. As an interdisciplinaryplatform for jazz studies, thejournal considers all articlesreporting on original research

and analysis (musical, historical, cultural, orotherwise).2 issues per yearPrint ISSN: 1749-4060Online ISSN: 1749-4079www.informaworld.com/rjaz

REFERENCE JOURNALS24














Journal of Mathematics and Music:Mathematical and ComputationalApproaches to Music Theory,Analysis, Composition andPerformanceJournal of the Society for Mathematics andComputation in Music

Editors-in-Chief: Thomas Noll, Escola Superior deMúsica de Catalunya, Spain and Robert Peck,Louisiana State University, USA

The Journal of Mathematics and Music aims toadvance the use of mathematical modelling andcomputation in music theory. The Journal focuses onmathematical approaches to musical structures andprocesses, including mathematical investigations intomusic-theoretic or compositional issues as well asmathematically motivated analyses of musical worksor performances. 3 issues per yearPrint ISSN: 1745-9737 Online ISSN: 1745-9745 www.informaworld.com/tmam

Journal of Musicological ResearchEditor: Deborah Kauffman, University of NorthernColorado, USA

The Journal of Musicological Research publishesoriginal articles on all aspects of the discipline ofmusic: historical musicology, style and repertorystudies, music theory, ethnomusicology, musiceducation, organology, and interdisciplinary studies. 4 issues per yearPrint ISSN: 0141-1896Online ISSN: 1547-7304www.informaworld.com/gmur

Journal of New Music ResearchEditor: Alan Marsden, Lancaster University, UK

The Journal of New MusicResearch (JNMR) seeks toestablish an interdisciplinaryfoundation for the creationand study of music by meansof the most advancedtechnologies. JNMR draws ondisciplines ranging frommusicology (music theory,aesthetics, sociology),psychology (from

psychoacoustics to cognitive psychology – withemphasis on modelling), acoustics (including soundengineering), computer science (from signalprocessing to artificial intelligence), philosophy(epistemology and methodology) to brain sciences.4 issues per yearPrint ISSN: 0929-8215Online ISSN: 1744-5027www.informaworld.com/nnmr

NEW TO ROUTLEDGE IN 2009

Journal of the Royal MusicalAssociationEditor: Rachel Cowgill, University of Leeds, UK

The Journal of the Royal Musical Association is oneof the major international refereed journals in itsfield. Its editorial policy is to publish outstandingarticles in fields ranging from historical and criticalmusicology to theory and analysis, ethnomusicology,and popular music studies. The journal works todisseminate knowledge across the discipline andcommunicate specialist perspectives to a broadreadership, while maintaining the highest scholarlystandards.2 issues per yearPrint ISSN: 1471-6933Online ISSN: 0269-0403www.informaworld.com/jrma

Music Education ResearchEditor-in-Chief: Sarah Hennessy, University ofExeter, UK

Music Education Research focuses firmly onresearch, and the journal provides an internationalforum for cross-cultural investigations anddiscussions relating to all areas of music education. 3 issues per yearPrint ISSN: 1461-3808Online ISSN: 1469-9893www.informaworld.com/cmue

MuzikiJournal of Music Research in Africa

Co-Published with UNISA Press

Editors: George T. King, University of South Africa,RSA and Chris Walton, University of Pretoria, RSA

Research into the music of Africa has for many yearsbeen concentrated in the American and Europeandiaspora. It has further been characterized by thesame divisions as music research elsewhere, be theybetween ethnomusicologists and musicologists, ortheorists and historians. The journal wishes toestablish a unified African voice for African musicresearch. Through its juxtaposition of the historicaland the theoretical, the indigenous, the popular andthe ‘Western,’ it intends to reflect the diversity ofAfrican musics and the research that they inspire. 2 issues per yearPrint ISSN: 1812-5980 Online ISSN: 1753-593X

Popular Music and SocietyEditor: Gary Burns, Northern Illinois University, UK

Popular Music and Society publishes articles, bookreviews, and audio reviews on popular music of anygenre, time period, or geographic location. Thejournal is open to all scholarly orientations towardpopular music. 5 issues per yearPrint ISSN: 0300-7766Online ISSN: 1740-1712www.informaworld.com/rpms

