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National 5 Musical Periods and Style s

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National 5 Musical Periods and Styles. Concepts. AB Atonal Chorus Cluster Contrapuntal Counter melody Ground bass Impressionism Polyphonic Symphony Aria Binary Classical Coda Contrary Motion Cross rhythm Homophonic Inverted pedal Rondo. Binary Form (AB). - PowerPoint PPT Presentation

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Page 1: National  5  Musical Periods and Styles

National 5 Musical Periods and Styles

Page 2: National  5  Musical Periods and Styles

Concepts

• AB• Atonal• Chorus• Cluster• Contrapuntal• Counter melody• Ground bass• Impressionism• Polyphonic• Symphony

• Aria• Binary• Classical• Coda• Contrary Motion• Cross rhythm• Homophonic• Inverted pedal• Rondo

Page 3: National  5  Musical Periods and Styles

Binary Form (AB)

• Two-part form - music in two sections: A then B. These sections may be repeated.

Page 4: National  5  Musical Periods and Styles

Ternary Form (ABA)National 4 re-cap

• Three-part form – Music in three sections: section A, then B, then back to A.

Page 5: National  5  Musical Periods and Styles

Rondo (ABACADA…)• A B A C A….. A form where the first section (A)

keeps returning, in between different sections – B, C etc.

Page 6: National  5  Musical Periods and Styles

Coda

• A passage at the end of a piece of music which rounds it off effectively.

Haydn - Surprise SymphonyHall of the Mountain King

Page 7: National  5  Musical Periods and Styles

Strophic

• A song which has the same music repeated for verses/choruses, therefore the music will be heard repeating throughout the song.

Beach Boys - I Get AroundSchubert - Das WadernElgar - In Haven

Page 9: National  5  Musical Periods and Styles

Ground Bass

• A theme in the bass which is repeated many times while the upper parts are varied.

Bach - Passacaglia in C minorPachelbel Canon in DPurcell - When I am Laid on Earth (starts 1.30s)

Page 11: National  5  Musical Periods and Styles

Alberti Bass• Broken chords played by the left hand outlining

harmonies whilst the right hand plays the melody.• Classical composers such as Haydn and Mozart used this

technique extensively in their piano music. The chord is played in the order: low - high - middle - high.

Mozart Sonata in CMozart Piano Concerto no.26Beethoven Pathetique Sonata

A CB

C ED F G

Page 12: National  5  Musical Periods and Styles

Symphony• A large work for orchestra usually in four

movements.• In the Classical period the movements were

normally fast, slow, minuet and trio, fast.

Beethoven Symphony no.5Haydn Symphony 'Clock‘Brahms Symphony no.4Tchaikovsky Symphony no.4Mahler Symphony no.5

Page 13: National  5  Musical Periods and Styles

Atonal• Atonal music has no

feeling of key, major or minor. It is very dissonant, and it will lack a 'nice' melody and accompaniment. Atonal music is a feature of some 20th-century music.

Schoenberg - 6 Little Pieces for Orchestra

Page 15: National  5  Musical Periods and Styles

Messian Quartet for the end of timeBerg Lyric SuiteBoulez - The Hammer Without a Master

Page 16: National  5  Musical Periods and Styles
Page 17: National  5  Musical Periods and Styles

Chromatic Scale/Tones and Semitones

Page 18: National  5  Musical Periods and Styles

Cluster

• A term used to describe a group of notes, which clash, played together

Piano ClustersSchoenberg - A Survivor from Warsaw

Page 19: National  5  Musical Periods and Styles

Five Orchestral Pieces

• Five Orchestral Pieces is an atonal Expressionist piece. It was completed in 1909. The first performance took place in London in 1912.

• Schoenberg described it as "a vivid, uninterrupted succession of colours and moods". Peripetie is the fourth movement.

• Peripetie can be translated as 'a sudden change of fortune'.

Page 20: National  5  Musical Periods and Styles

Peripetie

This is the fourth movement from Schoenberg’s 5 Orchestral Pieces. It is a very intense, restless, dramatic work which frequently shifts in orchestration, speed and mood.

The movement opens with seven motifs (short musical ideas) played loudly (forte), one after the other. We are going to look at the first three of these motifs. Each motif has its own mood and character.

Page 21: National  5  Musical Periods and Styles

Motif A

Motif A opens the movement. It is a short fanfare played by three clarinets, a bass clarinet and three bassoons. Notice the use of triplets and the six different pitches.

The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted trumpets and four trombones. Trombones 1 and 2 play a glissando (a slide).

Page 22: National  5  Musical Periods and Styles

Motif B

Next comes Motif B for three flutes and piccolo, three oboes and cor anglais, plus three clarinets in B flat and one in D (a very unusual clarinet). Notice all the accidentals creating the dissonant chord at the end of the motif.

Page 23: National  5  Musical Periods and Styles

Motif C

Next we hear the powerful sound of six horns playing motif C, another angular line. Again the motif is in triplets but this time triplet quavers. Notice the use of the dissonant interval of a 7th.

Page 24: National  5  Musical Periods and Styles

Cross Rhythms• Term used to describe the effect of two notes being played

against three (eg in piano music it might be groups of two quavers in the right hand and groups of triplets in the left).

• The term is also used to describe the effect that occurs when the accents in a piece of music are different from those suggested by the time signature (eg the division of 4/4 time into 3+3+2 quavers).

Page 25: National  5  Musical Periods and Styles

Cross Rhythms

West Side Story – AmericaDebussy - Arabesque No. 1 Blue Rondo A La Turk - Dave BrubeckPolyrhythms

Page 26: National  5  Musical Periods and Styles

Impressionism• A term borrowed from painting in which brief musical ideas

merge and change to create a rather blurred, hazy and vague outline. Debussy was an important composer of this style.

