www.milfordgalleries.co.nz

NIGEL BROWNM i t r e

25th June - 20th July 2011

Milford Galleries Dunedin18 Dowling Street (03) 477 7727 info@milfordhouse.co.nz

1. NIGEL BROWN, Mitre Milford (2010)

acrylic on paper, frame (v x h x d): 1291 x 916 x 60 mm, painted image (v x h): 935 x 605 mm

1. DETAIL VIEW NIGEL BROWN, Mitre Milford (2010)

2. NIGEL BROWN, Peak Demand (2011)

acrylic on paper, frame (v x h x d): 1222 x 912 x 60 mm, painted image (v x h): 863 x 605 mm

2. DETAIL VIEW NIGEL BROWN, Peak Demand (2011)

3. NIGEL BROWN, Global Positioning (2011)

acrylic on paper, frame (v x h x d): 1211 x 907 x 60 mm, painted image (v x h): 855 x 585 mm

3. DETAIL VIEW NIGEL BROWN, Global Positioning (2011)

4. NIGEL BROWN, Tourist Earth (2011)

acrylic on paper, frame (v x h x d): 1211 x 896 x 60 mm, painted image (v x h): 855 x 580 mm

4. DETAIL VIEW NIGEL BROWN, Tourist Earth (2011)

5. NIGEL BROWN, Might Collapse and Jittery (2011)

acrylic on paper, frame (v x h x d): 1211 x 908 x 60 mm, painted image (v x h): 853 x 595 mm

5. DETAIL VIEW NIGEL BROWN, Might Collapse and Jittery (2011)

6. NIGEL BROWN, Sebastian Aotearoa (2011)

acrylic on paper, frame (v x h x d): 1211 x 907 x 60 mm, painted image (v x h): 850 x 585 mm

6. DETAIL VIEW NIGEL BROWN, Sebastian Aotearoa (2011)

7. NIGEL BROWN, Thinking Saint Sebastian (2011)

acrylic on paper, frame (v x h x d): 1237 x 907 x 60 mm, painted image (v x h): 588 x 870 mm

7. DETAIL VIEW NIGEL BROWN, Thinking Saint Sebastian (2011)

8. NIGEL BROWN, Save Our Water (2011)

acrylic on paper, frame (v x h x d): 1297 x 967 x 60 mm, painted image (v x h): 940 x 655 mm

8. DETAIL VIEW NIGEL BROWN, Save Our Water (2011)

9. NIGEL BROWN, Great Balls of Fire (2011)

acrylic on paper, frame (v x h x d): 1203 x 913 x 60 mm, painted image (v x h): 845 x 595 mm

9. DETAIL VIEW NIGEL BROWN, Great Balls of Fire (2011)

10. NIGEL BROWN, Long Term Nurture (2011)

acrylic on paper, frame (v x h x d): 1227 x 903 x 60 mm, painted image (v x h): 883 x 590 mm

10. DETAIL VIEW NIGEL BROWN, Long Term Nurture (2011)

11. NIGEL BROWN, Black Singlet Milford (2011)

acrylic on paper, frame (v x h x d): 1207 x 907 x 60 mm, painted image (v x h): 850 x 585 mm

11. DETAIL VIEW NIGEL BROWN, Black Singlet Milford (2011)

12. NIGEL BROWN, The Music (2011)

acrylic on paper, frame (v x h x d): 1257 x 893 x 60 mm, painted image (v x h): 900 x 576 mm

12. DETAIL VIEW NIGEL BROWN, The Music (2011)

13. NIGEL BROWN, Deeper Vision (2011)

acrylic on paper, frame (v x h x d): 1242 x 912 x 60 mm, painted image (v x h): 875 x 597 mm

13. DETAIL VIEW NIGEL BROWN, Deeper Vision (2011)

14. NIGEL BROWN, Risk (2011)

acrylic on paper, frame (v x h x d): 1243 x 929 x 60 mm, painted image (v x h): 855 x 595 mm

14. DETAIL VIEW NIGEL BROWN, Risk (2011)

15. NIGEL BROWN, My Film My Script (2011)

acrylic on paper, frame (v x h x d): 1237 x 912 x 60 mm, painted image (v x h): 875 x 593 mm