A/B/CAcoustic Blues Guitar Styles . . . . . . . . . . . . . . . . . . .17

Acoustic Guitar Styles . . . . . . . . . . . . . . . . . . . . . . .17

Acting in Musical Theatre . . . . . . . . . . . . . . . . . . . .18

African American Music . . . . . . . . . . . . . . . . . . . . . . .4

African Diaspora . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Agawu, Kofi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Alan Lomax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Alban Berg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Alberto Ginastera . . . . . . . . . . . . . . . . . . . . . . . . . .21

America’s Songs . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Arnold, Alison . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Art Song, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Auner, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Auslander, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Bad Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Badura-Skoda, Eva . . . . . . . . . . . . . . . . . . . . . . . . . .11

Badura-Skoda, Paul . . . . . . . . . . . . . . . . . . . . . . . . .11

Bale, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Barker, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Barz, Gregory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Basics, The (series) . . . . . . . . . . . . . . . . .4, 8, 9, 10, 18

Bateman, Anthony . . . . . . . . . . . . . . . . . . . . . . . . . .20

Beard, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Beck, John H. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Beckford, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Benitez, Vincent . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Benjamin, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . .15

Bennett, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Bent, Margaret . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Bernstein, Arthur . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Between Opera and Cinema . . . . . . . . . . . . . . . . . .19

Blatter, Alfred . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Bloom, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Blues Bibliography, A . . . . . . . . . . . . . . . . . . . . . . . .23

Blues Lyric Formula, The . . . . . . . . . . . . . . . . . . . . . .10

Blues: The Basics . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Bogue, Ronald . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Bohlman, Philip V. . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Brazilian Popular Music and Globalization . . . . . . . . .6

Brett, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Brief History of Rock, Off the Record, A . . . . . . . . . . .6

Broadcasting the Blues . . . . . . . . . . . . . . . . . . . . . . .10

Broadway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Brown, Andrew R. . . . . . . . . . . . . . . . . . . . . . . . . . .17

Bruce Springsteen . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Bull, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Burgess, Thomas De Mallet . . . . . . . . . . . . . . . . . . .19

Burnim, Mellonee V. . . . . . . . . . . . . . . . . . . . . . . . . .4

Bush, Douglas . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Cahn, William L . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Cateforis, Theo . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Century of American Popular Music, A . . . . . . . . . .23

Charles François Gounod . . . . . . . . . . . . . . . . . . . . .21

Choral Conducting . . . . . . . . . . . . . . . . . . . . . . . . . .16

Chronology of American Popular Music, 1900-2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Chronology of Western Classical Music, 1751-2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Clark, Walter Aaron . . . . . . . . . . . . . . . . . . . . . . . . . .6

Classic American Popular Song . . . . . . . . . . . . . . . .18

Classical Music, Why Bother? . . . . . . . . . . . . . . . . . .12

Clayton, Martin . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Club Cultures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

JOURNALS INDEX 25



Cohen, Ronald . . . . . . . . . . . . . . . . . . . . . . . . . . . .6, 8

Collins, Nicolas . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Comeau, Gilles . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Composing for Voice . . . . . . . . . . . . . . . . . . . . . . . .19

Computers in Music Education . . . . . . . . . . . . . . . .17

Concise Garland Encyclopedia of World Music, The . .2

Contemporary Music Studies (series) . . . . . . . . . . . .16

Conversing with Cage . . . . . . . . . . . . . . . . . . . . . . .11

Cook, Orlanda . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Counterpoint, Composition and Musica Ficta . . . . . .15

Craft of Modal Counterpoint, The . . . . . . . . . . . . . .15

Craft of Tonal Counterpoint, The . . . . . . . . . . . . . . .15

Creative Music Composition . . . . . . . . . . . . . . . . . . .16

Creative Music Making . . . . . . . . . . . . . . . . . . . . . .17

Crisis of Music in Early Modern Europe, 1470-1530, The . . . . . . . . . . . . . . . . . . . . . . . . . .11

Critical and Cultural Musicology (series) . . . . . . . .6, 19

Criticism and Analysis of Early Music (series) . . . . . .15

Crook, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Cullen, Frank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Cultural Study of Music, The . . . . . . . . . . . . . . . . . . .5

Current Research in Ethnomusicology: Outstanding Dissertations (series) . . . . . . . . . . . . . . . . . . . . . . . .5

D/E/FDal Vera, Rocco . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Damage Incorporated . . . . . . . . . . . . . . . . . . . . . . . .8

Danielson, Virginia . . . . . . . . . . . . . . . . . . . . . . . . . .23

Daughtry, J. Martin . . . . . . . . . . . . . . . . . . . . . . . . . .7

Day John Met Paul, The . . . . . . . . . . . . . . . . . . . . . . .8

Deems Taylor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Deer, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Deleuze and the Arts (series) . . . . . . . . . . . . . . . . . .20