• This painting by Monet is hazy and blurred – creating an 'impression' rather than showing clear lines. Impressionist music is similar in that it doesn’t have clearly defined strong melody lines, but aims to create atmosphere.

Page 28: National  5  Musical Periods and Styles

Whole Tone Scale

• A scale containing no semitones but built entirely on whole tones. Debussy used the whole-tone scale in some of his pieces which were influenced by Impressionism. A whole-tone scale on C is shown below.

Page 29: National  5  Musical Periods and Styles

Minimalist• A development in the second half of the 20th

century based on simple rhythmic and melodic figures which are constantly repeated with very slight changes each time.

Anna’s LightZip Paintings

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So What is Minimalism...apart from a long word?!

Less is more Small amount of music

Repetition - ostinato

Trance like - hypnotic

Looping of different motifs and patters

Very simple yet sounds complicated

Lot of music with little changes

Building of layers

diatonic

No dynamics/tempo

Page 32: National  5  Musical Periods and Styles

The Technological Part

• Composers can use software like Cubase/Gargeband to help them compose minimalist music.

• Its very easy to make minimalist music on Garageband – as you can copy and paste tracks, so that it is repetitive – a very important feature of Minimalism!

Page 33: National  5  Musical Periods and Styles

Minimalism from around the World

WESTEREN AFRICA – cross rhythms - drumming

In Indonesian gamelan, the pieces are very spiritual and hypnotic – these ideas are also used in minimalist music. Gamelan also uses lots of layering of different percussion instruments – it is very repetitive, and each instrument is layered on top of each other.

In India, the tala (percussion) rhythm is always repeated, or looped. We use this a lot in minimalist music.

Page 34: National  5  Musical Periods and Styles

Minimalism

Steve Reich - Music for 18 MusiciansSteve Reich - Six MarimbasJohn Adams - The Chairman DancePhilip Glass – KoyaanisqatsiPhilip Glass - Two PagesMike Oldfield - Tubular bells

Page 35: National  5  Musical Periods and Styles

Reverb

• An electronic effect which can give the impression of different hall acoustics. For example, reverb can make a piece of music sound as if the performance is taking place in a cathedral.

Glasvegas - Ice Cream VanPink Orange RedPink Floyd - Sorrow

Page 36: National  5  Musical Periods and Styles

Pitch Bend

• Changing the pitch of a note, for example by pushing a guitar string upwards.

Pitch Bend TutorialSmoke On The Water - Guitar Solo - Slow & Close UpIron Maiden - Fear Of The DarkMetallica - Enter SandmanMamma I'm Coming Home – OzzyAC/DC Back in Black

Page 37: National  5  Musical Periods and Styles

Walking Bass

• A bass line (low notes) often featured in a variety of jazz styles. It goes for a walk, up and down a pattern of notes, and is often played on a double bass.

Ray Charles - Mess AroundLiberace Boogie WoogieMiles Davis Quintet – Oleo

Page 38: National  5  Musical Periods and Styles

Gospel

• Music written with religious lyrics, often in praise or thanksgiving to God. Gospel has its origins in African-American culture.

Sister Act 2 (Finale) Lauryn Hill - Joyful JoyfulShackles 'Praise You' (Mary Mary) - ACM Gospel ChoirSoweto Gospel Choir - Amazing GraceOh Happy Day

Page 39: National  5  Musical Periods and Styles

Celtic Rock

• A style of music that mixes Celtic folk music and rock together

Runrig - Live in Loch Lomond - Loch LomondHighlander Celtic Rock Band - Bung Knee Jigs Runrig. Mod for Rockers. Cnoc Na FeilleFferyllt

Page 40: National  5  Musical Periods and Styles

Indian Music

• Music from India which uses instruments such as the sitar and tabla.

Sitar: A plucked, stringed instrument from India. It's basically an Indian guitar – easy to remember because sitar rhymes with guitar.

Tabla: Indian drums often used to accompany the sitar.

Page 41: National  5  Musical Periods and Styles

Other associated concepts at National 5

Page 42: National  5  Musical Periods and Styles

Homophonic (opening)• Texture where you hear melody with accompaniment or

where all the parts play a similar rhythm at the same time.• See how the parts all have the same rhythm here.

Page 43: National  5  Musical Periods and Styles

Contrapuntal

• Texture in which each of two or more parts has independent melodic interest; similar in meaning to polyphonic.

• Texture which consists of two or more melodic lines, possibly of equal importance, which weave independently of each other. Polyphonic is similar in meaning to contrapuntal.

Polyphonic

Page 44: National  5  Musical Periods and Styles

Counter melody

• A melody played against the main melody.

Carmen - En'tracte to Act IIIAlbinonni - Adagio in G minorRachmaninov Piano Concerto no.2 (mov.2 at 10minutes)Malcolm Arnold - Scottish Dance no.3

Page 45: National  5  Musical Periods and Styles

Inverted Pedal

• A note which is held on or repeated continuously at a high pitch. Opposite in pitch to pedal.

Borodin In the Steppes of Central AsiaTam o' Shanter (+ pedal)

Page 46: National  5  Musical Periods and Styles

Contrary Motion

• Two parts move in opposite directions, eg as one part ascends the other part descends.

Philip Glass - Music in Contrary MotionChopin "Chanson de l'adieu" 2.00-2.10s

Page 47: National  5  Musical Periods and Styles

National 5 – Musical Periods and Styles Quiz