15. DETAIL VIEW NIGEL BROWN, My Film My Script (2011)

16. NIGEL BROWN, Do We Concentrate on Anything Now? (2011)

acrylic on paper, frame (v x h x d): 1227 x 906 x 60 mm, painted image (v x h): 870 x 587 mm

16. DETAIL VIEW NIGEL BROWN, Do We Concentrate on Anything Now? (2011)

17. NIGEL BROWN, Art Worry No! (2011)

acrylic on paper, frame (v x h x d): 1211 x 891 x 60 mm, painted image (v x h): 855 x 580 mm

17. DETAIL VIEW NIGEL BROWN, Art Worry No! (2011)

18. NIGEL BROWN, Song for a Different World (2011)

acrylic on board, frame (v x h x d): 851 x 651 x 63 mm

18. DETAIL VIEW NIGEL BROWN, Song for a Different World (2011)

19. NIGEL BROWN, How Do We Remember? (2011), acrylic on board, frame (v x h x d): 851 x 652 x 63 mm

19. DETAIL VIEW NIGEL BROWN, How Do We Remember? (2011)

20. NIGEL BROWN, A Few Hundred Years (2011) oil on board, frame

oil on board, frame (v x h x d): 900 x 1305 x 45 mm

21. NIGEL BROWN, Jupiter's Moons (2011) oil on canvas, frame

oil on canvas, frame (v x h x d): 860 x 1620 x 45 mm

22. NIGEL BROWN, Naked in Fiordland (2011)

oil on canvas, frame (v x h x d): 605 x 861 x 35 mm

23. NIGEL BROWN, Humpbacks at Eua, Tonga (2010)

oil on board, frame (v x h x d): 900 x 1318 x 45 mm

22. DETAIL VIEW NIGEL BROWN, Naked in Fiordland (2011)

24. NIGEL BROWN, Ocean Deep: The Humpbacks (2010

2010) oil on board, frame (v x h x d): 898 x 1320 x 45 mm

25. NIGEL BROWN, Kermadec (2011) triptych; acrylic on canvas, frame

triptych; acrylic on canvas, frame (v x h x d): 1010 x 1927 x 47 mm

Nigel Brown is a painter of ideas. He has an acutely developed idiomatic ‘ear’ for the nuances of words and phrases, understanding that everyday use embodies the cultural and social dynamics of its time. In “Mitre” Brown turns to Mitre Peak and addresses it as a touch-stone and as if it is a wailing-wall. At the same time, he uses it as a pluralistic and metaphoric symbol of human endeavour, intellectual thought and layered history. Around it, he circles words, using these like incantations and worry-beads. In layering down these ribbons of thought he encapsulates various resonant political and social dialogues which have immediacy and currency in our time. He subjects one of NZ’s tourism clichés and most enduring landscape symbols to the “tangents of subversive questioning” and the “colliding forces … of pathos, irony and humour and endless possibilities.”(1) In his characteristic way, Brown presents the wilderness landscape as inhabited - by people and memory, by expectation and demand, by self-interest and philosophical positioning, by tourism and the currency of financial imperialism. A stylistic trend of heightened colour expressively used continues in “Mitre” and reaches a fuller flowering in the paintings such as “Jupiter’s Moons,” “Naked in Fiordland,” “Ocean Deep: The Humpbacks” and the John Buchanan influenced “A Few Hundred Years” where Brown openly pays homage to one of the first significant works of NZ art. “Great Balls of Fire” (and “Jupiter’s Moons”) openly references a 1958 diagram of ‘planetary bodies compared with a portion of the sun’(2) and images of a solar flare. These elements are used as stylistic and incremental motifs, varying scale and visual roles as demanded by the pictorial and narrative weighting, and in this way uniting the discursive narrative strands from one work to another. This exhibition also emphasises the crucially innovative role works on paper has in Brown’s oeuvre and that it drives his practice forward. In “My Film My Script” and “Do We Concentrate On Anything Now?” the encircling text occupies the foreground, enclosing Mitre Peak in an accelerating rhythm of expressionistic outlines. Brown’s allusive use of dramatic devices such as curtaining and elements of the stage enable the works to traverse political issues (eg. “Peak Demand” or “Global Positioning”), humanist conundrums (eg “Risk” or “Deeper Vision”) and then to seamlessly link Aotearoa, James K. Baxter and Saint Sebastian (full of arrows at Ruatahuna) with Cezanne and the financial system (“Might Collapse and Jittery”). This subversive narrative brooks no fools and exempts none, including the art world the artist inhabits.

