narratives in a documentary

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Narratives in a Documentary Joseph Toyer

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presentation on how narratives are done in doumentaries

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Page 1: Narratives in a Documentary

Narratives in a Documentary

Joseph Toyer

Page 2: Narratives in a Documentary

What is a Narrative?O The narrative is the account of connected events

making the story, which can be spoken or written.O This is not to be mistaken with a plot, which would

follow the scripted writing of the story whilst the narrative follows the timeline of events told in the text.

O The role of a narrator comes from the narrative, in which it would be told to the audience alike to being read a book, though this is not compulsory for all narratives.

O Narrative comes from the late middle English language in the form of an adjective based on the French word ‘narratif’ and further back ‘narrativus’ in late Latin.

Page 3: Narratives in a Documentary

How is a Documentary Narrative Structured?

O The narrative of a documentary depends on what type of documentary is being produced.

O Documentary films would generally have the same style of narrative that a fictional film would include.

O Some documentaries use the multi-strand narrative for such as ‘Barely Legal Drivers’ which usually focuses on three different stories per run whereas others like ‘Meerkat Manor’ follow one story at a time.

O In most cases, the narrative is based on facts or the true events themselves, though sometimes (i.e. with Mockumentaries), the narrative would be re-written so it would not only be informative but also entertaining.

Page 4: Narratives in a Documentary

Vladimir Propp’s Theory

O This is the theory of characters in the media text fitting a certain caption, as an example, your main character could be the ‘hero’ figure.

O This is a useful theory, particularly for creating fictional characters however only going by this would make them ‘Two-dimensional’.

Page 5: Narratives in a Documentary

Is Propp’s Theory Useful?

O I believe for most Documentaries I would say this theory is not so useful, unless the subject matter being documented involves rivalries.

O There are some documentaries however in which this theory could be applied, such as ‘Meerkat Manor’, this making predators to Meerkats appear as the ‘villain’ characters. Crime documentaries could also interpret criminals in such a way should they be featured on screen.

O However for my documentary, Propp’s theory would not be relevant to finding out what makes people laugh or making a documentary of such the matter.

Page 6: Narratives in a Documentary

Tzvetan Todorov’s Theory

O This theory is based upon the three stages of a storyline; the beginning, middle and ending.

O Todorov interprets the narrative to start with an initial equilibrium in which everything (usually) would be normal.

O However the disequilibrium would interrupt this as the stage when the problem in the story is introduced and the consequences of such are shown.

O By taking action against the disequilibrium and defeating the problem. The solution of the situation, which is usually different from the beginning stage is the form of a new equilibrium.

Page 7: Narratives in a Documentary

Is Todorov’s Theory Useful?

O Generally this theory could apply to anything, including reality, as there is always a problem in life to overcome.

O For my own documentary, the original equilibrium would be the curiosity of what makes people laugh, and then going along hopefully to a new equilibrium of finding out what the answer to the question is.

Page 8: Narratives in a Documentary

Roland Barthes’ TheoryO Roland’s theory, is about the narrative

being broken down into codes and rules. These are used to control how the information is represented to the audience.

O There are four codes:O Action CodeO Enigma CodeO Semantic CodeO Cultural Code

Page 9: Narratives in a Documentary

Is Barthes’ Theory Useful?Action Code

O The action code claims for narratives to be resolved through action. This usually being an act of violence, by villain and/or hero.

O My documentary requires no action of such the sort as I intend to find out information rather than resolve conflicts by violence. Therefore the Action Code would not be useful.

Page 10: Narratives in a Documentary

Is Barthes’ Theory Useful?Enigma Code

O The Enigma Code is the device used to question the audience and keep them interested in a subject matter. It does so by presenting riddles or puzzles that need to be solved.

O Sometimes extensive use is made of this code, such as Steven Moffat’s ‘Sherlock’ and ‘Doctor Who’, or spy films like the ‘James Bond’ collection.

O This theory can be applied to non fiction as well as the headlines of a newspaper subtlety provide details of the stories that are featured in the paper.

O I believe this is the central code of my documentary as I want to explore into what it is that makes people laugh and will therefore be trying to solve a puzzle, that this theory has created.

Page 11: Narratives in a Documentary

Is Barthes’ Theory Useful?Semantic Code

O The Semantic Code refers to part of the media text suggesting additional meaning, alike to connotation.

O Elements in the Semantic Code are called Semes. This is what has the connotative function in media texts, there being an extra meaning beneath it’s literal meaning.

O Although I don’t believe this would be useful in my documentary, it is possible that it may have some relevance to answering the question because sometimes it’s the hidden meanings behind a joke placed into a comedy that makes people laugh.

Page 12: Narratives in a Documentary

Is Barthes’ Theory Useful?Cultural Code

O This refers to anything within the media text referring to an external body of knowledge such as knowledge of culture, science, history or politics.

O This may not be the main code used in my documentary, however it is relevant to the culture of the people that contribute to answering the question, as humour is subject to opinion.

Page 13: Narratives in a Documentary

Levi Strauss’ TheoryO Along side Barthes, Strauss saw that the way we

understand some ideas or words depends not on their own meaning but by having an understanding of it’s binary opposite.

O This can be explained using a coin, you understand one side from knowing the other. This can be applied to binary opposites such as happiness and misery, requiring each other for either one of them to exist, like the two sides of the coin.

O It’s relevance to narrative comes from Strauss’ belief that binary opposites are essential to the development of a narrative as the opposition is what drives the story forward.

Page 14: Narratives in a Documentary

Is Strauss’ Theory Useful?

O I doubt that this theory would help me with my documentary, however I can understand how the theory becomes relevant to my documentary.

O Because I intend to explore what makes people laugh, I might also have to be aware of what would make them cry, this being the binary opposite of laughter.