Deleuze on Music, Painting and the Arts . . . . . . . . .20

Derno, Maiken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Dettmar, Kevin J.H. . . . . . . . . . . . . . . . . . . . . . . . . . .8

DeVito, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Dickinson, Kay . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Digital Musician, The . . . . . . . . . . . . . . . . . . . . . . . .13

du Perron, Lalita . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Duckworth, William . . . . . . . . . . . . . . . . . . . . . . . . .14

Dunlap, Kay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Dunn, Christopher . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Durrant, Colin . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

East Asia: History, Politics, Sociology and Culture (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Eighteenth-Century Keyboard Music . . . . . . . . . . . .11

Electronic and Experimental Music . . . . . . . . . . . . . .13

Ella Fitzgerald . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Encyclopedia of American Gospel Music . . . . . . . . .23

Encyclopedia of Keyboard Instruments (series) . . . . .24

Encyclopedia of Percussion . . . . . . . . . . . . . . . . . . .24

Encyclopedia of Recorded Sound . . . . . . . . . . . . . . .24

Encyclopedia of the Blues . . . . . . . . . . . . . . . . . . . .24

Ethnomusicologists’ Cookbook, The . . . . . . . . . . . . . .5

Ethnomusicology . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Everett, Walter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Exploring the Networked Worlds of Popular Music . .8

Expression in Pop-Rock Music . . . . . . . . . . . . . . . . . .6

Filler, Susan M. . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Film Music: A History . . . . . . . . . . . . . . . . . . . . . . . .19

Fineberg, Joshua . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Fisher, Jeremy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Flynn, Timothy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Focus on World Music Series (series) . . . . . . . . . . .3, 4

Focus: Caribbean Music . . . . . . . . . . . . . . . . . . . . . . .4

Focus: Gamelan Music of Indonesia . . . . . . . . . . . . . .3

Focus: Irish Traditional Music . . . . . . . . . . . . . . . . . . .4

Focus: Music, Nationalism, and the Making of a New Europe . . . . . . . . . . . . . . . . . . . . . . . . . .4

Focus: Music of Northeast Brazil . . . . . . . . . . . . . . . .4

Focus: Music of South Africa . . . . . . . . . . . . . . . . . . .3

Folk Music: The Basics . . . . . . . . . . . . . . . . . . . . . . . .8

Ford, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Form and Method: Composing Music . . . . . . . . . . .16

Forman, Murray . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Franz Liszt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Frederick Delius . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Frith, Simon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

From Tejano to Tango . . . . . . . . . . . . . . . . . . . . . . . .6

Fujioka, Yasuhiro . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Furia, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

G/H/IGaetano Donizetti . . . . . . . . . . . . . . . . . . . . . . . . . .21

Gallo, Denise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Garland Encyclopedia of World Music (series) . . . . .23

Garland Encyclopedia of World Music Set, The . . . .23

Garland Encyclopedia of World Music, The . . . . . . .23

Garland Handbook of African Music, The . . . . . . . . .2

Garland Handbook of Latin American Music, The . . .2

Garland Handbook of Southeast Asian Music, The . .3

Garland Handbooks of World Music (series) . . . . .2, 3

Get Your Ass in the Water and Swim Like Me . . . . .10

Gioachino Rossini . . . . . . . . . . . . . . . . . . . . . . . . . .21

Giovanni Pierluigi da Palestrina . . . . . . . . . . . . . . . .21

Girl Groups, Girl Culture . . . . . . . . . . . . . . . . . . . . . .7

Gloag, Kenneth . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Global Minstrels . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Global Music Industry, The . . . . . . . . . . . . . . . . . . . .14

Global Pop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Goertzen, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Green, Douglass . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Guitar Tunings . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Guralnick, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Gustav and Alma Mahler . . . . . . . . . . . . . . . . . . . .22

Hagedorn, Katherine J. . . . . . . . . . . . . . . . . . . . . . . .4

Hall, Charles John . . . . . . . . . . . . . . . . . . . . . . . . . .23

Hallmark, Rufus . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Handmade Electronic Music . . . . . . . . . . . . . . . . . . .13

Harpsichord and Clavichord, The . . . . . . . . . . . . . . .24

Hefling, Stephen . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Herbert, Trevor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Hindi Poetry in a Musical Genre . . . . . . . . . . . . . . . . .5