1. Nigel Brown, Artist Statement April 2011 2. Raymond C. Moore, Introduction to Historical Geology, McGraw-Hill, 1958

All prices are NZD and include GST; Prices are current at the time of the exhibition

E X H I B I T I O N P R I C E L I S TE X H I B I T I O N P R I C E L I S TE X H I B I T I O N P R I C E L I S TE X H I B I T I O N P R I C E L I S T

1 Mitre Milford (2010) 6,750

2 Peak Demand (2011) 6,750

3 Global Positioning (2011) 6,750

4 Tourist Earth (2011) 6,750

5 Might Collapse and Jittery (2011) 6,750

6 Sebastian Aotearoa (2011) 6,750

7 Thinking Saint Sebastian (2011) 6,750

8 Save Our Water (2011) 6,750

9 Great Balls of Fire (2011) 6,750

10 Long Term Nurture (2011) 6,750

11 Black Singlet Milford (2011) 6,750

12 The Music (2011) 6,750

13 Deeper Vision (2011) 6,750

14 Risk (2011) 6,750

15 My Film My Script (2011) 6,750

16 Do We Concentrate on Anything Now? (2011) 6,750

17 Art Worry No! (2011) 6,750

18 Song for a Different World (2011) 9,500

19 How Do We Remember? (2011) 9,500

20 A Few Hundred Years (2011) 17,500

21 Jupiter's Moons (2011) 19,000

22 Naked in Fiordland (2011) 8,500

23 Humpbacks at Eua, Tonga (2010) 17,500

24 Ocean Deep: The Humpbacks (2010) 17,500

25 Kermadec (2011) 21,500

Nigel Brown 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz

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NIGEL BROWN b. 1949, lives Southland

All Our Days (2007-08)

Nigel Brown has established a reputation as one the most important figurative artists working in

New Zealand and is acknowledged as New Zealand’s leading narrative artist. His distinctive

works are a blend of symbolic and expressionistic approaches with a deep social concern.

Brown actively uses story telling precepts within the ‘confines’ of the image. He directly and

selectively employs history, literature, politics, etc. as devices and in so doing examines the

varied plights of the individual and environment with an emotional, intuitive sympathy which is

accurate, incisive and clothed in a vernacular of the human condition.

His work expresses fundamental spiritual and humanistic concerns common to mankind.

These are infused with the particularity of cultural location and reference, the specific of place

and event, the dynamism of individual character and personality with the narrative (artist as

author) point of view.

A potent myth-maker, Brown articulates the conscience of a country reinterpreting and

revisiting its past. He translates this and expresses its (discordant) present with the expectation

of better things to come.

Born in Invercargill, New Zealand in 1949, Nigel Brown (ONZM) gained a Bachelor of Fine Arts

from Elam School of Arts, University of Auckland in 1971 and began his full time artist career in

1972. Since then he has exhibited extensively in public and private galleries throughout New

Zealand and has had several touring exhibitions including in 2000-2001 ‘Points Along the Way’

(a survey). After many years living in suburban Auckland, he moved to a coastal property in

rural Southland in 2000. He has received numerous awards, commissions and residencies and

is represented in most New Zealand public collections and many private collections. Brown

was awarded the Order of NZ Merit for Services to painting and printmaking in 2004 and in

2005 was awarded a three week residency in Russia hosted by NZ’s ambassador in Moscow,

Stuart Prior.

In addition to his painting, Brown is also a printmaker and he has undertaken two significant

stained glass window designs – St Mary’s Catholic Church, Auckland (1991) and Auckland

Cathedral, Parnell (1998). Most recently Brown completed ‘Seven Last Words’ (2009) a suite of

lithographs commissioned by Chamber Music NZ in association with String Quartet in honour of the 200th anniversary of Haydn's death.

