onesheet-bootcamp1
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MAKE ART WORK: THE DRAWN AND DRAFTED GUIDE FOR ARTISTS is coming soon—as well as many other useful and interesting projects.
Join the mailing list to stay informed. www.DrawnAndDrafted.com
Getting You Found:S E L F- P R O M O T I O N • S O C I A L M E D I A • A P P R O A C H I N G A R T D I R E C TO R S
SOCIAL MEDIA
D R A W N + D R A F T E D X S P E C T R U M F A N T A S T I C A R T L I V E A R T I S T B O O T C A M P S E S S I O N 1
EMAILING ADs DOs:
RESEARCH1Make it obvious you’ve done your homework. Show you are familiar with the company’s product, mention something specific about a product or the art style. Pick art to send that you think fits their needs. Don’t expect a personal response to an impersonal message.
If ADs are at an industry event, they expect artists to come talk to them, it’s part of the job. The same applies for social media. Every AD’s preference is di�erent. Some like print promos, some prefer to find artists via social media, but across the board, you can contact every AD by email. So what do you send?
MAKE IT EASY(ON THEM)
2
The less steps you’re asking an AD to take to see and save your work the better. Attach lo-res jpegs, have an obvious link to your online portfolio, and keep it simple.
Even if your email was a complete success, you may not hear about it for a while. An AD will remember your art when the right project comes along. An AD may also pitch you to their approvers for a job many times before you’re put on a project. Assume the best, and send updates when you have new work.
DON’T EXPECT ANINSTANT RESPONSE
3
• ATTACH 3-5 LO-RES JPEGS• INCLUDE A DIRECT LINK TO YOUR WEBSITE• WRITE A SHORT RELEVANT NOTE• EMAIL AGAIN WHEN YOU HAVE SIGNIFICANT NEW WORK
Good for conversation, bad for art
You can’t cover them all. Be everywhere you can be well.
APPROACHING ART DIRECTORS Do your research, be polite, and be patient.
Great for sketches, process, and updates
Nice bonus, others reshare for you
There’s di�erent favorite sites for di�erent communities (concept art, design, comics, etc.)—do some poking around and see what genre has the majority of work. Do you fit in?
Behance, DeviantArt, Artstation, Dribble, etc.
Good for process vids
Generally useless
Keep resumé updated, ok for sta� positions
Pages are unreliable, Personal Accounts are best
DON’Ts:• ATTACH HI-RES FILES• EMAIL AGAIN JUST TO SEE IF THE AD GOT YOUR EMAIL• WRITE A MULTI-PAGE LETTER• DEMAND TO KNOW WHY YOU HAVEN’T BEEN HIRED YET
the COLD
IFTTT.com
MAND
ATOR
YOP
TIONA
L
PSYCHOLOGY OF THE INTERNET
PORTFOLIO SITES + ART COMMUNITIES
THE BEST TIME TO POST ANYTHING ONLINE IS MONDAYS & TUESDAYS BETWEEN 10AM—12PM
Great for crit groups and feedback from peers
Di�erent ADs haunt di�erent sites
People share things that support their identity and make them feel smart, cool, or make them laugh. This is why 80% of the internet is fandoms, cat videos, and snark. People also respond to passion. Make things that YOU love and others will love them too. Be scientific and see what posts get the most support, and figure out why. Repeat.
These sites also draw attention from individual clients and small businesses needing art
SELF-PROMOTION Print or Digital—you have to be useful, or cool—or both— or you’re wasting your time & money.
Spend 75% of your time making great workand 25% of your time promoting it (social media,promotion, and networking).
PRINTERS: Jakprints, Moo, OneInchRound, Zoo, SpreadshirtFULL SERVICE: InPrnt, Society6, Redbubble
75/25 RULE GOOD PRINT VENDORS
75%25%
Recipes for automating your posts across social media platforms, auto-backups,and other productivity assists (free)