Hodson, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Hoffmann, Frank . . . . . . . . . . . . . . . . . . . . . . . .23, 24

Holmes, Thom . . . . . . . . . . . . . . . . . . . . . . . . . .13, 14

Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia, The . . . . . .5

Houseman, Barbara . . . . . . . . . . . . . . . . . . . . . . . . .19

How To Play Classic Jazz Guitar . . . . . . . . . . . . . . . .17

Hugill, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Hull, Geoffrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

In Focus: Routledge Film Readers (series) . . . . . . . . .19

Interaction, Improvisation, and Interplay in Jazz . . . . .9

International Who’s Who in Classical Music 2009 . .22

International Who’s Who in Popular Music 2009 . . .22

Interpreting Mozart . . . . . . . . . . . . . . . . . . . . . . . . .11

Is Jazz Dead? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Is Rock Dead? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

J/K/LJackson, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Jackson, Roland . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Jarman-Ivens, Freya . . . . . . . . . . . . . . . . . . . . . . . . . .7

Jasen, David A. . . . . . . . . . . . . . . . . . . . . . .10, 23, 24

Jazz: the Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Jenness, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Jesus Dub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Joe, Jeongwon . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

John Cage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

John Coltrane Reference, The . . . . . . . . . . . . . . . . . .9

Johnson, Steven . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Jones, Evan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Jones, Gene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Kaeppler, Adrienne . . . . . . . . . . . . . . . . . . . . . . . . .23

Karlin, Fred . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Kassel, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Kayes, Gillyanne . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Kelly, Stephen N. . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Keyboard Music Before 1700 . . . . . . . . . . . . . . . . . .11

Keyboard Music of J.S. Bach, The . . . . . . . . . . . . . .11

Kipnis, Igor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Kitts, Thomas M. . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Komara, Edward . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Koskoff, Ellen . . . . . . . . . . . . . . . . . . . . . . . . . . .5, 23

Kostelanetz, Richard . . . . . . . . . . . . . . . . . . . . . . . .11

Kotarba, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Krims, Adam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Lasser, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Learning to Teach in the Secondary School Series (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Learning to Teach Music in the Secondary School . .16

Lee, Douglas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Lerner, Neil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Liturgy and Contemplation in Byrd’s Gradualia . . . .12

Liveness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Lochhead, Judy . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Love, J.W. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Luck’s In My Corner . . . . . . . . . . . . . . . . . . . . . . . . . .9

Luttmann, Stephen . . . . . . . . . . . . . . . . . . . . . . . . .21

Lydon, Michael . . . . . . . . . . . . . . . . . . . . . . .8, 14, 17

M/N/OMaking Music in Japan’s Underground . . . . . . . . . . .5

Making of the Sound of Music, The . . . . . . . . . . . . .18

Mandel, Howard . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Marcus, Scott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Mark, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Marsh, Dave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Marsh, Peter K. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Marshall, Lee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Marshall, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Master Musicians of India . . . . . . . . . . . . . . . . . . . . .5

Masterworks of 20th-Century Music . . . . . . . . . . . .12

Mathews, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Matsue, Jennifer Milioto . . . . . . . . . . . . . . . . . . . . . .5

Maultsby, Portia K. . . . . . . . . . . . . . . . . . . . . . . . . . . .4

May, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

McAdams, Stephen . . . . . . . . . . . . . . . . . . . . . . . . .16

McCalla, James . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

McCarthy, Kerry . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

INDEX26




McNeil, W. K. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Meeder, Christopher . . . . . . . . . . . . . . . . . . . . . . . . .9

Mendelssohn Essays . . . . . . . . . . . . . . . . . . . . . . . . .11

Middleton, Richard . . . . . . . . . . . . . . . . . . . . . . . .5, 8

Miles, Ornette, Cecil . . . . . . . . . . . . . . . . . . . . . . . . .9

Miller, Terry E. . . . . . . . . . . . . . . . . . . . . . . . . .1, 3, 23

Mind Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Mockus, Martha . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Monson, Ingrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Montgomery, Alan . . . . . . . . . . . . . . . . . . . . . . . . . .19

Movie Music, The Film Reader . . . . . . . . . . . . . . . . .19

Muller, Carol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Music and Copyright . . . . . . . . . . . . . . . . . . . . . . . .14

Music and Urban Geography . . . . . . . . . . . . . . . . . .20

Music Cultures in the United States . . . . . . . . . . . . . .5

Music Education . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Music in the Post-9/11 World . . . . . . . . . . . . . . . . . .7