Nigel Brown 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz

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NIGEL BROWN b. 1949, lives Southland

EDUCATION 1968-71 Elam School of Fine Arts, University of Auckland (BFA) (Tutors include McCahon and Ellis)

SELECTED SOLO EXHIBITIONS 2011 Mitre, Milford Galleries Dunedin

Short Lives of Birds, whitespace, Wellington

2010 Short Lives of Birds, whitespace, Auckland

New Lemon Tree, Williams Gallery, Petone

The Written Word: Works from the Artist, Wallace and Museum Collections, Tairawhiti

Museum and Art Gallery, Gisborne

Selected Works, milford galleries queenstown

2009 All Our Days, Milford Galleries Dunedin

The Haydn Lithos, Touring Papergraphica Exhibition, Launching at Futuna Chapel, Karori, Wellington

Art of Reading, Williams Gallery, Petone

2008 Conversations, milford galleries queenstown

Lamp, Warwick Henderson Gallery, Auckland

Antarctic Visions, Williams Gallery, Petone

2007 Gold Miner, Milford Galleries Dunedin

Will To Meaning, Warwick Henderson Gallery, Auckland

2006 Worded Image, Warwick Henderson Gallery, Auckland

Southern Odyssey Project Commission: Painting for Railway, Mossburn Hotel

Iconic Way, milford galleries queenstown

Personage, Eastern Southland Gallery, Gore

2005 Yeah, Human, Warwick Henderson Gallery, Auckland

Allegories, Tinakori Gallery, Wellington

A Russian Journey, Lithographs, Muka, Auckland

Russian Works, New Zealand Embassy, Moscow, Russia

2004 I Am IV, CoCA, Christchurch

Human Condition, Tinakori Galley, Wellington

Dance of the Origin, Milford Galleries Dunedin

2003 Points Along The Way, Aigantighe Art Gallery, Timaru

I Am III, Warwick Henderson Gallery, Auckland

Deco Echo, Statements Gallery, Napier

2002 Points Along the Way, Ashburton Art Gallery; Forester Gallery, Oamaru

I Am II, Tinakori Galley, Wellington

This Human Place, Warwick Henderson Gallery, Auckland

2001 Points Along the Way, Pataka Porirua Museum of Arts and Culture; Fisher Gallery,

Auckland; Sarjeant Gallery, Wanganui

I Am, Warwick Henderson Gallery, Auckland

2000 Points Along The Way, touring show by Milford Galleries Dunedin; Suter Gallery Nelson

Hard Pressed, Portfolio Gallery, Auckland

Road Works, Statements Gallery, Napier

1999 Encounter and Discovery: Pacifica, Rotorua Museum of Art and History

1998 Antarctica, touring show Government House, Wellington & Auckland, Southland Museum

and Art Gallery, Canterbury Museum

1996 Pacifica V Southland, Museum and Art Gallery, Invercargill

1993 Living Here Aotearoa, Aigantighe Art Gallery, Timaru; Robert McDougall Art Gallery,

Christchurch

Living Here Aotearoa, A Survey, Manawatu Art Gallery, Palmerston North

1988 1984 and After, Manawatu Art Gallery, Palmerston North

Nigel Brown 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz

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SELECTED GROUP EXHIBITIONS 2010 Delights, Medallion Artists New Zealand, Remuera Gallery, Auckland

My City, Whitespace, Auckland

58th Peace Art Exhibition, Yokohama Red Brick Warehouse #1 (Yokohama New Port),

Japan

2009 Medallion Show, Remuera Gallery, Auckland

Masterworks, milford galleries queenstown

57th Peace Art Exhibition, Tokyo Metropolitan Museum, Ueno, Japan

Garden of Delights, New Zealand Medallion Group, Auckland Botanic Gardens Visitor

Centre

Artists to Save Our Water, Chamber Gallery, Rangiora

Taste, Auckland Art Gallery

The Captain, Tauranga Art Gallery

2008 Nine Artists in Fiordland, St Paul’ Cathedral (Caselburg Trust) Dunedin Eden Arts Sketchbook Project: For Artists in Eden Day Select, Old School Puke Ariki, New Plymouth

56th Peace Art Exhibition, Tokyo Metropolitan Museum, Veno Japan

Sinfonia Antarctica, The New Dowse, Lower Hutt

Te Kauri, Zealandia, Warkworth (2008-2009)