Music Publishing . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Music Theory Through Improvisation . . . . . . . . . . . .15

Music with the Under-Fours . . . . . . . . . . . . . . . . . . .16

Musicology: The Key Concepts . . . . . . . . . . . . . . . .12

Neal, Mark Anthony . . . . . . . . . . . . . . . . . . . . . . . . .8

Nettl, Bruno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

New York Schools of Music and the Visual Arts, The 12

Nicholson, Stuart . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Nicolas Slonimsky: Writings on Music . . . . . . . . . . .12

Nidel, Richard O . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Nineteenth-Century Chamber Music . . . . . . . . . . . .11

Nineteenth-Century Piano Music . . . . . . . . . . . . . . .11

Nyre, Lars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

O’Donnell, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Oh Boy! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Oliver, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Olivier Messiaen . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Olmstead, Andrea . . . . . . . . . . . . . . . . . . . . . . . . . .12

Olsen, Dale A. . . . . . . . . . . . . . . . . . . . . . . . . .2, 5, 23

On the Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

O’Neal, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Opera Coaching . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Opera: The Basics . . . . . . . . . . . . . . . . . . . . . . . . . .18

Operetta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Orchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Organ, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

P/Q/RPalmieri, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Pankhurst, Thomas . . . . . . . . . . . . . . . . . . . . . . . . .15

Patterson, David . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Paul Hindemith . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Pegolotti, James . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Percussionists’ Guide to Injury Treatment andPrevention, The . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Performance Practice . . . . . . . . . . . . . . . . . . . . . . . .24

Perrone, Charles A. . . . . . . . . . . . . . . . . . . . . . . . . . .6

Philpott, Christopher . . . . . . . . . . . . . . . . . . . . . . . .16

Piano Pedagogy . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Piano, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Pillsbury, Glenn . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Plantenga, Bart . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Playing the Violin . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Pollock, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Popular Music of Vietnam . . . . . . . . . . . . . . . . . . . . .5

Popular Music Studies Reader, The . . . . . . . . . . . . . . .7

Popular Music: The Key Concepts . . . . . . . . . . . . . . .7

Porter, James . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Porter, Lewis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Post, Jennifer C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Postmodern Music/Postmodern Thought . . . . . . . . .12

Principles and Practice of Counterpoint, Vol. 1, The .15

Principles and Practice of Counterpoint, Vol. 2, The .15

Promoting Your Music . . . . . . . . . . . . . . . . . . . . . . .14

Provine, Robert C. . . . . . . . . . . . . . . . . . . . . . . . . . .23

Queering the Pitch . . . . . . . . . . . . . . . . . . . . . . . . . .12

Queering the Popular Pitch . . . . . . . . . . . . . . . . . . . .7

Qureshi, Regula Burckhardt . . . . . . . . . . . . . . . . . . . .5

Ragtime . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Ray Charles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Ray Davies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Recording Industry, The . . . . . . . . . . . . . . . . . . . . . .14

Representing African Music . . . . . . . . . . . . . . . . . . . .6

Revisiting Music Theory . . . . . . . . . . . . . . . . . . . . . .16

Reynolds, Dwight . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Reynolds, Roger . . . . . . . . . . . . . . . . . . . . . . . . .12, 16

Rhythm, Music, and the Brain . . . . . . . . . . . . . . . . .20

Rice, Timothy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Rief, Silvia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Ritter, Jonathan . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Robins, Wayne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Rock History Reader, The . . . . . . . . . . . . . . . . . . . . . .6

Rock Song Index . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Roger Sessions . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Routledge Advances in Sociology (series) . . . . . . . . . .8

Routledge Critical Thinkers (series) . . . . . . . . . . . . . .20

Routledge Guide to Broadway . . . . . . . . . . . . . . . . .18

Routledge Guide to Music Technology, The . . . . . . .14

Routledge Key Guides (series) . . . . . . . . . . . . . . .8, 12

Routledge Music Bibliographies (series) . . . . . . . . . .21

Routledge Studies in Ethnomusicology (series) . . . . . .5

Routledge Studies in Musical Genres (series) . . .10, 11

Royal Asiatic Society Books (series) . . . . . . . . . . . . . . .5

Rush, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Rycenga, Jennifer . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

S/T/USaffle, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Sandberg, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Sarath, Ed W. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

SchenkerGUIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Schmaler, Wolf . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Schulenberg, David . . . . . . . . . . . . . . . . . . . . . . . . .11

Sekine, Naoki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Shahriari, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . .1

Shank, Barry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Sheehy, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . .2, 23

Shuker, Roy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Silbiger, Alexander . . . . . . . . . . . . . . . . . . . . . . . . . .11

Simms, Bryan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Singer’s Companion, The . . . . . . . . . . . . . . . . . . . . .19

Singing and Acting Handbook, The . . . . . . . . . . . . .19

Singing and the Actor . . . . . . . . . . . . . . . . . . . . . . .19

Singing For Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Singing With Your Own Voice . . . . . . . . . . . . . . . . .19

Situating Salsa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Skilbeck, Nicholas . . . . . . . . . . . . . . . . . . . . . . . . . .19

Slonimsky, Nicolas . . . . . . . . . . . . . . . . . . . . . . . . . .12

Slonimsky’s Book of Musical Anecdotes . . . . . . . . . .12

Sobel, Ron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Songwriting Success . . . . . . . . . . . . . . . . . . . . . . . .14

Sound Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Sound Moves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Sounding Off: Theorizing Disability in Music . . . . . .20

Sounding Out: Pauline Oliveros andLesbian Musicality . . . . . . . . . . . . . . . . . . . . . . . . .12

Spiller, Henry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Sporting Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Spreadin’ Rhythm Around . . . . . . . . . . . . . . . . . . . .10

Spruce, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Stohrer, Sharon L. . . . . . . . . . . . . . . . . . . . . . . . . . .19

Stone, Ruth M. . . . . . . . . . . . . . . . . . . . . . . . . . .2, 23

Strange Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Straus, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Studies in Contemporary Music and Culture (series) .12

Studies on New Music Research (series) . . . . . . . . . .20

Taft, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Talkin’ to Myself . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Taylor, Timothy D . . . . . . . . . . . . . . . . . . . . . . . . .5, 14

Teaching Music in American Society . . . . . . . . . . . . .16

That’s the Joint! . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Thaut, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Theodor Adorno . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Theresa, Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Thomas, Gary C . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Tin Pan Alley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Todd, R. Larry . . . . . . . . . . . . . . . . . . . . . . . . . .10, 11

Tokumaru, Yosihiko . . . . . . . . . . . . . . . . . . . . . . . . .23

Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Traubner, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Twentieth-Century Chamber Music . . . . . . . . . . . . .11

Understanding Popular Music Culture . . . . . . . . . . . .7

Understanding Society through Popular Music . . . . . .7

V/W/Yvan Singel, Amy . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Vannini, Phillip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Vaudeville, Old and New . . . . . . . . . . . . . . . . . . . . .24

Velsey, Donald . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Vincenzo Bellini . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Virtual Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Vocal Chamber Music . . . . . . . . . . . . . . . . . . . . . . .24

Voice of the Blues, The . . . . . . . . . . . . . . . . . . . . . .10

Voicing the Popular . . . . . . . . . . . . . . . . . . . . . . . . . .8

Wald, Elijah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Warwick, Jacqueline . . . . . . . . . . . . . . . . . . . . . . . . .7

Washburne, Christopher J. . . . . . . . . . . . . . . . . . . . . .8

Waxer, Lise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Webb, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Weeks, Todd Bryant . . . . . . . . . . . . . . . . . . . . . . . . . .9

Wegman, Rob C. . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Weissman, Dick . . . . . . . . . . . . . . . . . . . . . .10, 14, 17

Whiteley, Sheila . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Wierzbicki, James . . . . . . . . . . . . . . . . . . . . . . . . . .19

Wild, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Wilk, Max . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Wilkins, Margaret Lucy . . . . . . . . . . . . . . . . . . . . . .16

Williams, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Williams, Sean . . . . . . . . . . . . . . . . . . . . . . . . . .3, 4, 5

Wilson, Ross . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Winchester, Barbara . . . . . . . . . . . . . . . . . . . . . . . . .24

Witzleben, J. Lawrence . . . . . . . . . . . . . . . . . . . . . .23

Wolfgang Amadeus Mozart . . . . . . . . . . . . . . . . . . .21

Wood, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . . . . .12

27



INDEX

Workman, Dr. Darin “Dutch” . . . . . . . . . . . . . . . . .17

World Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

World Music: The Basics . . . . . . . . . . . . . . . . . . . . . .4

Wright, Rayburn . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Yodel-Ay-Ee-Oooo . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Young, Susan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Yourke, Electra . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

INDEX28




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