Guest Artist (With B. Brickell) NZ Academy of Fine Arts, Wellington

Artists to Save our Water, NG Gallery, Christchurch

Showcasing Southland Artists, Southland Museum and Art Gallery

Adornment, Medallion Group, Waiheke

2007 55th Peace Art Exhibition, Tokyo Metropolitan Museum, Veno Japan

Art for Conversation, Michael Fowler Centre / Government House, Wellington

The Printmakers, Catchment Gallery, Nelson

The Shock of the New, CoCA, Christchurch

Ten Renowned Artists, Remb=uera Gallery, Auckland

2006 Driving Creek collaborative ceramic sculpture with Barry Brickell

The VAANA Fragments, Outreach, Auckland

VAANA Mural, Digitised Version, Karangahape Road, Auckland

Editions, Catchment Gallery, Nelson

Masterstrokes, Gallery 33, Wanaka

Inview: Works from VVA Art Collection, Curated by Adam Art Gallery, Wellington

2005 Everyday Moments, (with Cathy Helps), CoCA, Christchurch

The Hocken Collections in Auckland, Portraits of Artists, University of Otago House

A Celebration of the Life of Lyndsay Crooks, Dunedin Community Gallery

In From the Cold, Christchurch Public Art Gallery

45˚ Below, An Antarctic Summer, Forrester Gallery, Oamaru

53rd Peace Art Exhibition, Ueno, Tokyo, Japan Medallion Group Exhibition, Catchment Gallery, Nelson

2004 McCahon’s Legacy, Ferner Gallery, Wellington

Transit of Venus, milford galleries queenstown

Three Notable Printmakers, Willams Gallery, Petone

A Comparison of Scale, The New Zealand Medallion Group, Percy Thomson Gallery,

Stratford

Pacific Rim, Contemporary New Zealand Medallic Sculpture, Medalia, Rack and Hamper

Gallery, New York

Fidem XXIX 2004, Seixal, Portugal 52 Anniversary Peace Art Exhibition, Tokyo Metropolitan Art Museum, Uneo, Japan

The Sublime Metaphor, New Zealand House, Haymarket, London; City University of New

York (CVNY)

2003 Oxford University Museum; Leedy-Volkous Art Centre Gallery, Kansas City

Ranges of Inspration, Corban Estate Arts Centre, Waitakere City

Art in the Woolshed, Tawharanui

51st Anniversary Peace Art Exhibiton, Tokyo Metropolitan Art Museum, Ueno, Japan

Connectedness, Hawkes Bay Museum

Nigel Brown 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz

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Barking Mad, The Suter, Nelson On Location, Te Papa Touring Exhibition, Included Southland Museum

The Wind in the Fences, Dunedin Public Art Gallery

Overview, AS IS, Landscape and Metaphor, Milford Galleries Dunedin

Artists Against Aqua, Forrester Gallery, Oamaru

2002 Annual Spring Exhibition, Anderson House, Invercargill

Pacific Rim, Simons Gallery , London, England

Southern Exposure, Artists Residence, Cosy Nook 50th Anniversary Peace Art Exhibition, Tokyo Metropolitan Museum, Uneo, Japan

Pacific Rim, Brooke Gifford Gallery, Christchurch

Spiritual Art, Auckland 2001 Cranleigh Barton Drawing Awards, McDougall Gallery, Christchurch (Finalist 2001)

Pacific Rim, Cliff McPherson Gallery, Christchurch

Millennium Medallions, Auckland Museum

49th Anniversary Peace Art Exhibition, Tokyo Metropolitan Art Museum, Ueno, Japan

Sheep, CoCA, Christchurch 2000 The Artists Chair, Milford Galleries Auckland

Millennium Medallions, Wellington City Art Gallery

Annual Spring Exhibition, Anderson House, Invercargill Text and Image, Lopdell House, Auckland XXVII Fidem 2000 Internationalle Medaillenkunst, Berlin Weimar

48th Anniversary Peace Art Exhibition, Tokyo Metropolitan Art Museum, Ueno, Japan

1996 Murals for Auckland Town Hall Restoration Project and Green Peace.

1994 Visiting Artist, Hawkes Bay Polytechnic

1987 1987 Print Series, City Gallery, Wellington

1985 Living in the Bomb Age, Dunedin Public Art Gallery

AWARDS & COMMISSIONS 2009 “The Haydn Lithos”, Printed Papergraphica, Christchurch. Commissioned by Chamber

Music NZ in association with NZ String Quartet (performance) and Sara Brodie (video

included in the performance). Performance touring New Zealand, 2009

2007 Cover for Courses and Careers, Cervin Publishing

2006 Work for Railway Hotel, Mossburn, Southern Odessey Trail

2005 Awarded a three week residency in Russia hosted by NZ’s ambassador in Moscow, Stuart

Prior, and partially funded by private contributors in NZ

2004 ONZM for services to Painting and Print Making

1998 Inaugural member Artists to Antarctica

Stained glass window commission Auckland Anglican Trinity Cathedral, Parnell, Auckland

Southern Odyssey Project Commission: Painting for Railway, Mossburn Hotel

1995 Finalist Visa Gold

1993 Artist in Residence, Wanganui Regional Polytechnic

1991 Stained glass window commission St Mary’s Catholic Church, Auckland

1986 Awarded QEII Arts Council Grant

1981 Awarded QEII Arts Council Grant for travel to USA, UK & Europe

1978 Awarded QEII Arts Council Grant

COLLECTIONS Hocken Library Dunedin

Alexander Turnbull Library

Auckland Art Gallery

Sarjeant Gallery

Robert McDougall Art gallery

Te Papa Tongarewa

Manawatu Art gallery

Dowse Art Museum

Waikato Museum of Art & History

Lincoln College

University of Auckland

University of Otago

Chartwell Trust Collection

Aigantighe Art gallery

Creative NZ

University of Canterbury

Porirua Court

Massey University

University of Waikato

Gisborne Museum & Arts Centre

Nigel Brown 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz

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The Rutherford Collection

Anderson Park Art Gallery

Christchurch City Council

Ministry Of External Relations and Trade

The Suter

Hawkes Bay Polytechnic

ANZ Bank

BNZ

Fletcher Challenge

Bank of NZ

Bromhead Design

Centra Hotel

Russell McVeagh

Simpson Grierson

Eastern Southland Gallery

Canterbury Museum

Fletcher Challenge Petroleum

Natural Gas Corporation

PricewaterhouseCoopers

Westpac Trust

Buddle Findlay

NZ Insurance

Tower Corporation

AMP

Millennium Hotels

Tauranga Art Gallery

SELECTED BIBLIOGRAPHY 2011 Wolfe, Richard and Stephen Robinson, Artists At Work, Penguin Books, London, England

2010 Ed. Paul Millar, James K Bazter, Selected Poems, Fyfield Books, Carcanet Press Ltd

Manchester and Auckland University Press, Auckland (work on the cover)

‘Living Icons’, Jam Radio, Depot Artspace, Devonport, Auckland. Denys Trussell Interviews

Artist.

Wolfe, Richard and Stephen Robinson, Artists @ Work, Penguin

2009 ‘North South’, Handwritten and Illustrated by Artist. Poem by Glenn Colquhoun. Steele

Roberts. CNZ Funded.

‘The Christian Symbolism of Nigel Brown’, Alastair Lane, Stimulus, Vol 17, Issue 1, February

2009

The Brown Years, exhibition catalogue, Tauranga Art Gallery. (Catalogue essay by Penny

Jackson)

2008 Gifford, Adam, ‘Shadows of McCahon and More’, Herald, October 11, 2008

Orton, Mark, Nine Artists in Fiordland, A DVD of Break Sea Girl Trip

Kim Hill Interview, Radio NZ, 19 April 2008

The Real Art Show (Promotional pack for touring show)

‘Talk Talk’, Finlay McDonald, Free Air, Recorded June 2008

Johnstone, Christopher, The Painted Garden in NZ Art, Random House NZ, 2008

Wolfe, Richard, NZ Portraits, , Penguin, 2008

Trussell, Dennis, The Expressive Forest, Brick Row Publishing, Auckland, 2008

K.M., Bravado (Cover), Issue 14, 2008, (Included Katherine Mansfield Conference Paper by

P. Jackson, London)

‘Te Ara’, the Encyclopaedia of NZ, Online, Ministry of Culture and Heritage

2007 Fallow, Michael, ‘Vulnerable Stuff’, Southland Times, 2007

Eyley, C.P., No Nukes is Good Nukes, CD, 2007

Clairmont, Sunday Programme, 4/11/2007, TV1 Footage and interview

Will To Meaning, Catalogue 2007, W.H. Gallery, Auckland. (Note by B. Brickell)

2004 Dance of the Origin, DVD material (unedited) of Milford Galleries Dunedin exhibition, 2004,

(TV1 coverage, rehearsal, paintings)

1991 O’Brien, Gregory, Nigel Brown, Random Century